Architecture: public and commercial Books

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Book SynopsisArtron is the foremost printing enterprise in China. As the core project of Artron’s printing culture industry, the Artron art website is actively setting up to create archives for artists. Moreover, since the site is at the periphery of the city, the art center will need to be conceived with a one-stop multi-service printing facility and cultural center. The site of Shenzhen’s Artron Art Center is located on the city edge, surrounded by three highways. In order to keep away from the noisy and chaotic environment, the building is idealized to be a landmark to define this area. Since the main view of this building will come from the three adjacent highways, the building shape should be continuous and integrated with the large-scale urban infrastructure to form a dialogue between the two. Taking into account the volume as a whole, the architects must think about how to digest this huge volume. On the one hand, on the premise of integrity and continuity, the gaps between the different parts of the volumes were created to bring people the comfortable visual impression when walking in this territory.

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Book SynopsisA bibliophile's journey through Dublin''s rich heritage, storied lore, and lively craic: exploring bookshops, museums, and authors' watering holes, offering an experience for literature students, Irish natives, and tourists alike.There are few cities in the world that care so deeply about the written word as this historic capital. Stroll along canals, Georgian squares, and bridges, and you'll find plaques honouring writers, literary landmarks, and statues aplenty; like George Bernard Shaw at the National Gallery or Oscar Wilde in Merrion Square. Creative outpourings are well documented in museums and galleries here, like the Museum of Literature Ireland (MoLI) which holds the first copy of James Joyce's Ulysses.No trip to Dublin would be complete without visiting its notable pubs and this book is no exception. Explore bars once frequented by WB Yeats after discovering stunning libraries like Trinity College''s Long Room, as featured in Sally Rooney's Normal People.Dublin holds its independent bookshops close to its heart, and there are some wonderful little literary spots dotted around the city, many of which are a treasure trove of rare books.When I die, Dublin will be written in my heart, James Joyce once said. And here it is written for you to explore, too.

