Design and llustration Books

Book SynopsisPoised at the start of the 21st century, we can see clearly that the previous century was marked by momentous changes in the field of design. Aesthetics entered into everyday life with often staggering results. Our homes and workplaces turned into veritable galleries of style and innovation. From furniture to graphics, it’s all here—the work of artists who have shaped and re-created the modern world with a dizzying variety of materials. From the organic to the geometric, from Art Deco, through to Pop and High-Tech, this book contains all the great names—Harry Bertoia, De Stijl, Dieter Rams, Philippe Starck, Charles and Ray Eames, to name only a very few. This essential book is a comprehensive journey through the shapes and colors, forms and functions of design history in the 20th century. An A–Z of designers and design schools, which builds into a complete picture of contemporary living. Lavishly illustrated, this is design in the fullest sense.Trade Review“…destined for the reference libraries of designers and architects but also a swell entertainment for the layperson.” * The Wall Street Journal *“An important and accessible reference.” * The New York Times *

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Book SynopsisThe all-inclusive guidefrom theory to practicefor print and Web design Any well-conceived print or Web design features the dynamic interplay between visual artistry and technical skill. It becomes important, therefore, for the designer to cultivate an aesthetic eye as well as develop a high degree of computer savvy. By combining basic theory with hands-on technique, Digital Design for Print and Web takes the unique approach of uniting two subjects traditionally approached separately into one complete volume. As a result, you will gain a clearer understanding of the entire creative process, from project management to working with graphics to designing for print and, ultimately, the Web. In this book, you''ll find: Full-color text and illustrated, step-by-step instruction supported by more than 75 video tutorials Coverage of professional software including the Adobe Creative Suite A wide variety of inspirationaTable of Contents Preface xi Acknowledgments xiii Part One Theory and Principles 1 Chapter 1 Communication Goals 3 Chapter Objectives 3 What is Graphic Communication? 4 Information 9 What is Information? 9 Principles and Goals: Design for Information 10 Persuasion 14 What is Persuasion? 14 Principles and Goals: Design for Persuasion 17 Education 18 What is Education? 18 Principles and Goals: Design for Education 19 Entertainment 21 What is Entertainment? 21 Principles and Goals: Design for Entertainment 21 References 24 Notes 25 Chapter 2 Design: Definition and Devices  27 Chapter Objectives 27 Design as a Problem-Solving Tool 28 What is Design? 28 Design Devices 44 Space, Format, and Structure 44 References 56 Chapter 3 Design: Elements and Principles  59 Chapter Objectives 59 The Visual Pieces 60 Line 60 Shape 61 Texture 62 Value 62 Color 63 Type and Typography 73 Design Principles 83 Evaluating and Critiquing Your Work 93 References 94 Chapter 4 Conceptualization and Planning 97 Chapter Objectives 97 Inspiration 98 Seven-Step Design Process 98 Identify 99 Research 101 Target 103 Conceptualize 104 Create 107 Revise 108 Evaluate 108 Digital Design Project Types 108 Possibilities 108 Annual Reports and Business Reports 110 Announcements, Invitations, and Postcards 110 Advertising 111 Books 112 Brochures and Collateral 114 Calendars 115 Catalogs 115 Direct Mail and Direct Response 116 Environmental Graphics 116 Internet Design 118 Letterhead and Stationery (Corporate Identity) 119 Logos 121 Newsletters 122 Packaging 123 POP, Signs, and Billboards 124 Posters 124 Publication Design 127 References 129 Part Two Techniques 131 Chapter 5 Raster Graphics  133 Chapter Objectives 133 Digital Imaging and Raster Graphics 134 Raster Graphics for Print and Web 135 Raster Graphics Techniques 136 Document Setup 137 Layers and Compositing 140 Selections 144 Masks 158 Color 161 Shape Basics 167 Retouching Basics 169 Type in Digital Imaging Applications 177 Bitmap Filters 180 Layer Effects 181 Final Output for Print 184 Final Output for Web 188 Design Assignment 190 Online Movie Lessons 191 Bibliography 191 Chapter 6 Vector Graphics 193 Chapter Objectives 193 Digital Illustration and Vector Graphics 194 Vector Graphics for Print and Web 194 Vector Graphics Techniques 196 Document Setup 197 Layers and Templates 198 Color 201 Shapes and Paths 208 Typography 221 Final Output for Print 226 Final Output for Web 226 Design Assignment 226 Online Movie Lessons 227 Bibliography 227 Chapter 7 Digital Page Layout for Print  229 Chapter Objectives 229 Page Layout Techniques 232 Document Setup 232 Using Color 240 Text and Typography 245 Working with Images 257 Design Assignment 263 Online Movie Lessons 265 Bibliography 265 Chapter 8 Web Site Design and Development  267 Chapter Objectives 267 Creating a Web Site 269 The Design and Development Process 270 Web Design and Development Techniques 276 Web Design and Graphics Techniques 276 Web Development Techniques 296 Behaviors 312 Uploading Files to the Internet 319 Design Assignment 322 Online Movie Lessons 322 Bibliography 322 Figure Credits 323 Index 327 Appendices and online movie lessons are available at www.wiley.com/go/digitaldesign.

