Colours and colour theory Books

Book SynopsisIn The Urban Sketching Handbook: Techniques for Beginners, artist and Urban Sketcher correspondent Suhita Shirodkar shares essential skills for sketching architecture, people, and everyday objects on location. You'll learn the basics of value, color mixing, and perspective through helpful studies and exercises, whether at home, in studio, and on location. The Urban Sketching Handbook: Techniques for Beginners is perfect for anyone who’s just getting started in this fascinating art form, or who wants to develop their observational and drawing aptitude by reinforcing basic concepts.TheUrban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.Table of ContentsAbout This Series Introduction KEYS I Starting Out II What to Sketch: Objects III What to Sketch: Places IV What to Sketch: People V Bringing It All Together Contributors Acknowledgments About the Author

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Book SynopsisLauren Wager's follow up to her bestselling Color Collective's Palette Perfect features a fresh approach to colour combinations with entirely new palettes, organised by season. What colour is summer? Is it a cool and translucent swimming pool aquamarine, brilliant watermelon red, or the pale pink interior of a seashell? If these colours define summer, what colour is autumn? How about winter? And spring? In Palette Perfect, Volume 2, designer and best-selling author Lauren Wager explores the multiple possibilities of seasonal color applications, leading the reader through an inspirational presentation of image pairings and colour combinations. The colour palettes are portrayed in a fresh and dynamic way that allows the reader to see how certain colours play off each other in foreground and background, close together and further apart. This format is a different take on colour palettes than Volume 1, and still provides the RGB and CMYK values for artists that would like to translate the colours for web and print. This volume - both a practical guide and inspirational book for designers, illustrators, architects, and crafters, as well home decoration and fashion lovers, professional or otherwise - provides examples of colour application within the worlds of contemporary art, fashion, interiors, photography and graphic design. It is a carefully gathered collection of colour palettes and stunning images with a touch of the unexpected, utterly successful in its aim. AUTHOR: Lauren Wager is a designer, colour consultant, and curator who is inspired by simple beauty and driven by a great sensitivity for colour. Wager has done social media collaborations with Pantone, Marine Layer, Everlane, Le Bon Shoppe, Richer Poorer and Crow Works. She was featured in UPPERCASE Magazine and she recently worked with Field Tiles to come up with over 100 colours for their upcoming cement tile collection. She is co-owner of Georgie Home, a company that designs and produces textile products for the home, which are sold in West Elm, among other stores. She is also the creator of Color Collective, an online blog which serves as a colour resource aimed at artists and designers. Her first book, Palette Perfect, evolved from her blog, pairing colour palettes with the work of various designers, artists and photographers. She lives in Columbus, Ohio where she enjoys spending time with her family, collecting rocks, drinking coffee, and finding colour groupings in unexpected places. SELLING POINTS: . Lauren Wager's second book is expected to garner as much interest (or more) as its predecessor, the best-selling Palette Perfect. Color Combinations Inspired by Fashion, Art and Style. . Since its publication, the first volume has proven to be a valuable resource for designers (graphic, interior, product), architects, crafters, illustrators, and professionals working in the marketing, communication and branding industries. . A new approach to colour combinations with entirely new palettes, organised by season. 320 colour photographs

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Book SynopsisIn The Urban Sketching Handbook: Drawing Expressive People, urban sketcher and workshop instructor Róisín Curé shows how to make your figures more than just anonymous bystanders by sharing the basics of drawing people on the go as well as how to successfully render poses, faces, and expressions. Following an essential section on proportion, you’ll find tips, tricks, and examples for surmounting the intimidating prospect of capturing ever-shifting subjects, plus techniques for portraying poses accurately and distilling details that convey personality and emotion, whether individually, in small groups, or in crowds. Bring figures and people to life on the page and tell an authentic visual story with The Urban Sketching Handbook: Drawing Expressive People. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.Table of ContentsAbout This Series Introduction KEYS I Tools & Supplies II Challenges III Proportions IV Poses & Actions V Color & Light GALLERIES I On the Move II Light & Shadow III Creative Color IV Capturing Memories Challenge Yourself Contributors Acknowledgments About the Author

