Television production Books

Book SynopsisIn HOW TO PRODUCE COMEDY BRONZE, legendary TV producer Jon Plowman lifts the hood on the comedy industry so you can peer inside and wonder how any of it ever got made in the first place. In a career spanning 30 years Jon has learned (almost) everything there is to know about comedy and now wants to share his wealth of knowledge, before he becomes completely demented and forgets how to do it. Working with Fry and Laurie, travelling with the cast of Absolutely Fabulous, saying 'yes' to The Office - together these stories combine to tell the uncensored story of how TV comedy works, from the first germ of an idea to the after-party at the Emmys - all through a life in comedy. Read this book and if you're not careful learn how to make the world laugh at your ideas too!Trade ReviewWithout Jon Plowman it is certain that French and Saunders, Absolutely Fabulous, Fry and Laurie, Little Britain, The Office, The League of Gentlemen and at least a dozen other comedy entertainments of the past quarter century would have had another producer. A thought that chills the marrow and causes each separate hair to rise from the scalp in terror and bewilderment. For Jon Plowman is comedy in the same way that Anthea Turner is Anthea Turner. -- Stephen FryFunny, shrewd and thoroughly entertaining. Anyone thinking of working in comedy production (and a fair few who already do) should be made to read this book. Jon Plowman is simply the best! -- Steve PembertonI learned so much from this book. For a start, I had no idea Jon produced comedy... For those who suffer from chronic constipation and like to read on the loo, there's at least three good shits-worth here... A very funny, honest, naughty memoir from the godfather producer of British TV comedy. -- Matt LucasAs the godfather to a whole era of television comedy, Jon Plowman's hugely entertaining memoir, packed with anecdotes, gossip and wisdom about getting the show on the road, or sometimes into the cul de sac, is a delicious treat for upcoming programme makers and nosy parkers alike... If you've ever wondered what an Executive Producer does, read this book and still wonder. Because from Jon Plowman's witty and insightful account of the ins and outs and occasional car crashes of actually getting comedy shows onto television, you might conclude they just make up the rules as they go along. And thank goodness. -- Hugh BonnevilleThis is the rarest of rare things - a fascinating life, wonderfully told. It manages to be hilarious, informative, scurrilous and utterly page-turning all at once. Jon Plowman has made full use of the famous maxim "You can't libel the dead" (though worryingly seems to have extended this to the living too) to bring us a book of world-class anecdotes. If you've ever laughed at a British comedy I guarantee you will adore How to Produce Comedy Bronze. -- Adam Kay

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Book SynopsisThe definitive visual history of the thrilling make-up artistry of the legendary Rick Baker, a must-have for collectors and special effects afficionados. From the gory zombies of Michael Jackson's Thriller to the staggeringly lifelike results of Bigfoot in Harry and the Hendersons to the groundbreaking effects in An American Werewolf in London, Baker's special effects, makeup, and prosthetics are some of Hollywood's most enduring legacies. This deluxe, two-volume set is replete with more than 1000 four-colour images and original sketches. It covers the makeup artist's 40-plus-year journey, from his early days as a young "monster maker", creating body parts in his parents' kitchen, to his more than 70 film and television credits--that earned seven Academy Awards, one Emmy, and three BAFTAs, among numerous other awards.

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Book SynopsisA unique environment created by the confluence of three oceanic, climatic zones, the Welsh coast and its waters teem with life and diversity, documented as never before. From seals and seabirds gathered along the celebrated coastline to species found in the depths of the Celtic Sea, along with the behind-the-scenes challenges and triumphs of this landmark TV series.

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Book SynopsisPeter Mckinstry (Author, Illustrator) Peter Mckinstry is a concept artist and illustrator who has worked in film, television, VFX and video game art departments for over 20 years. Clients include Marvel Studios, Lucasfilm, Walt Disney Pictures, Amazon Studios, Warner Brother Pictures, HBO, Netflix and many more. Peter also created concept art and designs for Game of Thrones, Wonder Woman, Snow White and the Huntsman, and three of the Harry Potter films, prior to which he spent five years providing concept art for adventures across many time periods on Doctor Who.

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Book SynopsisThis book is an unvarnished look at how to originate, pitch, sell, and produce factual television programming for global broadcast television networks and streaming services. Grounded in firsthand experience, this essential how to guide walks readers through the crucial steps in the factual television process while unpacking valuable insights to successfully producing and delivering projects on time and on budget. With over 20 years of experience in the TV documentary arena, Executive Producer Dylan Weiss shares how to break into the industry, originate your own documentary ideas, forge a path forward through the creative process, prepare your concepts for commissioners, and then pitch them to networks, broadcasters, streamers, and distributors around the world. Industry voices are layered throughout sharing their experiences from each stage of the process. These interviews include top executives from Disney, Investigation Discovery, National Geographic, and many more. Table of Contents1. Breaking In and Getting Started 2. The Eight Factual Steps 3. Idea Creation 4. Crafting a Presentation 5. Pitching Your Idea 6. Selling Your Idea 7. Pre-Production 8. Field-Production 9. The Post-Production Process 10. Delivery and Exhibition 11. Forging a Factual Career 12. Appendix

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Book SynopsisTrade Review“Filled with eye-popping images and inspirations, this stunning coffee-table tome explores the show’s sartorial evolution through sketches and photographs from Zakowska’s workspace, as well as sumptuous behind-the-scenes shots and episode stills.” * TVInsider *Bountiful swatches and sketches accompany the many stills, illuminating the tools of her trade. Just like the series, this is a visual feast. * Publishers Weekly *

