Books by Theodor W Adorno

Portrait of Theodor W Adorno

Theodor W. Adorno was a leading figure of the Frankfurt School, whose incisive critiques of culture, modernity, and reason shaped twentieth‑century philosophy and sociology. His work explores how art, music, and mass culture reflect and resist the pressures of capitalist society, blending rigorous theory with a sharp moral awareness.

Readers drawn to Adorno encounter a thinker who demands careful attention, rewarding it with profound insights into aesthetics, politics, and everyday life. His writings remain essential for anyone seeking to understand the complexities of modern culture and the persistent tension between individuality and conformity.

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105 products


  • Aesthetic Theory

    Bloomsbury Publishing PLC Aesthetic Theory

    3 in stock

    Book SynopsisTheodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation ‘art is the sedimented history of human misery'.Trade Review"...the fact that they [Continuum] are putting low price tags on works once published in expensive academic editions is something of which we can all be glad.." -Modern Painters, 2/05Table of ContentsTranslator's Acknowledgement \ Translator's Introduction \ 1. Art, Society, Aesthetics \ 2. Situation \ 3. On the Categories of the Ugly, the Beautiful, and Technique \ 4. Natural Beauty \ 5. Art Beauty: Apparition, Spiritualization, Intuitability \ 6. Semblance and Expression \ 7. Enigmaticalness, Truth Content, Metaphysics \ 8. Coherence and Meaning \ 9. Subject-Object \ 10. Toward a Theory of the Artwork \ 11. Universal and Particular \ 12. Society \ 13. Paralimpomena \ 14. Theories On the Origin of Art \ 15. Draft Introduction \ Editor's Afterword.

    3 in stock

    £27.95

  • The Culture Industry

    Taylor & Francis Ltd The Culture Industry

    15 in stock

    Book SynopsisThe creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture.Trade Review'A volume of Adorno's essays is equivalent to a whole shelf of books on literature.' - Susan Sontag'Adorno expounds what may be called a new philosophy of consciousness. His philosophy lives, dangerously but also fruitfully, in proximity to an ascetic puritanical moral rage, an attachment to some items in the structure and vocabulary of Marxism, and a feeling that human suffering is the only important thing and makes nonsense of everything else ... Adorno is a political thinker who wishes to bring about radical change. He is also a philosopher, with a zest for metaphysics, who is at home in the western philosophical tradition.' - Iris Murdoch'A highly misanthropic but very funny and true analysis of the power and effect of the mass media.' - Alain de Botton, Daily TelegraphTable of ContentsA cknowledgements I ntroduction -- On the Fetish Character in Music and the Regression of Listening -- The Schema of Mass Culture -- Culture Industry Reconsidered -- Culture and Administration -- Freudian Theory and the Pattern of Fascist Propaganda -- How to Look at Television -- Transparencies on Film -- Free Time -- Resignation -- Name I ndex S ubject I ndex

    15 in stock

    £16.99

  • Letters to his Parents

    John Wiley and Sons Ltd Letters to his Parents

    3 in stock

    Book Synopsis* These letters offer the reader a fascinating insight into the life of one the most important figures of twentieth-century intellectual life. * The letters touch upon issues of great personal and historical significance: the Nazi regime in 1930s Germany and the Second World War; the experience of the intellectual in exile.Trade Review"Adorno’s childhood always served him as a recollected utopia of protected bliss. The publication of his extensive correspondence with his parents well after that paradise was lost demonstrates its enduring power in his adult emotional life. Poignant, loving, anxious, at turns intellectually serious and childishly goofy, these letters not only testify to the strength of his family’s bonds, but also provide invaluable evidence of the struggles of German exiles in their new homeland. Scrupulously translated and exhaustively annotated, Adorno’s Letters to his Parents is a document of unique importance for anyone interested in the history of the Frankfurt School and for the migration as a whole." Martin Jay, University of California, BerkeleyTable of ContentsLetters 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 Editors’ Afterword Index

    3 in stock

    £14.24

  • An Introduction to Dialectics

    John Wiley and Sons Ltd An Introduction to Dialectics

    15 in stock

    Book SynopsisThis volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times.Trade Review"Despite Adorno’s abiding suspicion of easy communicability, he was fully capable of explaining complex ideas lucidly and accessibly, never more so than in the lecture hall. There can be few concepts that demand as much careful exposition as 'dialectics,' whose multiple uses and frequent abuses have frustrated countless attempts to render it comprehensible. Still fewer exponents of dialectical thought have been as skilled in unpacking its meaning, while at the same time performatively demonstrating its virtues, as Adorno." —Martin Jay, University of California, Berkeley "The twenty lectures that Adorno held in 1958 constitute the first comprehensive articulation of his thinking. The challenge to which he responds is that of wresting conceptual thinking from its narcissistic tendencies, as outlined in Dialectics of Enlightenment. 'Suffering and Happiness,' he insists, must be recognized as 'the immanent substance of dialectics'. Adorno’s effort to turn thinking inside-out by revealing the affective origin of its transformative potential, remains his most enduring legacy." —Samuel Weber, Northwestern University"one of the most lucid and accessible introductions to Hegel"—Dublin Review of BooksTable of ContentsContents Editor�s Foreword LECTURE ONE Prejudices against the dialectic – the double character of the dialectic – the dialectic as method of articulating the Ideas (Plato) – the order of concepts expresses the order of things – the vital nerve of the dialectic – the dialectic as necessary �exaggeration� – the positivist element of the dialectic LECTURE TWO �The movement of the concept� (Hegel) – the dialectic hypostasizes the identity of thought and being – Hegel�s dialectic as the union of identity and non-identity – non-identity in the process, identity in the result – introduction to the dialectic as a model of dialectic – the movement of the concept is not sophistical – the movement of the concept as the path of philosophical science – the object of knowledge is internally dynamic – the movement of the object is not arbitrary – the metaphysical concept of truth Ð the inevitable reification of truth – historical movement is not the movement of being but is concrete Ð the dialectic is not a philosophy of foundations – the temporal core of dialectic LECTURE THREE Critique of prima philosophia – matter no first principle either Ð Hegel�s dialectic also a preservation of first philosophy – all determination implies mediation – the movement of the concept is no external contribution of thought – a sophistical displacement of meaning in Gehlen – the whole is the true solely as the result of all mediations Ð the idea of an open dialectic – the whole is neither a pantheistic totality of nature nor a seamless unity – �the truth is essentially result� – individual phenomena only intelligible in terms of the whole – recourse to the whole is mediated through the self-movement of the individual – the concept of the whole as already given LECTURE FOUR The traditional concept of system: derivation of the whole from one fundamental principle – the dialectical concept of system – determinate negation – contradiction in Kant – contradiction in Hegel – antithesis arises from thesis – the measure of the absolute lies in objectivity – dialectical criticism is necessarily immanent – refutation of a thought as development of the thought – the emergent absolute is essentially temporal – the interaction of theory and practice - the truth as result is concrete LECTURE FIVE The charge of universal rationalization – dialectical thought is not rationalistic thought – the dispute over rationalism – conceptual thought is indispensable – the truth moment of irrationalism – the irrational as a moment of ratio – suffering and happiness are immanent to thought – being in itself, being for itself, being in and for itself – relationship of thesis, antithesis, synthesis – dialectical method concerns the contradictory life of the object – the dialectic not immune to ideological abuse LECTURE SIX Dialectical method not a formal conceptual schema – the objectivation of truth – every true thought becomes untrue once it is isolated – the triadic schema irrelevant in Hegel – the charge of universalizing contradiction – contradiction is not a first principle – Hegel�s critique of Kant�s transcendental dialectic LECTURE SEVEN Hegel�s dialectical principle of development is a principle of real being – dialectic in Kant is only the negative side of the critique of reason – the positive moment of the critique of reason – reflection as the principle of the speculative self-knowledge of reason – knowledge of knowledge also the principle of substantive knowledge – dialectic and formal logic – the �example� in Hegel – logical form of the judgement and the �emphatic concept� – dialectical contradiction expresses the disparity of thought and world LECTURE EIGHT Dialectic names the negative state of the world by its proper name – contradiction not only in thought, but is objective Ð contradiction as principle of diremption is also the principle of unity – dialectic as union of the a priori and experience – the objective order of the world also conceptual in character – coercive character of dialectic – the systematic claim of dialectic – dialectical contradiction in Hegel�s political philosophy – dialectical system not a seamless deductive structure – the concept of experience in Hegel LECTURE NINE The paradoxical task of knowledge: identifying the non-identical – identity of thought and being (Hegel) – non-identity and contradiction not resolvable in thought (Marx) – the materialist priority of being over consciousness is problematic – the whole and the parts presuppose one another – the materialist critique of literature cannot proceed from unmediated instances of particular experience (Benjamin) – dialectical materialism is not vulgar materialism – the charge of metaphysically hypostasizing the totality (Weber) LECTURE TEN Knowledge of the social whole precedes individual experience – prior awareness of the whole not unique to human beings – rejection of Hegel�s attempted restoration of immediate experience – the congruence of whole and parts as result of a process – intuition – theory neither static nor complete – the danger of a dogmatic ossification of dialectic (Lukács) – tracing knowledge back to origins is undialectica – survival of obsolete philosophical notions in the individual sciences LECTURE ELEVEN Terminological remarks on the concept of role – neither whole nor part enjoys priority over the other – metaphysics as science of the ultimate ground – origin as merel beginning (Hegel) – the ontological appropriation of Hegel – �abstract� in Hegel – the dialectic not a dynamic ontology – �being� in Hegel – philosophy of immediacy as regress to mythology – dialectic and positivism – the �natural� appearance of a reified world LECTURE TWELVE Affinity between dialectic and positivism – the constitutive distinction of essence and appearance – dialectic exposes the apparent immediacy of ultimate givens – the Darmstadt investigation – motivational analysis in industrial sociology – opinion research, empirical and critical – transition from positivism to dialectic – contradiction in the given as the principle of dialectical movement LECTURE THIRTEEN Scientific method in Descartes – rationalism as the will to control nature – the postulate of self-evidence (Descartes) – a hermeneutic intervention – self-evidence as a form of ultimate metaphysical grounding – evidence of sense-perception already mediated – the order of knowing, the order of the known – experience and conceptuality – emphasis on analysis destroys the crucial interest of knowing – philosophy of nature and natural science – philosophy always bound to the material knowledge of the sciences LECTURE FOURTEEN Analysis alone yields no knowledge – the universal concretized through the particular – attitude of dialectic to the concept of development – the family not merely a remnant – society not an organism, but antagonistic in character – knowledge as a continuity of steps – the unity of society constituted by discontinuity – the presumption of continuity is merely affirmative – �enthusiasm� a necessary moment of knowledge – the positive aspect of continuity LECTURE FIFTEEN The coercive character of logic – immanent and transcendent critique – mobility of thought is not an evasion – contradictions are constitutive – against relativism – dialectical cognition of the particular object requires explicit self-reflection – the charge of groundlessness – a sociological excursus on the mobility of thought – the substance of philosophy lies in the vital source of its concepts – arrested movement in Heraclitus and Hegel LECTURE SIXTEEN The dogmatic character of the axiom of completeness – the fulfilment of this demand in German Idealism – dialectical clarification of the objective by recourse to models – �ideal types� in Weber – �intuition of essences� in Husserl – thinking in models – labyrinthine communication in literary works (Kafka, Balzac, von Doderer) – historical transformations in the concept of system LECTURE SEVENTEEN Consciousness as unifying principle in the modern conception of system – critique and renewal of the concept of system in 19th century – contemporary appeal of the concept of system – the spectral afterlife of the concept of system – the need for system and the closed experience of the world – no categorical continuum amongst the particular sciences (Talcott Parsons) – apologetic character of the functionalist concept of system – �frame of reference� – the logic of science and debased metaphysics complement one another today – dialectic a beneficent anachronism LECTURE EIGHTEEN Dichotomous consciousness – dialectical mediation not a matter of Both/And – mediation as the critical self-reflection of extremes – role of Either/Or in the social sciences – dialectic and the negative concept of truth – values are neither transcendent nor merely relative – the criterion of truth is immanent to the object – the dialectic is not a matter of �standpoints� – dialectic furnishes no recipes – definition as logical form LECTURE NINETEEN The limits of deixis and definition with respect to the concept – the concept is not a tabula rasa – concept and constellation – life and fluidity of the concept as the object of dialectic – verbal definitions and philosophical definitions – philosophical definition requires prior knowledge of the matter in question – it extends concepts into force fields – abbreviation as specific feature of philosophical definition – operational definitions in the particular sciences – forfeiting the synthetic moment of knowledge – operational definitions and their field of application – dialectic as a critical mediation of realism and nominalism – truth moment of the phenomenological analysis of meaning LECTURE TWENTY Dialectical articulation of concepts as constellation and configuration – the order of ideas in Plato as an expression of the social division of labour – the exposition of the matter in question not external – exposition guarantees the objectivity of knowledge – contradiction in the identifying judgement as starting point of dialectic – truth and untruth of the logical judgement form – subjective synthesis and objective reference in the judgement – an immanent critique of logic – the phenomenological critique of inference – surrender of logical subordination as index of dialectical thought – is knowledge possible without assuming the identity of subject and object? Adorno�s Lecture Notes Abbreviations Editor�s Notes Index