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Book SynopsisMultitude of strangely beautiful natural forms: Radiolaria, Foraminifera, Ciliata, diatoms, calcareous sponges, Siphonophora, star corals, starfishes, Protozoa, flagellates, brown seaweed, jellyfishes, sea-lilies, moss animals, sea-urchins, glass sponges, leptomedusae, horny corals, trunkfishes, true sea slugs, anthomedusae horseshoe crabs, sea-cucumbers, octopuses, bats, orchids, sea wasps, seahorse, a dragonfish, a frogfish, much more. All images in black and white.

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Book SynopsisAbounding in cherubs, nymphs, soldiers, kings, dragons, and other flamboyant motifs, this compilation of ornamental designs was originally published in Paris during the 1840s. The extravagant images are based on a wide variety of historical examples that date back as far as the 1500s and include imaginative renderings by Watteau and Dürer. Created as embellishments for walls, arms and armor, and everyday objects, these designs remain eminently useful for graphic and decorative purposes.Professional and amateur artists and designers as well as cardmakers and scrapbookers will find this compilation a practical resource of versatile and royalty-free art. This volume is the successor to Dover Publications'' Fantastic Ornament, another modern reprint of a rare nineteenth-century publication.

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Book SynopsisTrade Review"Blessed with an innate sense of what works well together regardless of style or provenance, much-admired designer Kelly Wearstler has a knack for drawing the eye in with her bold, dazzling interiors. Her first new book in four years, Synchronicity, profiles eight of Wearstler’s projects, from a monochromatic Venice Beach home to a Malibu Beach house and more. It also highlights the dynamic interiors in the Proper hotels she designed in Santa Monica and Austin." —MODERN LUXURY INTERIORS "This beautifully illustrated volume contains striking residences—such as a contemporary art-filled 1940s gem that Wearstler revamped with materials like walnut, steel, and marble—as well as her interiors for Proper Hotels, including the Santa Monica outpost’s lobby, awash in weathered wood and patinated metal." —ARCHITECTURAL DIGEST"Celebrated for her irreverent and provocative designs of residences and boutique hotels, Kelly Wearstler doesn’t follow trends as much as she jumpstarts them. Her first new book in four years, Kelly Wearstler: Synchronicity (Rizzoli), is a compendium of seven of her latest and most striking residential and hospitality designs, from a sleek and monochromatic home in Venice Beach to a richly textured beach house in Malibu as well as the dynamic Proper hotels in Santa Monica and Austin, Texas." —THE HOLLYWOOD REPORTER"Her first new book in four years, it follows “Evocative Style,” “Rhapsody,” and “Hue.” Long gone are the days of pinning that limiting Hollywood Regency label on her. Pushing boundaries for decades, from designing the Proper hotels to a host of residential projects, Wearstler’s world view seamlessly combines big and bold with the details of texture and shape. " —MANSION GLOBAL"Kelly Wearstler—a pioneer and provocateur with one of the most distinctive voices in the interiors world—presents her recent work, profiling seven of her latest and most striking residential and hospitality designs." —MOFFLY MEDIA"Kelly’s first new book in four years profiles seven of her latest and most striking residential and hospitality designs." —HOUSE & HOME"Kelly Wearstler is known across the world for her evocative, theatrical style, mixing vintage furniture and silhouettes with contemporary color and verve. Synchronicity profiles seven of Wearstler's most eye-catching residential and hospitality designs with never-before-seen photography and exclusive commentary." —VERANDA"Wearstler guides her legions of fans through seven recent projects, each thoroughly explored by design editor Dan Rubinstein. From a Los Angeles home filled with art by the likes of Hank Willis Thomas to the hybrid 1920s-contemporary build of the Santa Monica Proper Hotel, the tome uses full-page photography to capture even the smallest details." —CULTURED"Few interior designers working today enjoy as much name recognition as Kelly Wearstler. Even for those who can't tell a sconce from a suspender, the South Carolina native's sumptuous Slow Cal–inflected aesthetic is easy to spot, thanks to its surprise-and-delight intermixing of color, texture, and materiality along with an unwavering sense of place. Who else would think to pair, for instance, a vivid Mexican folk art mural with pink-and-white checkerboard tile floors (the Downtown L.A. Proper hotel) or burnished brass countertops with emerald-green cabinetry (Cameron Diaz's Greenwich Village pad)?" —CONDE NAST TRAVELER