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Book SynopsisThe latest hot camera is pretty irrelevant if one can''t understand what''s happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects. Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and locationTrade ReviewAn excellent, comprehensive, and contemporary primer for those interested in becoming sound recordists or mixers. John J. Murphy’s Production Sound Mixing guides you through all you need to know to understand sound recording and technique. * Bill Linsman, Associate Professor of Film and Television, Boston University, USA, and Former Professional Sound Recordist and Mixer *Full of detailed, specific, practical knowledge as well as tips that only pros can teach, Production Sound Mixing is a valuable resource with a relaxed, readable style. With professional—but not overly technical—insights, John M. Murphy covers the physics of sound, equipment, work practice, and troubleshooting for faculty, students, and amateurs in sound production. * Peter Kiwitt, Assistant Professor, School of Film and Animation, Rochester Institute of Technology, USA, and Direcor Member of the Directors Guild of America *I've waited years for this book: it is far and away the most useful book on production audio for first-time students that I've encountered. * Piers Storey, University of Suffolk, UK *Comprehensive guide to the theory, technology and working practices involved in capturing location sound. With plenty of diagrams and an accessible style, this will be of huge value to Film sound students and aspiring professionals. * Simon Waite, Staffordshire University *Table of ContentsPreface Acknowledgements Introduction Chapter 1: What is Sound? Chapter 2: Microphones: The Basic Types and How They Work Chapter 3: The DSLR Shoot: Making the Most of What’s at Hand Chapter 4: The Audio Mixer Chapter 5: Choosing a Location Chapter 6: Booming: The View from Above Chapter 7: Wireless Microphones: What They Are, How They Work, and How and Why We Use Them Chapter 8: Interviews! Chapter 9: On the Set Chapter 10: Prep Is Everything: Your Basic Kit Chapter 11: Synchronization Chapter 12: Post-Production: Where Does It GO From Here? Chapter 13: Opportunities for Sound Work in Film/Video Chapter 14: Stereo: When Two Become One Appendix Glossary Index

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Book Synopsis'Fabulously readable' STEPHEN FRY'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS'A brilliant, funny, emotional book' DAVID QUANTICKDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just

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Book SynopsisCue & Cut is a ‘practical approach to working in television studios’ for anyone who might want to work in that medium. Written by a multi-camera producer-director, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVTable of ContentsLIST OF ILLUSTRATIONSCONTRIBUTORSPREFACEACKNOWLEDGMENTSINTRODUCTIONPART I: SAFETY & GOOD PRACTICEPART II: INTRODUCTION TO THE STUDIO1 - BASICS2 - WORKING WITH CAMERAS3 - LENSES AND SHOOTING CONVENTIONS4 - THE STUDIO PRODUCTION TEAM5 - TECHNICAL JOBS IN THE STUDIO6 - DESIGN AND SETS7 - THE JOB OF SCRIPT SUPERVISOR AND MULTI-CAMERA PAPERWORK8 - CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue)9 - IN THE STUDIO - COMMUNICATION10 - LIGHTING FOR VIDEO CAMERAS - AN INTRODUCTION11 - MICROPHONES & SOUNDPART III: CONTENT12 - INTERVIEWS, DISCUSSION AND CHAT13 - DEMONSTRATIONS AND MOVEMENT14 - HAVING IDEASPART IV: APPLYING THE PRINCIPLESINTRODUCTION15 - GETTING IT ALL TOGETHER16 - DRAMA17 - MUSIC18 - SHOOTING ACTIONAFTERWORDAPPENDIX I: ASPECT RATIOSHISTORYOTHER FORMATSSUMMARYAPPENDIX II: CONTINUITY - A SUMMARYVIDEOGRAPHYBIBLIOGRAPHY AND REFERENCESSUGGESTED FURTHER READINGINDEX

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Book SynopsisThe untold succession struggle at Walt Disney Productions following the death of its founder, and the generational transformation which led to the birth of the modern multibillion-dollar animation industry.

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Book SynopsisImmerse yourself in Julian Fellowes' multi-award-winning drama. The full scripts of Series Three include previously unseen dialogue and drama.Downton Abbey has become a national phenomenon and the most successful British drama of our time. Created by Oscar-winning writer Julian Fellowes, the first series delighted viewers and reviewers alike with stellar performances, ravishing costumes and a gripping plot.Set in a grand country house during the late Edwardian era, the third series of Downton Abbey follows the lives of the Crawley family upstairs and their servants downstairs as they cope in the aftermath of the Great War.The Series 3 scripts give readers the opportunity to read the work in more detail and study the characters, pace and themes in depth. With an introduction and commentary from Julian Fellowes, this is an invaluable insight into how he researched and crafted the world of Downton Abbey.Trade Review‘Downton Abbey is what television should be.’ Simon Heffer, Telegraph ‘The sets and costumes are ravishing, the attention to detail painstaking and the performances are brilliant. But above all, it's a cracking story.’ The Times ‘A sumptuous, accomplished piece of television’ Guardian ‘Sundays won't be the same without Downton: In an age of patronising, tacky television, Downton Abbey was a true British gem.’ Max Hastings, Daily Mail

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Book Synopsis Enter the world of HBO's global television phenomenon Game of Thrones with The Photography of Game of Thrones – the definitive photographic collection from the set of the hit series. Trade Review‘A wonderful look into not just the characters, but the sheer artistry behind creating a series as epic as this one’Screen Rant ‘Everything about these books is, as you can probably guess, gorgeous’Winter is Coming ‘Game of Thrones’ singular attention to detail is painstakingly and lavishly chronicled in this trio of stunning coffee-table books from Insight Editions covering all eight seasons and focusing on, respectively, the museum-quality production art and designs from sketch to screen; still photos capturing the show’s most iconic and cinematic scenes along with intimate never-seen off-screen moments; and an in-depth look at the creation of the epic costumes across Westeros, from the sun-drenched denizens of Dorne to the Wildlings beyond the Wall’Yahoo

