Book design and Bookbinding Books

Book SynopsisThis is a modern, stylish and practical guide to the traditional craft of bookbinding, written by the founders of the London Centre for Book Arts, a destination workshop space that attracts visitors from all over the world. Accessible enough for complete beginners, while full of inspiration for those with more experience, this is the ultimate guide to making beautiful books by hand. Starting with an introduction to the bindery and a useful inventory of necessary tools and equipment, you’ll also learn about different paper types, and special finishes such as cloth coverings, headbands and ribbon markers. You’ll then find clear step-by-step instructions for six different hand-made book types, from simple pamphlets and concertinas to more elaborate multi-section bindings. Each project includes ideas for variations, resulting in over 20 different possible outcomes. There are also details about more advanced techniques and specialist bindings, as well as handy layout and design advice. A combination of practical and inspirational photography will guide readers clearly through each stage of the process, while showcasing the unique results that can be achieved and offering an exclusive peek into the workings of the authors’ studio.

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Book SynopsisThe New Yorker was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'. The New Yorker has also offered great literature in short stories from such acclaimed writers as John Cheever, Roald Dahl, Alice Munro, Haruki Murakami, Vladimir Nabokov, J. D. Salinger, and Shirley Jackson. From the very first issue, the now iconic monocled dandy Eustace Tilley made The New Yorker's covers unique and pointed. These signature traits have continued right up to the present day in the striking and sometimes controversial covers from such artists as Peter Arno, William Steig, Saul Steinberg, Jean-Jacques Sempé, and Art Spiegelman.Selected by Françoise Mouly

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Book SynopsisA unique collection of 100 postcards, each featuring a different and iconic Ladybird book cover from the 1940s to 1970s. From the first ever Ladybird book Bunnikin''s Picnic Party, to Well-Loved Tales and How It Works, this is a selection from over thirty years of beloved Ladybird illustration in one sturdy little gift box. A perfect nostalgia gift for all Ladybird fans.

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Book SynopsisDuring the 1660s, Samuel Pepys kept a secret diary full of intimate details and political scandal. Had the contents been revealed, they could have destroyed his marriage, ended his career, and seen him arrested. This engaging book explores the creation of the most famous journal in the English language, how it came to be published in 1825, and the many remarkable roles it has played in British culture since then. Kate Loveman ? one of the few people who can read Pepys''s shorthand ? unlocks the riddles of the diary, investigating why he chose to preserve such private matters for later generations. She also casts fresh light on the women and sexual relationships in Pepys''s life and on Black Britons living in or near his household. Exploring the many inventive uses to which the diary has been put, Loveman shows how Pepys''s history became part of the history of the nation.

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Book SynopsisA collection of 100 postcards, each featuring a striking cover from American Vogue. From early aspirational illustrations to modern celebrity photography, this is a stunning selection of Vogue's most dazzling images. Since its launch in 1892, Vogue has brought sophistication to its readers around the world. Early illustrations from artists including George Wolfe Plank, Olive Tilton, Pierre Brissaud, and Eduardo Garcia Benito saw ethereal figures of fantasy develop into red-lipped flappers, and as colour photographs began to appear, the women transformed again: from Surrealist images by Horst P. Horst to 'women in the life of the moment', captured by Irving Penn. From the fifties onwards, Vogue women became more accessible still, as models and stars like Elizabeth Taylor, Goldie Hawn, Cindy Crawford, and Cher, with their own distinct personalities, appeared through the lenses of Richard Avedon and Snowdon. Vogue covers now are the epitome of style and beauty, with such illustrious photographers as Mario Testino, Annie Leibovitz, Steven Klein, and Patrick Demarchelier photographing stars like Lady Gaga, Kirsten Dunst, and Kate Moss, celebrating female icons across modern culture.

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Book SynopsisWhat exists in the space between the words and the pictures? How do the stories unfold? What happens between the first sketch and finished picturebook? Twelve of the world’s finest contemporary picturebook makers generously share their experiences, challenges, doubts, sketches, illustrations, and invaluable insights into their creation process. They reveal the complex and time-consuming work that happens behind the scenes, in service of their stories and their readers. An inspiring collection of picturebook knowledge for anyone interested in this unique and dynamic art form. The editor of the book is Sam McCullen, who runs the Picturebook Makers blog and the picturebook platform dPICTUS. PICTUREBOOK MAKERS reveals the picturebook’s immense creative potential, and celebrates outstanding international picturebooks and their creators. Featuring Jon Klassen, Kitty Crowther, Beatrice Alemagna, Shaun Tan, Eva Lindström, Blexbolex, Chris Haughton, Suzy Lee, Bernardo P. Carvalho, Isol, Manuel Marsol, and Johanna Schaible.Table of ContentsFeatured picturebook makers: Jon Klassen Kitty Crowther Beatrice Alemagna Shaun Tan Eva Lindström Blexbolex Chris Haughton Suzy Lee Bernardo P. Carvalho Isol Manuel Marsol Johanna Schaible

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Book SynopsisThis is a book that pushes the boundaries of what it means to be a book!

