Literary studies: postcolonial literature Books

Book SynopsisOne of the finest short story writers I've ever read' Amy TanWINNER OF THE PULITZER PRIZEWINNER OF THE PEN/HEMINGWAY AWARDWINNER OF THE NEW YORKER PRIZE FOR BEST FIRST BOOKJhumpa Lahiri's prize-winning debut collection explores the lives of Indians in exile of people navigating between the strict traditions they've inherited and the baffling New World they must encounter every day.Whether set in Boston or Bengal, these sublimely understated stories, imbued with umour and subtle detail, speak with eloquence to anyone who has ever felt the yearnings of exile or the emotional confusion of an outsider.Lahiri is a writter of uncommon elegance and poise, and with Interpreter of Maladies she has made a precocious debut' New York TimesTrade Review‘Lahiri has an extraordinary voice’Salman Rushdie ‘Jhumpa Lahiri is the kind of writer who makes you want to grab the next person you see and say“Read this!”She’s a dazzling storyteller with a distinctive voice, an eye for nuance, an ear for irony. She is one of the finest short story writers I’ve read.’AMY TAN ‘Jhumpa Lahiri’s strong, subtle short story collection is a debut to relish.’Guardian

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Book SynopsisLYNDA PRESCOTT is Senior Lecturer in Literature, The Open University, UK.

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Book SynopsisThe World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory. It critiques the valorization of the local in cultural theories typically accompanied by a rejection of universal categories - viewed as Eurocentric projections. But the privileging of the local usually amounts to an exercise in exoticization of the South. The book argues that the rejection of Eurocentric theories can be complemented by embracing another, richer and non-parochial form of universalism. Through readings of texts from India, Sri Lanka, Palestine and Egypt, the book shows that the fine grained engagement with culture, the mapping of ordinary lives not just as objects but subjects of their history, is embedded in much of postcolonial literature in a radical universalism - one that is rooted in local realities, but is able to unearth in them the needs, conflicts and desires that stretch across cultures and time. It is a universalism recognized by Marx and steeped in the spirit of anti-colonialism, but hostile to any whiff of exoticism.Trade ReviewPraise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"A brave attempt to locate political violence in a milieu that neocons are averse to. It succeeds in raising questions that the establishment seeks to drown in its shrill rhetoric and shattering sounds of carpet-bombing." * New Indian Express *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"The anthology aims to give the subject of terror a genealogy other than the one ascribed to it by the Bush doctrine, to examine its impacts in places other than the United States of the 21st century, but most importantly to allow us to engage with the phenomenon in the most complex, situated, historicized, and empathetic way possible. The attempt to canvas literature to make these arguments is quite unique." -- Aparna Sundar * Against The Current *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"It privileges literary texts as forms of media where imaginative and empathetic dialogues can be forged with the histories of occluded and supposedly silent others." -- Amit R Baishya * North East Review *Praise for The Other Side of Terror An Anthology of Writings on Terrorism in South Asia:"An attempt to represent a holistic view that is contrary to the new global understanding of terrorism with rich philosophical insights [and] an innovative way to counter the idea of methodological universalism in understanding social reality." -- Bhagat Oinam * South Asian Popular Culture *A bracing critique of postcolonial orthodoxy from a standpoint decisively to the left of it. Some books are enjoyable but not necessary; this one is both. -- Terry EagletonA bracing critique of postcolonial orthodoxy from a standpoint decisively to the left of it. Some books are enjoyable but not necessary; this one is both. -- Terry EagletonMore than three decades after its intellectual and institutional beginnings, postcolonial theory must still learn to read-and how not to read-postcolonial literature. So argues, convincingly, Nivedita Majumdar in this careful and militantly progressive new work of postcolonial literary criticism and interpretation. A theory launched by high poststructuralism and a then stylish postmodernism's cult of difference and allergy to universals trips over literary narratives that, on the contrary, have everything to do with the concrete universals inseparable from struggles against gender and class oppression. Whether, as Majumdar carefully demonstrates, these narratives (here mostly Anglo- and, refreshingly, non-Anglo-Indian) ultimately prove to be truthful reflections of such struggles and their underlying social realities or not, their genuinely critical reading presupposes a radical universalism at odds with many of the originating texts of postcolonial theory-a theory that Majumdar here goes a long way towards rectifying and redeeming. -- Neil LarsenIn crisp, honest, prose, Majumdar treats the academy's postcolonial royalty with remarkable candor in a series of sharp, often acerbic, close readings. We too often call dissent what are really acts of accommodation, she argues, and ignore the real-world fiction of the periphery - the work, say, of Sharatchandra Chattopadhyay, Mahasweta Devi, and A. Sivanandan - who take their stand not with a classless "difference" but with radical universalism. A compelling case that the darling texts of the Western awards industry (the novels of Ondaatje, Lahiri, and Neel Mukherjee) reflect troubling neo-Orientalist or neoliberal ideas. -- Timothy BrennanIn this vigorously discriminating and deeply engaged book, Professor Majumdar seeks to restore to Postcolonial Studies its pristine political purpose. Going beyond or behind the pervasive complicities of the Postcolonial with Cultural Studies, World Literature and the New Left, she argues for a more meaningful resistance based on the older certitudes of class struggle. She proposes an alternative Postcolonial canon in which the little-known Sharatchandra and Sivanandan are put forward as being more particular and therefore more universal than liberal global figures such as Tagore and Ondaatje. This return to the local, in her affirmation, is a more radical and universalist new turn. -- Harish Trivedi, University of Delhi

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Book SynopsisA New Yorker Best Book of 2022 A Globe & Mail Book of the Year "A stimulating work on the politics of language." LA Review of Books As globalisation continues languages are disappearing faster than ever, leaving our planet’s linguistic diversity leaping towards extinction. The science of how languages are acquired is becoming more advanced and the internet is bringing us new ways of teaching the next generation, however it is increasingly challenging for minority languages to survive in the face of a handful of hegemonic ‘super-tongues’. In Speak Not, James Griffiths reports from the frontlines of the battle to preserve minority languages, from his native Wales, Hawaii and indigenous American nations, to southern China and Hong Kong. He explores the revival of the Welsh language as a blueprint for how to ensure new generations are not robbed of their linguistic heritage, outlines how loss of indigenous languages is the direct result of colonialism and globalisation and examines how technology is both hindering and aiding the fight to prevent linguistic extinction. Introducing readers to compelling characters and examining how indigenous communities are fighting for their languages, Griffiths ultimately explores how languages hang on, what happens when they don’t, and how indigenous tongues can be preserved and brought back from the brink.Trade ReviewThis history of endangered languages assesses the political causes of their precariousness. * The New Yorker *A welcome addition to critiques of empire and studies of language and politics. Part history, part memoir, part policy critique, the volume succeeds at telling a universal tale through particular stories, including characters who remind us that the languages we speak – and speak not – are the worlds in which we live, and that such worlds are worth fighting for. -- David Moscrop * The Globe & Mail *Speak Not is an astute, well-researched, and often scholarly meditation on the forces that drive marginal languages out of existence in favor of dominant metropolitan tongues ... [a] stimulating work on the politics of language. -- Oliver Farry * LA Review of Books *A lucid and timely account of languages under threat around the world… illuminating in the extreme. -- Kang Hyun-kyung * The Korea Times *Griffiths is spot on: the survival of many languages—and perhaps the identities that go with them—depends on politics. * Asian Review of Books *Speak Not teases out both differences and similarities between [Griffiths’] examples, be that in the racial dimension or level of state violence in their oppression, with both sensitivity and passion. * Buzz *As languages throughout the world continue to disappear at an alarming rate, James Griffiths' book could not be more relevant. Focusing mainly on the historical trajectories of Welsh, Hawaiian and Cantonese, Griffiths chronicles the contentious and often bloody struggles faced by these languages, weaving the strands of history, culture and linguistics into a fascinating and highly readable narrative. Languages die for many reasons, but the book's central message is that language demise is not merely the natural consequence of modernization and mass media, but is often the result of a calculated authoritarian strategy that sees a common language as a guarantor of political unity. Speak Not is not merely a lament at the loss of the planet's linguistic diversity, but is also a positive record of how the courage and perseverance of beleaguered language communities can preserve and even revive their native tongues. * David Moser, author of "A Billion Voices: China's Search for a Common Language" *Speak Not is a beautifully narrated and intensely smart global history of how languages are destroyed. From Hong Kong to Wales, Hawaii to South Africa, Griffiths artfully guides us through intimate stories of people fighting over decades, often in vain, to protect their linguistic heritage and identities, stories that, when taken together, reveal an oft-unexplored aspect of the "disasters wrought" by colonialism, nationalism, and global inequality. Yet within Griffiths powerful critique of language destruction is a story of hope: a glimpse into a world in which language revitalization is possible. * Dr. Gina Anne Tam, Trinity University, San Antonio, USA *This commendable undertaking adds to the literature highlighting the constitutive role that centuries of imperial rule have played in the modern world. ... Speak not ends with a powerful call to action. * International Affairs *Table of ContentsEPIGRAPH INTRODUCTION PART ONE: WELSH 1. Blue Books 2. Fire and Fury 3. Signs of Change 4. Bilingual Nation INTERLUDE: AFRI-CAN’T PART TWO: HAWAIIAN 5. The Princess Who Was Promised 6. Sandwiched Islands 7. I Mua Kamehameha 8. Ke Ea Hawaii 9. Road Closed Due to Desecration INTERLUDE: THE OLD, NEW TONGUE PART THREE: CANTONESE 10. Dialectics 11. A Chinese Alphabet 12. Common Tongue 13. ‘Cantonese Gives You Nasal Cancer’ 14. Sounds of Separatism 15. Language Plateau EPILOGUE AUTHOR’S NOTE NOTES BIBLIOGRAPHY INDEX