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Book SynopsisCollins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Book banded for guided and independent reading, there are reading notes in the back, comprehensive teaching and assessment support and ebooks available.When Shinoy downloads the Chaos Crew app on his phone, a glitch in the system gives him the power to summon his TV heroes into his world. With the team on board, Shinoy can figure out what dastardly plans S.N.A.I.R. has come up with, and save the day.Location: Chaos Crew Flat Hill film set.Operatives: Sky-high Ember.Mission: Find out everything about the new Chaos Crew spin-off TV show being filmed in Flat Hill.This exciting title is part of the Shinoy and the Chaos Crew series by Chris Callaghan.Lime/Band 11 books have longer sentence structures and a greater use of literary language.Ideas for reading in the back of the book provide practical s

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Book SynopsisHand-drawn floor plans and richly imagined architectural illustrations tell the story of television's most memorable on-screen sets and scenes. Come explore where Lucy and Ethel baked a hilariously monstrous loaf of bread, where Phoebe performed "Smelly Cat," where Jim and Pam fell in love, and countless other homes, offices, and towns as familiar to you as your own living room. Illustrator Inaki Aliste Lizarralde has expertly rendered thirty-six of the most memorable television floor plans in modern history - puzzling together the layouts with an architect's eye for detail and a director's sense of storytelling. TV fans will delight in the interiors and exteriors from shows like Friends, Seinfeld, and The Simpsons, where characters and plotlines converge to create worlds so mesmerizing you want to binge-watch season after season. With immersive illustrations from shows across decades and countries, this truly unique art collection offers hilarious TV moments, Easter eggs, and behind-the-scenes trivia to test even the biggest superfans.

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Book SynopsisThe Big Bang Theory is a television phenomenon. To the casual viewer, it's a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don't know in its entirety.The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation, with the blessing and participation of co-creators Chuck Lorre and Bill Prady, executive producers Steve Molaro and Steve Holland, as well as Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch, Mayim Bialik, and more. Glamour senior editor Jessica Radloff, who has written over 150 articles on the series (and even had a cameo in the finale!), gives readers an all-access pass to its intrepid producing and writing team and beloved cast. It's a story of on-and-off screen romance told in hilarious and emotional detail, of casting choices that nearly changed everything (which even some of the actors didn't know until now), of cast members bravely powering through personal tragedies, and when it came time to announce the 12th season would be its last, the complicated reasons why it was more difficult than anyone ever led on. Through hundreds of hours of interviews with the sitcom's major players, Radloff dives into all this and much more. The book is the ultimate celebration of this once-in-a-generation show and a must-have for all fans.AN INSTANT NEW YORK TIMES BESTSELLERA USA TODAY BESTSELLERNAMED A BEST BOOK OF 2022 BY GLAMOUR"Talking with Jessica, I realized how easy it had been for me to kind of put all 12 years of my time on Big Bang Theory under one general umbrella, as it were. The questions she asked and the information she'd reveal to me from someone else she'd interviewed forced me into a frame of mind where each season - and sometimes each episode - became it's own, separate entity again. . . Frankly, it turned into a version of therapy I hadn't realized I'd needed and couldn't have known how much I'd enjoy." -Jim Parsons

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Book SynopsisDiscover the filmmaking secrets behind HBO and Sky's HOUSE OF THE DRAGON!Witness the genesis of a Targaryen dynasty with this deluxe book that explores the creation of HBO's hit series House of the Dragon.Based on visionary author George R. R. Martin's book Fire & Blood, House of the Dragon charts the earth-shattering events that led to the fall of Westeros's most powerful family, House Targaryen. Brought to the screen by showrunners Ryan Condal and Miguel Sapochnik, the ambitious prequel series required a striking new vision that would transport viewers back in time, two centuries before the events of Game of Thrones. With unparalleled access to the show's cast and crew, including Condal, Sapochnik, and Martin, this book tells the incredible story of their creative journey, from the initial scriptwriting process to the epic international shoot. Illustrated with a remarkable wealth of concept art, on-set photography, and other key visuals, this is the ultimate companion to House of theTrade Review Praise for House of the Dragon ‘This isn’t just another fantasy show, it’s the BEST series ever made!’INDIEWIRE ‘A roaring success’GUARDIAN ‘It’s pure GAME OF THRONES – just not in the way you remember’BBC ‘

