Film scripts and screenplays Books
Amazon Digital Services LLC - Kdp Guiones Volumen I
£12.83
Stephanie A. Wilder Civil Law
£17.09
Amazon Digital Services LLC - Kdp Enye Thamani
£27.89
Independently Published Writing a Great Movie: Key Tools for Successful Screenwriting
£15.64
Independently Published All of Us Strangers: A Screenplay
£10.54
Amazon Digital Services LLC - Kdp Past Lives
£9.99
HarperCollins Publishers Inc Downton Abbey Season One
Book Synopsis
£19.49
HarperCollins Publishers Inc Downton Abbey Script Book Season 3
Book Synopsis
£17.24
St. Martins Press-3PL Batman Begins The Essential Companion
a huge range and FREE tracked UK delivery on ALL orders.
£25.15
Concord Theatricals Grease Samuel French
a huge range and FREE tracked UK delivery on ALL orders.
£18.43
Headline Publishing Group Porridge Scripts
Book SynopsisRegarded by many critics as Britain''s best sitcom, Dick Clement and Ian La Frenais'' tales of life inside Slade Prison first hit the screens in 1973 and ran until 1977. But it has never faded from the nation''s consciousness. Ronnie Barker as Fletch the old lag and Richard Beckinsale as Godber the naive first-time offender are comic creations as fine as any in the history of television. Now, for the first time, Richard Webber has brought together the original scripts from all three series of PORRIDGE to make this the essential souvenir for all the many fans of this much-loved classic comedy.
£13.27
Edinburgh University Press Hollywood and the Great Depression
Book SynopsisIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nation''s history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelt''s New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.
£85.50
British Film Institute Rome Open City Roma Citta Aperta 55 BFI Film
Book SynopsisThis study examines Rome Open City and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record.
£11.39
Plexus Publishing Ltd Wyatt Earp
Book Synopsis
£12.34
Bloomsbury Publishing PLC Mank
Book SynopsisDavid Fincher''s Mank recreates 1930s Hollywood through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane. Starring Gary Oldman as Mankiewicz, Amanda Seyfried as Marion Davies, Charles Dance as William Randolph Hearst and Tom Burke as Orson Welles.Trade Reviewa heartfelt, irresistibly watchable film -- Peter Bradshaw * The Guardian *“Mank” is a lusciously evocative, verbally sharp-angled movie that’s never less than engrossing. -- Owen Gleiberman * Variety *a clear-eyed, warts ’n’ all love letter to Hollywood, alive to both the glamour and messy realities of the film industry and the act of creation itself — all wrapped in some of the most gorgeous filmmaking craft imaginable ... Mank delivers the “magic of the movies” in its own unique way. -- Ian Freer * Empire *It’s no small matter that the author of Mank is Jack Fincher, the director’s father, who died in 2003. He gets sole credit, a gesture that ratifies the film’s argument that screenwriting isn’t only about what’s on the page: at its finest, it facilitates conditions in which everyone can sparkle. I don’t know whether the script stipulated the box of Gold Dust washing powder that sits beside the sink in Mank’s villa, but there it is, bold as brass, hinting at the alchemy necessary to create a Citizen Kane. Or, for that matter, a Mank. -- Ryan Gilbey * New Statesman *
£13.99
Edinburgh University Press Speaking in Subtitles
Book SynopsisOver 6000 different languages are used in the world today, but the conventions of media speak are far from universal and the complexities of translation are rarely acknowledged, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingencies of translation are vital to screen media's global storytelling.
£85.50
Edinburgh University Press Engaging Dialogue
Book SynopsisFocusing on the 1980s until the present, particularly on the films by writer-directors like Jim Jarmusch, Noah Baumbach and Richard Linklater, this book demonstrates dialogue's ability to engage audiences and bind together the narrative, aesthetic and performative elements of selected cinema.
£85.50
Edinburgh University Press Moving Figures
Book SynopsisExamines how the Chinese Reform Era is contrusted and felt in the films of Jia Zhangke, using the concept of structures of feeling
£85.50
Edinburgh University Press Engaging Dialogue
Book SynopsisO'Meara highlights how speech can be central to cinema without overshadowing its medium-specific components, and demonstrates how indie dialogue can instead hinge on an idea of cinematic verbalism.