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Book SynopsisFrantz Fanon's psychiatric career was crucial to his thinking as an anti-colonialist writer and activist. Much of his iconic work was shaped by his experiences working in hospitals in France, Algeria and Tunisia. The writing collected here was written from 1951 to 1960 in tandem with his political work and reveals much about how Fanon's thought developed, showing that, for him, psychiatry was part of a much wider socio-political struggle. His political, revolutionary and literary lives should not then be separated from the psychiatric practice and writings that shaped his thinking about oppression, alienation and the search for freedom.Table of ContentsPlates Illustrations Frantz Fanon: Works Cited General Introduction, by Jean Khalfa and Robert J.C. Young Fanon: A Revolutionary Psychiatrist, by Jean Khalfa 1. Mental alterations, character modifications, psychic disorders and intellectual deficit in spinocerebellar heredodegeneration: A case of Friedreich’s ataxia with delusions of possession 2. Letter to Maurice Despinoy 3. Trait d’Union 4. On some cases treated with the Bini method 5. Indications of electroconvulsive therapy within institutional therapies 6. On an attempt to rehabilitate a patient suffering from morpheic epilepsy and serious character disorders 7. Note on sleep therapy techniques using conditioning and electroencephalographic monitoring 8. Our Journal 9. Letter to Maurice Despinoy 10. Social therapy in a ward of Muslim men: Methodological difficulties 11. Daily life in the douars 12. Introduction to sexuality disorders among North Africans 385 13. Currents aspects of mental care in Algeria 14. Ethnopsychiatric considerations 15. Conducts of confession in North Africa (1) 16. Conducts of confession in North Africa (2) 17. Letter to Maurice Despinoy 18. Maghrebi Muslims and their attitude to madness 19. TAT in Muslim women: Sociology of perception and imagination 20. Letter to the Resident Minister 21. The phenomenon of agitation in the psychiatric milieu:General considerations, psychopathological meaning 22. Biological study of the action of lithium citrate on bouts of mania 23. On a case of torsion spasm 24. First tests using injectable meprobamate for hypochondriac states 25. Day hospitalization in psychiatry: Value and limits 26. Day hospitalization in psychiatry: Value and limits. Part two: – doctrinal considerations 27. The meeting between society and psychiatry Frantz Fanon’s Library and Life Franz Fanon’s Library Key dates of Fanon’s chronology Index

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Book SynopsisDragons. Art. Revolution.Gyen Jebi isn’t a fighter, or a subversive. They just want to paint.One day they’re jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government’s automaton soldiers.But when Jebi discovers the depths of the Razanei government’s horrifying crimes—and the awful source of the magical pigments they use—they find they can no longer stay out of politics.What they can do is steal Arazi, the ministry’s mighty dragon automaton, and find a way to fight…Trade Review“A powerful, deeply moving book that is a wonderful read, without question one of the best of the year.” -- Every Book a Doorway * Every Book a Doorway *"This is a story about the intersection between art and culture; it's about how art isn't frivolous but vital, especially in times of turmoil. A thought-provoking and very timely book." * SciFiNow *"Phoenix Extravagant is a book containing ruminations on imperialism, the function and sanctity of art, acculturation, and the morality of love. It also contains a bloody big and unexpectedly adorable mechanical dragon." -- Jonathan L. Howard‘A story of art, love, human connection, the power of creation, colonialism, and the roles we all have to play in fighting oppression.’“An arresting tale of loyalty, identity, and the power of art... Lee’s masterful storytelling is sure to wow.” * Publishers Weekly *‘A fiercely original and enchanting new fantasy.’‘Powerful. Unforgettable. This is another amazing piece of work, and I have the feeling I need to read it again to get it fully!’

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Book SynopsisWorld Literature: Approaches, Practices, and Pedagogy combines theoretical explorations and pedagogy to explore approaches to teaching some of the key concepts, issues, and topics in world literary studies.Recognising the evolving, and at times contested, meanings of âworld literatureâ, this book treats world literature as a mode of reading and one that provides opportunities to create a space for critical discussions and reflections on understanding, unpacking, and at times, challenging, some of the assumptions and practices in world literary studies. Contributors discuss a wide array of topics, including the role of translation and literary marketplace in global circulation of texts, the function, and problematics of paratexts, questions of co-authorship in transnational contexts, debates on major/minor in world literature, cosmopolitanism, and the impact of English as a lingua franca on the development of the field.Accompanied by reading questions, individual and group exercises, as well as suggested further readings, this collection offers a practical resource for instructors and an accessible guide to advanced undergraduate and postgraduate students taking world literature courses in different parts of the world.

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Book SynopsisBetween Homelands in Michael Ondaatjeâs Fiction is a comprehensive study of the novels of the Sri Lankan-Canadian author and poet, Michael Ondaatje. This survey of the Booker Prize-winning novelistâs works locates him as a powerful voice that urges globalization and multiculture in a world that is closing its borders. It reconnoitres Ondaatjeâs search for a homeland by cracking open the core of his evocative, inventive, and innovative concepts that undergird his art of storytelling. The contributors in this volume examine themes such as literary cosmopolitanism, Sri Lankan identity, diasporic identity, race and racism, home and belonging, trauma in the Sri Lankan civil war, war games, and uncertainty theory.An important contribution to Ondaatje studies, the book is an indispensable resource for students and researchers of Sri Lankan literature, diasporic and world literatures, South Asian and Canadian studies, cultural studies, postcolonial fiction, and history.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisA definitive volume expanded and updated to do justice to the four decade career of one of the most important cultural and intellectual thinkers of the 21st century The renowned literary and cultural critic and political thinker Edward Said was one of our era's most provocative and important thinkers. This comprehensive collection of his work, expanded from the earlier Edward Said Reader, now draws from across his entire four-decade career, including his posthumously published books, making it a definitive one-volume source. The Selected Works includes key sections from all of Said's books, including his groundbreaking Orientalism; his memoir, Out of Place; and his last book, On Late Style. Whether writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, or of music or the media, Said's uncompromising intelligence casts urgent light on every subject he undertakes. The Selected Works is a joy for the general reader and an indispensable resource for scholars in the many fields that his work has influenced and transformed.Trade ReviewA writer who helps us to understand who we are and what we must do if we are to aspire to be moral agents, not servants of power -- Noam ChomskyWhat Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives -- Hanif KureishiI was dependent on his voice ... A necessary voice as well as an eloquent and powerful one. Particularly now, it seems critical that he’d weigh in on things, critique things. He’s sui generis -- Toni MorrisonEdward Said was an intellectual with a passion for justice, and he allowed nothing to deter him in its pursuit -- Archbishop Desmond TutuThe great public intellectual in late twentieth century United States of America -- Cornel WestSaid challenges and stimulates our thinking in every area * Washington Post *Beautifully patterned and passionately argued * New Statesman *Edward Said belongs to that small band of American intellectuals who talk sense (and write beautifully) about the outside world * Guardian *Stimulating, elegant and pugnacious * Observer *No-one studying the relations between the West and the decolonizing world can ignore Mr. Said's work * New York Times Book Review *Said is a brilliant and unique amalgam of scholar, aesthete and political activist, an inspiring role model for a younger generation seeking their cultural identity -- Camille PagliaMagnificently eloquent, lucid, judicious * Guardian *Edward Said helps us to understand who we are and what we must do if we are to aspire to be moral agents, not servants of power -- Noam ChomskyMagisterial -- Terry EagletonOne of the leading thinkers of the age * New York Observer *Probably the best-known intellectual in the world -- Tony Judt * The Nation *