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Book SynopsisWhether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX. This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring ADâs seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production.The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.Trade Review"An essential book for all A.D.'s - Trainee to First, those new to the game, or experienced old hands. This bible covers EVERYTHING and I can't recommend it highly enough. If you're serious about being a First AD and want to know how to get there - READ THIS BOOK!!"Nick Thomas, First Assistant Director, Vikings and Game of ThronesPraise for the Previous Edition:"I would encourage not only AD’s but other crew (and even cast) to read this book to gain a greater understanding of how the many parts of a film production can work together in a harmonious flow."Jim Sheridan, six time Oscar nominee, Director, My Left Foot, In the Name of the Father, In America"You can’t learn this in film school or buy this experience, but you can read this book. Liz Gill is a top first AD, and I hope everyone who wants to work in film and Tv will receive the wisdom available here"Christine Vachon, Producer, Mildred Pierce, Boys Don’t Cry, Go Fish, I’m Not There and Far From Heaven"This is the book I wish I had when I was starting out; detailed, accessible and never forgetting the big picture. Running the Show is a must-read for anyone starting down that treacherous and highly rewarding road as an assistant director"Timothy Bird, DGA member, First Assistant Director, Far From Heaven, Requiem For A Dream, Definitely, Maybe, In The Cut"What a fantastic book. Liz Gill has written a funny, easy to read guide that fully explains the inner workings of preparation and production for movies and TV. Read this book before you begin your next production… it will save you time and money."Bruce A. Block, Producer, The Holiday, Something’s Gotta Give, What Women Want"An essential book for all AD's - Trainee to First, those new to the game, or experienced old hands. This bible covers EVERYTHING and I can't recommend it highly enough. If you're serious about being a First AD and want to know how to get there - READ THIS BOOK!!"Nick Thomas, First Assistant Director, Vikings and Game of ThronesPraise for the Previous Edition:"I would encourage not only AD’s but other crew (and even cast) to read this book to gain a greater understanding of how the many parts of a film production can work together in a harmonious flow."Jim Sheridan, six time Oscar nominee, Director, My Left Foot, In the Name of the Father, In America"You can’t learn this in film school or buy this experience, but you can read this book. Liz Gill is a top first AD, and I hope everyone who wants to work in film and TV will receive the wisdom available here."Christine Vachon, Producer, Mildred Pierce, Boys Don’t Cry, Go Fish, I’m Not There and Far From Heaven"This is the book I wish I had when I was starting out; detailed, accessible and never forgetting the big picture. Running the Show is a must-read for anyone starting down that treacherous and highly rewarding road as an assistant director."Timothy Bird, DGA member, First Assistant Director, Far From Heaven, Requiem For A Dream, Definitely, Maybe, In The Cut"What a fantastic book. Liz Gill has written a funny, easy-to-read guide that fully explains the inner workings of preparation and production for movies and TV. Read this book before you begin your next production… it will save you time and money."Bruce A. Block, Producer, The Holiday, Something’s Gotta Give, What Women WantTable of ContentsAcknowledgmentsPrefaceChapter 1 Pre-pre-productionChapter 2 Pre-productionChapter 3 ProductionChapter 4 WrapAppendix 1 SAG Tier Budget ThresholdsAppendix 2 Filmmakers’ Code of Professional ResponsibilityAppendix 3 Some Filmster JokesGlossaryWebsites and Other ResourcesList of IllustrationsIndex

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Book SynopsisIn this new and expanded edition of The Art Direction Handbook, author Michael Rizzo now covers art direction for television, in addition to updated coverage of film design. This comprehensive, professional manual details the set-up of the art department and the day-to-day job duties: scouting for locations, research, executing the design concept, supervising scenery construction, and surviving production. Beyond that, there is an emphasis on not just how to do the job, but how to succeed and secure other jobs. Rounding out the text is an extensive collection of useful forms and checklists, as well as interviews with prominent art directors. Trade Review'I think that this book is not only a must for anyone who wants to make a career in the Art Department but a very useful reference for those who may already be working in film or television and who want to take the next step up the ladder - or change departments.' - Wendy Laybourn FBKS - Network NineTable of ContentsSection 1: Pre-Production ProcessChapter 1: IntroductionChapter 2: The Responsibilities, The Relationships, and The SetupChapter 3: Visual HistoryChapter 4: The Design ProcessChapter 5: The Physical DesignChapter 6: A Legacy of Historical TechniquesChapter 7: CGI and Digital FilmmakingSection 2: Production and Post-Production Processes Chapter 8: Navigating Paperwork and Daily Shooting-Process TasksChapter 9: Networking and Self-PromotionChapter 10: Non-Union vs. Union StatusSection 3: AppendicesAppendix A: Reference and Source ListsAppendix B: Start PaperworkAppendix C: Figure and Table ListAppendix D: Glossary

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Book SynopsisGain the essential skills of a professional grip to become the jack and master of all trades on any movie or television show set. This new edition has been fully updated and revised and will enable aspiring and professional grips to discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, trains, and cars.Seasoned Hollywood grip Michael G. Uva teaches you to install, set up, maintain, and ensure the safety of all equipment on a set, such as C-stands, cameras, and any specialty gear needed for a shoot. Expanded content on navigating the set, including set etiquette and how to succeed as a technical crew member, will jump-start your career and make you a valuable asset on any film or television crew. This seventh edition has been updated to include the latest technology, further explanations of equipment and how to use it for those new to the role, a new chapter on working as aTable of ContentsIntroduction 1. Basic Essential Equipment 2. Expendables 3. Knots 4. Basic Tool Descriptions 5. Truck Order Form (Basic) 6. Green and Blue Screens 7. Mounts 8. Cranes 9. Condors and Lifts 10. Walkies 11. T.O.T.S. (Tricks Of The Trade) 12. F.A.C.T.S. 13. Fly Swatter 14. Chain Motors 15. Virtual Sets 16. Fluid Heads 17. Field Operations 18. Grip Tests 19. Terms 20. Glossary 21. Index