£999.99
Edinburgh University Press Tracking Loach
Book SynopsisOffers a unique first-hand account of Ken Loach's working methodsTrade Review"David Archibald provides a thorough analysis of the many facets of Ken Loach's work as one of the most consistent and radical filmmakers in Britain. With a carefully argued methodology and a thorough case study, based on the production process of The Angels' Share, his book offers eloquent insight into this significant director and his work." -Rod Stoneman, NUI Galway
£85.50
Edinburgh University Press Mediating War and Identity
Book SynopsisThrough an interdisciplinary lens, this collection analyses the depiction offigures of transgression (e.g. traitors, deserters, refugees) in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge.
£85.50
Edinburgh University Press Moving Figures
Book SynopsisThis book focuses on how the 'Reform Era' has been constructed in the work of the director Jia Zhangke, analysing the archetypal class figures of worker, peasant, soldier, intellectual and entrepreneur that are found in his films.
£22.79
Bloomsbury Publishing Plc Being There and the Evolution of a Screenplay
Book SynopsisBeing There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts.Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski''s copy of the scripts that include handwrittenTrade ReviewIn this bold and ambitious work, Hunter demonstrates with great clarity the collaborative nature of the screenwriting process through an examination of one of the most celebrated screenplays of the 20th Century, Being There. Meticulously dissecting its scenes, analyzing its dialogue and showing how and why they evolved through the contribution of key creative agents over the course of several years, Being There and the Evolution of a Screenplay provides the reader with a rare opportunity to understand the creative process at the heart of Hollywood cinema. A must-read for screenwriting students! * Yannis Tzioumakis, co-editor of The Hollywood Renaissance (2018) *Table of Contents1. Introduction 2. Screenplay Introduction Being There draft by Jerzy Kosinski 3. Screenplay Introduction Being There first draft by Robert C. Jones 4. Screenplay Introduction Being There final draft by Robert C. Jones, with Hal Ashby 5. Appendix I: 'Walking on Water' Sequence Bibliography Index
£29.99
Regan Arts The Godfather Notebook
Book Synopsis
£59.62
Titan Books Ltd First Man - The Annotated Screenplay
Book SynopsisOn the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie explores the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history. First Man: The Annotated Screenplay is the official companion to the movie, and features a wealth of stunning photography, alongside the full shooting script. Academy Award®-winning screenwriter Josh Singer (Spotlight) and James R. Hansen, whose book First Man is the only authorized biography of Armstrong, provide an in-depth commentary on the challenges of dramatizing a fact-based historical motion picture. Exclusive annotations separate those facts from the dramatic fictions the filmmakers utilized, as well as explain the overarching dramatic choices made in telling the story of the man behind the icon.Trade Review“a gorgeously-produced piece of work” - Birth.Movies.Death“gives an entirely different experience of this journey to space” - The Film Stage Review “gave a huge insight to the highly anticipated movie, and made me honestly want to learn more about Armstrong and the other astronauts that took place within this time frame” - Geekisphere"An enjoyable read and an insightful one for those who want to learn about how to write screenplays." - Cinema Sentries
£25.49
Bloomsbury Publishing PLC The Films of Laura Mulvey and Peter Wollen:
Book SynopsisThis collection of Laura Mulvey and Peter Wollen’s film scripts vividly evokes the close connection between their influential work as theorists and their work as filmmakers. It includes scripts for all six of Mulvey and Wollen’s collaborative films, Wollen’s solo feature film, Friendship’s Death (1987), and Mulvey’s later collaborations. Each text is followed by a new essay by a leading writer, offering a critical interpretation of the corresponding film. The collection also includes Wollen’s short story Friendship’s Death (1976), the outlines for two unrealised Mulvey and Wollen collaborations, and a selection of scanned working documents. The scripts and essays collected in this volume trace the historical significance of a complex cinematic project that brought feminist, semiotic and psychoanalytic concerns together with formal devices and strategies. The book includes original contributions from Nora M. Alter, Kodwo Eshun, Nicolas Helm-Grovas, Esther Leslie, Laura Mulvey, Volker Pantenburg, Griselda Pollock, B. Ruby Rich and Sukhdev Sandhu.Trade ReviewThis noble and overdue compilation serves as a much-needed affirmation of their powerful cinematic oeuvre. -- Bruno Guaraná * Film Quarterly *Table of ContentsAcknowledgements List of Contributors Introduction Oliver Fuke Introduction Laura Mulvey Section 1 - Laura Mulvey and Peter Wollen’s Collaborative Films 1. Penthesilea: Queen of the Amazons Laura Mulvey and Peter Wollen 2. Scorch the Earth, Start from Zero: Penthesilea: Queen of the Amazons Nicolas Helm-Grovas 3. Riddles of the Sphinx Laura Mulvey and Peter Wollen 4. Towards New Theoretical Instruments: Riddles of the Sphinx Volker Pantenburg 5. AMY! Laura Mulvey and Peter Wollen 6. The Curse of Celebrity, Colonial Territory and the Flight to Freedom: AMY! Griselda Pollock 7. Crystal Gazing Laura Mulvey and Peter Wollen 8. Economic Forecasting and the End of the Avant-Garde: Crystal Gazing Esther Leslie 9. Frida Kahlo & Tina Modotti Laura Mulvey and Peter Wollen 10. Muse, Mutilation, Mastery, Martyr: Frida Kahlo & Tina Modotti B. Ruby Rich 11. The Bad Sister Laura Mulvey and Peter Wollen 12. Timeshifting: The Bad Sister Sukhdev Sandhu Section 2 - Peter Wollen’s Friendship’s Death 13. Friendship’s Death (fiction) Peter Wollen 14. Friendship’s Death (script) Peter Wollen 15. ‘Aliens wherever they have to go’: Friendship’s Death Kodwo Eshun Section 3 - Laura Mulvey’s Later Collaborative Films 16. Disgraced Monuments Mark Lewis and Laura Mulvey 17. Preserving History: Disgraced Monuments Nora M. Alter 18. 23rd August 2008 Faysal Abdullah, Mark Lewis and Laura Mulvey 19. Two Portraits: 23rd August 2008 Laura Mulvey Section 4 - Outlines for Unmade Collaborative Films 20. Possible Worlds Laura Mulvey and Peter Wollen 21.Chess Fever Laura Mulvey and Peter Wollen Section 5 - Working Documents Bibliography Filmography Index
£71.25
Bloomsbury Publishing PLC The Films of Laura Mulvey and Peter Wollen:
Book SynopsisThis collection of Laura Mulvey and Peter Wollen’s film scripts vividly evokes the close connection between their influential work as theorists and their work as filmmakers. It includes scripts for all six of Mulvey and Wollen’s collaborative films, Wollen’s solo feature film, Friendship’s Death (1987), and Mulvey’s later collaborations. Each text is followed by a new essay by a leading writer, offering a critical interpretation of the corresponding film. The collection also includes Wollen’s short story Friendship’s Death (1976), the outlines for two unrealised Mulvey and Wollen collaborations, and a selection of scanned working documents. The scripts and essays collected in this volume trace the historical significance of a complex cinematic project that brought feminist, semiotic and psychoanalytic concerns together with formal devices and strategies. The book includes original contributions from Nora M. Alter, Kodwo Eshun, Nicolas Helm-Grovas, Esther Leslie, Laura Mulvey, Volker Pantenburg, Griselda Pollock, B. Ruby Rich and Sukhdev Sandhu.Table of ContentsAcknowledgements Introduction - Oliver Fuke Introduction - Laura Mulvey Section 1 - Laura Mulvey and Peter Wollen’s Collaborative Films 1.Penthesilea: Queen of the Amazons - Laura Mulvey and Peter Wollen 2.Scorch the Earth, Start from Zero: Penthesilea: Queen of the Amazons - Nicolas Helm- Grovas 3.Riddles of the Sphinx - Laura Mulvey and Peter Wollen 4.Towards New Theoretical Instruments: Riddles of the Sphinx - Volker Pantenburg 5.AMY! - Laura Mulvey and