Description

Book Synopsis
Colours of Art takes the reader on a journey through history by pairing 80 carefully curated artworks with infographic palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success.

Table of Contents
Introduction

1. First impressions
Stone Age, Egypt, Ancient Greece and Rome
Feature: The nature of colour – how artists created natural colours.
Horses, from the Chauvet cave near the Pont d’Arc
Bison, from Altamira
Nebamun Hunting Birds, from the tomb of Nebamun
Tomb of the Diver
2. Ordering the world
The Renaissance
Feature: A roaring trade – on the colour trade and the cost/availability of colours
Lamentation, Giotto
Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi
The Wilton Diptych
Saints Jerome and John the Baptist, Masaccio
Portrait of a Man with a Turban, Jan van Eyck
The Magdalen Reading, Rogier Van der Weyden
The Birth of Venus, Sandro Botticelli
The Rape of Europa, Titian
Philip II, Sofonisba Anguissola
Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana
3. Cutting loose
Baroque to Rococo
Feature: The colour wheel – on Isaac Newton’s discovery of the colour spectrum, and his error – trusting maths over the sensations of the eye
Rest on the Flight into Egypt, Caravaggio
Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi
The Toilet of Venus (The Rokeby Venus), Diego Velázquez
Rising and Setting of the Sun, François Boucher
Colour, Angelica Kauffman
Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun
4. Keeping it real
Realism
Feature: Risky business – on poisonous colours and artists risking their lives for their work.
Still Life with Cheeses, Artichoke and Cherries, Clara Peeters
A Woman Bathing in a Stream, Rembrandt van Rijn
The Goldfinch, Carel Fabritius
The Milkmaid, Johannes Vermeer
Flowers in a Vase, Rachel Ruysch
5. Two sides of a coin
Neoclassicism to Romanticism
Feature: How we see colour – on Goethe’s new symmetrical colour wheel and physiological theories.
Albion Rose, William Blake
Portrait of a Negress, Marie-Guillemine Benoist
Orphan Girl at the Cemetery, Eugène Delacroix
The Burning of the Houses of Parliament , Joseph Mallord William Turner
Comtesse d’Haussonville, Jean-Auguste-Dominique Ingres
6. Let there be light
The Impressionist Revolution
Feature: Colour chemistry – on the industrialisation of colour and the making of synthetic pigments.
Two Women Chatting by the Sea, Camille Pissarro
Young Woman with Peonies, Frédéric Bazille
Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler
Berthe Morisot with a Bouquet of Violets, Édouard Manet
In the Country (After Lunch), Berthe Morisot
Combing the Hair, Edgar Degas
The Child’s Bath, Mary Cassatt
Waterloo Bridge, Blurred Sun, Claude Monet
7. On the edge of the spectrum
Post-Impressionists, Pre-Raphaelites, Les Nabis, Surrealists
Feature: Colour decorum – on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.)
Night and Sleep, Evelyn de Morgan
The Suitor, Édouard Vuillard
The Visit, Félix Vallotton
Interior. Strandgade 30, Vilhelm Hammershoi
Barbarian Tales, Paul Gauguin
The Life, Pablo Picasso
The Green Blouse, Pierre Bonnard
The Two Fridas, Frida Kahlo
The Old Maids, Leonora Carrington
8. Express yourself
Expressionism and Fauvism
Feature: The psychology of colour – on colour communicating and sparking emotion.
Two Crabs, Vincent van Gogh
The Scream, Edvard Munch
Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker
Group X, No.1, Altarpiece, Hilma af Klint
The Yellow Scale, František Kupka
The Dessert: Harmony in Red, Henri Matisse
Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele
Still Life with Blackening Apples, by Helene Schjerfbeck
9. Seeing it feelingly
Abstract Expressionism and Colour Field Painting
Feature: Properties of colour – on hue, intensity and tone, and the changing precedence of each throughout art history
Electric Prisms, Sonia Delaunay
Mountains and Sea, Helen Frankenthaler
Bird Talk, Lee Krasner
No. 11 (Untitled), Mark Rothko
Ocean Park #79, Richard Diebenkorn
10. Show some restraint
Monochrome and Minimalism
Feature: The Pantone palette – on attempts to create a universal colour language. Plus Pantone’s predecessors, eg Werner’s Nomenclature of Colours (1814).
Homage to the Square: Apparition, Joseph Albers
The Marriage of Reason and Squalor, II, Frank Stella
IKB 79, Yves Klein
White Stone, Agnes Martin
11. By popular demand
Pop Art to The Pictures Generation
Feature: Anything is possible – on new materials and colour experimentation outside of the medium of painting.
Colour Her Gone, Pauline Boty
Ice Cream, Evelyne Axell
Untitled (Your Body is a Battleground), Barbara Kruger
A Bigger Splash, David Hockney
Ladies and Gentlemen (Iris), Andy Warhol
12. Here and Now
Contemporary art from the 1970s
Feature: The colour of art history – on artists painting black figures into the mostly white canon.
Self-Portrait, Alice Neel
Self-Portrait, Basquiat
Untitled, Etel Adnan
To Tell Them There It’s Got To, Lynette Yiadom-Boakye
Spinners (Moths and Spiders Webs), Kiki Smith
Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker
Shantavia Beal II, Kehinde Wiley
Boucher’s Flesh, Flora Yukhnovich
The Ruling Class (Eshu), Toyin Ojih Odutola
Sabine, Alison Watt
Untitled, Lisa Brice
Index
Further reading
Picture credits
Acknowledgements

