Cartography, map-making and projections Books

Book SynopsisAll the techniques you need to become an expert navigator.The Ultimate Navigation Manual is a unique guide to finding your way on land from the basic principles right up to the advanced technology of GPS. Designed to allow even the absolute beginner to find their way anywhere in the world, it also develops a unique confidence in navigation with or without technical aids.With a preface by Sir Ranulph Fiennes, contents will also include:Environmental clues Using the natural environment to navigateMaps An introduction to the different types of mapsThe Compass and North How compasses work, how to use them and how to choose the right oneMap and Compass Navigation twenty-five easy-to-learn skills are describedRelocation Procedures What to do when lost, dealing with well-known relocation procedures and some ground-breaking new onesStellar Navigation Simple methods that are easy to learnGNSS (GPS) Navigation Why Global Satellite Navigation Systems are the most significant advance in nTrade ReviewOutdoors Magic 'The Collins Ultimate Navigation Manual is the best and most comprehensive navigation guide we've come across'. Trail Magazine 'Seamlessly integrating traditional methods with cutting-edge GPS techniques into a fresh and intuitive format' Adventure Travel ‘Defines the word ‘comprehensive’. It’s got everything you could think of to do with navigation’ Field Magazine ‘It’s an essential for anyone who spends time in the countryside’ The Great Outdoors ‘This is an excellent reference manual for all navigators, both amateur and professional, and I recommend it highly’ Walk Magazine ‘This comprehensive and richly illustrated guide has everything you could ever wish to know about navigation’ The Royal Institute of Navigation ‘(An) outstanding achievement in writing…a comprehensive book for Land Navigation’

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Book SynopsisFully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that technology offers new opportunities for cartographic mischief, deception, and propaganda.

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Book SynopsisThe Charter of the United Nations was signed in 1945 by 51 countries representing all continents, paving the way for the creation of the United Nations on 24 October 1945. The Statute of the International Court of Justice forms part of the Charter. The aim of the Charter is to save humanity from war; to reaffirm human rights and the dignity and worth of the human person; to proclaim the equal rights of men and women and of nations large and small; and to promote the prosperity of all humankind. The Charter is the foundation of international peace and security.

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Book SynopsisMaps can tell much about the story of a place that traditional histories fail to communicate. This is particularly true of Edinburgh, one of the most visually stunning cities in the world and a place rich in historical and cultural associations. This lavishly illustrated book features 71 maps of Edinburgh which have been selected for the particular stories they reveal about the political, commercial and social life of Scotland and her capital. Many are reproduced in book form for the first time. Together, they present a fascinating insight into how Edinburgh has changed and developed over the last 500 years, and will appeal to all those with an interest in Edinburgh and Scottish history, as well as anyone interested in urban history, architectural history, town planning or the history of cartography.

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Book SynopsisNaval operations and warfare were (and remain) a key element for mapping. This beautiful book looks at a series of key conflicts from the sixteenth century to the present day and explains how they were represented through mapping and how the maps produced helped naval commanders to plan their strategy. There are plentiful maps and a good story to tell, both about naval history and about mapping at sea. Conflicts covered include the the American Revolution, Spanish Armada, the Napoleonic Wars, the First and Second World Wars, and the Korean and Vietnam Wars.

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Book SynopsisDr Paulina Rowinska has a PhD in Mathematics of Planet Earth from Imperial College London. Her 2017 TEDx talk Let's Have a Maths Party!' explained that maths is all around us. Thanks to her science communication activities, in 2019 she received the Imperial College President's Award for Excellence in Societal Engagement. Today, she creates interactive content for a leading innovative educational company, Brilliant. Mapmatics is her first book.

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Book SynopsisSuperlatives tend to fail in describing Joan Blaeu’s Atlas Maior—that being said, it stands as one of the most extravagant feats in the history of mapmaking. The original Latin edition, completed in 1665, was the largest and most expensive book to be published during the 17th century. Its 594 maps appearing across 11 volumes spanned Arctica, Africa, Asia, Europe, and America. Ambitious in scale and artistry, it is included in the Canon of Dutch History, an official survey of 50 individuals, creations, or events that chart the most important historical developments of the Netherlands. TASCHEN’s meticulous reprint brings this luxurious Baroque wonder into the hands of modern readers. In an age of digitized cartography and global connectivity, it celebrates the steadfast beauty of quality printing and restores the wonder of an exploratory age, in which Blaeu’s native Amsterdam was a center of international trade and discovery.This edition is based on the Austrian National Library’s complete colored and gold-heightened copy of Atlas Maior, assuring the finest detail and quality. University of Amsterdam’s Peter van der Krogt introduces the historical and cultural significance of the atlas while providing detailed descriptions for individual maps, revealing the full scale and ambition of Blaeu’s masterwork.Trade Review“There can be few books out there more jaw-droppingly gorgeous than this extraordinary Atlas.” * TNT Magazine *

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Book SynopsisMany people have a love of maps. But what lies behind the process of map-making? How have cartographers through the centuries developed their craft and established a language of maps which helps them to better represent our world and users to understand it? This book tells the story of how widely accepted mapping conventions originated and evolved – from map orientation, projections, typography and scale, to the use of colour, map symbols, ways of representing relief and the treatment of boundaries and place names. It charts the fascinating story of how conventions have changed in response to new technologies and ever-changing mapping requirements, how symbols can be a matter of life or death, why universal acceptance of conventions can be difficult to achieve and how new mapping conventions are developing to meet the needs of modern cartography. Here is an accessible and enlightening guide to the sometimes hidden techniques of map-making through the centuries.Trade Review‘Elegantly written and beautifully illustrated, Why North is Up tells you everything you need to know about the signs, symbols and science behind map-making. It will also reveal a few things you didn’t know about maps. Essential reading for any map lover.' -- Jerry Brotton‘In this handsome and informative book, Mick Ashworth picks through the conventions that have shaped cartography thus far, in a lively narrative augmented by lavish illustrations of the maps in question. For map addicts and casual bystanders alike, this is a terrific work that both entertains and enlightens.’ -- Mike Parker'The book is ideal for the satnav generation, showing how cartographic language has evolved from Ptolemy's Geographia to crowd-sourced online OpenStreetMap. But this is far from just an introduction for newcomers; most readers are sure to discover something new here...the book is copiously illustrated with relevant map extracts, faithfully reproduced; many are from the Bodleian Library, other from a variety of other sources.' * Sheetlines *'Ashworth presents an entertaining foray into the history, structure and evolution of maps and mapmaking. His conversational style makes learning about the intricacies of mapmaking, specifically the importance of legends, grids and symbols, fun.' * The Globe *'For anyone with an interest in maps it should be essential reading. … I would expect this book to be popular - it certainly deserves to be.' * The Bulletin of the Society of Cartographers *'Ashworth provides an eminently readable introduction that is beautifully illustrated with a wide selection of carefully reproduced maps. Both a beautiful book to own and to give, this is a must-have for anyone with an interest in maps.' * NHBS *

