Textiles and fibres Books

Book SynopsisThere is not just one story of silk.In silk is science, history and mythology.In silk is the future.Aarathi Prasad's Silk is a gorgeous new history weaving together the story of a unique material that has fascinated the world for millennia.Through the scientists who have studied silk, and the biology of the animals from which it has been drawn, Prasad explores the global history, natural history, and future of a unique material that has fascinated the world for millennia.For silk, prized for its lightness, luminosity, and beauty is also one of the strongest biological materials ever known. More than a century ago, it was used to make the first bulletproof vest, and yet science has barely even begun to tap its potential. As the technologies it has inspired from sutures to pharmaceuticals, replacement body parts to holograms continue to be developed in laboratories around the world, they are now also beginning to offer a desperately needed, sustainable alternative to the plastics chokiTrade Review‘A tour of the anecdotal, the industrial and the gruesome . . . Readers coming to this globetrotting and species-leaping volume expecting vignette after genteel vignette of 5,000-odd years of Chinese silk manufacture are in for a nasty shock. Here be spiders, and not just spiders, but metre-long Mediterranean clams, and countless moth species spinning their silks everywhere from Singapore to Suriname’ Financial Times ‘The global scope of Prasad’s book draws out its most compelling material links’ Daily Telegraph, four-star review ‘Prasad is such an infectious and knowledgeable enthusiast that it is hard not to be swept away by her enticing facts’ Literary Review 'Both scientific and poetic, this remarkable book shows how the great tides of history are shaped through human encounters with the intricate variety of the non-human world'David Wengrow, co-author of the international bestseller The Dawn of Everything ‘Fascinating . . . Prasad cross-crosses centuries and cultures to tell of the intrepid explorers, botanists, scientists and entrepreneurs who were determined to unravel the secrets of silk production. Her book captures their persistence and her own in the search for the little-told but revelatory stories of human curiosity and ingenuity’ Clare Hunter, author of Threads of Life 'A wonder of a narrative. Like the transformation of caterpillar to moth that she explores so beautifully, this is a network of threads that spin around the world and tell a story of science, of history, of humanity itself' Kate Strasdin author of The Dress Diary of Mrs Anne Sykes ‘An incredible read. Deeply researched, dazzling’ Seirian Sumner, author of Endless Forms ‘Prasad weaves her strands of science, history and culture to create a rich narrative tapestry that's as sumptuous as the material itself. Full of fascinating detail’Gaia Vince, author of Nomad Century

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Book SynopsisMaster key carpentry skills, from simple joinery techniques to fine woodworking.Learn about basic woodworking techniques to more advanced types of wood joints, finishing, woodturning, and furniture restoration. This book provides all the information you need to become a master carpenter. It''s the ultimate step-by-step guide to essential woodworking tips and tricks. Inside the pages of this beginners guide, you''ll find:- Over 100 key techniques and 20 easy projects to get you started- Clear step-by-step photography and easy-to-follow instructions - Advice on all major wood types and veneers and how to use them- Tips and tricks on restoring old furnitureThis visual guide is packed with clear instructions, detailed photography, and expert advice on how to master more than 20 woodcraft techniques such as joinery and finishing. Discover how to get the best out of your woodworking tools by learning how to use and maintain them. This informative guide also includes a visual directory of all major wood types and veneers, explaining what they are best used for and tips on how to work with them.Woodworking 101 This updated edition includes a fresh design and brand-new photography making the step-by-step techniques and projects even clearer to understand. The ideal gift for Father''s Day, or for anyone who''s looking for an introduction to carpentry.Complete the Series:Fully illustrated and easy to use, the DK Step by Step series covers all the essential skills and techniques you need to succeed in a specific activity. Once you''ve mastered key carpentry skills with Woodwork Step by Step, sharpen up your survival skills with Knots Step by Step.

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Book SynopsisThis glorious book is a modern guide to weaving, an ancient craft that is reaching new heights of popularity, from acclaimed contemporary weaver and textile artist Rachna Garodia. It contains a wealth of practical advice and tons of inspiration for every aspect of this endlessly adaptable craft, from gathering materials to making and exhibiting ambitious woven masterpieces, bringing in a wide selection of mixed media. Meditative and calming, a session at the loom is a great way to relax, and create something beautiful in the process. And you don’t need expensive equipment: you can start your weaving journey on a small wooden frame or even a piece of cardboard, and it’s now easy to book time on larger looms outside the home. The book includes: • Setting up and using your loom, from the simplest small frames to sophisticated table and floor looms. • Design and planning: taking inspiration from the natural world, sketching, photographing, making moodboards and exploring colour. • Gathering materials: from natural straw, grass, flowers, feathers, bark and seedpods to more traditional yarns and threads and even paper and photographs. • Personalising your work by incorporating well-loved old fabrics and precious sentimental items. • Unusual techniques: weaving with photographs or directly onto handmade paper, three-dimensional sculptural weaving, non-loom techniques such as looping and netting. • Gorgeously illustrated with work from the author and other artists from around the world, this book is an engaging and beautiful introduction to weaving for established textile artists or those coming to the craft for the first time.Table of ContentsIntroduction 6 Woodland Walk 8 River Walk 28 Walk Through the Seasons 50 Daily Commute 70 A Walk Down Memory Lane 88 Walk With a Poem in Your Heart 106 Weaving Basics 122 Resources 126 Acknowledgements 127 Index 128

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a huge range and FREE tracked UK delivery on ALL orders.

