Sculpture Books

Book SynopsisAndy Goldsworthy reflects on an astonishing 50 years. Illustrated with works spanning Goldworthy's career, the book includes a wide-ranging interview with the artist.

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Book SynopsisA monumental new history of British conflict, publishing for the eightieth anniversary of VE Day''Impressive. A hundred individual histories, skillfully assembled, built into a poignant meditation on why they still matter'' David Olusoga''Brilliant'' Piers MorganPublished for the eightieth anniversary of the end of World War Two, this moving book examines the inspirations and individuals behind our memorial-studded country. Acclaimed historian Tessa Dunlop travels the length and breadth of the United Kingdom on a quest to uncover a story of national warring and national mourning, of fighting each other and of fighting together. In so doing, Lest We Forget summons a stellar cast of veterans, military experts and families of the fallen to reveal what our monuments and war heroes say about us, both then and now.Why did Scotland take nearly 600 years to commemorate its most famous freedom fighter? When did Wellington become anti-Establishment? Who are the Glorious Dead? Can the Cenotaph stay above politics? And how do you commemorate contested, asymmetrical wars?Through veteran testimony and contemporary voices like Falklands hero Simon Weston and HRH The Duke of Kent, Tessa brings to life the pride and the pain involved in commemorating 2,000 years of war and peace across Scotland, England, Northern Ireland and Wales in a monumental British story.Lest We Forget, freedom is not free.''In this wonderfully incisive, moving and timely book about commemoration, Dunlop breathes life into 100 British monuments some famous, others less so that together reveal our island story. A stunning achievement.'' Saul David

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Book SynopsisMastering Sculpture: The Figure in Clay is a comprehensive workshop on sculpting the human form from head to toe for ceramic artists. Trade Review“Readers of this book will discover that Cristina is an alchemist, mixing accuracy and instinct in perfect measure to bring clay, slip, and glaze to life. As an artist, she translates the human form with sensitivity and expression. As an instructor, she articulates complex information clearly and deliberately for sculptors at any level of experience. Cristina’s fascination with the human form is infectious; her commitment and attention to detail are constants throughout the book.” * Leslie Noell, creative director, Penland School of Craft *“A wonderful resource for anyone who wants to gain a deeper understanding of figurative sculpture. It is hard to imagine anyone better suited than Cristina to offer this expertise and experience as she is a gifted artist and generous educator. I highly recommend this book for artists or enthusiasts of any skill level.” * Steven Young Lee, resident artist director, Archie Bray Foundation *“This is an exceptional book by an exceptional artist. Cristina Córdova has delivered a rare document that reveals highly useful information in a refreshingly smart, concise, and elegantly organized way. In so doing, she has also captured a deeply felt regard for the poetry and beauty of the human figure and the power of clay to render emotional depth.” * Wayne Higby, professor of ceramic art, director and chief curator, Alfred Ceramic Art Museum, Alfred University *“Cristina Córdova’s unique multicultural education and perspective has given her an unmatched combination of academic rigor and unfettered creativity in her approach to sculpting the human figure. This book is a road map to acquiring a skill set that is rarely taught in art schools anymore… and an incredible gift to those on a quest to master figural sculpture.” * Garth Johnson, Paul Phillips and Sharon Sullivan Curator of Ceramics, Everson Museum of Art *“Creating figures and narratives that spring from her ongoing exploration of the human psyche and existential pathos, Cristina Córdova is a super talent whose sculptures, full body or fragmented, single figure or installation, contain the whole history of art in every pose and gesture, at once strikingly contemporary and timeless. Her imagination is matched by her skill and by her generosity in sharing her craft.” * Annie Carlano, senior curator of craft, design, and fashion, The Mint Museum *“This book is a testament to Cristina’s beautiful work as well as the clarity of instruction on how she makes it. She is a wealth of talent and integrity. She makes figuration look so seamless and easy. I might try coiling the figure now!” * Tip Toland, acclaimed ceramics artist *“Cristina Córdova is unquestionably one of the most talented, rigorous, and artistically ambitious artists working with the figure today—period.” * Tony Marsh, professor emeritus, California State University Long Beach *"Exceptionally well organized and presented making it an ideal DIY instruction guide and manual, Mastering Sculpture: The Figure in Clay is an especially and unreservedly recommended as a textbook for art class curriculums on sculpture, and an essential, core addition to personal, professional, community, college, university, and art school Sculpting Art & Techniques collections." * Midwest Book Review *"Whether you're a beginner or an experienced artist, this book is a valuable resource for enhancing your sculpting skills. The author's expertise and generosity shine through in her writing, making this book a must-have for any artist's collection." * CitizenSide *Table of ContentsForeword Introduction 1 PREPARATION Studio Setup Finding Inspiration Simple Armature Construction External Supports 2 GETTING STARTED How to Make a Slab Using Patterns 3 ASSEMBLING LOWER BODY PARTS ON ARMATURE Preparing Your Armature Joinery Footprint and Lower Leg The Foot Upper Leg Pelvis 4 ASSEMBLING THE UPPER BODY Getting Started Attaching Torso to Pelvis The Neck Breasts Arms 5 THE HEAD Using a Pattern to Create a Head Shape Adding Facial Features Refining Features Fleshing: Creating Flow and Continuity Hair Attaching Head to Neck 6 HANDS Forming the Hands Attaching the Hands 7 FLESHING OUT CORE FORMS Venting Reading Contours with Additional Photographic Views to Achieve Accuracy The Process Artistic Considerations 8 SURFACE DEVELOPMENT, DRYING, AND FIRING Surface Development Drying and Firing Appendix A: Four Cardinal Views Appendix B: Model Reference Photos Appendix C: Illustrative References Appendix D: Templates Acknowledgments Resources About the Author Index