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Book SynopsisA friendly, hands-on training manual and reference for lighting technicians in motion picture and television production, this handbook is the most comprehensive guide to set lighting available. It provides a unique combination of practical detail with a big-picture understanding of lighting, technology, safety, and professionalism, essential to anyone doing motion picture lighting. The fifth edition delves into every aspect of lighting and features vastly expanded sections on controlling LED lights, color science, lighting control systems, wireless systems, Ethernet-based control systems, battery power, and modern set protocol for productions small and large. With a generous number of original images, the book illustrates the use of soft light, the effect of lighting angles, and how the gaffer and DP build an effective lighting plan around the blocking of the actors. This encyclopedic volume of technical knowhow is tempered with years of practical experience and a much-neededTable of ContentsChapter 1 Set Basics: Your First BarbecueChapter 2 Preproduction Planning: the Package, Expendables, Personal ToolsChapter 3 Lighting ObjectivesChapter 4 Lighting StrategiesChapter 5 Manipulating Light: Tools, Techniques, and the Behavior of LightChapter 6 ColorChapter 7 LED LightsChapter 8 Established Lighting InstrumentsChapter 9 Operating HMI LightsChapter 10 Stands and RiggingChapter 11 Set ProtocolChapter 12 Lighting Control NetworksChapter 13 ElectricityChapter 14 Power Distribution EquipmentChapter 15 Dimming EquipmentChapter 16 Electrical RiggingChapter 17 Working With Electrical PowerChapter 18 Power SourcesChapter 19 Special Circumstances and PracticesChapter 20 Specialty Lighting EquipmentChapter 21 LED Color Science and TechnologyAppendix A Photometric Calculation TablesAppendix B Lamp TablesAppendix C Flicker-free Frame RatesAppendix D Electrical TablesAppendix E IP and NEMA Equipment RatingsAppendix F Equipment Suppliers and ManufacturersAppendix G Gels and DiffusionsAppendix H LED LightsGlossary

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Book SynopsisLucy Brown has made television programmes around the world for the BBC, ITV, Channel 4, Nickelodeon and Disney. She has TV credits on BAFTA and RTS award winning children's programmes and the acclaimed flagship architecture series, Grand Designs. Lucy is Head of Film and Television and a Principal Lecturer at the University of Greenwich. She is a Fellow of the Higher Education Academy, and winner of a Vice-Chancellor's Award for Excellence in International Engagement. Lyndsay Duthie is an Executive Producer with television credits for ITV, BBC, Channel 4, Channel 5 and SKY. Her career has included ten years originating and producing hit programmes at ITV, as well as running her own company, Ice Blue Media. Lyndsay is a Fellow of the Higher Education Academy, Principal Lecturer and Course Director for the University of Hertfordshire's Film & TV Programme, and winner of the Vice-Chancellor's Award for Excellence in Graduate Success.Table of ContentsPART ONE – Standby! CHAPTER 1 - S.T.U.D.I.O Toolkit CHAPTER 2 - The Big Idea CHAPTER 3 – Getting Commissioned CHAPTER 4 – The Studio Environment CHAPTER 5 – Production Management PART TWO – Action! CHAPTER 6 - Talent Shows CHAPTER 7 – Studio Dramas: Soaps and Sitcoms CHAPTER 8 – Game and Quiz Shows CHAPTER 9 – News CHAPTER 10 – Food Shows CHAPTER 11 – Children’s TV CHAPTER 12 - Talk Shows and Magazine Formats CHAPTER 13 – Reality TV CHAPTER 14 – It’s a Wrap! Glossary Index

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Book SynopsisFilm editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making. Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice.Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut orTrade ReviewLambden’s book will enhance [readers’] knowledge of the art, the veritable alchemy, of film editing. * Cineaste Magazine *Julie Lambden astutely takes the lid off the complexities and alchemy of film editing and effortlessly leads us to an understanding of all aspects of the narrative power that editing and montage can release. This therefore makes essential reading for film students, practicing professionals or indeed anyone who wishes to expand their grasp of the fundamental and highly creative disciplines that comprise the language of all film making. * Mick Audsley, editor of Harry Potter and the Goblet of Fire (2005), Twelve Monkeys (1995) and Dangerous Liaisons (1988) *Table of ContentsIntroduction Chapter 1: Moving Pictures; the structuring of Story and Emotion Chapter 2: Montage Chapter 3: Study 1- Parallel Tracks Chapter 4: Continuous Time and Space Chapter 5: Study 2 – Subjective Eyes Chapter 6: The Expressive Potential of the Audio-Visual Dynamic Chapter 7: Study 3: Fascinating Rhythms Chapter 8: Constructing a Performance Index

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Book SynopsisMaps out the dominant debates surrounding period drama through the twin frameworks of prestige and pleasure

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Book SynopsisA how-to book on the art, craft and practice of TV/video/streaming cinematography for multi-camera shooting.This book is written for anyone wanting to film, direct or produce multiple camera productions. Lighting Directors, Directors of Photography, Camera Operators as well as Directors, Producers and Production Managers will all find valuable information that will help them do their job and accomplish their goals of effectively filming with more than one camera at the same time. This book could be seen as an intermediate to advanced media production course book for colleges. It is also meant to give insight and inspiration to those starting out their professional careers in multi-camera productions. The text covers advice for producing and filming content using two or more cameras in many genres including Sitcom, Stand-up, News, Talk Show, Interview, Reality, Corporate Video and Indie Movies, with budgets both big and small, by two award winning professionalTrade ReviewDavid Landau’s book, Multi-camera Cinematography and Production, is a comprehensive coverage of the subject area. The real-world examples of contemporary production techniques, specific examples and the input from professional practitioners make this different from other textbooks. It reviews the basics and then goes to more in depth, introducing new material and examples. It gives students a place and context to practice their craft using his” Putting it in Practice” exercises. * Matt Clarke, Producer-Director, C2 Media, USA *What David Landau has done here is distilled decades of his and his colleagues knowledge and put them into a single book. Broken down into easy to understand sections, he teaches by telling stories of our successes and failures alike. Reminding us that not all of our experiences are great, but what we learn from them is worth more than gold. * Tigre McMullan, Gaffer with Local 52 and Director of Photography with Local 600, USA *David Landau has done it again. After his outstanding Lighting for Cinematography fused his decades of professional work behind the camera with his equal commitment to undergraduate film education in order to provide a straightforward, no-nonsense approach to lighting for the moving image, he has shifted his focus to the demands of multiple camera television production in Multi-Camera Cinematography. In the first section of the book Landau and co-author Bruce Finn offer a simple yet comprehensive approach to camera and lighting basics useful for any introductory cinematography student. The real breakthrough comes in the second section of the volume, in which Landau and Finn detail the challenges raised by specific television genres including, talk shows, comedy shows, cooking shows and reality programming as the well as the techniques used for each of these forms. There is no currently available text that so clearly and thoroughly analyzes and explains these essential camera skills, and both students and teachers should find these insights extremely valuable. * Evan Lieberman, Associate Professor of Film, Cleveland State University, USA *Table of ContentsAcknowledgements Introduction PART I - FOUNDATIONS Chapter 1: The Visual Design Crew & On Set Behavior Chapter 2: Camera Shots, Framing, and Camera Operation Chapter 3: Lenses Chapter 4: Cameras and Camera Supports Chapter 5: The Magic of Light Chapter 6: Lighting, Lamps, and Electricity Chapter 7: Multi-Camera Lighting & Camera Operation Basics PART II - PRODUCTIONS Chapter 8: Multi-Camera Interviews Chapter 9: Shooting Stand-Up Comedy Shows Chapter 10: Shooting Reality Shows Chapter 11: Shooting Cooking Shows Chapter 12: Shooting Scripted Studio Productions: Daytime Dramas, Sit-Coms, Puppet shows, and More Chapter 13: Lighting Scripted Studio Productions Chapter 14: Shooting Scripted “Film Style” Productions Appendix 1: Recommended Books & Websites Appendix 2: Manufacturer Resources Index

