ELT & Literary Studies Books

Book SynopsisWith half a million copies in print, How to Read a Book is the best and most successful guide to reading comprehension for the general reader, completely rewritten and updated with new material.     Originally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them—from elementary reading, through systematic skimming and inspectional reading, to speed reading. Readers will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text.     Also included is instruction in the different techniques that work best for reading particular genres, such as practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science works.     Finally, the authors offer a recommended reading list and supply reading tests you can use measure your own progress in reading skills, comprehension, and speed.Trade Review"These four hundred pages are packed full of high matters which no one solicitous of the future of American culture can afford to overlook." -- Jacques Barzun"It shows concretely how the serious work of proper reading may be accomplished and how much it may yield in the way of instruction and delight." * The New Yorker *"'There is the book; and here is your mind.' Adler and Van Doren's suggestions on how to connect the two will make you nostalgic for a slower, more earnest, less trivial time." -- Anne FadimanTable of ContentsCONTENTSPrefacePART ONETHE DIMENSIONS OF READING1. The Activity and Art of ReadingActive ReadingThe Goals of Reading: Reading for Information and Reading for UnderstandingReading as Learning: The Difference Between Learning by Instruction and Learning by DiscoveryPresent and Absent Teachers2. The Levels of Reading3. The First Level of Reading: Elementary ReadingStages of Learning to ReadStages and LevelsHigher Levels of Reading and Higher EducationReading and the Democratic Ideal of Education4. The Second Level of Reading: Inspectional ReadingInspectional Reading I Systematic Skimming or PrereadingInspectional Reading II: Superficial ReadingOn Reading SpeedsFixations and RegressionsThe Problem of ComprehensionSummary of Inspectional Reading5. How to Be a Demanding ReaderThe Essence of Active Reading: The Four Basic Questions a Reader AsksHow to Make a Book Your OwnThe Three Kinds of Note-makingForming the Habit of ReadingFrom Many Rules to One HabitPART TWOTHE THIRD LEVEL OF READING: ANALYTICAL READING6. Pigeonholing a BookThe Importance of Classifying BooksWhat You Can Learn from the Title of a BookPractical vs. Theoretical BooksKinds of Theoretical Books7. X-raying a BookOf Plots and Plans: Stating the Unity of a BookMastering the Multiplicity: The Art of Outlining a BookThe Reciprocal Arts of Reading and WritingDiscovering the Author's IntentionsThe First Stage of Analytical Reading8. Coming to Terms with an AuthorWords vs. TermsFinding the Key WordsTechnical Words and Special VocabulariesFinding the Meanings9. Determining an Author's MessageSentences vs. PropositionsFinding the Key SentencesFinding the PropositionsFinding the ArgumentsFinding the SolutionsThe Second Stage of Analytical Reading10. Criticizing a Book FairlyTeachability as a VirtueThe Role of RhetoricThe Importance of Suspending JudgmentThe Importance of Avoiding ContentiousnessOn the Resolution of Disagreements11. Agreeing or Disagreeing with an AuthorPrejudice and JudgmentJudging the Author's SoundnessJudging the Author's CompletenessThe Third Stage of Analytical Reading12. Aids to ReadingThe Role of Relevant ExperienceOther Books as Extrinsic Aids to ReadingHow to Use Commentaries and AbstractsHow to Use Reference BooksHow to Use a DictionaryHow to Use an EncyclopediaPART THREEAPPROACHES TO DIFFERENT KINDS OF READING MATTER13. How to Read Practical BooksThe Two Kinds of Practical BooksThe Role of PersuasionWhat Does Agreement Entail in the Case of a Practical Book?14. How to Read Imaginative LiteratureHow Not to Read Imaginative LiteratureGeneral Rules for Reading Imaginative Literature15. Suggestions for Reading Stories, Plays, and PoemsHow to Read StoriesA Note About EpicsHow to Read PlaysA Note About TragedyHow to Read Lyric Poetry16. How to Read HistoryThe Elusiveness of Historical FactsTheories of HistoryThe Universal in HistoryQuestions to Ask of a Historical BookHow to Read Biography and AutobiographyHow to Read About Current EventsA Note on Digests17. How to Read Science and MathematicsUnderstanding the Scientific EnterpriseSuggestions for Reading Classical Scientific BooksFacing the Problem of MathematicsHandling the Mathematics in Scientific BooksA Note on Popular Science18. How to Read PhilosophyThe Questions Philosophers AskModern Philosophy and the Great TraditionOn Philosophical MethodOn Philosophical StylesHints for Reading PhilosophyOn Making Up Your Own MindA Note on TheologyHow to Read "Canonical" Books19. How to Read Social ScienceWhat Is Social Science?The Apparent Ease of Reading Social ScienceDifficulties of Reading Social ScienceReading Social Science LiteraturePART FOURTHE ULTIMATE GOALS OF READING20. The Fourth Level of Reading: Syntopical ReadingThe Role of Inspection in Syntopical ReadingThe Five Steps in Syntopical ReadingThe Need for ObjectivityAn Example of an Exercise in Syntopical Reading: The Idea of ProgressThe Syntopicon and How to Use ItOn the Principles That Underlie Syntopical ReadingSummary of Syntopical Reading21. Reading and the Growth of the MindWhat Good Books Can Do for UsThe Pyramid of BooksThe Life and Growth of the MindAppendix A. A Recommended Reading ListAppendix B. Exercises and Tests at the Four Levels of ReadingIndex0

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Book Synopsis Joan Didion’s savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution. Trade Review"Didion's essays of a world featuring barricades and bombings, mass murders and kidnapped heiresses make recent history as filtered through her seem a savage and passionate drama, something you can put a hand on and feel it beating, something you can put your ear to and hear its story."VILLAGE VOICE "Brilliant, troubling, indelible tales and reflections."SAN DIEGO TRIBUNE "Reveals a wholly original analytic mind, a sensibility as expansive and idiosyncratic as a 19th-century novelist's."MONA SIMPSON "Our quintessential essayist."JERRY KOSINSKI, 'LA Times'