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Book SynopsisThe first major monograph in sixty years on the San Francisco modernist sculptor who developed a unique abstract style rooted in surrealism and inspired by nature.This beautifully produced volume celebrates the life and career of Adaline Kent (1900–1957), a member of one of the Bay Area’s most productive and innovative midcentury artistic groups. Kent is linked to modernist artists Ruth Asawa, Mark Rothko, Isamu Noguchi, and Clyfford Still.Texts by a diverse range of scholars cover such subjects as infinity and movement in Kent’s work; the influence of nature; and the diverse artistic milieu at the San Francisco Art Institute and beyond that surrounded Kent and her husband, artist Robert Howard.With an extensive chronology and a wide selection of sculptures, photographs, and rarely seen works on paper and paintings on Hydrocal, the book substantiates Kent’s achievement as one of midcentury America’s most innovative sculptors,

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Book SynopsisOne of the greatest living sculptors and a well-known art critic examine the central role of sculpture in the development of human culture from prehistory to the present day.Trade Review'Very informative' - V&A Magazine'The sculptor and the art critic have redefined the [art] form ' - Sunday Times'The quality of production does full justice to the superb content …there’s a strong sense of a continuous narrative driven by shared enthusiasm and common, though not always parallel, ground' - artbookreview.com'I lost myself in your book – it seemed to be about my world' - Carlo Rovelli, physicist and author of 'There Are Places in the World Where Rules Are Less Important''If you want to rethink your ideas about sculpture, this fascinating book will give you pause for thought on just about every page ... a mighty, lusciously produced tome ... You can lose yourself in just looking at the illustrations' - Financial Times'A fully illustrated journey across time and space … a volume about relishing not just the range and variety, but also the power and possibilities of the discipline it discusses' - The Times'Wide-ranging' - Art Mag'Lavishly illustrated … invites us to take a new look at three-dimensional art as it ranges across eras, continents, scales and materials … an interesting and often revelatory book' - Rachel Campbell-Johnston, The Times'[A] revealing examination of sculpture across the aeons' - Best Art Books of 2020, Sunday Times'Imagine eavesdropping on two brilliant men discussing art, bouncing ideas around and clarifying each other’s thoughts … a fascinating conversation, which defines sculpture as widely as possible … Brilliant' - Daily Mail'A fresh way to encounter art as a global phenomenon' - Literary Review'There is something very personal about Gormley and Gayford’s conversations ... The maker brings renewed understanding to the writer, the critic, the reader, the viewer. This understanding enables us to better interrogate sculpture, and perhaps to reflect more fully on our lives in the world' - Studio International'Gormley provides an exceptionally erudite foil for their joint insights into the merging of art, architecture, faith and life' - World of Interiors'Lively conversations and explorations which encourage the reader to look at sculpture in a completely different way. ...The content, familiar and unfamiliar, is awesome. Gormley and Gayford are very accessible' - Mature TimesTable of ContentsPreface • 1. Bodies in Space • 2. Off the Wall • 3. Mounds, Fields & Standing Stones • 4. Trees & Life • 5. Light & Darkness • 6. Clay & Modelling • 7. Voids • 8. The Body & the Block • 9. The Age of Bronze • 10. Bodies & Buildings • 11. The Colossus & the Slave • 12. Time & Mortality • 13. Drapery & Anatomy • 14. Actions & Events • 15. Fear & Fetishism • 16. Collecting & Selecting • 17. Industry & Heavy Metal • 18. Shaping a Changing World