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Book Synopsis A unique collection of crochet patterns for the 12 birds of Christmas. Taking inspiration from the famous Christmas carol, Kerry Lord, author of the Edward’s Menagerie series and founder of TOFT yarns, has created this unique crochet collection. Including John the Spotted Woodpecker for 12 Drummers Drumming, Lydia the Greylag Goose for 6 Geese a-laying and, of course, Felix the Partridge in a pear tree, this is Christmas fun at its most creative. Patterns include:12 Drummers Drumming – John the Spotted Woodpecker11 Pipers Piping – Nina the Sandpiper10 Lords-a-Leaping – Agnes the Heron9 Ladies Dancing – Loise the Cormorant8 Maids-a-milking – Delilah the Cattle Egret7 Swans-a-swimming – Margot the Black Swan6 Geese a-laying – Lydia the Greylag Goose5 Gold Rings – Gilbert the Pheasant4 Calling Birds – Peter the Blackbird3 French Hens – Ruth the Hen2 Turtle Doves – Beatrice the Turtle DoveAnd a Partridge – Felix the PartridgeTrade Review'There is no better way to celebrate every crafter’s favourite season.' * Let’s Knit *'It seems that Kerry Lord can do no wrong when it comes to designing delightful toys and her latest collection for Christmas is no exception!' -- Crochet Now'Perfect for decorating your tree or for giving as gifts' -- Simply Sewing

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Book SynopsisKikikickz is France's leading online sneaker reseller, specializing in rare and limited-edition models. Fashion and lifestyle journalist Alexandre Pauwels is the copywriter at Kikikickz.