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Book SynopsisFind your way through every part of J.R.R. Tolkien's great creation, from the Middle-earth of The Hobbit and The Lord of the Rings to the undying lands of the WestThe Atlas of Tolkien's Middle-earth is an essential guide to the geography of Middle-earth, from its founding in the Elder Days as recounted in The Silmarillion to the Third Age of The Lord of the Rings, including the journeys of Bilbo, Frodo and the Fellowship of the Ring.Hundreds of maps and diagrams survey the journeys of the principal characters day by day including all the battles and key locations of the First, Second and Third Ages. Plans and descriptions of castles, buildings and distinctive landforms accompany thematic maps describing climate, vegetation, languages and population throughout the history of Middle-earth.Trade Review‘Absolutely indispensable… in its scope and coverage it is a masterful work, a fitting monument to the talents and imagination of the cartographer and of the man who invented these lands’– Mythprint

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Book SynopsisA look at the history, meaning, and art of comics and cartooning. Using comics to examine the medium itself, the author takes the form of a cartoon character and explains the structure, meaning, and appeal of comics, and provides a running analysis of comics as art, literature, and communication.Trade Review"If you read, write, teach or draw comics; if you want to; or if you simply want to watch a master explainer at work, you must read this book." -- Neil Gaiman "McCloud's masterwork is not just an indispensable treatise on comics, it's also the best primer around on visual literacy and the mechanics of storytelling. A must-read for anyone interested in narrative of any kind." -- Alison Bechdel "Cleverly disguised as an easy-to-read comic book, Scott McCloud's simple-looking tome deconstructs the secret language of comics while casually revealing secrets of time, space, art and the cosmos! The most intelligent comics I've seen in a long time. Bravo." -- Art Spiegelman "Reading Understanding Comics blew my teenage mind, and gave me a toolbox full of ideas that I still use today." -- Raina Telgemeier "The best analysis of the medium that I have ever encountered." -- Alan Moore "BRAVO!! ... A landmark dissection and intellectual consideration of comics as a valid medium. ... Anyone interested in this literary form must read it." -- Will Eisner

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Book Synopsis

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Book SynopsisNo Fear Shakespeare gives you the complete text of The Taming of the Shrew on the left-hand page, side-by-side with an easy-to-understand translation on the right.

