Pottery, ceramics and glass crafts Books

Book SynopsisA complete guide to fantastic special effects glazes for studio potters. From drippy and crackle to ash and lichen glazes, experienced ceramicist Linda Bloomfield guides you through the world of special effect glazes. Beautifully illustrated with pieces from both emerging and established potters that showcase stunning copper oxide-blues, metallic bronzes and manganese-pink crystal glazes, Special Effect Glazes is packed full of recipes to try out: from functional oilspot glazes using iron oxide, to explosive lava glazes. In this informative handbook discover how you can create these fantastic effects and learn the basic chemistry behind glazes in order to adjust and experiment with your unique pieces. Discussed are materials and stains, how to find them and how they affect the colour and texture of the glaze, alongside practical fixes to familiar glaze-making problems. Special Effect Glazes is essential if you are interested in creating eye-catching glazes and wanting to develop your knowledge of glaze-making, or experiment with your own formulas to achieve the perfect finish.Trade ReviewRight up there with the best of them ... Linda should be congratulated * London Potters *The knowledge of glazes is an evolutionary process ... Special Effect Glazes makes a valuable and desirable contribution to this lineage of knowledge ... I encourage you to embrace this delightful publication. -- Kevin Boyd * The Journal of Australian Ceramics *... there is a ton of information and a variety of recipes in this book [...] there are many useful clues and ideas of how to test and push the glazes in a direction that works for your studio. * The Studio Manager *Table of ContentsAcknowledgements Introduction Section 1: Glaze Principles and Application 1. Understanding Glazes 2. Glaze Materials and Minerals 3. Colouring Glazes 4. Impurities and Variation In Materials 5. Stability and Durability 6. Creating and Testing Glazes 7. Glaze Mixing and Application 8. Firing 9. Glaze ‘Defects’ Section 2: Special Effect Glazes 10. Special Effects: The Chemistry 11. Crackle Glazes 12. Ash Glazes 13. Celadon and Copper Red Glazes 14. Drippy Glazes and Chun Glazes 15. Crystalline Glazes 16. Shrink and Crawl: Lichen Glazes 17. Volcanic, Lava or Crater Glazes 18. Spotted Glazes 19. Metallic Glazes 20. Layering Glazes Conclusion References Bibliography Appendices 1. Glaze Materials UK:US Materials Substitutions 2. Orton Cone Temperatures 3. Ceramic Materials, Chemical Formula and Molecular Weight 4. Limits for Stable Glazes 5. Periodic Table of Elements 6. Materials Analysis for UK Frits, Clays and Feldspars 7. Materials Analysis for US Frits, Clays and Feldspars Suppliers Laboratories for Leach Testing of Glazes Health and Safety Index

Read more less

Book SynopsisEverything You Need to Know to Start Your Stained Glass JourneyDive in to the captivating world of stained glass with this practical handbook for beginners and beyond. Rosie Linebaugh is an expert in making modern stained glass art easy and accessible. With her encouraging advice, step-by-step tutorials, lead-free approach and full-size perforated, fold-out templates at hand, you'll never want to leave your stained-glass studio.Begin by mastering foundational skills like cutting curves for a sunlit Five-Petaled Wildflower or learning how to use zinc came for a shining Glass Spider Web. Then, discover the ways that new materials and skills can elevate your pieces, like using copper foil overlay to make intricate wings on a Buzzing Bumblebee. Finally, graduate to making complex detailed panels like the radiant Sun & Moon Dreamscape with wire work details.Not only does Rosie guide you through each phase of your journey, she also addresses the most common

Read more less

Book SynopsisCreate a collection of 23 stylish homewares with this modern guide to working with clay. Covering the oldest and most traditional ways to make pots, Handbuilt is a beginner's guide to hand building with clay – no pottery wheel required. This book will teach you the building blocks to working with clay and how to apply a professional finish to your pots including decoration, glazing and firing techniques. Learn how to create a collection of 22 stylish homeware designs using the three core techniques: coiling, pinching and slab building. Beginning with the basics to get you started, discover how to wedge clay, add texture and work with moulds, then put your new skills to the test through the projects that include coffee cups, a tea pot, vase, dinner plates, candle holders and more. Packed with stunning lifestyle photography to help inspire your own handmade journey alongside clear step-by-steps and Lilly's expert tips will lead you through the process, Handbuilt is the ultimate modern guide this popular, tactile and ancient craft.

Read more less

Book SynopsisA creative guide to making abstract mosaic designs inspired by nature, using the beauty and texture of slate and stone.The shapes, patterns and structures found in the natural world can provide a source of wonder and inspiration for mosaic artists. Mosaics do not have to be made from tiles and then grouted, but instead they can be full of texture, incorporating a whole array of materials which hold connections to nature and to particular places. The subtle beauty of stone surfaces gives the work an organic feel, creating beautiful abstract designs. Not only are these materials attractive but preparing them is an enjoyable task in itself. In this book, experienced artist Rachel Davies shares the methods she uses in her mosaic practice. Starting with tools, materials and cutting techniques, discover adhesive and substrate options, and get to know the various materials and how to use them creatively. Supported by step-by-step photos, follow a serie

Read more less

Book SynopsisA fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece’s design, and you are creating nerikomi. There are many techniques – stacking, stretching, slicing – but with nerikomi, the decoration is built and fired into the work’s very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: – A brief history of the origins and international styles of colored clay – A section dedicated to the most honored Japanese Masters of nerikomi – Stunning examples of work from the world’s leading experts – Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.Table of ContentsPreface A Colorful History Early Chinese and Korean Colored Clay Ceramics Agateware Twentieth-century Japan Japanese Masters Matsui Kosei – Ito Sekisui V – Ogata Kamio – Kondo Takahiro – Nishi Koichi The Nerikomi Technique: One Artist's Approach Colored Clay Worldwide Hans Munck Andersen – Janny Baek – Curtis Benzle – Angela Burkhardt-Guallini – Mandy Cheng – Ben Davies – Mieke Everaet – Dorothy Feibleman – Barbara Gittings – Robert Hessler – Cody Hoyt – Narumi Ii – Francoise Joris – Maria ten Kortenaar – Judy McKenzie – Anne Mossman – Aya Murata – Jongjin Park – David Pottinger – Kanako Sahashi – Lorraine Shemesh – Tsuneharu Tanaka – Larissa Warren – Dorothee Wenz – Lotte Westphael – Henk Wolvers Conclusion Acknowledgments Bibliography Glossary Thomas Hoadley: Resume and Publications Index