Peter Wollen 6.The Curse of Celebrity, Colonial Territory and the Flight to Freedom: AMY! - Griselda Pollock 7.Crystal Gazing - Laura Mulvey and Peter Wollen 8.Economic Forecasting and the End of the Avant- Garde: Crystal Gazing - Esther Leslie 9.Frida Kahlo & Tina Modotti - Laura Mulvey and Peter Wollen 10.Muse, Mutilation, Mastery, Martyr: Frida Kahlo & Tina Modotti - B. Ruby Rich 11.The Bad Sister - Laura Mulvey and Peter Wollen 12.Timeshifting: The Bad Sister - Sukhdev Sandhu Section 2 - Peter Wollen’s Friendship’s Death 13.Friendship’s Death (Fiction) - Peter Wollen 14. Friendship’s Death (Script) - Peter Wollen 15.‘Aliens wherever they have to go’: Friendship’s Death - Kodwo Eshun Section 3 - Laura Mulvey’s Later Collaborative Films 16. Disgraced Monuments - Mark Lewis and Laura Mulvey 17. Preserving History: Disgraced Monuments - Nora M. Alter 18. 23rd August 2008 - Faysal Abdullah, Mark Lewis and Laura Mulvey 19.Two Portraits: 23rd August 2008 - Laura Mulvey Section 4 - Outlines for Unmade Collaborative Films 20.Possible Worlds - Laura Mulvey and Peter Wollen 21.Chess Fever - Laura Mulvey and Peter Wollen Section 5 Working Documents Bibliography Filmography List of Contributors Index
£24.99
Bloomsbury Academic The Heart of Your Script
Book SynopsisPhil Hughes is Senior Lecturer and course leader in Film & Screen at Regent's University London, UK. Alongside Ted Wilkes, he is the author of Character Is Structure: The Insider's Guide to Screenwriting (2023). He has written numerous scripts for film and television including Thunderpants (2002) and I Want Candy (2007). He has developed scripts with major producers, broadcasters and studios both in Europe and the USA. Ted Wilkes is Senior Lecturer in Screenwriting at University for the Creative Arts, UK. He is co-founder of the production company BottleRocket Film and his work has been exhibited at the Dublin Sci-Fi Film Festival, the Miami Sci-Fi Film Festival and the Southampton International Film Festival.
£61.75
Oldcastle Books Ltd Writing and Selling Romantic Comedy Screenplays
Book SynopsisWhat happens when 'happy ever after' isn't quite so simple? Today's attitudes to love and romance are as varied and diverse as individuals, and audiences want and need more sophisticated, authentic films that show how we live and love now. So what does this mean for the screenwriter developing a romcom? And how do they write heart-warming stories for a genre that is constantly evolving, from bromcom to zomcom to famcom? Writing and Selling Romantic Comedy Screenplays offers a fresh approach to creating narratives for this ever-changing genre. Moving away from rigid and limited definitions that have evolved out of mainstream genre films, the book embraces a working definition that crosses cultural and national boundaries to give screenwriters around the world a truly international perspective on writing comedic love stories. It will be the first screenwriting guide to reflect the diversity of approaches in today's films that deal with the human need for emotional and physical intimacy using humour - the contemporary romantic comedy. Features of the book include: Illuminating, challenging and provocative about the state of the rom-com genre. Why do some films feel so dated, while others are perennially relevant? Explores and defines all subgenres of romcom, such as zomcom, bromedy, soromcom and famcom. Uniquely draws on creativity, screenwriting genre theory and film industry practice. Stimulating creative exercises at the end of every chapter, and 'hot tips' throughout. Adaptable concepts that can be applied to both feature films and short films. Encourages screenwriters to define their own values about love to ensure their voice and message is original - and commercial. Case studies and analyses of produced screenplays, including Dostana, Due Date, I Give it a Year, I love You, Man, Midnight in Paris, Ruby Sparks, Tamara Drewe, Ted and Warm Bodies. Interviews with writers, directors and producers. Genuine international perspective. Indispensible guide for both the student and the professional writer or filmmaker.