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Book SynopsisThis richly illustrated and beautifully produced scholarly catalogue of the superlative collection of Renaissance and Baroque bronze figurative statuettes from the Hill collection accompanies an exhibition of the collection at the Frick Collection, New York, opening late January 2014. Spanning from 1470 to 1740, the bronzes presented are of exceptional quality and exemplify the development of bronze statuettes from 1470 in Renaissance Italy to their dissemination across the artistic centres of Europe. The Hill Collection is distinguished by rare, autograph masterpieces by Italian sculptors such as Andrea Riccio and Giambologna, and has the most important collection of Baroque Bronzes by Giuseppe Piamontini in the world. Its holding of works by the Giambologna school is the strongest found in any single collection, with the sole exception of the Museo Nazionale del Bargello, Florence. These evoke the splendour of the late Renaissance courts, while the richness of the international BAroque is represented by religious themes by Alessandro Algardi, northern bronzes by Adriaen de Vries and Hubert Gerhard, and a remarkable assemblage of French 16th- and early 17th-century bronzes in the classical mode by Barthélemny Prieur and from the circle of Ponce Jacquiot.The Hill Collection reveals the range of artistry, invention and technical refinement characteristic of sculptures created when the tradition of the European statuette was at its height.The catalogue includes detailed biographies of each of the artists represented, and is introduced with essays by the distinguished authors. Patricia Wengraf is one of the world's leading dealers in bronzes, scuplture and works of art, and in her particular speciality, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are of world repute. Denise Allen is Curator of Renaissance Paintings and Sculpture at the Frick Collection. Claudia Kryza-Gersch, formerly at the Kunstkammer, Vienna, is an independent scholar renowned for her studies of North Italian bronzes of the 16th and 17th centuries. Dimitrios Zikos, in Florence, an independent scholar renowned for his knowledge of the Florentine archives from c. 1550 to 1740, has curate many exhibitions at the Museo Nazionale del Bargello, Florence. Rupert Harris is the leading conservator of metalwork and sculpture in the UK.

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Book Synopsis“Walking between these figures feels like an interruption; being a spectator is itself a performance. They seem to know more than we do, about the status of being an artwork and the place of the viewer. The joke, if there is one, is on us.” — The Guardian Muñoz's revolutionary oeuvre creates emotional and evocative narratives through sculpture, installation, drawing, writing, and sound. Situating viewers between his work and amongst each other, he creates an intimacy between works of art and viewers. Muñoz thought deeply about art history and in particular the tradition of Spanish painting. Before his untimely death at the age of forty-eight, he produced an extensive, powerfully evocative body of work that uniquely explores the narrative and philosophical possibilities of art. Published on the occasion of the two-floor exhibition at David Zwirner in New York in 2022, this catalogue provides an expansive overview of Muñoz’s career from the 1980s onwards. In an accompanying text, art historian and curator Guillaume Kientz contextualizes Muñoz’s influences within the art-historical canon. Acclaimed writer Siri Hustvedt writes a thoughtful response to the artist’s iconic Conversation Piece. In an imagined interview between Muñoz and himself, Maurizio Cattelan further propels the artist’s artistic momentum and potential in the time before his death. Also featured is a never-before-published interview between Muñoz and the art historian Michael Brenson that took place in 2000, less than one year prior to his untimely death.

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Book SynopsisSculpture has the longest memory of the arts: from the Paleolithic era we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations.From Keats's Grecian urn and Shelley's 'Ozymandias' to contemporary verse about Maya Lin's Vietnam Veterans Memorial and Janet Echelman's windborne hovering nets, the pieces in this collection convert the physical materials of the plastic arts - clay, wood, glass, marble, granite, bronze - into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers.

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Book SynopsisBernini and His World is a unique exploration of Gian Lorenzo Bernini the sculptor, offering new insights and including discussions of the artist’s stylistic innovations and the ways in which he approached sculpture. Placing his life and work within a social, anthropological and historical context, Livio Pestilli gives a fascinating and in-depth account, from the Rome in which Bernini lived and its reception of foreign sculptors to the myth-making narrative of his biographers, and the judgements of his critics.Beautifully illustrated and engagingly written, this book draws on a deep familiarity with both historic and modern Italian culture to give readers a vivid account of sculpture and sculptors in early modern Rome, and of Bernini’s lasting legacy.Trade Review'Pestilli’s innovative approach offers exciting new perspectives on the artist, and makes you look afresh at the man, his work and his world.' – The Art Newspaper 'documents Bernini's legacy to other artists with a staggering array of color photographs...vast visual encyclopedia of Baroque sculpture in Rome...the real value of the book is its magical mystery tour through the mind and art of Gian Lorenzo Bernini, Rome’s very own Vesuvius' – New York Review of Books'Pestilli and his publisher deserve high praise for having assembled the most beautiful collection of colour images of Roman baroque sculpture between two covers.' – Bruce Boucher, TLS'Livio Pestilli approaches the artist not chronologically but kaleidoscopically, as he puts it, posing unexpected questions that allow him to probe the career and the major works in eye-opening ways.' – The Burlington Magazine'In this fascinating book, Pestilli (Trinity College, Rome) provides thought-provoking insights into the life and art of Gian Lorenzo Bernini (1598–1680). Pestilli extends discussion of the artist into new territory fitting for the present environment. With its excellent illustrations and solid scholarly apparatus, this is a valuable book for academic audiences. Highly recommended.' – A. V. Coonin, Rhodes College, Choice ReviewsTable of ContentsPreface; Chapter 1: "Berninus Neapolitan[us] sculptor"; Chapter 2: Of Sculptors and Cobblers; Chapter 3: Tall Tales; Chapter 4: Biographies, Garments, and Bernini's "Abito...grosso, e rozzo" in Perspective; Chapter 5: Pride and Prejudice: Paris–Rome; Chapter 6: Bernini's Shadow; Bibliography; Index

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Book SynopsisKing of Dust is a craftsman's personal journey through the landscapes of ancient sculpture which first inspired him to pick up tools. This journey through the Romanesque celebrates the lives of medieval carvers and contemporary stonemasons, interwoven with Alex's own life as he becomes a stonemason.