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Book SynopsisColours of Art takes the reader on a journey through history by pairing 80 carefully curated artworks with infographic palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success. Table of ContentsIntroduction 1. First impressions Stone Age, Egypt, Ancient Greece and Rome Feature: The nature of colour – how artists created natural colours. Horses, from the Chauvet cave near the Pont d’Arc Bison, from Altamira Nebamun Hunting Birds, from the tomb of Nebamun Tomb of the Diver 2. Ordering the world The RenaissanceFeature: A roaring trade – on the colour trade and the cost/availability of colours Lamentation, Giotto Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi The Wilton Diptych Saints Jerome and John the Baptist, Masaccio Portrait of a Man with a Turban, Jan van Eyck The Magdalen Reading, Rogier Van der Weyden The Birth of Venus, Sandro Botticelli The Rape of Europa, Titian Philip II, Sofonisba Anguissola Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana 3. Cutting loose Baroque to RococoFeature: The colour wheel – on Isaac Newton’s discovery of the colour spectrum, and his error – trusting maths over the sensations of the eye Rest on the Flight into Egypt, Caravaggio Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi The Toilet of Venus (The Rokeby Venus), Diego Velázquez Rising and Setting of the Sun, François Boucher Colour, Angelica Kauffman Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun 4. Keeping it real RealismFeature: Risky business – on poisonous colours and artists risking their lives for their work. Still Life with Cheeses, Artichoke and Cherries, Clara Peeters A Woman Bathing in a Stream, Rembrandt van Rijn The Goldfinch, Carel Fabritius The Milkmaid, Johannes Vermeer Flowers in a Vase, Rachel Ruysch 5. Two sides of a coin Neoclassicism to RomanticismFeature: How we see colour – on Goethe’s new symmetrical colour wheel and physiological theories. Albion Rose, William Blake Portrait of a Negress, Marie-Guillemine Benoist Orphan Girl at the Cemetery, Eugène Delacroix The Burning of the Houses of Parliament , Joseph Mallord William Turner Comtesse d’Haussonville, Jean-Auguste-Dominique Ingres 6. Let there be light The Impressionist RevolutionFeature: Colour chemistry – on the industrialisation of colour and the making of synthetic pigments. Two Women Chatting by the Sea, Camille Pissarro Young Woman with Peonies, Frédéric Bazille Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler Berthe Morisot with a Bouquet of Violets, Édouard Manet In the Country (After Lunch), Berthe Morisot Combing the Hair, Edgar Degas The Child’s Bath, Mary Cassatt Waterloo Bridge, Blurred Sun, Claude Monet 7. On the edge of the spectrum Post-Impressionists, Pre-Raphaelites, Les Nabis, SurrealistsFeature: Colour decorum – on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.) Night and Sleep, Evelyn de Morgan The Suitor, Édouard Vuillard The Visit, Félix Vallotton Interior. Strandgade 30, Vilhelm Hammershoi Barbarian Tales, Paul Gauguin The Life, Pablo Picasso The Green Blouse, Pierre Bonnard The Two Fridas, Frida Kahlo The Old Maids, Leonora Carrington 8. Express yourself Expressionism and FauvismFeature: The psychology of colour – on colour communicating and sparking emotion. Two Crabs, Vincent van Gogh The Scream, Edvard Munch Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker Group X, No.1, Altarpiece, Hilma af Klint The Yellow Scale, František Kupka The Dessert: Harmony in Red, Henri Matisse Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele Still Life with Blackening Apples, by Helene Schjerfbeck 9. Seeing it feelingly Abstract Expressionism and Colour Field PaintingFeature: Properties of colour – on hue, intensity and tone, and the changing precedence of each throughout art history Electric Prisms, Sonia Delaunay Mountains and Sea, Helen Frankenthaler Bird Talk, Lee Krasner No. 11 (Untitled), Mark Rothko Ocean Park #79, Richard Diebenkorn 10. Show some restraint Monochrome and MinimalismFeature: The Pantone palette – on attempts to create a universal colour language. Plus Pantone’s predecessors, eg Werner’s Nomenclature of Colours (1814). Homage to the Square: Apparition, Joseph Albers The Marriage of Reason and Squalor, II, Frank Stella IKB 79, Yves Klein White Stone, Agnes Martin 11. By popular demand Pop Art to The Pictures GenerationFeature: Anything is possible – on new materials and colour experimentation outside of the medium of painting. Colour Her Gone, Pauline Boty Ice Cream, Evelyne Axell Untitled (Your Body is a Battleground), Barbara Kruger A Bigger Splash, David Hockney Ladies and Gentlemen (Iris), Andy Warhol 12. Here and Now Contemporary art from the 1970sFeature: The colour of art history – on artists painting black figures into the mostly white canon. Self-Portrait, Alice Neel Self-Portrait, Basquiat Untitled, Etel Adnan To Tell Them There It’s Got To, Lynette Yiadom-Boakye Spinners (Moths and Spiders Webs), Kiki Smith Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker Shantavia Beal II, Kehinde Wiley Boucher’s Flesh, Flora Yukhnovich The Ruling Class (Eshu), Toyin Ojih Odutola Sabine, Alison Watt Untitled, Lisa Brice Index Further reading Picture credits Acknowledgements

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Book SynopsisAnn Blockley is a successful artist, known for the innovative way in which she uses texture as a key element in her work, and this guide for intermediate painters looks specifically at how she achieves her stunning effects. Creating texture in watercolor can be quite a challenge, but this book brings a fresh approach to the subject. Ann explains how to manipulate the paint by lifting out color, scraping and scratching the paint, and using additional materials such as wax, salt, and metallic pigments. She also explains how the surface itself can play an important role in the effects that can be achieved, and experiments with acrylics, inks, gouache, and collage, as well as with watercolor. Ann also looks at the creative process and provides insights into how to develop ideas and portray texture in specific subjects, such as flowers and foliage, animals, still life, buildings, and landscapes. In order to provide a broader view and different styles of painting, the work of several guest artists is also featured.Trade Review‘This is a wonderful lively book that will inspire readers to take more risks with the medium, moving their work on to something perhaps truly extraordinary.’ Leisure Painter ‘This is muscular watercolour, painting for the new millennium if you must. It’s vibrant, alive and exciting.’ Artists’ Choice Book Club ‘Flowers, leaves and seedheads…also landscapes, animals and still lifes done in a way that will definitely make you look twice. [Warecolour Textures]Offers all kinds of opportunities for development.’ The Artist Magazine ‘A use of paint that goes far beyond the medium’s more demure image…this is very much the way forward. Read Ann’s book and you can say you were there when it started!’ Artist’s Choice

