Description

Book Synopsis
Colours of Art takes the reader on a journey through history by pairing 80 carefully curated artworks with infographic palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success.

Table of Contents
Introduction

1. First impressions
Stone Age, Egypt, Ancient Greece and Rome
Feature: The nature of colour – how artists created natural colours.
Horses, from the Chauvet cave near the Pont d’Arc
Bison, from Altamira
Nebamun Hunting Birds, from the tomb of Nebamun
Tomb of the Diver
2. Ordering the world
The Renaissance
Feature: A roaring trade – on the colour trade and the cost/availability of colours
Lamentation, Giotto
Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi
The Wilton Diptych
Saints Jerome and John the Baptist, Masaccio
Portrait of a Man with a Turban, Jan van Eyck
The Magdalen Reading, Rogier Van der Weyden
The Birth of Venus, Sandro Botticelli
The Rape of Europa, Titian
Philip II, Sofonisba Anguissola
Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana
3. Cutting loose
Baroque to Rococo
Feature: The colour wheel – on Isaac Newton’s discovery of the colour spectrum, and his error – trusting maths over the sensations of the eye
Rest on the Flight into Egypt, Caravaggio
Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi
The Toilet of Venus (The Rokeby Venus), Diego Velázquez
Rising and Setting of the Sun, François Boucher
Colour, Angelica Kauffman
Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun
4. Keeping it real
Realism
Feature: Risky business – on poisonous colours and artists risking their lives for their work.
Still Life with Cheeses, Artichoke and Cherries, Clara Peeters
A Woman Bathing in a Stream, Rembrandt van Rijn
The Goldfinch, Carel Fabritius
The Milkmaid, Johannes Vermeer
Flowers in a Vase, Rachel Ruysch
5. Two sides of a coin
Neoclassicism to Romanticism
Feature: How we see colour – on Goethe’s new symmetrical colour wheel and physiological theories.
Albion Rose, William Blake
Portrait of a Negress, Marie-Guillemine Benoist
Orphan Girl at the Cemetery, Eugène Delacroix
The Burning of the Houses of Parliament , Joseph Mallord William Turner
Comtesse d’Haussonville, Jean-Auguste-Dominique Ingres
6. Let there be light
The Impressionist Revolution
Feature: Colour chemistry – on the industrialisation of colour and the making of synthetic pigments.
Two Women Chatting by the Sea, Camille Pissarro
Young Woman with Peonies, Frédéric Bazille
Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler
Berthe Morisot with a Bouquet of Violets, Édouard Manet
In the Country (After Lunch), Berthe Morisot
Combing the Hair, Edgar Degas
The Child’s Bath, Mary Cassatt
Waterloo Bridge, Blurred Sun, Claude Monet
7. On the edge of the spectrum
Post-Impressionists, Pre-Raphaelites, Les Nabis, Surrealists
Feature: Colour decorum – on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.)
Night and Sleep, Evelyn de Morgan
The Suitor, Édouard Vuillard
The Visit, Félix Vallotton
Interior. Strandgade 30, Vilhelm Hammershoi
Barbarian Tales, Paul Gauguin
The Life, Pablo Picasso
The Green Blouse, Pierre Bonnard
The Two Fridas, Frida Kahlo
The Old Maids, Leonora Carrington
8. Express yourself
Expressionism and Fauvism
Feature: The psychology of colour – on colour communicating and sparking emotion.
Two Crabs, Vincent van Gogh
The Scream, Edvard Munch
Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker
Group X, No.1, Altarpiece, Hilma af Klint
The Yellow Scale, František Kupka
The Dessert: Harmony in Red, Henri Matisse
Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele
Still Life with Blackening Apples, by Helene Schjerfbeck
9. Seeing it feelingly
Abstract Expressionism and Colour Field Painting
Feature: Properties of colour – on hue, intensity and tone, and the changing precedence of each throughout art history
Electric Prisms, Sonia Delaunay
Mountains and Sea, Helen Frankenthaler
Bird Talk, Lee Krasner
No. 11 (Untitled), Mark Rothko
Ocean Park #79, Richard Diebenkorn
10. Show some restraint
Monochrome and Minimalism
Feature: The Pantone palette – on attempts to create a universal colour language. Plus Pantone’s predecessors, eg Werner’s Nomenclature of Colours (1814).
Homage to the Square: Apparition, Joseph Albers
The Marriage of Reason and Squalor, II, Frank Stella
IKB 79, Yves Klein
White Stone, Agnes Martin
11. By popular demand
Pop Art to The Pictures Generation
Feature: Anything is possible – on new materials and colour experimentation outside of the medium of painting.
Colour Her Gone, Pauline Boty
Ice Cream, Evelyne Axell
Untitled (Your Body is a Battleground), Barbara Kruger
A Bigger Splash, David Hockney
Ladies and Gentlemen (Iris), Andy Warhol
12. Here and Now
Contemporary art from the 1970s
Feature: The colour of art history – on artists painting black figures into the mostly white canon.
Self-Portrait, Alice Neel
Self-Portrait, Basquiat
Untitled, Etel Adnan
To Tell Them There It’s Got To, Lynette Yiadom-Boakye
Spinners (Moths and Spiders Webs), Kiki Smith
Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker
Shantavia Beal II, Kehinde Wiley
Boucher’s Flesh, Flora Yukhnovich
The Ruling Class (Eshu), Toyin Ojih Odutola
Sabine, Alison Watt
Untitled, Lisa Brice
Index
Further reading
Picture credits
Acknowledgements