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Book SynopsisExplore the essence of life, love, nature, and time in exquisite verse with this elegantly designed edition of Emily Dickinson’s finest poems. Born in 1830 in Amherst, Massachusetts, to a prominent New England family and educated at Amherst Academy and Mt. Holyoke Female Seminary, Emily Elizabeth Dickinson lived most of her life in seclusion, devoted to writing. She scarcely left home, nor did she have many visitors. Only ten of her poems were published in her lifetime, submitted without her permission by friends. It was only after her death in 1886 that the scope of her work as a poet came to light—over 1,700 poems were discovered in a dresser drawer by her sister, Lavinia. Emily Dickinson’s poems reflect her loneliness, as well as her love of nature, the influence of the Metaphysical poets of seventeenth century England, and her strong Puritan religious beliefs. Yet, it is her use of language, form, and the deceptive simplicity of her verse that categorize her as an important force in nineteenth century American letters and, along with Walt Whitman, a founder of a distinctly American voice in modern poetry. PRELUDE THIS is my letter to the world, That never wrote to me,— That simple news that Nature told, With tender majesty. Her message is committed To hands I cannot see; For love of her, sweet countrymen, Judge tenderly of me! The Timeless Classics series from Rock Point brings together the works of classic authors from around the world. Complete and unabridged, these elegantly designed gift editions feature luxe, patterned endpapers, ribbon markers, and foil and deboss details on vibrantly colored cases. Celebrate these beloved works of literature as true standouts in your personal library collection. Table of ContentsContents introduction xxvii poems. 1890. prelude book i. life. success “our share of the night to bear. . .” rouge et noir rouge gagne “glee! the great storm is over. . .” “if i can stop one heart from breaking. . .” almost! “a wounded dear leaps highest. . .” “the heart asks pleasure first. . .” in a library “much madness is divinest sense. . .” “i asked no other thing. . .” exclusion the secret the lonely house “to fight aloud is very brave. . .” dawn the book of martyrs the mystery of pain “i taste a liquor never brewed. . .” a book “i had no time to hate, because. . .” unreturning “whether my bark went down at sea. . .” “belshazzar had a letter. . .” “the brain within its groove. . .” book ii. love. mine bequest “alter? when the hills do. . .” suspense surrender “if you were coming in the fall. . .” with a flower proof “have you got a brook in your little heart?” transplanted the outlet in vain renunciation love’s baptism resurrection apocalypse the wife apotheosis book iii. nature. “new feet within my garden go. . .” may-flower why? “perhaps you’d like to buy a flower. . .” “the pedigree of honey. . .” a service of song “the bee is not afraid of me. . .” summer’s armies the grass “a little road not made of man. . .” summer shower psalm of the day the sea of sunset purple clover the bee “presentiment is that long shadow on the lawn. . .” “as children bid the guest good-night. . .” “angels in the early morning. . .” “so bashful when i spied her. . .” two worlds the mountain a day “the butterfly’s assumption-gown. . .” the wind death and life “’twas later when the summer went. . .” indian summer autumn beclouded the hemlock “there’s a certain slant of light. . .” book iv. time and eternity. “one dignity delays for all. . .” too late astra castra “safe in their alabaster chambers. . .” “on this long storm the rainbow rose. . .” from the chrysalis setting sail “look back on time with kindly eyes. . .” “a train went through a burial gate. . .” “i died for beauty, but was scarce. . .” troubled about many things real the funeral “i went to thank her. . .” “i’ve seen a dying eye. . .” refuge “i never saw a moor. . .” playmates “to know just how he suffered would be dear. . .” “the last night that she lived. . .” the first lesson “the bustle in a house. . .” “i reason, earth is short. . .” “afraid? of whom am i afraid?” dying “two swimmers wrestled on the spar. . .” the chariot “she went as quiet as the dew. . .” resurgam “except to heaven she is nought. . .” “death is a dialogue between. . .” “it was too late for man. . .” along the potomac “the daisy follows soft the sun. . .” emancipation lost “if i shouldn’t be alive. . .” “sleep is supposed to be. . .” “i shall know why when time is over. . .” “i never lost as much but twice. . .” poems. 1891. “my nosegays are for captives. . .” book i. life. “i’m nobody! who are you?” “i bring an unaccustomed wine. . .” “the nearest dream recedes, unrealized. . .” “we play at paste. . .” “i found the phrase to every thought. . .” hope the white heat triumph the test escape compensation the martyrs a prayer “the thought beneath so slight a film. . .” “the soul unto itself. . .” “surgeons must be very careful. . .” the railway train the show “delight becomes pictorial. . .” “a thought went up my mind today. . .” “is heaven a physician?” the return “a poor torn heart, a tattered heart. . .” too much shipwreck “victory comes late. . .” enough “experiment to me. . .” my country’s wardrobe “faith is fine invention. . .” “except the heaven had come so near. . .” “portraits are to daily faces. . .” the duel “a shady friend for torrid days. . .” the goal sight “talk with prudence to a beggar. . .” the preacher “good night! which put the candle out?” “when i hoped i feared. . .” deed time’s lesson remorse the shelter “undue significance a starving man attaches. . .” “heart not so heavy as mine. . .” “i many times thought peace had come. . .” “unto my books so good to turn. . .” “this merit hath the worst. . .” hunger “i gained it so. . .” “to learn the transport by the pain. . .” returning prayer “i know that he exists. . .” melodies unheard called back book ii. love. choice “i have no life but this. . .” “your riches taught me poverty. . .” the contract the letter “the way i read a letter’s this. . .” “wild nights! wild nights!” at home 89 possession “a charm invests a face. . .” the lovers “in lands i never saw, they say. . .” “the moon is distant from the sea. . .” “he put the belt around my life. . .” the lost jewel “what if i say i shall not wait?” book iii. nature. mother nature out of the morning “at half-past three a single bird. . .” day’s parlor the sun’s wooing the robin the butterfly’s day the bluebird april the sleeping flowers my rose the oriole’s secret the oriole in shadow the humming-bird secrets “who robbed the woods. . .” two voyagers by the sea old-fashioned a tempest the sea in the garden the snake the mushroom the storm the spider “i know a place where summer strives. . .” “the one that could repeat the summer day. . .” the wind’s visit “nature, rarer uses yellow. . .” gossip simplicity storm the rat “frequently the woods are pink. . .” a thunder-storm with flowers sunset “she sweeps with many-colored brooms. . .” “like mighty footlights burned the red. . .” problems the juggler of day my cricket “as imperceptibly as grief. . .” “it can’t be summer,—that got through. . .” summer’s obsequies fringed gentian november the snow the bluejay book iv. time and eternity. “let down the bars, o death!” “going to heaven!” “at least to pray is left, is left. . .” epitaph “morns like these we parted. . .” “a death-blow is a life-blow to some. . .” “i read my sentence steadily. . .” “i have not told my garden yet. . .” the battle-field “the only ghost i ever saw. . .” “some, too fragile for winter winds. . .” “as by the dead we love to sit. . .” memorials “i went to heaven. . .” “their height in heaven comforts not. . .” “there is a shame of nobleness. . .” triumph “pompless no life can pass away. . .” “i noticed people disappeared. . .” following “if anybody’s friend be dead. . .” the journey a country burial going “essential oils are wrung. . .” “i lived on dread; to those who know. . .” “if i should die. . .” at length ghosts vanished precedence gone requiem “what inn is this. . .” “it was not death, for i stood up. . .” till the end void “a throe upon the features. . .” saved! “i think just how my shape will rise. . .” the forgotten grave “lay this laurel on the one. . .” poems. 1896. “’tis all i have to bring today. . .” book i. life. real riches superiority to fate hope forbidden fruit (i) forbidden fruit (ii) a word “to venerate the simple days. . .” life’s trades “drowning is not so pitiful. . .” “how still the bells in steeples stand. . .” “if the foolish call them ‘flowers’. . .” a syllable parting aspiration the inevitable a book “who has not found the heaven below. . .” a portrait i had a guinea golden saturday afternoon “few get enough,—enough is one. . .” “upon the gallows hung a wretch. . .” the lost thought reticence with flowers “the farthest thunder that i heard. . .” “on the bleakness of my lot. . .” contrast friends fire a man ventures griefs “i have a king who does not speak. . .” disenchantment lost faith lost joy “i worked for chaff, and earning wheat. . .” “life, and death, and giants. . .” alpine glow remembrance “to hang our head ostensibly. . .” the brain “the bone that has no marrow. . .” the past “to help our bleaker parts. . .” “what soft, cherubic creatures. . .” desire philosophy power “a modest lot, a fame petite. . .” “in bliss, then, such abyss. . .” experience thanksgiving day childish griefs book ii. love. consecration love’s humility love satisfied with a flower song loyalty “to lose thee, sweeter than to gain. . .” “poor little heart!” forgotten “i’ve got an arrow here. . .” the master “heart, we will forget him!” “father, i bring thee not myself. . .” “we outgrow love like other things. . .” “not with a club the heart is broken. . .” who? “he touched me, so i live to know. . .” dreams numen lumen longing wedded book iii. nature. nature’s changes the tulip “a light exists in spring. . .” the waking year to march march dawn “a murmur in the trees to note. . .” “morning is the place for dew. . .” “to my quick ear the leaves conferred. . .” a rose “high from the earth i heard a bird. . .” cobwebs a well “to make a prairie it takes a clover. . .” the wind “a dew sufficed itself. . .” the woodpecker a snake “could i but ride indefinite. . .” the moon the bat the balloon evening cocoon sunset aurora the coming of night aftermath book iv. time and eternity. “this world is not conclusion. . .” “we learn in the retreating. . .” “they say that ‘time assuages’. . .” “we cover thee, sweet face. . .” “that is solemn we have ended. . .” “the stimulus, beyond the grave. . .” “given in marriage unto thee. . .” “that such have died enables us. . .” “they won’t frown always,—some sweet day. . .” immortality “the distance that the dead have gone. . .” “how dare the robins sing. . .” death unwarned “each that we lose takes part of us. . .” “not any higher stands the grave. . .” asleep the spirit the monument “bless god, he went as soldiers. . .” “immortal is an ample word. . .” “where every bird is bold to go. . .” “the grave my little cottage is. . .” “this was in the white of the year. . .” “sweet hours have perished here. . .” “me! come! my dazzled face. . .” invisible “i wish i knew that woman’s name. . .” trying to forget “i felt a funeral in my brain. . .” “i meant to find her when i came. . .” waiting “a sickness of this world it most occasions. . .” “superfluous were the sun. . .” “so proud she was to die. . .” farewell “the dying need but little, dear. . .” dead “the soul should always stand ajar. . .” “three weeks passed since i had seen her. . . “i breathed enough to learn the trick. . .” “i wonder if the sepulchre. . .” joy in death “if i may have it when it’s dead. . .” “before the ice is in the pools. . .” dying “adrift! a little boat adrift!” “there’s been a death in the opposite house. . .” “we never know we go,—when we are going. . .” the soul’s storm “water is taught by thirst. . .” thirst “a clock stopped—not the mantel’s. . .” charlotte brontë’s grave “a toad can die of light. . .” “far from love the heavenly father. . .” sleeping retrospect eternity