Read more less

Book SynopsisA comprehensive introduction to the use of additions in clay bodies, from stones and glass to fibre, metals and colour. Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen advises you on a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice. Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world. Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for anyone wishing to expand their practice.Trade ReviewStanden was a science teacher in her earlier career. This gives her the perfect background to pen a book of this nature. Her experience is evident in the text which has a clear and comprehensive voice in the step-by-step instructions on how to implement the techniques... Standen uses a warm narrative that softens the technical writing of the book. -- Tina Darb O'Sullivan * Irish Examiner *A very practical book for ideas with which to spend many hours in the workshop. -- Wladimir Vivas * InfoCeramica *The clay used at Aylesford Pottery comes prepared for use. But that can be just the starting point. Too often students are concentrating on how to make shapes and decorate them. This book takes you to a new experimental level by encouraging you to think about the actual texture of the clay itself. And what a revelation that can be. This book will take your creativity to a whole new level. -- Billy Byles, Aylesford Pottery * Aylesford School of Ceramics Newsletter *Table of ContentsAcknowledgements Introduction 1. Clays 2. Hard materials 3. Combustible materials 4. Impressions, imprints and dipping 5. Fibres 6. Metal 7. Colour Glossary Suppliers Bibliography Index

Read more less

Book SynopsisHow to make angels, candleholders, suncatchers, mirrors, picture frames, garden ornaments and more beautiful stained glass projects from easy to more complex.

Read more less

Book SynopsisThe ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material’s best use, so the authors’ tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay’s characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.Trade ReviewThis beautifully illustrated guide is the ideal starting point for those wanting to forge a closer bond between their art and their natural surroundings. * Ceramics Now *Finding your own clay—especially for use as a glaze material or to augment a commercial clay body—is increasingly popular and this book is a guide to finding, testing, and using wild clay. * The Studio Manager *A fascinating guide to finding your own clay and creating your own glazes. Billed as ideal starting point for novices, experts, and everyone in between, this is an excellent addition to the experienced ceramicist’s library, but also to those new to the art. * Book Riot *Table of ContentsForeword: Wild Clay Introduction: Why Wild Clay? 1. A Personal Journey Through Wild Clay 2. Soil Ecology and Geology 3. Finding Clay 4. Processing and Testing Wild Clay 5. Making Clay Bodies 6. Glazes, Slips, and Alternative Practices 7. Artist Spotlights Bibliography Glossary of Terms Index

Read more less

Book Synopsis**Named a "Best of Ceramic Books" by Book Riot**Old, broken objects can become more beautiful than ever!The thought of throwing away a cherished dish or mug can be heartbreaking. If you've ever wanted to repair a treasured piece rather than tossing it in the trash—but didn't know how—the traditional Japanese art of Kintsugi ("gold repair") offers the perfect solution!A Beginner's Guide to Kintsugi teaches you the traditional Japanese techniques of pottery and glass repair based on the ancient Wabi Sabi idea that imperfections are beautiful, and visible repairs are part of the "life story" of an object.Author Michihiro Hori provides simple, safe, and inexpensive methods that you can do at home using tools and materials that are readily available online. Hori guides you through the entire process—from assembling and mixing the materials to reconstructing replacements for hopelessly shattered shards.With this book, you'll learn how to: Reinforce cracks, rebuild shattered areas, and apply the time-honored staple technique Fix broken handles so they are fully functional again Safely work with lacquer and metallic powders to achieve beautiful, visible repairs Work with a variety of repair materials from gold leaf to washi paper Repair pottery and glass using traditional techniques for stunning results As you take the time to prepare your materials and work closely with the pieces, you'll find yourself becoming attuned to the mindful philosophy at the heart of Kintsugi and the Wabi Sabi principle of appreciating old and imperfect objects. Most of all, the meditative process of Kintsugi will help you look at broken objects in a new way.Trade Review"Based on the concept of wabi-sabi (or the beauty of imperfection), kintsugi is the Japanese art of fixing broken pottery. Author, craftsman, and manga artist Michihiro Hori offers guidance on repairing handles, reinforcing cracks, and using lacquer and metallic powders." —Library Journal"One of the first things a new ceramicist learns is that ceramics break, and break often. Kintsugi is the famed Japanese art of repairing pottery with gold to make a broken thing both whole and more precious than the original." —Book Riot

Read more less

Book SynopsisThe essential studio companion for any potter with a broad range of glaze recipes and clay bodies. The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also introduces you to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults and includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based on meticulously recorded tests and research from a large assortment of established ceramic artists, this book is a must-have resource if you wish to experiment or expand your glazes and clay bodies.Trade ReviewThis is a book which I know I'm going to use. Her satin glazes are particularly appealing, and there are sections on the more experimental aspects ... I feel inspired by this book and I hope others will too. -- Mary Cousins * Shards *If there is a classic among the publications on ceramic techniques, it is undoubtedly this recipe book -- Wladimir Vivas * Infoceramica (Bloomsbury translation) *Table of ContentsIntroduction Glaze materials Glaze temperatures Mixing and applying glazes Adjusting glazes and correcting glaze faults Low-fire glaze recipes Mid-fire glaze recipes High-fire glaze recipes Special glaze recipes Clay body recipes Appendices

Read more less

Book SynopsisA beginner friendly guide to making stained glass art using the most popular and accessible method, copper foil. The traditional art form of stained glass has become extremely popular again and this collection has everything you need to know to get started on this exciting craft.

Read more less

Book SynopsisAn introduction to all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. All glass makers - unless they are blowing glass - need moulds which can go in the kiln, as part of the process of creating new pieces. This book is your complete and essential reference to all mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. Mould Making for Glass helps you to find out which methods are appropriate for different types of work, and covers all the basics of how to make your mould. Discover practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. Finally, learn where to start with writing programmes for kiln firings including annealing and cooling and explore the work of well-known artists working in cast glass through beautiful photographs.Trade ReviewA solid introduction to, and a survey of, the subject it covers * Art Book Review *Table of ContentsIntroduction 1. Kiln-casting Glass 2. What is Refractory Mould-making? 3. Understanding Ingredients 4. Types of Glass 5. Model and Master Mould-making 6. Mould-making Methods 7. Handbuilding 8. Core Casting 9. Mould-drying, Kiln-packing and Firing 10. List of Mould-mix Recipes 11. Developing Your Own Recipes and Methods 12. Fusing, Slumping and Pâte de Verre 13. Surfaces and Finishes 14. Recycling Further Reading Glossary Suppliers Index