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Book SynopsisThe first and only survey of Japanese design as seen through the lens of Japan’s traditional colour spectrum – an exquisitely packaged fresh take on a universally popular topicThe traditional colours of Japan have been in use since the seventh century, originally to indicate rank and social hierarchy but, over time, their significance has broadened to include all manner of designed objects. This landmark volume celebrates a curated selection of 200 colours (iro in Japanese), with each traditional shade illustrated by one or more items – ranging from 16th-century kimonos to contemporary chairs, humble kitchen utensils to precious ceramics – providing a unique route to a deeper appreciation of Japanese design. Expertly bound in a traditional Japanese style, this stunning book is a beautiful design object in its own right and is a must-have for all lovers of design.Trade Review'A book that proves valuable for collectors and color obsessives.' - Introspective 'Bright and luminous.' - Remodelista 'Exquisitely packaged.' - Aspire Design & Home 'What struck me first about Rossella Mennegazzo's book was it's Japanese style binding ... Its pages continued to impress with texture and content. This beautiful book explores 200 colors (iro), with each traditional Japanese hue represented by one or more noteworthy items. Everything from modern furniture to utensils and kimonos are included in the carefully curated collection that you have to see in person for the utmost appreciation.' - Kelly Beall, Design Milk

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Book SynopsisThe definitive artist's reference guide and comprehensive sourcebook of art materials and painting techniques, now available in a modern paperback edition.The Complete Artist's Manual covers all the elements of painting and drawing from materials to techniques, colour composition and media the ultimate artist's bible.In addition, it contains a structured painting course with simple exercises developing into more advanced projects, with demonstrations by well-known practising artists who share their experience and expertise with the reader.Contents includes;SupportsDrawing and painting mediaDrawing and sketchingPainting techniquesColour and compositionWhat to paint getting startedThe artist's studioGlossary and directoryThe Complete Artist's Manual is visually rich and exciting, practical and comprehensive no artist's studio should be without it.Trade Review‘ A work of art in itself’ The Artist magazine

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Book SynopsisThe Unofficial Emily in Paris Coloring Book brings the hit Netflix show to your fingertips with over 50 drawings for you to color. Inspired by scenes from the show itself, color in characters, memorable quotes, and iconic Parisian scenes and pastries. This book is perfect for those who enjoy coloring and are a fan of Emily Cooper’s journey in Paris as she adapts to the French culture. Try your hand at fashion design by recreating some of the most iconic looks seen on the streets of Paris. Step into the City of Love and relive Emily’s best marketing campaigns, outfits, and funniest mess-ups of the French language. If a millennial from Chicago could do it, who’s to say you can’t too?

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Book SynopsisThis comprehensive, beautiful book delves deep into the complex but fascinating story of our relationship with colour throughout human history. Colour is fundamental to our experience and understanding of the world. It crosses continents and cultures, disciplines and decades. It is used to convey information and knowledge, to evoke mood, and to inspire emotion. This book explores the history of our understanding of colour, from the ancient world to the present, from Aristotle to Albers. Interspersed in the historical story are numerous thematic essays that look at how colour has been used across a wide range of disciplines and fields: in food, music, language and many others.   The illustrations are drawn from the Royal College of Art’s renowned Colour Reference Library which spans six centuries of works and nearly 2,000 titles, from a Gothic manuscript on the composition of the rainbow to hand-painted Enlighten

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Book SynopsisPath of Gold traces the significance and use of gold as an art historical phenomenon, from early cultures to the present day. In periods of fundamental shifts in value and spiritual reorientation, gold appears consistently as a meaningful element: the ultimate precious metal always symbolised temporal as well as spiritual values. In painting, gold always indicates a change, liberation, and transmutation. Gold as a colour and means of artistic expression of utmost importance also links Swiss artists Heinrich Eichmann (1915-1970) and Barbara Diethelm, born in 1962. Eichmann created numerous plates and murals in different architectural contexts, of which the best-known are his “Gold Paintings.” In her work, Diethelm, who also works as a colour researcher, pursues the creative forces of nature and developed a new gold-coloured substance. Her paintings refer to concrete places where layers of human cultural development overlap and come to the fore. In this book, published in conjunction with an exhibition at Helmhaus Zurich in spring 2022, full colour reproductions of Eichmann’s and Diethelm’s works are supplemented with texts by artist Barbara Diethelm, art historian Guido Magnaguagno, curator Daniel Morgenthaler, and the South African author and conservationist Linda Tucker. Text in English and German.

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Book SynopsisIn the middle of the electromagnetic spectrum between the binary extremes of black and white it’s not gray, as you might expect, but green. And within green’s bandwidth there are more tonal variations than any other colour can make. Maybe this is why - envy, naivete, and money aside - green is generally synonymous with good. Green is paradise for Islam, luck for the Irish, and a healthy planet for environmentalists. Whereas the industrial past was grey, the future is green. LA+ Green explores the green spectrum from plants to politics and from art to science, with contributions from: Noam Chomsky; Robert D. Bullard; Kassia St. Clair; Neil M. Maher; Rob Levinthal; Sonja Dümpelmann; Peder Anker; Robert Mcdonald; Parker Sutton; Tamara Toles O’Laughlin; Nicholas Pevzner; Michael Marder; Shannon Mattern; Michael Geffel; Brian Osborn; Julian Bolleter; Cristina Ramalho; Robert Freestone; Richard Weller; Michael Geffel; Brian Osborn; Julian Raxworthy.

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Book SynopsisColor the living shit out of this new stress-relieving, fucking swear word adult coloring book!With daily stresses like annoying coworkers, red-faced bosses, endless traffic, and whatever shit you have going on at home, sometimes all you need to do is to tell everyone to “fuck the fuck off”. Now you can say it in color! - There are more ways to say “fuck you” than ever with this collection of over 50 satisfyingly inappropriate coloring pages. - Relieve some stress with easy and beautiful art—that also happens to feature your favorite profanities. Feel the zen wash over you as you color in or outside the lines however you damn well please. - Take your defiance up a notch with more complex patterns, or take the easy route when you unwind. No matter what you do, make sure you do whatever the fuck you want!