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Book SynopsisAn introduction to the history of cartography, this title charts the links between maps and history. It includes illustrations made using Geographical Information Systems which illuminate the many ways in which various human cultures have interpreted spatial relationships.Trade Review"A marvelous compendium of map lore. Anyone truly interested in the development of cartography will want to have his or her own copy to annotate, underline, and index for handy referencing." - L. M. Sebert, Geomatica "The premier one-volume history of cartography.... Maps and Civilization should be a close companion for anyone interested in maps: where they came from, where they are now, and where to go for more detail." - John P. Snyder, Mercator's World"

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Book SynopsisAn updated and revised third edition of this popular and well established text, designed for the AS/A-level specifications.This title covers:1. Fieldwork projectsPart A: Collecting the information2. Sampling3. Geology, landforms and slopes4. Hydrology5. River channels6. Coasts7. Ecology and pollution8. Local climate9. Primary data sources in human geography10. Secondary sources in human geography11. Urban and rural studies12. Using the InternetPart B: Processing the information13. Cartography14. Statistical methods15. Spatial analysisPart C: Presenting the information16. Presentation and layout

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Book Synopsis'A gripping story about the personalities who initiated the mapping of Britain and their extraordinary skill and endurance' Max Hastings, Sunday Times The Ordnance Survey is a much beloved British institution, but in our modern map-obsessed world how much do we know about its curious origins and extraordinary challenges? Here at last is the remarkable story of the creation of the first complete, accurate, affordable map of the British Isles. What it reveals is a colourful and engrossing secret history of the Ordnance Survey and the obsessive and ambitious men who dreamt and delivered it. The Ordnance Survey's story is one of political revolutions, rebellions and regional unions that altered the shape and identity of the United Kingdom over the eighteenth and nineteenth centuries. It makes for an engaging and page-turning account of one of the great untold British adventure stories, following those intrepid individuals who lugged brass theodolites up mountains to make the country visible to itself for the first time. 'This is a brilliant book, and it's astonishing that no one has thought of writing it before... History at its best' A N Wilson, Reader's Digest 'Endlessly absorbing... In her lively and informative narrative, Hewitt highlights the Ordnance project's legion of draughtsmen, surveyors, dreamers and eccentrics' Ian Thomson, ObserverTrade ReviewThis is a brilliant book, and it's astonishing that no one has thought of writing it before ... History at its best -- A N Wilson * Reader's Digest *Gripping [story] about the remarkable personalities who initiated the scientific mapping of Britain and their extraordinary feats of skill and endurance ... this is the first book of a young historian of whom more will be heard -- Max Hastings * Sunday Times *Hewitt tackles the subject exuberantly ... the book won me over. The sweep of its history has true grandeur, and the incidentals of the tale are like desirables found in a cluttered antique shop -- Jan Morris * The Times *In this endlessly absorbing history, Rachel Hewitt narrates the history of our printed maps from King George II's "Scotophobic" cartographies to the three-dimensional computerised elevations of today ... In her lively and informative narrative, Hewitt highlights the Ordnance project's legion of draughtsmen, surveyors, dreamers and eccentrics -- Ian Thomson * Observer *An extremely handsome and scholarly account of the genesis of the OS map ... The next time I am in the Public House (wherever it is) I shall raise a pint to Rachel Hewitt and her band of map-makers -- Tom Fort * Sunday Telegraph *This is a solid account of how Britain's national mapping agency came into being ... she is good on the military, scientific and ideological impulses behind the OS and on its enormous appeal to the general public * Sunday Times *A diligent and very detailed book ... she has done justice to a neglected subject and to neglected but worthy men -- Peter Lewis * Daily Mail *The enthralling story of the creation of the Ordnance Survey map ... with wonderful tales of the intrepid individuals who lugged brass theodolites over hill and dale in order to make the country visible for the first time -- Caroline Sanderson * Bookseller *An exhaustively detailed study of the life and times of Ordnance Survey maps ... there are frequent nuggets of enjoyably recondite information -- Gillian Tindall * Literary Review *Tells the intriguing story of how the early productions of the theodolite-lugging surveyors who began the project in the 1790s developed into the digitalised OS of our own times -- Giles Foden * Conde Nast Traveller *A remarkable story of human endeavour in the name of Enlightenment values -- Claire Allfree * Metro *A fascinating account of British cartography ... In a compelling overview, Hewitt discusses how developments in scientific thinking, technological advances and an important dose of Anglo-French collaboration eventually led, in 1870, to the creation of the Ordnance Survey's First Series, a landmark as significant as The Oxford English Dictionary in shaping how the country thought about itself and its 'physical and intellectual' landscapes * Lady *An erudite, meticulously researched and fascinating history * Waterstone's Books Quarterly *A fascinating narrative... illuminates the process by which our nation redrew itself over a century -- Celia Brayfield * The Times *Hewitt's tale of cartography is pacy and - like the best historical writing - focused on human endeavour rather than dry facts -- Sarah Warwick * Liverpool Daily Post, the Yorkshire Evening Post, East Anglian Daily Times, Eastern Daily Press, Newsletter *More hugely impressive historical studies from 2010 which celebrate peaceful pursuits rather than blood and bigotry include Rachel Hewitt's great study of the British Ordnance Survey, Map of a Nation -- Stephen Howe * Independent *A lively, well-written and carefully researched evocation of how the landscapes of Britain (and Ireland) came to be revealed with such dramatic precision -- William J Smyth * Irish Times *In this lively overview, Hewitt explains how over the course of a century developments in scientific thinking, technological advances and a critical dose of Anglo-French collaboration eventually led to the creation of the OS's First Series in 1870 -- Emma Hagestadt * Independent *A scholarly account of the genesis of the OS map, and a route into the national psyche * Daily Telegraph *Hewitt tells a gripping story about the personalities who initiated the mapping of Britain and their extraordinary skill and endurance -- Max Hastings * Sunday Times *this description of the origins of mapping in the UK covers lots of ground ... anyone who has used a map and a compass to puzzle their way out after getting lot on Britain's foggy moorland has cause to thank the painstaking work of the original pioneers -- Maggie Hartford * Oxford Times *Within the first few paragraphs the open and engaging nature of Rachel Hewitt's writing had me captured ... How the men of those early years observed that first triangulation and achieved such accurate results will never cease to amaze and this beautifully crafted book is a fitting tribute and long overdue recognition of their achievements ... Such authoritative books are rare things and I would recommend to all who have feelings for maps and our UK landscape to take time to read Map of a Nation -- John Levell * Caught by the River *Anyone whose world has been shaped by the familiar OS maps seriously needs to read this book -- Margaret Elphinstone * Sunday Herald *Erudite and compelling ... One of Map of a Nation's many accomplishments is to show how adventurous and imaginative engineering and mapmaking could - and still can - be. It is readable, informative and its content often unexpected * History Today *