Read more less

Book SynopsisQuite simply, everything you need to know about glazes. Glazes for the Contemporary Maker is an essential guide for all ceramic artists and potters looking to expand their knowledge and gain confidence in this dynamic area of ceramics practice. The book provides a holistic approach and serves as an introduction to glaze chemistry, materials knowledge and methods of application via detailed step-by-step guidance and informative text. Packed with over 200 illustrated glaze recipes, it is an indispensable reference, which covers everything from shiny, opaque, matt, crystalline to special effect glazes that span across the temperature ranges. Supported by impressive examples of work by leading practitioners, this book provides inspiration and a source of practical tips and advice, allowing you to learn and initiate your own creative path through this exciting subject.Trade ReviewAll ceramic makers are looking to expand their knowledge of glaze practice. The book gives a holistic approach and serves as an introduction to glaze chemistry, materials knowledge and methods of application via detailed step-by-step guidance. You will find many examples of work by leading practitioners, providing practical tips and advice. The focus of the book is to help demystify the many different aspects of glaze practice. It contains work by many leading makers working today, such as Anna Barlow, Tessa Eastman, Tanya Gomez and Anna Silverton – Packed with over 200 illustrated glaze recipes. It covers everything from shiny, opaque, matt, crystalline to special effect glazes. This is a must-reference book! -- Paul Bailey, Emerging Potters Magazine Oct-Dec 23 * Emerging Potters Magazine Oct-Dec 23 *

Read more less

Book SynopsisAn essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.Trade ReviewReviewing this book was a delight . . . A pleasure to read, beginning with a brief but engaging history of this amazing material, right back to the first proto-porcelains of 1700-1027 BC . . . [and featuring] an articulate analysis of the chemical constituents of porcelain . . . [and] a simple analysis of how the different components contribute to the workability of this material. ... The author's tips on taming the temperamental beauty generously proliferate throughout the book. Vivienne is so obviously 'in tune' with her material. ... Beautifully illustrated throughout . . . A 'must read' for all those who have an interest in working with porcelain, from student through to knowledge-seeking, established practitioner -- Liz Lawrence * Shards, South Wales Potters Newsletter *Table of ContentsIntroduction Acknowledgements 1. A Brief History of Porcelain 2. What is Porcelain? 3. Producing a Workable Porcelain Body 4. Working with Porcelain 5. Forming and Finishing Porcelain 6. Glazes for Porcelain 7. Firing Porcelain 8. Faults and their Remedies Where to See Historic and Contemporary Porcelain Bibliography Featured Artists Main Suppliers Orton Cone Charts Index

Read more less

Book SynopsisA highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.Trade ReviewThis book is a go to book for the art of creating tableware. Not only is it beautifully illustrated with wonderful examples of work. It explains in simple easy to understand terms of how to get started. The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader. * Keith Brymer Jones, Master Potter and judge on 'The Great Pottery Throw Down' *Owning the book is like having a master craftsman in your studio. * Anthony Quinn, Course Leader BA Ceramic Design at Central Saint Martins *visually appealing… This is best suited for experienced ceramicists looking to elevate their craft. * Publishers Weekly *This is a book to inspire anyone to enter a studio, get hands on and create their own stylish wares for the table. * The Arts Society Magazine *This step-by-step guide is a great source of inspiration for those wanting to further their tableware ambitions. * Ceramic Review *Call this the apex of simplicity. Pryke and Bloomfield, commercial potters who design for powerhouses like IKEA, join forces to explain the how-tos of contemporary tableware… Color photographs showcase not only step-by-step details but also an incredible range of professional ceramics in the authors' understated aesthetic. * Booklist *Packed full of inspiration for those wishing to further their tableware ambitions, the book provides ideas for potters at any level of practice. * London Potters Magazine *A useful one-stop guide to the end to end process of making tableware. * Scottish Potters *This book is beautifully produced and superbly illustrated * Anglian Potters Magazine *Table of ContentsIntroduction Inspiration Design: How to Make a Coherent Tableware Collection Materials: Types of Clay Clay Preparation and Recycling Health and Safety Making Methods Glazing Firing Finishing Conclusion

Read more less

Book Synopsis

Read more less

Book SynopsisThe ultimate guide to understanding and creating dry glazes. This book covers everything you need to know to understand and create dry glazes. Dry glazes are used by many potters - Lucie Rie and Hans Coper are well-known examples - and often by ceramicists creating sculpture, where a shiny glaze is not appropriate. Learn all about slips and engobes, oxides and stains, matt glazes and low alumina surfaces, textured and pitted glazes as well as what makes up dry glazes and how to create them. The book is beautifully illustrated with famous artists' work, as well as many test tiles of examples of dry glazes with their corresponding recipes, making it a valuable resource for ceramicists working in this area or anyone curious to explore the medium.Trade Reviewthere is much here for the glaze enthusiast * Ceramic Review, January/February 2010 *This book covers everything you need to know to create a range of glazes * London Potters, February/March 2010 *Table of ContentsAcknowledgements Introduction 1. What makes a dry glaze dry? 2. Health and safety 3. Developing the surface and visual texture 4. Slips and engobes 5. Alkaline glazes: rich in sodium, potassium and lithium 6. Boron, lead and zinc matts 7. Calcium and magnesium matts 8. Barium and strontium matts 9. Special effects glazes 10. Colouring oxides and raku-fired matts References Bibliography Glossary List of suppliers Index

Read more less

Book SynopsisAn indispensable compendium of technical know-how and troubleshooting tips Just like having a mosaic tutor on call 24 hours a day-this book is packed with handy, time-saving tips and technical knowledge to improve your skills, speed up the learning process, and give your unique mosaics a professional finish. Easy-to-follow step-by-step techniques, photography, and illustrations. Handy, professional quick fixes and solutions for commonly encountered problems. Advice on what to buy and how to use the tools and materials-from ceramic tiles to pebbles, shells, and beads. Tips on design: finding ideas, drawing outlines, order of work, and adding eye-catching details.Trade ReviewOct 12 A great book for anyone wishing to know more about mosaic. It literally covers everything and has lot of inspiring techniques and projects to try. It's a new book too, only came out in August and I have to say I am impressed with it! I have learned something every time I have had a read through. It is easy to follow and well laid out. I think it will be a book that will be on my shelves for a long time as it covers everything for beginners and experienced mosaic artists a like. It is full of useful information and I highly recommend it if you have an interest in this craft.-spansstudio.co.uk * makeandcraft.com *Table of Contents* An indispensable mosaic compendium, packed with everything you need to know * Clear, step-by-step techniques are accompanied by useful illustrations and photographs * Includes handy tips, technical advice, inspiration and ideas

Read more less

Book Synopsis

Read more less

Book SynopsisAccording to Ceramics Monthly, approximately 75 per cent of potters glaze their pieces at mid-range temperatures. This is a complete studio guide to successful glazing at mid-range temperature. It explores all the fundamental techniques, as well as offering artisan tips for specialist glazing.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisA gorgeous full-colour coffee table book celebrating the art of one of BC's finest potters, My Life as a Potter recounts Mary Fox's long journey to the peak of her craft. Part memoir, part coming-of-age story and part handbook for ceramicists, Fox's narrative expresses the passion she feels for her work and the joy she has found in living the life of a studio potter.A potter since the early 1970s, Fox is recognized for creating exquisite forms and distinctive textured glazes. She has shown her works internationally and at galleries across Canada. In this book she shares her plans to leave behind a legacy of support and mentorship for young artists, in the form of an artist-in-residence program steered by the Mary Fox Legacy Project Society. Royalties from this book will benefit the project.Readers with an interest in the technical aspect of Fox's work will especially appreciate the richly illustrated chapters on technique and artistic process. This book is for anyone who has ever been curious about the life of a professional potter, anyone hoping to become a potter themselves and anyone who believes that art has the power to guide us through life's myriad challenges and hardships.