    15 in stock

    £18.04

  • Lectures 19491968 Volume 2

    John Wiley and Sons Ltd Lectures 19491968 Volume 2

    3 in stock

    Book Synopsis

    3 in stock

    £18.04

  • The Complete Correspondence 1928  1940

    John Wiley and Sons Ltd The Complete Correspondence 1928 1940

    15 in stock

    Book SynopsisThe surviving correspondence between Walter Benjamin and Theodor W. Adorno. This is the first time all of the surviving correspondence between Adorno and Benjamin has appeared in English. Provides a key to the personalities and projects of these two major intellectual figures. Offers a compelling insight into the cultural politics of the period, at a time of social and political upheaval. An invaluable resource for all students of the work of Adorno and especially of Benjamin, extensively annotated and cross-referenced. Trade Review"[In this volume] the reader witnesses the hesitant, tension-filled process by which two individuals come together – individuals who could scarcely have approached each other in any other way than through the mediation of this literary form." Jürgen Habermas, Die Zeit "The extraordinary and unique qualities of this correspondence stem from the confrontation in stages between two of the most intense and energetic minds of the last century." Fredric Jameson, Duke University "To reconsider the relationship between Theodor Adorno and Walter Benjamin is to reflect on one of the most enduring philosophical friendships of the twentieth century." Richard Wolin, New Republic "The first time the letters of these two great minds have been published in their entirety makes for endlessly crunchy reading that combines high-octane intellectual jousting with a touching arm’s-length friendship and, towards the end, a personal tragedy, as Benjamin’s situation gets inexorably worse. The sinewy dialogues on various topics – music, painting, poetry, Adorno’s theory of dialecticism, Benjamin’s aesthetics – throw up constant insights into how their major ideas were formed, as it were, out of live, fluid thinking." Steven Poole, The Guardian

    15 in stock

    £18.99

  • Mahler

    The University of Chicago Press Mahler

    1 in stock

    Book SynopsisThis text analyzes Mahler's music through his character, his social and philosophical background, and his moment in musical history. It examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia.

    1 in stock

    £22.80

  • Notes to Literature European Perspectives A

    Columbia University Press Notes to Literature European Perspectives A

    1 in stock

    Book SynopsisA brilliant collection of short essays on literary subjects e.g. Beckett, Balzac, Proust, Thomas Mann, Dickens, Goethe, Heine, the lyric, realism, the essay, and the contemporary novel by the great social theorist (1903-1969), originally published in 1958 as Noten zur literature (Suhrkamp Verlag, FTrade Review"Adorno's Notes to Literature, which begins with the high leap of his great essay 'The Essay as Form,' sets an inimitable, always exhilarating standard. A volume of Adorno's essays is equivalent to a whole shelf of books on literature." -- Susan Sontag

    1 in stock

    £73.60

  • Notes to Literature

    Columbia University Press Notes to Literature

    1 in stock

    Book SynopsisThe author, a noted literary critic, presents a selection of his thought on Balzac, Valery, Dickens, Goethe, Heine, Hoelderlin, lyric poetry, realism, the essay and the contemporary novel.Trade Review"Adorno's Notes to Literature, which begins with the high leap of his great essay 'The Essay as Form,' sets an inimitable, always exhilarating standard. A volume of Adorno's essays is equivalent to a whole shelf of books on literature." -- Susan SontagTable of ContentsThe essay as form; on epic naivete; the position of the narrator in the contemporary novel; on lyric poetry and society; in memory of Eichendorff; Heine the wound; looking back on surrealism; punctuation marks; the artist as deputy; on the final scene of "Faust"; reading Balzac; Valery's deviations; short commentaries on Proust; words from abroad; Ernst Bloch's "Spuren"; extorted reconciliation - on George Lukacs' "Realism in Our Time"; trying to understand "Endgame".

    1 in stock

    £25.50

  • Notes to Literature

    Columbia University Press Notes to Literature

    1 in stock

    Book SynopsisAvailable in English for the first time, this is a collection of essays by social philosopher and critic, T.W. Adorno, on such writers as Mann, Bloch, Holderlin, Kare Kraust, Sigfried Kracauer, Goethe, Benjamin and Stefan George. It includes Adorno's reflections on a variety of literary subjects.

    1 in stock

    £25.50

  • Critical Models

    Columbia University Press Critical Models

    1 in stock

    Book SynopsisCombines into a single volume, two of Adorno's most important postwar works - "Interventions: Nine Critical Models" (1963) and "Catchwords: Critical Models II" (1969). This book reflects the intellectually provocative Adorno as he addresses such issues as the dangers of ideological conformity, and the fragility of democracy, educational reform.Trade Review[A] collection of essays that offers a view of Adorno in his role as... public intellectual... Adorno's essays are truly urgent. The Nation Critical Models... introduce[s] a more accessible Adorno to the public... In an age of cynicism and practicality, he is more essential than ever. Los Angeles Times Book ReviewTable of ContentsPreface Reviewing Adorno: Public Opinion and Critique by Lydia Goehr Interventions: Nine Critical Models Introduction Why Still Philosophy Philosophy and Teachers Note on Human Science and Culture Those Twenties Prologue to Television Television as Ideology Sexual Taboos and Law Today The Meaning of Working Through the Past Opinion Delusion Society Catchwords: Critical Models 2 Introduction Notes on Philosophical Thinking Reason and Revelation Progress Gloss on Personality Free Time Taboos on the Teaching Vocation Education After Auschwitz On the Question: "What is German?" Scientific Experiences of a European Scholar in America Dialectical Epilegomena: On Subject and Object Marginalia to Theory and Praxis Critical Models 3 Critique Resignation Appendixes Appendix 1: Discussion of Professor Adorno's Lecture "The Meanings of Working through the Past" Appendix 2: Introduction to the Lecture "The Meaning of Working Through the Past" Publication Information Notes Index

    1 in stock

    £23.80

  • Notes to Literature

    Columbia University Press Notes to Literature

    Book SynopsisNotes to Literature is a collection of the great social theorist Theodor W. Adorno’s essays on such writers as Mann, Bloch, Goethe, and Benjamin, as well as his reflections on a variety of subjects. This edition presents this classic work in full in a single volume, with a new introduction by Paul Kottman.Trade ReviewAdorno’s Notes to Literature . . . sets an inimitable, always exhilarating standard. A volume of Adorno’s essays is equivalent to a whole shelf of books on literature. -- Susan SontagEccentric, brilliant, unreadably readable, aphoristic and gnomic in the extreme, Adorno’s Notes to Literature stand by themselves as essays of genius. They are not simply criticism, they are literature. -- Edward SaidThe most accessible works in Adorno’s canon, these short essays on literary and cultural subjects in reality touch on most of the major philosophical preoccupations of his life's work: ranging from figures like Beckett or Thomas Mann, Balzac or Dickens, Bloch or Lukacs to movements like surrealism and existentialism, they show what a dialectical analysis of poetic texts can yield as well as making some fundamental statements about the status of the intellectual and the political, social and historical function of art. In what must be the acid test for any translator, Shierry Weber Nicholsen expertly and reliably navigates the syntactical reefs. -- Fredric JamesonNotes to Literature is not only an important document of Adorno's interest in art and aesthetics, but it is also a groundbreaking examination of literature in general. -- Alexander García Düttmann, author of Philosophy of ExaggerationAnyone who wants to understand Adorno’s philosophy must return to the judgments rendered about literature within these pages. -- Paul Kottman, author of Love as Human FreedomTable of ContentsIntroduction to the Combined Edition, by Paul A. KottmanVolume 1Translator’s Preface, by Shierry Weber NicholsenEditorial Remarks from the German Edition, by Rolf TiedemannPart I1. The Essay as Form2. On Epic Naiveté3. The Position of the Narrator in the Contemporary Novel4. On Lyric Poetry and Society5. In Memory of Eichendorff6. Heine the Wound7. Looking Back on Surrealism8. Punctuation Marks9. The Artist as DeputyPart II10. On the Final Scene of Faust11. Reading Balzac12. Valéry’s Deviations13. Short Commentaries on Proust14. Words from Abroad15. Ernst Bloch’s Spuren16. Extorted Reconciliation: On Georg Lukács’ Realism in Our Time17. Trying to Understand EndgameVolume 2Translator’s Preface, by Shierry Weber NicholsenEditorial Remarks from the German Edition, by Rolf TiedemannPart III18. Titles: Paraphrases on Lessing19. Toward a Portrait of Thomas Mann20. Bibliographical Musings21. On an Imaginary Feuilleton22. Morals and Criminality: On the Eleventh Volume of the Works of Karl Kraus23. The Curious Realist: On Siegfried Kracauer24. Commitment25. Presuppositions: On the Occasion of a Reading by Hans G. Helms26. Parataxis: On Hölderlin’s Late PoetryPart IV27. On the Classicism of Goethe’s Iphigenie28. On Dickens’ The Old Curiosity Shop: A Lecture29. Stefan George30. Charmed Language: On the Poetry of Rudolf Borchardt31. The Handle, the Pot, and Early Experience: Ui, haww’ ich gesacht32. Introduction to Benjamin’s Schriften33. Benjamin the Letter Writer34. An Open Letter to Rolf Hochhuth35. Is Art Lighthearted?NotesIndex