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Book SynopsisLays out an easy-to-follow step-by-step method of blocking out the plane structure and anatomy of the posed figure. The author's approach utilises a geometric system consisting of blocks, simple shapes and guidelines, which instructs students in a new and instinctive sculptural style.

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Book SynopsisA study of the public art that you can see today in Birmingham. Over 300 colour photos along with a detailed text describing the way that the Birmingham has accumulated the largest collection of public art of any UK regional city.Trade ReviewThis is an outstanding compendium of images and narrative which illustrates the wealth and diversity of 'free to all' public art in this historic and constantly evolving city. Whatever one's familiarity with this hub of the Midlands, Jonathan Berg's fine book will serve as a companion to much artistic treasure in the city centre and its suburbs. It is a book to be proud of and its contents are alluring in many ways: for those murals, statues and sculptures which thousands of people file past every day, it serves as well written explanation of the background to these creations; for those pieces of work which are less familiar it serves as an enticement to seek them out. Beautifully produced, it will admirably grace any coffee table or bookshelf and command revisiting time and time again for there is much to discover and rediscover within its pages. The photography admirably captures the heart of the city and the narrative is a tribute to its people past and present. A Dudley, Nov 2023.

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Book SynopsisBenvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa. Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

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Book Synopsis"A total delight, a brilliant vignette of 17th-century Rome, the Baroque and the Catholic church – warts and all – rolled into an erudite narrative.... with an ease of writing that is rare in art history." - Simon Jenkins By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi (the head of the world) had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe's intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez. Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Bernini and Alexander's creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract.Trade Review"A total delight, a brilliant vignette of 17th-century Rome, the Baroque and the Catholic church – warts and all – rolled into an erudite narrative.... with an ease of writing that is rare in art history." - Simon Jenkins

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Book SynopsisFresh ideas and techniques for the rapidly evolving area of three-dimensional textiles. Leading textile artist Ann Goddard takes three-dimensional textiles to a new level in this practical book. Drawing inspiration from natural landscapes, organic material and a concern for the environment, Ann's work combines textile and non/textile elements with construction. Linen, loose fibres, paper and yarn are complemented by seemingly unlikely materials including concrete, wood, lead and bark. Fragile is juxtaposed with hard, natural with man-made, beauty with imperfection. The techniques range from stitching, wrapping, couching, and knotting to sawing, drilling, and casting. In this book, previously separate art media are combined to create eclectic works; boundaries are crossed, expectations challenged and categorisation rejected. Mixed Media Textile Art in Three Dimensions takes a linear look at the creative process from themes, research and experimentation through to preparing elements, conveying meaning and constructing three-dimensional forms, encouraging you to broaden your horizons in textile work. Brimming with beautiful artwork from the author and featuring the work of some inspiring and exciting artists creating three-dimensional constructions.Trade Review‘Ann Goddard takes three-dimensional textiles to a new level… there’s a wealth of interesting new ideas to try’ Stitch ‘A useful resource if you are looking for ideas on using or incorporating non-fabric elements in your work … an absorbing and inspiring read’ The Quilter ‘Practical yet stimulating… Embroiderers will find much to inspire them’ The Journal for Weavers, Spinners & Dyers ‘Goddard’s approach is fresh and the book challenges the maker to the open to new ideas and inventio in their textile art’ Embroidery Cas HolmesTable of Contents Introduction Exploring themes Conducting research Experimenting with materials Conveying meaning Preparing the elements Constructing a three-dimensional form Conclusion

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Book SynopsisAn insightful exploration of Antony Gormley’s work and his lifelong engagement with Auguste Rodin Antony Gormley (b. 1950) is widely acclaimed for his sculptures, installations, and public artworks that investigate the relationship of the human body to space. Tracing a dialogue between the influential British sculptor and Auguste Rodin (1840–1917), this book explores the work of two of the most well-known and respected sculptors of their respective times. This fascinating encounter is staged through extensive installation photography of Gormley’s work within and around the Musée Rodin in Paris, never-before-seen drawings, workbooks, and models from the artist’s studio, as well as Rodin’s own sculptures, maquettes, and drawings. Seen together, it invites readers to reflect on the artists’ shared investment in questioning what the body offers sculpture as a subject, object, and reflexive tool. Featuring new authoritative scholarship, as well as an insightful and wide-ranging conversation with Gormley, this beautifully illustrated volume documents the enduring impact of Rodin’s work on Gormley. Exhibition Schedule: Musée Rodin, Paris (October 17, 2023–March 3, 2024)

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Book SynopsisA study of two exhibitions that took place five years apart in the same building in Brussels city-centre

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Book SynopsisTransforming unlikely pieces of scrap metal into significant works of art - giving new life to things we throw away - is an accessible, creative and fulfilling activity. This book describes and illustrates the concerns and techniques involved in making this kind of sculpture, looking behind the work at the richness and diversity of an area of sculpture that deserves to be far better known. Topics covered include the role and purpose of sculpture, the particular qualities of sculpture made from scrap metal and the practical processes involved in its making. It also covers sources of scrap metal, identifying metals, reviewing metalworking techniques, creative approaches, different types of sculpture, and the making, finishing and installation of pieces of sculpture.