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Book SynopsisAddressing textiles as a distinctive area of cultural practice and field of scholarly research, The Textile Reader introduces students to the key issues essential to the exploration of the textile from both a critical and a creative perspective. The second edition brings together lectures, catalogue essays, academic articles, fiction and poetry, as well as several articles available in English translation for the first time, to capture the diversity of voices informing textile studies today.Content is organized around the themes of touch, memory, structure, politics, and production plus a new section exploring the role of community. With 22 new contributors, this revised edition includes selected work from Maria Fusco, Ursula le Guin, Elaine Igoe, Faith Ringgold, and T''ai Smith. Extended introductions and annotated suggestions for further reading by the editor Jessica Hemmings make the second edition an invaluable resource to students of textiles, craft and material culture.Trade ReviewThis Reader is not merely a collection, but more of an interrogation that speaks from the past to the future. With this in mind, The Textile Reader is not a ‘page turner’, but a constant companion, a new friend that has been there and done that, and thus offers the reader a platform from which to consider and develop the future of the discipline. -- Textile History (of the 1st edition)[T]he pieces are well chosen: they read as though they were selected because someone likes them and finds them interesting, and this gives the selection personality and integrity ... Its greatest value is, however, in its general sense of opening out the genres and the way in which it creates a space for different types of writing on textiles to be considered on an equal footing. -- The Journal of Modern Craft (of the 1st edition)Will undoubtedly become a key resource for all those interested in considering the location of textile practice, but also for those who seek to understand and challenge textile practice's perceived inferiority as a mode of practice. -- Embroidery Magazine (of the 1st edition)An ideal foundational text to give an overview of the broad field of Textile Research. It allows students access to a range of themes and key authors in the field which can then be researched in more depth. -- Dr Fiona Curran, Royal College of Art, UK (of the 1st edition)Evocative, expansive, and enchanting. Hemmings weaves together essays, poems, and literary gems that reveal the nuanced, complex, curious, intimate and political touchpoints of textiles in our lives for a more inclusive, affective reading of our world. I recommend this brilliant anthology to creative scholars, enquiring readers, and knitters, weavers, makers, designers and textile artists worldwide. - Dr Erica de Greef, Co-Director, African Fashion Research Institute, South AfricaThe Textile Reader is an essential companion to anyone studying, researching or critically thinking about textiles. Compelling new essays, wider geographies and a greater diversity of voices bring added depth and richness to this distinctive anthology. The excerpts from novels, short stories and poetry within each thematic section, hold the attention and are reminders of the potential power of textiles to speak both cross-culturally and transnationally. - Dr Christine Checinska, Senior Curator, V&A MuseumTable of ContentsIntroduction 1. Touch 1. Victoria Mitchell (1997) ‘Textiles, Text and Techne’ 2. T’ai Smith (2014) ‘The Haptics of Optics: Weaving and Photography’ (excerpt) 3. Elaine Igoe (2010) ‘The Tacit-Turn: Textile design in design research’ 4. Pennina Barnett (1999) ‘Folds, Fragments, Surfaces: Towards a poetics of cloth’ 5. Catherine Harper (2005) “Meditation on Translation and Seduction” 6. Isak Dinesen (1957) ‘The Blank Page’ 7. Birgitta Nordstro¨m (2020) ‘How do you Footnote a Smile? One Dialog about Two Extremes of Textile Research’ 2. Memory 8. Jenni Sorkin (2000) ‘Stain: On Cloth, Stigma, and Shame’ 9. Isabel Cristina González Arango (2013/2021) ‘Claiming the Right to Memory, Stitch by Stitch: The experience of the Costurero Tejedoras por la Memoria de Sonsón’ (the Sonsón Memory Sewing Group) 10. Marit Paasche (2019) ‘We Are Living on a Star’ (excerpt) 11. Roger Hutchinson (2011) The Silent Weaver (excerpt) 12. Faith Ringgold (2019) ‘Interview: Faith Ringgold and Hans Ulrich Obrist’ (excerpt) 13. Sue Prichard (2005) ‘Collecting the Contemporary: Love Will Decide What Is Kept and Science Will Decide How It Is Kept’ 14. Sarah Scaturro (2020) ‘(Im)mortal Fashion: Iris van Herpen’s “Skeleton” Dress’ 15. Takahashi Mizuki (2019) ‘Hong Kong’s Textile Industrial Heritage: Transformations to a place of weaving creative experiences for all’ 3. Structure 16. Gottfried Semper (1851/1989) ‘The Four Elements of Architecture’ (excerpt) 17. Philip Beesley (1999) ‘Reflexive Textile’ 18. Otti Berger and Judith Raum (1930/2019) ‘Fabrics in Space’ & ‘Weaving and Interior Design’: Voice-over for the video Discussion of Material (excerpt) 19. Catherine de Zegher (1997) ‘Ouvrage: Knot a Not, Notes as Knots’ 20. Gilles Deleuze & Felix Guattari (1987) ‘1440 The Smooth & the Striated’ (excerpt) 21. Sabrina Gschwandtner (2008) ‘Knitting Is…’ 22. Kate Goldsworthy, Rebecca Earley and Kay Politowicz (2019) ‘Circular Speeds: A Review of Fast & Slow Sustainable Design Approaches for Fashion & Textile Applications’ 4. Politics 23. James Fenimore Cooper (1843) Autobiography of a Pocket Handkerchief (excerpt) 24. Arthur C. Danto (2006) ‘Weaving as Metaphor and Model for Political Thought’ 25. Sarat Maharaj (1991) ‘Arachne’s Genre: Towards Intercultural Studies in Textiles’ 26. Susan S. Bean (1989) ‘Gandhi and Khadi, the Fabric of Indian Independence’ 27. Pamela Johnson (2011) ‘100% Cotton’ 28. Galina Kareva (2011/2021) ‘Ivanovo’s Agitprop Textiles: Design and Inscriptions’ 29. Elisa Auther (2008) ‘Fiber Art and the Hierarchy of Art and Craft, 1960–80’ 30. Julia Bryan-Wilson (2017) ‘Queer Handmaking’ (excerpt) 31. Charlotte Perkins Gilman (1892) ‘The Yellow Wallpaper’ (excerpt) 5. Production 32. Roger MacDougall (1951) The Man in the White Suit (excerpt) 33. Maria Fusco (2018) ‘machine oil smells sweet (piecework)’ 34. Melanie Miller (2007) ‘The Romance of Modern Manufacture: A Brief History of Embroidered Embellishment’ 35. Sadie Plant (1997) Zeroes + Ones: Digital women + the new technoculture (excerpt) 36. Ele Carpenter (2010) ‘Open Source Embroidery: Curatorial Facilitation Of Material Networks’ 37. Boatema Boateng (2011) ‘Why Should the Copyright Thing Work Here?’ (excerpt) 38. Sarah Rhodes (2015) ‘Contemporary textile imagery in Southern Africa: a question of ownership’ 39. Yosi Anaya (2016/2021) ‘Heneque´n, A Green Fiber with a Complex History in Yucatan’ 6. Community 40. Nathaniel Hawthorne (1850) The Scarlet Letter (excerpt) 41. Joseph McBrinn (2021) ‘Needlework and the creation of masculinities: “The prick” of patriarchy’ (excerpt) 42. Jools Gilson (2012) ‘Navigation, Nuance and half/angel's Knitting Map: A series of navigational directions…’ 43. Rose Sinclair (2020) ‘Tracing Back to Trace Forwards: What does it mean/take to be a Black textile designer’ 44. Alice Walker (1973) ‘Everyday Use’ 45. Ursula K. Le Guin (1984) ‘The Trouble with the Cotton People’ (excerpt)