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Book SynopsisA lavishly illustrated reference guide, Cartography. by Kenneth Field is an inspiring and creative companion along the nonlinear journey toward making a great map. This sage compendium for contemporary mapmakers distills the essence of cartography into useful topics, organized for convenience in finding the specific idea or method you need. Unlike books targeted to deep scholarly discourse of cartographic theory, this book provides sound, visually compelling information that translates into practical and useful tools for modern mapmaking. At the intersection of science and art, this book serves as a guidepost for designing an accurate and effective map.Trade Review"What Kenneth Field has created here is a brilliant reference book on behalf of our field of cartography. Finally! A book that truly represents Cartography in 2018." -- Christopher Wesson, The Bulletin of the Society of Cartographers * Christopher Wesson *"Read the book for pragmatic advice or to braden your horizon; for me, it did both." -- Menno-Jan Kraak, president of the International Cartographic Association (ICA); professor, University of Twente, Enschede, Netherlands; author of Mapping Time and coauthor of Cartography, Visualization of Geospatial Data * Menno-Jan Kraak *"An Impressively creative and useful scholarly contribution." -- Mark Monmonier, author of How to Lie with Maps, Distinguished Professor of Geography, Syracuse University, NY. * Mark Monmonier *Table of Contents Introduction Making maps is easy Making great maps is hard 1. Maps as Information Products The nature of an information product What is design? Trends in map design Functional design Designer, data and audience Engineers vs Designers vs Map Makers Simplicity and complexity Form and Function Dispersal and Layering Telling stories (metaphors and simile) Minimalism and efficiency Novelty or redundancy Data density Originality Emotional response Integrity Self-explanatory focus Wayfinding maps Experiential maps Numerical and statistical maps Production paradigms Viewing paradigms 2. Perceptions and Conventions The way the eye and brain works Vizualising for the mind Logically coding points Pictograms vs Icons vs Symbols Logically coding lines Logically coding areas Connotations of form Connotations of colour Mixing and using colours Colour constraints Connotations of value Working in greyscale Connotations of typeface Labelling hierarchies Making connections on the map Consistent denotation Innovation and familiarity Compare and contrast Ways of seeing Navigating the page Navigating the screen Navigating the mobile device Factual understanding vs Interpretation 3. Objective Dimensions Information overload Selection by feature type Selection by numbers Dimensional comparison Measurement of Earth Scale Distances Spheres and elipses Datums Latitude and longitude Geographic coordinates Projected coordinates Numerical integrity Making numbers meaningful Geographical distortions Projection distortions Projection families Choosing a good projection Compromising geographical form Geography as a diagram Measurement and proportions Absolute data Percentages, ratios and rates Comparatives Summarising data distributions Classifying data 4. Structure and Organisation Dispersal vs Layering Grids in information design Organisation and response Generalising features Styling features Graphical hierarchies Contrast Actors and support cast Repetition Proximity Balance Staging hierarchies Which way is up? Signs and pointers Focussing attention Distractions Language and phraseology Choosing a font Serif Sans serif Font efficiency: width, height, size Font efficiency: structure, form, direction, colour Typeface differentiation Legibility Type placement The small print (marginalia) 5. Pick’n’Map Choropleth Isarithmic Dot Density Binning Dasymetric Value by alpha Cartogram Flow Network mapping Schematic diagrams Isochrones Graduated Symbol Proportional Symbol Unique Values Bivariate mapping Multivariate mapping Embedded charts Small multiples Chernof Faces Proportional text 6. Different viewpoints Planimetric Panoramic Isometric Aspect Prism maps 3D isolines Mapping change Animation Dynamic variables Temporal 7. Going digital – the UI/UX challenge Map Mashups The 2 second rule Resolution Size Performance Responsive maps Interaction Capabilities Native v Browser apps Partial attention Time and day Inputs Connectivity Currency Personalising the map experience User testing Eye tracking Wireframes Workflow Prototypes Development technologies

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Book SynopsisA is for Atlas: Wonders of Maps and Mapping is a fascinating exploration of maps, charts, atlases and globes. Through a series of unique themes, this book reveals stories about objects produced centuries apart, showing the very different worlds in which maps were produced and consumed. From sumptuous globes designed for display to sketches drawn on scrap paper, from tales of buried treasure to cutting political satire and from imperial mapping to twenty-first-century projects that challenge contemporary border policies, each object in this lavishly illustrated volume is valuable for what it reveals about the hands that made it and the society that shaped it.

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Book SynopsisWinner of the Saltire Society Research Book of the Year Whilst documents and other written material are obvious resources that help shape our view of the past, maps too can say much about a nation's history. This is the first book to take maps seriously as a form of history, from the earliest representations of Scotland by Ptolemy in the second century AD to the most recent form of Scotland's mapping and geographical representation in GIS, satellite imagery and SATNAV. Compiled by three experts who have spent their lives working with maps, Scotland: Mapping the Nation offers a fascinating and thought-provoking perspective on Scottish history which is beautifully illustrated with complete facsimiles and details of hundreds of the most significant manuscript and printed maps from the National Library of Scotland and other institutions, including those by Timothy Pont, Joan Blaeu and William Roy, amongst many others.Trade Review'mixes lavish illustration with academic rigour and engaging anecdotes' * Sunday Herald *'much more than a visual treat . . . elegantly written, thoroughly referenced and exsquisitely presented' * TES, Scotland *'Some books are simply so magnificent in their scope and execution you know they are destined to become classics from the moment you open the cover and begin to turn the pages. "Scotland: Mapping the Nation" is one of those books' * Undiscovered Scotland *

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Book SynopsisMaps can tell much about a place that traditional histories fail to communicate. This lavishly illustrated book features 70 maps which have been selected for the particular stories they reveal about different political, commercial and social aspects of Scotland's largest city. The maps featured provide fascinating insights into topics such as: the development of the Clyde and its shipbuilding industry, the villages which were gradually subsumed into the city, how the city was policed, what lies underneath the city streets, the growth of Glasgow during the Industrial Revolution, the development of transport, the city's green spaces, the health of Glasgow, Glasgow as a tourist destination, the city as a wartime target, and its regeneration in the 1980s as the host city of one of the UK's five National Garden Festivals. Together, they present a fascinating insight into how Glasgow has changed and developed over the last 500 years, and will appeal to all those with an interest in Glasgow and Scottish history, as well as those interested in urban history, architectural history, town planning and the history of maps.Trade Review'The book's large format does justice to the often highly detailed and colourful maps, whose significance is brilliantly explained by the author' * Press and Journal *