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Book SynopsisA revelatory glimpse into the passions and obsessions of 60 visionary artists through the medium of their personal sketchbooks, treatises, storybooks, grimoires, and journals. This unprecedented gathering of handmade books from the most notable Art Brut artists has been brought together expressly for this publication from both public and private collections. Each volume is showcased in separate chapters featuring the cover and a selection of inside pages, with accompanying commentary. They cover the period from the early 20th century to the present, and include works by Horst Ademeit, Alöise, Giovanni Bosco, James Castle, Henry Darger, Charles Dellschau, Malcolm MacKesson, Dan Miller, Michel Nedjar, Jean Perdrizet, Royal Robertson, Charles Steffen, Oskar Voll, August Walla, and Adolf Wölfli, among others. Text in English and French.Table of ContentsSommaire Contents p. 6 Préface Christian Berst p. 8 Preface Christian Berst p. 10 Le temps d’autrui, ou les apparences fissurées Graciela García Muñoz p. 14 Others’ Time, or Fissured Appearances Graciela García Muñoz p. 18-397 01 Henry Darger 02 Adolf Wölfli 03 Aloïse Corbaz 04 Antinéa 05 Beverly Gayleen Aiken 06 James Castle 07 Pearl Blauvelt 08 Henri Histe 09 Peter Mikolajewski 10 August Walla 11 Rudolf Heinrichshofen 12 August Johann Klose 13 Oskar Voll 14 James Edward Deeds Jr 15 Anonyme 16 Alexander von Schwartzenberg 17 Charles Steffen 18 Malcolm McKesson 19 Éric Benetto 20 Aurel Iselstöger 21 Michel Nedjar 22 Josvedy Jove Junco 23 Henry Speller 24 Anselme Boix-Vives 25 Giovanni Bosco 26 Yuichiro Ukai 27 Itsuo Kobayashi 28 Giuseppe Barocchi 29 Carlos Augusto Giraldo 30 Aníbal Brizuela 31 Rigo 32 Jorge Alberto Cadi 33 « Prophet » Royal Robertson 34 Milton Schwartz 35 Pierre Richard 36 John Devlin 37 J. B. Murray 38 Jill Gallieni 39 Joseph Lambert 40 Xie Hong 41 Kunizo Matsumoto 42 Dan Miller 43 Ramón Losa 44 Agatha Wojciechowsky 45 Anonyme, cahier spirite 46 Patricia Salen 47 Jean Perdrizet 48 Henry Cresswell 49 Zdeněk Košek 50 Joseph Giraudo 51 Pascal Jacquens 52 Jean Fick 53 Horst Ademeit 54 Jean-Daniel Allanche 55 Adelhyd van Bender 56 Oscar Morales 57 Josef Heinrich Grebing 58 Charles Dellschau 59 Karl Hans Janke

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Book SynopsisIn the short forty-two years of her life, Jane Austen wrote six novels that would endure long after her death in 1817. The texts are true classics, unchanged and yet still immensely popular some 200 years later, but the covers have changed with the times-from the elegant inscriptions of the famous Peacock cover, to pulpy sixties pop art, to graphic novels, Twilight-inspired copycat covers, and mystifyingly bad digital editions. With over 200 images of covers spanning as many years of Austen books, this fascinating, funny, and art-filled book is a must for Janeites, design geeks, and book lovers of every stripe.Trade Review“Fans of Emma and Persuasion may OD on the eye candy contained in Margaret C. Sullivan's Jane Austen Cover to Cover. A fascinating survey of the visual treatments of Austen's work...this irresistible album provides an intriguing overview...”—BookPage

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Book SynopsisRichard Minsky, founder of the Center for Book Arts in New York City, is known for his conceptual approach to hand bookbinding and his commitment to changing the perception of the book arts from craft to fine art. He combines a background in economics with an innovative use of traditional methods and new materials to create sculptural, often political, bookworks. Minsky''s blending of an eclectic mix of interests, from musical and theatre performance to social issues and virtual worlds, remains a hallmark of his career. This collection showcases his editioned (non-commissioned) bookworks alongside selections from the Richard Minsky Archive, which documents the history of his career and his working process.Also available:The Art of American Book Covers 1875-1930 ISBN: 9780807616024