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Book SynopsisFrom one of the Vogue Business 100 Innovators List - 2023 ‘[T]his wonderful project and book, executed with great charm and creativity, is an important message.’ Anya Hindmarch In this personal investigation into ethical and traceable leather, fashion designer Alice Robinson begins a ground-breaking journey into the origin story of leather and its connection to food and farming. As a fashion student, Alice started to question the material she worked with. Leather is universally acknowledged as a luxury material, from which desirable bags, shoes and clothing are made. But how much do we know about where it comes from? Alice’s questions led back to her childhood home in rural Shropshire, where she decided to buy Bullock 374 and follow its journey from a local farm to the abattoir, then to the butchery and finally to the tannery. The journey culminates with Alice’s own design practice as she creates a collection based on this single hide. In doing so, Alice would begin to see the bigger picture – and connect farm, food and fashion for the first time to understand the true meaning of provenance, value and beauty.Trade Review‘The idea that fashion is grown and comes from a farm always surprises people as we are so disconnected from where the things we wear come from. So, this wonderful project and book, executed with great charm and creativity, is an important message.’ Anya Hindmarch‘Alice has conjured a fire inside my belly with her book. I'm pulling out and questioning every garment in my wardrobe, asking myself why it's not made from natural fibres. Her words, her methods and her ideology all have meaning and spirit threaded through them so deeply you can't stop yourself being drawn into her world. The fashion industry better watch out, they have a hurricane coming their way.’ Zoë Colville, farmer and author of The Chief Shepherdess ‘Alice’s dedication to her art takes her to realms where few artists would go; seeing an animal through its life, building relationships with it, before butchering it and turning each part into something of extraordinary value. At times grotesque, we’re nevertheless taken on a journey where it transcends to a thing of pure beauty. We all need to look through her eyes in order to understand what it takes to find a respectable, renewable and sustainable future. ’ Gizzi Erskine, chef, food writer and author of Restore‘Sometimes the best innovation is about looking back to move forward. Alice’s work epitomises this concept: the way that she unravels past processes in order to understand how things were made before industrialisation is truly an exploration of what fashion could become, just as much as what fashion was. Fashion should not anymore be just about products, we have too many products and we have lost sight as to how they are made and by whom. Fashion should be about its processes just as much. We should be able to choose what we wear not just because of what it looks like, but because of what it went through. We should choose to wear things of minimum environmental impact and maximum storytelling potential. Fashion should be an exploration of our soil, nature, instincts and capabilities. Alice’s work is incredibly original because it takes into account all of the above, from both a creative design and a philosophical perspective.’ Orsola de Castro, co-founder of Fashion Revolution and author of Loved Clothes Last‘I consider it an absolute privilege to have first met Alice Robinson a few weeks after she caused a storm feeding the fashion world her sheep. Meeting Malcolm the farmer was the catalyst that such a genuine and driven person needed to connect farming and fashion in a way that can make both industries proud. I’m lucky to count some of the country's most innovative chefs and farmers as friends. I can honestly say Alice will make the most impact with this illustrious bunch. Rebooting the UK leather supply chain is actually a near-impossible task. But by the last page you will, like me, think she just might do it.’ Matt Chatfield, farmer and founder of The Cornwall Project

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Book SynopsisThis book offers a state-of-the-art view of leather making, based on the scientific principles underpinning the technology. In particular, it contributes to the understanding of the modern leather industry, allowing practitioners to make judgements about day-to-day problems in the tannery and how change can be applied in a predictable way. Major themes running through the book are the economics and environmental impact of leather making and how these will ensure the sustainability of the industry. This second edition of Tony Covington’s Tanning Chemistry is a revision, update and extension in collaboration with a new co-author, Will Wise. The update reflects the advances made in the past decade, including a discussion of the impact of new information concerning the chemistry of sulfide. The original chapters have been re-organised and new chapters on novel modes of reagent delivery and the principles of finishing are now included. Enzymology is addressed as a separate topic, as are environmental impact and the future of leather. The book will be useful to all those involved in the supply chain, from farm, through students, chemical suppliers and tanners, to leather goods brands. Leather science is the key to understanding leather technology, to make it work, to make it work better and to keep it ahead of the competition.Table of ContentsCollagen and Skin Structure; Skin and Its Components; Curing and Preservation of Hides and Skins; Soaking; Unhairing; Liming; Deliming; Bating; Pickling; Tanning; Mineral Tanning: Chromium(III); Mineral Tanning; Vegetable Tanning; Other Tannages; Post-Tanning; Dyeing; Fatliquoring; Enzymology; Reagent Delivery; Drying; Finishing; Environmental Impact; Theory of Tanning: the Concept of Link-Lock; The Future of Tanning Chemistry; The Future for Leather