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Book SynopsisTrade Review"This radiantly beautiful book takes us on a journey through the methods and devices used in Western cultures to catalogue colours developed since the 15th century by doctors, naturalists, dyers and painters."---Jad Adams, The Art Newspaper"There is a riot of colour on almost every page, in a stunning array that illuminates the eye."---Elizabeth Fitzherbert, The Lady"In Color Charts: A History, French author Anne Varichon reveals the inventive and poetic ways in which colour has been collectively understood, telling the story of the transformation from pigment makers and craftworkers, dependent on their charts, to the age of synthetic colour, through which the ‘western world began to become colourful, and finally, colourful for everyone’."---Alexander James, Financial Times

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Book SynopsisA simple text where a visit to an art show causes a girl to imagine what the world would be like if it was wholly yellow, red or blue. Realising that the world actually consists of all the colours of the rainbow, she paints lots of multicoloured pieces of art herself.Blue/Band 4 books offer longer, repeated patterns with sequential events and integrated literary and natural language.Text type A simple non-fiction text.A gallery story map on pages 14 and 15 pictures the different stages of the girl''s thought-processes for children to discuss.Curriculum links Art and Design: Self-portrait.Science: How we see things.This book has been levelled for Reading Recovery.This book has been quizzed for Accelerated Reader.

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Book SynopsisInformative and entertaining...Rogers is a seasoned raconteur, unreeling an eons-spanning tale with skill. —Wall Street JournalA lively account of our age-old quest for brighter colors, which changed the way we see the world, with a new afterword by the author From kelly green to millennial pink, our world is graced with a richness of colors. But our human-made colors haven’t always matched nature’s kaleidoscopic array. To reach those brightest heights required millennia of remarkable innovation and a fascinating exchange of ideas between science and craft that’s allowed for the most luminous manifestations of our built and adorned world.In Full Spectrum, Rogers takes us on that globe-trotting journey, tracing an arc from the earliest humans to our digitized, synthesized present and future. We meet our ancestors mashing charcoal in caves, Silk Road merchants competing for the best ceramics, and textile artists cracking the centuries-old mystery of how colors mix, before shooting to the modern era for high-stakes corporate espionage and the digital revolution that’s rewriting the rules of color forever.  In prose as vibrant as its subject, Rogers opens the door to Oz, sharing the liveliest events of an expansive human quest—to make a brighter, more beautiful world—and along the way, proving why he’s “one of the best science writers around.”* *National Geographic

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Book SynopsisA wide-ranging and engaging introduction to the place and power of colour in life and art by John Gage, author of the award-winning Colour and Culture. The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour â artists â have rarely been canvassed for their opinions on this mysterious subject. John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesTrade Review'A brilliant account ... The text is staggeringly erudite but accessible, and the illustrations are as varied as they are informative' - Sunday TimesTable of ContentsForeword Introduction 1. Light from Colour – Colour from Light 2. A Psychology of Colour? 3. The Shape of Colour 4. The Health of Colours 5. Languages of Colour 6. Can Colours Signify? 7. The Union of the Senses 8. Colour Trouble Glossary Bibliography Illustration list Index

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Book SynopsisA box of 50 postcards based on Werner's Nomenclature of Colours, the taxonomic guide to colour which has been cherished by naturalists and anthropologists for over two centuries.

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Book SynopsisDiscover the joy and versatility of watercolors with forty gorgeously illustrated lessons for any skill level.Watercolors are beautiful in their simplicity: a basic palette of paints, a few brushes, and nice thick paper will do the job. The medium is also beautiful, though, in its depths and complexities. Here, watercolor artist and instructor Emma Block focuses on techniques, materials, and lessons to help you explore new watercolor techniques, build creative confidence, and discover your unique style of painting. She''ll show you--with clear, step-by-step instructions--how to paint everything from people, plants, and animals perfect for framing to patterns and washes perfect for stationery and housewares. The forty lessons cover useful topics like:* Quality materials and how they can elevate your craft* Color theory 101 to help you confidently create artwork all your own* A techniques glossary full of exciting new skills

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Book SynopsisAcrylic Painting kit features all the materials, step-by-step instructions, and how-to projects any beginning artist needs to learn fun and innovative painting techniques.

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Book SynopsisA kaleidoscopic exploration that traverses history, literature, art, and science to reveal humans'' unique and vibrant relationship with color.We have an extraordinary connection to colorwe give it meanings, associations, and properties that last millennia and span cultures, continents, and languages. In The World According to Color, James Fox takes seven elemental colorsblack, red, yellow, blue, white, purple, and greenand uncovers behind each a root idea, based on visual resemblances and common symbolism throughout history.Through a series of stories and vignettes, the book then traces these meanings to show how they morphed and multiplied and, ultimately, how they reveal a great deal about the societies that produced them: reflecting and shaping their hopes, fears, prejudices, and preoccupations.Fox also examines the science of how our eyes and brains interpret light and color, and shows how this is inherently linked with the meanings we give