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Book SynopsisAn exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship.Each ‘Moments’ book is organised around a provocative binary theme. Substance / styleoffers fresh perspectives on television’s essential qualities and aesthetic significance. It reassesses the synergy between substance and style, highlighting the potential for meaning to arise through their integration. The book’s chosen programmes are persuasively illuminated in new ways.The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.Table of ContentsIntroduction: substance/style – Lucy Fife Donaldson, Sarah Cardwell and Jonathan Bignell1 Layers of style: design and embodiment in The Americans – Lucy Fife Donaldson2 New uniforms! Costume and the 1950s/60s in Call the Midwife – Josette Wolthuis3 When style is substance and beyond: Les Revenants as metaphysical drama – Alberto N. García4 Representing mediated identity and consciousness in The Good Wife – Ariane Hudelet5 Performing laughter in Friends– Gary Cassidy6 ‘You’re what’s wrong with America, Simpson’: style, appreciation and the temporally prolonged problem of The Simpsons– Michael Clark7 Resurrection, revelation, reception: rescuing John From Cincinnati from the HBO narrative – Robert Watts8 Police Squad! The Zucker-Abrahams-Zucker style versus the substance of early 1980s television – Emilio Audissino9 Grand designs: television, style and substance in The Time Tunnel – Jonathan BignellIndex

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Book SynopsisAn exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship.Each ‘Moments’ book is organised around a provocative binary theme. Sound / image reassesses the synergy between televisual images, and sounds and music, as a key creative interaction warranting closer attention. Through close scrutiny of visual and sonic elements, the book’s chosen programmes are persuasively illuminated in new ways.The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.Table of ContentsIntroduction: sound/image – Jonathan Bignell, Sarah Cardwell and Lucy Fife Donaldson1 Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’ – Jonathan Bignell2 Investigating Morse: detecting innovations in sound and vision – Richard Hewett3 Discordant vocals and blinding light: the moment of petrification in Children of the Stones – Peter Hughes Jachimiak4 ‘Anything is possible now’: jazz music and images of the past in Stephen Poliakoff’s Dancing on the Edge– Will Stanford Abbiss5 Non-naturalist realism: sound and image in Alan Clarke’s Road – Paul Elliott6 Feeling sound: audiovisuality and the multisensory in David Lynch’s Twin Peaks: The Return – Caroline L. Eastwood7 Bodyguard: the rush of the ride – Maike Helmers and Christa van Raalte 8 Tableaux at the end of the world: living pictures in The Walking Dead – Tim Butler Garrett9 Silence and faces in Mad Men – Elliott LoganIndex

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Book SynopsisExplore the terrifying world of Gilead with this behind-the-scenes look at the Emmy award-winning show The Handmaid's Tale. The hotly anticipated debut of The Handmaid's Tale-Hulu's groundbreaking show based on Margaret Atwood's best-selling novel-drew a wide audience and rave reviews. Now, this comprehensive book details the process of bringing the story to the small screen with exclusive cast and crew interviews, backstage and set photography, concept art, costume design, and more. Dive deep into the world of the show's dystopian future as interviews with the show's cast and creators provide insight into the inspiration behind the characters, settings, and themes, as well as it's parallels to the real-world political climate. Showcasing striking visuals and insightful commentary, The Making of Hulu's The Handmaid's Tale is the definitive exploration of one of television's most critically acclaimed shows.