Read more less

Book SynopsisFeaturing detailed guides to key tools and techniques from talented expert sculptors, the Beginner's Guide to Sculpting Characters in Clay is vital reading for anyone wanting to explore clay sculpture. Learn which tools are best suited to your needs and how to use them effectively, explore diverse materials and pick up helpful tips from leading professional sculptors as you start your journey into clay sculpture. With meticulous tutorials, a handy glossary of sculpting terms, and copious amounts of inspiration, the Beginner's Guide to Sculpting Characters in Clay is an excellent resource for anyone wanting to try their hand at creating incredible 3D characters.

Read more less

Book SynopsisFrom Clay to Kiln is a must-have guide for anyone working with ceramics, from absolute beginners, weekend crafters and students, through to practising ceramicists. In this book, Stuart Carey invigorates and encourages you through all stages of the pottery process. Covering all the information you need about tools and materials, he takes you through preparation and hand building, throwing and finishing your vessel, to glazing and firing. You will gain an in-depth knowledge of how clay works and how to apply your skills to the wheel and beyond. With simple step-by-step tutorials, clear visuals and Stuart’s helpful hints and tips, you can jump straight in with confidence and create a piece of pottery that marries beauty, form and function. Including stunningly beautiful photography throughout, this is a book to inspire.Trade ReviewI’m very new to pottery, and have found it a relaxing and rewarding pastime. I haven’t braved the wheel yet and I found glazing to be a frustrating process. This book has really helped me understand the processes and has made me feel much more comfortable in trying out more processes. It’s clearly set out and has great photos, I’m ready to try that wheel now! Would highly recommend. -- Jane Mackenzie * Customer review *My mum loved this, being an ex-pottery teacher, she loved how simple and easy it was to follow. The pictures she thought were glorious, this book bought us back a lot of good memories and now we have a hard copy to treasure... Perfect book thank you. -- Vivian Allman-Neal * Customer review *Haven't done any ceramics before but this book has given me the encouragement and confidence to have a go. The pictures are great and explain things easily, especially for a visual learner. The text is equally as good. Each chapter moves you slowly from task to task, to end up with a completely finished piece of work. The glossary at the back is useful as is the fault-finding section. -- Jan Hudson * Customer review *Table of ContentsMeet Stuart 6 Chapter 1: Preparing and Hand Building 8 Meet the Materials 10 Wedging 12 Weighing and Balling 18 Hand Building 20 Chapter 2: Throwing 36 Body Position 38 Glossary of Hand Positions 40 Tools 46 Using a Bat 50 Planning a Project 52 Centering 54 Cylinder 58 Bowl 72 Plate 84 Chapter 3: Finishing your Vessel 90 Turning 92 Finishes 104 Handles 106 Chapter 4: Decoration: Glazing and Firing 120 Surface Finishes 122 Colour 128 Glaze and Glaze Making 130 Mixing and Sieving 136 Application 140 Firing 144 Faults and Flaws 148 Glossary 154 Index 157 Credits 160

Read more less

Book SynopsisLearn how to use an electric kiln to attain the natural earthy colors and spontaneous patterns of alternative firing methods.Trade Review“Guides the reader to generate sought-after atmospheric effects with the most accessible type of kiln. This book is a must-have for those looking to push past perceived limitations and expand their surface possibilities in electric firing.” -- Martina Lantin, Associate Professor of Ceramics, Alberta University of the Arts“Excellent . . . the author describes step by step, with thoughtful advice and many photos, how to obtain the effects that normally are reserved for raku or pit firings . . . An invitation to experiment in complete confidence.” -- Ceramics and Glass Journal (La Revue de la Ceramique et du Verre)“Numerous beautiful sample photos . . . detailed and very clear . . . a source of inspiration . . . Highly recommended.” -- Klei Keramiek magazine“A carefully researched book documenting a unique pottery firing method. The text and accompanying photography is informative and excellently executed.” -- Jeff Zamek, founder, Ceramics Consulting Services, author of The Ceramics Studio Guide: What Potters Should Know“Taking the ‘fear’ out of the atmosphere, [this] is an accessible how to guide for small scale studios looking for various combustible results within the controlled environment of electric kilns.” -- Ian McDonald, Artist-in-Residence and Area Head of Ceramics, Cranbrook Academy of ArtTable of ContentsIntroduction What Is Saggar Firing? Trying to understand the process — my 2016 jar project About this book Environmental and health issues 1. Making the saggar 2. Requirements your work must meet 2.1 Clay type and surface of the work 2.2 Using terra sigillata 2.3 Bisque firing temperatures 2.4 Glazing your work beforehand 3. Materials that give color to your work 3.1 Natural colorants 3.2 Metals 3.3 Oxides and carbonates 4. Attaching the coloring materials to your work 4.1 Natural colorants 4.2 Metals 4.3 Oxides and carbonates Results | before and after saggar firing 5. Loading and firing the saggar 5.1 Combustible materials 5.2 Loading the saggar 5.3 The amount of oxygen: reduction and oxidation 5.4 Firing the saggar 5.5 Results and finishing 6. Experimenting: looking for new possibilities 6.1 Experimenting with different types of saggars 6.2 Experimenting with clay and terra sigillata 6.3 Experimenting with combustible materials 6.4 Experimenting with coloring materials 6.5 Experimenting with firing methods 6.6 Experimenting with the finish 7. Something went wrong Gallery of work by workshop participants Conclusion Clays Glossary Media Acknowledgments

Read more less

Book SynopsisImprove your firings and become a better potter with this must-have notebook. Kara Leigh Ford, author of Pottery for Beginners, has created the ultimate studio tool so you can keep track of all the variables that go into creating masterful pottery. This all-in-one resource includes fill-in templates for sketching your designs, writing your glaze recipes and recording more than 100 kiln firings. You'll also find a quick refresh on important information for firing your kiln accurately, such as how to use and read cones, how to maximize the efficiency of your kiln and quick-reference guides for cone temperatures and kiln schedules.With this notebook by your side, you'll have everything you need in one convenient place to become more confident and in control of your kiln.