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Book SynopsisWhen the Trinidadian novelist, Harold Sonny Ladoo was found dead soon after the publication of his classic novel, No Pain Like This Body, for Christopher Laird, it became an obsession to try to discover the writer behind the work and what had brought about his untimely end. Equal to Mystery – words written by Ladoo – is the record of that pursuit.When, as the editor of a Trinidadian literary journal in the radical years of the early 1970s, Christopher Laird was sent Harold Sonny Ladoo’s novel, No Pain Like This Body (1973) to review, he knew he was looking at something revolutionary in Caribbean fiction. It is a novel that has recently been republished as a Penguin Modern Classic. But the next news Laird heard of Ladoo was that he had returned to Trinidad from Canada and had been found dead – very probably murdered – in the canefields outside his family’s village of McBean. Laird follows in the path of Ladoo to Canada, where he went to make a name for himself as a writer, and tracks him as a student and young married man through conversations with his widow and other family members. He looks in detail at his relationships with two Canadian writers, Dennis Lee and Peter Such, who supported his work, and in Lee’s case published him. Here there is an acute account of their meetings across the line of race, of the mix of generous contact and elusive flight in their relationship. Above all, with access to Ladoo’s unpublished material -- short stories and fragments of the vast body of fiction he announced he was writing -- Laird offers acute analysis of what is there, honest bafflement about just what Ladoo was up to, with a tragic sense of the talent that was lost through his untimely death.

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Book SynopsisA sweeping examination of the core issues of sexual politics by one of feminism’s most important and critical voicesTrade Review'An intelligently critical, inclusive, personal and very accessible feminist polemic' -- Theory.orgTable of ContentsAbbreviations Introduction 1. The Subversive Image 2. Inner Experience 3. Sovereignty 4. The Tears of Eros 5. The Accursed Share Conclusion Notes and References Bibliography Index

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Book SynopsisNearly forty years after its first publication in French, this collection of Sartre's writings on colonialism remains a supremely powerful, and relevant, polemical work. Over a series of thirteen essays Sartre brings the full force of his remarkable intellect relentlessly to bear on his own country's conduct in Algeria, and by extension, the West's conduct in the Third World in general. Whether one agrees with his every conclusion or not, Colonialism and Neo-Colonialism shows a philosopher passionately engaged in using philosophy as a force for change in the world. An important influence on postcolonial thought ever since, this book takes on added resonance in the light of the West's most recent bout of interference in the non-Western world.Trade Review'A living testimony to Sartre as a significant anti-colonial figure, with not only an analytic brain but ethical precepts worthy of emulation. It provides a detailed and massively well-informed insight into French Colonial policies in Algeria.' - Human Nature Review'Uncalled for aggression arouses the hatred of the civilian population.' - Jean-Paul SartreTable of ContentsAcknowledgements "Preface "by Robert J.C. Young Introduction: Remembering Sartre by Azzedine Haddour From One China to Another Colonialism is a System Albert Memmi's "The Colonizer and the Colonized" You Are Wonderful We Are All Murderers A Victory The Pretender The Constitution of Contempt The Frogs Who Demand a King The Analysis of the Referendum The Sleepwalkers The Wretched of the Earth The Political Thought of Patrice Lumumba

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Book SynopsisThe publication of Cultural Studies 1983 is a touchstone event in the history of Cultural Studies and a testament to Stuart Hall''s unparalleled contributions. The eight foundational lectures Hall delivered at the University of Illinois in 1983 introduced North American audiences to a thinker and discipline that would shift the course of critical scholarship. Unavailable until now, these lectures present Hall''s original engagements with the theoretical positions that contributed to the formation of Cultural Studies. Throughout this personally guided tour of Cultural Studies'' intellectual genealogy, Hall discusses the work of Richard Hoggart, Raymond Williams, and E. P. Thompson; the influence of structuralism; the limitations and possibilities of Marxist theory; and the importance of Althusser and Gramsci. Throughout these theoretical reflections, Hall insists that Cultural Studies aims to provide the means for political change.Trade Review"Hall’s lectures from 1983 appear to be a peculiar event of appropriation—a fundamental attempt to retain Marx as a nondisposable basis for cultural studies by means of a meticulous, well-informed, and earnest guarding of his heritage from vulgar and reductive misreadings. The volume itself is a praiseworthy enterprise of retaining this hallmark of theoretical history and making accessible at least some of Hall’s works, otherwise scattered across less-known collections and anthologies.". -- Sergiy Yakovenko * H-Russia, H-Net Reviews *"The collection is inspiring and comprehensive, covering, for example, the birth of Cultural Studies, Marxist structuralism and Hall’s crucial post-Gramscian work on hegemony. . . . Hall’s collection of lectures is persuasive, galvanising and feels both timeless and timely, despite its posthumous status." -- Sofia Ropek Hewson * LSE Review of Books *"Hall's metier was to tease out the competing histories, the contradictory political, economic, and social forces condensed within a particular historical moment, an excavation of ideology he called 'conjunctural analysis.' . . . [H]is work is all too timely, for the haphazard project of neoliberalism, justified retroactively by nonsensical appeals to the 'free market,' is as advanced as the decades-long economic decline it magics away with bubbles and rhetoric (GDP balloons; personal wealth stagnates)." -- Michael Robbins * Bookforum *"Cultural Studies 1983 is a cogent summation of the most influential modern theories that have grappled with and tried to explain the dynamics of unequal societies and the cultures they produced." -- Shonaleeka Kaul * Frontline *"Hall’s work has become especially resonant as Britain has voted for a narrower identity and a more isolationist attitude to the rest of the world.... There is a generosity and literary imagination in his writing—a recognition that humans are complex, contradictory creatures shaped by, among other things, what they believe, where they live, how they shop, and who they sleep with." -- Jessica Loudis * The New Republic *"Cultural Studies 1983 performs two important tasks: it recreates a sense of the spark that kindled a moment long remembered in Cultural Studies and related fields; more importantly, it offers access into an incredibly rich body of thought that has as much to teach today as it did three and a half decades ago.... Thanks to Cultural Studies 1983 and Duke University Press’s Stuart Hall: Selected Writings series, we have a new trove of proven tools when perhaps we need them most." -- John Munro * History *"The late Stuart Hall was more than an intellectual giant of postwar Britain. He was the great illuminator, whose far-reaching insights into how the world is constructed show us why cultural studies is not about the manners learned from the masters, but a way of examining and understanding social reality as made by the people themselves. Argumentative, diagnostic, witty, and learned, the series of scintillating lectures contained in this volume presents Hall at the height of his fearless and generous scholarly powers, offering not only a history of cultural studies but a theoretical and politically engaged reading of our unequal centuries." -- Okwui Enwezor * Artforum *"Given at the University of Illinois in 1983, the lectures provide a fascinating introduction to the theoretical questions with which cultural studies was grappling. . . . A compelling and essential introduction to both the strengths of cultural studies as a discipline and its evolution during that time." -- Rjurik Davidson * Thesis Eleven *"One of the most important cultural studies books to be published in recent (or even distant) memory. . . . The long wait has been worth it, and 1983 arrives at a moment when we desperately need it. . . . Hall didn’t intend these lectures to be a call to arms for 2017 and beyond. But we can—and should—still read them that way." -- Gilbert B. Rodman * Cultural Studies *""I have also narrated the effort it took for me to access his work to illustrate the importance of the Selected Writings now being released by Duke University Press. It is an event of profound historical significance that a new generation will be able to begin its political and theoretical education with systematic access to Hall’s writing. . . . Cultural Studies 1983 lays out his approach in accessible lecture form." -- Asad Haider * The Point *Table of ContentsEditor's Introduction / Lawrence Grossberg and Jennifer Daryl Slack vii Preface to the Lectures by Stuart Hall, 1988 1 Lecture 1. The Formation of Cultural Studies 5 Lecture 2. Culturalism 25 Lecture 3. Structuralism 54 Lecture 4. Rethinking the Base and Superstructure 74 Lecture 5. Marxist Structuralism 97 Lecture 6. Ideology and Ideological Struggle 127 Lecture 7. Domination and Hegemony 155 Lecture 8. Culture, Resistance, and Struggle 180 References 207 Index 211