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Book SynopsisCarole A. Feuerman is celebrated as one of America's major hyper-realistic sculptors, alongside Duane Hanson and John De Andrea. Born 1945, she was educated in New York and Philadelphia and began as an illustrator before turning to sculpture in the 1970s, which soon earned her much recognition and early success. A pioneer of hyper-realism in sculpture, her work has been displayed in many group shows and solo exhibitions at private galleries and public museums, as well as at the major art fairs, in America, Europe, and Asia. Over five decades, Feuerman has created visual manifestations of stories telling of strength, survival, and balance. She works in marble, bronze, vinyl, painted resins, and stainless steel. Her work is marked by her thorough understanding of materials' characteristics and her ability to control them in the studio. Her subject matter is the human figure, most often a woman in an introspective moment of exuberant self-consciousness shaded by erotic lassitude. Feuerman's works represent a state of female mind rather that an alluring body meant to attract the male gaze. They suggest that women look at themselves differently from men looking at them, that a woman is more innately creative than a man. Many of Feuerman's figures have a fragmented quality, recalling those by Auguste Rodin, and the aesthetics of Surrealism. This is the most comprehensive survey of Feuerman's work in sculpture to date. Lavishly illustrated in colour throughout, it demonstrates the variety of materials and media she uses and highlights the specific qualities of her figures.

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Book SynopsisThe most comprehensive showcase ever published of Azuma Makoto's astonishing flower art and botanical sculpture.Trade Review'[Pushes] the boundaries of art and photography to the outer limits with bold, adventurous installations portraying flowers and trees in environments where normally they could never exist' - Royal Photographic Society JournalTable of ContentsIntroduction • The Works

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Book SynopsisAntony Gormley occupies an unusual position as a highly popular sculptor known chiefly for his Angel of the North (1998), a national landmark in the UK who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley dis

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Book SynopsisRachel Whiteread has single-handedly expanded the parameters of contemporary sculpture with her casts of the outer and inner spaces of familiar objects, sometimes in quiet monochrome, sometimes in vivid jewel-like colour. She won the Turner Prize in 1993, the same year as her first large-scale public project, House, a concrete cast of a nineteenth-century terraced house in London's east end. This book, by writer and editor Charlotte Mullins - the first significant survey to examine Whiteread's career to date - has been substantial updated with a new chapter containing 10 major works, including Tate's Turbine Hall installation Embankment and Cabin, Whiteread's first permanent public sculpture in America. Born in London in 1963, Rachel Whiteread is one of Britain's most exciting contemporary artists. Her work is characterised by its use of industrial materials such as plaster, concrete, resin, rubber and metal. With these she casts the surfaces and volume in and around everyday objects and architectural space, creating evocative sculptures that range from the intimate to the monumental.

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Book SynopsisThe first book to connect the history of Funk Art to contemporary ceramic practice. Funk You Too! arrives at a moment when clay has unprecedented currency in the art world as a sculptural medium. It is the first book to connect the history of Funk Art to contemporary ceramic practice through an exploration of the enduring role of humor in clay image-making. The founding generation of Funk artists used forms of subversion to deflate the power of the aesthetic hierarchy that dismissed ceramics as hobby art. Today, in the hands of a younger, more diverse cohort, the irreverent approach is a powerful tool of critique and personal expression and the “spoonful of sugar” to help discuss sociopolitical concerns of our time. Showcasing over 50 works from a 2023 exhibition at the Museum of Arts and Design in New York City, this catalog addresses the historical context for the emergence of ceramic sculpture in 1960s Funk Art and applies a critical lens to work by its contemporary successors. The exhibition’s curator, Angelik Vizcarrondo-Laboy, conceptually frames the exhibition’s emphasis on humor as a tool for tackling personal and political themes. Garth Johnson contributes an essay on the impulse for humor in American ceramics that lead to Funk ceramics. The catalog also features biographies of the artists, color images, and a select bibliography.

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Book SynopsisWhile anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840–1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker. Produced in collaboration with the Musée Rodin, this TASCHEN Basic Art introduction examines the formative years of Rodin’s training as well as the key stages of his subsequent career. It retraces the genesis of his sculptures and monuments from both a historical and an aesthetic point of view and illuminates the links between his different works. The reader gains access to the artist’s ideas, as well as to the real material processes in his studio—the modeling in clay, the passage from plaster to bronze or to marble, enlargement, the creation of assemblages, and his deeply sensual erotic drawings. An inexhaustible source of inspiration for subsequent generations of artists, Rodin’s work incorporated innovation and transgression, but above all an unrivaled passion for working in front of the living model and for capturing the truth of human experience and forms. With rich illustration and texts from François Blanchetière, this book invites us to discover—and rediscover—this priceless legacy.