Read more less

Book SynopsisSculpting the human face presents a unique artistic challenge. This richly illustrated guide thoroughly demystifies the process. It goes step-by-step, explaining everything from creating basic, rough outlines to surface refinements to finely detailed replicas, accompanied by photographs and sketches.

Read more less

Book SynopsisCreate your own magical artefacts with this official craft book of projects from the Harry Potter films!From your very own Hogwarts acceptance letter to a golden snitch and a pop-up Goblet of Fire, this official book of craft projects from the Harry Potter films covers a whole range of magical artefacts that fans know and love. With five levels of difficult rating, and detailed instructions and step-by-step photographs for each project, you will soon be able to create an elder wand, a crystal ball, a time-turner and more! Organised into chapters, the book covers the journey to Hogwarts, recognisable books and potions from the classroom, magical objects from sports clubs and competitions, and of course, the dangerous restricted section of the library!This it the perfect book for Harry Potter fans looking to immerse themselves in the Wizarding World.

Read more less

Book SynopsisThis book deals with ceramic work that does not have a glaze, but instead is finished by other methods such as Burnishing, terra sigillata, engobes, oxide washes, laminating, smoke firing and other methods. The book will look briefly at the historical uses of alternative methods of decorating/finishing work, but essentially will give a chapter to each method, looking at techniques and more importantly the work of specific artists in each field. It will be well-illustrated and a much needed manual on this subject.

Read more less

Book SynopsisThe use of wax, paper, clay and other materials to prevent the effects of heat, fire, smoke, chemical reactions, colours and glazes from altering or contaminating the surfaces of work is very popular with ceramicists. However, learning to use these techniques can be a long and frustrating process, particularly when complicated by considerations of the state of the clay and which form of glazing is to be used. In this book, Peter Beard discusses the techniques of masking and resist and gives guidance as to how best to use various materials and firing method to achieve a wide range of finishes.Table of Contents1. History and overview of resists and masking 2. Water-based waxes 3. Oil-based waxes 4. Latex wax or latex rubber solutions 5. Spraying - ordinary and airbrush 6. Paper and adhesive tapes, papers and films 7. Exercises in using slips and resists 8. Colloidal slips 9. Acid etching 10. Lustre techniques 11. Masking resists and smoke 12. Grit blasting 13. Recipes

Read more less

Book SynopsisFully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes. Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources. Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots. This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.Trade ReviewThe most useful and definitive guide to the various uses of wood ashes in glaze application. -- Mike Dodd, internationally acclaimed potterPotters, young and old, will delight in the updates, and our continuing experiments and revelations will be fitting tributes to all that Phil and Hajeong have contributed to our field. -- Mark Hewitt, author of 'The Potter's Eye'For those seeking a single reference work which both introduces the topic but also gives you the tools, knowledge and encouragement to experiment in your own environment this is undoubtedly the definitive choice. * Westcountry Potters *Table of ContentsIntroduction Preface to the Third Edition Foreword Author Preface A Brief History of Wood Ash Glazes The Growing Plant What is Wood Ash? Collecting and Preparing Wood Ash What are Glazes and How do they Work? Making Glazes Ash-like Glazes without Ash Potters' profiles Katherine Pleydell-Bouverie Terry Bell-Hughes Mike Dodd Lis Ehrenreich John Jelfs Dick Lehman Jim Malone Eric James Mellon Jim Robison John Thies Tom Turner Phil Rogers Showcase Ash Glaze Recipes Ash Analyses & Molecular Weights Glossary Bibliography Index Afterword

Read more less

Book SynopsisThis broad approach to slab work shows a wide variety of building methods and highlights the work of high-profile ceramic artists. Slabs can be used to make a variety of forms ranging from the most basic to the more complex. The book covers many building methods using a varied range of pots and sculptures, demonstrated through step-by-step images. With fantastic images of finished work from high-profile ceramic artists for inspiration, you are also encouraged to experiment and find the methods that are most suited to you. Slab Techniques covers all the basics, such as making your slabs and joining well, simple building methods, use of supports, creating textures, decorating with slips and ways to avoid problems during the firing stage. The handbook also looks at innovative and original approaches, as well as building large-scale pieces and the potential issues associated with them. This book is an essential addition to the bookshelves of students and professional ceramicists.Table of ContentsDedication & Acknowledgements Introduction 1. The Clay 2. Making the Slab 3. Construction Techniques 4. Textures, Impressions, Mark-making, Colour 5. The Importance of Detail 6. Going Larger 7. Applying the Glaze 8. Drying and Firing Bibliography Glossary of Terms List of Suppliers Index

Read more less

Book SynopsisAn essential resource for ceramicists, studios or schools looking for inspiration to reclaim, reuse and recycle in their studio or work. Producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible is now more important than ever. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present you with a range of practical possibilities. This book presents you all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle your waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of your ceramic art, and draws on interviews and examples by practitioners who reclaim, reuse and recycle in their studio or work.Trade ReviewArtists are increasingly interested in producing work which is not only beautiful but also environmentally friendly. The book covers over four decades of making and a wealth of experiences. -- Billy Byles * Aylesford School of Ceramics *Robert Harrison, sets out to convince the reader to do something positive. And he does it well ... I found the book fascinating. I would encourage all potters to read it. Either buy the book or borrow mine; I've read my copy and I daren't let it end up as landfill. -- Frank Hamer * Shards *Table of ContentsForeword by Janet Mansfield Introduction 1. Your carbon footprint 2. Sustainable ceramic practices for the maker 3. Ceramic artists working sustainably 4. Working with industry 5. Sustainable endeavours: education and networks 6. Journal leaders: personal approaches Practical advice – top tips Websites Bibliography Index