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Book SynopsisSUNDAY TIMES BESTSELLERIf you want to write a novel or a script, read this book' Sunday TimesThe best book on the craft of storytelling I've ever read' Matt HaigRarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam RutherfordWhy stories make us human and how to tell them better.There have been many attempts to understand what makes a good story but few have used a scientific approach.In this incisive, thought-provoking book, award-winning writer Will Storr demonstrates how master storytellers manipulate and compel us.Applying dazzling psychological research and cutting-edge neuroscience to the foundations of our myths and archetypes, he shows how we can use these tools to tell better stories and make sense of our chaotic modern world.INCLUDES NEW MATERIAL.Trade Review‘Rarely has a book engrossed me more, and forced me to question everything I’ve ever read, seen or written. It’s a masterpiece. I am in awe’ Adam Rutherford, author of A Brief History of Everyone Who Ever Lived ‘The best book on the craft of storytelling I’ve ever read’ Matt Haig ‘Easily the best book I've read this year’ Hannah Fry ‘Reading this book feels like cheating. It gives you an unfair advantage over other writers. A fascinating new way of looking at writing and how to exploit the fact that storytelling is hardwired into our brains’ Charlie Higson ‘A brilliant, accessible and very human book not just for writers but for anyone interested in how the mind works – not least their own. Will manages to be both detached and compassionate on every page, sometimes within the same sentence. That such a complicated book is so easy to read is testament to his clarity of thought and skill as writer. A stupendous achievement’ Robert Webb ‘A hugely compelling reading experience. Storr’s superb exploration of the enduring appeal of the novel offers a smart, fascinating exploration of the science and psychology behind our most sophisticated art form that also works as an effective how-to guide’ Alex Preston, Observer ‘If you want to write a novel or a script, read this book. It is clear, compelling and tightly shaped around one fascinating and productive idea … Storr wants to free writers from programmatic, plot-based writing guides, and his approach feels liberating’ Sunday Times 'If you’ve ever read a book, watched a movie, binged a television series, or tried to write one, this book is mandatory reading. A truly revolutionary look at the how and why of storytelling’ Craig Pearce, screenwriter of Strictly Ballroom, Moulin Rouge and The Great Gatsby ‘So much more than a book about how to write stories. It’s a book about what it means to be alive’ Tim Lott

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Book Synopsis Winner of the 2016 Goodreads Choice Award, the princess saves herself in this one is a collection of poetry about resilience. It is about writing your own ending.   From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration.the princess saves herself in this one is the first book in the 'women are some kind of magic' series.Trade Review"It blends fairy tale lore with real-life musings for a beautiful result." (Lindsay E. Mack, Romper)"As a whole, the collection acts as a tribute to all women who have ever needed a boost of empowerment and inspiration." (Madison Breaux, V Magazine)"...Amanda Lovelace dives into the topics of modern feminism and empowerment...Read if you've ever thought about love, loss, who you are, and what you want. (So...all of us.)" (Abigail Yonker, The Everygirl)"This is the book to read if you are on the path to writing your own ending and finding yourself, even when the road to accomplishment is rocky." (Dominique Etzel, Alloy)"Similar in style—written in straightforward and uncomplicated verse, and content—grappling with themes of female power, love and loss, failure and redemption, pain and healing, poet Amanda Lovelace's The Princess Saves Herself in this One is similar to Kaur's Milk and Honey in another way as well: both books were self-published before going completely viral among readers." (E. CE Miller, Bustle)"The perfect poetry opener for any fairytale lover and feminist..." (Kerri Jarema, Bustle)"15 Books You'll Want To Read Over And Over Again" (Zoraida Córdova, Bustle)"18 Literary Quotes Every Feminist Needs to Read Right Now" #5 "the only thing / required / to be / a woman / is to / identify as one. / - period, end of story." (E. CE Miller, Bustle)"14 New Books You Definitely Need to Have on Your Radar in February [2017]" (Ryan Roschke, PopSugar)

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Book SynopsisTrade Review"Scott McCloud's brilliant treatise on the inner workings of cartoonists will delight amateur artists and curious fans alike." -- Salon "In this, McCloud's third nonfiction book about comics, he has produced his most significant achievement to date, and that's really saying something." -- Cory Doctorow "Only Scott McCloud could have organized his thoughts on comics like this. Scott's talent as a cartoonist not only makes him intimate to insights no outsider can see, but also gives him the power to show it to the world." -- Jeff Smith "Every aspect of comics creation is covered in this enlightening, accessible guide presented in a comic-strip format." -- Booklist (Editor's Choice) "A guide to creating comics that is as thoughtful and entertaining as the best-loved work in the field, both enjoyable and accessible to casual fans of the form and the new gold standard for artists who want to create their own comics, manga, and graphic novels. -- Bookslut "More than a how-to, the book goes beyond simple instruction, digging into the real dirt of creating comics." -- Kirkus Reviews

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness.'At the peak of European Imperialism, steamboat captain Charles Marlow travels deep into the African Congo on his way to relieve the elusive Mr Kurtz, an ivory trader renowned for his fearsome reputation. On his journey into the unknown Marlow takes a terrifying trip into his own subconscious, overwhelmed by his menacing, perilous and horrifying surroundings.The landscape and the people he meets force him to reflect on human nature and society, and in turn Conrad writes revealingly about the dangers of imperialism.