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Book SynopsisA transdisciplinary approach to practice-as-research, complete with its own elaborate theory of practice and a set of four multi-year-performance research projects through which the theory plays out. Its methodology is at times ethnographic as Henry Daniel deftly inserts himself and his Caribbean West African ancestry into a series of complex cortical and geographic maps, which become choreographic in every sense of the term. The central argument in the book is based on a claim that human beings are cognitively embodied through their own lived experiences of movement through space and time; the spaces we inhabit and the practices we engage in are documented through cortical and cartographic maps. In short, as we inhabit and move through spaces our brains organise our experiences into unique cortical and spatial maps, which eventually determine how we see and deal with, i.e., ‘become’ subjects in a world that we also help create. The argument is that through performance, as a re-cognising and re-membering of these movements, we can claim the knowledge that is in the body as well as in the spaces through which it travels. To demonstrate how the brain organises our experiences of the world according to cartographic (graphically mapping procedures) and cortical (motor, sensory and visual functions) mapping and exploring the impact of this mapping to choreographic practice, considering how maps might be disrupted or altered by change of circumstances. This is illustrated through scientific, creative and reflective approaches to exploring neurological process of embodied experiences, as well as the analysis of projects that have utilized this practice thus far. Audience will include Dance and Performance Studies Scholars; Dancers and Choreographers; Undergraduate and Advanced Students; ResearchersTrade Review'Daniel explores performance practice research as a transdisciplinary context for describing the embodied experience of liminality as expressed in the volume's subtitle. Through a complex scaffolding of philosophy, cultural studies, cartography, and neuroscience, he considers subject formation as enacted through performance, positioned here as a survival response. Reviewing a body of creative works produced across 20 years, the author argues for "worlding" as an extended performance event. Part autoethnography, part review of emergent discourses of embodied knowledge, the text bristles with anecdotal analyses of successive performance projects. [...] Well-chosen images and a companion web-based archive of performances enhance this retrospective self-appraisal of multiyear performance projects. Overall, Daniel illustrates in a personal way how the self emerges dynamically by "performing its way through" various environmental, political, and socioeconomic frameworks that colonizing processes impose. Recommended' -- T. F. DeFrantz, CHOICETable of ContentsList of Figures Acknowledgements Prologue ACT 1 1. Autoethnography as a Methodological and Ideological Starting Point - A beginning of sorts - Will the artist please stand up? - Introducing the map - Microcosm vs. macrocosm - Mediating difference - Choreographic organization 2. The Hypothesis Explained - Theory, perception, process and practice - Implications - Embodiment and disembodiment - Science, art, culture and the transdisciplinary mandate - Self-knowing - Movement, language and non-discursive thinking - Mirroring - Preliminary conclusions 3. Further Presuppositions and Explorations in Search of a Theory of Practice - Revisiting the hypothesis - Shango Meets Ogun - Performing disembodiment - Futurist Equation - The futurist/humanist condition - Re-cognizing/re-membering - The lived machine - Performing consciousness - Scales and dimensions, movement and sound - Further conclusions ACT 2 4. Transnet - Performing art, performing science, transdisciplinary approaches to performance - Significant contributions - Choreography as transdisciplinary Practice-as-Research 5. New Performance Maps - The Touched Project: Organization, control and emergence in choreographed performance systems - Touched - t2 - t2_echo - Imprint - Imprint II - Embodied choreographic knowing 6. Going West to Find East - Choreographing from the underside - Haikai, Encounters and Here Be Dragons (Stage I Creative Preview) - Barca: el otro lado - A barca: Reaching back to go forward - ambos lados - Isabella’s Dream ACT 3 7. Contemporary Nomads - Nomadism - nómadas - nómadas 2018_excerpts - On Home - Multiple presences: Movement through space/time holes - The real and the virtual, reality and the dream - Performing the self: Movement as an unfolding and initiating of thought An Epilogue: Fitting [Out-fitting] In - Who is he fooling and what is he really doing there? - Who am I and why am I here? - Fitting [Out-fitting] In - So, what’s your background? - Where are you from? I mean, where are you really from? - Oh! You’re a Professor? What do you teach? - What’s ahead? - Finale Appendix A: Artisitic Works by the Author - Multi-year research projects referenced - Short-term stand-alone works mentioned Appendix B - Map A - Map B - Map C Bibliography Index

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Book SynopsisNewcastle has a long and distinguished history through two millennia: a Roman fortress at the eastern end of Hadrian's Wall; an important centre of monasticism; a 'royal' bulwark against attacks and invasion from Scotland; and the principal centre for the export of coal to London. In the 19th century it was transformed into an elegant Georgian townscape with dramatic streets and handsome public buildings. It and other towns on the Tyne - Gateshead, Jarrow, Wallsend, Tynemouth, North and South Shields - developed important industries: shipbuilding, glass and heavy engineering. Tyneside suffered severe contraction in the 20th century as heavy industry declined, but it has begun to reinvent itself and create new growth shoots, not least its vibrant cultural industries including music and art. This book takes an innovative approach to telling the story of the area's history by focusing on the historic maps and plans that record the growth and development of Newcastle and Tyneside over many centuries.Trade Review'The book will appeal to all map-lovers and those with an interest in how Tyneside’s layout has developed through centuries of change' * Hexham Local History Society *'This volume offers a wide selection of well-reproduced maps and plans from local and national sources… for those of us who have lived and worked here for years it offers a novel approach to the familiar' * The Local Historian *

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Book SynopsisThe shift towards digital modes of production has fundamentally changed both cartography and graphic design. The omni-present computer, the interactive possibilities of digital media and the direct exchange of visual information through networks have blurred the distinction between designers and users of visual information. Blind Maps and Blue Dots is the first work to explore the disappearing boundaries between producers and users of maps. Using three mapmaking practices as examples – the Blue Dot, the location function in Google Maps; the Strava Global Heatmap, a world map showing the activities of a fitness app; and the “Situation in Syria” maps, a regularly updated map of the Syrian conflict made by an Amsterdam teenager – renowned designer Joost Grootens shows the blurring of the binary distinction between producing and using, ultimately offering a whole new approach to graphic design.

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Book SynopsisThe goal of How to Make Maps is to equip readers with the foundational knowledge of concepts they need to conceive, design, and produce maps in a legible, clear, and coherent manner, drawing from both classical and modern theory in cartography.This book is appropriate for graduate and undergraduate students who are beginning a course of study in geospatial sciences or who wish to begin producing their own maps. While the book assumes no a priori knowledge or experience with geospatial software, it may also serve GIS analysts and technicians who wish to explore the principles of cartographic design.The first part of the book explores the key decisions behind every map, with the aim of providing the reader with a solid foundation in fundamental cartography concepts. Chapters 1 through 3 review foundational mapping concepts and some of the decisions that are a part of every map. This is followed by a discussion of the guiding principles of cartographic dTable of Contents1. Introduction 2. Mapping concepts 3. The language of maps 4. Cartographic design 5. Coordinate systems and projections 6. Text and typography 7. Color in cartography 8. 3D, animated, and web cartography 9. Scholarly research in cartography 10. Data in mapping 11. GIS and graphics software 12. Examples from the field Appendix 1: Map gallery, “Maps from the wild” Appendix 2: Sources of spatial data Appendix 3: Eleven guidelines for constructing and critiquing maps Appendix 4: Professional cartography societies Glossary