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Book SynopsisThe Genesis of the Textile Industry from Adorned Nudity to Ritual Regalia documents and evaluates the changing role of fibre crafts and their evolving techniques of manufacture and also their ever-increasing wider application in the lives of the inhabitants of the earliest villages of the Ancient Near East. It is a broad-spectrum enquiry into fibre working in a broad swathe from Mesopotamia across Persia and Anatolia to the Nile Valley. It focuses, however, on the southern Levant from incipient sedentism in the Natufian culture, c. 13,000 cal BCE to the Ghassulian culture, c. 4500-3800/3700 cal BCE. This is the first comprehensive study addressing the fibre technologies of the southern Levant on a long chronological axis. Currently, fibre crafts play only a minor role in archaeological thinking. This research demonstrates the magnitude and also the indispensable role that fibre crafts have played in the quotidian events, activities and practices of the inhabitants of the region. It has created an awareness of the substantial, often invisible, presence of fibre-craft products which was hitherto lacking in archaeological thought.Trade Review'This is a book of evidence. Levy has the tenacity of a bulldog in pursuing and dragging in every possible form of evidence for a very elusive subject that has been central to human existence for many millennia.' -- E.J.W. Barber * American Journal of Archaeology *Table of ContentsList of Figures ; List of Tables ; Abstract ; Chapter 1: Objective, Methodology, Geography, History of Research ; Chapter 2: The Natufian ; Chapter 3: The Pre-pottery Neolithic A (PPNA) ; Chapter 4: The Pre-pottery Neolithic B (PPNB) ; Chapter 5: The Pottery Neolithic (PN) ; Chapter 6: The Chalcolithic ; Chapter 7: Discussion and conclusions ; Bibliography ; Appendix A: The Basics of Fibre Technologies ; Appendix B: Experiments ; Appendix C ; Appendix D

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Book SynopsisDiscover a colorful, contemporary approach to traditional whitework with best-selling embroidery expert Trish Burr.Fresh and uplifting, Trish Burr?s use of color brings a joyful lease of life to her stunning whitework designs.Complete with a comprehensive guide to getting started, and arranged in order of difficulty, this inspiring book contains 10 complete, brand-new projects, each with clear step-by-step instructions, an iron-on transfer, a full-size template and sumptuous photography.An expert teacher, and best-selling author, Trish has carefully constructed the book to appeal to beginners looking for a simple, no-nonsense approach to the technique, as well as more advanced embroiderers looking for inspiration.With subjects ranging from striking florals to birds, bees and butterflies, this book will inspire and delight with its variety of subjects. Contained within are: Re-usable iron-on transfers for all 10 designs, as well as full-size traceable templates A comprehensive illustrated stitch library of all the stitches used throughout A handy guide to selecting materials, preparing your fabric and using color Easy-to-follow step-by-step instructions with plenty of inspiring photography

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Book SynopsisElectronics in Textiles and Clothing: Design, Products and Applications covers the fundamentals of electronics and their applications in textiles and clothing product development. The book emphasizes the interface between electronics and textile materials, detailing diverse methods and techniques used in industrial practice. It explores ways to integrate textile materials with electronics for communicating/signal transferring applications. It also discusses wearable electronic products for industrial applications based on functional properties and end users in sectors such as defense, medicine, health monitoring, and security.The book details the application of wearable electronics and outlines the textile fibres used for wearable electronics. It includes coverage of different yarn types and fabric production techniques and modifications needed on conventional machines for developing fabrics using specialty yarns. The coverage includes problems faceTable of ContentsWearable Electronics. Fabric Production Techniques for Wearable Electronics. Design of Circuits and Integration Into Wearable Electronic Fabrics. Product Development Using Wearable Electronic Integrated Fabrics. Software Development for Wearable Electronics. Design and Development of Wearable Electronic Flexible Solar Tent. Garment Integrated Wearable Electronic Products. Scope for the Research Work. References.