Colours of Art

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    Order before 4pm today for delivery by Mon 22 Jun 2026.

    A Hardback by Chloë Ashby


      View other formats and editions of Colours of Art by Chloë Ashby

      Publisher: Quarto Publishing PLC
      Publication Date: 02/08/2022
      ISBN13: 9780711258044, 978-0711258044
      ISBN10: 071125804X

      Description

      Book Synopsis
      Colours of Art takes the reader on a journey through history by pairing 80 carefully curated artworks with infographic palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success.

      Table of Contents
      Introduction

      1. First impressions
      Stone Age, Egypt, Ancient Greece and Rome
      Feature: The nature of colour – how artists created natural colours.
      Horses, from the Chauvet cave near the Pont d’Arc
      Bison, from Altamira
      Nebamun Hunting Birds, from the tomb of Nebamun
      Tomb of the Diver
      2. Ordering the world
      The Renaissance
      Feature: A roaring trade – on the colour trade and the cost/availability of colours
      Lamentation, Giotto
      Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi
      The Wilton Diptych
      Saints Jerome and John the Baptist, Masaccio
      Portrait of a Man with a Turban, Jan van Eyck
      The Magdalen Reading, Rogier Van der Weyden
      The Birth of Venus, Sandro Botticelli
      The Rape of Europa, Titian
      Philip II, Sofonisba Anguissola
      Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana
      3. Cutting loose
      Baroque to Rococo
      Feature: The colour wheel – on Isaac Newton’s discovery of the colour spectrum, and his error – trusting maths over the sensations of the eye
      Rest on the Flight into Egypt, Caravaggio
      Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi
      The Toilet of Venus (The Rokeby Venus), Diego Velázquez
      Rising and Setting of the Sun, François Boucher
      Colour, Angelica Kauffman
      Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun
      4. Keeping it real
      Realism
      Feature: Risky business – on poisonous colours and artists risking their lives for their work.
      Still Life with Cheeses, Artichoke and Cherries, Clara Peeters
      A Woman Bathing in a Stream, Rembrandt van Rijn
      The Goldfinch, Carel Fabritius
      The Milkmaid, Johannes Vermeer
      Flowers in a Vase, Rachel Ruysch
      5. Two sides of a coin
      Neoclassicism to Romanticism
      Feature: How we see colour – on Goethe’s new symmetrical colour wheel and physiological theories.
      Albion Rose, William Blake
      Portrait of a Negress, Marie-Guillemine Benoist
      Orphan Girl at the Cemetery, Eugène Delacroix
      The Burning of the Houses of Parliament , Joseph Mallord William Turner
      Comtesse d’Haussonville, Jean-Auguste-Dominique Ingres
      6. Let there be light
      The Impressionist Revolution
      Feature: Colour chemistry – on the industrialisation of colour and the making of synthetic pigments.
      Two Women Chatting by the Sea, Camille Pissarro
      Young Woman with Peonies, Frédéric Bazille
      Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler