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Book SynopsisThis book gives a comprehensive overview of lighting equipment and techniques for digital production. Suitable for either beginners or more advanced users, the fully updated fourth edition covers human sight vs. film or video, the basic issues of contrast and exposure, with explanation of how exposure of digital video differs from analog video or film, electrical connectors, requirements, electrical load management, safety issues, and the latest LED systems.A variety of basic lighting setups for different situations are explained, with clear diagrams and photos showing the look of each approach. Techniques for shooting in available light and dealing with color problems in mixed lighting situations is examined. More advanced film-style lighting is covered, especially techniques in creating a convincing realistic look. A special section deals with solutions to common problems, ranging from reflections on glasses and dealing with white walls, to lighting very light-skinned andTrade ReviewPraise for the previous edition:"If you don't know a tota light from a omni from a soft box or a fresnel; if you are unsure how to light a scene to achieve a particular look; if you think that lighting for a night shoot is to simply take your cam out at night and press 'record', if you fail to understand the difference between hard and soft light or find lighting terminology undecipherable, than this book is a must. Even if you already know all those things there are excellent and useful chapters for the advanced shooter and lighting tech covering low budget setups, advanced lighting setups." Steve Douglas, kenstone.netTable of ContentsTable of ContentsAcknowledgementsIntroductionChapter 1 Why is Lighting Important for Television and Video?Chapter 2 Human Vision, the Camera, and ExposureChapter 3 Volts, Amps, and WattsChapter 4 Lighting InstrumentsChapter 5 Lighting Controls and UsesChapter 6 Basic Lighting TechniquesChapter 7 Interview SetupsChapter 8 Solving Common ProblemsChapter 9 Studio LightingChapter 10 Advanced Lighting SetupsChapter 11 Lighting Low-Budget LocationsChapter 12 Specialized LightingChapter 13 Imagination and InventionAppendix 1 Using a Light Meter for VideoAppendix 2 Basic Primer in Signal MonitoringAppendix 3 Addresses of ManufacturersGlossaryIndex

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Book SynopsisA comprehensive study of Channel 4's film production, distribution and broadcasting activities from 1982 to 1998.

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Book SynopsisAn exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship.Each ‘Moments’ book is organised around a provocative binary theme. Complexity / simplicity addresses the idea of complex TV, examining its potential, limitations and impact upon creative and interpretative practices. It also reassesses simplicity as an alternative criterion for evaluation. Complexity and simplicity persuasively illuminate the book’s chosen programmes in new ways.The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.Table of ContentsIntroduction: complexity/simplicity – Sarah Cardwell, Jonathan Bignell and Lucy Fife Donaldson1 ‘WTF June?’: The Handmaid’s Tale and the significance of unexpected choice – Trisha Dunleavy2 Being Frank? Breaking the ’fourth wall’ in Netflix’s House of Cards – Christa van Raalte and Maike Helmers3 ‘You’ve got to expect this kind of thing in the priesthood’: simplicity and complexity in Father Ted – Karen Quigley4 Depth in two dimensions: complex/simple moments in Rick and Morty – James Walters5 Simplicity and complexity in the costuming of Killing Eve – Josette Wolthuis6 Complexity and clear-sightedness in The Wire – James Zborowski7 Such schadenfreude: unpacking the political satire in Veep – Michael P. Young8 Queer adventures in time and space: complicating simplicity in Doctor Who – Benedict Morrison9 Vanity Fair and the contradictions of colour – Jonathan Bignell10 The value of simplicity: The Long Wait – Sarah CardwellIndex

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Book SynopsisHave you been trying to think of a way to conquer your local comic convention through cosplay? Do you gaze with envious eyes upon the fan-made suits of armored awesomeness strolling around every year on Halloween? Do you have a spot on your wall, bookshelf, or desk that desperately needs to be filled with a screen-accurate replica of your favorite science-fiction or fantasy weapon? If so, look no further. We've got just the book for you! In this book, master prop maker Shawn Thorsson uses his unique blend of humor and insight to turn years of painful experience into detailed explanations. He'll show you many of the tools, methods, and processes that you can use to create professional-looking science fiction and fantasy props and armor. The ultimate collision of creative imagination and practical maker skills, making props and costume armor involves sculpting, molding, casting, 3D printing, CNC fabrication, painting, and countless other techniques and technologies. In this book, you'll learn: Basic fabrication methods using inexpensive, commonly-available tools and materials Simple, low-cost methods to make foam armor out of easy-to-find foam mats How to use the popular Pepakura software to build 3D models with paper Multiple molding and casting techniques How to build a "vacuforming" machine to make armor from plastic sheet stock Painting and weathering techniques that will bring your props to life Just enough safety advice to keep you from losing body parts along the way Whether you're just a beginner or a seasoned builder with countless projects behind you, this book is sure to be an invaluable addition to your workshop library.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisWhy Are We Always On Last? Running Match of the Day and Other Adventures in TV and Football is a fly-on-the wall account of Paul Armstrong's career working on Britain's favourite TV sports show (including nearly 15 years as the editor, defending his running orders) and a lifetime spent around sport, and football in particular. From a virtual BBC monopoly of sports coverage and working at the Hillsborough disaster, to the era of Sky, social media and megaclubs, Paul takes us behind the scenes at MOTD and chronicles the joys and pressures of seven World Cups and live broadcasts of varying quality. He provides an honest and humorous account of the seismic changes he's seen, both in broadcasting and the football industry. With inside stories of working with everyone from David Coleman and Brian Clough to Thierry Henry and Alan Shearer.. All infused with the pessimism and jaundice acquired during almost five decades following Middlesbrough FC.