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Book SynopsisTable of ContentsPREFACE X ACKNOWLEDGMENTS XII CHAPTER 1: ADVERTISING IS... 2 The Purpose of Advertising 3 What People Expect From Advertising 4 Broad Advertising Categories 4 Advertising Takes Many Forms 5 Media Channels: Paid, Owned, and Earned 7 Who Creates Advertising 8 Advertising Media Channels 10 The Ad Agency 11 Career Competencies and Expectations 14 Quickstart: What You Need to Know to Begin 15 Sample Creative Brief 17 Critique Your Own Solutions 18 Social Responsibility 19 Case Study: Liberty Hall 360: Revolutionary Wedding 20 Interview with NiRey Reynolds, The One Club for Creativity 21 Interview with Justin Moore, FCB West 24 CHAPTER 2: COMPOSITION BY DESIGN 28 Parts of an Ad 28 Image-Copy Relationship Constructions 30 Basic Design Principles 34 Directing the Viewer’s Gaze Through a Composition 43 Rule of Thirds, Z-Pattern, Corner to Corner, Dominant Movement 44 Point of View 46 Illusion of Spatial Depth 46 The Illusion of Movement 48 Campaigns by Design: Triplets Versus Cousins 48 Integrated Media Campaigns 52 What Makes a Good Integrated Campaign? 54 Unifying the Touchpoints Throughout a Campaign 54 Case Study: Domtar PAPERbecause 55 Essay: Zombies, Aliens, English Soccer, and the Story of Integrated Advertising by Greg Braun 59 Interview with Charlene Chandrasekaran, Droga5 London 62 CHAPTER 3: ART DIRECTION 66 Art Director's Role 66 Art Direction Checklist 68 Type by Design 68 Clarity of Visual Communication 68 Selecting a Typeface For Idea, Content, and Audience 69 Image by Design 74 Imagery 76 Visualizing Form 79 Integrating Type and Image 81 Case Study: Matchabar "Hustle" 86 Interview with Bernice Chao, R/GA California 88 CHAPTER 4: BUILDING A BRAND NARRATIVE AND BRAND EXPERIENCES 94 Brand as Promise 94 Target Audience 95 Strategic Thinking Underpinning the Brand Story 95 Ad Idea and On-Brand Alignment 97 Positioning 101 Brand Story Considerations 101 Strategic Approaches 103 Archetypes 104 The Bigger Brand Story 105 Case Study: Dunkin’ Rebrand 107 Case Study: HSBC: "Bank Cab" Program 109 Interview with Renato Fernandez, TBWA\Chiat\Day Los Angeles 111 CHAPTER 5: THE AD IDEA 114 Creative Ideas 114 Insights 115 Ideas 117 N.A.R.C.: What an Idea has to Do 117 Idea-Generation Process 123 More Points of Departure for Ideation 124 Case Study: Burger King UK: "Meltdown" 130 Case Study: Oscar Mayer: "Wake Up & Smell the Bacon" 132 Case Study: Samsung 5G Fan Experience 133 Interview with José Mollá, the community 136 CHAPTER 6: STORYBUILDING AND CONTENT CREATION 144 Storybuilding in the Digital Age 144 The Core Brand Narrative: The Story Ecosystem 144 Telling a Shareworthy Story 147 Brand as Activist: Embedding Social Purpose 147 Story Archetypes 150 Story Basics 151 Essay: The Power of Story by Alan Robbins 152 Interview with Emlyn Allen, Grey New York 154 CHAPTER 7: DECONSTRUCTING MODEL FORMATS 158 The Appeal of Transformation 158 Conveying the Advertising Message 159 Basic Formats 161 Case Study: Jordan Brand: "The Last Shot" 174 Interview with Sophia Lindholm, Forsman & Bodenfors Sweden 176 CHAPTER 8: COPYWRITING 178 Purpose 178 The Craft of Writing Headlines: One Dozen Guidelines 179 The Headline and Image Relationship 180 Taglines 184 The Writing Process 185 Case Study: The Art of Shaving: Evolution Campaign 186 Interview with Julia Neumann, TBWA\Chiat\Day New York 187 CHAPTER 9: THINKING CREATIVELY 192 Tools that Stimulate Creative Thinking 192 Creativity Through Making 202 Case Study: The Art of Shaving Barber Spa 204 Interview with Jayanta Jenkins, Disney+ and Saturday Morning 205 CHAPTER 10: TV COMMERCIALS AND SOCIAL VIDEOS 208 Storytelling in Time-Based Media 208 Storyboard 208 How a Commercial or Video Looks: Art Direction Essentials 209 Commercials and Social Videos 212 Strategy, Idea, Benefit, and Channel 214 Commercial Checklist 218 Case Study: Thinkthin Integrated Campaign 219 Interview with Erin Evon, R/GA New York 221 CHAPTER 11: WEBSITE, MOBILE, SOCIAL, EXPERIENTIAL, AND IMMERSIVE ADVERTISING 226 Get the Audience’s Attention 226 Experience Focused and Media Agnostic 227 Website Basics 228 Branding 229 Desktop Website Design 229 Website Development 233 Mobile by Design 233 Social by Design 238 Experiential and Immersive Experiences by Design 241 Case Study: BBC Civilizations AR 248 Case Study: New Orleans Offline Playlist 250 Essay: Adapting for Success by Michael Mierzejwski 252 Interview with Gerard Crichlow, Interpublic Group 254 GLOSSARY 256 INDEX 264

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Book SynopsisIngrid E. Mida is an art and dress historian with a PhD in Art History and Visual Culture and the author of The Dress Detective (Bloomsbury, 2015), Reading Fashion in Art (Bloomsbury, 2020), and Dressing & Undressing Duchamp (Bloomsbury, 2022). She is a Research Fellow at the Modern Literature and Culture Centre at Toronto Metropolitan University, Canada. Ingrid has acted as a consultant to museums and private collectors in helping date and interpret photographs, artworks, and dress artifacts and has lectured in universities and museums in North America, Europe, and the UK.