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Book SynopsisFrom one of the world''s most imaginative designers comes a story about humanity told through the lens of our buildings.''This book is a super-accessible guide as to why we shouldn''t put up with soulless buildings and how we might change that'' GRAYSON PERRY*****Our world is losing its humanity.Too many developers care more about their shareholders than society. Too many politicians care more about power than the people who vote for them. And too many cities feel soulless and depressing, with buildings designed for business, not for us.So where do we find hope?Thomas Heatherwick has an alternative. By changing the world around us, we can improve our health, restore our happiness, and save our planet. The time has come to put human emotion back at the heart of the design process. Drawing on thirty years of making bold, beautiful buildings, neuroscience and cognitive psychology, Heatherwick brings together vivid stories and hundreds of beautiful images into a visual masterpiece. Humanise will inspire us to do nothing less than remake our world.*****''Thomas Heatherwick brings a velvet sledgehammer to the way we think about buildings and how they change our lives . . . I want to live in the kind of city Heatherwick imagines!'' SIMON SINEK''Humanise is a masterwork. It''s quietly furious, impassioned, rigorous and forensic in all the right doses. It leaves me very hopeful indeed about how things could go from here'' ALAIN DE BOTTONTrade ReviewHumanise is a masterwork. It's quietly furious, impassioned, rigorous and forensic in all the right doses. It leaves me very hopeful indeed about how things could go from here. The Age of Boring might just have ended right now -- Alain de BottonThomas Heatherwick echoes many things I find myself saying as I travel round the country. How the hell did that monstrosity get built? Why is this place so depressing? Why is so much of the built environment so boring? This book will wind up quite a few architects, planners and developers who labour under the delusion that they are the adults in the room. Good. These people need to develop some compassion for the people who have to live with their joyless, bland, unlovable creations. This book is a super accessible guide as to why we shouldn't put up with soulless buildings and how we might change that -- Grayson PerryThomas Heatherwick brings a velvet sledgehammer to the way we think about buildings and how they change our lives. In simple, elegant words, he demands that we put people first. Not developers, politicians or architects. I want to live in the kind of city Heatherwick imagines! Vive la revolution! -- Simon Sinek, Optimist and New York Times-bestselling author of Start with Why and The Infinite GameThis book will help frustrated ordinary people and communities see what is possible -- David ByrneA revelation. Humanise offers an accessible, compelling and entirely unique perspective on the world in which we live. Heatherwick’s storytelling ability shines through on each and every page - pushing boundaries and challenging perspectives. At a time where thoughtful and constructive ideas and solutions, that put the public at the centre of decision-making, are sought more than ever - this book provides a spark to ignite conversations across our city, country and the globe on how to build a better world for everyone -- Sadiq Khan, Mayor of LondonHeatherwick makes the case for human buildings that nurture our health and happiness. Out with the 'blandemic' of boring buildings and let's get back to interestingness. He calls for us all to engage with our built environment and so we should -- Dame Sally DaviesArchitecture has the ability to uplift and inspire, support connection, and fuel invention - bringing life and vitality to our cities by making them better, more beautiful, more sustainable places to live and work. Thomas Heatherwick's new book offers us a powerful prescription for buildings that put the public first and help set the course for a brighter future for humanity -- Mike Bloomberg, entrepreneur, philanthropist, former Mayor of New York CityIn a social and economic tour de force, Thomas Heatherwick explodes the waste of bad design: the neighbourhoods destroyed, the wellbeing lost, the carbon burned. And then he pivots to the potential of bending the straight line into a curve, the building into the feeling, and the narrowly rational into the fully human -- Mark CarneyHumanise ignites the urgent public conversation I've been calling for for years -- Sir Terry Farrell CBE, architect and urban designerA book that will change how you see the world -- Simon JenkinsThe climate crisis, a post-pandemic era and war. All these issues that the world is facing require unprecedented approaches in art, architecture and design. Humanise transcends all borders, cultures and fields of expertise. This book maintains an exquisite balance between quantitative evidence, architectural history, ideals and reality. It urges all of us on this planet to celebrate life -- Mami Kataoka, Director of the Mori Art Museum, TokyoInspiring, enlightening and provocative, Humanise arms us with a new way of seeing our built environment, and makes explicit what's at stake if we blindly accept the status quo -- Noreena Hertz, author of The Lonely Century: A Call to ReconnectThomas Heatherwick's humanity centred imagination is brought to life through his buildings and designs. He challenges us all to see the world differently, in harmony with nature, for the better. Humanise is a look behind the scenes and into the mind of his creative genius -- Tony Fadell, NYT bestselling author of Build, iPod inventor, Nest founderHeatherwick's fascinating book argues we must bring public value and delight back to the world of architecture which has been lost in boringness that is bad for people and planet -- Marianna Mazzucato, author of Author of Misson Economy: A Moonshot Guide to Changing CapitalismA world-renowned designer * Wall Street Journal *The Leonardo da Vinci of our times -- Terence ConranProbably the most creative person in the world -- Stephen Ross

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Book SynopsisGifted to the city of Glasgow in 1944, the Burrell Collection is one of the UK's most significant art museums, with an extraordinarily varied collection, and is housed in a striking, purpose-built modern space. In 2022, it will reopen after an extensive refurbishment, with innovative new galleries, displays and facilities.

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Book SynopsisRoyal expert and TV historian Kate Williams opens the doors to 30 palaces, castles and houses that have been connected with the British royals over the centuries.Well known for her expert insights in the media and on countless royal documentaries, Kate takes you on a tour of the UK’s most fascinating palaces, past and present, to unveil the scandalous and little-known stories hidden between their walls.Included in the book are such famous royal residences as Buckingham Palace and Windsor Castle, but also lesser-known locations such as Falkland Palace and Beaumaris Castle. Covering the breadth of British history, there are tales from the medieval era to the present.Among the palaces included are: St James''s Palace, wedding venue for the disastrous union of Caroline of Brunswick and the debauched Prince of Wales, George IV, who turned up drunk and already secretly married  Holyroodhouse, where st

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Book SynopsisBetween 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gatheringof friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the “Venice of Shanghai.”

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Book SynopsisBetween 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Taos and Santa Fe, New Mexico.

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Book SynopsisBetween 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series oftwenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Italy. I have always been eager to capture the faded beauty of cities and buildings. This obsession would inevitably draw me to Venice and Sicily. Wandering amidst the shadows of the Venetian light I have tried to portray the beauty of this luminous city. No part of Italy has as many layers of history or been inhabited by so many different peoples as Sicily. From the Greeks who colonized Siracusa and Selinunte, to the Romans in Agrigento, to the Normans in Palermo.