£17.09
Oldcastle Books Ltd The Art of Screenplays - A Writer's Guide
Book SynopsisThe Art of Screenplays is a working handbook for writers with stories to tell. Addressing the key issues of creativity and craft, its aim is to connect with our natural understanding of story, to demystify the screenwriter's art, and to enable fresh, original and authentic writing. Working on the central premise that drama reflects nature, and screenplays simply echo life as we know it, the areas Mukherjee discusses include: The Writer's eye. How to gather, ferment and communicate story. The art of action. Understanding structure through observation. Who am I? Exploring the levels of characters. Vertical structure. Say what you mean. Mean what you say. Speak the speech. The art of not writing dialogue. Trade ReviewRM comes across as what he is: a screenwriter of real experience who has the confidence and knowledge of having worked extensively at the industry coal-face with a lot of really good credits in TV and feature films. Unlike many screenwriting books, he writes from a position of authority - and it shows -- Philip Shelley * Script Consultant *an insightful guide that prompts readers to think for themselves -- Dominic Carver * The Scriptwriter *'a really interesting mix of theoretical study and practical experience...Highly recommended for both beginners and experienced writers' * Write So Fluid *Brilliant and original...far and away the best writing guide I've read. It should become must reading for all of us, students and tutors alike -- Paul Bryers - award winning writer, filmmaker and producerone of the most beautifully written books about screenwriting that I've ever read * Scriptangel *
£19.79
Route Publishing Looking for Eric
Book Synopsis
£8.99
Route Publishing Jimmy's Hall
Book Synopsis
£9.99
Shoestring Press Based on a True Story: Real Made-Up Men
Book Synopsis
£14.25
UEA Publishing Project UEA MA Scriptwriting Anthology 2022
Book Synopsis2022 edition of the UEA MA Scriptwriting creative writing course anthology
£11.77
UEA Publishing Project Scriptwriting: UEA MA Anthologies 2023
Book SynopsisWe invite you to open your mind and engage your imagination, with twenty-two diverse and gripping tales written for the stage and screen. Set across the world, from London to Paris, the backroads of Eastern Europe to the post-apocalyptic highways of the United States, across forests and cliffsides, and even to Heaven itself, these varied pieces tackle subjects from desperate survival, to unrequited love, to exploring new identities. Hiking through Rendlesham Forest, Jay searches for aliens and confronts his childhood trauma in Pareidolia. Jerry struggles with the most important decision of his life... whether or not to shave his moustache, in MoustOUCHe. Two young brothers make the discovery of their lives in Mortars.
£11.77
DIS VOIR Joseph
Book Synopsis
£17.10
Suhrkamp Verlag Das Leben der anderen
Book Synopsis
£11.88
Bloomsbury Publishing (UK) Short Film Screenwriting
Book SynopsisAustin Bunn is Associate Professor in the Department of Performing and Media Arts at Cornell University, USA. He is the author of The Brink: Stories and co-author of A Killer Life: How an Independent Producer Survives Deals and Disasters Far From Hollywood, one of the Hollywood Reporter Top 100 Greatest Film Books of All Time. He wrote the screenplay for Kill Your Darlings and has written scripts and pilots for Lionsgate, Participant Media, Fox2000, and Tomorrow Studios. His award-winning short films have screened nationally and internationally.
£85.50
Bloomsbury Publishing (UK) Short Film Screenwriting
Book SynopsisAustin Bunn is Associate Professor in the Department of Performing and Media Arts at Cornell University, USA. He is the author of The Brink: Stories and co-author of A Killer Life: How an Independent Producer Survives Deals and Disasters Far From Hollywood, one of the Hollywood Reporter Top 100 Greatest Film Books of All Time. He wrote the screenplay for Kill Your Darlings and has written scripts and pilots for Lionsgate, Participant Media, Fox2000, and Tomorrow Studios. His award-winning short films have screened nationally and internationally.