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Book SynopsisA comprehensive introduction to designing services according to the needs of the customer or participants, this book addresses a new and emerging field of design and the disciplines that feed and result from it.Despite its intrinsic multidisciplinarity, service design is a new specialization of design in its own right. Responding to the challenges of and providing holisitic, creative and innovative solutions to increasingly complex contemporary societies, service design now represents an integrative and advanced culture of design. All over the world new design studios are defining their practice as service design while long established design and innovation consultancies are increasingly embracing service design as a key capacity within their offering. Divided into two parts to allow for specific reader requirements, Service Design starts by focusing on main service design concepts and critical aspects. Part II offers a methodological overview and practical tools for the servicTrade ReviewThe book covers a needed niche of bibliography in Service Design and it completely achieves the goal set ... We would recommend it to anyone curious to know more about the field, as an essential introductory book to Service Design or for educators teaching this crucial and exciting discipline. * The Design Journal *Table of ContentsPreface Introduction Part 1: INTRODUCTION TO SERVICES Chapter 1: Defining Services Chapter 2: The Service Economy Chapter 3: Digital Services Chapter 4: Services for Public Interest Chapter 5: The Politics of Service Design Chapter 6: Designing for Services Part 2: THE SERVICE DESIGN PROCESS Chapter 7: Getting Started in the Service Design Process Chapter 8. Research and Analysis Chapter 9. Generating Service Design Concepts Chapter 10. Prototyping, Testing, Iterating Chapter 11. Implementing and Evaluating Services Chapter 12. Service Design Core Capabilities Glossary Bibliography Index

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisWhat does it mean to live in a material world, and how do materials of the past and present hold the keys to our future? This book tackles these questions by focusing on various issues that human beings face and by discussing potential materials-related solutions. Through the lens of intriguing projects by designers, artists, makers, and scientists, it presents a colorful panoply of ideas, technologies, and creative efforts that focus on the earth's most basic elements, while also showing how these elements can be transformed into entirely new materials. It explores, for example, how ancient practices such as dyeing fabric and making glue may hold the secret to renewable and earth-friendly consumer products, as well as how recycling plastics can tackle food waste, and how a type of light metal being developed may one day make air travel less fuel-reliant. This book also investigates the potential of the digital experience, suggesting how this most ephemeral type of matter can be used to improve our world. Eye-catching and provocative, Why Materials Matter serves as both a stimulating catalog of possibilities and a timely manifesto on how to consume, manufacture, and design for a better future.Trade Review“Accessible and filled with beautiful imagery, Why Materials Matter helps question the substances and industrial techniques we take for granted.” -Metropolis

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Book SynopsisLearn to draw mind-bending fantasy characters from an expert video game character designer!This captivating book presents a treasure trove of ideas for hundreds of different fantasy characters and creatures. Experienced video game character designer Satoshi Matsuura explains his method for designing characters to play specific roles in fantasy world video games, graphic novels, anime films and fine art illustrations. This extraordinary sourcebook contains over 600 different character designs as well as an exclusive tutorial showing you how to conceptualize and draw new, believable characters with clearly defined features matching their individual motivations and actions. The hundreds of characters in this book include:Majestic dragons, dinosaurs, monsters and anthropomorphic creaturesFairytale ogres, orcs, trolls, giants, elves, fairies, hobbits and dwarvesKawaii critters like the Owl Bear, Werechipmunk, Cat Fairy and Mouse KnightZombies, Yokai, demons and oddballs like the Death M

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Book SynopsisMarketing Fashion is a practical guide to the fundamental principles of marketing, branding and promotion, from creating a customer profile to developing a brand identity. The book explains key concepts and illustrates how they are applied within the global fashion and retail industry, from haute couture to the mass market. For this third edition, examples drawn from a broad range of fashion, textile and retail have been updated to include more on social media and digital and emerging technologies, such as fashion in the metaverse. The updated text increases the focus on sustainability issues, while also tracing recent disruptions to traditional marketing frameworks such as degrowth. There are also more examples of global fashion weeks and brand collaborations. The book will appeal to students at degree or foundation level as well as those contemplating a career in the fashion industry. Chapters: Marketing Theory The Fashion Market Resea

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Book SynopsisA Handheld History is a unique celebration of portable platforms and their iconic games.Forty years ago, businessmen fiddling with calculators inspired Gunpei Yokoi to create the Game & Watch. Ever since then, handheld gaming has been hugely influential, spawning communities who trade Pokémon in the playground and share Miis on the subway. This introspective adventure will delve into decades of gaming memories and reconnect you to that long car journey full of discarded AA batteries before speeding ahead to the contemporary days of blockbusters in your backpack.Handheld gaming is celebrated loudly, proudly, and across hundreds of beautifully assembled pages of art and essays. Featuring words from many incredible voices, this is an unmissable ode to the gaming device that you keep close to your heart right in your jacket pocket.Words and art by:Alex OlneyAshensBob WulffBrandon SaltalamacchiaBrian CrecenteHannah Kwan CosselmonJanet GarciaJason BradburyJeff GrubbJonathan TraynorKevin KenTrade Review“It would make a welcome addition to any old-school handheld fan's bookshelf or coffee table.” – Gamespot “The book offers plenty of visual stimuli. From vintage poster design and retro illustrations to satisfying breakdowns of console hardware, there is something inspiring for everyone.” – Creative Review