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Book SynopsisThe white worlds Kim Utzon has created in Denmark and southern Sweden over the last few decades are stage sets for the ordered appearance of rational and reasonable human beings at work, at home, or at play. Clear in their composition, sequence, and scale, sensuous in their responseto light, and conducive to rest and reason more than anything else, theare a refinement of the Scandinavian Modern tradition in which he works. Combining sparse and light-filled rooms surrounded or defined by open grids with expressive roofs or objects, Utzon’s work is able to make sense out of complex programs and create relaxed and continuous spaces.

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Book SynopsisA beautifully illustrated alternative history book, tracing the history of the British Isles through its landmark pubs with recreations of their pub signs in stunning colour.The perfect combination of Britain?s two favourite past-times ? talking about history and going to the pub! Be transported around the British Isles with this plotted history of the most interesting, and sometimes surprising facts about the history of Britain. Radicals, Rebels and Royals is packed with trivia, stories, and practical ?Out and About? segments for each location which will leave any pub-goer satiated. Learn how pub history has memorialised the Celts, World War II, football teams and much more as well as reading about their most famous patrons.With tales of pirates, highwaymen and secret affairs Radicals, Rebels and Royals features over 70 pubs from England, Wales, Scotland and Ireland. Brush up on your local history, or discover your next watering hole all from the comfort of your own home.Pubs include: The Shakespeare?s Head in London, The Robert the Bruce in Scotland, The King?s Head in Galway, The Star and Garter in Manchester, the Blue Boar in Essex and many more!Come for the history and leave drunk on the fun, with Radicals, Rebels and Royals!

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Book SynopsisThe story of Permasteelisa, an Italian company behind the facades of some of the most famous buildings in the world. The great global cities of the Western, Middle Eastern, and Asian world tend to resemble each other more and more. The new buildings of cities such as London, Hong Kong, New York, or Frankfurt are similar, and even the skylines increasingly seem to resemble one another. The fact that there are just a few great architects behind these constructions partly explains this phenomenon. This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into technology and materials, it collaborates with large architectural firms to transform an architect's project into a building. This

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Book SynopsisThe life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Família. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Família, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudí’s complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets.Trade Review“This book shows us the Catalan architect’s universe as never before.” * El País *“There is probably no better way to enter the mind of Gaudí than through this book.” * eldiario.es *

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Book SynopsisA beautiful photographic stroll around the bookshops, restaurants, literary locations and authors' neighbourhoods in the Big Apple.Literary Landscapes: New York is the follow-up to Literary Landscapes: Paris and contains a familiar blend of everything precious to the bibliophile a blend of quirky bookstores, authors' favourite bars, storied hotels, grand libraries, on- and off-Broadway theatres which launched major plays, New York residences and literary locations, such as The Metropolitan Museum of Art described in Edith Wharton's The Age of Innocence.For beloved bookstores there is the Argosy, dating to 1925 and the oldest in Manhattan, Three Lives & Company in West Village, The Strand in East Village, The Corner Bookstore on the Upper East Side, the Alabaster Bookshop, and, stretching across to Brooklyn, the Greenlight Bookstore.LLNYC takes in Sardi's birthplace of the Tony; the Algonquin Hotel, notorious home of the Round Table and Dorothy Parker's acidic assassins; The Odeon (restaurant) made famous by Jay McInerny's Bright Lights Big City; Pete's Tavern with O. Henry's writing seat, and the White Horse Tavern, Dylan Thomas's last night out in the Big Apple and a pub frequented by Norman Mailer, Jack Kerouac, Anais Nin, Frank McCourt and Bob Zimmerman.New York is blessed with There are the grand public libraries such as the Beaux-Arts New York Public Library, the Morgan Library and across the East River, the magnificent Art Deco Brooklyn Public Library.When it comes to hotels, The Plaza appears in F. Scott Fitzgerald's The Great Gatsby, but it is the Chelsea Hotel that has the most literary resonance. Mark Twain stayed there, Arthur Miller wrote there, as did Arthur C. Clarke and Simone de Beauvoir.Literary locations abound for New York from Breakfast at Tiffany's by Truman Capote to Washington Square by Henry James. Stuart Little (E.B. White) sailed his boat on the lake in Central Park while the Bethesda Fountain was central to Tony Kushner's Angels in America.The book takes a short trip up Long Island to visit Walt Whitman's birthplace and while nothing but plaques remain of the New York homes that Herman Melville knew, we visit the literary giants buried alongside Melville in Woodlawn Cemetery including Damon Runyan and Joseph Pullitzer.All these chapters are interspersed with telling quotes about the city that never sleeps.Every man seems to feel that he has got the duties of two lifetimes to accomplish in one, and so he rushes, rushes, rushes, and never has time to be companionable never has any time at his disposal to fool away on matters which do not involve dollars and duty and business.Mark Twain, 1867