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Book SynopsisOur irresistible Bibliophile publishing program from beloved illustrator Jane Mount includes notecards to win any bibliophile's heart, as well as a book and three ceramic vases.Trade Review"Bright, colourful, fun and ideal for book lovers, these notecards each display a different stack of books, with themes ranging from well-loved novels to essential cookery books." -- The Bookseller

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Book SynopsisWorlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art and the artists who created these extraordinary images. In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward.Trade Review“[…] Rowe’s obvious love for the form animates the volume, and makes a powerful case for how this period continues to influence the genre’s aesthetic. Sci-fi fans of all stripes will be delighted.” * Publishers Weekly *

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Book SynopsisToday letterpress is in revival and widely used in books, posters, bespoke stationery like invitations, name cards, letterheads and so on. Letterpress designers like Alan Kitching or Jesús Morentin crave out their names in the computer-generated design world with beautiful-composed types. This book introduces the history and the process of letterpress printing and includes a list of classic movable types arranged in style order. The volume also includes letterpress designers, artists, type foundries, institutions, or even museums from all over the world, each with an elaborated biography and exclusive interviews with the most relevant professionals in this area. It will prove to be a handbook for type designers, letterpress designers, type lovers, design students and ordinary readers who enjoy crafts and prints.

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Book SynopsisA lavishly illustrated, large-format reference book highlighting the work of 101 essential children's illustrators The illustrated children's book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke's prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated juveniles in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children's book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last

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Book SynopsisAre you considering a career in the world of publishing, or simply want to understand more about the industry? If so, The Publishing Business will take you through the essential publishing activities performed in editorial, rights, design, production, sales and marketing departments. International examples from across the industry, from children''s books to academic monographs, demonstrate key responsibilities at each stage of the publishing process and how the industry is adapting to digital culture. This 3rd edition has been updated with more on the role of self-publishing, independent publishers, audio books, the rise of poetry and non-fiction and how the industry is facing up to challenges of sustainability, inclusivity and diversity.Beautifully designed and full of insight and advice from practitioner interviews, this is an essential introduction to a dynamic industry. Interviewees include:Anne Meadows, Commissioning EditoTrade ReviewThis third edition of The Publishing Business does an excellent job of updating what was already a valuable learning resource. With its helpful layout and structure, this is a thoroughly contemporary publishing textbook and a perfect introduction for anybody wanting to learn about and engage with this dynamic creative industry. * Dr David Barker, Senior Lecturer in Publishing, University of Derby, UK *The most recent edition of The Publishing Business integrates valuable updates for new students, including information on social media developments, ethical issues surrounding access to book culture, and insights into newly created positions in the publishing industry. This text continues to be an important teaching resource for publishing studies courses. -- Dr Solveig C. Robinson, Director, Publishing & Printing Arts Program, Pacific Lutheran University, Washington, USA[Praise for the previous editions] Provides an excellent introduction to contemporary publishing. It is recommended reading for anyone wanting up-to-date information about roles and responsibilities in this global industry. -- Sally Hughes, Oxford Brookes University, UKBeautifully produced and illustrated, The Publishing Business provides a clear and succinct overview of what it means to be a publisher in an era of rapid technological change. The use of diagrams and case studies helps to convey complex information in a clear and meaningful way. A useful reference guide for publishing professionals. -- Penelope Woolf, Editorial Director, Oxford University Press, UKI think the book is superb! It looks so much better than any existing textbook on the subject, and practises what it preaches: it is a real visual feast for a visual medium. I shall definitely be recommending it as the main source that students need for their course. A really great production feat! -- Brenda Stones, City University, LondonThe Publishing Business represents not only a thoroughly researched and comprehensive guide to contemporary publishing but also an example of what a well designed and accessible textbook should be. -- Prof Alistair McCleery, Edinburgh Napier UniversityA book that addresses the editorial process in a clear, concise, summarized and instructive way is most refreshing. -- Blog of the School of BookstoreTable of ContentsIntroduction People And Publishing: Who Does What In Book Publishing? Chapter-By-Chapter 1. Fundamentals of Publishing A Very Short Of History of Publishing Why Finance Matters The Relationship between Different Parts of Industry The Global and Local Fundamentals Ethical Issues in Publishing Interview: Namrata Tripathi, Founder and Publisher of Kokila Preparing For a Future in Publishing Interview: Anne Meadows, Commissioning Editor at Granta and Portobello Books Case Study: Bertelsmann and Random House Summary 2. The Publishing Ecosystem Varieties of Publication- Markets and Audiences International Publishing – The Global Market Print and Ebooks Audiobooks Interview: Alba Proko, Audio Manager, Bookouture “Diversity” In Children’s Books Journals, Magazines and Newspapers Who Adds Value to the Publishing Process? Case Study: Amazon and EBSCO Interview: Zaahida Nabagereka, Head of Social Impact at Penguin Books UK Summary 3. Writers, Readers and Intermediaries Authors, Illustrators, Creators and Their Rights Agents and Other Gatekeepers Network and Opinion Formers Prizes Small and Independent Presses Channels to Readers and Buyers Case Study: Frankfurt Book Fair Interview: Ashleigh Gardner, Senior Vice President, Managing Director Global Publishing, Wattpad Interview: Caroline Walsh, Literary Agent, David Higham Associates Summary 4. Editorial Process Policy and Planning: List Building and Market Niches Commissioning: Research, Reputation and Funds Contractual Matters: Formats and Co-Editions Editorial Work: From Submissions to Publication Interview: Breanna McDaniel, Author and Sensitivity Reader Case Study: A Guide for Dummies Interview: Peter Blackstock, VP, Deputy Publisher, Grove Atlantic/Publisher, Grove Press UK Summary 5. Rights How Different Rights Developed Range Of Rights Who Is Involved In Selling Rights Case Study: The Rights Potential of Children's Books Interview: Amy Ellis, Head of Rights and Permissions, Publishers' Licensing Services Interview: Victoria Lawrance, Rights Manager, Bloomsbury Publishing Plc Summary 6. Design and Production Platforms and Formats Appropriate For the Content Scheduling the Publication Process Controlling Costs and Establishing Prices Case Study: Horrible Histories Interview: Shaun Hodgkinson, COO, Dorling Kindersley Interview: Thomas Truong, Publishing Director, Little Tiger Group Summary 7. Print and Digital Publishing Choosing From a Variety of Media and Formats Legalities of Publishing in a Wired World Digital Workflow and Software Standard Communication for Print and E-Publications Case Study: Print and Digital at the University Presses Interview: Jenny Blenk, Associate Editor, Dark Horse Comics Interview: Jeanette Morton, Digital Publisher, Oxford University Press Summary 8. Marketing, Sales and Distribution Marketing Communication through Promotion and Publicity Interview: Maria Vassilopoulos, Publishing Sales, Uni of Wales Press and Calon Books Managing Budgets and Schedules Supply Chains Using Feedback to Monitor Success Case Study: Persephone Books Interview: Ian Lamb, Head Of Children's Marketing and Publicity, Simon and Schuster Summary Conclusion Glossary Bibliography and Resources The Publishing Year: Book Fairs and Other Major Publishing Events Index