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Book SynopsisDevotes itself exclusively to rings, considering them thematically rather than chronologically. This title considers rings in all their forms and makes us delight in them as works of art, and makes their context come alive through paintings, drawings and vivid quotations.Trade Review'A fascinating book that’s equal parts eye-candy and wow-inducing art-history lesson' - Art Jewelry'An essential guide' - Harper’s Bazaar'… makes us delight in them as works of art, and makes their context come alive through paintings, drawings and vivid quotation' - Antiques InfoTable of ContentsForeword by James Fenton • 1. Signets • 2. Love, marriage and friendship rings • 3. Devotional, apotropaic and ecclesiastical rings • 4. Memento mori and memorial rings • 5. Rings associated with illustrious people and great events • 6. Decorative rings • 7. Diamond rings • 8. The ring as an accessory

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Book SynopsisThe complete, full-color graphic design guide for beginners The field of graphic design is constantly evolving, with new design tools, methods, technology, and modes of expression being introduced all the time. Graphic Design For Dummies will teach you how to get started, introducing you to basic design principles as well as the latest best practices, software, and trends. You'll learn how to successfully plan and execute compelling design projects, even if you're not a trained designer. This fun and friendly book will empower you with the information you need to create design solutions. You'll also have the opportunity to test your skills with a series of interactive design activities, starting with step-by-step guidance and slowly building up your skills until you're ready to fly solo. Unleash your inner graphic designer with this Dummies guide. Create compelling visuals for a wide range of tasks and purposesLearn the basic concepts of graphic design and get the tools you need to startGet hands-on experience by following tutorials to create great designsBecome proficient in graphic designno art degree needed Graphic Design For Dummies is a practical and user-friendly resource for those looking to create better design solutions quickly.

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Book SynopsisThis lavishly illustrated volume, which comes in four different colours and with an open Japanese binding, looks from both sides of the Atlantic at 80 years of photography from Chicago. At the New Bauhaus and what later became the Institute of Design, teachers like László Moholy - Nagy, György Kepes and später Arthur Siegel, Harry Callahan and Aaron Siskind taught an uninhibited approach to the medium which influenced generations of photographers. To mark the start of the great Bauhaus anniversary in 2019, the Bauhaus Archiv / Museum für Gestaltung Berlin is presenting its collecti on of “New Bauhaus Photography” which is unique in Europe. It introduces the protagonists and institutions who since the foundation of the New Bauhaus in Chicago in 1937 have inspired, created and collected photography and then presented it to the public. The wide range of illustrations extends from abstract photograms and material experiments to conceptual and process - oriented works series. Contemporary works from Chicago complete the picture and reflect the importance of the Bauhaus thought process for th e present day.

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Book SynopsisDelft Design Guide provides an overview of the perspectives, models, approaches, and methods used in the bachelor's and master's curriculum of Industrial Design Engineering at Delft University of Technology (TU Delft). Some of these are unique to the university, others are well known and are used by designers worldwide. Designing products and services at this faculty is considered a systematic and structured activity, deliberately and purposefully, and with moments of increased creativity.The methods and techniques are each described in a practical one-page text, illustrated for further clarification and enriched with images that should encourage reflection and further reading.Design students can use the book as a reference guide in their design projects and in managing their personal development. Design teachers can use the book as a reference guide to assist students in learning a method. Design professionals can use the book as a reference guide to support their design processes.

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Book SynopsisUnlock your creativity. An inspiring guide to creativity in the digital age, Steal Like an Artist presents ten transformative principles that will help readers discover their artistic side and build a more creative life.   Nothing is original, so embrace influence, school yourself through the work of others, remix and reimagine to discover your own path. Follow interests wherever they take you—what feels like a hobby may turn into you life’s work. Forget the old cliché about writing what you know: Instead, write the book you want to read, make the movie you want to watch.   And finally, stay Smart, stay out of debt, and risk being boring in the everyday world so that you have the space to be wild and daring in your imagination and your work.  “Brilliant and real and true.”—Rosanne Cash  Trade Review“The book is filled with engaging anecdotes and helpful tips taken from Kleon’s experience learning to walk on his own creative feet, as well as quotes and stories from big names, ranging from Gide to Goethe to Questlove. – Fast Company co.Design “Immersing yourself in Steal Like an Artist is as fine an investment in the life of your mind as you can hope to make.” – TheAtlantic.com “Steal Like An Artist is an actually readable manifesto on how to properly squeeze your brain-juices and unlock your potential.” -- Thrillist“The book is filled with engaging anecdotes and helpful tips taken from Kleon’s experience learning to walk on his own creative feet, as well as quotes and stories from big names, ranging from Gide to Goethe to Questlove. – Fast Company co.Design “Immersing yourself in Steal Like an Artist is as fine an investment in the life of your mind as you can hope to make.” – TheAtlantic.com “Steal Like An Artist is an actually readable manifesto on how to properly squeeze your brain-juices and unlock your potential.” -- Thrillist"This fast read is for anyone who’d like to be more creative." – Tim Ferris “The book is filled with engaging anecdotes and helpful tips taken from Kleon’s experience learning to walk on his own creative feet, as well as quotes and stories from big names, ranging from Gide to Goethe to Questlove. – Fast Company co.Design “Immersing yourself in Steal Like an Artist is as fine an investment in the life of your mind as you can hope to make.” – TheAtlantic.com “Steal Like An Artist is an actually readable manifesto on how to properly squeeze your brain-juices and unlock your potential.” – Thrillist