£21.99
University of Illinois Press Scripting Hitchcock
Book SynopsisCreative collaborations that gave Hitchcock his finest filmsTrade ReviewNominated for an Edgar Allan Poe Award from the Mystery Writers of America in the category of Best Critical/Biographical, 2012. "A gracefully conceived study of the role of the scriptwriter in three key works from Hitchcock's later career. Convincingly substantiating received wisdom about Hitchcock's working methods, Raubicheck and Srebnick enhance our understanding of collaborative authorship--a topic that is important not only for the study of Hitchcock but for the field as a whole."--Richard Allen, professor of cinema studies, New York University“This wonderful, sensible study should be devoured by film students of all ages. Highly recommended."--ChoiceTable of ContentsPreface The "Triptych" and the Screenplays; The Sources; From Treatment to Shooting Script; Final Drafts: The Shooting Script Afterword
£17.99
University of Texas Press A Poetics for Screenwriters
Book SynopsisA thorough overview of all the dramatic elements of screenplays.Table of Contents Introduction I. Context II. Primary Plot Elements III. Dramatic Reality IV. Storytelling Stance and Plot Types V. Character VI. Mind in Drama VII. Spectacle and Other Elements VIII. Developing and Filming the Story Notes Screenplay Author List
£15.19
University of Texas Press On Story Screenwriters and Their Craft
Book SynopsisRenowned, award-winning screenwriters, including John Lee Hancock, Peter Hedges, Lawrence Kasdan, Whit Stillman, Robin Swicord, and Randall Wallace, discuss their craft from concept to completion in these lively conversations transcribed from the acclaimeTable of Contents Foreword by Brian Helgeland Acknowledgments Screenwriter Biographies Introduction by Barbara Morgan I. Inspiration A Conversation with Randall Wallace II. Story What Makes a Great Story: A Conversation with Bill Wittliff Steven Zaillian on Where the Story Originates Peter Hedges on Crafting Story Lawrence Kasdan on Story and Theme III. Process A Conversation with John Lee Hancock Sacha Gervasi on Getting Started The Basics with Nicholas Kazan Advice from Bill Wittliff Anne Rapp's Writing Routine Caroline Thompson’s Writing Process Lawrence Kasdan on the Challenges of Writing IV. Structure Structure and Format: A Conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan Caroline Thompson on Structure Lawrence Kasdan on the Rules of Script Formatting Visual Storytelling: A Conversation with John August, John Lee Hancock, and Randall Wallace V. Character and Dialogue Building Characters and Mapping Their Journeys: A Conversation with Lawrence Kasdan and Anne Rapp Nicholas Kazan on Writing Characters Crafting Characters: A Conversation with Lawrence Kasdan Dialogue and Finding the Voice: A Conversation with John August and John Lee Hancock VI. Rewriting Writer's Block: A Conversation with Bud Shrake and Bill Wittliff Bill Wittliff on When to Let Something Go Steven Zaillian on Defining Scenes: What to Keep In, What to Leave Out Anne Rapp on Keeping the Writing Fresh Nicholas Kazan’s Rewriting Process On Rewriting: A Conversation with Daniel Petrie, Jr., Peter Hedges, and Sacha Gervasi Lawrence Kasdan on How You Know When You’re Done VII. Collaboration A Conversation with Steven Zaillian Peter Hedges on Collaborating Lawrence Kasdan on Writing with a Partner Randall Wallace on Working with Other Writers VIII. Go Forth
£15.19
University of Texas Press The Understructure of Writing for Film and