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Book SynopsisMid-Century Type is a fascinating visual exploration of how, during the middle decades of the last century, the typographer became an independent, influential contributor to a fast-developing technological world of communications. The years after the Second World War were a time of great economic, social, and cultural change as consumerism erupted across industrialized countries, fuelled by the growth of mass communication. The same period was also one of exceptional creativity, including in the fields of typography and graphic design. During the war, governments came to appreciate the skill of designers in communicating public information effectively. Once the conflict was over, designers were recognized for the first time as having an essential role to play in the rebuilding of economies, infrastructure, and public morale. The typographer, however, was still something of a 'Cinderella': type was crucial to communication in almost any medium, yet typography remained a vague and largely unacknowledged profession. This perception changed dramatically between 1945 and 1965. The range of media expanded, and the influence of time-based media such as television and film was profound, providing information 'as it happens' and transforming the turning of a page into the equivalent of the film editor's cut. 'Speed' was the elixir for growth and prosperity. The specific needs of motorway and airport signage were recognized as requiring the expertise of a typographer. Phototypesetting and offset lithographic printing coalesced to provide full-colour reproduction, which in turn vastly increased the sale of all printed material, but especially books and magazines. All of this drew typographers into what became established as specialist fields of printed and screen media. Finally, the cultural value of the typographer's work could be equated with that of the artist, poet, author, and film director. Mid-Century Type charts this meteoric rise of the typographer and graphic designer (often one and the same person) during the early post-war decades. Each chapter is devoted to a specialist field of design activity in which typography played a significant role, from type design and corporate identity to advertising and film, and television. David Jury's text offers fresh insight into the work of a wide array of British, European, and American typographers and is accompanied by some 350 illustrations, many from the author's own extensive collection.Table of ContentsIntroduction Type Design Typographic Journals Posters Corporate Identity Advertising Magazines Books Transport Signage Film and Television Printed Ephemera Notes Further Reading Acknowledgments Index