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Book SynopsisFrom the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It’s the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world.In this new photographic journey, Massimo Listri travels to some of the oldest and finest libraries to reveal their architectural, historical, and imaginative wonder. Through great wooden doors, up spiraling staircases, and along exquisite, shelf-lined corridors, he leads us through outstanding private, public, educational, and monastic libraries, dating as far back as 766. Between them, these medieval, classical, baroque, rococo, and 19th-century institutions hold some of the most precious records of human thought and deed, inscribed and printed in manuscripts, volumes, papyrus scrolls, and incunabula. In each, Listri’s poised images capture the library’s unique atmosphere, as much as their most prized holdings and design details.Featured libraries include the papal collections of the Vatican Apostolic Library and the Trinity College Library, home to the Book of Kells and Book of Durrow. With meticulous descriptions accompanying each featured library, we learn not only of the libraries’ astonishing holdings—from which highlights are illustrated—but also of their often lively, turbulent, or controversial pasts. Like the Franciscan monastery in Lima, Peru, with its horde of archival Inquisition documents.At once a bibliophile beauty pageant, an ode to knowledge, and an evocation of the particular magic of print, this compact edition of our best-selling XXL-title is above all a cultural-historical pilgrimage to the heart of our halls of learning, to the stories they tell, as much as those they gather in printed matter along polished shelves.Trade Review“An immersive volume that showcases the finest reading-rooms from around the globe.” * Harper’s Bazaar *“Prepare to be transported to heaven on earth.” * BBC *“Listri’s meticulous attention to minutiae and details is exquisite. One can practically smell the dust on these ancient books.” * Artology *

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Book SynopsisAn eye-opening portrait of an enthralling group of royal servants, Courtiers throws new light on the dramatic life of George II and Queen Caroline and their court at Kensington Palace.In the eighteenth century, the palace''s most elegant assembly room was in fact a bloody battlefield. This was a world of skulduggery, politicking, wigs and beauty-spots, where fans whistled open like flick-knives...Ambitious and talented people flocked to court of George II and Queen Caroline in search of power and prestige, but Kensington Palace was also a gilded cage. Successful courtiers needed level heads and cold hearts; their secrets were never safe. Among them, a Vice Chamberlain with many vices, a Maid of Honour with a secret marriage, a pushy painter, an alcoholic equerry, a Wild Boy, a penniless poet, a dwarf comedian, two mysterious turbaned Turks and any number of discarded royal mistresses.''The kind of captivating history I most enjoy: full

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Book SynopsisZaha Hadid (1950 - 2016) was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid’s daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture’s finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid’s complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid’s own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.Trade Review“Visually phenomenal and fantastically realized.” * Der Standard *“Zaha Hadid’s work is a revolution. The future has landed, with an entire fleet of beautiful, futuristic spaceships.” * Monopol *“A celebration of all that is brave and audacious in her work.” * Australian Financial Review *“See inside Zaha Hadid’s revolutionary oeuvre.” * architecturaldigest.com *

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Book SynopsisIn this essential TASCHEN introduction to Tadao Ando we explore the hybrid of tradition, modernism, and function that allows his buildings to enchant architects, designers, fashion designers, and beyond. Through key projects including private homes, churches, museums, apartment complexes, and cultural spaces, we explore a uniquely monumental yet comforting aesthetic that draws as much on the calm restraint of Japanese tradition as the compelling modernist vocabularies of Bauhaus and Le Corbusier. With featured projects in Japan, France, Italy, Spain, and the United States, we see not only Ando’s global reach but also his refined sensitivity for the environs: the play of light through windows, and, in particular, the interaction of buildings with water. From the mesmerizing Church of the Light in Osaka to the luminous Punta della Dogana Contemporary Art Center in Venice, this is a radiant tour through a distinctly contemporary form as much as a timeless appeal of light, elements, and equilibrium.

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Book SynopsisFounded in 1902 by entrepreneur and senator Ferdinando Bocconi, the university is the most important and renowned private university in Italy. Established in order to provide a high level of economic education for the new Italian ruling class, in the course of its history Bocconi has trained prime ministers, great entrepreneurs, and even celebrities from the digital world. This book shows the university s structures through expansive photography taken specifically for it by photographer Massimo Siragusa. The Bocconi buildings represent a fascinating compendium of modern and contemporary architecture, having been designed by some of the most important Italian architects of the twentieth century, such as Giuseppe Pagano, Giovanni Muzio, and Ignazio Gardella, as well as recent international archistars such as Shelley McNamara and the Japanese SANAA studio.