      Berthe Morisot with a Bouquet of Violets, Édouard Manet
      In the Country (After Lunch), Berthe Morisot
      Combing the Hair, Edgar Degas
      The Child’s Bath, Mary Cassatt
      Waterloo Bridge, Blurred Sun, Claude Monet
      7. On the edge of the spectrum
      Post-Impressionists, Pre-Raphaelites, Les Nabis, Surrealists
      Feature: Colour decorum – on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.)
      Night and Sleep, Evelyn de Morgan
      The Suitor, Édouard Vuillard
      The Visit, Félix Vallotton
      Interior. Strandgade 30, Vilhelm Hammershoi
      Barbarian Tales, Paul Gauguin
      The Life, Pablo Picasso
      The Green Blouse, Pierre Bonnard
      The Two Fridas, Frida Kahlo
      The Old Maids, Leonora Carrington
      8. Express yourself
      Expressionism and Fauvism
      Feature: The psychology of colour – on colour communicating and sparking emotion.
      Two Crabs, Vincent van Gogh
      The Scream, Edvard Munch
      Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker
      Group X, No.1, Altarpiece, Hilma af Klint
      The Yellow Scale, František Kupka
      The Dessert: Harmony in Red, Henri Matisse
      Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele
      Still Life with Blackening Apples, by Helene Schjerfbeck
      9. Seeing it feelingly
      Abstract Expressionism and Colour Field Painting
      Feature: Properties of colour – on hue, intensity and tone, and the changing precedence of each throughout art history
      Electric Prisms, Sonia Delaunay
      Mountains and Sea, Helen Frankenthaler
      Bird Talk, Lee Krasner
      No. 11 (Untitled), Mark Rothko
      Ocean Park #79, Richard Diebenkorn
      10. Show some restraint
      Monochrome and Minimalism
      Feature: The Pantone palette – on attempts to create a universal colour language. Plus Pantone’s predecessors, eg Werner’s Nomenclature of Colours (1814).
      Homage to the Square: Apparition, Joseph Albers
      The Marriage of Reason and Squalor, II, Frank Stella
      IKB 79, Yves Klein
      White Stone, Agnes Martin
      11. By popular demand
      Pop Art to The Pictures Generation
      Feature: Anything is possible – on new materials and colour experimentation outside of the medium of painting.
      Colour Her Gone, Pauline Boty
      Ice Cream, Evelyne Axell
      Untitled (Your Body is a Battleground), Barbara Kruger
      A Bigger Splash, David Hockney
      Ladies and Gentlemen (Iris), Andy Warhol
      12. Here and Now
      Contemporary art from the 1970s
      Feature: The colour of art history – on artists painting black figures into the mostly white canon.
      Self-Portrait, Alice Neel
      Self-Portrait, Basquiat
      Untitled, Etel Adnan
      To Tell Them There It’s Got To, Lynette Yiadom-Boakye
      Spinners (Moths and Spiders Webs), Kiki Smith
      Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker
      Shantavia Beal II, Kehinde Wiley
      Boucher’s Flesh, Flora Yukhnovich
      The Ruling Class (Eshu), Toyin Ojih Odutola
      Sabine, Alison Watt
      Untitled, Lisa Brice
      Index
      Further reading
      Picture credits
      Acknowledgements

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