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Book SynopsisA deep dive into the visual forms, material contexts, social lives, and global circulations of booksIn the twenty-first century, debates on the future of books and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this artistic and intellectual activity, there has been little scrutiny of book arts in South Asia and their particular ontologies, histories, and genealogies. This volume weaves together scholarly essays, original artistic projects, and works of creative nonfiction to trace a history of illustrated books in South Asia from 1100 CE to the present.From Nepalese palm-leaf manuscripts and imperial Mughal albums to lithographed cookbooks and mimeographed magazines, contributors examine a diverse range of materials rarely, if ever, studied together. Thematically organized, the chapters stage a critical dialogue between artists and scholars,Trade Review"[An] exciting new publication...The scholarship complicates common understandings of South Asian bookmaking, whose regional practice and access benefited from Indic, Western, Islamic, and cross-cultural influences in the last millennium. Regardless of readers’ existing knowledge about book histories, a compelling essay or an inspiring image will surely pique their interest." * Hyperallergic *Table of ContentsAcknowledgements Note on Transliteration and Naming Conventions Introduction: Love in the Stacks Sonal Khullar HOLDING AND CARRYING 1. A Book and the Goddess: The Devimahatmya from Palm Leaf to Paper Jinah Kim Artist's Project 1: The Travels of a King T. Shanaathanan COVERING AND CAPTIONING 2. Clothing the Book: Texts, Textiles, and an Ethics of Care Sylvia Houghteling 3. Meaning in the Margins: Kannada Captions in a Deccani Sindbadnama Laura Weinstein Artist's Project 2: After the Plague Parismita Singh CUTTING AND PASTING 4. Books That Bind: The Persianate Album and Its Widespread Circulation Yael Rice 5. Migrations of Media: Photographic Albums, Prints, and Wall Paintings Holly Shaffer Artist's Project 3: Queen Victoria's Favorite Soup Naila Mahmood READING AND RECYCLING 6. Lithographic Assemblages: The Urdu Art Book in the Age of Print Iftikhar Dadi 7. Books and the Matter of Art: Notes on Materiality, Dematerialization, and Value Sonal Khullar Artists' Project 4: Tasavvur (Imagination) Iftikhar Dadi and Elizabeth Dadi CRAFTING AND COLLECTING 8. Quink on My Hands Arvind Krishna Mehrotra 9. In My Father's Trunk Anand A. Yang Bibliography Contributors Index

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Book SynopsisWith an attractive new slipcase and binding, this compact white Bible is an ideal gift for any special occasion, including confirmation, weddings or first communion.The full text of the ever-popular Authorized King James Version Bible, with all its literary beauty and poetic grandeur, in an attractive size and with beautiful binding and slipcase making it an ideal gift.

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Book SynopsisThe best-selling single Bible edition according to Booktrack, now with an attractive new slipcase and binding, this pocket-sized white Bible is an ideal gift for anyone being Christened.The full text of the ever-popular Authorized King James Version Bible, with all its literary beauty and poetic grandeur, in an attractive size and with beautiful binding and slipcase making it an ideal gift.

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Book SynopsisOne of Booktrack's best-selling Bibles, now with a new hard slipcase and attractive binding, this pocket-sized white Bible is an ideal gift for anyone being Christened.The full text of the ever-popular Authorized King James Version Bible, with all its literary beauty and poetic grandeur, in an attractive small size and with beautiful binding and slipcase making it an ideal gift.

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Book SynopsisA look at 100 inspiring novels that have left a significant mark on the world of literature and popular culture.Before the novel, the world of books was dominated by scientific tomes, religious tracts and histories of the victorious in war. There had been stories and epic poems from ancient times Homer's Iliad and Odyssey recounted ancient Greece, and Sir Gawain and the Green Knight was a chivalric romance in Middle English, but it was not until the seventeenth century, when the European middle classes had money and leisure, that anything so frivolous as a novel could be sold for entertainment.Colin Salter traces the evolution of the novel from the earliest examples through to the postmodernist best-sellers of the 21st century. Rather than dwelling too long on the technical nuances of innovative writing style he has amassed 100 of the greatest novel writers and chosen their most significant work.For writers such as Herman Melville, James Joyce or Harper Lee the decision is not a diffi

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Book SynopsisA unique collection of 100 postcards, each featuring a different and iconic Puffin book cover. From picture books to paperbacks, teen fiction to Puffin Classics, this is a selection from seventy years of outstanding British design and illustration in one sturdy little box.