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Book SynopsisRevel in the power of human creativity with this completely revised and expanded edition of Burning Man: Art on Fire, illustrated with over 250 gorgeous color photos. *Winner of the 2023 Gold Foreword INDIE Book Award*For one week a year, a remote desert lakebed in Nevada becomes Black Rock City, the home of Burning Man, where 80,000 participants create a temporary community devoted to expression and play. There is no money, no running water—and there are no constraints. Artists bring enormous sculptures for participants to climb. Outrageous Mutant Vehicles glide through an opulent mirage. This is a dreamscape of permission. For seven days and nights, the artistic movement of our time materializes—and then disappears without a trace. Welcome to Burning Man. Welcome Home. This authorized collection also includes: Over 150 new photographs and descriptions of individual pieces ofTrade Review"A brilliantly visual and impressively informative homage to an annual ephemeral event is unreservedly recommended to the attention of Burners, artists, creative thinkers, and anyone who has ever imagined a visit to Burning Man -- one of the most extraordinary places on earth." * Midwest Book Review *"Fascinating, joyful, and awe-inspiring. Raiser’s text provides insight into the planning and detail that go into maintaining Burning Man’s integrity and safety while celebrating its spirit of creativity and participation." * Library Journal *Table of ContentsForeword Preface Introduction: Art on Fire: Seven Days Ablaze Ten Principles of Burning Man Art to Amaze Mutant Craze Everyone Plays Silicon Rays Art to Praise Art Ablaze Epilogue: Art on Fire An Artist’s Perspective: Disorient in the Desert AFTERWORD: #ThanksLarry About the Authors About the Contributors Acknowledgments Index Photography Credits

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Book SynopsisJoin the home pottery revolution! Whether you have access to a communal studio or not, hand building projects can travel just about anywhere. Take your clay outside or work at the kitchen table, with instruction from best-selling ceramics author Sunshine Cobb. In this book, you’ll find all the necessary fundamentals, including a thorough discussion of clay as well as helpful tips for keeping your body and mind in top shape. Then pick the path that’s right for you in the chapters that follow.  Develop new skills and unlock your own creativity as you explore: Sculptural projects like miniature animals and plants. Functional items like scoops, a citrus reamer, and a coffee pour-over vessel. Mixed media projects including a candlestick holder, mobile, and a soap dish. All along the way, skill-building is front and center, with converTrade Review“Masterful…With ideas ranging from beginner to advanced, this inimitable guide is one for the long haul.” * Publishers Weekly STARRED Review *"Provides a complete course of instruction that will enable even the most novice of ceramic sculpture artists to produce functional and decorative works to be proud of for their own use or for gift giving." * Midwest Book Review *Table of ContentsCONTENTS Foreword Introduction section 1 WELCOME TO THE STUDIO Body and Mind How to Use This Book Clay Tools Miscellaneous Terms and Concepts Foundational Skills Surface Development Gallery section 2 SCULPTURAL PROJECTS Flora Creatures Wall Tiles/Hangings Clouds Soap Dish Mobiles Candelabra Gallery section 3 FUNCTIONAL PROJECTS Scoops Citrus Reamer Butter Box Tapas Plates Basket Coffee Pour-Over Match Striker Gallery Templates Resources Acknowledgments Dedication About the Author Index

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Book SynopsisFrances Morris is a curator, writer, broadcaster, and currently Director Emerita at Tate Modern. Fiona Bradley has been the Director of the Fruitmarket Gallery, Edinburgh, since 2003. Before then, Bradley was a curator at Tate Liverpool and the Hayward Gallery.

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Book SynopsisA fresh and engaging look at the controversial work of Jeff Koons, with insightful analyses and illustrations of all of his iconic pieces alongside preparatory works and historical photographsTrade Review"Rothkopf’s clear and coolly measured catalogue introduction must be read by any serious critic of Koons, pro or con."—Peter Schjeldahl, New Yorker"A good primer for this controversial artist."—Lucy Davies, The Daily Telegraph

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Book SynopsisThis catalogue of the Wyvern sculpture collection, which is not open to the public, comprises outstanding European sculptures of the medieval period, as well as some Late Antique and Byzantine pieces and related works of the post-medieval era. Objects are made from wood, stone (including alabaster and marble) and terracotta. Also included are medieval works of art in metal, mostly consisting of crucifix figures (corpora), and other functional metalware such as aquamanilia (water vessels for the washing of hands) and candlesticks. This sumptuous publication will interest all those concerned with the material culture of the Middle Ages.Trade Review'There could be few more qualified guides to an important private collection of medieval art than Paul Williamson' - Apollo'The combination of the unfaltering taste of the collector, who has, as he acknowledges in his foreword, been advised by some of the best medieval curators of our time, and Williamson’s erudition and deep understanding of sculpture make this volume a landmark. … this volume is also a useful primary source in the history of taste. After reading it, one can only impatiently await the publication of the next' - Burlington magazine'Of the right calibre and breadth to guide us confidently through the salient moments of the history of European medieval sculpting and casting' - The Art NewspaperTable of ContentsForeword • Introduction • I. Late Antique and Byzantine (cat. 1–8) • II. Romanesque and Early Gothic 1050-1200 (cat. 9–44) • III. Europe in the 13th Century (cat. 45–68) • IV. Europe in the 14th Century (cat. 69–92) • V. Europe in the First Half of the 15th Century (cat. 93–126) • VI. Europe in the Second Half of the 15th Century (cat. 127–164) • VII. Europe in the First Half of the 16th Century (cat. 165–179) • VIII. Post-Medieval (cat. 180–187)