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Book SynopsisOpening with the psychedelic haunts of the 1960s New York pop art scene and closing more than half a century later with the rise of post-club happenings, Temporary Pleasure shows how nightlife spaces have evolved to meet the needs of their generation, and how each generation was seeking something a little different from the one before. Each chapter focuses on a distinct phase and city: Italy’s politically radical clubs of the ‘60s; New York City’s disco scene; Detroit and Chicago’s house and techno paradises; Ibiza’s counterculture communal retreats; Britain’s rave culture; and Berlin’s techno scene. The clubs come to life in double-page spreads that feature specs and detailed profiles. Author John Leo Gillen offers his take on various important cultural, design and architectural details, while numerous photographs offer their own vibey stories. The book features interviews with people who were involved in a number of the scenes included, from NYC disco mainstay DJ Justin Strauss to Ben Kelly, architect of Manchester’s legendary venue The Haçienda. As the world emerges from its Covid-induced isolation, this celebration of crowded rooms, dance-worthy beats, and communal transcendence feels more important than ever.

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Book SynopsisLiving Tradition: The Architecture and Urbanism of Hugh Petter celebrates the exceptional professional achievement of one of the world's leading traditional architects. It showcases recent highlights from Hugh's award-winning portfolio, including handsome new country houses; major alterations and refurbishment of historic buildings; a significant new building for Trinity College in Oxford; and commercial development at all scales with landed estates across the UK and beyond. His pioneering work as masterplanner for the Duchy of Cornwall is regularly cited as an exemplar of a community that reflects local identity. Written by Clive Aslet, with a foreword by The Former Prince of Wales, this book reveals how a series of iconic buildings came to be. Richly illustrated with newly commissioned photography by Dylan Thomas, one of Britain's foremost photographers of architecture and interiors, this book reveals the working process of the architect. Common to all the buildings in this book - whether a new or historic private house, a public building, or a masterwork of urban design - is a loving attention to detail and materials, and an architect who cares deeply for his craft.Table of ContentsForeword; Introduction; New Houses; A Stone House outside London; Bear Ash, Berkshire; Stanton Farm, Wiltshire; Pembroke House, Paradise Island, Bahamas; A House in the Channel Islands; Restoration; Chettle House, Dorset; Fawler Manor, Oxfordshire; Old Rectory, Berkshire; British School at Rome, Italy; A House in Hampshire; Sawmill Cottage, Yorkshire; Meadow Farm, Jersey; Public Architecture; The Levine Building, Trinity College, Oxford; Millennium Gate, Atlanta, USA; Stocks Golf Clubhouse, Hertfordshire; 196a Piccadilly, London; Masterplanning and Urban Design; Nansledan and Tregunnel Hill, Cornwall; Park View, Oxfordshire; The Duchy of Cornwall Estate, Kennington; Seeing Potential; Catalogue Raisonne; Acknowledgements; Picture Credits

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Book SynopsisThis book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

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Book SynopsisZaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid’s daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as “the most important new building in America since the Cold War”; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid’s pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe.Trade Review“Visually phenomenal and fantastically realized.” * Der Standard *“Zaha Hadid’s work is a revolution. The future has landed, with an entire fleet of beautiful, futuristic spaceships.” * Monopol *“A celebration of all that is brave and audacious in her work.” * Australian Financial Review *

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Book SynopsisIntroducing Britain's finest examples of brutalist architecture. Brutalist architecture is more popular now than it has ever been. Imposing and dramatic, with monolithic concrete exteriors, it forms an enduring part of our post-war urban landscape. This beautifully photographed book is an authoritative survey of the finest British examples from the very late 1950s to the 1970s, from leading architectural writer Elain Harwood, following on from her acclaimed books on art deco and mid-century architecture. It features iconic public buildings like London’s National Theatre, imposing housing such as the Trellick Tower in West London and Park Hill in Sheffield, great educational institutions including the University of Sussex, and places of worship such as Liverpool’s glorious Metropolitan Cathedral, along with some lesser-known buildings such as Arlington House on Margate’s sea front. Headed up with an introduction that places British brutalism within the context of global events and contemporary world architecture, the huge range of buildings is arranged into Private Houses and Flats, Public Housing, Educational Buildings, Public Buildings, Shops, Markets and Town Centres, Culture and Sport, Places of Worship, Offices and Industry and Transport, and there is a chapter on the atmospheric brutalist sculptures and murals that dot our cities. If you’re part of the increasingly large ranks of brutalism fans, or interested in late 20th-century architecture and society in general, Brutalist Britain is the book for you.Trade Review‘Both a clear statement of the historical importance of these buildings and a fresh insight, supported by some excellent photography, into their aesthetic qualities.’ Building Design Jenny Marris ‘Harwood makes a pressing case for [the Brutalist] era’ Edwin Heathcote