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Book SynopsisIn 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate.Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.Trade Review[A] brilliant book... illustrated with the most sumptuous photographic images of books ancient and modern. * Kathryn Hughes, The Mail on Sunday *A fascinating and encyclopaedic history of books from the ancient worlds to digital media. * , Paradigm Explorer *This book will become an invaluable point of departure for students new to the field, for scholars who need to venture outside their normal chronological and geographical comfort zones and - as it should be - to that elusive general reader. * John Feather, Library & Information History *Raven... has drawn together scholarly essays offering a sweeping, erudite, and thoroughly engaging narrative... A profusely illustrated, handsomely produced intellectual history. * Kirkus, Starred Review *Together, these fourteen essays form a thorough picture of how and why books progressed along the lines that they did. In an age when books are once again experiencing momentous changes, this well-researched reminder of their durability and timelessness is very welcome. * Eileen Gonzalez, Foreword Reviews *This volume is a cultural biography of the book, taking a global view of its underlying function as a portable, durable conveyor of reproducible information... Other works trace the history of the book, but Oxford's treatment is a deeper, more multicultural, and more visually appealing approach. * Lesley Farmer, Booklist *Beautifully comprehensively illustrated history of the book... the essays are stimulating and thought provoking. This is a scholarly work but its also a coffee table book intended to be widely read and accessible. This is a very well curated collection... Fascinating and beautiful. * Paul Burke, NB Magazine *This is an excellent compilation on the world-wide history of the book... beautifully illustrated... Put it on your Christmas present list. * Prof. T.D. Wilson, Information Research *Beautifully illustrated, The Oxford Illustrated History of the Book is a seminal and original work of meticulous scholarship * Midwest Book Review *A sumptuous production. * Liz Dexter, Shiny New Books *[A] handsome and carefully edited volume... which gratifyingly offers the reader so many opportunities to reflect on our words and the impact of their normally accepted meanings. * Kristian Jensen, The Library *Table of Contents1: James Raven: Introduction 2: Eleanor Robson: The Ancient World 3: Barbara Crostini: Byzantium 4: Cynthia Brokaw: Medieval and Early Modern East Asia 5: David Rundle: Western Europe, c. 450-c.1450 6: James Raven and Goran Proot: Renaissance and Reformation 7: Ann Blair: Managing Information 8: Sheila S. Blair and Jonathan M. Bloom: The Islamic World 9: Jeffrey Freedman: Enlightenment and Revolution 10: Graham Shaw: South Asia 11: Marie-Françoise Cachin: Industrialization 12: Christopher A. Reed and M. William Steele: Modern China, Japan and Korea 13: Eva Hemmungs Wirtén: Globalization 14: Jeffrey T. Schnapp: Books Transformed Glossary Further Reading Acknowledgements Acknowledgements Index

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Book SynopsisWhat would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts--page numbers and running heads, copyright statements and errata lists--each possessed of particular conventions, each with their own lively histories. To consider these paratexts--recalling them from the margins, letting them take centre stage--is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others--binders, librarians, lawyers--parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience''s ear-shotBook Parts is a bold anTrade Reviewan engaging work of "book history as anatomy" ... each of the contributors to Book Parts finds their own metaphorical vocabulary to describe the relationship between book part and main text. * James Waddell, Times Literary Supplement *...a Gray's Anatomy for the bookish * Sam Sacks, Wall Street Journal *For making us think about the elements of which a book is comprised, and making us reflect on their long histories - and for doing so with intelligence, learning and wit - this book is to be greatly welcomed...It is rarely less than fascinating and sometimes hugely entertaining. * Mathew Lyons, The Author *Recommended. Upper-division undergraduates through faculty and professionals. * M. C. Cohen, CHOICE *Duncan and Smyth contextualize their undertaking with an unusually self-conscious introduction that does not spend time giving us synopses of each chapter ... There is little need to speak of the whole collection when it is this well edited and each part feels in concert with the others ... It is the drama of this shadowy realm that Smyth and Duncan's collection, both in whole and in part, demonstrates for us. * Nicholas D. Nace, The Book Collector *Table of Contents1: Adam Smyth and Dennis Duncan: Introductions 2: Gill Partington: Dust-jackets 3: Luisa Calè: Frontispieces 4: Whitney Trettien: Title Pages 5: Shef Rogers: Imprints, Imprimaturs, and Copyright Pages 6: Joseph Howley: Tables of Contents 7: Meaghan J. Brown: Addresses to the Reader 8: Helen Smith: Acknowledgements and Dedications 9: Hazel Wilkinson: Printer's Ornaments and Flowers 10: Tamara Atkin: Character Lists 11: Daniel Sawyer: Page Numbers, Signatures, and Catchwords 12: Nicholas Dames: Chapter Heads 13: Rachel Sagner Buurma: Epigraphs 14: Tiffany Stern: Stage Directions 15: Claire M. L. Bourne: Running Titles 16: Alexandra Franklin: Woodcuts 17: Sean Roberts: Engravings 18: Jenny Davidson: Footnotes 19: Adam Smyth: Errata Lists 20: Dennis Duncan: Indexes 21: Sidney Berger: Endleaves 22: Abigail Williams: Blurbs Select Bibliography

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Book SynopsisA collection of 100 postcards, each with a different iconic Penguin Classics cover, in a beautifully designed boxSince its launch with The Odyssey in 1946, Penguin Classics has become the largest and best-known classics imprint in the world. Spanning 4,000 years of world literature, covering all the greatest works of fiction, poetry, drama, history and philosophy in between, 100 Postcards from Austen to Zola is the perfect gift for book lovers everywhere. Here you will find Shakespeare, Austen, Balzac, Ibsen, Virgil, Chekhov, Gaskell, Dickens, Bronte, Nietzsche, Wells, Confucius, Keko, Keats and more.