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Book SynopsisWhat's this you're writing? asked Pooh, climbing onto the writing table.The Tao of Pooh, I replied.The how of Pooh? asked Pooh, smudging one of the words I had just written.The Tao of Pooh, I replied, poking his paw away with my pencil.It seems more like ow! of Pooh, said Pooh, rubbing his paw.Well, it's not, I replied huffily.What's it about? asked Pooh, leaning forward and smearing another word.It's about how to stay happy and calm under all circumstances! I yelled.Have you read it? asked PoohWinnie-the-Pooh has a certain way about him, a way of doing things that has made him the world''s most beloved bear, and Pooh''s Way, as Benjamin Hoff brilliantly demonstrates, seems strangely close to the ancient Chinese principles of Taoism.Follow the Pooh Way in this humorous and enlightening introduction to Taoism, with classic decorations by E.H.Shepard throughout. Over a million copies sold to date.This deluxe anniversary edition is a beautiful gift for any fans of this classic title or everyone's favourite bear.Trade Review‘Winnie-the-Pooh has always been a very special (albeit funny old) bear, not least of all because his books are filled with wonderful words of wisdom.', Stylist magazine "Aspects of Taoism told through the characters of 'Winnie the Pooh' – I mean, does it get better?” Meghan Markle ‘Mr. Hoff gives grown-ups permission to rediscover Winnie the Pooh’ New York Times

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Book SynopsisLearn how to create effective illustrations to match children's stories for different age groups. The art of illustration for children has a long and rich tradition, and for generations has been loved by countless readers. Illustrating Children's Books shows you how to create beautiful artwork for children, examines the approaches taken by advanced-level students and leading artists and describes how their ideas evolve from start to finish through step-by-step sketches. - Identify the techniques used by successful children's illustrators and get advice on how to tackle fantasy, fairy tale, realism and nature drawings - Learn tips on working in a wide variety of media and receive professional advice on illustrating for different age groups and types of publication - Discover how to interpret and enrich the text, build consistent character identities, and create vibrant settings that will stir readers' imaginations - Find out how to create storyboards and layouts, work to brief, and present your work professionally - Explore specific examples such as picture books for little ones, storybooks for older children and educational books, with the final chapters devoted to design and typography and the business of getting publishedTrade ReviewFollow Martin Salisbury's tips and instructions and, if you have the aptitude, you could find yourself producing pictures good enough for printing. * Writing Magazine *Table of ContentsA Brief History Drawing Media, Materials, and Techniques Character Development The Picture Book Illustration for Older Children Non-fiction Illustration Design and Typography Getting Published Glossary Resources Index and Credits

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.

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Book SynopsisBKS Iyengar's translation and commentary on these ancient yoga sutras has been described as the "bible" of yoga.This new edition of the classic text contains a new introduction by BKS Iyengar, as well as a foreword by Godfrey Devereux, author of Dynamic Yoga.Trade Review“Patanjali's Yoga Sutras is the bible of yoga…”Godfrey Devereux “BKS Iyengar is renowned throughout the world… his inspired commentary on the ageless treatise by the ancient sage speaks to the soul of every dedicated yogi."Phil Catalfo, Yoga Journal

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Book SynopsisReissue of J. A. Baker's extraordinary classic of British nature writing, with an exclusive new afterword by Robert Macfarlane.J. A. Baker's extraordinary classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing.Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent long winters looking and writing about the visitors from the uplands peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them.This new edition of the timeless classic, published to celebrate the 50th anniversary of its first publication, features an afterword by one of the book's greatesTrade Review‘A masterpiece of natural history writing. I would recommend to anybody who loves the English language, let alone birds of prey’ Monty Don, Financial Times ‘Passionately fierce but also wonderfully tender’ Andrew Motion ‘…an inspiring example to future writers, and a gift to lovers of nature.’ The Times Literary Supplement ‘… a literary masterpiece, one of the 20th century’s outstanding examples of nature writing.’ Independent ‘The Peregrine should be known as one of the finest works on nature ever written' BBC Wildlife ‘… some of the most marvellous prose of the twentieth century.’ Literary Review ‘A tour de force … what can I do except praise writing which involves all the senses? This book goes altogether outside the bird-book into literature.’ The Sunday Times ‘A rapt and remarkable book … his phrases have a magnesium-flare intensity.’ Observer ‘… what is certain is that The Peregrine is the most precise and poetic account of a bird – possibly of any non-human creature – ever written in English prose.’ Daily Telegraph ‘J. A. Baker's poetic prose has a hard intensity and an exquisite lyric grace that takes it far beyond the stereotypical stuff of larks ascending and questing voles. Cruelly beautiful and brutally exact, it sees the countryside anew to give us nature in the wild and in the raw.’ The Scotsman ‘Including original diaries from which The Peregrine was written and its companion volume, The Hill of Summer, this is a beautiful compendium of lyrical nature writing at its absolute best […]. For those with an interest in the Peregrine Falcon or classic natural history writing. ‘ Guardian

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Book SynopsisThe translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.Trade Review“This is long-awaited, and hugely exciting for Tolkien readers” The Guardian “If he had never written The Lord of the Rings he would have been famous in academic circles for writing one published lecture on Beowulf called The Monsters and the Critics. It turned things upside down. Beowulf was probably the medieval text that influenced him the most and the commentary and lectures are ‘nuggets of gold’”The Independent “A tantalising prospect. Tolkien’s translation of Sir Gawain is a master class in linguistic chicanery – Middle English meets Middle Earth… it will be interesting to see if it gives Heaney's Beowulf a run for its money”Simon Armitage, The Guardian

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.For a time I believed that mankind had been swept out of existence, and that I stood there alone, the last man left alive.When a strange, meteor-like object lands in the heart of England, the inhabitants of Earth find themselves victims of a terrible attack. A ruthless race of Martians, armed with heat rays and poisonous smoke, is intent on destroying everything that stands in its way. As the unnamed hero struggles to find his way across decimated wastelands, the fate of the planet hangs in the balance . . .H. G. Wells was a pioneer of modern science fiction. First serialised in the UK in 1897, The War of the Worlds is one of the earliest stories to depict conflict with an extraterrestrial race, and has influenced countless adaptations and sequels.Trade Review‘groundbreaking … a true classic that has pointed the way not just for science-fiction writers, but for how we as a civilisation might think of ourselves’ Guardian ‘[Wells’ work is] astonishingly rich in human and historical interest … he foresaw the invention of, among other things, television, tanks, aerial warfare and the atom bomb’ David Lodge ‘I personally consider the greatest of English living writers [to be] H. G. Wells’ Upton Sinclair

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Book SynopsisTable of Contents Part 1: Introducing Of Mice and Men Part 2: Plot and Action Part 3: Characters Part 4: Key Context and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.