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Book SynopsisOPEN ACCESSTo read the PDF of Globalising Welsh Studies: Decolonising history, heritage, society and culture for free, follow the link belowGlobalising Welsh Studies:Decolonising history, heritage, society and cultureThis book is freely available on a Creative Commons licence thanks to the kind sponsorship of the libraries participating in the Jisc Open Access Community Framework OpenUP initiative. Interest in race and ethnicity research in Wales has grown apace in the last decade, opening up wider debates about the nature, focus and content of what collectively is called Welsh Studies. Across a range of disciplines, we are witnessing not only a global turn' placing Wales more substantively within a plethora of global interconnections, but also a decolonial turn' that involves the questioning of disciplinary traditions and knowledge production, and highlighting the colonial legacy that shapes academic pursuits. In the present text, we explore the development of Welsh Studies through the lens of race/ethnicity. Contributors from history, heritage studies, literature, film, policy, social and cultural studies offer case analyses adopting new perspectives, theoretical routes and methodological innovations, with the aim of illustrating aspects of the decolonising of knowledge production.

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Book SynopsisUsman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. '"I am living at the centre of a wound still fresh." The I is not only mine. It belongs to many.' In this searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.Trade Review'Aftermath is a major landmark in British narrative non-fiction. It's a beautiful and profoundly important account of creative writing teaching as a radical act of trust and interrogation of power; its anti-racist and abolitionist stance makes it a vitally important as well as deeply moving book to read now in these dismal days for the British political project. It is fearless in the way it shows its agonised workings as it unfolds into a complex map of grief.' Max Porter ---- 'Astonishing. Radical, beautiful, broken, intimate. A surge. A yearning. A tribute. An indictment. You won't read another book like this ever. Taneja's attempt to wrestle with so much, with radical empathy, survivor's guilt, politics - is a masterclass work of literary brilliance.' Nikesh Shukla ---- 'It takes a rare talent to respond to a shattering act of violence by reassembling the pieces in a way that refuses easy explanations or platitudes, but is illuminating, daring, world-expanding. Essential, in the truest sense of the word.' Daniel Trilling ---- 'This is a remarkable book: generous, searching, insightful and searingly intelligent as it draws out the complex relationship between writing and terror, language and the unspeakable, trauma and event.' Olivia Sudjic ---- 'Aftermath is written from the heart. I am both impressed by it and so grateful that someone has tried to make some sense of the many issues surrounding what happened at Fishmongers' Hall. There is so much truth in this slim volume.' David Merritt, father of Jack Merritt ---- 'Aftermath is a book that's almost impossible to categorise: it sits in a tradition of bereavement literature; it sits with poetry. There is no fake moralising in its pages, just Taneja patiently walking us through the wreckage of unimaginable grief, noticing everything, lifting up the rubble, she makes us question everything we know and hold fast - a courageous and brilliant book.' Mona Arshi ---- 'A study, a song, a calling - Taneja's work offers a crucial and radical account of control, conviction, complicity and trauma.' Eley Williams ---- 'Aftermath is not just a personal reckoning with tragedy, it's a piercing inquiry into the ways criminality is perceived, and yet what Taneja does so skilfully is carefully unpack the complex systems violence emerges from. This is an inspired book fortified with acute contemplation and courage, a book born out of a love for the world and the people in it.' Anthony Anaxagorou ---- 'Aftermath is one of the most profound, urgent and thought-provoking books I've read in years. Taneja makes of the already capacious creative non-fiction form one that is all her own, and which enquires, with devastating and poetic precision, into the connections between language, violence, structural racism, the purposes of reading and writing fiction, and so much more. She invites the reader to share in her enquiry to narrate the unnarratable, and, through doing so, to locate a genuinely radical form of hope.' Clare Fisher ---- 'In this stunning book, light bleeds into darkness. An astute indictment of our carceral system and the violence it perpetuates, it is also a compassionate meditation on our interconnected lives. Taneja blurs the lines between literary genres so that the divisions between 'us' and 'them' also blur. She invites us to grieve and yet still be angry enough to demand change - to ask deep structural questions and to imagine new possibilities for justice. I was challenged, inspired and grateful for every word.' Tessa McWatt ---- 'This searing abolitionist work sees, and refuses, other prisons too - of narrative-for-hire, racial shame, the trauma industrial complex, cause and effect. It tries to convince no one of nothing, to confess nothing to no one. Instead it breaks sentences and pages open, makes language rush into you (you are an estuary, the dam is gone). Its shape is unmappable. It lives on as a drumming in your head.' Maria Tumarkin ---- 'A tremendous feat of scholarship, of historical interlacing, of contemporary criticism, of literary examination, of ethical clarity and personal interrogation and, most indelibly, of grieving.' Gina Apostol ---- 'With We That Are Young, Preti Taneja established herself as one of the most courageous and lyrically gifted writers of her generation. Here again she offers living proof that great literature does not rise fully formed from the canon. It begins, rather, with the anguished sifting of its fragments in the aftermath of tragedy, and a grasping in the dark for voices worthy of trust, until its urgent call for equality and dignity comes true - first on the page, and then in the hearts and minds of all who read it.' Maureen Freely

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Book SynopsisThere have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society.Set in Belize City in the early 1950s, Beka Lamb is the record of a few months in the life of Beka and her family. Beka and her friend Toycie Qualo are on the threshold of change from childhood to adulthood. Their personal struggles and tragedies play out against a backdrop of political upheaval and regeneration as the British colony of Belize gears up for universal suffrage, and progression towards independence. The politics of the colony, the influence of the mixing of races in society, and the dominating presence of the Catholic Church are woven into the fabric of the story to provide a compelling portrait, ''a loving evocation of Belizean life and landscape''. Beka''s vibrant character guides us through a tumultuou

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Book SynopsisFrantz Fanon's political impact is difficult to overestimate. His anti-colonialist, philosophical and revolutionary writings were among the most influential of the 20th century. The essays, articles and notes published in this volume cover the most politically active period of his life and encapsulate the breadth, depth and urgency of his writings. In particular, they clarify and amplify his much-debated views on violent resistance. These works provide new complexity to our understanding of Fanon and reveal just how relevant his thinking is to the contemporary world and how important his ideas are to changing it.Trade ReviewFanon’s writings, some of the most intense political writing of the century, reflect the turmoil of his moment and seek a way out through a series of provisional and historically specific solutions … What The Political Writings shows is the range of problems and solutions faced by one of the great leftists of the 20th century. * Los Angeles Review of Books *Table of ContentsPlates Frantz Fanon: Works Cited General Introduction, by Jean Khalfa and Robert J.C. Young Introduction 1. The demoralized Foreign Legion 2. Algeria’s independence: An everyday reality 3. National independence: The only possible outcome 4. Algeria and the French crisis 5. The Algerian conflict and African anticolonialism 6. A democratic revolution 7. Once again: The reason for the precondition 8. Algerian revolutionary consciousness 9. In the Caribbean, birth of a nation? 10. The strategy of an army with its back to the wall 11. The survivors of no man’s land 12. Testament of a ‘man of the left’ 13. Ultracolonialism’s rationale 14. The western world and the fascist experience in France 15. Gaulist illusions 16. The calvary of a people 17. The rising anti-imperialist movement and the slow-wits of pacification 18. African countries and their solidary combat 19. Richard Wright’s White Man, Listen! 20. At Conakry, he declares: ‘Global peace goes via national independence’ 21. Africa accuses the west 22. Why we use violence 23. The stooges of imperialism 24. Letter to Ali Shariati Publishing Fanon (France and Italy, 1959-1971) Frantz Fanon’s Library and Life Franz Fanon’s Library Key dates of Fanon’s chronology Index