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Book SynopsisPrized for its creative design, original art, and playful, accessible writing, Making Maps is now in a thoroughly updated fourth edition. The text is restructured to emphasize the importance of the map making process. All components of map making are covered and are brought to life in the expanded graphic novella threaded through the text. Updates include new coverage of data aggregation, artificial intelligence, feminist and Indigenous perspectives, map making workflow, and more. Design choices are emphasized and linked to the reasons for making a map. Featuring more than 80 color illustrations and a unique layout, the book includes an annotated map exemplar used throughout the text, extensive map examples, and a companion website. New to This Edition *New or expanded topics: graduated symbol maps, multivariate choropleth maps, visual storytelling, maps and gerrymandering, artificial intelligence, workflow, and more. *Integration of practical ideas fro

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Book Synopsis''My name is Mike and I am a map addict. There, it''s said''Mike Parker, presenter of Radio 4's On the Map, celebrates the richness of all things maps in this fantastic, critically-acclaimed read.On an average day, we will consult some form of map approximately a dozen times, often without even noticing: they are a cipher for every area of human existence. At a stroke, they convey precise information about topography, layout, history, politics and power. They are the unsung heroes of life: Map Addict sings their song.There are some fine, dry tomes out there about the history and development of cartography: this is not one of them. Mixing wry observation with hard fact and considerable research, Map Addict unearths the offbeat, the unusual and the downright pedantic in a celebration of all things maps. Combining history, travel, politics, memoir and oblique observation in a highly readable, and often very funny, style, Mike Parker confesses how his own impressive map collection was founded on a virulent teenage shoplifting habit, ponders how a good leftie can be so gung-ho about British cartographic imperialism and wages a one-man war against the moronic blandishments of the Sat Nav age.This new edition of the beloved classic has been fully revised and updated, with a new chapter on digital maps: the good, the bad, the Google Street View.Trade Review‘Mike Parker offers an exhilarating celebration of the humble map.’ Mail on Sunday ‘Excellent book,’ Daily Telegraph ‘This eclectic, funny and warm book should be on the shelves of everyone who has spent hours staring at a map.’ The Great Outdoors ‘a witty entreaty to leave the satnav in the car, and to head for the hills with the Ordnance Survey.’ BBC Country File magazine ‘a highly engaging and thoughtful, haphazard and personal, meander around maps and map-related arcane.’ Daily Mail ‘Parker makes his view of cartography both interesting and funny.’ Choice magazine ‘a funny, observant and genuinely interesting book.’ Adventure Travel ‘As you'd expect, given Mike's legendary wit, this is a book that's well worth a read.’ Midland Zone ‘In fact, it is a sense of mischievousness that makes this book quite charming.’ South Wales Argus ‘Nerdy it might seem, but the author's humour and historical knowledge of mad map makers, visionary breakthroughs and a deep love of exploration make this little book a treat.’ Royston Crow ‘Parker uses his own experience to add warmth and humour to a topic that may not, at first glance, appear enticing to the average reader. Accessible and entertaining.’ Country & Border Life ‘Parker proves a witty and engaging guide’ Guardian

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Book SynopsisTHE EXTRAORDINARY TALE OF THE FATHER OF MODERN GEOLOGYHidden behind velvet curtains above a stairway in a house in London''s Piccadilly is an enormous and beautiful hand-coloured map - the first geological map of anywhere in the world. Its maker was a farmer''s son named William Smith. Born in 1769 his life was troubled: he was imprisoned for debt, turned out of his home, his work was plagiarised, his wife went insane and the scientific establishment shunned him. It was not until 1829, when a Yorkshire aristocrat recognised his genius, that he was returned to London in triumph: The Map That Changed the World is his story.''For a geologist, this is a must read'' Amazon Reviewer''It serves to lift a genius from academic semi-obscurity and to award him the acknowledgement he undoubtedly deserves'' Amazon Reviewer''Never realised how seminal this map was'' Amazon Reviewer

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Book SynopsisGeographical data are used in so many aspects of our lives today, ranging from disaster relief operations through to finding directions on our mobile phones. We can all be data collectors, adding locational information as we capture digitally our day-to-day experiences. Geographical Information Systems (GIS) are the software tools that facilitate this, turning the raw data into useful information that can help us understand our worlds better.Principles of Geographical Information Systems presents a thorough overview of the subject, exploring both the theoretical basis of GIS, and their use in practice. It explains how data on the world are converted into digital form and the analytical capabilities used to bring understanding to a range of areas of interest and issues. Spatial data are usually based on two, dichotomous paradigms: exactly defined entities in space, such as land parcels and urban structures, or the continuous variation of single attributes, such as temperature or rainfalTrade ReviewReview from previous edition [This second edition] builds upon the previous work in providing a very welcome basic, concise and more up to date introduction to the principles underlying GISs ... a osund and readable introduction to a complex subject. * International Research in Geographical and Environmental Education, v. 9 no. 3, 2000 *Choosing a course text in the early post-GIS years was very easy. Peter Burrough's Principles of geographical Information Systems for Land Resources Assessment was the definitive work. Beautifully written and illustrated...Peter Burrough set himself a hard act to follow...In almost every respect this is a new book, and not the second edition it purports to be...So, this is a rarity in textbook publishing a second edition that improves on the first. It looks set to be my recommended course text for many years to come. * David Unwin/GIS Europe June 1998. *This book presents a strong theoritical basis for GIS, which is often lacking in other texts...the optimising of timber extraction from forests and the redistribution of Chernobyl radioactivity by floods are explained clearly in detail. * Mapping Awareness April 1998 *This new publication is up to date and provides comprehensive coverage of virtually all aspects of GIS. It is clearly written and technical where appropriate ... it should be recommended for postgraduate courses and for all teachers of GIS. * David Walker, The Times Higher Education Supplement *Table of Contents1. Geographical information systems and society ; 2. Spatial data and their models: formal abstractions of reality ; 3. Geographical data in the computer ; 4. Data input and verification ; 5. Visualization ; 6. Exploring geographical data ; 7. Analysis of discrete entities in space ; 8. Interpolation 1: deterministic and spline-based approaches ; 9. Interpolation 2: geostatistical approaches ; 10. Analysis of continuous fields ; 11. Digital elevation models ; 12. Space-time modelling and error propagation ; 13. Fuzzy sets and fuzzy geographical objects ; 14. GIS, transformations, and future developments

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Book SynopsisFinding one's way with a map is a relatively recent phenomenon. In premodern times, maps were used, if at all, mainly for planning journeys in advance, not for guiding travelers on the road. With the exception of navigational sea charts, the use of maps by travelers only became common in the modern era; indeed, in the last two hundred years, maps have become the most ubiquitous and familiar genre of modern cartography. Examining the historical relationship between travelers, navigation, and maps, Cartographies of Travel and Navigation considers the cartographic response to the new modalities of modern travel brought about by technological and institutional developments in the twentieth century. Highlighting the ways in which the travelers, operators, and planners of modern transportation systems value maps as both navigation tools and as representatives of a radical new mobility, this collection brings the cartography of travelby road, sea, rail, and airto the forefront, placing maps a

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Book SynopsisPresents an examination of the use of maps for wayfinding. This book considers maps whose makers employed the smallest of scales to envision the broadest of human stages. It looks at maps that are at the opposite end of the scale from cosmological and world maps. It shows ways in which certain maps can be linked to particular events in history.Trade Review"Maps shows us that the content of a given map is as much determined by culture, historical circumstances, and the interests of mapmakers and map users as it is by the geography that it attempts to depict. From the earliest maps on clay tablets to today's in-car navigation systems, maps tell us not just where we are but who we are. They are artifacts of - and witnesses to - history. And they continue to inspire us to wonder about our place in the world, and mark it for others to see." - John W. McCarter Jr., from the Foreword"

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Book SynopsisWhile Marco Polo's writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Now, there's new evidence: a collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. The author offers an analysis of these artifacts.