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Book SynopsisFABRIC[ated] examines fabric as a catalyst for innovation, reflection, change and transformation in architecture.This book explores the ways in which research and development of fabric can, and historically has, influenced and revolutionized architecture, teaching and design. Responsive, flexible, impermanent, fluid and adaptivefabric interacts with, and influences architecture, offering innovative solutions and increased material responsibility. Foundation and theory chapters establish clear precedent and futures for fabric's position in architectural discourse. The case study section examines 14 international projects through three different threads: Veiling, Compression and Tension. Case studies include a diverse range of projects from the HiLo unit at Nest and CAST's fabric formed concrete projects to a discussion of the impact of fabric on SO-IL and Kennedy Violich Architect's professional work, demonstrating new and fresh methods for addressing sustainability aTrade Review'FABRIC[ated] situates the historical, theoretical, and etymological roots of textiles in contemporary architectural research, practice, and discourse to substantiate the important role that fabric has as an active and pliable interface for transformation, resiliency, and change in architecture. Moving fluidly between research and practice, the book surveys academic experiments in studio pedagogy to 1:1 full-scale built projects. Through critical essays and case study projects that span gender and expression to minimizing waste through fabric formwork and digital fabrication, FABRIC[ated] positions textiles as a timely and innovative contributor to sustainable, responsive, and socially driven architecture at a time of ecological and sociopolitical crisis. FABRIC[ated] provides a fresh look at the historically intertwined relationships between textiles and architecture to open new design and fabrication strategies, digital methods, material efficiencies, and collaborative models to address pressing issues in our built and natural environments.' - Jenny E. Sabin, Arthur L. and Isabel B. Wiesenberger Professor in Architecture and Associate Dean for Design; Director, Sabin Lab; Department of Architecture / AAP, Cornell University; Principal, Jenny Sabin Studio; President, ACADIA'FABRIC[ated] is a surprising and stimulating compilation of thoughts and experiences that vindicate the transcendence and possibilities of fabric and membranes in the future of architecture and society. A first part develops the theoretical framework underlying the academic and professional experiences that are presented in the second part, so that the case studies do not appear as a miscellany of remarkable curiosities, but rather as contributions to interdisciplinary, sustainable and digitalized innovations engaged with people to contribute to a positive society.' - Josep I. de Llorens Duran, Senior Professor, School of Architecture, Barcelona, Author: Fabric Structures in Architecture'If architecture is to be understood as a third skin, as has been described, then a closer relationship between building and clothing—the so-called second skin—is in order. In Fabric[ated], Tolya Stonorov assesses the expansive capacities of textiles in architecture. Through invited essays, case studies, interviews, and documented experiments, she constructs a broad and compelling depiction of fabric innovation in the designed environment. As we scrutinize many aspects of construction and resource use today, FABRIC[ated] reveals how buildings can be more flexible, interactive, and imaginative—and embody a smaller footprint.' - Blaine Brownell, FAIA LEED AP, Professor and Director, Ravin School of Architecture, University of North Carolina at Charlotte'There is a revolution happening in architectural materials. Not many years ago, there were five groups that covered the field: metal, wood, masonry, concrete and glass. Now new options such as printed ceramics and engineered wood have been increasing the opportunities of built solutions. Tolya Stonorov’s new publication, FABRIC[ated], thoroughly introduces and explores the history and exciting possibilities of fabric, a material that offers a wide range of spatial solutions. Importantly these go beyond form-making to consider potential positive impacts of social justice and sustainability at a time when these are greatly needed.' - Bryan Bell, Executive Director, Design Corps, Professor, NC State University, Co-Founder, SEED Network'FABRIC[ated] situates the historical, theoretical, and etymological roots of textiles in contemporary architectural research, practice, and discourse to substantiate the important role that fabric has as an active and pliable interface for transformation, resiliency, and change in architecture. Moving fluidly between research and practice, the book surveys academic experiments in studio pedagogy to 1:1 full-scale built projects. Through critical essays and case study projects that span gender and expression to minimizing waste through fabric formwork and digital fabrication, FABRIC[ated] positions textiles as a timely and innovative contributor to sustainable, responsive, and socially driven architecture at a time of ecological and sociopolitical crisis. FABRIC[ated] provides a fresh look at the historically intertwined relationships between textiles and architecture to open new design and fabrication strategies, digital methods, material efficiencies, and collaborative models to address pressing issues in our built and natural environments.' - Jenny E. Sabin, Arthur L. and Isabel B. Wiesenberger Professor in Architecture and Associate Dean for Design; Director, Sabin Lab; Department of Architecture / AAP, Cornell University; Principal, Jenny Sabin Studio; President, ACADIA'FABRIC[ated] is a surprising and stimulating compilation of thoughts and experiences that vindicate the transcendence and possibilities of fabric and membranes in the future of architecture and society. A first part develops the theoretical framework underlying the academic and professional experiences that are presented in the second part, so that the case studies do not appear as a miscellany of remarkable curiosities, but rather as contributions to interdisciplinary, sustainable and digitalized innovations engaged with people to contribute to a positive society.' - Josep I. de Llorens Duran, Senior Professor, School of Architecture, Barcelona, Author: Fabric Structures in Architecture'If architecture is to be understood as a third skin, as has been described, then a closer relationship between building and clothing—the so-called second skin—is in order. In Fabric[ated], Tolya Stonorov assesses the expansive capacities of textiles in architecture. Through invited essays, case studies, interviews, and documented experiments, she constructs a broad and compelling depiction of fabric innovation in the designed environment. As we scrutinize many aspects of construction and resource use today, FABRIC[ated] reveals how buildings can be more flexible, interactive, and imaginative—and embody a smaller footprint.' - Blaine Brownell, FAIA LEED AP, Professor and Director, Ravin School of Architecture, University of North Carolina at Charlotte'There is a revolution happening in architectural materials. Not many years ago, there were five groups that covered the field: metal, wood, masonry, concrete and glass. Now new options such as printed ceramics and engineered wood have been increasing the opportunities of built solutions. Tolya Stonorov’s new publication, FABRIC[ated], thoroughly introduces and explores the history and exciting possibilities of fabric, a material that offers a wide range of spatial solutions. Importantly these go beyond form-making to consider potential positive impacts of social justice and sustainability at a time when these are greatly needed.' - Bryan Bell, Executive Director, Design Corps, Professor, NC State University, Co-Founder, SEED NetworkTable of Contents1. Introduction 2. The Philosophy of Fabric Innovation in Architecture 3. Digital Fabrication and Fabric Innovation 4. The Sustainability of Tensile Structures 5. The Art and Science of Fabric Forming; 6 Case Studies: VEILING: Gender, Fabric and Woven Structures A. Seaming: The Fabrication of Keswa, B. Translation: Female Garment to Architecture Studio C. Pipeline Resistance and Feminist Spatial Practice D. GEO|TEXTILES: Weaving Restoration Ecology and Cultural Narratives E. Weaving a Home F. Communal Architecture: A More Finely Calibrated Set of Relationships 7. Case Studies: COMPRESSION: Fabric Formed Concrete and Dense Applications A. Spacer Fabric Pavilion - Advanced 3D Textile Applications in Architecture B. Lightweight cable-net and fabric formwork system for the HiLo unit at NEST C. The Flexible Way D. Joseph Sarafian and Ron Culver, Form-Finding the MARS Pavilion, USA 8. Case Studies: TENSION: Tensile Structures and Inflatables A. Fabric[ating] Act[ivat]ion B. Hollygrove Shade-Water Pavilion C. AirDraft D. PATCHWORKS: A Report from Three Fabricated Futures 9. Conclusion