Read more less

Book SynopsisDiscover a world of creative and colourful jewellery making from the comfort of home. In this comprehensive guide to modern polymer clay techniques, artist and designer Heidi Helyard reveals the simple techniques that can be used to create 20 contemporary jewellery pieces with minimal tools and equipment. Just make, bake and wear!Table of ContentsINTRODUCTION 4 THE BASICS 6 Clay Basics 8 Jewellery Basics 18 Design Basics 22 TECHNIQUES AND PROJECTS 26 Using Cutters 28 Colour Block Earrings 30 Slab Making 34 Monochrome Jewellery Set 38 Pattern Clash Mini Collection 42 Stitched Trinket Dish 48 Torn Clay Trinket Dishes 52 Cane Making 56 Star Cane Cluster Collection 60 3D Cane Slab Earrings 64 Translucent Opals Jewellery Set 68 Surface Embellishments 72 Textured Metals Multi-Component Earrings 74 Stamped Chalk Pastel Earrings 78 Stitched Rainbow Wall Hanging 82 Metallic Outlines Pendant 86 Mica Shift 90 3D Droplet Pendant 92 Mokume Gane 96 Twisted Tube Bead Pendant 100 Clay Paint 106 Mermaid Scales Jewellery Set 108 Clay Inlay 112 Black Inlay Earrings and Pendant 114 Silkscreen Printing 118 Multi-Print Pendant 120 Utilising Scrap Clay 124 Drilling Shavings Earrings 126 Marble and Granite Arch Earrings 130 Cane Scraps Two Ways 134 TEMPLATES 138 SUPPLIERS 140 ABOUT THE AUTHOR 141 ACKNOWLEDGEMENTS 142 INDEX 143

Read more less

Book SynopsisFor potters, mold making is invaluable because it allows them to slip-cast identical multiples of their work—and this newly revised, now in color edition of Andrew Martin’s classic is the definitive guide to the craft. No other volume has shown the processes in such how-to detail. It’s overflowing with hundreds of photos, key techniques, projects, master artist profiles, and troubleshooting tips. A thorough introduction addresses materials and tools, and presents Martin’s simple, unique template method for making clay prototypes. Create easy one-piece molds to make tiles, bowls, and platters, or multi-piece molds for more complex forms. An extensive overview covers slip formulation, while offering highly desired slip recipes for low-, mid-, and high-fire clay bodies. This will be the standard reference in every ceramist’s library.

Read more less

Book SynopsisLively, informative and full of original tips and techniques Simon’s YouTube videos have lit the ceramics world on fire, becoming a must-see supplement to most potters’ educations. But therein lies the hitch; most potters don’t want to take a laptop into a ceramics studio. This is where Simon Leach's Pottery Handbook comes in, encapsulating all of Simon’s basic techniques in one easy to carry book, from studio design and set up, to basic throwing techniques, adding appendages, trimming, glazing and firing. Simon Leach’s Pottery Handbook is perfectly suited for the studio, as it is portable and the concealed wire-o binding will help the book lay flat and stand up. For each technique, detailed step by step photography captures the subtle, intricate movements that typically fly by too fast to be noticed in a video. Plus the book includes a DVD with many of Simon’s YouTube videos; callouts throughout the book tell readers which video goes with each section. Gorgeous photos throughout the book show pots in various stages of production and finished results; something that is currently missing from the YouTube videos, so that an aspiring potter can see how the work will look once it has been fired.

Read more less

Book SynopsisSlab-built Ceramics introduces a method of constructing clay forms that have been in use through the history of ceramics. This book demonstrates the versatility of slab-building and the scope for personal expression which is possible using variations of this technique. It features... Slab-built sculptures and vessels; The working methods of sixteen international ceramists and the inspiration for their work; A gallery of work by a further fourteen international ceramists and includes examples of several historical slab-built pieces. Reveals the versatility of slab-building techniques which is one of the basic techniques to be used by potters and ceramic artists worldwide in creative and innovative ways. Superbly illustrated with 121 colour photographs. Coll Minogue has been a professional ceramist for over twenty-five years and frequently conducts workshops internationally.

Read more less

Book SynopsisThe essential guide to the smoke firing method with highlights from international artists' work. Smoke firing is an ancient technique, used both to fire raw clay into durable ceramic and also to decorate it with smoke designs. Its technological simplicity not only lends itself to endless interpretations but encourages artistic creativity through improvisation and experimentation. Smoke Firing is a thorough survey of the varied work and approaches of contemporary artists today, showing recent innovative developments. By investigating the ideas of selected ceramicists Jane Perryman reveals the meanings and inspiration behind their work. Clear and colourful images demonstrate the various processes used, showing sequences of artists in action. The book covers smoke firing using bonfires, various containers, earth pits, saggars, and kilns, with a chapter on how smoke firing can be used as an educational tool in groups and workshops. Dynamic illustrations feature the work of the 29 artists represented, from 17 different countries, making it a truly international focus on smoke firing.Trade Review...fabulous...Perryman explores this wondrous subject by highlighting contemporary artists and approaches to smoke-firing. * www.karenplatt.co.uk (June 2009) *Table of ContentsPreface Foreword 1. An Introduction to Smoke Firing Smoke Firing in Antiquity Traditional Firing Technology 2. Smoke Firing in Contemporary Traditional Societies Nigeria India Native America (New Mexico) PART 1: SMOKE FIRING WITHOUT A KILN 3. Smoke Firing in the Open Siddig El’Nigoumi (Sudan/UK) Susan Halls (UK/USA) 4. Smoke Firing in a Container Inger Sodergren (Sweden) Antonia Salmon (UK) Ann Marais (South Africa) Gabriele Koch (Germany/UK) Jimmy Clarke (USA) Madhvi Subrahmanian (India/USA) 5. Smoke Firing in a Pit Janey Burton (USA) Gudrun Kainz (Austria) Signe Lassen (Denmark) PART 2: SMOKE FIRING WITH A KILN 6. Smoke Firing in a Saggar Magdalene Odundo (Kenya/UK) Richard Notkin (USA) Pao Fei Yang (Taiwan/USA) Eva Marie Kothe (Sweden) Jane Perryman (UK) Duncan Ross (UK) Alison Tinker (UK/Spain) Sebastian Blackie (UK) Nattinee Satawatthamrong (Thailand) Pamela Gorgone (USA) 7. Smoke Firing in a Kiln Pierre Bayle (France) Ellen Schopf (Germany) Munemi Yorigami (Japan) 8. Post-raku Smoke Firing Giovanni Cimatti (Italy) Anne James (UK) Joy Bosworth (UK) Ashraf Hannah (Egypt/UK) Mark Verbruggen (Belgium) 9. Smoke Firing in Groups Smoke firing with groups of children and adults using a variety of firing techniques and locations Conclusion and Acknowledgements Health & Safety and Suppliers List References Index