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Book Synopsis A stirring celebration of cooling towers, the monumental brutalist structures dotted around Britain that are relics of twentieth-century industrial history and are about to disappear for good. Bringing together some of the country's most distinguished architectural photographers and writers, Cooling Towers is an elegiac exploration of these imposing buildings, forming a definitive visual record of Britain's coal-fired power stations at the moment that they disappear into history, as most of them have been slated for demolition very soon. The book's focus is on the unique and sculptural presence of cooling towers within the landscape, always an unforgettable sight. Essays include: Hugh Pearman on Drax Power Station in North Yorkshire, still standing but not for long. Otto Saumaurez Smith on the recently demolished, particularly beautiful set of cooling towers that formed part of Ironbridge B Power Station. Jonathan Clarke on the historical, technological and engineering context of post-war power stations. With a celebratory foreword by Antony Gormley, Turner Prize-winning British artist who has long expressed admiration for these immense constructions, and photography from renowned architectural photographers Luke O''Donovan, Michael Collins and James O. Davis of Historic England, this book is a visually exciting and historically significant record of Britain''s twentieth-century industrial legacy.

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Book SynopsisElements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator and toilet: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It’s a guide that is long overdue—in Koolhaas’s own words, “Never was a book more relevant—at a moment where architecture as we know it is changing beyond recognition.” Derived, updated, and expanded from Koolhaas’s exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, James Westcott and Stephan Petermann; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans. In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter: Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimeter thick spine Contains a new introductory chapter with forewords, table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine) Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom’s palimpsest-like design Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book Printed at the originally intended 100% size for full readability Trade Review“A brilliant and stimulating exploration of the stories behind the most mundane and ubiquitous elements of architecture.” * Financial Times *“Rem Koolhaas explains it all in Elements of Architecture. With examples ranging from the Sydney Opera House to St. Peter’s Basilica, this beautiful book also works as a history of architecture.” * The New York Times *“…when it comes to learning about the differences in architectural evolution, this is the book.” * forbes.com *“A mammoth undertaking: smashing open the last 100 years of architecture and ripping out its innards for forensic analysis.” * The Guardian *“…exhaustive and exhausting, mad and maddening.” * Metropolis Magazine *“A fascinating compendium of cultural references, iconic design, and everyday history that work together to turn architectural theory on its head.” * Architectural Digest *

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Book SynopsisShould architecture be used for punishment? How might the spaces we inhabit nurture or damage us? How can we begin to start over after the worst has happened?Criminologist Yvonne Jewkes grapples with these questions every day as the world's leading expert on rehabilitative prison design; she also faces them in her personal life when her partner of 25 years leaves her in the middle of a nightmare renovation project and then lockdown sees her trapped there. Used to fighting the punitive prison system to create spaces that encourage reflection, healing, even hope for those incarcerated, she must learn to be similarly compassionate to herself, as she considers what might help someone at the lowest point in their life to rebuild. There are 11.5 million prisoners worldwide, and most of them will eventually be released back into society. Yvonne asks: Who would you rather have living next door to you? Or sitting on the train next to your daughter? Someone who has been treated with decency

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Book SynopsisThis new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterise Italy's historic towns and cities — and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting spaces, to analyse their history and typologies, and to document and describe them through newly produced photographs, plans, and diagrams. They offer a taxonomy of solutions that, as a whole, forms a timeless theory for the design of public spaces. The Architecture of Public Space features a captivating collection of image material that visually decodes these characteristic core elements of Italian architecture and specifies their role in the definition of public space. The volume highlights the architectural solutions from the 13th to the 20th centuries that produce the particular spatial quality of these urban structures and sets out how they were originally established for and are continuing to be used by the people.