    £80.00

  • Notes to Literature

    Columbia University Press Notes to Literature

    7 in stock

    Book SynopsisNotes to Literature is a collection of the great social theorist Theodor W. Adorno’s essays on such writers as Mann, Bloch, Goethe, and Benjamin, as well as his reflections on a variety of subjects. This edition presents this classic work in full in a single volume, with a new introduction by Paul Kottman.Trade ReviewAdorno’s Notes to Literature . . . sets an inimitable, always exhilarating standard. A volume of Adorno’s essays is equivalent to a whole shelf of books on literature. -- Susan SontagEccentric, brilliant, unreadably readable, aphoristic and gnomic in the extreme, Adorno’s Notes to Literature stand by themselves as essays of genius. They are not simply criticism, they are literature. -- Edward SaidThe most accessible works in Adorno’s canon, these short essays on literary and cultural subjects in reality touch on most of the major philosophical preoccupations of his life's work: ranging from figures like Beckett or Thomas Mann, Balzac or Dickens, Bloch or Lukacs to movements like surrealism and existentialism, they show what a dialectical analysis of poetic texts can yield as well as making some fundamental statements about the status of the intellectual and the political, social and historical function of art. In what must be the acid test for any translator, Shierry Weber Nicholsen expertly and reliably navigates the syntactical reefs. -- Fredric JamesonNotes to Literature is not only an important document of Adorno's interest in art and aesthetics, but it is also a groundbreaking examination of literature in general. -- Alexander García Düttmann, author of Philosophy of ExaggerationAnyone who wants to understand Adorno’s philosophy must return to the judgments rendered about literature within these pages. -- Paul Kottman, author of Love as Human FreedomTable of ContentsIntroduction to the Combined Edition, by Paul A. KottmanVolume 1Translator’s Preface, by Shierry Weber NicholsenEditorial Remarks from the German Edition, by Rolf TiedemannPart I1. The Essay as Form2. On Epic Naiveté3. The Position of the Narrator in the Contemporary Novel4. On Lyric Poetry and Society5. In Memory of Eichendorff6. Heine the Wound7. Looking Back on Surrealism8. Punctuation Marks9. The Artist as DeputyPart II10. On the Final Scene of Faust11. Reading Balzac12. Valéry’s Deviations13. Short Commentaries on Proust14. Words from Abroad15. Ernst Bloch’s Spuren16. Extorted Reconciliation: On Georg Lukács’ Realism in Our Time17. Trying to Understand EndgameVolume 2Translator’s Preface, by Shierry Weber NicholsenEditorial Remarks from the German Edition, by Rolf TiedemannPart III18. Titles: Paraphrases on Lessing19. Toward a Portrait of Thomas Mann20. Bibliographical Musings21. On an Imaginary Feuilleton22. Morals and Criminality: On the Eleventh Volume of the Works of Karl Kraus23. The Curious Realist: On Siegfried Kracauer24. Commitment25. Presuppositions: On the Occasion of a Reading by Hans G. Helms26. Parataxis: On Hölderlin’s Late PoetryPart IV27. On the Classicism of Goethe’s Iphigenie28. On Dickens’ The Old Curiosity Shop: A Lecture29. Stefan George30. Charmed Language: On the Poetry of Rudolf Borchardt31. The Handle, the Pot, and Early Experience: Ui, haww’ ich gesacht32. Introduction to Benjamin’s Schriften33. Benjamin the Letter Writer34. An Open Letter to Rolf Hochhuth35. Is Art Lighthearted?NotesIndex

    7 in stock

    £29.75

  • Essays on Music

    University of California Press Essays on Music

    5 in stock

    Book SynopsisTheodor W Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and - more than any other subject - music. This title presents the full range of Adorno's music writing.Trade Review"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."-Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western SocietyTable of ContentsPreface and Acknowledgments Translator's Note Abbreviations Introduction (by Richard Leppert) 1. LOCATING MUSIC: SOCIETY, MODERNITY, AND THE NEW Commentary (by Richard Leppert) Music, Language, and Composition (1956) Why Is the New Art So Hard to Understand? (1931) On the Contemporary Relationship of Philosophy and Music (1953) On the Problem of Musical Analysis The Aging of the New Music (1955) The Dialectical Composer (1934) 2. CULTURE, TECHNOLOGY, AND LISTENING Commentary (by Richard Leppert) The Radio Symphony (1941) The Curves of the Neddle (1927/1965) The Form of the Phonograph Record Opera and the Long-Playing Record (1969) On the Fetish-Character in Music and the Regression of Listening (1938) Little Heresy (1965) 3. MUSIC AND MASS CULTURE Commentary (by Richard Leppert) What National Socialism Has Done to the Arts (1945) On the Social Situation of Music (1932) On Popular Music [With the assistance of George Simpson] (1941) On Jazz (1936) Farewell to Jazz (1933) Kitsch (c. 1932) Music in the Background (c. 1934) 4. COMPOSITION, COMPOSERS, AND WORKS Commentary (by Richard Leppert) Late Style in Beethoven (1937) Alienated Masterpiece: The Missa Solemnis (1959) Wagner's Relevance for Today (1963) Mahler Today (1930) Marginalia on Mahler (1936) The Opera Wozzeck (1929) Toward an Understanding of Schoenberg (1955/1967) Difficulties (1964, 1966) Bibliography Source and Copyright Acknowledgments Index

    5 in stock

    £31.50

  • Guilt and Defense

    Harvard University Press Guilt and Defense

    3 in stock

    Book SynopsisA psychoanalytically informed analysis of the rhetorical and conceptual mechanisms with which postwar Germans most often denied responsibility for the Nazi past. It provides important perspectives on postwar German political culture, on the dynamics of collective memory, and on Adorno's intellectual legacies.Trade ReviewI am thrilled that Theodor Adorno's Guilt and Defense: On the Legacies of National Socialism in Postwar Germany has eventually been translated and published in a fine American edition. This book documents Adorno's qualitative interpretations of group discussions that were conducted by the Institute of Social Research in Frankfurt and entailed different strata of German society short after WWII and the Holocaust. Here you can read and learn about what average Germans thought in the late 1940s, and how Adorno reconstructed their ideas. This is the best insight into immediate post-War Germany you will ever get. Anyone interested in post-War German politics and culture needs to take a close look at this. Maybe nothing for the beach, either. But for any intellectual interested in 20th century Germany: Indispensable. -- Lars Rensmann * Princeton University Press blog *

    3 in stock

    £40.76

  • Towards a Theory of Musical Reproduction

    John Wiley and Sons Ltd Towards a Theory of Musical Reproduction

    1 in stock

    Book SynopsisThis book collects together Adornos manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today.Trade Review"Towards a Theory of Musical Reproduction addresses the dialectical relation between the musical score (inscription) and its realized sound (performance), the two elements meeting in an act of interpretation, so as to produce what Adorno several times calls the x-ray image of the work, the subcutaneous depth that lies beyond surface manifestation. Adorno's concern is how music means, better how it is made meaningful. The book is a fragment, a set of extensive notes; what survives - more than 200 print pages - is nonetheless very considerable. Adorno's comments and commentaries, invariably aphoristic, are filled with insight and, into the bargain, are richly provocative and commonly provoking." Richard Leppert, University of MinnesotaTable of ContentsEditor's Foreword. Translator's Introduction. Notes I. Ad Dorian. On Richard Wagner's 'Uber das Dirigieren'. Concerning the Older Material. AdAancient Musical Notation. Notes Taken After the Darmstadt Lecture. Notes II. Draft. Structural Keywords for chapters 2, 4 and 5 of the Draft. Material for the Reproduction Theory. Two Schemata. Keywords for the 1954 Darmstadt Seminar. Notes. Bibliography. Index of Names.

    1 in stock

    £54.00

  • Towards a Theory of Musical Reproduction

    Polity Press Towards a Theory of Musical Reproduction

    Out of stock

    Book SynopsisThis book collects together Adornos manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today.Trade Review"Towards a Theory of Musical Reproduction addresses the dialectical relation between the musical score (inscription) and its realized sound (performance), the two elements meeting in an act of interpretation, so as to produce what Adorno several times calls the x-ray image of the work, the subcutaneous depth that lies beyond surface manifestation. Adorno's concern is how music means, better how it is made meaningful. The book is a fragment, a set of extensive notes; what survives - more than 200 print pages - is nonetheless very considerable. Adorno's comments and commentaries, invariably aphoristic, are filled with insight and, into the bargain, are richly provocative and commonly provoking." Richard Leppert, University of MinnesotaTable of ContentsEditor's Foreword. Translator's Introduction. Notes I. Ad Dorian. On Richard Wagner's 'Uber das Dirigieren'. Concerning the Older Material. AdAancient Musical Notation. Notes Taken After the Darmstadt Lecture. Notes II. Draft. Structural Keywords for chapters 2, 4 and 5 of the Draft. Material for the Reproduction Theory. Two Schemata. Keywords for the 1954 Darmstadt Seminar. Notes. Bibliography. Index of Names.