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Book SynopsisWITH A NEW INTRODUCTION BY RACHEL COOKEReading Shaking a Leg is like spending time with the funniest, wisest friend you've ever had; a person whose breadth of interest ranges from food to feminism to science fiction, and everything in between; a person with an entirely unpredictable train of thought but whose exuberance, knowledge and insight sweeps you along. Bursting with ideas, culturally astute and sparklingly witty, this comprehensive volume of Angela Carter's journalism is the most down-to-earth and entertaining companion to latter twentieth-century thought you'll ever need.Trade ReviewShaking a Leg reveals a stunning range of interests that marks her out not just as one of our greatest novelists and short story writers but as one of our best literary and cultural critics... If you would like better to understand the workings of the second half of our century, then this is the book -- Ali Smith * Scotsman *Reading Shaking a Leg is like sitting down with a friend who is clever, funny, outrageous, compassionate, anecdotal and sociologically aware; someone with a great memory and a quirky, associative train of thought; someone who can make you laugh and say "yes" out loud before you turn the page to devour her next paragraph, whether it be about Hollywood or Venice, her dotty parents or her favourite writers. Carter is endlessly entertaining, endearing and down-to-earth in this admirably comprehensive collection * Irish Times *It is her journalism, collected in the 1997 volume 'Shaking a Leg', to which I find myself returning again and again, struck freshly by its forthrightness, its imagination, its unpredictability - and by the sheer range of subjects on which she was fluent -- Susannah Clapp * Guardian *The range of her interests is quite dazzling. She is the voice of an entire generation * Washington Post *Shocking, willful, extravagant - every cut and quip at the same time reveals a striking intellectual acuity * New York Times *

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Book SynopsisConsiders George Orwell's writing about the East, and the presence of the East in his writing and argues that in thinking of Orwell as an 'Anglo-Indian writer', not just in upbringing and experience, but in many of his views, perceptions, and reactions, a different Orwell emerges.Trade ReviewKerr's insights on Orwell and Rudyard Kipling are particularly perceptive. No other writer was more important to Orwell: his whole life "was a conversation, or quarrel, with Kipling", quoting him frequently throughout his writings. While it is tempting to see the two writers as opposites, Kerr is keen to identify their similarities: "Both of them were patriots though highly critical of their fellow-countrymen and frequently of their government. Both were public intellectuals who used their writing to raise political consciousness. Both loved animals and wrote books about them and both had a strong feeling for the English countryside". * Richard Lance Keeble, English Studies *eminently readable, and a fascinating new look at Orwell's work * , Shiny New Books *Thoughtful and methodical, Orwell and Empire is a good guide to [Orwell's] complex and not always consistent imperial attitudes. * Professor Krishan Kumar, The Times Literary Supplement *[T]his is among the most enjoyable books on the subject of Orwell that I have discovered in a long time, and without doubt the finest work on Orwell's connection to empire and the east that it has been my privilege to read. * Ron Bateman, The Orwell Society *Table of Contents1: Introduction: Anglo-India 2: Animals 3: Environment: Burmese Days 4: Class 5: Empire 6: Geography 7: Women 8: Race 9: Police 10: The Law 11: Literature Notes Bibliography

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Book SynopsisThe Comintern and the Global South: Global Designs/Local Encounters studies the relations and productive tensions between the Third International, intellectual histories of racial justice and anti-imperialism, as well as other forms of internationalism. Building on extant institutional histories of the Third International, it moves in new directions by focusing on the points of intersection  often conflictual and short-lived  with anti-imperialist, anti-racist, and nationalist organizing, making the Third International a site of encounter between a global political project and more local and regional contexts. Due to the broad range of geographic and linguistic expertise of the contributors, this book traces routes of exchange that are often elided in existing studies of the Third International. The chapters address how actors from Global South contexts shaped key debates on, for example, the role of Black, Indigenous, and migrant labor, the Islamic question, and Table of ContentsPart One: Global Designs: The Comintern ImaginaryIntroduction: The Comintern and the Global South: Global Designs/Local Encounters 1: Within and Against the World Market: The Marxian Laboratory of Internationalism 2: Before Baku: The Second International and the Debate on Colonialism (1900-1920) 3: Communism and the Colour-Line: Reflections on Black BolshevismPart Two: Local Encounters: Confluences and Conflicts4: Via Kabul: Muhajirs turned Early Communists from India (1915-1923)5: Pandurang Khankhoje in Mexico: Communism, Anti-imperialism, and Radical Agrarianism in a Post-revolutionary Setting6: An Atlantic Revolutionary Brotherhood: Radical Networks, Local Realities, and the Challenges to the Comintern's Global Domain in the Caribbean Basin, 1920-1935 7: Pan-Islamism, South Asia, and Communist Internationalism8: The Spanish Civil War Seen from the Far East: The Case of the Chinese Anarcho-communist Writer Ba Jin and the League of Left-wing WritersIndex

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Book SynopsisGayatri Chakravorty Spivak is one of the most pre-eminent postcolonial theorists writing today and a scholar of genuinely global reputation. This collection, first published in 1993, presents some of Spivak's most engaging essays on works of literature such as Salman Rushdie''s controversial Satanic Verses, and twentieth century thinkers such as Jacques Derrida and Karl Marx. Spivak relentlessly questions and deconstructs power structures where ever they operate. In doing so, she provides a voice for those who can not speak, proving that the true work of resistance takes place in the margins, Outside in the Teaching Machine. Trade Review'Outside in the Teaching Machine is a necessary guide to responsible reading and teaching. Whether literary texts such as Rushdie’s The Satanic Verses and Coetzee’s Foe, philosophy, or films, Spivak’s indefatigable in her questioning of contemporary pieties and in insisting that it is the study of culture that "can help us chart the production of versions of reality".' – Jean Franco, Columbia UniversityTable of Contents1. In a Word: Interview 2. More on Power/Knowledge 3. Marginality in the Teaching Machine 4. Woman in Differnce 5. Limits and Openings of Marx in Derrida 6. Feminism and Deconstruction, Again: Negotiations 7. French Feminism Revisited 8. Not Virgin Enough to Say That [S]he Occupies the Place of the Other 9. The Politics of Translation 10. Inscriptions: Of Truth to Size 11. Reading The Satanic Verses 12. Sammy and Rosie Get Laid 13. Scattered Speculations of the Question of Culture Studies

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Book SynopsisThis volume is a collection of ten essays that direct their gaze to the unfolding of contagions in the non-classical contexts of Asia and Africa. Or, to borrow from the title of one of Partha Chatterjeeâs books, they are reflections on the pandemic in most of the world. Featuring many scholars (of the humanities and social sciences) in the Global South, these chapters take as their intellectual focus the political-social as well as the ethical challenges posed by the contagions in the East. Through analyses of literary narratives/films/video games, this Contagion Narratives traces the manufactured narratives of victimization by majority-communities and the lethal divides consequently being drawn between a reconstituted authentic majority and the more vulnerable minority âotherâ in these societies. The essays in this collection are animated by imaginations of liveable alternatives on a planet on the brink. This volume traces lineages to Buchi Emecheta and Rabindranath Tagore r

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Book SynopsisTranslation and Decolonisation: Interdisciplinary Approaches offers compelling explorations of the pivotal role that translation plays in the complex and necessarily incomplete process of decolonisation. In a world where translation has historically been a tool of empire and colonisation, this collection shines the spotlight on the potential for translation to be a driving force in decolonial resistance. The book bridges the divide between translation studies and the decolonial turn in the social sciences and humanities, revealing the ways in which translation can challenge colonial imaginaries, institutions, and practice, and how translation opens up South-to-South conversations. It brings together scholars from diverse disciplines and fields, including sociology, literature, languages, migration, politics, anthropology, and more, offering interdisciplinary approaches and perspectives. By examining both the theoretical and practical aspects of this intersection, the chapters

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Book SynopsisThis cross-disciplinary approach to literary reading of any provenance based on an âœexperimental cosmopolitanâ epistemology de- and recontextualizes the texts from the points of view of multiple cultures and historical moments, enriching interpretation and aesthetic experience beyond the backgrounds of the present reader and the origin of a particular literary discourse. Trusting the authority of an author or an âœoriginalâ text and ignoring the fundamental plurilingualism of the literary experience obstructs the wealth of cosmopolitan reading in a globalized and fragmented world. A thorough critique of both local and overarching theories in clear dissent from the binaries of âœdecolonial theoryâ and the overextension of âœnomadic theoryâ supports a precise research and teaching methodology at variance with past trends of Comparative and World Literature. Considering literature as the aestheticized use of language, which is universal, the many analyses provided can be extrapolated