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Book SynopsisThe career of the pioneering designer Muriel Cooper, whose work spanned media from printed book to software interface; generously illustrated in color.Muriel Cooper (1925-1994) was the pioneering designer who created the iconic MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT's Media Lab, where she developed software interfaces and taught a new generation of designers. She began her four-decade career at MIT by designing vibrant

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Book SynopsisMedieval prayer books held not only the devotions and meditations of Christianity, but also housed, slipped between pages, sundry notes, reminders, and ephemera, such as pilgrims' badges, sworn oaths, and small painted images. Many of these last items have been classified as manuscript illumination, but Kathryn M. Rudy argues that these pictures should be called, instead, parchment paintings, similar to postcards. In a delightful study identifying this group of images for the first time, Rudy delineates how these objects functioned apart from the books in which they were kept. Whereas manuscript illuminations were designed to provide a visual narrative to accompany a book's text, parchment paintings offered a kind of autonomous currency for exchange between individualspeople who longed for saturated color in a gray world of wood, stone, and earth. These small, colorful pictures offered a brilliant reprieve, and Rudy shows how these intriguing and previously unfamiliar images were traded and cherished, shedding light into the everyday life and relationships of those in the medieval Low Countries.Trade Review'Yale has produced the first published book to identify and give us an insight into these types of images... It is a must for history lovers, but will be enjoyed by all who turn its glorious pages, with some unforgettable illustrations.'-Bill Spence, Yorkshire Gazette & Herald. -- Bill Spence Yorkshire Gazette & Herald "Postcards on Parchment is a cornucopia of deeply researched case studies and images"-Nicolette Zeeman, TLS -- Nicolette Zeeman TLS "It is not often that a scholar can say they have identified a new genre of artwork. Yet Kathryn Rudy has achieved just that in this thoughtful study of parchment paintings."-Mary Wellesley, Apollo -- Mary Wellesley Apollo "[Kathryn Rudy's] study is both provocative and well documented, generously illustrated and appealingly written, with a lively awareness of the medieval practices that are likely to draw in non-specialists as well."-Elizabeth J. Moodey, Historians of Netherlandish Art -- Elizabeth J. Moodey Historians of Netherlandish Art "[An] exuberant study ... Rudy is an agile spelunker of books, delving with brio into their recesses. The abundant details that emerge from these excavations never seem to grow ponderous, and they are always leavened by Rudy's effervescent prose."-Sonja Drimmer, caa.reviews -- Sonja Drimmer caa.reviews

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Book SynopsisShowcasing a unique and extensive private collection that is soon to be acquired by the Yale Center for British Art, The Poet of Them All illustrates almost one hundred of Neale and Margaret Albertâs miniature books, each one intricately constructed and rendered in precise detail at less than three inches in height. Imaginatively hand-bound by some of todayâs most accomplished bookbinders, the selection features custom miniature editions of publications by William Shakespeare and related to his works, preceded by an in-depth essay from leading book historian, conservator, and artist James Reid-Cunningham. Revealing an underexplored facet of contemporary book arts, this publication illustrates the remarkable singularity of the Albertsâ collection, providing both comprehensive views and the scholarly context necessary to fully appreciate the significance of these distinctive objects. Distributed for the Yale Center for British ArtExhibition Schedule:The Grolier Club, New York (03/24/1

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Book SynopsisThe Paper Trail is the two-millennia-long history of how a simple Chinese invention changed the course of human events. Tracing the emergence of paper from the imperial court of Han China to its subsequent journeys to Japan, Korea, and Vietnam, through the empire of the Abbasid Caliphate and eventually, by way of the Silk Road, to Europe in the late thirteenth century, Alexander Monro shows how the medium allowed religions and revolutions, philosophies and propaganda to spread like never before. A sweeping, richly detailed, and vividly written tale populated by holy men and scholars, warriors and poets, rulers and ordinary men and women, here is the story not only of paper, but of human culture itself.