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Book SynopsisGuide your tarot practice with this beautiful tarot deck and guidebook filled with original, never-before-seen artwork inspired by the massively popular World of Warcraft online role-playing game.

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Book SynopsisSwirling with gargoyles, devils, dragons, griffins, and other images that haunt both dreams and nightmares, this otherworldly assortment features more than 100 decorations from a rare nineteenth-century volume. Decorations include:Cartouches in the style of Louis XIII; stone balustrades; arabesques; roof cornices; Renaissance-era drawing-room cabinets; Elizabethan chimney pieces; plus friezes for textiles and wallpaper, decorative scutcheons, mirror frames, and much more. These versatile royalty-free illustrations are equally suitable for immediate use, adaptation, and inspiration.

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Book SynopsisThe first book to address the thrilling new developments in the field of biological design, now fully revised and expanded.Trade Review'Insanely weird and absolutely fascinating … I defy you to come away not knowing something new' - BiosphereTable of ContentsBeyond Biomimicry, by Paola Antonelli • The Architectural Hybrids: Living Structures and New Ecological Integrations • Object Engineering: Replacing Industrial and Mechanical Processes • Functions: Speculative Objects, Teaching Tools and Provocations • Dynamic Beauty: Crawling off the Auction Block • Profiling Programs and Collaborations • Interviews • Biographies

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Book SynopsisA stylish and informative guide to the best of Midcentury Modern chair design. These are the top 100 most interesting, most controversial, or simply most beautiful chairs from the period spanning 1930–1970, according to expert curator and chair addict Lucy Ryder Richardson. Get to know the designers of the Modern era, and find out about the controversies, drama, gossip and intrigue that accompanied these fascinating figures. Featuring a range of top international names, including Robin Day, Charles and Ray Eames, Ernest Race, Arne Jacobsen, Pierre Paulin, Finn Juhl, Harry Bertoia, Ero Saarinen and Norman Cherner. There is also an exploration into materials and manufacturing processes, plus lots of information about the manufacturers that brought chair designs to the masses, such as Knoll, Herman Miller, Fritz Hansen and Asko. Packed full of design details, historical facts, quotes and anecdotes – you can even find out the position in which the designers intended you to sit in their chairs! With a ‘chair timeline’, showcasing the very best of European, Scandinavian, Japanese and American design, this is the perfect book for collectors, enthusiasts and design junkies alike. Word count: 50,000

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Book SynopsisGeoff Isaac is a casual academic at the University of Technology Sydney, Australia, where he completed his PhD on the history of the plastic chair and designing for the environmental emergency. He has written papers for journals such as Plastiquarian, Journal of Applied Psychology and Fusion Journal, and his book, Featherston, on the life and work of the industrial designer Grant Featherston, was published in 2017.

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Book SynopsisThe marvels of Islamic patterns?the most recognizable visual expression of Islamic art and architecture?are not just a beautiful accident. The ancient practitioners of this craft used traditional methods of measurement to create dazzling geometric compositions, often based on the repetition of a single pattern. The results are magnificent in their beauty and awe-inspiring in their execution.Now, with the aid of this book, everyone can learn how to master this ancient art and create their own intricate patterns or re-create classic examples. All that is needed is a pencil, a ruler, a compass, and a steady hand. Technical tips demonstrate the geometric basics such as how to create designs from one of the foundational ?family? shapes: a square, hexagon, or pentagon. This is followed by step-by-step instructions for reproducing some of the best examples of geometric patterns.Islamic Geometric PatternsTrade Review'Highly recommended!' - Tile & Stone JournalTable of ContentsIntroduction • 1. The Basics • 2. Step-by-Step Construction: The Great Mosque of Cordoba; The Great Mosque of Kairouan; Mosque of Ibn Tulun; Esrefoglu Mosque; Capella Palatina; Ak Medrese; The ‘Abd al-Samad Complex; The Umayyad Mosque; The Great Mosque of Herat; Chella necropolis; The Alhambra; East Tower of Kharraqan; Shah Jahan Mosque; Al-Fahidi historical district; Mustansariyya Madrasa; Ben Yusuf Madrasa; Tomb of Itimad ud-Daula; The Alcazar; Mamluk Koran; Tomb of Bibi Jawindi; Qarawiyyin Mosque; Moulay Ishmael; Darwish Pasha Mosque • Further reading