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Book SynopsisAfroeuropeans: Identities, Racism, and Resistances reflects on the tensions, ambiguities, and paradoxes of Blackness in Europe.The book addresses relations of domination and modes of racial exclusion, but also Afro-European interventions in the political, social, cultural, and artistic spheres, and the multiple resistances that have sustained Black bodies in the European continent. At the same time as Black histories, cultures, and social conditions are made invisible in hegemonic accounts in Europe, there is a hypervisibility and presence of Black stereotyping in European popular culture. Black identities have become even more conditioned by new mainstream far-right discourses and the tightening immigrant and refugee policies that aïect people of African descent. One of the bookâs most innovative contributions is the attention it gives to Black South European thought, experiences, and resistanceâparticularly in the Portuguese context. This constitutes not only a critique Europeâs pervasive racism and color blindness policies but also makes a significant contribution to a broader understanding of Blackness and racism, extending beyond the U.S. and Northern European contexts.This book is forged in a moment of particularly strong Black intellectual and political vitality. Given the bookâs intersectional and transdisciplinary approach, it will be an important go-to for students and researchers across the humanities and social sciences, as well as to artists, activists, politicians, and journalists.

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Book SynopsisThe Anthropocene is a proposed geological epoch marking humanity''s alteration of the Earth: its rock structure, environments, atmosphere. The Cambridge Companion to Literature and the Anthropocene offers the most comprehensive survey yet of how literature can address the social, cultural, and philosophical questions posed by the Anthropocene. This volume addresses the old and new literary forms - from novels, plays, poetry, and essays to exciting and evolving genres such as ''cli-fi'', experimental poetry, interspecies design, gaming, weird, ecotopian and petro-fiction, and ''new'' nature writing. Studies range from the United States to India, from Palestine to Scotland, while addressing numerous global signifiers or consequences of the Anthropocene: catastrophe, extinction, ''fossil capital'', warming, politics, ethics, interspecies relations, deep time, and Earth. This unique Companion offers a compelling account of how to read literature through the Anthropocene and of how literatuTrade Review'Recommended.' J. Bilbro, Choice MagazineTable of ContentsIntroduction: With or Without Us: Literature and the Anthropocene John Parham; Prologue: Earth, Anthropocene, Literary Form; 1. Earth Laura Dassow Walls; 2.Data/Anecdote Sean Cubitt; Part I. Anthropocene Form: 3. Poetry Mandy Bloomfield; 4. The Novel Astrid Bracke; 5. Popular Fiction Saba Pirzadeh; 6. The Essay Byron Caminero-Santangelo; 7. Theatre and Performance Sabine Wilke; 8. Interspecies Design Stanislav Roudavski; 9. Digital Games Alenda Y. Chang; Part II. Anthropocene Themes: 10. Catastrophe David Higgins and Tess Somervell; 11. Animals Eileen Crist; 12. Humans Hannes Bergthaller; 13. Fossil Fuel Sam Solnick; 14. Warming Andreas Malm; 15. Ethics Zainor Izat Zainal; 16. Interspecies Heather Alberro; 17. Deep Time Visible Pippa Marland.

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Book SynopsisZahi Zalloua is the Cushing Eells Professor of Philosophy and Literature at Whitman College, USA and Editor of The Comparatist. His recent books include The Politics of the Wretched: Race, Reason, and Ressentiment (Bloomsbury, 2024); Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality, Being Posthuman: Ontologies of the Future (Bloomsbury 2021) and Žižek on Race: Toward an Anti-Racist Future (Bloomsbury, 2020).Slavoj Žižek is a Hegelian philosopher, a Lacanian psychoanalyst, and a Communist. He is International Director at the Birkbeck Institute for Humanities, University of London, UK, Visiting Professor at the New York University, USA, and Senior Researcher at the Department of Philosophy, University of Ljubljana, Slovenia.

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Book SynopsisSocial Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challenges and opportunities on governance and development in postcolonial Nigerian state and society. With a detailed introductory chapter and an authoritative analysis contained in six cohesive chapters, all anchored in political and social ethics and close readings of fascinating literary and artiTrade ReviewIn this highly original work, social ethicist Nimi Wariboko steps off Aristotle’s insight that literature can be an excellent tool for teaching ethics and developing moral imagination to interrogate the works of four Nigerian writers and one comedian, instructing how the intersection of philosophy and literature can teach invaluable lessons on imagining an ethical, pluralistic, and democratic society in Nigeria. Incisively brilliant and beautifully written, this is a must read. * Emmanuel Kwaku Akyeampong, Ellen Gurney Professor of History and of African and African American Studies, Harvard University, USA *In this influential book, Nimi Wariboko brilliantly and thoughtfully reflects on the ethics of governance and development in a post-colonial space. By employing secondary data and critical analysis, he adopts his diverse disciplinary perspectives and mastery to deeply interrogate ethical and governance issues that post-colonial states in Africa continue to grapple with. This book also deeply speaks to ethical, moral, and historical dilemmas facing governance and democracy, and it is a must read for anyone interested in social ethics and governance in post-colonial Africa. * Damaris Parsitau, Senior Lecturer and Researcher in Religion and Gender Studies, Egerton University, Kenya, and Country Director of the British Institute in Eastern Africa *Table of ContentsAcknowledgments Introduction: Hear Word—Literature Is Philosophy 1. Theoretical Hesitations: Ibadan Brown Roofs’ Rusty Revival of Desires 2. The Black Moon on the White Surface: A Philosophical Analysis of A. Igoni Barrett’s Blackass 3. Bad Governance and Postcoloniality: Literature as Cultural Criticism 4. From Executed God to Ozidi Saga: Ethos of Ijo Democratic Republicanism 5. Comedy as Dialectics: Laughing Nigeria to Human Flourishing 6. Literature as Ethics Bibliography

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Book SynopsisWorld War II produced a fundamental shift in modern racial discourse. In the postwar period, racism was situated for the first time at the center of international political life, and race's status as conceptual common sense and a justification for colonial rule was challenged with new intensity. In response to this crisis of race, the UN and UNESCO initiated a project of racial reeducation. This global antiracist campaign was framed by the persecution of Europe's Jews and anchored by UNESCO's epochal 1950 Statement on Race, which redefined the race concept and canonized the midcentury liberal antiracist consensus that continues to shape our present. In this book, Sonali Thakkar tells the story of how UNESCO's race project directly influenced anticolonial thought and made Jewish difference and the Holocaust enduring preoccupations for anticolonial and postcolonial writers. Drawing on UNESCO's rich archival resources and shifting between the scientific, social scientific, literary, and cultural, Thakkar offers new readings of a varied collection of texts from the postcolonial, Jewish, and Black diasporic traditions. Anticolonial thought and postcolonial literature critically recast liberal scientific antiracism, Thakkar argues, and the concepts central to this new moral economy were the medium for postcolonialism's engagement with Jewishness. By recovering these connections, she shows how the midcentury crisis of racial meaning shaped the kinds of solidarities between racialized subjects that are thinkable today.Trade Review"The Reeducation of Raceis a brilliant and original study of liberalism, racial formation, and anticolonial thought. Ambitious, wide-ranging, and provocative, the book brings together fields of study too often siloed, anchored by a virtuoso reading of the UNESCO Statement on Race. Thakkar's confident and lucid voice rethinks race and plasticity forever."—Yogita Goyal, University of California, Los Angeles"Through the unlikely lens of post-World War II UNESCO, this book provides real and really new insight into the attempt to recover a liberal postwar order after the racial horror of World War II, and into the limitations of institutional antiracism in those same years. It will be a landmark contribution to the current effort to articulate the politics of Jewishness with both Black and anticolonial theory. We will be reading it carefully in the years to come."—Jonathan Boyarin, Cornell University"Sonali Thakkar's brilliant first book begins as a mystery of sorts. When and why did the word 'equality' get swapped out of the 1950 UNESCO Statement on Race, to be replaced by 'educability, plasticity'? Answering that question sheds important light on how the colonialist legacy tainted the liberal anti-racism of the postwar period."—John Plotz, Public BooksTable of ContentsAcknowledgments Introduction: The Reeducation of Race 1. Rupture and Renewal 2. The Racial Residuum 3. Culture and Conversion 4. Reeducation as Repair Coda: The Waning Consensus Notes Bibliography Index