    Out of stock

    £18.99

  • Lectures on Negative Dialectics

    John Wiley and Sons Ltd Lectures on Negative Dialectics

    Out of stock

    Book SynopsisThis volume comprises one of the key lecture courses leading up to the publication in 1966 of Adorno's major work, Negative Dialectics. These lectures focus on developing the concepts critical to the introductory section of that book. They show Adorno as an embattled philosopher defining his own methodology among the prevailing trends of the time.Trade Review"The best introduction to Adorno's thought is Adorno's lectures: patient and expansive, they provide the darkest corners of his thought with light and air. Aiming to elaborate the basic assumptions and working method behind his philosophical practice in general, these lapidary lectures touch on many of the most difficult aspects of Adorno's philosophy." J. M. Bernstein, New School for Social Research Table of ContentsTranslator’s Note Editor’s Foreword Lectures One to Ten Lecture One: The Concept of Contradiction Lecture Two: The Negation of Negation Lecture Three: Whether negative dialectics is possible Lecture Four: Whether philosophy is possible without system Lecture Five: Theory and practice Lecture Six: Being, Nothing, Concept Lecture Seven: ‘Attempted breakouts’ Lecture Eight: The concept of intellectual experience Lecture Nine: The element of speculation Lecture Ten: Philosophy and ‘depth’ Lectures Eleven to Twenty-Five: Negative Dialectics Additional Notes Appendix: The Theory of Intellectual Experience Bibliographical Sources

    Out of stock

    £18.04

  • Dream Notes

    John Wiley and Sons Ltd Dream Notes

    15 in stock

    Book SynopsisAdorno was fascinated by his dreams and wrote them down throughout his life. He envisaged publishing a collection of them although in the event no more than a few appeared in his lifetime. This book offers a selection of Adornos writings on dreams that span the last twenty-five years of his life.Table of ContentsDream Notes Editorial postscript Afterword

    15 in stock

    £12.34

  • Against Epistemology

    John Wiley and Sons Ltd Against Epistemology

    15 in stock

    Book Synopsis* This is a re-issue of a classic book by one of the leading philosophers of the twentieth century. * While written as a critique of Husserl s phenomenology, this book is at the same time a much broader critique of philosophy and epistemology.Trade Review"Philosopher, social theorist, musicologist and critic, Adorno is now accepted as one of our century's most brilliant radical thinkers."—Michael Rosen, University of Oxford "Against all odds, Adorno has emerged at the dawn of the twentyÐfirst century as arguably the leading theoretical inspiration of our time."—Martin Jay, University of California, BerkeleyTable of ContentsPreface 1 Introduction 3 Procedure and Object Immanent Critique Mediating the First Mathematicizaton Concept of Method Promoting the Subject Persistence as Truth The Elementary The Regressive Philosophy of Origins and Epistemology System and Debit Opposing Forces in Epistemology The Drive for System Doctrine of Antinomies Nominalism Motivation and Tendency of Ontology Illusory Concretization and Formalism New and Old 1 Critique of Logical Absolutism 41 Philosophy, Metaphysics and Science Contradiction in Scientificization Concept of Intuition Husserl’s Scientism Dialectic in Spite of Itself A Head-Start for Science ‘Realism’ in Logic The Logical In-Itself Presupposition of Logical Absolutism Essence and Development (Entfaltung) Calculators, Logic and Mechanics Reification of Logic The Logical 'Object' Autosemantic and Synsemantic Expressions Logical Laws and Laws of Thought Aporia of Logical Absolutism Relating Genesis and Validity Genesis and Psychology Thinking and Psychologism The Law of Non-Contradiction The Law of Identity Contingency Abandoning the Empirical Phenomenological and Eidetic Motifs 2 Species and Intention 89 Propositions in Themselves and Essences Lived Experience (Erlebnis) and 'Sense' Critique of Singular 'Senses' Origin of Essential Insight (Wesensschau) 'Ideational Abstraction' Abstraction and () The Primacy of Meaning Analysis (Bedeutungsanalyse) The Function of the Noema Noema and () Relation Between the Two Reductions Noema as Hybrid Essence and 'Factual States of Consciousness' Antinomy of Subjectivism and Eidetics 'Eidetic Variations' Essence as Fiction 3 Epistemological Concepts in Dialectic 124 Phenomenology as Epistemology Positivism and Platonism Husserl's Concept of Givenness 'Foundation' (Fundierung) Ontologization of the Factical Thing as Model of the Given Givenness Mediated in Itself The Subject of Givenness Paradoxia of Pure Intuition Matter as Fulfilment Sensation and Perception Antinomy of the Doctrine of Perception Sensation and Materialism Epistemology as Elementary Analysis 'Gestalt' Intentionality and Constitution Enter Noesis and Noema The Forgotten Synthesis Critique of Correlation Theory Pure Identity and Noematic Core The Primacy of Objectifying Acts Thing as Clue (Leitfaden) Antinomy of the Noema Critique Dismissed Antagonism to System Husserl's Transition to Transcendental Idealism Fragility of the System 4 Essence and Pure Ego 186 Husserl and his Successors Phenomenology Attempts to Break Out Self-Revocation Character of Immanence and the Fetishism of the Concept 'Attitude' (Einstellung) Fantasy and Body Categorial Intuition The Paradoxical Apex The Provenance of Logical Absolutism Fulfilment of Unsensed Moments 'Becoming Aware' (Gewahrwerdung) Motivation of Objectivism Withering Away of Argument Phenomenology as Philosophy of Reflection The System in Ruins Advanced and Restorative Elements Natural History Museum Abstract Ideal of Security Infinitization of the Temporal Origin of the Ego Consciousness, Pure Essence, Time Transcendental Ego and Facticity Equivocation of 'I' Solipsism The Aporia of Transcendental Experience The End of Idealism Translator's Note 235 Bibliographical Note 239 German-English Lexicon 242 Index 245

    15 in stock

    £14.24

  • Aesthetics

    John Wiley and Sons Ltd Aesthetics

    7 in stock

    Book SynopsisThis volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno s greatest works.Trade Review"The Nordic Civil Sphere deserves to be widely read, not only by students and by scholars who are interested in the particularities of the Nordic civil spheres, but by anyone interested in how the civil spheres of the Global North shape democracy, welfare, values, and processes of inclusion and exclusion."Acta SociologyTable of ContentsEditor's Foreword LECTURE 1The situationThe possibility of philosophical aesthetics todayThe connection between philosophy and aesthetics in KantHegel's definition of beautyAesthetic objectivityA critique of 'aesthetics from above'On the methodThe problem of aesthetic relativityThe objectivity of aesthetic judgementAesthetic logicThe irrationality of artThe work of art as an expression of naïvetéBasic research in the field of aesthetics LECTURE 2Not a set of instructionsThe individualist prejudiceTalentResistance to aestheticsThe poles of aesthetic insight: (a) Theoretical reflection; (b) The experience of artistic practiceAgainst cultivatednessThe riddle characterA justification of the philosophy of art'Aesthetics' is equivocalNatural beauty and artistic beautyHegel's turn away from natural beautyUnresolved aspect to natural beauty LECTURE 3The elusiveness of natural beautyThe model character of natural beautyAuraThe experiences of something objective'Mood'The mediation of natural beauty and artistic beautyThe historicity of natural beautyThe sublime in KantAesthetic experience is dialectical in itself 'Disinterested pleasure' LECTURE 4Special sphere of aesthetic semblanceThe taboo on desireSublimationDissonance'Spring's command, sweet need'MimesisImitationTransition LECTURE 5The separation of art from the real worldPlay and semblance'The world once again'Art as 'unfolding of truth'The negation of the reality principleExpression of sufferingThe participation of art in the process of controlling natureTechniqueProgress LECTURE 6Does art merely express what has been destroyed?Restoring the bodyStart from the most advanced artThe expressive ideal of expressionismPrincipium stilisationisConstructionThe dialectic of expression and construction LECTURE 7Nature is historicalConstruction and formA critique of the creator roleThe aversion to expressionThe reduction of the individualFalling silent after AuschwitzThe crisis of meaningThe limits of construction LECTURE 8The crisis of meaning (contd.)Giving a voice to mutilated natureExpression of alienationDefamiliarizationConsistency of constructionAleatory musicThe problem of characters LECTURE 9The Platonic doctrine of beautyIntroduction to an interpretation of the PhaedrusEnthousiasmosBeauty as a form of madnessBeing seizedPain as a constituent of the experience of beautyNot a definitionIdeaThe subjectivity of beautyThe imitation of the idea of beautyThe aspect of danger in beauty LECTURE 10Interpretation of the Phaedrus, contd.The paradox of beautyThe image of beautyAffinity with deathElevating oneself above the contingent world Kant's theory of the sublimeThe sensual and the spiritual in artForce field LECTURE 11Ontology and dialectic in PlatoThe relationship between beauty and artThe aspect of uglinessThe aspect of sensual pleasureAesthetic experience'Throw away in order to gain!'The meaning of the whole LECTURE 12RecapitulationEnjoyment of artThe inhabitantFetishismAesthetic enjoymentThe suspension of the principium individuationisUnderstanding works of art LECTURE 13Reflective co-enactmentAesthetic stupidityTranslation, commentary, critiqueThe spiritualization of artConstructivismThe dialectic of sensual and spiritual aspects in the work of art LECTURE 14Spiritual contentThe structural contextForce fieldThe allergy to sensual pleasureAesthetics without beauty LECTURE 15Correcting the definition of the work of artAlienationReference to the object in visual art'Abstract' artForm as sedimented contentLoss of tensionTheoretical preconditions of artistic experience LECTURE 16Beauty and truthNaturalismTruth of expressionCoherenceNecessityThe idea of beauty as something internally in motionHomeostasisThe mediated truth LECTURE 17Subjectivism and objectivism in aestheticsHegel's critique of tasteThe physiognomy of the aestheteGoût quamd mêmeAccumulated experienceFashion LECTURE 18A critique of aesthetic subjectivismA critique of psychological aestheticsMethodologyThe immediacy of subjective reactions is mediatedThe consumption of prestigeThe emotional relationship with art LECTURE 19Recapitulation'The Tired Businessman's Show'Conceptless synthesisThe cognition of artDefensive reactions to modern art LECTURE 20RecapitulationThe rancour of those left behind towards new artSemi-literacyThe alienation of modern art from consumption is itself socialLukács's pseudo-realismThe concept of ideologyKant's subjectivismA critique of the theory of aesthetic experienceThe ambiguity of the work of art LECTURE 21Recovery of the truthThe idea lies in the totality of aspects'... being completely filled with the matter'ExperienceThe psychology of the artistEmpathyThe work of art as objectified spiritArtistic production Adorno's Notes for the Lectures Editor's Notes Index