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Book SynopsisIn focusing on the power of "bottom-up" maps to transform modern European identities, the author argues that the history of cartography must expand beyond the study of elite maps and shift its emphasis to the democratization of cartography in the modern world.

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Book SynopsisPadrón reveals the evolution of Spain's imagining of the New World as a space in continuity with Asia. Narratives of Europe's westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain's understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa's discovery of the South Sea and ending almost a hundred years later with Spain's final push for control of the Pacific. Padrón traces a series of attemptsboth cartographic and discursiveto map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.Trade Review"It should be essential reading for anyone seeking a fresh approach to understanding Spain’s imperial ambitions during the Age of Discovery." * The Portolan *"Columbus thought that Cuba was an appendage of Asia, and, though it may surprise readers, it would be more than a century before more accurate accounts of the Pacific Ocean and the distinctions between the landforms of Asia and North America emerged. Padrón relays this story with comprehensive knowledge and a skillful interpretation of cartographic and narrative sources, which often rationalized Spanish imperial aims to show that the Spanish Empire had Asian components thanks to the world-encompassing meridian line that divided Spanish and Portuguese zones for exploitation. . . . This highly recommended book clarifies the history of seemingly naïve but at times politically useful sets of flawed assumptions." * CHOICE *"This is a salutary book. . . . it is immensely valuable in making us see how sixteenth-century Spaniards conceptually framed the Americas, the Pacific and beyond; it literally takes us into another world." * The Globe: Journal of the Australian and New Zealand Map Society *"Historian Ricardo Padrón’s The Indies of the Setting Sun: How Early Modern Spain Mapped the Far East as the Transpacific West attempts to understand how, in discursive and visual terms, the Spanish crown sought to project its geopolitical and historical influence in the world from the sixteenth century forward. . . . The book is a valuable contribution not only because of its rigorous and intelligent interpretations, but also because it invites us to think about two major issues. First, it shows that territories such as the Americas were not 'invented' once and for all but were revised and reinvented over time and from different places and communities. Second, the book reminds us that we must decenter our gaze from the battles of conquest and pay attention instead to the voyages and ways of understanding vast spaces such as the oceans that were key in politically configuring our modern experience of the globe." * Terrae Incognitae *"In The Indies of the Setting Sun, Ricardo Padrón explores the spatial imaginaries of elite Spaniards in the period bookended by Balboa’s “discovery” of the Pacific Ocean in 1513 in present- day Panama and the 1606 Spanish conquest of the Moluccas. " * Early American Literature *"With this work, Padrón demonstrates that the Pacific has been a fundamental issue in the invention of America, a process that, as he firmly asserts, 'has been repeatedly revised and reinvented over the course of the years, and has meant different things at different times in different discursive communities.' Padrón encourages readers to view the geopolitical imagination of Habsburg Spain in a different light and to rethink the possibilities offered by new approaches to consider the Pacific not as marginal, but as a central location of the Spanish empire." * Bulletin of the Comediantes *"The Indies of the Setting Sun is an original and thoughtful study of the ‘invention’ and subsequent reinventions of the Pacific Ocean as part of the Spanish empire. Padrón brings to this project the same lucid, elegant prose and methodology that characterized his earlier monograph, and again he provides an argument supported by a careful study of sources employing the best historical approaches, closely contextualized reading, and an expansive definition of cartography. This is a much needed intervention, highlighting the importance of Spanish Asia in the history of Spanish imperial expansion." -- María M. Portuondo, author of The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano"The Indies of the Setting Sun examines the way that Spanish knowledge about the South Sea—now known as the Pacific Ocean—was developed. Challenging the historical idea that Magellan's circumnavigation had established Europeans' understanding of the Americas as divided from Asia by the vast Pacific, Padrón reveals an 'alternative European cartography' that persisted across the sixteenth century. In this odd parallel universe, America was merely the forecourt to Asia, and the South Sea was a small basin within the larger Indies, then Spain's overseas empire. This is the first book I've ever read that colors the larger 'Indies' so vividly." -- Barbara Mundy, author of The Death of Aztec Tenochtitlan, the Life of Mexico City"The author’s aim. . . is ambitious but the reader will not be disappointed. Padrón, in fact, leads his audience on a real journey through time, dismantling many commonplaces and prejudices about the modern perception of the way the world has been thought of and represented on maps at the dawn of modernity. The author breaks the patterns in the way we think about historical cartography between rigid categories of ‘right and wrong’, ‘precise and approximate’. Instead, Padrón highlights a complex historical process in which different cultural and political theories competed with each other in a dialectic that shaped our way of understanding geography. . . . Ricardo Padrón’s book: The Indies of the Setting Sun should be welcomed as a useful and much needed book. . . . I believe that today, in an era of redefinition of the balance between global powers with enormous interests in the Pacific area, this book is of great usefulness and relevance." * Rutter Project *"A nuanced reading of Spanish cartographic literature about the Pacific region in the sixteenth century. . . . The book’s central strength is in its analytical acuity, which dredges up tensions, contradictions, ironies and ambivalence from multivalent cartographic and written texts." * Imago Mundi *Table of ContentsList of Figures Introduction 1 The Map behind the Curtain 2 South Sea Dreams 3 Pacific Nightmares 4 Shipwrecked Ambitions 5 Pacific Conquests 6 The Location of China 7 The Kingdom of the Setting Sun 8 The Anxieties of a Paper Empire Conclusion Acknowledgments Notes Works Cited Index

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Book SynopsisThe book is a treasure trove of tidbits describing how the world around us came about. . . . Things Maps Don't Tell Us actually communicates a great deal about the things maps can tell us if we care to look carefully underneath the printed symbols.--James E. Young, Cartographic Perspectives