Colours of Art

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A Hardback by Chloë Ashby

15 in stock


    View other formats and editions of Colours of Art by Chloë Ashby

    Publisher: Quarto Publishing PLC
    Publication Date: 02/08/2022
    ISBN13: 9780711258044, 978-0711258044
    ISBN10: 071125804X

    Description

    Book Synopsis
    Colours of Art takes the reader on a journey through history by pairing 80 carefully curated artworks with infographic palettes. For these pieces, colour is not only a tool (like a paintbrush or a canvas) but the fundamental secret to their success.

    Table of Contents
    Introduction

    1. First impressions
    Stone Age, Egypt, Ancient Greece and Rome
    Feature: The nature of colour – how artists created natural colours.
    Horses, from the Chauvet cave near the Pont d’Arc
    Bison, from Altamira
    Nebamun Hunting Birds, from the tomb of Nebamun
    Tomb of the Diver
    2. Ordering the world
    The Renaissance
    Feature: A roaring trade – on the colour trade and the cost/availability of colours
    Lamentation, Giotto
    Saint Ansanus Altarpiece, Simone Martini and Lippo Memmi
    The Wilton Diptych
    Saints Jerome and John the Baptist, Masaccio
    Portrait of a Man with a Turban, Jan van Eyck
    The Magdalen Reading, Rogier Van der Weyden
    The Birth of Venus, Sandro Botticelli
    The Rape of Europa, Titian
    Philip II, Sofonisba Anguissola
    Portrait of Bianca Degli Utili Maselli surrounded by six of her children, Lavinia Fontana
    3. Cutting loose
    Baroque to Rococo
    Feature: The colour wheel – on Isaac Newton’s discovery of the colour spectrum, and his error – trusting maths over the sensations of the eye
    Rest on the Flight into Egypt, Caravaggio
    Judith and her Maidservant with the Head of Holofernes, Artemisia Gentileschi
    The Toilet of Venus (The Rokeby Venus), Diego Velázquez
    Rising and Setting of the Sun, François Boucher
    Colour, Angelica Kauffman
    Self-Portrait with Straw Hat, Élisabeth Louise Vigée Le Brun
    4. Keeping it real
    Realism
    Feature: Risky business – on poisonous colours and artists risking their lives for their work.
    Still Life with Cheeses, Artichoke and Cherries, Clara Peeters
    A Woman Bathing in a Stream, Rembrandt van Rijn
    The Goldfinch, Carel Fabritius
    The Milkmaid, Johannes Vermeer
    Flowers in a Vase, Rachel Ruysch
    5. Two sides of a coin
    Neoclassicism to Romanticism
    Feature: How we see colour – on Goethe’s new symmetrical colour wheel and physiological theories.
    Albion Rose, William Blake
    Portrait of a Negress, Marie-Guillemine Benoist
    Orphan Girl at the Cemetery, Eugène Delacroix
    The Burning of the Houses of Parliament , Joseph Mallord William Turner
    Comtesse d’Haussonville, Jean-Auguste-Dominique Ingres
    6. Let there be light
    The Impressionist Revolution
    Feature: Colour chemistry – on the industrialisation of colour and the making of synthetic pigments.
    Two Women Chatting by the Sea, Camille Pissarro
    Young Woman with Peonies, Frédéric Bazille
    Symphony in Flesh Color and Pink: Portrait of Mrs Frances Leyland, by James Abbott McNeill Whistler