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Book SynopsisUnderstanding of polymer interactions is important for effective processing of plastics and their blends, mixing with nanoparticles, and understanding of their mechanical and physical (e.g., electrical) properties. This book describes a new physics of interactions in polymers that challenges existing theories, and explains the concept of entanglement in a very different way.Rheology is formulated with different parameters defi ning the physics of dual-phase and cross-dual-phase. The rubbery behavior of thermoplastics is explained quite differently to conventional theory.Rheo-fluidification experiments which are applicable to industry (injection molding, extrusion, sheet forming, etc.) are described and analyzed, including molding under conditions of reduced viscosity (up to several hundred percent). The application of this theory to industry has already been proven by a number of successful derived inventions.

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Book SynopsisWhat could be cuter than a woolly pompom creature? With Sachiyo Ishii's ridiculously loveable pocket-size creations, you have all the ingredients of a fabulous, fun book! There are 34 imaginative designs for animals, birds, sea creatures, bees and other insects accompanied by clear, step-by step instructions. With sections on materials, tools and basic techniques, you have all you need to get you started. Learn how to make the pompoms, attach them to each other and needle felt on features such as faces, ears, arms and legs - adding the features is where their characters really come to life! All the pompoms can be made from scraps of yarn in your stash and each design uses only small amounts. You can be up-to-the-minute with plastic pompom makers or keep it traditional with the cardboard ring technique. Sachiyo's delightful designs include a ladybird, a fox, a hummingbird, a hamster, a dolphin and a hedgehog. With beautiful photographs to show off these charming pompom creations, this is sure to delight young and old alike.Trade ReviewThis little book is fantastic. The instructions are very clear and easy to follow with words and pictures. I absolutely LOVE this little book. It is a must have and I would thoroughly recommend it to everyone. -- Mabel Newman * Customer review *This book comes with easy to follow instructions and really nice illustrations for each of the 35 creatures. The introduction carefully explains how to make the pompoms using different things, and also explains the needle felting process needed to add the features to your creations. It also tells all the items needed for the projects. A good book for both the beginner and those with experience. -- Mrs Lynne Harvey * Customer Review *This book comes with easy to follow instructions and really nice illustrations for each of the 35 creatures. The introduction carefully explains how to make the pompoms using different things, and also explains the needle felting process needed to add the features to your creations. It also tells all the items needed for the projects. A good book for both the beginner and those with experience. -- Lynne Harvey * Customer review *This book is fantastic. Easy to follow instructions to make cute little pets for everyone and anyone. I'm particularly in love with the hamster. -- Pam Hockin * Customer review *This book is great! It has very clear instructions on how to make the pompoms, and explains how to do it with different types of pompom makers. There are diagrams which clearly show how to put the wool onto the pompom maker to get the correct colour layering to create the animals, and there are little templates to show how to make ears, etc. You will need a felting needle and a couple of other felting bits to create facial features, etc, which is a new skill for me, but I am sure with a bit of creativity it would be possible to make the faces in a different way if felting felt a bit daunting, although again, very easy to follow pictures of how to create the face bits to finish off the lovely animals. Also, this is a great was to stash bust all those little left over ends of wool. With a baby on the way, I plan on making a baby mobile of little pompom animals to hang over the cot, but I am sure that younger children right through to adults would love to have a go at making these little animals. -- Lizzie Copeland * Customer review *What could be cuter than a pompom critter? A pocket-sized one, of course! Master crafter Sachiyo Ishii's irresistible collection of animals, birds, and insects will have you squealing with delight. Newbies to yarn crafts needn't fear, as there are comprehensive guides to materials, tools and techniques, including the needle-felted finishing touches. -- Make & Sew Toys * Make & Sew Toys *Pompoms are so easy and fun to make, not to mention a great way to use up your yarn stash. Choose from 35 cute pompom creatures to make, including a ladybird, fox, hummingbird, hamster, dolphin and a hedgehog, with clear, step-by-step instructions to guide you. * Crafts Beautiful *Yesterday I had the luxury of a train journey by myself and I knew exactly what I wanted to read! A few weeks ago I was gifted a copy of 35 cute pompom animals, birds, sea creatures and insects to make. I had a quick look through and couldn’t wait to try making something from one of the tutorials. Pocket Pompoms: 35 cute little woolly creatures to make Before my journey I made sure to flick through the projects and pack some basic equipment. I’ve made a few pom poms before using cardboard (the old fashioned way!) as well as a Clover pom pom maker. The book contains 35 designs for animals, birds, sea creatures, bees and other insects accompanied by clear, step-by-step instructions. With Halloween coming up I decided to make the spider, so picked up my pom pom maker, wool and scissors. I couldn’t find any black wool so substituted brown wool and picked up a small scrap of white for the eyes. I read through the Introduction and Techniques before starting. The pom pom maker was easy to use and it didn’t take long to make the spider. I removed it from the maker and gave it a little trim. Unfortunately I didn’t have any beads for eyes, nor wire for legs so I used black straws instead! My children thought it was hilarious! The book is really lovely and I love the idea of making a whole menagerie of animals with wool and a little imagination. With sections on materials, tools and basic techniques, you have all you need to get you started. Learn how to make the pompoms, attach them to each other and needle felt on features such as faces, ears, arms and legs adding the features is where their characters really come to life! All the pompoms can be made from scraps of yarn in your stash and each design uses only small amounts. Pocket Pompoms: 35 cute little woolly creatures to make by Sachiyo Ishii is published by Search Press. -- Jenny Kearney * The GingerBread House *Table of ContentsTools & Materials Techniques Monkey: step by step Dog: step by step The Projects: Fox Owl Brown bear Cat Lovebirds Teddy bear Bunny Hedgehog Koala Mouse Seal pup Pufferfish Hamster Spider Robin Sheep Panda Chicken & chicks Lion Bumblebee Ladybird Caterpillar Turtle Squirrel Dolphin Pig Duck & ducklings Hummingbird Snail Toucan Crab & hermit crab Ostrich Templates