Book SynopsisThis unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer.Trade Review"[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation." Frank Pierson "If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films." Larry Gelbart "I wish this book had been printed when I started as a writer. It would have been a tremendous help." Aaron SpellingTable of Contents Preface Acknowledgments Part One. Getting on Your Feet 1. Your Dramatic Heritage 2. What Is a Dramatic Conflict? 3. What Is a Scene? 4. Camera Language and Format Part Two. Developing Character and Conflict 5. Introduction 6. Establishing Character and Conflict 7. Developing Character and Conflict to Crisis 8. Achieving Crisis and Climax 9. Handling Dialogue, Theme, Values, and Moral Urgency 10. Writing the Miniscreenplay 11. A Last Word Appendix: The Market Glossary of Film Terms Index
£19.79
John Wiley & Sons Inc How to Adapt Anything into a Screenplay
Book SynopsisDrawing on his own experiences of adaptations and on fourteen years of teaching, the author presents his seven step process for aspiring screenwriters on how to adapt from novels and short stories to newspaper articles and poems into a screenplay.Table of ContentsForeword by Jeff Arch. Preface. Acknowledgments. 1. A Short History of Adaptations. 2. Professor K.’s Five-Step Adaptation Process. 3. Legal Issues of Adaptations. 4. How Faithful Should Adaptations Be? Case Study: Harry Potter and the Sorcerer’s Stone. 5. Mining the Vein and Extracting the Gold. Case Study: The Shawshank Redemption. 6. Truth, Lies, and Alternative Structures. Case Study: Rashomon. 7. Compiling Characters, Cherry-Picking, and Captain Phenomenal. Case Study: The Patriot. 8. Reinterpreting and Reinventing the Storytelling Wheel. Case Study: O Brother, Where Art Thou? 9. I Know It Really Happened That Way, But . . . . Case Study: Madison. 10. Learning by Writing Across the Genres. Case Study: Glengarry Glen Ross. 11. Good, Evil, and the Eternal Combat Over Adaptations. Case Study: X-Men. 12. Smart Choices with Source Material. Case Study: Shiloh. 13. Hints from and Interviews with Hollywood Bigwigs. Bibliography. Filmography.
£13.49
University of California Press Double Indemnity
Book SynopsisAdapted from the James M Cain novel by director Wilder and novelist Raymond Chandler, this title tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role.
£20.70
University of California Press Sunset Boulevard
Book Synopsis"Sunset Boulevard" (1950) is one of the famous films in the history of Hollywood, and perhaps no film better represents Hollywood's vision of itself. This title makes it possible to get as much pleasure from reading the highly intelligent screenplay as from seeing the film.
£20.70
University of California Press Andre Bazin on Adaptation
Book SynopsisAdaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature allowed him to identify the aesthetic and sociological distinctiveness of each medium. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. The critical genius of one of the greatest film and cultural critics of the twentieth century is on full display in this collection, in which readers are introduced to Bazin's foundational concepts of the relationship between film and literary adaptation.Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novels of the day (Conrad, Hemingway, Steinbeck, Colette, Sagan, Duras, and others) as well as classic novels of the nineteenth century (Bronte, Melville, Tolstoy, Balzac, Hugo, Zola, Stendhal, and more). As a bonus, two hundred and fifty years of French fiction are put into play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature, and especially for cinema. This volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin's criticism.Trade Review"One must be cravenly grateful for these tasty packages of Bazin that Dudley Andrew is so thoughtfully arranging for us." * Cineaste *Table of ContentsContents Preface Acknowledgments Introduction: André Bazin’s Position in Cinema’s Literary Imagination PART ONE. ADAPTATION IN THEORY 1. Preview: A Postwar Renewal of Novel and Cinema 2. André Malraux, Espoir, or Style in Cinema 3. Cinema as Digest 4. Critical Stance: Defense of Adaptation 5. Cinema and Novel 6. Literature, is it a Trap for Cinema? 