Read more less

Book SynopsisTransform your plain pottery into exciting, colourful and contemporary pieces for the home in a trice! You don't need pottery classes, or even a kiln to glaze your creations - you can make gorgeous items quickly and easily by painting plain, shop-bought ceramic items and baking them in a domestic oven. With 22 colourful projects to make, there are decorative plates, bowls, cups and pots, vases, a lamp – and even earrings and a necklace. With simple techniques to follow, all explained in clear and simple terms, you just need a few brushes, some ceramic paints and some plain pottery and away you go! If you love painted ceramics, patterns and making little gifts – this book is for you!Trade ReviewDesign your own bespoke ceramics with the help of Painting on Pottery by Tania Zaoui. There's tips on how to use basic ceramic paints, crockery and your own oven to create beautiful pieces with infinite possibilities. The inspiring projects will have you salvaging mis-matching plates, bowls and mugs to give them a new lease of life. * Crafts Beautiful *This is a lovely colourful book with detailed instruction for all you’ll need to attempt 22 different pottery painting projects. I really like the layout, it’s been well thought out. The book begins with basic techniques so you are able to establish what equipment you will need and safety measures you’ll need to be aware of. These basic instructions are easy follow and well laid out. I particularly like the colour sample list so you can see what each paint colour turns out after baking. This is followed by basic techniques for applying paints and how to get various effects using different engraving or scratching techniques. Once you’ve absorbed this information the book is then divided into a series of projects which are well laid out rather like a recipe book, lovely pictures, a list of what equipment you’ll require followed by easy to follow instruction. You can take any piece of plain pottery and transform it into a modern masterpiece of your own design. The projects are varied and would appeal to a wide range of people across all age groups and either sex. Highly recommended. -- Dawn Walsh * Customer review *Great book. Loads of ideas with very clear instructions and helpful photos! Very much recommended -- Bea Smith * Customer review *This is a lovely, glossy, well-photographed book. Full of basic instructions on how to paint ceramics. All in all though, colourful and informative. -- Jane Symonds * Customer review *For anyone who likes ceramics but doesn't have a kiln this is a super handy book. Instructions are clear and well explained with colour photographs on every page. I particularly like the small bowls and mosaic-effect tiles but I am not a fan of the wall decoration. Everything is achievable and 22 is a lot of possible projects. -- Jude Lovatt * Customer review *Loved the book. Very informative and easy to use. Inspired me to have a go. Nice bright pictures. Items shown seem manageable which will give confidence in achieving a finished item. -- Claire Holmes * Customer review *This book was very inspiring in decorating pottery pieces. I found the techniques in the book transferable to other forms of art such as textile printing. I do feel that this book is suited well to younger audiences or those new to the art of pottery. -- Karen Callis * Customer review *If you love painted ceramics, patterns and making little gifts, this book is for you. You don't need pottery classes, or a kiln, just paint shop bought ceramics then bake them in a domestic oven. Editor Anne had great fun with her grand-daughter decorating bowls, mugs and a necklace. Grab a few brushes, some ceramic paints and off you go! * Machine Knitting Monthly *Table of ContentsBasic techniques 8 Colour chart 8 Instructions 9 Creating different effects 11 For the Dining Table 13 Small Bowls 15 Egg Cups 19 Blue and Copper Plates 22 Cup and Saucer 23 Lucky Eye Coffee Set 29 For the Living Room 33 Flowerpots 35 Pen Pot and Change Tray 38 Wall Decoration 39 Vases 45 Lamp 48 Upcycled Vases 49 For the Kitchen 55 Carafe and Goblet 57 Kitchen Utensils Pot 60 Small Coffee Jars 61 Mosaic-effect Tiles 67 Leopard Plate 71 For the Bathroom 75 Japanese Flower Bowls 76 Toothbrush Holder and Soap Dish 77 China Earrings 83 Blue and Gold Tray and Mug 86 Necklace 87 Ring Holder 93

Read more less

Book SynopsisFocusing on the pottery surface, Carve Your Clay covers a wide range of decorative carving techniques, from piercing, etching, inlaying to sgraffito, faceting, and fettling. The techniques are taught through 20 projects in Hilda’s signature style, with clear, step-by-step photography and easy-to-follow instructions to achieve beautiful results. With easy guides on how to create form as well as glazing and firing, this is a comprehensive guide suitable for new and practising potters alike.Trade ReviewFocusing on the pottery surface this book covers a wide range of decorative carving techniques, from incising, combing, inlaying to sgraffito, faceting and fettling. The techniques are taught through 16 projects with clear step-by-step photographs and easy-to-follow instructions. With easy guides on how to create form as well as information on glazing and firing, this is a comprehensive guide suitable for potters of all skill levels. * Emerging Potters *Table of ContentsContents Meet Hilda Chapter One: Introduction to Carving Chapter Two: Tools Chapter Three: Inspiration Chapter Four: The Projects 1. Serving plate – sgraffito 2. Sink tidy – Mishima inlay 3. Jug – faceting 4. Candle holder – piercing 5. Hanging planter – fettling 6. Utensil jar – carving agateware 7. Bottle vase – combing 8. Serving tray – carving and impressing 9. Wall tiles – geometric carving 10. Noodle bowl – carving during throwing 11. Mug – faceting 12. Mini cactus planter – sgraffito on glaze 13. Planter – carving 14. Cylinder vase – sgraffito 15. Serving bowl – organic carving 16. “Initial” coaster – sgraffito using printed template 17. Cup – multi-layered carving of a slip-cast form 18. Stem vase – etching 19. Salad bowl – relief carving 20. Pie dish – wire cutting Index

Read more less

Book SynopsisThe teabowl has become an iconic form in contemporary ceramics. Having travelled from Japan, where it was an inherent part of chanoyu, or tea ceremony, it has evolved and adapted to become something very different in the West. Revered for its associations of its past and its connotations of sophistication and simplicity, the teabowl enjoys an elevated status. Here, Bonnie Kemske looks at the form as a whole, considering the history and ideas behind the original tea ceremony: how it moved into contemporary ceramics, and the way it is used today. She explores the wide range of teabowls, from traditional ones to those being made not for the tearoom but for the gallery, as well as introducing the international potters making them. The book also tackles some difficult questions, notably, how has the concept of the teabowl changed as it has been reinvented in contemporary ceramics? How does it sit in relation to its history? This book is wide in scope, thorough in Trade ReviewBonnie Kemske has crafted a compelling and deeply personal meditation on the power of the teabowl in Japan and in the world of ceramics today. This volume is beautifully illustrated and attentive to an array of historic and contemporary teabowls. * Morgan Pitelka, Professor of Asian Studies at the University of North Carolina at Chapel Hill, USA, and author of Handmade Culture (2005) and Spectacular Accumulation (2015) *Table of ContentsList of Illustrations Acknowledgements Introduction: The Iconic Teabowl 1. Tea and the Tea Ceremony 2. Ceramics History 3. The Teabowl Travels 4. From Tearoom to Gallery Conclusion: The Iconic Teabowl – Past and Present Endnotes Bibliography Index