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Book SynopsisThis book provides an invaluable update on the science and technology of plant fibre and its growing importance as a source material. The book presents a basic and clear understanding of the most advanced developments of a wide range of functional plant fibre materials. The development and utilisation of plant fibre resources are considered to be one of the strategies with most potential for reducing consumption of petrochemicals, whether for direct use to produce energy in place of oil, coal and gas, and chemicals or to develop new materials. The ready supply and low cost of these 'green' products and processes provide endless opportunities. The book considers structure, processing, properties, and applications with a comprehensive examination and discussion of the structure, chemistry and behaviour of plant fibre. This is followed by basic information and a thorough understanding of functional materials directly derived from plant fibres, mainly including nanocellulose, physically and chemically treated plant fibre, cellulose film, cellulose textile, cellulose detection materials, and nanocellulose aerogel. The processing, property and application of functional plant fibre composites is then considered, including nanocellulose composite, plant fibre/natural resin composite, wood plastic composites and long fibre composites.Table of ContentsIntroduction: a perspective of plant fibre and its advanced products; The structure of plant fibres; The cemistry of plant fibres; Plant fibre: its behaviour; Nanocellulose: The next world-changing super material; The interface and bonding mechanisms of plant fibre composites; Functional (nano)cellulose film; Cellulose-based textile materials; Cellulose-based functional detection materials; Nanocellulose-based aerogels; Nanocellulose-based composites; Bioresin-natural fibre composites; Wood plastic composites; Long fibre strong composites; Index

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Trade Review"The Handbook of Properties of Textile and Technical Fibres provides a thorough and authoritative overview of the properties of a wide range of natural and synthetic fibres." --Asian DyerTable of Contents1. Introduction to the science of fibers 2. Testing and characterization of fibers Part One Animal fibres 3. Properties of wool 4. Physical, chemical, and tensile properties of cashmere, mohair, alpaca, and other rare animal fibers 5. Silk: fibers, films, and compositesdtypes, processing, structure, and mechanics 6. Engineering properties of spider silk Part Two Plant fibres 7. Tensile properties of cotton fibers: importance, research, and limitations 8. Tensile properties of flax fibers 9. Hemp, jute, banana, kenaf, ramie, sisal fibers Part Three Regenerated fibres 10. Regenerated cellulosic fibers 11. Structure and behavior of collagen fibers 12. The chemistry, manufacture, and tensile behavior of polyamide fibers 13. Tensile failure of polyester fibers 14. Tensile properties of polypropylene fibers 15. Polyacrylonitrile fibers 16. Tensile fatigue of thermoplastic fibers Part Four High performance reinforcing synthetic fibres 17. Liquid crystalline organic fibers and their mechanical behavior 18. The manufacture, properties, and applications of high-strength, high-modulus polyethylene fibers 19. The structure and properties of glass fibers 20. Basalt fibers 21. The properties of carbon fibers 22. Small-diameter silicon carbide fibers 23. Continuous oxide fibers 24. Fibers made by chemical vapor deposition

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