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Book SynopsisSven Dupré is Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands.Amy Buono is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, USA.Table of ContentsVOLUME 3: A CULTURAL HISTORY OF COLOR IN THE RENAISSANCE Edited by Sven Dupré, Utrecht University, The Netherlands, & Amy Buono, Rio De Janeiro State University, Brazil 1. Philosophy and Science, Tawrin Baker 2. Technology and Trade, Jo Kirby 3. Power and Identity, Peter C. Mancall 4. Religion and Ritual, Lisa Pon 5. Body and Clothing, Carole Frick 6. Language and Psychology, Doris Oltrogge 7. Literature and the Performing Arts, Bruce R. Smith 8. Art, Marcia Hall 9. Architecture and Interiors, Cammy Brothers 10. Artefacts, Leah R. Clark

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Book SynopsisHow fluorescent orange symbolizes the uneven distribution of safety and risk in the neoliberal United States Safety Orange first emerged in the 1950s as a bureaucratic color standard in technical manuals and federal regulations in the United States. Today it is most visible in the contexts of terror, pandemic, and environmental alarm systems; traffic control; work safety; and mass incarceration. In recent decades, the color has become ubiquitous in American public life—a marker of the extreme poles of state oversight and abandonment, of capitalist excess and dereliction. Its unprecedented saturation encodes the tracking of those bodies, neighborhoods, and infrastructures judged as worthy of care—and those deemed dangerous and expendable. Here, Anna Watkins Fisher uses Safety Orange as an interpretive key for theorizing the uneven distribution of safety and care in twenty-first-century U.S. public life and for pondering what the color tells us about neoliberalism’s intensifying impact often hiding in plain sight in ordinary and commonplace phenomena. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.Trade Review"In an age when so many books of aesthetic and critical theory feel not only dense but several degrees removed from things that matter in daily life, Safety Orange stands apart. It’s a convincing kind of argument that makes you see things differently, be they artworks, the United States, or urban detritus on your daily walk."—Art in AmericaTable of ContentsIntroduction: Ordinary Life on High Alert1. Orange You Glad You Live in America: The United States of Perpetual Risk2. Orange beyond Orange: Normalizing Catastrophe in Public Risk Communication3. An Infrastructural Band-Aid: Outsourcing State Accountability4. Orange Is the New Profiling Technology5. Orange Applied: Artistic AppropriationsConclusion: Seeing RedAcknowledgmentsBibliography

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Book SynopsisAs joint winner of the Gapper Book Prize, 2021, this new edition of Susan Harrow's award-winning study of modern French poetry and art writing offers a bold approach to studying the relationship between text and image. Exploring key questions such as how modern writers write colour, and to what extent critical thought on colour in visual media can illuminate the textual life of colour, Susan Harrow argues that colour is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority in painting and poetry. The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a ‘colour turn’ in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications—conceptual, methodological, and practical—for the study of visuality in humanities research, from literature studies to material and visual culture studies.Trade ReviewHarrow brings her field up to date with a colour turn already well underway in anthropology and film and cultural studies, thus carving a new space for literary studies within the interdisciplinary humanities. * French Studies *This is a bold and intellectually ambitious project both in its scale but also in its agenda of bringing colour studies to the fore. Stimulating, convincing and supremely crafted…This is the culmination of many years of research, and the expertise, erudition and style on display are quite breath-taking. * The Society for French Studies, 2021 Gapper Book prize awards panel *A scholarly, detailed, in-depth investigation into how color is utilized in both poetry and art writing…As Harrow shows, color [sic], a seemingly simple word with obvious connotations, is far more complex than we realize. * Leonardo *Colourworks: Chromatic Innovation In Modern French Poetry and Art Writing by Susan Harrow is an immersive book analyzing color in modern French poetry and art writing ... The writing is dense at times but always maintains its own poetic air. * STC Technical Communication *Starting with Mallarmé’s ‘monochromes’, Susan Harrow takes us on an extended exploration of the colour worlds of modern French poetry, via Valéry’s greys down to the complex chromatics of Bonnefoy. Her study is a tour de force. * Christopher Prendergast FBA, Professor Emeritus of Modern French Literature and Fellow of King’s College, University of Cambridge, UK *Through a series of penetrating readings, Susan Harrow sheds fascinating light on the workings of colour when it is mediated through the poet’s words. The subtlety of this alchemical process finds eloquent expression in lucid analyses of Mallarmé, Valéry and Bonnefoy. Harrow’s interdisciplinary study offers a wealth of insights that prompt us to think anew about the affective, cultural, sensory and theoretical ramifications of colour and the myriad ways in which its textual articulation shapes our world. * Eric Robertson, Professor of Modern French Literary and Visual Culture, Royal Holloway, University of London, UK *Table of ContentsList of plates Introduction Thinking Colour-Writing Part One Objects and Affects: Mallarmé’s Monochromes Colour Culture Red Bricks and Yellow Thoughts Making Modern, Moving Colour Displacements of Black Migrations of Blue White (Im)material Conclusion Part Two Matter, Metaphor, Metamorphosis: Valéry’s Intermittent Colour Valéry, Vanguard and Rear-guard ‘Carroty-Red Bits of Fibre’ and a Pink-Bristled Toothbrush Thinking Art and Writing Colour Resisting and Revealing Colour Sense and Sensuousness: Seascape and Landscape Ekphrasis: Figure and Fruit Chiaroscuro Modulations Conclusion Part Three Emblematic Chromatics and the Colour of Ethics: Yves Bonnefoy’s Lessons in Things The Dereliction of Colour The Equipoise of Grey Colour Incarnate Unbiddable Colour: The Ethical Turn Acts of Attention Ethics and Ekphrastics Interrupted White The Curve of Colour Conclusion Conclusion: Colour Moving Forward Bibliography Index

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Book SynopsisThe Quilt Design Coloring Workbook calls on an unlikely but exciting muse to help inspire quilt designers: modern art. More than 90 full-page ready-to-color design prompts invite quilters to try new color combinations and pattern experiments. Author Thomas Knauer’s innovative reimagining of quilt design highlights the very principles that threw the traditional art world into upheaval 100 years ago, such as prioritizing balance over symmetry and simplicity over realism. By stitching together modern art theory with hands-on design and coloring activities, this interactive workbook bursts at the seams with creativity.