    7 in stock

    £49.50

  • Aesthetics

    John Wiley and Sons Ltd Aesthetics

    15 in stock

    Book SynopsisThis volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno s greatest works.Trade Review"Adorno's lectures provide a fascinating glimpse into the philosophical workshop where his ideas were forged and developed, and this lecture course on aesthetics from the late 1950s is no exception. With an irrepressible sense of intellectual adventure, Adorno argues with the giants of the German tradition in the philosophy of art, interprets Plato's theory of beauty in the Phaedrus, and struggles to make sense of the music of John Cage. He offers a virtuoso series of variations on his central claim that, in art, we experience reason 'in the form of its otherness', as a 'particular resistance' to the instrumental rationality which dominates our lives." Peter Dews, University of Essex "These lectures are much more than an early record of Adorno's path toward his late, uncompleted masterwork, Aesthetic Theory. They represent an independent and often revelatory statement of his thinking on aesthetics in the late 1950's. This book is an indispensable addition to the English-language reader's understanding of this central thinker." Michael Jennings, Princeton UniversityTable of ContentsEditor's Foreword LECTURE 1The situationThe possibility of philosophical aesthetics todayThe connection between philosophy and aesthetics in KantHegel's definition of beautyAesthetic objectivityA critique of 'aesthetics from above'On the methodThe problem of aesthetic relativityThe objectivity of aesthetic judgementAesthetic logicThe irrationality of artThe work of art as an expression of naïvetéBasic research in the field of aesthetics LECTURE 2Not a set of instructionsThe individualist prejudiceTalentResistance to aestheticsThe poles of aesthetic insight: (a) Theoretical reflection; (b) The experience of artistic practiceAgainst cultivatednessThe riddle characterA justification of the philosophy of art'Aesthetics' is equivocalNatural beauty and artistic beautyHegel's turn away from natural beautyUnresolved aspect to natural beauty LECTURE 3The elusiveness of natural beautyThe model character of natural beautyAuraThe experiences of something objective'Mood'The mediation of natural beauty and artistic beautyThe historicity of natural beautyThe sublime in KantAesthetic experience is dialectical in itself 'Disinterested pleasure' LECTURE 4Special sphere of aesthetic semblanceThe taboo on desireSublimationDissonance'Spring's command, sweet need'MimesisImitationTransition LECTURE 5The separation of art from the real worldPlay and semblance'The world once again'Art as 'unfolding of truth'The negation of the reality principleExpression of sufferingThe participation of art in the process of controlling natureTechniqueProgress LECTURE 6Does art merely express what has been destroyed?Restoring the bodyStart from the most advanced artThe expressive ideal of expressionismPrincipium stilisationisConstructionThe dialectic of expression and construction LECTURE 7Nature is historicalConstruction and formA critique of the creator roleThe aversion to expressionThe reduction of the individualFalling silent after AuschwitzThe crisis of meaningThe limits of construction LECTURE 8The crisis of meaning (contd.)Giving a voice to mutilated natureExpression of alienationDefamiliarizationConsistency of constructionAleatory musicThe problem of characters LECTURE 9The Platonic doctrine of beautyIntroduction to an interpretation of the PhaedrusEnthousiasmosBeauty as a form of madnessBeing seizedPain as a constituent of the experience of beautyNot a definitionIdeaThe subjectivity of beautyThe imitation of the idea of beautyThe aspect of danger in beauty LECTURE 10Interpretation of the Phaedrus, contd.The paradox of beautyThe image of beautyAffinity with deathElevating oneself above the contingent world Kant's theory of the sublimeThe sensual and the spiritual in artForce field LECTURE 11Ontology and dialectic in PlatoThe relationship between beauty and artThe aspect of uglinessThe aspect of sensual pleasureAesthetic experience'Throw away in order to gain!'The meaning of the whole LECTURE 12RecapitulationEnjoyment of artThe inhabitantFetishismAesthetic enjoymentThe suspension of the principium individuationisUnderstanding works of art LECTURE 13Reflective co-enactmentAesthetic stupidityTranslation, commentary, critiqueThe spiritualization of artConstructivismThe dialectic of sensual and spiritual aspects in the work of art LECTURE 14Spiritual contentThe structural contextForce fieldThe allergy to sensual pleasureAesthetics without beauty LECTURE 15Correcting the definition of the work of artAlienationReference to the object in visual art'Abstract' artForm as sedimented contentLoss of tensionTheoretical preconditions of artistic experience LECTURE 16Beauty and truthNaturalismTruth of expressionCoherenceNecessityThe idea of beauty as something internally in motionHomeostasisThe mediated truth LECTURE 17Subjectivism and objectivism in aestheticsHegel's critique of tasteThe physiognomy of the aestheteGoût quamd mêmeAccumulated experienceFashion LECTURE 18A critique of aesthetic subjectivismA critique of psychological aestheticsMethodologyThe immediacy of subjective reactions is mediatedThe consumption of prestigeThe emotional relationship with art LECTURE 19Recapitulation'The Tired Businessman's Show'Conceptless synthesisThe cognition of artDefensive reactions to modern art LECTURE 20RecapitulationThe rancour of those left behind towards new artSemi-literacyThe alienation of modern art from consumption is itself socialLukács's pseudo-realismThe concept of ideologyKant's subjectivismA critique of the theory of aesthetic experienceThe ambiguity of the work of art LECTURE 21Recovery of the truthThe idea lies in the totality of aspects'... being completely filled with the matter'ExperienceThe psychology of the artistEmpathyThe work of art as objectified spiritArtistic production Adorno's Notes for the Lectures Editor's Notes Index

    15 in stock

    £23.74

  • Philosophy and Sociology 1960

    John Wiley and Sons Ltd Philosophy and Sociology 1960

    1 in stock

    Book SynopsisIn summer 1960, Adorno gave the first of a series of lectures devoted to the relation between sociology and philosophy. One of his central concerns was to dispel the notion, erroneous in his view, that these were two incompatible disciplines, radically opposed in their methods and aims, a notion that was shared by many. While some sociologists were inclined to dismiss philosophy as obsolete and incapable of dealing with the pressing social problems of our time, many philosophers, influenced by Kant, believed that philosophical reflection must remain 'pure', investigating the constitution of knowledge and experience without reference to any real or material factors. By focusing on the problem of truth, Adorno seeks to show that philosophy and sociology share much more in common than many of their practitioners are inclined to assume. Drawing on intellectual history, Adorno demonstrates the connection between truth and social context, arguing that there is no truth that cannot be manipulated by ideology and no theorem that can be wholly detached from social and historical considerations. This systematic account on the interconnectedness of philosophy and sociology makes these lectures a timeless reflection on the nature of these disciplines and an excellent introduction to critical theory, the sociological content of which is here outlined in detail by Adorno for the first time.Trade Review"The continued relevance of Adorno's radical thought is confirmed by these published lectures."—Marx & Philosophy Review of BooksTable of ContentsOverview Lectures Adorno’s Notes for the Lectures Editor’s Notes Editor’s Afterword Index

    1 in stock

    £49.50

  • Philosophy and Sociology 1960

    John Wiley and Sons Ltd Philosophy and Sociology 1960

    15 in stock

    Book SynopsisIn summer 1960, Adorno gave the first of a series of lectures devoted to the relation between sociology and philosophy. One of his central concerns was to dispel the notion, erroneous in his view, that these were two incompatible disciplines, radically opposed in their methods and aims, a notion that was shared by many. While some sociologists were inclined to dismiss philosophy as obsolete and incapable of dealing with the pressing social problems of our time, many philosophers, influenced by Kant, believed that philosophical reflection must remain 'pure', investigating the constitution of knowledge and experience without reference to any real or material factors. By focusing on the problem of truth, Adorno seeks to show that philosophy and sociology share much more in common than many of their practitioners are inclined to assume. Drawing on intellectual history, Adorno demonstrates the connection between truth and social context, arguing that there is no truth that cannot be manipulated by ideology and no theorem that can be wholly detached from social and historical considerations. This systematic account on the interconnectedness of philosophy and sociology makes these lectures a timeless reflection on the nature of these disciplines and an excellent introduction to critical theory, the sociological content of which is here outlined in detail by Adorno for the first time.Trade Review"The continued relevance of Adorno's radical thought is confirmed by these published lectures."—Marx & Philosophy Review of BooksTable of ContentsOverviewLecturesAdorno’s Notes for the LecturesEditor’s NotesEditor’s AfterwordIndex