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Book SynopsisBeautiful artist's book about Tin Drum's MR installation, Medusa. A meditation on emergent technologies, nature and architecture amidst the climate crisis with contributions from celebrated writers, academics and thinkers. The mixed reality Medusa installation began with the questions: is there even such a thing as non-physical architecture? What is the function of architecture without physical form? Directed by Yoyo Munk and produced by Tin Drum, it headlined the 2021 London Design Festival at the Victoria & Albert Museum. Yoyo Munk's first book is an exploration into Medusa's themes, reflecting on our changing relationship with architecture within the context of rapidly advancing technology and ongoing mass extinction. Featuring original artwork by Tin Drum, Medusa is a timely and moving artist's book about climate grief. Medusa includes fascinating conversations between Munk and Sou Fujimoto, the renowned architect and Medusa collaborator, James Bridle, author of Ways of Being; V

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Book SynopsisSpanning over 50 years of contemporary art, When Forms Come Alive - which accompanies a major exhibition at London's Hayward Gallery - explores the ways in which artists have been inspired by movement, flux and organic growth, from a dancer’s gesture to the breaking of a wave, or from a flow of molten metal to the interlacing of a spider’s web. It features a range of energetic sculptural forms that seem to ooze, undulate, blossom, erupt and sprawl across gallery spaces. This richly illustrated hardback book explores the artists and their work in detail, and includes essays by Hayward Gallery Director Ralph Rugoff and art historian Natalie Rudd which cite the artists' work within the context of postminimalism, and explore formal and material innovation in sculpture across the past half century. Texts on each artist by a range of writers will accompany a broad-ranging selection of images. Includes the works of 21 international artists, namely Ruth Asawa, Nairy Baghramian, Phyllida Barlow, Lynda Benglis, Michel Blazy, Paloma Bosque, Olaf Brzeski, Choi Jeong Hwa, Tara Donovan, DRIFT, Eva Fabregas, Holly Hendry, EJ Hill, Marguerite Humeau, Jean-Luc Moulene, Senga Nengudi, Ernesto Neto, Martin Puryear, Matthew Ronay, Teresa Solar Abboud and Franz West.

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Book SynopsisPatricia Wengraf is one of the world’s leading dealers in bronzes, sculpture and works of art. In her particular speciality, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are of world repute. This exquisite catalogue - the first sales catalogue ever published by the dealer - presents a selection of exceptional works. Accompanies an exhibition in New York City.

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Book SynopsisIn a practice spanning nearly two decades, Jose Dávila has created an expressive body of work that explores the visual tropes and iconic symbols of art, architecture, and urban design. Initially trained as an architect and self-educated as a visual artist, Dávila creates sculptures, installations and photographic works that simultaneously emulate, critique, and pay homage to 20th-century avant-garde art and architecture, referencing artists and architects from Luis Barragán to Josef Albers and Donald Judd. Humor and melancholy co-mingle in works that often explore the tension between industrial and organic materials and the forces of compression and balance. This monograph assesses the full scope of Dávila’s practice in all media for the first time, and includes texts attesting to the historical and social dimensions of Dávila’s art. Essays address the artist’s early pieces, his exercises on balance, sculpture, graphics and paintings, and his works in public space.

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Book SynopsisSuzanne Ramljak is chief curator at Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan.

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Book SynopsisCamille Claudel (1864–1943) was among the most daring and visionary sculptors of the late nineteenth century. Although much attention has been paid to her tumultuous life—her affair with her mentor, Auguste Rodin; the premature end to her career; her thirty-year institutionalization in an asylum—her art remains little known outside of France. Memorably praised by critic Octave Mirbeau in 1895 as “a revolt of nature: a woman of genius,” Claudel was celebrated for her brilliance during a time when female woman sculptors were rare. Featuring more than two hundred photographs along with contributions from leading experts, this publication accompanies the first comprehensive survey of Claudel’s oeuvre in nearly forty years. With essays exploring the many facets of her life, work, and reception; a biography; commentary by American sculptor Kiki Smith; and a fascinating appendix of documents written by Claudel and her contemporaries, this volume reevaluates the artist’s work on its own merits and repositions her legacy within a more complex genealogy of modernism.Table of ContentsDirectors' Foreword - Timothy Potts and James Rondeau Acknowledgments/list of lenders Introduction Notes to the Reader An Interview with the artist Kiki Smith Camille Claudel: A Biographical Overview - Cécile Bertran Women Sculptors in Late Nineteenth-Century Paris: Artistic Education and Career - Clarisse Fava-Piz Patrons and Supporters of Camille Claudel - Anne-Lise Desmas Claudel's Critical Reception from Her Internment in 1913 until Now - Emerson Bowyer CataloguePortraits - Anne-Lise Desmas In Rodin's Studio - Clarisse Fava-Piz Sakuntala, 1886–1905 - Chloé Ariot The Waltz, 1889–1905 - Franck Joubin The Age of Maturity, 1890–1907 - Emerson Bowyer The Little Miss, 1892–98 - Chloé Pelletier Small Genre Statuary, 1895–1905 - Anne-Lise Desmas The Last Years, 1902–5 - Anne-Lise Desmas Checklist of the Exhibition Chronology