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Book Synopsis

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Book SynopsisColour Demystified will banish the all-too-common confusion over the watercolour palette and give painters the confidence to experiment with colour mixing. This book demystifies colour, and helps artists understand how colour works in a highly visual way through the use of colour charts accompanied by examples, practical exercises, and analyses of watercolour paintings. Numerous artworks by a variety of contemporary artists are featured in the book, covering a broad range of subjects and palettes. Topics such as granulation, iridescence, staining strength, and transparent and opaque colours are explained clearly and simply, and there is practical guidance on colour relationships, using colour to create space, and how to be more creative with colour. Armed with a clearer understanding of colour and how it looks and behaves on paper, artists will be encouraged to be more bold and creative in their use of colour in their art. Trade ReviewNon-professional artistic color education starts and stops with the color wheel, primary and secondary hues, and complementary and analogous colors. Award-winning UK watercolorist Collins (Painting Flowers with Impact in Watercolour, 2005) changes the conversation by delving into all the different ways hues, shades, and tones can play together. She explores topics like palettes, interactions, and glazing in detail with the intention of inspiring new thinking and experimentation, and furthers her cause with several different gallery-type examples, 16 worksheets that showcase techniques (painting a freehand tulip, for example), and seven step-by-step projects—still life with tulips, carte postale birds, even just one leaf. To amplify the book’s title, she includes "demystifying” sidebars, observations, and recommendations that strengthen the artistic process, such as “the look of yellow differs in the center of green and red versus orange and green.” A book with an aesthetic sensibility that more than lives up to the title. Includes a glossary. -- Barbara Jacobs * Booklist *Although this books is written to give painters the confidence to experiment with colour mixing, it can demystify colour for anyone. If you'd like to understand how colour works in a highly visual way using colour charts and examples, practical exercises and analyses of watercolour paintings, this book is for you! * Machine Knitting Monthly *An appreciation of colour is so important to any artist, and we love the way that Julie Collins shares her enthusiasm and knowledge in Colour Demystified – A Complete Guide to Mixing and Using Watercolours. In her introduction, she explains how our surroundings and the weather conditions can affect our use of colour, for example, the beautiful light that attracts so many painters to St Ives in Cornwall. She also explains how inspiring it is to spend time looking at the works of other artists, examples of which are also included in this book. In her research, for this book, Julie visited paint manufacturers Winsor & Newton to understand more about the processes and equipment behind the creation of a tube of paint, and it is this attention to detail that shines through in this book. Every page contains detailed information that is so helpful in understanding the true potential of using watercolours. As well as information about how to mix and use watercolours, there are step-by-step projects including Carte Postale Birds, Christmas Cactus, Still Life with Tulips, Trees and Birds, and wonderful examples of experimentation. Above all, this beautiful book is written by an experienced and talented artist with a passion for painting and Julie’s enthusiasm is infectious. It’s a delightful celebration of colour and a wonderful encouragement to get started creating your own paintings! Highly Recommended! -- Escape Learn Create * Escape Learn Create.co.uk *Artist and author, Julie Collins has written a number of books on colour mixing and is a contributor to our sister publication, The Artist magazine. In her new book, Colour Demystified, she sheds clarity on the often-confusing science of colour mixing, freeing the student to make colour choices with confidence. Using colour charts alongside work by several contemporary artists, Julie shows how colour works and how you can used it to best advantage in your paintings. Topics covered include colour mixing, granulation, iridescence, staining, transparent and opaque colours, colour relationships and how to be more creative with colour. * Leisure Painter *This is a book which lives completely up to its title and explains not just what's happening on your palette, but on paper, in actual use. Written in language aimed at the practising artist rather than the chemist, Julie shows you what colour is, how different pigments work with each other and what all this means for finished results, for which she provides easy-to-follow demonstrations. This is an ambitious project that succeeds every step of the way. * SAA Catalogue *Understand and build the confidence to mix and use watercolours with Julie Collins's complete guide, Colour Demystified. Become more bold and creative with your use of colour in your art with the help of colour charts, examples, practical exercises and analyses of watercolour paintings. Topics such as granulation, iridescence, staining strength and transparent and opaque colours are explained clearly thanks to Julie's wealth of knowledge, and there is guidance on colour relationships, using colour to create space and how to be more creative when choosing shades – this is a must-have for any budding artist. * Crafts Beautiful *I am honestly surprised that nothing quite like this has appeared before. Yes, there have been books that deal with granulation, transparency, glazing and staining as well as guides to colour mixing, but they are either part of a larger work or hugely technical and more for the chemist than the artist. This is wonderfully straightforward and free from science. Julie examines and explains colours and palettes, what does what and how and when, but all from the point of view of obtaining a result, not as a technical exercise. Each variation is kept in a separate section, making navigation easy and there are examples and exercises that allow you to see exactly what to expect on paper. The whole thing is thoughtfully arranged by an author who is absolutely on top of her subject and knows how to explain it in straightforward terms you will have no trouble understanding. -- Henry Malt * The Artist *Table of ContentsIntroduction 6 Materials 8 The language of colour 14 Pigments Demystified 38 Tone & Value 58 Step-by-step project: Leaf 66 Palettes 72 Step-by-step project: Carte Postale Birds 86 The interaction of colour 98 Step-by-step project: Christmas Cactus 104 Modifying your Colours 112 Step-by-step project: Daina’s Teapot 120 Glazing 126 Step-by-step project: Still Life with Tulips 132 Mineral pigments & Luminescent watercolours 136 Step-by-step project: Inside, Outside 144 Experimentation & inspiration 148 Step-by-step project: Trees and Birds 154 Glossary 158 Index 160