7. A Question on the Baccalaureate Exam: The Film-Novel Problem 8. Lamartine, Jocelyn: Should you Scrupulously Adapt such a Poem? 9. Roger Leenhardt has Filmed a Novel he never Wrote 106 10. Alexandre Astruc’s Les Mauvaises Rencontres (Bad Liaisons): Better than a Novel 11. Colette, Le Blé en herbe: Uncertain Fidelity 12. Rereading Stendhal’s Le Rouge et le Noir (The Red and the Black) through a Camera Lens 13. Of Novels and Films: M. Ripois with or without Nemesis 14. Stendhal’s Mina de Vanghel, Captured beyond Fidelity 15. Mina de Vanghel: More Stendhalian than Stendhal PART TWO. ADAPTING CONTEMPORARY FICTION A. Best Sellers from Abroad 16. On William Saroyan’s The Human Comedy 17. Billy Wilder, The Lost Weekend 18. Hollywood Can Translate Faulkner, Hemingway, and Caldwell 19. John Ford, How Green Was My Valley 20. John Ford, The Grapes of Wrath, from Steinbeck 21. John Ford, Tobacco Road, from Erskine Caldwell 22. Theodore Dreiser’s An American Tragedy becomes A Place in the Sun 23. D. H. Lawrence, Lady Chatterley’s Lover 24. Has Hemingway influenced Cinema? 25. Ernest Hemingway, The Snows of Kilimanjaro 26. Ernest Hemingway, A Farewell to Arms 27. Graham Greene’s The Power and the Glory becomes John Ford’s The Fugitive 28. Graham Greene, Brighton Rock 29. Graham Greene and Carol Reed, The Fallen Idol 30. Graham Greene, The Heart of the Matter 31. Joseph Conrad, Outcast of the Islands, filmed by Carol Reed 32. Arthur Miller’s The Crucible and Nikos Kazantzakis’ He Who Must Die are now Two Great French Films 33. Franz Kafka on Screen: Clouzot’s Les Espions (The Spies) B. Fiction from France 34. Avec André Gide, by Marc Allégret 35. The Universe of Marcel Aymé on Screen: La Belle Image 36. Colette, Le Blé en herbe: The Ripening Seed . . . has Matured 37. Marguerite Duras, Barrage contre la Pacifique, adapted by René Clément 38. Françoise Sagan, Bonjour Tristesse, adapted by Otto Preminger PART THREE: ADAPTING TO THE CLASSICS A. The Nineteenth-Century Novel from Abroad 39. Charlotte Brontë, Jane Eyre 40. Charles Dickens, Oliver Twist 41. Nikolai Gogol, The Overcoat 42. Herman Melville, Moby Dick 43. Stephen Crane, The Red Badge of Courage 44. Leo Tolstoy, Anna Karenina 45. Fyodor Dostoevsky, The Brothers Karamazov 46. Dostoevsky, Crime and Punishment, alongside Tolstoy, War and Peace B. French Classics on the French Screen 47. Abbé Prévost, Manon Lescaut, adapted by Clouzot 48. Honoré de Balzac, Eugénie Grandet 49. Stendhal, Le Chartreuse de Parme (The Charterhouse of Parma) 50. Stendhal, Le Rouge et le Noir (The Red and the Black): Tastes and Colors 51. Victor Hugo, Les Misérables 52. Victor Hugo, Notre-Dame de Paris, alongside Jules Verne, Michel Strogoff 53. Zola and Cinema: Pour une nuit d’amour (For a Night of Love) 54. Émile Zola, Thérèse Raquin, adapted by Marcel Carné 55. Émile Zola’s La Bête humaine becomes Fritz Lang’s Human Desire 56. Émile Zola’s L’Assommoir becomes René Clément’s Gervaise 57. Guy de Maupassant, Une vie (A Life), adapted by Alexandre Astruc 58. Maupassant Stories adapted by Max Ophüls: Le Plaisir 59. Maupassant Stories adapted by André Michel: Trois femmes 60. French Cinema faces Literature addendum. two long essays on adaptation, translated by hugh gray 61. Journal d’un curé de campagne and the Stylistics of Robert Bresson 62. In Defense of Mixed Cinema Appendix: Chronological List of Articles Index of Films Index of Proper Names Index of Topics and Concepts
£64.00
Rutgers University Press Bringing Up Baby
Book SynopsisThe introduction of this book gives the production history of the film. It provides a biographical sketch of Hawk's career and the original story by Hagar Wilde, on which the film is based. Also included are an interview with Hawks by Joseph McBride, reviews, essays and a filmography.Table of ContentsIntroduction Bringing Up Baby Interviews, Reviews, and Commentaries Filmography and Bibliography
£28.80