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Book SynopsisIn this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing.The first thing a writer should be is excitedAuthor of the iconic FAHRENHEIT 451, THE ILLUSTRATED MAN and THE MARTIAN CHRONICLES, Ray Bradbury is one of the greatest writers of the twentieth century.Part memoir, part masterclass, ZEN IN THE ART OF WRITING offers a vivid and exuberant insight into the craft of writing. Bradbury reveals how writers can each find their own unique path to developing their voice and style.ZEN IN THE ART OF WRITING offers a celebration of the act of writing that will delight, impassion, and inspire.Trade Review‘No other writer uses language with greater originality and zest. he seems to be a American Dylan Thomas – with discipline’ Sunday Telegraph 'Let us now praise Ray Bradbury, the uncrowned poet laureate of science fiction.' The Times 'It is impossible not to admire the vigour of his prose, similes and metaphors constantly cascading from his imagination' Spectator ‘Bradbury is an authentic original’ Time Magazine

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Book SynopsisThe Great American Novel of love and betrayal in the Jazz Age.I believe that on the first night I went to Gatsby's house I was one of the few guests who had actually been invited. People were not invited they went there'.Considered one of the all-time great American works of fiction, Fitzgerald's glorious yet ultimately tragic social satire on the Jazz Age encapsulates the exuberance, energy and decadence of an era.After the war, the mysterious Jay Gatsby, a self-made millionaire pursues wealth, riches and the lady he lost to another man with stoic determination. He buys a mansion across from her house and throws lavish parties to try and entice her. When Gatsby finally does reunite with Daisy Buchanan, tragic events are set in motion.Told through the eyes of his detached and omnipresent neighbour and friend, Nick Carraway, Fitzgerald's succinct and powerful prose hints at the destruction and tragedy that awaits.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.

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Book Synopsis''One drink. And if you never want to see me again you never have to see me again.''A quantum physicist and a beekeeper meet. They hit it off, or perhaps they don't. They might go home together, they might not.Constellations explores love, free will, and friendship through quantum multiverse theory and honey.Constellations premiered at the Royal Court Theatre Upstairs, London, in 2012, and transferred to the Duke of York's. It opened on Broadway in 2015; and at the Vaudeville Theatre, London, in 2021.Nick Payne's gorgeous two-character drama, may be the most sophisticated date play Broadway has seen.' New York Times

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Book SynopsisThe home of trusted Latin dictionaries for everyday language learning.A handy and affordable Latin to English and English to Latin dictionary for everyday use, including guidance on Latin grammar and insights into Roman culture. The clear layout allows for fast and easy access when you most need it. Ideal for use at home, in the office or in the classroom.More than 60,000 words and phrases and 80,000 translations.Extensive coverage of Latin for school exams, general reference and legal requirements. Contains a useful supplement of Latin verb conjugations, noun declensions, verbal nouns and adjectives, and irregular verbs making this the ideal revision aid. There is helpful coverage of Latin numbers, dates, money and measures and a list of key events in Roman history.

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Book SynopsisClearer pronunciation for better communicationIf your English accent is letting you down, this is the perfect book for you. You'll see and hear how to soften the influence of your mother tongue and speak clear English everyone will understand.Professional accent coaches Sarah and Helen show you how to pronounce each sound and when to use them. They will help you recognize why your native language makes you mispronounce certain sounds and which sounds you therefore need to focus on.Collins Work on your Accent features:Thirty-eight units on the main consonant and vowel sounds in EnglishAdvice on rhythm, stress and pitchExpanded connected speech section, with extensive practice and pronunciation exercisesClear illustrations and photos show the correct positions to produce accurate soundsAudio and video, available to download free, provides clear model pronunciationA diagnostic quiz to identify areas to work onLearn from the Common mistakes' sections in every unitCEF level B1-C2Suitable foTrade Review‘This splendid book is extremely user-friendly, and one I would strongly recommend as a supplement to speaking courses everywhere.’Wayne Trotman, EL Gazette, December 2012

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisTHE PHENOMENAL INTERNATIONAL BESTSELLERAn anti-fascist history lesson disguised as a novel'New York TimesExtraordinary'TLSA masterpiece' Roberto SavianoA startling look into the fascist mindset, a portrait of unrelenting determination, and an impeccable work of historical fiction. M tells the story of the rise of fascism from within the mind of its founder. A gripping and masterful exposé, it explores Benito Mussolini's rise to power and a movement that, amidst a failing democracy, came to shape the world.Panoptic and polyphonic, Scurati's book gives us the experiences of the fearful and the feared, the rhetoric of both the revolutionaries and the reactionaries an immense mosaic' Lucy Hughes-Hallett, New StatesmanAn indisputable literary achievement Italo Calvino would have loved it' El PaìsTrade Review‘An anti-fascist history lesson disguised as a novel’ New York Times ‘A masterful historical account, an extraordinary and stimulating book. A portrait of Benito Mussolini all the more accurate and powerful as it is factual and rigorous. An audacious, fluid, dazzling production. A brilliant story’Le Figaro ‘An indisputable literary achievement. Scurati carefully examines history, with an experienced prose rich in literary allusions. Like Yourcenar, Gore Vidal, Sebald, Echenoz or Fences. Italo Calvino would have loved it’El Paìs ‘Resembles a political thriller … surprisingly modern. A must read’ Die Zeit ‘The novel Italy has been waiting for. A masterpiece.’ Roberto Saviano ‘Panoptic and polyphonic, Scurati’s book gives us the experiences of the fearful and the feared, the rhetoric of both the revolutionaries and the reactionaries … a multitude of short fragments that collectively add up to an immense mosaic’ Lucy Hughes-Hallett, New Statesman