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Colours, Giovanna Ranaldi invites you to nurture your creativity and build your confidence by taking inspiration from famous works of art that celebrate colour.Each section explores a particular aspect of colour, from basics such as the history of the colour wheel and using complementary colours, to understanding the impact colour has on our emotions and dreams. Throughout the book, Giovanna provides creative and fun prompts that will encourage you to draw or paint on the pages using various techniques. Colours is full of information on how to see colour and use it in your own artwork and is packed with inspiration from the world's most celebrated artists, including Paul Klee, Claude Monet, Vincent van Gogh, Sonia Delaunay and more.Colours is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different artistic techniques and materials, and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Blue, Valentina Zucchi and Viola Niccolai invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate blue, perhaps the best-loved colour of all.Discover the most important blues, ones that the all-time greatest painters have used in order to paint velvet, mountains, Madonnas, angels, skies and storms. Throughout the book, Valentina and Viola provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including the ancient Egyptians, John Constable, Pablo Picasso, Vincent van Gogh, Yves Klein and more, you will discover the many meanings of blue and just some of the innumerable stories that bring it to life.Blue is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different artistic techniques and materials, and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Red, Valentina Zucchi and Paolo d'Altan invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate the prince of colours, red.Discover the reds best-loved by artists – from Tyrian purple to crimson red – which have been used since prehistoric times to conjure up many things, from fire and danger to blood, love and passion. Throughout the book, Valentina and Paolo provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Leonardo da Vinci, Rothko, Titian, Matisse and more, you will discover the many meanings of red and just some of the ways it can be used to express your creative passion.Red is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different artistic techniques and materials and begin their artistic journey.Table of Contents32 PAGES OF TEXT - Exploring the world of colour through the eyes of great artists and their masterpieces. EXERCISES - Questions and practical challenges for the reader to discover the effect and impact in the way we play with colour. ART PAPER - Blank pages of quality art paper to use for painting and drawing.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In White, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the silent and tidy colour of white.White could be considered a non-colour, since it often suggests an absence of something. In fact, the reverse is true: white contains everything, even all the other colours. It has many shades, from chalk to snow white, and is found everywhere, from clouds to wedding dresses. Throughout the book, Valentina and Francesca provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Paul Klee, Michelangelo, Claude Monet and more, you will discover the many shades of white and just some of the ways it can be used to convey meaning.White is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Black, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the most enigmatic colour of all, black.Black is a special colour: rich, glossy and elegant on the one hand; strict, sensible and solemn on the other. Throughout the book, Valentina and Francesca provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Francisco Goya, Jackson Pollock, Rembrandt and more, you will discover the many meanings of black and just some of the ways it can be used to express your creative passion.Black is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Green, Valentina Zucchi and Angela Leon invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate green – the colour of fertility, abundance and life.Green imparts energy, relaxes, refreshes, cleanses and heals. It is ultimately a colour that belongs to nature and has always been loved by artists. Throughout the book, Valentina and Angela provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Claude Monet, Paul Cézanne, Georges Seurat and more, you will discover the many meanings of green and just some of the ways it can be used to express your creative passion.Green is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Yellow, Valentina Zucchi and Sylvie Bello invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate yellow, the most cheerful and inviting of colours.Explore some of the many different yellows that artists have used over the years to give substance to the beauty of light, from precious gold to butterscotch and cadmium yellow. Throughout the book, Valentina and Sylvie provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Olafur Eliassoni, Vincent van Gogh, JMW Turner and more, you will discover the many shades of yellow and just some of the ways it can be used to convey meaning.Yellow is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisContrary to the monochrome vision of Queen Victoria’s mourning dresses and the coal-polluted streets of Charles Dickens’ London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians’ perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life. Colour Revolution: Victorian Art, Fashion & Design charts the Victorians’ new attitudes to colour through a multi-disciplinary exploration of culture, technology, art and literature. The catalogue explores key ‘chromatic’ moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century. Table of Contents Section 1: Glowing Colour: Introduction; Ruskin and Colour Pedagogy; Turner, Ruskin and the Lure of Venetian Colour; The Colour of the Middle Ages; Unweaving the Rainbow: Nature’s Colours in Art and Fashion; Pretty Plant Photographers or Pioneering Women?; Object in Focus: Hummingbird Necklace by Harry Emanuel; Section 2: Colour for All: The Aniline Revolution; The International Exhibition of 1862; Object in Focus: Technical Analysis of the Great Bookcase; Sculpture and Race; The Colours of the Ancient Past; Orientalism; Object in Focus: Joseph and his Brethren by Owen Jones; India and Colour; Section 3: Colour for Colour’s Sake: The Colours of Decadence: Yellow, Green and Blue; Object in Focus: St. Mark’s Venice by James McNeill Whistler; Queering Colour; Object in Focus: Tanagra; Object in Focus: Japanese Boardgame; Loie Fuller