Read more less

Book SynopsisEverything You Need to Get Started with Pottery If you ever daydream about delving into pottery but aren't sure where to begin, this is your book. Professional potter Kara Leigh Ford will be your personal pottery guide, helping you to overcome any doubts about your abilities. All you need are curiosity and a few simple tools to mold stunning stoneware with confidence. Inspiring projects and primers on equipment, technique, clay types and setting up a workspace make pottery approachable for complete newcomers, as well as budding potters who want to hone their skills. Plus, gorgeous photos from Kara's studio offer visual guidance every step of the way. Enter the wonderful world of ceramics with hand building, the meditative method behind your next mug, spoon set or soap dish. When you're ready for the wheel, easy-to-follow instructions cover the foundations of throwing bowls, plates, vases and other beginner-friendly kitchenware like a pro. Each stand-alone piece builds upon a skill introduced in the previous project: Craft all ten and you've learned pottery's fundamentals! Tutorials on glazing and decorative techniques will help you discover your own unique style and understand the basics of the firing process-whether in your own kiln or at a community studio-ensuring beautifully finished pieces. Kara's can-do approach brings handmade ceramic creations fully within reach. Whether you want to make charming home decor or thoughtful gifts for loved ones, you'll find all you need to embark on your pottery journey.

Read more less

Book SynopsisA practical and in-depth look at modelling faces in clay covering essential information from choosing your clay and modelling tools to drying your work and types of natural finishes. This is a practical and in-depth look at modelling faces in clay, using step-by-step pictures, which is ideal for anyone who wants to have a go at working in detail. As the face gives the figure life and personality, it is an important focus once the body has been created. This book examines the various aspects that make up the face in depth, and which need to be considered when modelling, such as the proportions of the head, bone structure, muscles and expressions. From the face of a child to that of an adult, and from sadness to joy, the enormous variety of faces and expressions all require a different approach and convincing details to complete the figure or bust. All these things are covered thoroughly using diagrams, step-by-step images and clear explanations in order to help you create a face for your work and to improve your modelling. The book also covers essential information such as how to get started, choosing your clay and modelling tools, drying your work and types of natural finishes such as wax.Trade ReviewThis is a user friendly book giving all the basics required to produce a lifelike head. * Potters Newsletter *It is an excellent, easily accessible guide to modelling heads in clay. * London Potters Newsletter (April/May 2009) *Table of ContentsIntroduction 1. The Tools, the Clay 2. Anatomy of the Head and Neck The Skull The Shoulder Girdle The Neck 3. The Head and its Proportions 4. In Practice – How to Model a Head Modelling a Head 5. The Details The Ears The Nose The Mouth Exercise The Eyes 6. Head Poses 7. The Male Head, The Child’s Head 8. The Facial Muscles 9. Facial Expressions Sadness and Melancholy Serenity Smiling Laughing 10. The Finished Surface Drying and Hollowing Out Firing Applying a Finish The Patina of Age Acknowledgements

Read more less

Book SynopsisA guide to the historical and technical side of salt glazing with work from leading international salt glazing artists. Salt-glazing has a long history, from its early use in German storage jars, then in Victorian industrial sewage pipes to its current position as one of the most exciting areas of studio ceramics. In this book, Phil Rogers teaches you all aspects of this very special glazing technique. Starting with a brief overview of the history of salt glazing, he then discusses the technical considerations that set this form of glazing apart from all others. Given particular consideration are kilns, which are such an important factor in this technique. Finally, discover the work of the world's leading artists using this particular medium. Salt glazing, with its distinctive 'orange peel' surface, has long attracted both makers and collectors. Beautifully illustrated throughout, this book is a must on the reference shelves of all ceramicists and collectors or studio ceramics, but it should particularly appeal to all those who enjoy the wonderful surface textures that this medium provides.Table of ContentsAcknowledgements 1. Introduction 2. Clay Bodies Suitable for Salt Glazing 3. Slips and Glazes for the Salt Kiln 4. Decoration 5. The Salt Kiln 6. Stacking a Salt Kiln 7. Firing a Salt Kiln 8. Environmental Concerns over Salt Firing 9. Profiles Appendix Bibliography Index

Read more less

Book SynopsisCreative and practical, Kicking Glass is a step-by-step guide for those wanting to practice the popular craft of stained glass. From simple suncatchers and boho lamps to exquisite 3D constructions and delicately-poised glass butterflies, experienced artist Neile Cooper guides you through the magical world of stained glass with a creative handbook for both the novice and more experienced crafter alike. Beautifully illustrated with photographs of Neile’s own work including her glorious glass cabin in the woods as well as pieces from some of today’s most stylish designers, Kicking Glass is packed with ideas to guide and inspire. This book provides comprehensive technical instruction in the copper foil method, covering everything from tools and supplies to exploratory techniques such as including foraged and found objects into your work. Skills are demonstrated through tutorials with photos, instructional drawings and 16 stunning patterns. Whether you’re looking to decorate your windows, create lovely gifts for friends and family or design your own epic masterpiece, Kicking Glass is the essential modern guide to stained glass making.Trade ReviewA thorough, enthusiastic guide to the art, full of beautiful projects, helpful advice, and inspiring thoughts from working stained glass artists * Foreword *Novices can expect all the familiar faces of how-to books: tools and supplies, an examination of materials, and clear directions on finishing, all well illustrated with quality color photographs. * Booklist *Neile’s warm and supportive approach comes across as she shares the vision behind the creation of her own sanctuary – a cabin in her garden that she is lovingly decorating with reclaimed window frames and stained glass designs based on her love of the natural world. [...] Kicking Glass offers comprehensive training and a liberal helping of motivation through beautiful imagery and practical designs to try. * Contemporary Glass Society *When I’m ready to dip my toes, Kicking Glass by Neile Cooper is where I’ll begin exploring this gorgeous hobby. Cooper’s thorough tome walks beginners through setting up a space, picking out supplies, and basic techniques required for creating stained glass. * The Mercury *The photography is stellar with lushly colorful clear pictures and tutorial explanations. The author provides project lists with tools and supplies and step by step instructions. The book feels like a small, well organized workshop with a well spoken and competent teacher. The projects are varied and attractive and are a mix of more traditional looking and modern. -- Nonstop ReaderThe book is full of beautiful, full colour illustrations, and instructions are easy to follow, if not easy to master. This is great guide for anyone considering starting in the hobby. -- Novel ObsessionTable of ContentsAcknowledgments Introduction Studio setup & safety Tools & supplies Glass Cutting glass Using patterns Foiling Layout Soldering Finishing Clean, patina, & polish Designing patterns Suncatchers 3D construction Reclaimed windows Patterns Suppliers

Read more less