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Book SynopsisElected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi).A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system. In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.Trade Review“The wonderfully titled CCCP is the perfect coffee table book for unrepentant Marxists.” * Huffington Post *“...an eye-opening experience for those who assumed that Soviet architecture died with the rise of Stalin.” * The New York Times *“…one of the most splendid of recent architecural publications and a revelation.” * Apollo Magazine *“This book is an extraordinary achievement, and Chaubin’s haunting photographs only improve with looking.” * World of Interiors *“A revolutionary read.” * Architectural Digest *“Soviet brutalism is not something traditionally thought of as beautiful, but Frederic Chaubin’s stunning photographs should go some way to changing this. This book is a bold foray into an architectural period that is barely documented, either in the former Soviet Union or the west.” * The Observer *

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Book SynopsisWhile some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the “inside-out” Pompidou to the airy shells of the Tjibaou Cultural Center in Nouméa, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano’s own words, “each time, it is like life starting all over again.”

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Book SynopsisTravelling through time from Ancient Egypt to today, A History of Love and Hate in 21 Statues unpicks the past, illuminates the present and offers a new perspective on the future through these controversial symbols of our identity.Trade Review'Fascinating analysis. A great read.’ Julia Hartley-Brewer, TalkRADIO TV Breakfast Show"An innovative and compelling examination of the fundamental DNA of humanity - our talent for creation and destruction." ROBIN MORGAN, award-winning journalist & former editor of The Sunday Times Magazine“This book considers why statues, and their removal, continue to provoke strong emotions. It also tells us the stories of 21 acts of statue destruction, why they took place, and what they tell us about our view of the past.” BBC HISTORY MAGAZINE'An enjoyable survey of historical antagonism, and a welcome alternative perspective on a flashpoint in the culture wars' Dominic Selwood, TLS Table of ContentsIntroduction: Lone and Level Sands Hatshepsut (Thebes, Egypt) Nero (Colchester, UK) Athena (Palmyra, Syria) The Buddhas of Bamiyan (Bamiyan, Afghanistan) Hecate (Constantinople, Byzantine Empire) Our Lady of Caversham (Caversham, UK) Huitzilopochtli (Tenochtitlan, Mexico) Confucius (Qufu, China) Louis XV (Paris, France) Felix Mendelssohn (Leipzig, Germany) The Confederate Monument (Portsmouth, Virginia, USA) Sir John A. Macdonald (Montreal, Canada) Edward Colston (Bristol, UK) Christopher Columbus (Caracas, Venezuela) Cecil Rhodes (Cape Town, South Africa) George Washington (Portland, Oregon, USA) Joseph Stalin (Budapest, Hungary) Yagan (Perth, Australia) Saddam Hussein (Baghdad, Iraq) B.R. Ambedkar (Vederanyam, India) Frederick Douglass (Rochester, New York, USA) Epilogue: Khaled al-Asaad Acknowledgements Notes Bibliography Index

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Book SynopsisDiscover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize.Philippe Starck defines him as a “mystic in a country which is no longer mystic.” Philip Drew calls his buildings “land art” as they “struggle to emerge from the earth.” His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom.This thoroughly updated edition spans the breadth of his entire career, including such acclaimed new projects as the Bourse de Commerce in Paris and the Nakanoshima Children’s Book Forest in Osaka. Each project is profiled through photographs and architectural drawings to explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms.Featuring designs from award-winning private homes, churches, museums, and apartment complexes to cultural spaces throughout Japan, South Korea, France, Italy, Germany, Mexico, and the USA, this XXL-edition brings you up close and personal with a Modernist master.Trade Review“A thoughtful and provocative study of the Japanese architect whose earthbound concrete buildings are both sensual and serene.” * Metropolitan Home *“The book is sure to satiate all fans of the architect, and create new ones out of those who have not come across his work.” * thedailybeast.com *“An influential architect’s austere, ingenious work in a stunning monograph.” * Details Magazine *"If there’s one man responsible for making concrete sexy again it’s this guy." * The Independent *