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Book SynopsisBritish culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies. Against those who would deny, downplay or attempt to forget Britain’s imperial legacy, the various contributions expose and explore how the British Empire and the consequences of its end continue to shape Britain at the local, national and international level. As an important and urgent intervention in a field of increasing relevance within and beyond the academy, the book offers fresh perspectives on the colonial hangovers in post-colonial Britain from up-and-coming as well as established scholars.Table of ContentsForeword: Living in the bush of ghosts – Elleke BoehmerIntroduction: Rhodesia and the 'Rivers of Blood' – Josh Doble, Liam J. Liburd and Emma ParkerPart I: Institutions of empire1 'Bloomsbury bazaar': Daljit Nagra at the diasporic museum – John McLeod2 Anthropology at the end of empire – Katherine Ambler3 'He is not a "racist" but should not be appointed director of LSE': The impact of colonial universities on the University of London – Dongkyung ShinPart II: Writing identity, conflict and class4 Beyond experience: British anti-racist non-fiction after empire – Dominic Davies5 Empire, war and class in Graham Swift’s Last Orders (1996) – Ed DodsonPart III: Racial others, national memory6 White against empire: Immigration, decolonisation and Britain’s radical right, 1954–1967 – Liam J. Liburd7 Racism, redistribution, redress: The Royal Historical Society and Race, Ethnicity & Equality in UK History: A Report and Resource for Change – Shahmima Akhtar8 Exemplar empires: Battles over imperial memory in contemporary Britain – Astrid RaschPart IV: At home in postcolonial Britain9 Empire, security and citizenship in Arab British fiction – Tasnim Qutait10 Black, beautiful and essentially British: African Caribbean women, belonging and the creation of Black British beauty spaces in Britain (c. 1948–1990) – Mobeen Hussain11 Convivial cultures and the commodification of otherness in London nightlife in the 1970s and 1980s – Steve Bentel 12 Tribe Arts, Tribe Talks – Josh Doble, Liam J. Liburd, Emma Parker, Samran Rathore and Tajpal RathoreAfterword: Disorder and displacement – Bill SchwarzIndex

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Book SynopsisNewly commissioned essays from world-leading Kazuo Ishiguro scholars with chapters on the novels (including the first publication on Klara and the Sun (2021)), short fictions, and screenplays, this book offers a critical reappraisal of the 2017 Nobel Laureate while also uncovering important new thematic and stylistic insights -- .

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Book Synopsis'An intimate portrait ... Critical, generous and heartfelt' Ahdaf Soueif, Guardian 'An intriguing account of an alluring but evasive character’ Daily Telegraph Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan’s Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan’s masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature’s dramatic effects on politics and civic life. Places of Mind charts the intertwined routes of Said’s intellectual development, revealing him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences of Said’s thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said turned these resources into a groundbreaking counter-tradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said’s drafts of novels and personal letters, Places of Mind captures Said’s intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.Trade ReviewA patient and thorough biography … An intriguing account of an alluring but evasive character * Daily Telegraph *A powerful book which is at times as difficult and demanding as its subject … Here was a superstar who blazed a rich cultural and literary legacy * Spectator *Brennan draws on an imposing array of material to write the first comprehensive portrait of one of America’s most distinguished postwar intellectuals * New York Times Book Review, Editor’s Choice *An exceptionally fluent intellectual biography that synthesises the complex influences on his work while outlining the details of his life -- Patrick French * Sunday Times *The life of the author of Orientalism * Sunday Times, The Books of 2021 *Critical, generous and heartfelt ... An intimate portrait … Brennan’s achievement is to do justice to the many things Said was and to articulate the synapses that connected his different worlds ... He has provided us with what you might call a manual of Said; a map of his thoughts and his positions, which, change as they did, could always be traced to a core set of ideas and drives and to do this without ever blunting Said’s subtlety or smudging the clarity of his ideas -- Ahdaf Soueif * Guardian *Brennan – a former student of Said who is now a professor of comparative literature at the University of Minnesota – was given unprecedented access by Said’s family to the unpublished manuscripts … Places of Mind: a Life of Edward Said, which is published by Bloomsbury, sheds new light on how, after a lifetime of teaching literature, Said came to reject the novel in 1992 as a literary form * Observer *An impressive and rigorous study * Irish Times *A remarkably unhindered and often incisive intellectual portrait of its subject * New Statesman *In the first comprehensive biography of Said, Brennan, a former student, highlights the Palestinian scholar’s complexity, delivering a portrait of a thinker, activist and musician endowed with an unusually restless and protean intellect * New York Times, Books of the Week *Almost 20 years after his death, one of Said’s former students, Timothy Brennan, has written an expansive new biography of Said’s life and ideas ... Brennan presents the scholarly Said as a dazzling processing power operating at warp speed, a mind capable of metabolizing, reorienting and rendering theory with technological precision * Washington Post *[An] intense and rewarding book * Wall Street Journal *Masterful and accomplished … Impressively researched and powerfully written, it charts Said’s many triumphs * New Republic *Steeped in Western culture, the great critic of Western narratives came to his post-colonialist convictions gradually but with growing intensity -- Pankaj Mishra * New Yorker *A comprehensive biography of the celebrated intellectual and pioneer of postcolonial studies, authorised by his estate and drawing on extensive archival sources and interviews * Irish Independent, Books to Look Out for in 2021 *

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Book SynopsisPostcolonial studies has taken a significant turn since 2000 from the post-structural focus on language and identity of the 1980s and 1990s to more materialist and sociological approaches. A key theorist in inspiring this innovative new scholarship has been Pierre Bourdieu. Bourdieu and Postcolonial Studies shows the emergence of this strand of postcolonialism through collecting texts that pioneered this approach—by Graham Huggan, Chris Bongie, and Sarah Brouillette—as well as emerging scholarship that follows the path these critics have established. This Bourdieu-inspired work examines the institutions that structure the creation, dissemination, and reception of world literature; the foundational values of the field and its sometimes ambivalent relationship to the popular; and the ways concepts like habitus, cultural capital, consecration and anamnesis can be deployed in reading postcolonial texts. Topics include explorations of the institutions of the field such as the B.B.C.’s Caribbean voices program and the South African publishing industry; analysis of Bourdieu’s fieldwork in Algeria during the decolonization era; and comparisons between Bourdieu’s work and alternative versions of literary sociology such as Pascale Casanova’s and Franco Moretti’s. The sociological approach to literature developed in the collected essays shows how, even if the commodification of postcolonialism threatens to neutralize the field’s potential for resistance and opposition, a renewed project of postcolonial critique can be built in the contaminated spaces of globalization.Trade ReviewReviews 'Engaging and insightful, this is a valuable contribution to the continuing debate around the future of postcolonial studies, and indeed the debates around its past.' Professor Michael Kelly OBE, University of Southampton'Bourdieu and Postcolonial Studies is a credit to Liverpool University Press and to their increasingly world-leading series Postcolonialism Across the Disciplines and Francophone Postcolonial Studies. Its chapters represent a successful and illuminating synthesis of new and previously published material, theoretical engagement, and rigorous sociological analysis. At the same time, it invites readers to rethink their understanding of literary centers and margins and the flow of power between them. The volume’s authors are clearly aware of--and sensitive to--the travails, crises, and fragility of the field and, together, they make a persuasive and reassuring defense of the possibilities for resistance, opposition, and renewal in postcolonial literature and postcolonial studies.' John Strachan, H-FranceTable of ContentsIntroduction 1. Graham Huggan, Writing at the Margins: Postcolonialism, Exoticism, and the Politics of Cultural Value2. Chris Bongie, Exiles on Mainstream: Valuing the Popularity of Postcolonial Literature3. Sarah Brouillette, Postcolonial Writers and the Global Literary Marketplace4. Roxanna Curto, Fanon and Bourdieu on Algeria5. Michael Niblett, Style as Habitus: World-Literature, Decolonization, and Caribbean Voices6. Caroline Davis, Playing the Game? The Publication of Oswald Mtshali7. Stefan Helgesson, Fields in Formation: English Studies and National Literature in South Africa (with a Brazilian comparison)8. Kris Singh, Pierre Bourdieu, Samuel Selvon, and Austin Clarke: Strategic Relationships in the Caribbean Diaspora9. Nicole Simek, Irony in the Dungeon: Topographies of AnamnesisIndex