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Book SynopsisOne of the last surviving members of the futurist generation, Bruno Munari''s Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the ''Penguin on Design'' series in Penguin Modern Classics. ''The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing'' Bruno Munari was among the most inspirational designers of all time, described by Picasso as ''the new Leonardo''. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children''s books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze. How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d''Oro design prize for excellence in his field. If you enjoyed Design as Art, you might like John Berger''s Ways of Seeing, also available in Penguin Modern Classics. ''One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'' International Herald TribuneTrade Review“One of the most influential designers of the twentieth century . . . Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness.” —International Herald Tribune

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Book SynopsisThis visually rich book celebrates design ingenuity - acknowledging the significant contributions of disabled individuals and communities to design and making that point that, simply put, inclusive design is better for all. Covering ten projects - across fields including fashion, community practices, social media, graphic design, gaming and architecture - Design and Disability delves into the motivations and methods of their creators. It poses questions that are central to their design such as how to balance diverse access needs, what does radical visibility mean and what makes a community.Design and Disability offers a manifesto for living, now and into the future. It addresses an urgent gap in the literature and is led by disabled communities, emphasizing the importance of recognizing disabled individuals as experts in their own experiences.

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Book SynopsisA special survey published to celebrate 100 years of the influential and innovative Swedish design company Svenkst Tenn

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Book SynopsisAs featured in Vogue, GQ, Harper’s Bazaar, Wallpaper*, The Art Newspaper, Hypebeast, Gagosian, The Business of Fashion and The Evening Standard Marking the 20th anniversary of the company’s founding, this comprehensive monograph is the first book on Thom Browne. With a celebrity clientele including Cardi B, Michelle Obama, LeBron James, and Julia Roberts, among others, Thom Browne is widely recognized for modernizing today’s professional uniform: the suit. As the company’s 20th anniversary nears, Thom Browne. celebrates the legacy of the house. Specially commissioned photography by Johnny Dufort features more than 200 looks from past seasons. An introduction by Andrew Bolton, Wendy Yu curator in charge of The Metropolitan Museum of Art’s Costume Institute and creative director of this title, sets the work in context. The book concludes with a tableau of show installations that further illustrate the house’s design philosophy and evolution. Published as a hardback enclosed in a clamshell box, the book includes 4-, 6-, and 8-pages gatefolds and more than 40 translucent vellum pages featuring the brand’s signature four stripes. It also includes a Thom Browne grosgrain ribbon.Trade Review'Lavish.' – The Art Newspaper'There’s something for everyone at the school of Thom Browne.’ – GQ'This 420-page tome let’s [Browne's] clothes speak for themselves.' – Associated Press‘Will delight the eye every time you crack the cover.’ – Whitewall

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Book SynopsisThe studio is a core strand of design education, and working with real clients is one of the most valuable ways for students to develop their professional design practice skills.The book is a practical guide to working on real-life briefs in the design studio - how to collaborate with and connect to communities, find and retain clients, and manage real-world design problems. Using tools and frameworks based on years of research and experience, students can develop their professional skills in a supportive environment.The book is divided into four sections: - Why (industry connections, experiential learning, personal empowerment) - What (engaging with communities, client work, structure) - Who (work roles, client relationships, articulating value) - How (launching, logistics, planning)The final section of the book covers information for those expanding into student-led studios, and includes information on strategies, financing and how t

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Book SynopsisWith some 280 colour illustrations, Introduction to Modern Design takes us on a visual survey of design from the Industrial Revolution of the eighteenth century to the Maker Movement of today. It offers a new understanding of the birth of modern design in the early twentieth century and chronicles the way its meaning has changed over the decades. The narrative is supported by twenty-six readings from significant texts by designers and critics, offering readers an opportunity to learn about design from those who created it and those who commented on it as it was done.The focus of this book is on the objects themselvesfrom industrial design, furniture, ceramics, textiles, graphics, electronics, to automobilesand explores the development of these designs in relation to industrialization, technology, environmental responsibility, consumerism, individual needs, and the expression of the social values of their day. Clearly written and accessible, Introduction to Modern Design pTrade ReviewThis book is a sweeping and comprehensive primer for anyone interested in Western design. George Marcus leads the reader on a 250-year-plus journey, exploring every major movement. People, places, and objects - and the debates that animated them - come alive in this richly illustrated story. * Donald Albrecht, independent curator, USA and Fellow of the American Academy in Rome, Italy *Marcus has written THE must-have resource for students of Modern Design history. He punctuates his thoroughly researched and fascinating timeline with informative profiles of key historical figures and their creative practices, giving readers new insights into human ingenuity. * Kory W. Rogers, Chief Curator at the Shelburne Museum, USA *Table of ContentsPreface: Defining Design Design and Decoration 1. Design and Industry (1750 to 1860) Industrialization Style and Ornament Design Reform 2. Life, Art, and Design (1860 to 1910) Arts and Crafts Movement Aesthetic Movement Art Nouveau Design and Form 3. Birth of Modern Design (1900 to 1940) From Ornament to Form Simplicity Standardization and Rationalization 4. Design and the European Modern Movements (1910 to 1930) Cubism and Its Impact Suprematism and Constructivism De Stijl 5. European Modernism (1920 to 1940) Modernism and the Machine Style Machine Modernism at the Bauhaus Machine Modernism Elsewhere Modernism and the Organic Style 6. Industrial Design (1930 to 1940) Streamlining and Styling Industrial Design in the United States Design in Europe The World of Tomorrow 7. Modern Design for Everyone (1940 to 1965) Wartime Innovations Good Design Beyond Good Design Design in Europe and Japan 8. Revolutionary and Postmodern Design (1960 to 1985) Cutting-Edge Materials and Processes High-Tech Radical Design Postmodernism 9. Design and the Consumer (1980 to 2000) Expressive Design Engaging Materials, Forms, and Technology Choices Low-Tech 10. Responsible Design (since 1970) Critique of Industrial Design Self-Reliance Care for the Planet Design for Individuals Design and Technology 11. Design in the Digital Age (since 2000) Smart Products and Processes Ornament Made Modern Conceptual and Critical Design 12. Extending Design (since 2000) Design Thinking Design Making For Further Reading Sources of Sidebar Excerpts and Quotations Credits Index