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Book SynopsisWriters know only too well how long it can takeand how awkward it can beto describe spatial relationships with words alone. And while a map might not always be worth a thousand words, a good one can help writers communicate an argument or explanation clearly, succinctly, and effectively. In his acclaimed How to Lie with Maps, Mark Monmonier showed how maps can distort facts. In Mapping it Out: Expository Cartography for the Humanities and Social Sciences, he shows authors and scholars how they can use expository cartographythe visual, two-dimensional organization of informationto heighten the impact of their books and articles. This concise, practical book is an introduction to the fundamental principles of graphic logic and design, from the basics of scale to the complex mapping of movement or change. Monmonier helps writers and researchers decide when maps are most useful and what formats work best in a wide range of subject areas, from literary criticism to sociology. He demonstrates, for example, various techniques for representing changes and patterns; different typefaces and how they can either clarify or confuse information; and the effectiveness of less traditional map forms, such as visibility base maps, frame-rectangle symbols, and complementary scatterplot designs for conveying complex spatial relationships. There is also a wealth of practical information on map compilation, cartobibliographies, copyright and permissions, facsimile reproduction, and the evaluation of source materials. Appendixes discuss the benefits and limitations of electronic graphics and pen-and-ink drafting, and how to work with a cartographic illustrator. Clearly written, and filled with real-world examples, Mapping it Out demystifies mapmaking for anyone writing in the humanities and social sciences. A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way.Christopher Lehmann-Haupt, The New York Times

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Book SynopsisMonmonier shows authors and scholars how they can use expository cartography--the visual, two-dimensional organization of information--to heighten the impact of their books and articles. A concise, practical book that introduces the fundamental principles of graphic logic and design. 112 maps. 1 halftone.

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Book SynopsisInterweaving cartographic history with tales of politics and power, this work is located within the struggles of mapmakers to create an orderly process for naming that avoids confusion, preserves history, and serves different political aims. It reveals the map's role as a mediated portrait of the cultural landscape.Trade Review"From Squaw Tit to Whorehouse Meadow is a wonderfully interesting tome that enlightens as it delights the reader with superb examples of all types. In addition to being a very insightful historical, political, cultural, and cartographic analysis, it provides important insights into how societal values evolve and change. There is really no book on this topic of comparable quality or breadth." - Dr. George J. Demko, Dartmouth College, and former Geographer of the United States, U.S. Department of State"

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Book SynopsisWhen sanctions prohibited local use of racially, ethnically, and scatalogically offensive toponyms, names like Jap Valley, California, were erased from the national and cultural map forever. This title considers the efforts to computerize mapmaking, standardize geographic names, and respond to public concern over ethnically offensive appellations.Trade Review"Engaging....A trove of giggle-inducing lore." - Publishers Weekly "[An] excellent book....[Mark Monmonier] is an able populariser of academic geography, and an expert guide to the bureaucratic, legal and political hierarchies that determine how places acquire, change and lose their names." - Economist "Fascinating....The book will interest anyone who has ever wondered how place names have come to be established by locals, and then come to endure on maps - at least until the advance of political correctness." - Susan Gole, Times Higher Education Supplement "An entertaining and enlightening excursion." - Michael Kenney, Boston Globe "Naming places has always been a political as well as a personal act, but Mark Monmonier's boyishly infectious history of...toponyms maps out the sexism, racism, and imperialism through which we have come to know our landscapes....Monmonier's book shows that maps are no more neutral than any other record of human construction." - Simon Reid-Henry, Times Literary Supplement"

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Book SynopsisTrade Review"The Ruins Lesson makes one point above all: there was no single dominant way of observing ancient ruins and portraying what remained. Jessica Maier’s The Eternal City: A History of Rome in Maps provides a rich complementary account. . . . For centuries, as she shows, mapmakers and miniaturists, antiquarians and cartographers set out to do exactly what he thought impossible: to represent at least in part not only the city of Rome, but some of the ways in which it had changed over time." * London Review of Books *“No other city has maintained the story of its past in its present quite like Rome, creating an intentional palimpsest through incessant acts of preservation, reconstruction, and cartographic visualization. Maier’s lively, imaginatively organized, and accessible book displays how centuries of maps not only tell stories about the city’s physical development but also show how Rome’s narratives of itself—conflating eras, resituating buildings, compressing waterways—unfurled in self-mapping from antiquity to the Metro.” * Evelyn Lincoln, Brown University *"Jessica Maier’s The Eternal City: A History of Rome in Maps is a luxurious volume, elegantly and enthusiastically written, and richly illustrated with 140 well-curated color images of artwork, including maps of Rome across the ages. Maier’s primary aim is to explore the history of Rome through its cartography, and she contextualizes the maps within their historical, socio-cultural, religious, and political backdrops. . . . her volume invites the reader on an imaginary journey through the complex topographical, monumental, and historical layers of the Eternal City." * The Portolan *"Beautifully produced." * The Classical Review *“The history of Rome comes to life in this erudite, beautifully written book. Organized chronologically from Rome’s early beginnings to the present, this richly detailed history of Rome is focused through the lens of maps and cartographic images. Maier has written a fascinating account for both armchair and actual travelers. The Eternal City also has much to offer to seasoned scholars who will appreciate its coherent and fluid synthesis.” * Pamela O. Long, author of Engineering the Eternal City *“The Eternal City offers the reader a vivid panorama of Rome’s changing form and image over the course of more than two millennia. A rich selection of city plans and views reveals crucial shifts in representational strategies, function, and symbolic intent. The dynamic tension between Rome’s complex, three-dimensional urban reality and the city’s image as projected by successive generations of artists and cartographers is certain to engage a wide audience.” * John Pinto, emeritus, Princeton University *"The Eternal City is a brilliant history of Rome, focusing on how we have responded to and represented this ever-changing city. Digging down into both Rome's history and our own desires for this city, Maier has written a fascinating book that has changed the way I consider maps and history." * A Universe in Words blog *"Each chapter combines history, urban development, and the history of mapping to assess in each period how the city changed and how contemporaries represented it—demonstrating how Rome has been constantly reimagined, reconstructed, and represented over the course of the past three millennia, both on the ground and on paper (or other media)... Highly Recommended." * Choice *"Done very well, both in the selection and discussion of visual images and in [Maier's] considerate and humane prose style. A delight of a book." * New York Military Affairs Symposium Review *Table of ContentsIntroduction: Rome as Idea and Reality Further Reading Chapter One: Rome Takes Shape Rome before Rome A Walled City Urban Districting Further Reading Chapter Two: Rome of the Caesars Destination Rome An Incomplete Puzzle Making Sense of the Shattered Past Filling in the Gaps A Model City Further Reading Chapter Three: Rome of the Popes Sacred Buildings and Secular Symbols The Medieval Cityscape Pathos and Wonder Further Reading Chapter Four: Rome Reborn A City Ready for Its Close-Up The City Seen through a Wide-Angle Lens The City Measured A Panoramic View of Urban Revitalization Further Reading Chapter Five: Rome of the Scholars Archaeology in Its Infancy An Ancient Roman Theme Park A Ghostly Fantasy Further Reading Chapter Six: Rome of the Saints and Pilgrims The Way of the Faithful Scenes from a Pilgrimage A Pilgrimage Map for the Modern Era Further Reading Chapter Seven: Rome of the Grand Tourists Rome as Theater The Origins of the Tourist Plan Rome Surveyed A Panoramic Vision Further Reading Chapter Eight: Rome of the Mass Tourists The Guidebook Impresario’s Rome Rome for a Rather Important Woman Traveler Rome in Your Pocket Rome for Italian Tourists Further Reading Chapter Nine: Rome Enters the Modern Age 2,500 Years in, a Master Plan for Rome When Trams Ruled Rome An Olympic City, and a New Beginning Further Reading Chapter Ten: Rome Past, Present, and Future Rapid Transit for a Rapidly Changing City A Master Plan for the Third Millennium: (Un)sustainable Rome Further Reading Acknowledgments Index