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Book SynopsisA chance encounter on Portobello Road incites an unsettling, magnetic attraction between Mary, an elderly white woman, and Cub, a British-Jamaican boy, and drives her crumbling world into heightened delusion. The two struggle to keep their footing as white supremacy, desperation and class conflict collide on the streets of London. Through exquisite juxtaposition, Ananda Devi exposes the tensions of an increasingly nationalistic and polarised metropolis. At once realistic and fantastical, The Living Days encapsulates Devi's daring, unflinching talent and paints an unforgettable portrait of London at it's most bewitching, and most dangerous.Trade ReviewUK reviews: 'The Mauritian author explores how legacies of colonialism and empire persist amid acts of cruelty and violence in London ... A meditation on urban inequality, in which the politics of race and class loom large.' (Guardian).'This is a novel of great beauty as well as discomfiting disclosure. Ananda Devi's writing challenges us to reconfigure our own beliefs about right and wrong and to look beyond our own comfortable lives to consider the reality of others. ' (New Internationalist). ''Mary Grimes, the central character of The Living Days exists, like the novel itself, in a liminal space between the possible and the mythic; between material being and ghostly half-life... This is not a novel which offers any reassurance. We never enter a settled space of familiarity. Even within the internal logic of the novel, the nature of what we are reading becomes unstable... Living Days is never a predictable novel, indeed it is never less than perplexing and unsettling.' (The Irish Times). `Beautifully written, visceral and ecstatic. Unafraid, as Angels might be, to bear witness to the force of entropy pulling us all towards death.' (Preti Taneja, author of We That Are Young). `A demanding and important book by a true artist and a great writer'.' (Lara Pawson, author of This Is the Place To Be).`; US reviews: 'Devi is alert to the ways in which social forces, such as racism and ageism, are reshaping London's already complex post-colonial landscape, and her fluid, poetic language memorably conjures a union of two outcasts.' (The New Yorker). The finest Mauritian novelist at work today, Ananda Devi has long been the francophone saint of the outcast, the oppressed, and the derelict. This fluid translation of one of her darkest works gives the reader a glimpse at her profound talent and her unique ability to synthesize political rage with poetic lyricism.' (Adam Hocker, Albertine). 'Brutal and entirely believable, a gorgeous and haunting depiction of London and the real lives and memories of those unseen within it.' (Publishers Weekly). 'A gorgeously written, profoundly upsetting fairy tale of race, class, power, and desire.' (Kirkus Reviews, starred review); French reviews: 'A fierce portrait of our times. . . Sensual and provocative writing, woven of dreams and nightmares, which slowly closes around the reader and holds them in its grasp.' (Le Monde des Livres). 'Old age always bears a private violence. Ananda Devi describes its inevitable symptoms whilst ever letting us glimpse an illusion of spring.' (L'Humanite).

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Book SynopsisThis book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America’s most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. During her lifetime, Hilst won several major national literary awards and attracted legions of devoted readers. Her writing spanned styles and genres, encompassing poetry, theatre, and experimental fiction. She was also considered to be “a writer’s writer,” and her literary achievements eluded both mainstream acclaim and international recognition. In recent years, Hilst’s books have enjoyed increased visibility in Brazil and beyond. A host of translators (including three contributors to this volume) have finally made some of her masterpieces available in English. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.Table of ContentsIntroduction: “Who’s Afraid of Hilda Hilst? An Author Between Brazil and ‘World Literature’”; Adam Morris & Bruno Carvalho.- PART I: HILST ON STAGE- 1. “A Brazilian Teorema: Queering the Family in Hilda Hilst’s O Visitante (The Visitor)”; David William Foster.- 2. “Is the Word Alive? An Inquiry into Poetics and Theater in As aves da noite (Nightbirds) by Hilda Hilst”; Tatiana Franca R. Zanirato.- PART II: OBSCENITY AND THE HUMAN CONDITION- 3. “Figurations of Eros in Hilda Hilst”; Eliane Robert Moraes.- 4. “Hilda Hilst, Metaphysician”; Adam Morris.- PART III: HILST IN NATIONAL AND GLOBAL CONTEXT- 5. “A Nation on the Ground Floor: The Face of Brazil, Drawn with Hilda Hilst’s Political Pen”; Deneval Siqueira de Azevedo Filho.- 6. “When Life is Extremely Bourgeois”: Ideal love and non-conformism in the love poems of Hilda Hilst; Alva Martínez Teixeiro.- PART IV: HILST IN TRANSLATION.- 7. “Translating Brazil’s Marquise de Sade”; John Keene.- 8. “Derelict of Duty”; Nathanaël.- 9. Hilst on Hilst: Excerpts from interviews with the author, 1952-2003.

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Book SynopsisThis book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: François CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominant—but not only—language of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the French/francophone and Chinese/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies.Trade Review“The book is overflowing with trendy concepts. … Li’s scintillating monograph is a must read for all those interested in a singular body of non-postcolonial, diasporic literature/ visual arts by a group of authors who straddle the Francophone and the Sinophone, yet stubbornly resist labels of any sort.” (Yunfei Bai, Recherche littéraire - Literary Research, Vol. 38, 2022)Table of ContentsChapter 1: Introduction.- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction.- Chapter 3: Translingual Rewriting and Transhistorical Fabulation.- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics.- Chapter 5: Translational (Anti-)Storytelling and Transmedia Aesthetics.- Chapter 6: Conclusion.

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Book SynopsisIf literature has often informed the creation of a national imaginary—a sense of common history and destiny—it has also complicated, even challenged, the unifying vision assumed in the formation of a national literature and sense of nation. National Literature in Multinational States questions the persistent association of literature and nation-states, contrasting this with the reality of multinational and ethnocultural diversity. The contributors to this collection interrogate concepts and manifestations of nationalism in the context of literary production while evaluating the place of national literatures in multinational states at a time when social unity and political agreement have never been more elusive. The volume strives for synoptic analysis via the complementary, multifaceted treatment of literary creation in several geo-cultural contexts: Canada, the Caribbean, Europe, India, and Nigeria. Contributors: Sabujkoli Bandopadhyay, Albert Braz, Matthew Cormier, Doris Hambuch, Clara A.B. Joseph, Paul D. Morris, Asma Sayed, Matthew Tétreault, Uchechukwu Peter Umezurike, Jerry WhiteTable of ContentsIntroduction—Paul D. Morris and Albert Braz, “The Nation and Its Literature(s) – Representing People, Representing a People” Chapter 1—Paul D. Morris (Université de Saint-Boniface), “Reticent Nations: Governor General’s Award-Winning Fiction and the Representation of Canada” Chapter 2—Matthew Cormier (University of Alberta), “Cultural Memory, National Identity: The Changing Paradigms of Acadian Literature” Chapter 3—Matthew Tétreault (University of Alberta), “Literary Resistance: Situating a Métis National Literature” Chapter 4—Sabujkoli Bandopadhyay (University of Regina), “Intersections of Nationhood, Multiculturalism, and Globalization in South Asian Canadian Fiction: A Study of Anita Rau Badami’s Can You Hear the Nightbird Call?” Chapter 5—Asma Sayed (Kwantlen Polytechnic University), “Canadian Literature in Heritage Languages and the Politics of Canon Formation” Chapter 6—Doris Hambuch (United Arab Emirates University), “‘No nation now but the imagination’: No Caribbean Nation without the Dutch Caribbean” Chapter 7—Jerry White (University of Saskatchewan), “Rediscovering the Republic: The Work of Joan Daniel Bezsonoff” Chapter 8—Clara A.B. Joseph (University of Calgary), “A Multinational Narrative in a Case Study of Translating an Eastern Christian Play” Chapter 9—Albert Braz (University of Alberta), “Nigeria’s Other Civil War: Ken Saro-Wiwa and Ogoni Nationalism” Chapter 10—Uchechukwu Peter Umezurike (University of Alberta), “‘Write Only the Truth’: (Re)Contesting the Nigerian Nation in Chimeka Garricks’s Tomorrow Died Yesterday and Helon Habila’s Oil on Water”

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