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Book SynopsisCountless global brands, including Rolex, BMW, Louis Vuitton, and the New York Yankees, still use logos that were designed over 100 years ago. Yet there has never been a monograph devoted to the origins of logo design. In the second half of the 19th century, the trademark replaced traditional symbols such as the family coat of arms as a promotional and identifying symbol for companies. At first, the designs were often still figurative; only gradually did they develop into the abstract marks that have become fixtures in everyday life today. Author Jens Müller, described as the “logo detective” by Wired magazine, examined historical trademark registers, international corporate archives, and early design publications to unearth more than 6,000 logos from 1870 to 1940. This unparalleled collection traces the development of modern trademarks and sheds light on forgotten designs and early versions of famous logos. The catalog is divided into four design categories: Pictorial, Form, Effect, and Typographic. Each chapter is then systematically subdivided according to basic elements of design such as circle, line, overlap, and outline, thus offering a new perspective on design principles that are still relevant today. Along with an extensive picture section, the book comprises an introduction by Jens Müller on the history of the trademark as well as a reproduction of the first comprehensive examination of modern corporate logos: the influential design pioneer F.H. Ehmcke’s (1878–1965) illustrated essay “Wahrzeichen—Warenzeichen” (Symbols—trademarks) from 1921. Also included are ten case studies of famous trademarks, including those of 3M, NBC, Shell, and Olivetti, and numerous rare images illustrating the—at times varied, at times consistent—developments in international logo design and the birth of the corporate identity. Logo Beginnings is not only a fundamental and inspiring graphic design manual but also an excellent read for anyone interested in social, cultural, and corporate history and the fascinating impact of trademarks. It is also the perfect complement to the TASCHEN classic Logo Modernism.Trade Review“…[a] magisterial new book on the history of corporate identities.” * Bloomberg.com *“One for graphic designs and semioticians alike… As a chronicle of the birth of corporate identity, it can’t be beaten.” * Wallpaper* *“Fascinating stories behind the world’s oldest logos.” * cnn.com *“A good logo is one you can draw from memory in the sand with your big toe.” * Kurt Weidemann *“A trademark should be so distinctive that each time a firm’s name is mentioned the design springs into one’s mind.” * A.A. Longden *

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Book Synopsis“These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function.” This book, opening with these words, presents an entirely new theory on the process of design.Trade ReviewOne of the most important contemporary books about the art of design, what it is, and how to go about it. * Industrial Design *Christopher Alexander has outlined an ambitious proposal that could revolutionize the approach to architectural design… His method cannot help but become ‘a very powerful tool indeed’ for those who would deal with projects of the complex present and the growing complexity of the future. * Progressive Architecture *The success or failure of the designed environment will remain, as always, a human responsibility… Alexander’s assertions are not only challenging and stimulating but informative. * American Institute of Architects Journal *An important book for the urban designer and planner…stimulating and certainly controversial… It may one day prove to be a landmark in design methodology. * Journal of the American Institute of Planners *Table of Contents1. Introduction: The Need for Rationality Part One 2. Goodness of Fit 3. The Source of Good Fit 4. The Unselfconscious Process 5. The Selfconscious Process Part Two 6. The Program 7. The Realization of the Program 8. Definitions 9. Solution Epilogue Appendix 1. A Worked Example Appendix 2. Mathematical Treatment of Decomposition Notes

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Book SynopsisRobin Williams is the author of dozens of bestselling and award-winning books, including The Non-Designer's Presentation Book, The Non-Designer's InDesign Book, and The Mac is not a typewriter. Through her writing, teaching, and seminars, Robin has educated and influenced an entire generation of computer users in the areas of design, typography, desktop publishing, the Mac, and the Web.Table of Contents Chapter 1. Introduction Chapter 2. Proximity Chapter 3. Alignment Chapter 4. Repetition Chapter 5. Contrast Chapter 6. Review of the Four Design Principles Chapter 7. Design with Color Chapter 8. Extra Tips & Tricks Chapter 9. The Essentials of Typography Chapter 10. Type (& Life) Chapter 11. Categories of Type Chapter 12. Type Contrasts Chapter 13. Does it Make Sense? Chapter 14. Answers & Suggestions Chapter 15. Typefaces in this Book

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