    15 in stock

    £18.04

  • Ontology and Dialectics

    John Wiley and Sons Ltd Ontology and Dialectics

    15 in stock

    Book SynopsisTrade Review‘Ontology and Dialectics is a work of the highest importance. These lectures allow us not only to gain a clearer understanding of Adorno’s critique of Heidegger but also to understand more fully the project of a German-Jewish thinker who, having returned to Germany after the Second World War, wonders if philosophy “after Auschwitz” is still possible. The course shows Adorno developing and assembling many of the major concepts that would inform the mature phase of his thinking, right up to his untimely death in August 1969.’Gerhard Richter, Brown University“Adorno’s wider remarks about heteronomous thinking and the inimical socio-political effects this can have are of vital importance.”Marx & Philosophy Review of BooksTable of Contents Contents Editor’s Foreword LECTURE 1: ‘What Being Really is’ Against the philosophy of standpoints and philosophical world views; the meaning of rigour in philosophy and the positive sciences – the plan of these lectures; immanent critique – ‘What being really is’; ontology as structural interconnection – the doctrine of being contra idealism and methodology – the concept of meaning; the being of beings; the meaning of being – being and essence – categorial intuition versus abstraction LECTURE 2: On Ontological Difference The structure of being and being itself; regional ontologies and fundamental ontology – on the problem of ontological difference (I) – ontic questions and ontological questions – questions concerning the meaning of being – question of origin as petitio principii – circular reasoning (I) – critique of origins – circular reasoning (II) – fusion of mysticism and the claim to rationality – historical dimension of ‘the question of being’ LECTURE 3: History of the Concept of Being Circular reasoning (III) – the unreflected ‘question of being’ – being in the Pre-Socratics, in Plato and Aristotle – experience of being is not ‘prior’; being as product of abstraction – being and thought in Parmenides; abstraction and vital powers not distinguished for archaic thought; the most ancient not the truest – philosophy and the particular sciences; dialectic of enlightenment; residual character of being – two kinds of truth LECTURE 4: Being and Language (I) Prehistory of the new ontologies: Franz Brentano; ontology as counter-enlightenment – a double front against realism and conceptualism – fundamental ontology as hermeneutics; being and language; nominalist critique of language – analysis of the concept of being; positivism and language – conceptuality as domination of nature; inadequacy of concept and thing; thing in itself and being – functional understanding of concepts; double sense of being as concept and anti-concept LECTURE 5: Being and Language (II) Ambiguity of the concept of being (I) – arbitrariness in concept formation; Kant versus Spinoza - ambiguity of the concept of being (II) – ambiguity of the concept of being (III) – subjectivity as constitutive for ontology – substantial character of language; borrowing from theology – on the analysis of language; obligations regarding linguistic form – the wavering character of being LECTURE 6: Separating Being and Beings Examples from antiquity; on Aristotle’s terminology; the priority of the tode ti – genesis and validity; Heidegger’s being as third possibility; on Heidegger’s concept of origin – archaic dimension of Heidegger’s ontology; against genetic explanation; phenomenology and history – phenomenological method; red and redness; the inference to being-in-itself in Scheler and Heidegger – Husserl’s return to transcendentalism LECTURE 7: Mind in relation to Beings ‘Priority’ as petitio principii – critique of the possibility of ontology; on Cartesian dualism – phenomenological reduction of the subject; objectivity of the second level; shutting out beings – philosophical compulsion for cleanliness – allergy towards beings; an aura borrowed from theology; the story of Snow White – ontology as counterpart to nominalism and positivism LECTURE 8: Ontologizing the Ontic (I) The subject-object division not permanent; fundamental ontology and the loss of tradition; the ‘unintelligibility of Heidegger – oblivion of the numinous; material stuff and abstraction in the Pre-Socratics – ontology or dialectics; ‘being’ as ‘the wholly other’ – critique as differentiation; original non-differentiation; Heidegger’s anti-intellectualism – against postponement –Heidegger’s trick: ontologizing the ontic LECTURE 9: Ontologizing the Ontic (II) Conceptualizing the non-conceptual; philosophy of being and idealism, Heidegger and Hegel – ontologizing existence – spurious appeal of the new; fascination through ignorance – subreption of the nominalized verb ‘being’ – Dasein as being and a being – ‘Be who you are!’ – eidetic science and ontology – subjectivity as the site of being LECTURE 10: Ontological Need Heidegger and Kant; Kant’s ultimate intention – Heidegger’s thought as the site of being; a diminished concept of subject: absence of labour and spontaneity – initial observations on the ontological need – a sociological interjection – the ‘elevated tone’; Heidegger’s language and Adorno’s great grandfather; fundamental ontology as index of a lack LECTURE 11: The Abdication of Philosophy On the sociology of the ontological need – philosophy and society; distracting effect of Marxism; the relevance of morality – philosophy and the natural sciences; philosophy and art – Kant’s abdication before God, freedom, and immortality – the ‘resurrection of metaphysics’; impotence of philosophy in the face of the essential – Schelling, Schopenhauer, Nietzsche LECTURE 12: The Relation to Kierkegaard Science versus philosophy; accepted heresies – an anti-academic academy – licensed audacity – relation to Kierkegaard – ‘subjectivity is truth’ – history of the concept of ontology LECTURE 13: Critique of Subjectivism The anti-subjectivism of modern ontology – the problem of relativism (I); how questions vanish – the problem of relativism (II); ‘to the things themselves’ – transcendental subjectivism and egoity – the acosmism of post-Kantian idealism; the unreason of the world - the crisis of subjectivity and the development of cosmology – critique of the domination of nature; fundamental ontology and dialectical materialism; changes in the concept of reason LECTURE 14: Hypostasizing the Question The crucial role of subjectivity in Heidegger’s early thought; Heidegger and Lukács – need and truth; question and answer Ð the philosophical structure of the question; hypostasis of the question in Heidegger – the question as surrogate answer; the mechanism of subreption – the ideology of ‘man’ LECTURE 15: Time, Being, Meaning ‘Man’, ‘tradition’, ‘life’: indices of loss – philosophy of existence and philosophy of life – labour and the consciousness of time; phenomenology of ‘wisdom’; loss of historical continuity, America – antiques business and abstract time; ontologizing the concept of substance – time and being as complementary concepts; disenchantment of the world and the creation of meaning – raiding poetry LECTURE 16: Ontology and Society Heidegger’s archaic language; feigned origins; primordial history and petit bourgeois mentality – social presuppositions of ontology – ontology as philosophical neo-classicism – impossibility of ontology today – Heidegger’s strategy; sympathy with barbarism – phenomenological caprice – ‘project’ LECTURE 17: Mythic Content Regression to mythology – fate and hybris in the concept of being = blindness, anxiety, death; relation to religion – National Socialism and the homeland; National Socialism and the relation to history – the indeterminacy of myth and the longing for the concrete; the most concrete as the most abstract – being as ‘itself’ LECTURE 18: The Purity and Immediacy of Being Tautological determination of being; purity in Husserl; scholasticism and empiricism in Brentano – the method of eidetic intuition – intuition and the a priori – on the concept of ontological difference (II) – purity and immediacy irreconcilable; conceptuality as the Fall – idle talk and the forgetfulness of being; the experience of being, the language of nature and music LECTURE 19: The Indeterminacy of Being Pro domo – indeterminacy as determination – the ‘overcoming’ of nihilism; being as ens realissimum - the question of constitution versus the priority of being; synthesis and the synthesized; the physiognomic gaze – the particular transparent to its universal – being – the meaning of being (I) LECTURE 20: Meaning of Being and the Copula The meaning of being (II) – ontology as prescription – protest against reification; the problem of relativism (III) – structure of the lectures – the copula (I) LECTURE 21: The Copula and the Question of Being The copula (II) – the copula (III) – no transcendence of being – the childish question; language and truth – the question of being (I); ‘authenticity’ and the decline of civilisation – the question of being (II); LECTURE 22: Being and Existence Heidegger’s turn; the concept of ontological difference (III) – the mythology of being; archaism – function of the concept of existence – ‘Dasein is ontological in itself’ – ‘existence’ as authoritarian – ‘historicity’ – against the ontology of the non-ontological – history as the medium of philosophy – critique LECTURE 23: The Concept of Negative Dialectic ‘Peep hole metaphysics’ and negative dialectics - Left Hegelianism and the ban on images – priority of the object – reversing the subjective reduction – interpreting the transcendental – ‘transcendental illusion’; against hierarchy Editor’s Notes Index

    15 in stock

    £18.04

  • Philosophical Elements of a Theory of Society

    John Wiley and Sons Ltd Philosophical Elements of a Theory of Society

    15 in stock

    Book SynopsisTrade Review"a joy to read"Marx & Philosophy Review of Books"Against the alleged waning of Adorno’s radical commitments in his last years, these lectures of 1964 on the relationship between social theory and empirical research testify to his abiding Marxist loyalties. Exhorting his students to pierce the “technological veil” of their “administered world,” he insists on the power of class, reified consciousness, and the impoverishment of experience in the irrational totality of late capitalism."Martin Jay, Berkeley

    15 in stock

    £17.09

  • Ontology and Dialectics

    John Wiley and Sons Ltd Ontology and Dialectics

    15 in stock

    Book SynopsisTrade Review‘Ontology and Dialectics is a work of the highest importance. These lectures allow us not only to gain a clearer understanding of Adorno’s critique of Heidegger but also to understand more fully the project of a German-Jewish thinker who, having returned to Germany after the Second World War, wonders if philosophy “after Auschwitz” is still possible. The course shows Adorno developing and assembling many of the major concepts that would inform the mature phase of his thinking, right up to his untimely death in August 1969.’Gerhard Richter, Brown University“Adorno’s wider remarks about heteronomous thinking and the inimical socio-political effects this can have are of vital importance.”Marx & Philosophy Review of BooksTable of Contents Contents Editor’s Foreword LECTURE 1: ‘What Being Really is’ Against the philosophy of standpoints and philosophical world views; the meaning of rigour in philosophy and the positive sciences – the plan of these lectures; immanent critique – ‘What being really is’; ontology as structural interconnection – the doctrine of being contra idealism and methodology – the concept of meaning; the being of beings; the meaning of being – being and essence – categorial intuition versus abstraction LECTURE 2: On Ontological Difference The structure of being and being itself; regional ontologies and fundamental ontology – on the problem of ontological difference (I) – ontic questions and ontological questions – questions concerning the meaning of being – question of origin as petitio principii – circular reasoning (I) – critique of origins – circular reasoning (II) – fusion of mysticism and the claim to rationality –historical dimension of ‘the question of being’ LECTURE 3: History of the Concept of Being Circular reasoning (III) – the unreflected ‘question of being’ – being in the Pre-Socratics, in Plato and Aristotle – experience of being is not ‘prior’; being as product of abstraction – being and thought in Parmenides; abstraction and vital powers not distinguished for archaic thought; the most ancient not the truest – philosophy and the particular sciences; dialectic of enlightenment; residual character of being – two kinds of truth LECTURE 4: Being and Language (I) Prehistory of the new ontologies: Franz Brentano; ontology as counter-enlightenment – a double front against realism and conceptualism – fundamental ontology as hermeneutics; being and language; nominalist critique of language – analysis of the concept of being; positivism and language – conceptuality as domination of nature; inadequacy of concept and thing; thing in itself and being – functional understanding of concepts; double sense of being as concept and anti-concept LECTURE 5: Being and Language (II) Ambiguity of the concept of being (I) – arbitrariness in concept formation; Kant versus Spinoza - ambiguity of the concept of being (II) – ambiguity of the concept of being (III) – subjectivity as constitutive for ontology – substantial character of language; borrowing from theology – on the analysis of language; obligations regarding linguistic form – the wavering character of being LECTURE 6: Separating Being and Beings Examples from antiquity; on Aristotle’s terminology; the priority of the tode ti – genesis and validity; Heidegger’s being as third possibility; on Heidegger’s concept of origin – archaic dimension of Heidegger’s ontology; against genetic explanation; phenomenology and history – phenomenological method; red and redness; the inference to being-in-itself in Scheler and Heidegger – Husserl’s return to transcendentalism LECTURE 7: Mind in relation to Beings ‘Priority’ as petitio principii – critique of the possibility of ontology; on Cartesian dualism –phenomenological reduction of the subject; objectivity of the second level; shutting out beings – philosophical compulsion for cleanliness – allergy towards beings; an aura borrowed from theology; the story of Snow White – ontology as counterpart to nominalism and positivism LECTURE 8: Ontologizing the Ontic (I) The subject-object division not permanent; fundamental ontology and the loss of tradition; the ‘unintelligibility of Heidegger – oblivion of the numinous; material stuff and abstraction in the Pre-Socratics – ontology or dialectics; ‘being’ as ‘the wholly other’ – critique as differentiation; original non-differentiation; Heidegger’s anti-intellectualism – against postponement – Heidegger’s trick: ontologizing the ontic LECTURE 9: Ontologizing the Ontic (II) Conceptualizing the non-conceptual; philosophy of being and idealism, Heidegger and Hegel – ontologizing existence – spurious appeal of the new; fascination through ignorance Ð subreption of the nominalized verb ‘being’ – Dasein as being and a being – ‘Be who you are!’ – eidetic science and ontology – subjectivity as the site of being LECTURE 10: Ontological Need Heidegger and Kant; Kant’s ultimate intention – Heidegger’s thought as the site of being; a diminished concept of subject: absence of labour and spontaneity – initial observations on the ontological need – a sociological interjection – the ‘elevated tone’; Heidegger’s language and Adorno’s great grandfather; fundamental ontology as index of a lack LECTURE 11: The Abdication of Philosophy On the sociology of the ontological need – philosophy and society; distracting effect of Marxism; the relevance of morality – philosophy and the natural sciences; philosophy and art – Kant’s abdication before God, freedom, and immortality – the ‘resurrection of metaphysics’; impotence of philosophy in the face of the essential – Schelling, Schopenhauer, Nietzsche LECTURE 12: The Relation to Kierkegaard Science versus philosophy; accepted heresies – an anti-academic academy – licensed audacity – relation to Kierkegaard – ‘subjectivity is truth’ – history of the concept of ontology LECTURE 13: Critique of Subjectivism The anti-subjectivism of modern ontology – the problem of relativism (I); how questions vanish – the problem of relativism (II); ‘to the things themselves’ – transcendental subjectivism and egoity – the acosmism of post-Kantian idealism; the unreason of the world - the crisis of subjectivity and the development of cosmology – critique of the domination of nature; fundamental ontology and dialectical materialism; changes in the concept of reason LECTURE 14: Hypostasizing the Question The crucial role of subjectivity in Heidegger’s early thought; Heidegger and Lukács – need and truth; question and answer – the philosophical structure of the question; hypostasis of the question in Heidegger – the question as surrogate answer; the mechanism of subreption – the ideology of ‘man’ LECTURE 15: Time, Being, Meaning ‘Man’, ‘tradition’, ‘life’: indices of loss – philosophy of existence and philosophy of life – labour and the consciousness of time; phenomenology of ‘wisdom’; loss of historical continuity, America – antiques business and abstract time; ontologizing the concept of substance – time and being as complementary concepts; disenchantment of the world and the creation of meaning – raiding poetry LECTURE 16: Ontology and Society Heidegger’s archaic language; feigned origins; primordial history and petit bourgeois mentality – social presuppositions of ontology – ontology as philosophical neo-classicism – impossibility of ontology today – Heidegger’s strategy; sympathy with barbarism – phenomenological caprice – ‘project’ LECTURE 17: Mythic Content Regression to mythology – fate and hybris in the concept of being = blindness, anxiety, death; relation to religion – National Socialism and the homeland; National Socialism and the relation to history – the indeterminacy of myth and the longing for the concrete; the most concrete as the most abstract – being as ‘itself’ LECTURE 18: The Purity and Immediacy of Being Tautological determination of being; purity in Husserl; scholasticism and empiricism in Brentano – the method of eidetic intuition – intuition and the a priori – on the concept of ontological difference (II) – purity and immediacy irreconcilable; conceptuality as the Fall – idle talk and the forgetfulness of being; the experience of being, the language of nature and music LECTURE 19: The Indeterminacy of Being Pro domo – indeterminacy as determination – the ‘overcoming’ of nihilism; being as ens realissimum - the question of constitution versus the priority of being; synthesis and the synthesized; the physiognomic gaze – the particular transparent to its universal – being – the meaning of being (I) LECTURE 20: Meaning of Being and the Copula The meaning of being (II) – ontology as prescription – protest against reification; the problem of relativism (III) – structure of the lectures – the copula (I) LECTURE 21: The Copula and the Question of Being The copula (II) – the copula (III) – no transcendence of being – the childish question; language and truth – the question of being (I); ‘authenticity’ and the decline of civilisation – the question of being (II); LECTURE 22: Being and Existence Heidegger’s turn; the concept of ontological difference (III) – the mythology of being; archaism – function of the concept of existence – ‘Dasein is ontological in itself’ – ‘existence’ as authoritarian – ‘historicity’ – against the ontology of the non-ontological – history as the medium of philosophy – critique LECTURE 23: The Concept of Negative Dialectic ‘Peep hole metaphysics’ and negative dialectics - Left Hegelianism and the ban on images – priority of the object – reversing the subjective reduction – interpreting the transcendental – ‘transcendental illusion’; against hierarchy Editor’s Notes Index