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Book SynopsisA beautifully illustrated selection of stories about the lighthouses and their guardians found in some of the most remote places on earth.A Financial Times Travel Book of the Year 2023'Illuminating' - The ObserverThere is something beautiful and wild in the impossible architecture of lighthouses. They have been the homes and workplaces of men and women whose romantic guardianship has saved countless lives from cruel seas. Yet while that way of life fades away, as the lights go out and the buildings crumble, we still have their stories.From a blind lighthouse keeper tending a light in the Arctic Circle, to an intrepid young girl saving ships from wreck at the foot of her father's lighthouse, and the plight of the lighthouse crew cut off from society for forty days, this is a glorious book full of illuminating stories that will transport the reader to the world's most isolated and inspiring lighthouses.With over thirty tales that explore the depths to which we can sink and the heights to which we can soar as human beings, and accompanied by beautiful illustrations, nautical charts, maps, architectural plans and curious facts, A Brief Atlas of the Lighthouses at the End of the World is as full of wonder as the far flung lighthouses themselves.Translated from Spanish by Daniel HahnTrade ReviewOne of those books that seems made for gifting, it is a beautifully illustrated guide to some of the globe’s remotest spots with stories and vignettes from lighthouses that are, in themselves, miracles of construction and perseverance and monuments to the fundamental goodness of human beings. * The New European *

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Book SynopsisA critical examination of the complex legacies of early Californian anthropology and linguistics for twenty-first-century communities.In January 2021, at a time when many institutions were reevaluating fraught histories, the University of California removed anthropologist and linguist Alfred Kroeber’s name from a building on its Berkeley campus. Critics accused Kroeber of racist and dehumanizing practices that harmed Indigenous people; university leaders repudiated his values. In The Unnaming of Kroeber Hall, Andrew Garrett examines Kroeber’s work in the early twentieth century and his legacy today, asking how a vigorous opponent of racism and advocate for Indigenous rights in his own era became a symbol of his university’s failed relationships with Native communities. Garrett argues that Kroeber’s most important work has been overlooked: his collaborations with Indigenous people throughout California to record their languages and stories.The Unnaming of Kroeber Hall offers new perspectives on the early practice of anthropology and linguistics and on its significance today and in the future. Kroeber’s documentation was broader and more collaborative and multifaceted than is usually recognized. As a result, the records Indigenous people created while working with him are relevant throughout California as communities revive languages, names, songs, and stories. Garrett asks readers to consider these legacies, arguing that the University of California chose to reject critical self-examination when it unnamed Kroeber Hall.

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Book SynopsisFounded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design. This fresh reprint of domus' 1950s coverage brings together the most important features from an era of post-war optimism. As memories of conflict receded, architecture and design sought new forms, materials, and applications, as well as increasing international dialogue. Highlights include Le Corbusier’s design of the United Nations Building in New York; the Case Study Houses of Charles and Ray Eames; Richard Neutra in California, office machines by Olivetti, furniture by Ray and Charles Eames, ceramics and tables by Ettore Sottsass, and the Herman Miller Showroom by Alexander Girard in San Francisco. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names Trade Review“You will discover more ideas here about design and architecture than you could find with convenience anywhere else.” * World of Interiors Magazine *

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Book Synopsis A smooth ride through the golden age of car travel, looking at both its cultural and architectural impact on the world. Despite the inherently mobile nature of cars, the culture of road travel and the road trip is arguably best reflected in the stationary spots found along the way. Christopher Beanland journeys through these built environments the world over, whose sole purpose is to cater to cars and those who drive them, and examines what makes them so alluring. Illustrated with 65 stunning photographs, Architecture + Cars explores everythingfrom the brutalist fashions of listed UK petrol stations to the quirky and colourful drive-thrus found across the US. If you''ve ever wondered where German drivers stop off for a quick prayer, why Ed Ruscha felt drawn to painting gas stations, or you just enjoy the aesthetics of car-centric architecture, this book is for you. Also included are essays on wider topics such as roadside signs, drive-in malls and retail parks, cars on film, and roads that never were. This latest architectural deep-dive from Christopher Beanland focuses mainly on the 20th century, with an additional optimistic look towards the future: hopefully an electric vehicle-led existence will herald a new, greener ''golden age'' for cars.

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Book SynopsisTrade Review“From the lost tunnels at Euston to the deep-level shelter at Clapham South, the book is an expansive look at the Underground, with images from previously unseen archives” — Henry Wong, Design Week

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Book SynopsisOver the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere.In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.Trade ReviewA scathing, lively and timely look at the "European city", from one of our most provocative voices on culture and architecture today -- Owen JonesThe best book I've read on Europe, blending history, architecture and contemporary politics and written in Owen Hatherley's trademark mixture of scepticism, erudition and humanity. He is a writer of lasting merit who will be read fifty years from now. -- Anna MintonThe latest heir to Ruskin. -- Boyd Tonkin * Independent *

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