    Berthe Morisot with a Bouquet of Violets, Édouard Manet
    In the Country (After Lunch), Berthe Morisot
    Combing the Hair, Edgar Degas
    The Child’s Bath, Mary Cassatt
    Waterloo Bridge, Blurred Sun, Claude Monet
    7. On the edge of the spectrum
    Post-Impressionists, Pre-Raphaelites, Les Nabis, Surrealists
    Feature: Colour decorum – on the relativity of colour and its use and reception in different cultural contexts. (An opportunity to touch on non-Western art.)
    Night and Sleep, Evelyn de Morgan
    The Suitor, Édouard Vuillard
    The Visit, Félix Vallotton
    Interior. Strandgade 30, Vilhelm Hammershoi
    Barbarian Tales, Paul Gauguin
    The Life, Pablo Picasso
    The Green Blouse, Pierre Bonnard
    The Two Fridas, Frida Kahlo
    The Old Maids, Leonora Carrington
    8. Express yourself
    Expressionism and Fauvism
    Feature: The psychology of colour – on colour communicating and sparking emotion.
    Two Crabs, Vincent van Gogh
    The Scream, Edvard Munch
    Self-portrait on Sixth Wedding Anniversary, Paula Modersohn-Becker
    Group X, No.1, Altarpiece, Hilma af Klint
    The Yellow Scale, František Kupka
    The Dessert: Harmony in Red, Henri Matisse
    Seated Woman with Legs Drawn Up (Adele Herms), Egon Schiele
    Still Life with Blackening Apples, by Helene Schjerfbeck
    9. Seeing it feelingly
    Abstract Expressionism and Colour Field Painting
    Feature: Properties of colour – on hue, intensity and tone, and the changing precedence of each throughout art history
    Electric Prisms, Sonia Delaunay
    Mountains and Sea, Helen Frankenthaler
    Bird Talk, Lee Krasner
    No. 11 (Untitled), Mark Rothko
    Ocean Park #79, Richard Diebenkorn
    10. Show some restraint
    Monochrome and Minimalism
    Feature: The Pantone palette – on attempts to create a universal colour language. Plus Pantone’s predecessors, eg Werner’s Nomenclature of Colours (1814).
    Homage to the Square: Apparition, Joseph Albers
    The Marriage of Reason and Squalor, II, Frank Stella
    IKB 79, Yves Klein
    White Stone, Agnes Martin
    11. By popular demand
    Pop Art to The Pictures Generation
    Feature: Anything is possible – on new materials and colour experimentation outside of the medium of painting.
    Colour Her Gone, Pauline Boty
    Ice Cream, Evelyne Axell
    Untitled (Your Body is a Battleground), Barbara Kruger
    A Bigger Splash, David Hockney
    Ladies and Gentlemen (Iris), Andy Warhol
    12. Here and Now
    Contemporary art from the 1970s
    Feature: The colour of art history – on artists painting black figures into the mostly white canon.
    Self-Portrait, Alice Neel
    Self-Portrait, Basquiat
    Untitled, Etel Adnan
    To Tell Them There It’s Got To, Lynette Yiadom-Boakye
    Spinners (Moths and Spiders Webs), Kiki Smith
    Slaughter of the Innocents (They Might be Guilty of Something), Kara Walker
    Shantavia Beal II, Kehinde Wiley
    Boucher’s Flesh, Flora Yukhnovich
    The Ruling Class (Eshu), Toyin Ojih Odutola
    Sabine, Alison Watt
    Untitled, Lisa Brice
    Index
    Further reading
    Picture credits
    Acknowledgements

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