    15 in stock

    £54.00

  • Sound Figures Meridian Crossing Aesthetics

    Stanford University Press Sound Figures Meridian Crossing Aesthetics

    15 in stock

    Book SynopsisAdorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical.Trade Review"The publication of the collection of musical essays in Sound Figures is particularly important for the establishment of a more sensitive reception of the rich thought of Adorno. Here we have a very good translation of Adorno's texts. . . ."—Philosophy in ReviewTable of Contents1. Some ideas on the sociology of music 2. Bourgeois opera 3. New music, interpretation, audience 4. The mastery of the maestro 5. The prehistory of serial music 6. Alban Berg 7. The orchestration of Berg's early songs 8. The orchestration of Berg's early songs 9. Anton von Webern 10. Classicism, Romanticism, New Music 10. The function of counterpoint in New Music 11. Criteria of New Music 12. Music and technique.

    15 in stock

    £18.89

  • The Psychological Technique of Martin Luther

    Stanford University Press The Psychological Technique of Martin Luther

    15 in stock

    Book SynopsisThis study was written in English in the 1930s when Adorno, one of the 20th century's most influential thinkers, was living in the United States. It is a pioneering analysis of a member of what we now call the Radical Right—the now-forgotten Martin Luther Thomas, an American fascist-style demagogue who used the radio to appeal to and to manipulate his adherents.Table of Contents1. The personal element: self-characterization of the agitator 2. Thomas' method 3. The religious medium 4. Ideological bait.

    15 in stock

    £67.15

  • The Psychological Technique of Martin Luther

    Stanford University Press The Psychological Technique of Martin Luther

    15 in stock

    Book SynopsisThis study was written in English in the 1930s when Adorno, one of the 20th century's most influential thinkers, was living in the United States. It is a pioneering analysis of a member of what we now call the Radical Right—the now-forgotten Martin Luther Thomas, an American fascist-style demagogue who used the radio to appeal to and to manipulate his adherents.Table of Contents1. The personal element: self-characterization of the agitator 2. Thomas' method 3. The religious medium 4. Ideological bait.

    15 in stock

    £17.09

  • Negative Dialectics Negative Dialectics Ppr

    Bloomsbury Publishing PLC Negative Dialectics Negative Dialectics Ppr

    Out of stock

    Book Synopsis

    Out of stock

    £29.69

  • Philosophy of Modern Music

    Bloomsbury Publishing (UK) Philosophy of Modern Music

    15 in stock

    Book SynopsisPresents a study of key musical works of the twentieth century. Here, the author brings a range of social and cultural questions to bear on the analysis of two composers he saw as polar opposites, Arnold Schoenberg and Igor Stravinsky.Trade Review"[Adorno's] interest in Schoenberg and Benjamin was combined in his best known and most influential book...which set out to do for contemporary music what Benjamin had done for seventeenth-century German tragedy."--The New York Review of BooksTable of ContentsTranslator's Introduction; Preface; Introduction; Schoenberg and Progress; Stravinsky and Restoration; Notes.

    15 in stock

    £28.99

  • Night Music

    Seagull Books London Ltd Night Music

    1 in stock

    Book SynopsisCollected in their entirety for the first time in English, the insightful texts in Night Music show the breadth of Adorno’s musical understanding and reveal an overlooked side to this significant thinker.

    1 in stock

    £12.99

  • Correspondence, 1939 - 1969

    John Wiley and Sons Ltd Correspondence, 1939 - 1969

    15 in stock

    Book SynopsisAt first glance, Theodor W. Adorno’s critical social theory and Gershom Scholem’s scholarship of Jewish mysticism could not seem farther removed from one another. To begin with, they also harbored a mutual hostility. But their first conversations in 1938 New York were the impetus for a profound intellectual friendship that lasted thirty years and produced more than 220 letters. These letters discuss the broadest range of topics in philosophy, religion, history, politics, literature, and the arts – as well as the life and the work of Adorno and Scholem’s mutual friend Walter Benjamin. Unfolding with the dramatic tension of a historic novel, the correspondence tells the story of these two intellectuals who faced tragedy, destruction, and loss, but also participated in the efforts to reestablish a just and dignified society after World War II. Scholem immigrated to Palestine before the war and developed his pioneering scholarship of Jewish mysticism before and during the problematic establishment of a Jewish state. Adorno escaped Germany to England, and then to America, returning to Germany in 1949 to participate in the efforts to rebuild and democratize German society. Despite the differences in the lifepaths and worldviews of Adorno and Scholem, their letters are evidence of mutual concern for intellectual truth and hope for a more just society in the wake of historical disaster. The letters reveal for the first time the close philosophical proximity between Adorno’s critical theory and Scholem’s scholarship of mysticism and messianism. Their correspondence touches on questions of reason and myth, progress and regression, heresy and authority, and the social dimensions of redemption. Above all, their dialogue sheds light on the power of critical, materialistic analysis of history to bring about social change and prevent repetition of the disasters of the past.Trade Review“The correspondence between Theodor Adorno and Gershom Scholem reveals an intriguing friendship and one of the most important philosophical genealogies of the twentieth century. The relation between critical theory and Jewish mysticism comes to life in their exchange, clarifying how these mammoth intellectuals illuminated each other’s scholarship. Asaf Angermann’s Introduction to the volume is brilliant and insightful.”Susannah Heschel, Dartmouth College “Gershom Scholem and Theodor Adorno were an odd couple: the first a Zionist and scholar of Kabbalah, the second a neo-Marxist philosopher who returned to Germany after the war. Yet their surprising thirty-year friendship, wonderfully expressed in this correspondence, reveals the broad horizons of these two towering intellectuals of the twentieth century.”David Biale, University of California – Davis “Brought together by their mutual regard for Walter Benjamin and shared grief at his death, Gershom Scholem and Theodor Adorno began an unlikely, yet increasingly intense epistolary friendship. Scrupulously annotated and masterfully introduced by Asaf Angermann, their letters open a window letting in the twilight glow of a once vibrant German-Jewish culture before its passing into history.”Martin Jay, University of California – Berkeley “The friendship between Theodor Adorno and Gershom Scholem was as fascinating as it was improbable. Dialectics came into explosive contact with the history of mysticism, sending sparks of light in a thousand directions. Their correspondence, now available in English with a superb editorial apparatus, ranks as one of the most exhilarating documents in the entire history of twentieth-century thought.”Peter Gordon, Harvard University"Theodor Adorno said of Walter Benjamin’s correspondence: 'The level and quality of letters is always also determined by its addressee.' The quality of the Adorno-Scholem correspondence, intelligently introduced by Asaf Angermann and elegantly translated by Sebastian Truskolaski and Paula Schwebel (with assistance from Stepahie Graf), is correspondingly high. It’s well worth lifting our eyes to see it."Jewish Review of Books"The correspondence of Theodor Adorno and Gershom Scholem reveals that despite their intellectual differences, their shared mission to preserve Walter Benjamin’s work led to a genuine fondness between them."Adam Kirsch, The New York Review of Books