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Book SynopsisFrom Victorian breakthroughs in synthesising pigments to the BBC’s conversion to chromatic broadcasting, the story of colour’s technological development is inseparable from wider processes of modernisation that transformed Britain. This revolutionary history brings to light how new colour technologies informed ideas about national identity during a period of profound social change, when the challenges of industrialisation, decolonisation of the Empire and evolving attitudes to race and gender reshaped the nation. Offering a compelling new account of modern British visual culture that reveals colour to be central to its aesthetic trajectories and political formations, this chromatic lens deepens our understanding of how British art is made and what it means, offering a new way to assess the visual landscape of the period and interpret its colourful objects. Across a kaleidoscopic array of materials, from radiant paintings by major Victorian artists, vivid print advertisements and vibrant interwar fashion photographs, to glorious Technicolor films and the prismatic programmes of the BBC’s early years of colour television, The Rainbow’s Gravity reveals how Britain modernised colour and how colour, in turn, modernised Britain. Distributed for the Paul Mellon Centre for Studies in British Art

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Book SynopsisFrom Newton's prism spectroscopy to modern color science, the study of color has been rooted in the categorization of colors. Building upon this foundation, this book aims to explore the rich and varied examples of color theory through two basic concepts: categorizing colors themselves and categorizing things by color. How have different cultures drawn the line between colors, and why? What do these divisions reveal about color naming, standards, environments, and sensory perceptions? The book delves into these questions, shedding light on how color categorization has shaped our world. Through this exploration of color theory, the author also hopes to draw attention to the potential parallels between Western color classifications and the logic of racism. By examining various theories on color classification standards, the author seeks to unravel this complex issue and encourage readers to reflect on how our understanding of color and categorization can impact our social and cultural attitudes.Table of ContentsChapter 1: Introduction1.1 My Father and the Okinawan Fish 1.2 Colorful Cakes in New York 1.3 The Color of the Sun in Weather Forecasts 1.4 What is 'Color'? 1.5 On Categorization 1.6 Why Did Van Gogh's Color Palette Change? 1.7 Color Vision of Japanese Macaques 1.8 Wishes for This Book Part I: Categorizing Colors Chapter 2: Categorizing the Rainbow 2.1 Fluctuating Number of Colors in a Rainbow 2.2 Newton's Rainbow Color Discovery through Musical Comparison 2.3 Natural Fine Categorization: The Fraunhofer Line 2.4 The Rainbow Flag Chapter 3: Categorizing Colors by Name 3.1 Basic Color Terms: Their Universality and Evolution 3.2 Boundaries of Color Charts 3.3 Color Charts and Lighting 3.4 Categorizing in Detail 3.5 Putting it Together Broadly 3.6 Increasing and Decreasing 3.7 Evolution and Eugenics 3.8 Basic Color Terms (BCTs) and Traditional Color Names Matter for Gender? Chapter 4: Categorizing Colors by Criteria 4.1 Primary Colors 4.2 Pure Colors 4.3 Ranking 4.4 Attributes 4.5 Color Wheels and Color Spaces 4.6 Color Standards and Foods Chapter 5: Categorizing Colors by Environment and Senses 5.1 Temperature 5.2 Humidity 5.3 Domestic Animals 5.4 Festivals and Everyday Life 5.5 Gender 5.6 Synesthetes Part II: Categorizing Things 'by' Color Chapter 6: Categorizing Food by Color 6.1 Package 1: Milk in the USA and Japan 6.2 Package 2: American and Japanese Confectionery 6.2.1 Candy 6.2.2 Chocolate 6.2.3 Gum 6.2.4 Limited Period/Region 6.2.5 Blue Food Coloring and Packaging 6.3 Later Stories 6.4 Food Groups Colors Chapter 7: Categorizing Identities by Color 7.1 Crests 7.2 Collar Insignia of the Japanese Military 7.3 Ranks 7.4 Sumptuary Laws 7.5 Landscape Laws Chapter 8: Categorizing People by Color 8.1 Races 8.2 Yellow on Nazi Concentration Camp Badges 8.3 White, Black and Red 8.3.1 Black and White 8.3.2 Redlining 8.3.3 #BlackLivesMatter 8.3.4 Silence is Violence 8.4 Stereotypes in Film: White Saviors and Magical Negroes Chapter 9: Conclusion—A Past that Ranks Colors and Refuses to Mix and a Colorful Future References Index

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Book SynopsisIs contemporary art’s recurring turn to a material with a rich tradition an attempt to free the precious metal from its historical heritage, from grandeur and pathos? Is the saying “all that glitters is not gold” thus put to a test by transferring or shifting the always sought-after, glittery material to other contexts? The exhibition Doré Vergoldet Gilded and accompanying catalogue bring together works of contemporary art that deal with gold as a material and colouring agent and thus reflect the notions of value and symbolic power connected with it. Artists: Antje Blumenstein, Olivia Breckemeyer, Ruth Campau, Marianne Engel, Luka Fineisen, Niklas Goldbach, Eckart Hahn, David Krippendorff, Claudia Kugler, Alicja Kwade, Andréas Lang, Via Lewandowsky, Michael Müller, Sebastian Neeb, Andrea Pichl, Johanna Reich, Julian Röder, Stéphanie Saadé, Michael Sailstorfer, Karin Sander, Karina Spechter, Henrik Strömberg, Philip Topolovac, Panos Tsagaris, Frauke Wilken, Andrea Winkler, Clemens Wolf, He Xiangyu. Text in English, German and French.

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