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Book SynopsisBeginning theory has been helping students navigate through the thickets of literary and cultural theory for over two decades. This new and expanded fourth edition continues to offer readers the best single-volume introduction to the field. The bewildering variety of approaches, theorists and technical language is lucidly and expertly unravelled. Unlike many books which assume certain positions about the critics and the theories they represent, Beginning theory allows readers to develop their own ideas once first principles and concepts have been grasped. The book has been updated for this edition and includes a new introduction, expanded chapters, and an overview of the subject ('Theory after "Theory"') which maps the arrival of new 'isms' since the second edition appeared in 2002 and the third edition in 2009.Trade Review'There is no other book that offers such a comprehensive account of the field, combined with thoughtful, detailed exposition of the theoretical approaches under discussion. Far from being a modest survey of contemporary literary theory, it has had a vital role in shaping the way that theory is taught in Britain and North America.'English Association Newsletter‘In the fourth edition of his popular introduction to literary theory, Barry (emer., Aberystwyth Univ., Wales) amends and updates earlier versions (1995, 2002, 2009) and adds sections on newer theories such as consilience and posthumanism. The book is written explicitly for students of English literature, and in citing examples Barry tends to stick to the canonical—Wordsworth, Austen, Shakespeare, et al.—which renders the book less useful than it might be for students of other literatures and languages. Nevertheless, Barry’s readable text focuses helpfully on putting students at ease and giving them tools to think through difficult concepts and theories. In addition, practical exercises familiarize students new to the discipline with different ways of using theory to analyze literature. Most of the changes to the new edition are insubstantial, and some newer theories and practices, such as those relating to technology, are given short shrift. The majority of the references and suggestions for further reading are also the same as those used in earlier versions. Even so the book provides an approachable, understandable introduction to literary theory and would be useful to those not already in possession of the third edition.’M. Anderson, Southern Oregon University, Choice connect, Vol. 56, No. 2, October 2018 -- .Table of ContentsPreface to the fourth editionIntroduction1 Theory before 'theory'2 Structuralism 3 Post-structuralism and deconstruction 4 Postmodernism 5 Psychoanalytic criticism 6 Feminist criticism7 Queer theory8 Marxist criticism 9 New historicism and cultural materialism 10 Postcolonial criticism 11 Stylistics 12 Narratology 13 Ecocriticism14 Literary theory – a history in ten events15 Theory after 'Theory'AppendicesWhere do we go from here? Further readingIndex

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Book Synopsis''She had been forced into prudence in her youth, she learned romance as she grew older - the natural sequel of an unnatural beginning.''Anne Elliot seems to have given up on present happiness and has resigned herself to living off her memories. More than seven years earlier she complied with duty: persuaded to view the match as imprudent and improper, she broke off her engagement to a naval captain with neither fortune, ancestry, nor prospects. However, when peacetime arrives and brings the Navy home, and Anne encounters Captain Wentworth once more, she starts to believe in second chances. Persuasion celebrates romantic constancy in an era of turbulent change. Written as the Napoleonic Wars were ending, the novel examines how a woman can at once remain faithful to her past and still move forward into the future. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''

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Book SynopsisTranslated by George Chapman, with Introductions by Jan Parker. Hector bidding farewell to his wife and baby son, Odysseus bound to the mast listening to the Sirens, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been reportrayed in every generation. The questions about mortality and identity that Homer's heroes ask, the bonds of love, respect and fellowship that motivate them, have gripped audiences for three millennia. Chapman's Iliad and Odyssey are great English epic poems, but they are also two of the liveliest and readable translations of Homer. Chapman's freshness makes the everyday world of nature and the craftsman as vivid as the battlefield and Mount Olympus. His poetry is driven by the excitement of the Renaissance discovery of classical civilisation as at once vital and distant, and is enriched by the perspectives of humanist thought.

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoceptionor the sensory perception of temperatureis being carefully studied and exploited as a tool of marketing, social control, and labor management. Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu''s Air Conditioning<Trade ReviewA cool blast of discomforting brilliance, Air Conditioning examines the conditioning of our indoor and interior climates of work, domesticity, and consumption. It is not inward looking to the sealed boxes and bubbles of air-conditioned detachment, but focused on the complex exchanges and inequalities involved in sustaining comfortable places, cooled bodies and technologies by making other places, and other (often poor and racialised) lives, uncomfortable and unliveable. Hsu’s book hums, ventilating ideas in an insistent, vital tone to show how this ordinary object, submerged within walls and behind vents, has mattered so much to us. * Peter Adey, Royal Holloway University of London, and author of Air (2014) *Hsuan L. Hsu demonstrates how air conditioning has radically transformed how we think, feel, and relate to others. After reading this book, you'll never be as comfortable in an air-conditioned room again – and that's exactly the point. * Bharat Venkat, Associate Professor of Society & Genetics, History, and Anthropology, Director of the UCLA Heat Lab, and author of At the Limits of Cure (2021) *Table of ContentsIntroduction: Why Air Conditioning? 1. Thermal Comfort 2. Bubbles: A Partial Typology 3. Weathermaking; Vicious Cycles 4. Cold Storage 5. The Racialization of Cooling 6. Global AC and the Great Uncooled Conclusion: Bursting Our Bubbles Index

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Book SynopsisThe works of Shakespeare have become staples of literature. They are everywhere, from our early schooling to the lecture rooms of academia, from classic theatre to modern adaptations on stage and screen. But how well do we really know his plays?In this witty, iconoclastic book, the bestselling author Fintan O'Toole examines four of Shakespeare's most enduring tragedies: Hamlet, Macbeth, Othello and King Lear. He shows how their tragic heroes have been over-simplified and moulded to fit restrictive, conservative values, and restores the true heart and spirit of the classics.''I''ve never read a book like this before: it''s challenging, irreverent and funny.'' Roddy Doyle