    15 in stock

    £26.25

  • The New Music: Kranichstein Lectures

    John Wiley and Sons Ltd The New Music: Kranichstein Lectures

    15 in stock

    Book SynopsisA year after the end of the Second World War, the first International Summer Course for New Music took place in the Kranichstein Hunting Lodge, near the city of Darmstadt in Germany. The course, commonly referred to later as the Darmstadt course, was intended to familiarize young composers and musicians with the music that, only a few years earlier, had been denounced as degenerate by the Nazi regime, and it soon developed into one of the most important events in contemporary music. Having returned to Germany in 1949 from exile in the United States, Adorno was a regular participant at Darmstadt from 1950 on. In 1955 he gave a series of lectures on the young Schoenberg, using the latter’s work to illustrate the relation between tradition and the avant-garde. Adorno’s three double-length lectures on the young Schoenberg, in which he spoke as a passionate advocate for the composer whom Boulez had declared dead, were his first at Darmstadt to be recorded on tape. The relation between tradition and the avant-garde was the leitmotif of the lectures that followed, which continued over the next decade. Adorno also dealt in detail with problems of composition in contemporary music, and he often accompanied his lectures with off-the-cuff musical improvisations. The five lecture courses he gave at Darmstadt between 1955 and 1966 were all recorded and subsequently transcribed, and they are published here for the first time in English. This volume is a unique document on the theory and history of the New Music. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history, and in the history of modern music.Trade Review“The lectures Adorno gave at Kranichstein between 1955 and 1966 provide an invaluable elaboration and clarification of his thinking on New Music, and in particular on his interpretation of Schoenberg’s early works. Wieland Hoban’s excellent translation does a great service to this magnificent scholarly edition edited by Klaus Reichert and Michael Schwartz of the T. W. Adorno Archive. Its publication in English is of great significance for our understanding of Adorno’s influential ideas at a key period in twentieth-century music.”Max Paddison, Durham University “This book demonstrates the contribution of one of the twentieth century’s most important thinkers to a pivotal moment in avant-garde composition.”Darmstädter Echo “With a high level of theoretical reflection and exceptional skills in technical composition, Adorno succeeded in mediating critical social theory and radical aesthetics.”Opernwelt “Adorno’s lectures show just how lucid and engaging a thinker he can be. These fluently translated lectures and discussions complement his published works on modern music. They offer accessible analysis of works by Schoenberg and others, as well as philosophically informed reflections on the challenges faced by composers, performers and listeners who take music seriously as a response to the modern world.”Andrew Bowie, Royal Holloway University of London, and author of Adorno and the Ends of PhilosophyTable of ContentsOverview Lecture Courses The Young Schoenberg (1955) Schoenberg’s Counterpoint (1956) Criteria of New Music (1957) Vers une musique informelle (1961) The Function of Colour in Music (1966) Notes for the Lectures Editors’ Notes Editors’ Afterword Index

    15 in stock

    £31.50

  • Aspects of the New Right-Wing Extremism

    John Wiley and Sons Ltd Aspects of the New Right-Wing Extremism

    15 in stock

    Book SynopsisOn 6 April 1967, at the invitation of the Socialist Students of Austria at the University of Vienna, Theodor W. Adorno gave a lecture which is not merely of historical interest. Against the background of the rise of the National Democratic Party of Germany, which had enjoyed remarkable electoral success in the first two years after its formation in November 1964, Adorno analysed the goals, resources and tactics of the new right-wing nationalism of this time. Contrasting it with the ‘old’ fascism of the Nazis, Adorno gave particular attention to the ways in which far-right movements elicited enthusiastic support in sections of the West German population, 20 years after the war had ended. Much has changed since then, but some elements have remained the same or resurfaced in new forms, 50 years later. Adorno’s penetrating analysis of the sources of right-wing radicalism is as relevant today as it was five decades ago. It is a prescient message to future generations who find themselves embroiled once again in a struggle against a resurgent nationalism and right-wing extremism.Trade Review"When Adorno speaks to us from beyond the grave on right-wing extremism, we should all listen." Cas Mudde, University of Georgia "Fifty years on, Theodor Adorno’s warnings of populist demagoguery remain all too relevant"Financial Times"Delivered as a lecture to a meeting of the Socialist Students of Austria, Aspects of the New Right-Wing Extremism provides one of the clearer views on the subject by the composer of notoriously recondite texts."TheBattleground.eu"[Adorno’s] 1967 lecture on the new right-wing extremism deftly encapsulates his general view that fascism was never really defeated but resides in the everyday facets of both social structure and personal conduct and must always be combated anew."The NationTable of ContentsAspects of the New Right-Wing ExtremismPublisher’s NoteAfterword by Volker WeissAbout the Authors Notes

    15 in stock

    £30.00

  • Aspects of the New Right-Wing Extremism

    John Wiley and Sons Ltd Aspects of the New Right-Wing Extremism

    5 in stock

    Book SynopsisOn 6 April 1967, at the invitation of the Socialist Students of Austria at the University of Vienna, Theodor W. Adorno gave a lecture which is not merely of historical interest. Against the background of the rise of the National Democratic Party of Germany, which had enjoyed remarkable electoral success in the first two years after its formation in November 1964, Adorno analysed the goals, resources and tactics of the new right-wing nationalism of this time. Contrasting it with the ‘old’ fascism of the Nazis, Adorno gave particular attention to the ways in which far-right movements elicited enthusiastic support in sections of the West German population, 20 years after the war had ended. Much has changed since then, but some elements have remained the same or resurfaced in new forms, 50 years later. Adorno’s penetrating analysis of the sources of right-wing radicalism is as relevant today as it was five decades ago. It is a prescient message to future generations who find themselves embroiled once again in a struggle against a resurgent nationalism and right-wing extremism.Trade Review"When Adorno speaks to us from beyond the grave on right-wing extremism, we should all listen."Cas Mudde, University of Georgia "Fifty years on, Theodor Adorno’s warnings of populist demagoguery remain all too relevant"Financial Times"Delivered as a lecture to a meeting of the Socialist Students of Austria, Aspects of the New Right-Wing Extremism provides one of the clearer views on the subject by the composer of notoriously recondite texts."TheBattleground.eu"[Adorno’s] 1967 lecture on the new right-wing extremism deftly encapsulates his general view that fascism was never really defeated but resides in the everyday facets of both social structure and personal conduct and must always be combated anew."The Nation

    5 in stock

    £9.49

  • Lectures 19491968 Volume 1

    John Wiley and Sons Ltd Lectures 19491968 Volume 1

    4 in stock

    Book SynopsisWhen Theodor W. Adorno returned to Germany from his exile in the United States, he was appointed as a lecturer and researcher at the University of Frankfurt and he immediately made a name for himself as a leading public intellectual. Adorno's widespread influence on the postwar debates was due in part to the public lectures he gave outside of the university in which he analysed and commented on social, cultural and political developments of the time.This first volume brings together Adorno's lectures given between 1949 and 1968 on music, literature and the arts. With an engaging and improvisational style, Adorno spoke with compelling enthusiasm on subjects as diverse as Marcel Proust's prose, Richard Strauss's composition technique and Arnold Schoenberg's Pierrot lunaire. Germany, restoring its social and intellectual institutions, needed to embrace the new music and writers who had been neglected, particularly with regards to Proust. To rebuild was taken to mean rediscover

    4 in stock

    £49.50

  • Lectures 19491968 Volume 1

    John Wiley and Sons Ltd Lectures 19491968 Volume 1

    1 in stock

    Book Synopsis

    1 in stock

    £18.04

  • Lectures 19491968 Volume 2

    John Wiley and Sons Ltd Lectures 19491968 Volume 2

    15 in stock

    Book SynopsisWhen Theodor W. Adorno returned to Germany from his exile in the United States, he was appointed as a lecturer and researcher at the University of Frankfurt and he immediately made a name for himself as a leading public intellectual. Adorno's widespread influence on the postwar debates was due in part to the public lectures he gave outside of the university in which he analysed and commented on social, cultural and political developments of the time. This second volume brings together Adorno's lectures given between 1949 and 1968 on social and political themes. With an engaging and improvisational style, Adorno spoke with infectious vigour about architecture and city planning, the relationship between the individual and society, the authoritarian personality and far-right extremism, political education and the current state of sociology, among other subjects. After Auschwitz, it was incumbent on Germany to undertake intensive memory work and to confront the reality of its

    15 in stock

    £49.50

  • Fighting Antisemitism Today

    John Wiley and Sons Ltd Fighting Antisemitism Today

    3 in stock

    Book SynopsisIn autumn 1962 Theodor W. Adorno gave a lecture on fighting antisemitism to the German Coordinating Council of Societies for Christian-Jewish Cooperation, a lecture that remains as topical and urgent today as it was in the 1960s. After the Second World War, Germany was grappling with a reluctance to admit collective guilt for the horrors of the Holocaust and German society was witnessing the emergence of various forms of hidden or crypto' antisemitism. In his lecture Adorno demonstrated that antisemitism is a central and essential element of right-wing extremism and is identical in structure to racism. It is accompanied by an authoritarian mindset and a conformist anti-intellectualism. Moreover, a classic trick used by anti-Semites is to protest against taboos which prevent them from freely spreading their hate by classing them as a form of persecution, and to present themselves as victims of it. The only antidote to this poison is an unwavering loyalty to the truth in dealing with historical and political realities. Adorno advocates an anti-authoritarian programme to prevent antisemitic character development and advises taking firm action against outbreaks of antisemitic behaviour. His brilliant analysis of the sources and dangers of antisemitism is as relevant now as it was sixty years ago.

    3 in stock

    £9.49

  • Without Model – Parva Aesthetica

    Seagull Books London Ltd Without Model – Parva Aesthetica

    1 in stock

    Book SynopsisEssays by Adorno on art and cinema, available in English for the first time. In Without Model, Theodor W. Adorno strikingly demonstrates the intellectual range for which he is known. Taking the premise of the title as his guiding principle, that artistic and philosophical thought must eschew preconceptions and instead adapt itself to its time, circumstances, and object, Adorno presents a series of essays reflecting on culture at different levels, from the details of individual products to the social conditions of their production. He shows his more nostalgic side in the childhood reminiscences of ‘Amorbach’, but also his acute sociocultural analysis on the central topic of the culture industry. He criticizes attempts to maintain tradition in music and visual art, arguing against a restorative approach by stressing the modernity and individuality of historical works in the context of their time. In all of these essays, available for the first time in English, Adorno displays the remarkable thinking of one both steeped in tradition and dedicated to seeing beyond it. Table of Contents1. Without Model2. Amorbach3. On Tradition4. Scribbled at the Jeu de Paue5. From Sils Maria6. Non-Conciliatory Proposal7. The Culture Industry: A Résumé8. Obituary for an Organizer9. Transparencies on Film10. Chaplin Times Two11. Theses on The Sociology of Art12. Functionalism Today13. Luccan Memorial14. The Misused Baroque15. Vienna, After Easter 196716. Art and the Arts

    1 in stock

    £18.99

  • Orpheus in the Underworld

    Seagull Books London Ltd Orpheus in the Underworld

    2 in stock

    Book SynopsisDelves into Theodor W. Adorno's lesser-known musical career and successful music criticism. Theodor W. Adorno is recognized as one of the twentieth century's most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic. Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno's concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging

    2 in stock

    £18.99

  • Librarie Philosophique J. Vrin Du Politique En Analyse Musicale

    1 in stock

    Book Synopsis

    1 in stock

    £24.70

  • De Gruyter Ts 17893-18084

    1 in stock

    1 in stock

    £279.00

  • Reclam Philipp Jun. Elemente des Antisemitismus

    2 in stock

    Book Synopsis

    2 in stock

    £8.00

  • Insel Verlag GmbH Kindheit in Amorbach Bilder und Erinnerungen

    2 in stock

    Book Synopsis

    2 in stock

    £13.07

  • Suhrkamp Verlag AG Minima Moralia

    15 in stock

    Book Synopsis

    15 in stock

    £19.55

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