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Book SynopsisA celebration of more than 300 groundbreaking women sculptors that surveys 500 years of creative ingenuity from around the world

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Book SynopsisPedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.

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Book SynopsisBeautiful catalogue for the Holburne’s retrospective of Henry Moore’s small-scale sculptures in stone, wood, terracotta, plaster, lead, plasticine and bronze, including works previously unpublished and unexhibited.This is a beautifully produced catalog accompanying the Holburne Museum’s groundbreaking retrospective of Henry Moore’s sculptures that could fit in the hand. At the heart of Moore’s practice was the directness of working on a small scale, whether carving small stones or pieces of wood, casting lead, modeling in clay or, in later years, modeling in plasticine around a found stone or bone to be cast in bronze. The exhibition will include sculptures in stone, wood, terracotta, plaster, lead, plasticine and bronze, and span themes recurrent in his work: the reclining female figure, the mother and child, the human head, and the fallen warrior. It will include maquettes for some of his best-known, public sculptures alongside lesser-known works, including the display for the very first time in a museum exhibition of a recently discovered early lead cast of Mother & Child. The catalog presents 85 illustrations with an introduction by Chris Stephens.

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Book SynopsisHenry Moore's rise from Yorkshire miner's son to international acclaim as the twentieth century's greatest sculptor is one of the most remarkable stories in British art. In this revised, updated, expanded and redesigned new edition of The Life of Henry Moore, Roger Berthoud charts Moore's transition from controversial young modernist to pillar of the art-world establishment, garlanded with domestic and foreign honours. His account is enriched by the weekly interviews he did with Moore -- and his wife Irina -- before the sculptor's death in 1986, aged eighty-eight. At home and abroad Moore's sculptures aroused strong passions and were often the object of abuse, sharp criticism and even physical assault, as well as of admiration. He was attacked by younger artists, among others, who saw his growing fame as an obstacle to their advancement. He was to survive the ebb and flow in his reputation, and emerge with the status of a contemporary old master. From a mass of material, including recently discovered early letters, and interviews with Moore's friends, his former assistants and students, dealers, collectors, museum officials and leading architects with whom he worked, Roger Berthoud has built up a lively and engaging though not uncritical picture of Moore's long life and career in this definitive biography.Trade Review'...a landmark in the literature on Moore. A nice balance is struck between the account of Moore's life and the use of criticism to place and assess his work.' Frances Spalding in Listener '...[it] conveys Moore's great personal charm as well as his artistic achievement; it is hard to imagine it being bettered.' Economist '...impeccably documented, admirably organized and undeniably gripping...' Hilary Spurling in Daily Telegraph '...[a] very readable biography -- the first to give us a comprehensive account of the artist...He knew Moore. He liked him and -- what is most important -- he has a vivid understanding of both the man and his work.' Hilton Kramer in Boston GlobeTable of ContentsAcknowledgements viii Prelude xii Chapter I Childhood and school 1 1898-1916 Chapter II Briefly to war 21 1917 to early 1919 Chapter III Art student in Leeds 35 1919-21 Chapter IV Student in London and abroad 46 1921-5 Chapter V Public debuts and teaching 72 1925-8 Chapter VI Marriage and a masterpiece 97 1929-31 Chapter VII Hampstead, Chelsea and Kent 123 1931-6 Chapter VIII Surrealism, constructivism and socialism 154 1936-9 Chapter IX Shelter drawings and the Northampton Madonna 186 1940-4 Chapter X Via New York and Venice to international fame 225 1945-8 Chapter XI Execration and celebration 252 1949-51 Chapter XII Anthology pieces, and a trip to Mexico 275 1952-4 Chapter XIII Unesco, New Zealand and Auschwitz 298 1956-8 Chapter XIV Good causes, big dealers, and Caro's thrust 322 1959-62 Chapter XV The Lincoln Center piece 341 1962-5 Chapter XVI Toronto and the Tate Gift 365 1965-74(i) Chapter XVII Towards apotheosis in Florence 387 1965-72(ii) Chapter XVIII Becoming an institution 423 1973-9 Chapter XIX Pain and good works 462 1980-6 Chronology of main events involving the Henry Moore Foundation since Henry Moore's death in 1986 499 Appendix The value of money 504 1898-1986 Short bibliography 506 Notes 509 Acknowledgements for photographs 530 Index 532

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