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Book SynopsisA beautifully illustrated, full colour history of scrolls and their uses in medieval life.Trade Review"We all supposed that scrolls had more-or-less died out in the ancient world, to be superseded by the codex. This fascinating book unfolds a parallel universe of manuscripts throughout the Middle Ages. The living fossils from antiquity were actually still there, alive and invisible, in every aspect of medieval book production. They just keep rolling, they keep on rolling along." -- Christopher de Hamel, author of Meetings with Remarkable Manuscripts"There is much to admire in Kelly's concise, well-illustrated, and vivid account." -- Bernard Meehan, Research Fellow, Trinity Medieval History Research Centre, Trinity College Dublin"This is a wonderful introduction to the medieval scroll. A thoroughly enjoyable reading with numerous insights on this very popular form and exceptionally illustrated with key examples and explanatory caption." -- Orietta Da Rold, Fellow at St. John’s College, Cambridge"... lively book... There are many beautiful images here: we are able to study scrolls containing recipes—culinary, medical, magical and alchemical (some of them were lavishly illustrated); rolls of arms; maps for pilgrimages; and royal genealogies." -- Times Literary Supplement"This lavishly illustrated survey provides a superb overview of these important and often beautiful artefacts." -- Times Higher Education"This book sets out to set the record straight by instancing the scroll in various forms throughout the Middle Ages into the Renaissance." -- The Art Newspaper"... well-illustrated and highly readable volume... decades of research into scrolls by the author has resulted in a fascinating glimpse of their use throughout history..." -- The Catholic Herald

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Book SynopsisThe latest addition to the stylish Mid-Century Modern gift range, featuring elegant illustrations of classic pieces presented in a compact single volume.Trade Review'A comprehensive digest showcasing more than 90 pieces from this highly collectable style of design' - Creative Boom'[A] homage to mid-century style' - It's Nice That'[A] style encyclopedia' - Ideal Home'If you're looking to source inspiration from a particular century for your crafty projects, or need ideas on how to furnish your sewing room, then this book is perfect' - SewTable of ContentsIntroduction • The Icons • Index of models, designers and manufacturers

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Book Synopsis* A New York Times Book Review Editors' Choice *The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of historyThe illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. However, we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years: a monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British co

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Book Synopsis

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Book Synopsis

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Book SynopsisThe first critical examination of a literary hero and complex historical figure through book illustration.Trade Review"This book shows impressive erudition and scholarly imagination. It is extremely informative, breaks new ground, and encompasses a broad range of primary and secondary works, many of them overlooked by previous scholarship." Michael P. Harney, University of Texas at Austin

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Book SynopsisThe volume includes a glossary of terms, a timeline of important events, and a selected bibliography of useful resources for further information.Trade ReviewThe book is arguably the one technology that has made all others possible... What Howard does is provide an exceedingly accessible retelling of the book's life story, one that shows precisely how books represent a peak of technology, giving permanence and form to ideas and relevance and resonance to their readers. Libraries & the Cultural Record A very succinct history of the book that will be quite useful, in introductory book history courses as a survey text (or by any bibliophile who wants to know more.) philobiblos.blogspot.com 2009Table of ContentsIntroductionTimeline1. Ancestors: Books before Print2. Infancy: The Earliest Printed Books, 1450–15003. Youth: Books in the Sixteenth Century4. Adulthood: Early-Modern Books, 1600–18005. Maturity: Books in the Age of Automation, 1800–19006. The Future of Books: Twentieth Century and BeyondGlossaryBibliographyIndex

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Book SynopsisSpecimens of Chromatic Wood Type, Borders, &c. is a vintage volume with an established cultlike status within the bibliophile, typographic, and design worlds. Originally published as a catalogue for William H. Page’s Connecticut wood type foundry— considered one of the best in the world—this 1874 type specimen book features elaborate display typefaces meant to announce tent revivals and circuses. In addition to the beautifully intricate typefaces and playful designs, the original author designed the pages in such a random sequence that the text reads as humorous and strange experimental poetry. Accidental or not, this beautiful book will delight readers with the humor and the beauty of each print.   This edition reproduces all 102 pages of the original book. A charming gift or perfect addition to any serious art-book library, this volume will be loved by typographers, designers, artists, poets, DIYers, and anyone with a wicked sense of style.Trade Review"During the 1870s the Wm. H. Page & Company published what are often considered the greatest type specimens ever printed. These lavish books were masterfully printed to showcase Page’s chromatic wood types and inks by Wade’s Inks. Esther K. Smith of Purgatory Pie Press, design historian Steven Heller, and artist Wayne White collaborated to produce a stunning facsimile of Page’s 1874 specimen, published by Rizzoli."—Daily Type Specimen"Surpringly psychadelic..."—Alexandra Lange

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