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Book SynopsisThe new field of spatial history has been driven by digital mapping tools, which can readily show change over time in space. But long before this software was developed, mapmakers around the world represented time in sophisticated and nuanced ways in static maps that offer lessons for us today. In this collection, historians Karen Wigen and Caroline Winterer bring together leading scholars to consider how mapmakers depicted time. The essays show that time has often been a major component of what we usually consider to be a spatial medium. Focusing on 500 years of mapmaking in Europe, the United States, and Asia, these essays take us from the Aztecs documenting the founding of Tenochtitlan, to early modern Japanese reconstructing nostalgic landscapes before Western encroachments, to nineteenth-century Americans grappling with the new concept of deep time. The book also features a defense of traditional paper maps by digital mapmaker William Rankin. With more than one hundred color mapsTrade Review"Thought-provoking. . . . This scholarly work provides an intriguing, unique way to consider maps. Recommended for those who like cartography and history." * Library Journal *"Maps not only help us to organize ourselves in space and time, but also to deal with the past, present, and future, both human and cosmic. Geographic information systems (GIS) provided a new approach to mapping when they emerged in the mid-20th century. Today, digital technologies that began with GIS now provide online access to source material via high-resolution images, accompanied by ever-increasing numbers of tools facilitating a larger cartographic presence. This collection from Wigen and Winterer explores how the practice of mapping has developed over time and the many innovative ways maps have depicted spaces and political imaginaries. . . . Recommended." * Choice *"Leading scholars consider the sophisticated ways in which the movement of time was depicted in maps, examining centuries of cartography from around the world, and providing more than 100 colour maps and illustrations." * The Bookseller *"Time in Maps is a first-rate collection. . . . It provides an important work for cartographic scholars, and, more generally, offers those interested in historiography much to consider. The volume is a pleasure to read, with many well-selected maps and a high standard of reproduction." * The Critic *"Time in Maps delves into some little-explored areas of the history of cartography and expands the purview of map history. The essays are engaging and draw the reader into often unfamiliar subject matter. The volume is well edited and produced, with many excellent, full-color re-productions of maps and illustrations. The collection as a whole supports the editors’ propositions regarding time in maps, particularly the proposals that historical maps developed globally in the early modern age and that static maps are surprisingly diverse in their strategies for representing time. Time in Maps will be of particular interest to scholars of historical mapping, and to readers in general who want to learn about how history is portrayed in maps." * The Portolan *"In addition to its innovative theme and astute analyses, Time in Maps is a welcome invitation to mapmakers, historians, and geographers to situate GIS and other computer driven ways of visualizing time within the much wider history of spatio-temporal cartography. Both the text and the lavish illustrations successfully show how physical maps have situated readers in moments of both space and time, expressed historical process, communicated both sacred and profane chronologies, and revealed ways in which mapmakers in different contexts have perceived time and incorporated it into their work." * The Journal of Interdisciplinary History *"This sumptuously-illustrated large-sized book serves, effectively, as a celebration of the development of GIS. . . . The eight contributors are all of equal scholarly standing, and their individual contributions both reflect this and, by interacting with each other, playing off each other, create a greater whole. Histories of cartography have an in-built advantage: their historical illustrations are works-of-art; their contemporary examples are technological marvels. But the analytical scholarship on display in this collection raises it all to a different and altogether satisfying level." * Geography Realm *"As an appreciation of maps and open-ended time across cultures and eras, Time in Maps is a fine collection of scholarly essays and a thoughtfully organized book." * Journal of World History *"Time in Maps is a fascinating look at some of the many ways in which humans have tried to depict the passage of time in cartographic form. The handsome hardback is illustrated throughout with color images of historical maps... for those fascinated by the history and modern implications of map-making, it’s rewarding reading." * Fortean Times *"Rather than taking an approach that would present an unfolding of innovation over time, [Time in Maps] offers a varied reach historically and geographically from chapter to chapter. It is the philosophical, political, and cultural dimensions that are the primary focus here for appreciating the importance of time in cartography." * Historical Geography *“As wide-ranging, imaginative, and revealing as the maps they discuss, these essays follow the trace laid down by the editors and William Rankin’s magisterial opening essay. They track how maps—interpreted broadly—convey time as well as space. GIS, they contend, has not rendered old paper maps obsolete as much as revealed their wonders—their dynamism, their depth, their metaphors, their techniques, and their connections to not only a physical world but to other intellectual endeavors. They convey the magic not only of maps but of scholarship.” * Richard White, Stanford University *“What a relief to move beyond the worn dichotomy between maps and timelines, geography and history! Time in Maps shows definitively that maps brim with temporal references, both overt and subtle. They represent moments that range from one protest march to centuries of slavery, or a year’s erosion along Cape Cod to the deep time of geological eons. Cartographers’ visual strategies include encodings of time as much as symbolic representations of objects in space. Contrary to popular opinion, printed maps are anything but ‘static’ once one learns to recognize how they in fact hold time in the embrace of space. Time in Maps is a wonderful book, and one that is long overdue.” * Anne Kelly Knowles, University of Maine *"Drawing on carefully curated images from Asia, the Americas, and Europe, Time in Maps offers a grand tour of cartographic cultures across epochs and continents, examining how human beings have used static maps to give palpable physicality to the seemingly ungraspable passing of time. Working in fields that remain deeply wedded to texts, the historians featured in this volume examine past attempts to visualize events, processes, distributions, and relations and to provide rich temporal stories in the form of two-dimensional graphics." * Isis *"The volume is a pleasure to read, with many well-selected maps and a high standard of reproduction." * New York Military Affairs Symposium *Table of ContentsForeword by Abby Smith Rumsey Introduction: Maps Tell Time Caroline Winterer and Kären Wigen Chapter 1: Mapping Time in the Twentieth (and Twenty-First) Century William Rankin Part I: Pacific Asia Chapter 2: Orienting the Past in Early Modern Japan Kären Wigen Chapter 3: Jesuit Maps in China and Korea: Connecting the Past to the Present Richard A. Pegg Part II: The Atlantic World Chapter 4: History in Maps from the Aztec Empire Barbara E. Mundy Chapter 5: Lifting the Veil of Time: Maps, Metaphor, and Antiquarianism in the Seventeenth and Eighteenth Centuries Veronica Della Dora Chapter 6: A Map of Language Daniel Rosenberg Part III: The United States Chapter 7: The First American Maps of Deep Time Caroline Winterer Chapter 8: How Place Became Process: The Origins of Time Mapping in the United States Susan Schulten Chapter 9: Time, Travel, and Mapping the Landscapes of War James R. Akerman Acknowledgments List of Contributors Index

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