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Book SynopsisCue & Cut is a ‘practical approach to working in television studios’ for anyone who might want to work in that medium. Written by a multi-camera producer-director, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVTable of ContentsLIST OF ILLUSTRATIONSCONTRIBUTORSPREFACEACKNOWLEDGMENTSINTRODUCTIONPART I: SAFETY & GOOD PRACTICEPART II: INTRODUCTION TO THE STUDIO1 - BASICS2 - WORKING WITH CAMERAS3 - LENSES AND SHOOTING CONVENTIONS4 - THE STUDIO PRODUCTION TEAM5 - TECHNICAL JOBS IN THE STUDIO6 - DESIGN AND SETS7 - THE JOB OF SCRIPT SUPERVISOR AND MULTI-CAMERA PAPERWORK8 - CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue)9 - IN THE STUDIO - COMMUNICATION10 - LIGHTING FOR VIDEO CAMERAS - AN INTRODUCTION11 - MICROPHONES & SOUNDPART III: CONTENT12 - INTERVIEWS, DISCUSSION AND CHAT13 - DEMONSTRATIONS AND MOVEMENT14 - HAVING IDEASPART IV: APPLYING THE PRINCIPLESINTRODUCTION15 - GETTING IT ALL TOGETHER16 - DRAMA17 - MUSIC18 - SHOOTING ACTIONAFTERWORDAPPENDIX I: ASPECT RATIOSHISTORYOTHER FORMATSSUMMARYAPPENDIX II: CONTINUITY - A SUMMARYVIDEOGRAPHYBIBLIOGRAPHY AND REFERENCESSUGGESTED FURTHER READINGINDEX

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Book SynopsisThe Brazilian television industry is one of the most productive and commercially successful in the world. At the forefront of this industry is TV Globo and its production of standardized telenovelas, which millions of Brazilians and viewers from over 130 countries watch nightly. Eli Lee Carter examines the field of television production by focusing on the work of one of Brazil's greatest living directors, Luiz Fernando Carvalho. Through an emphasis on Carvalho's thirty-plus year career working for TV Globo, his unique mode of production, and his development of a singular aesthetic as a reaction to the dominant telenovela genre, Carter sheds new light on Brazilian television's history, its current state, and where it is goingas new legislation and technology push it increasingly toward a post-network era.Trade ReviewA groundbreaking discussion about the work Luiz Fernando Carvalho, one of the most imaginative artists in the Brazilian audiovisual field. Carter’s book considers all of Carvalho’s successful and polemical career, analyzing the innovations he brought to the small and the big screen and revealing the intricate interconnections between television, film, literature, theater, and politics in contemporary Brazil."" - Hélio Guimarães, University of São Paulo""Carter’s book offers a richly textured account of the professional practices that govern commercial Brazilian television, and the major role Carvalho has played in shaping the aesthetic conventions of prime-time serialized dramas and series. A must-read for scholars and nonscholars alike."" - Cacilda Rêgo, Utah State University

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Book SynopsisNo recent television creator has generated more critical, scholarly, and popular discussion or acquired as devoted a cult following as Joss Whedon (b. 1964). No fewer than thirty books concerned with his work have now been published (a forthcoming volume even offers a book-length bibliography), and ten international conferences on his work have convened in the U.K., the United States, Australia, and Turkey. Fitting then that this first volume in the University Press of Mississippi's ""Television Conversations"" series is devoted to the writer, director, and showrunner who has delivered Buffy the Vampire Slayer (The WB, 1997-2001; UPN, 2001-3), Angel (The WB, 1999-2004), Firefly (2002), Dr. Horrible's Sing-Along Blog (Webcast, 2008), and Dollhouse (FOX, 2009-10).If Whedon has shown himself to be a virtuoso screenwriter/script-doctor, director, comic book author, and librettist, he is as well a masterful conversationalist. As a DVD commentator, for example, the consistently hilarious, reliably insightful, frequently moving Whedon has few rivals. In his many interviews he likewise shines. Whether answering a hundred rapid-fire, mostly silly questions from fans on the Internet, fielding serious inquiries about his craft and career from television colleagues, or assessing his disappointments, Whedon seldom fails to provoke laughter and reflection.

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Book SynopsisTo sit with George Schlatter and hear his stories is a gift. Billy CrystalIn 1967, producer George Schlatter pitched an idea for a quirky new television show: one inspired by the hippie counterculture, which would take the idea of sit-ins, love-ins, and be-ins, and manifest that politicized, sexualized, consciousness-raising energy into pure comedy. Much to the surprise of NBC executives, Laugh-In soon became the #1 show on American TV, and the careers of beloved stars like Lily Tomlin and Goldie Hawn were born. ??Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history. It also recounts the coming-of-age of one of Hollywood's most iconic producers, from his early nightclub days rubbing elbows with mob figures like Mickey Cohen and John Stompanato, to his influential friendships with Judy Garland and Frank Sinatra, for whom George was asked to deliver a eulogy at his funeral decades later.? ??An inside look at Hollywood in the wake of the cultural upheaval of the 60s and 70s, Still Laughing demonstrates the crucial, deeply creative role a working producer plays in bringing a show (and its stars) to life. With spit-fire humor, tireless wit and keen perception, Still Laughing tells of the rise of some of comedy's greatest talents, and reveals the actual people cloistered inside larger-than-life celebrity. 

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Book SynopsisSpecial Sound traces the fascinating creation and legacy of the BBC''s electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds neither music nor sound effect. Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music.Using in-depth research in the studio''s archives and papers, this book tells the history of the many engineers, composers, directors, and producers behind the studio to trace the shifting perception towards electronic music in Britain. Combining historical discussion of the people and instruments in theTrade Reviewimmaculately researched. * Mark Brend, Record Collector *excellent ... [Neibur] draws on specially undertaken and published interviews with key participants, as well as a treasure trove of written material from the BBC Written Archives Centre, and original programmes. * Timothy Boon, British Journal for the History of Science *Niebur's research into this early history of the BBC Radiophonic Workshop is wickedly illuminating * David Toop, Times Higher Education *Louis Niebur delves illuminatingly into a hitherto untold story to throw a deserved spotlight on the creative talents involved. * Michael Quinn, Editor's Choice for 2011, Classical Music Magazine *Table of ContentsABOUT THE COMPANION WEBSITE; ENDNOTES; APPENDIX: TRANSCRIPTIONS; BIBLIOGRAPHY; INDEX

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