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Book SynopsisThis special edition invites fans inside the world of the March sisters. It includes the full text of Little Women, plus gorgeous, removable replicas of the characters' letters and other writings. For anyone who loves Little Women, or still cherishes the joy of letter writing, this book illuminates a favorite story in a whole new way. Louisa May Alcott's classic tale follows the March sisters as they come of age, and these unforgettable characters come alive in their letters and other writings. When Laurie invites Jo to join him for a picnic and "all sorts of larks," the unbridled joy of their friendship shines through. Each of the girls' personalities is perfectly encapsulated in the letters they pen to Marmee. And Jo's heart-wrenching poem "My Beth" speaks to the profound bond between two sisters. As you read this deluxe edition of the novel, you will find pockets throughout containing replicas of all 17 significant letters and paper ephemera from the story, re-created with beautiful calligraphy and painstaking attention to historical detail. Pull out each one, peruse its contents, and allow yourself to be transported to the parlor of the March family home. BELOVED STORY: LITTLE WOMEN has been passed down from generation to generation. Greta Gerwig's 2019 film adaption welcomed new fans to the story. Now is the perfect time to revisit the Alcott's original text and experience it in a unique way with physical ephemera that links you directly to the world of the March family. UNIQUE FORMAT: From the masterful calligraphy, to the painstaking attention to historical detail, to the hand-folding of the letters, to the quality of the materials—each book is an object made by fans for fans. This edition offers an immersive experience of the story, stands apart on the shelf, and makes for a truly lovely gift and keepsake. NOSTALGIC APPEAL, TIMELESS STORY: LITTLE WOMEN evokes deep childhood nostalgia—yet it's a rich and sophisticated story with feminist overtones that engages readers of any age and any generation. This edition allows those who read LITTLE WOMEN as children to experience their beloved novel anew, while inviting first-time readers to the party. Perfect for: • LITTLE WOMEN fans • Fans of the film adaptions • Moms, daughters, grandmothers, and girlfriends • Book clubbers • Letter writers • Collectors of vintage ephemera

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.Clarissa Dalloway is a woman of high-society vivacious, hospitable and sociable on the surface, yet underneath troubled and dissatisfied with her life in post-war Britain. This disillusionment is an emotion that bubbles under the surface of all of Woolf's characters in Mrs Dalloway.Centred around one day in June where Clarissa is preparing for and holding a party, her interior monologue mingles with those of the other central characters in a stream of consciousness, entwining, yet never actually overriding the pervading sense of isolation that haunts each person.One of Virginia Woolf's most accomplished novels, Mrs Dalloway is widely regarded as one of the most revolutionary works of the 20th century in its style and the themes that it tackles. The sense that Clarissa has married the wrong person, her past love for another female friend and the death of an intended party guest all serve to amplify this stultifying existence.

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Book SynopsisLeonard Cohen made his name as a poet before he came to worldwide attention as a singer and songwriter. This collection of his poetry was written in Montreal, Mumbai and during his retirement in Mt Baldy.

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Book SynopsisWhen a mysterious green knight arrives unbidden at Camelot one Christmas, only the young and inexperienced Gawain is brave or foolhardy enough to take up his challenge . . .This story, first told in the late fourteenth century, is one of the most enthralling, enigmatic and beloved poems in the English language. Simon Armitage''s version is meticulously responsive to the tact, sophistication and dramatic intensity of the original. It is as if, six hundred years apart, two poets set out on a journey through the same mesmeric landscape physical, allegorical and acoustic in the course of which the Gawain poet has finally found his true translator.The poem''s key episodes have been visualised into a series of bold, richly textured screen-prints by British artist Clive Hicks-Jenkins. They are reproduced here, alongside Armitage''s revised text, to create a special edition of this marvellous classic.

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Book SynopsisThe modern, unacademic idiom of A.D. Melville's translation opens the way to a fresh understanding of Ovid's unique and elusive vision of reality.Trade Review`This translation will quickly establish itself as _the_ transation for English speaking readers and students of this great Augustan epic.' Dr A.H.F. Griffin, University of Exeter'a work of the highest quality which provides pleasure and information in generous measure.' JACT Review

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Book SynopsisAt a restaurant party thrown by Marlene of the Top Girls Employment Agency are Isabella Bird, the 19th-century traveller, Lady Nijo, courtesan to a 13th-century Japanese Emperor, Brueghel's Dull Gret, Pope Joan and Patient Griselda, wife of Chaucer's Clerk.Trade Review"Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." The Sunday Times, John Peter

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Book SynopsisThe first part of The History of The Lord of the Rings, an enthralling account of the writing of the Book of the Century which contains many additional scenes and includes the unpublished Epilogue in its entirety.The Return of the Shadow is the story of the first part of the history of the creation of The Lord of the Rings, a fascinating study of Tolkien's great masterpiece, from its inception to the end of the first volume, The Fellowship of the Ring.In The Return of the Shadow (the abandoned title of the first volume of The Lord of the Rings) we see how Bilbo's magic ring evolved into the supremely dangerous Ruling Ring of the Dark Lord; and the precise, and astonishingly unforeseen, moment when a Black Rider first rode in to the Shire. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed, and Frodo's companions undergo many changes of name and personality.The book comes complete with reproductions of the first maps and facsimile pages from the earl

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Book SynopsisThe first of two companion volumes which documents the later writing of The Silmarillion, Tolkien's epic tale of war.After The Lord of the Rings was at last achieved, J R R Tolkien turned his attention once again to the Matter of the Elder Days'. The text of the Annals of Aman, the Blessed Land' in the far West, is given in full; while in writings hitherto unknown is seen the nature of the problems that Tolkien explored in his later years, as new and radical ideas, portending upheaval in the old narratives, emerged at the heart of the mythology, and as the destinies of Men and Elves, mortals and immortals, became of central significance, together with a vastly enlarged perception of the evil of Melkor, the Shadow upon Arda.The second part of this history of the later Silmarillion is concerned with developments in the legends of Beleriand after the completion of The Lord of the Rings.Trade Review‘Christopher Tolkien shows himself to be his father’s son… Tolkien devotees will rejoice’ The New York Times Book Review ‘Illustrates the development, depth and richness of J R R Tolkien’s personal mythology’ Vector

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams. Table of Contents Part 1: Induction Part 2: Plot and Action Part 3: Characters Part 4: Key Contexts and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisThis smart new paperback edition contains the fully-reset text of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour. It features a beautifully decorated text and includes as a bonus the complete version of Tolkien's acclaimed lecture on Sir Gawain.Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's.The three translations represent the complete rhymTrade Review‘The introduction to Gawain is a little masterpiece.’Times Higher Educational Supplement ‘This magnificent Arthurian tale of love, sex, honour, social tact, personal integrity and folk-magic is one of the greatest and most approachable narrative poems in the language. Tolkien’s version makes it come triumphantly alive, a moving and consoling elegy.’Birmingham Post

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