Television production Books
Abrams Madly Marvelous
Book SynopsisTrade Review“Filled with eye-popping images and inspirations, this stunning coffee-table tome explores the show’s sartorial evolution through sketches and photographs from Zakowska’s workspace, as well as sumptuous behind-the-scenes shots and episode stills.” * TVInsider *Bountiful swatches and sketches accompany the many stills, illuminating the tools of her trade. Just like the series, this is a visual feast. * Publishers Weekly *
£26.25
Post Hill Press After Disney
Book SynopsisThe untold succession struggle at Walt Disney Productions following the death of its founder, and the generational transformation which led to the birth of the modern multibillion-dollar animation industry.
£13.49
Little, Brown & Company The Big Bang Theory: The Definitive, Inside Story
Book SynopsisAN INSTANT NEW YORK TIMES BESTSELLERA USA TODAY BESTSELLER"Talking with Jessica, I realized how easy it had been for me to kind of put all 12 years of my time on Big Bang Theory under one general umbrella, as it were. The questions she asked and the information she'd reveal to me from someone else she'd interviewed forced me into a frame of mind where each season - and sometimes each episode - became it's own, separate entity again. . . Frankly, it turned into a version of therapy I hadn't realized I'd needed and couldn't have known how much I'd enjoy." -Jim ParsonThe Big Bang Theory is a television phenomenon. To the casual viewer, it's a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don't know in its entirety. THE BIG BANG THEORY: THE DEFINITIVE, INSIDE STORY OF THE EPIC HIT SERIES is a riveting, entertaining look at the sitcom sensation, with the blessing and participation of co-creators Chuck Lorre and Bill Prady, executive producers Steve Molaro and Steve Holland, as well as Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch, Mayim Bialik, and more. Glamour senior editor Jessica Radloff, who has written over 150 articles on the series (and even had a cameo in the finale!), gives readers an all-access pass to its intrepid producing and writing team and beloved cast. It's a story of on-and-off screen romance told in hilarious and emotional detail, of casting choices that nearly changed everything (which even some of the actors didn't know until now), of cast members bravely powering through personal tragedies, and when it came time to announce the 12th season would be its last, the complicated reasons why it was more difficult than anyone ever led on. Through hundreds of hours of interviews with the sitcom's major players, Radloff dives into all this and much more. The book is the ultimate celebration of this once-in-a-generation show and a must-have for all fans.
£22.50
HarperCollins Publishers The Photography of Game of Thrones
Book Synopsis Enter the world of HBO's global television phenomenon Game of Thrones with The Photography of Game of Thrones – the definitive photographic collection from the set of the hit series. Trade Review‘A wonderful look into not just the characters, but the sheer artistry behind creating a series as epic as this one’Screen Rant ‘Everything about these books is, as you can probably guess, gorgeous’Winter is Coming ‘Game of Thrones’ singular attention to detail is painstakingly and lavishly chronicled in this trio of stunning coffee-table books from Insight Editions covering all eight seasons and focusing on, respectively, the museum-quality production art and designs from sketch to screen; still photos capturing the show’s most iconic and cinematic scenes along with intimate never-seen off-screen moments; and an in-depth look at the creation of the epic costumes across Westeros, from the sun-drenched denizens of Dorne to the Wildlings beyond the Wall’Yahoo
£48.00
Titan Books Ltd The Art and Making of The Handmaid's Tale
Book SynopsisExplore the terrifying world of Gilead with this behind-the-scenes look at the Emmy award-winning show The Handmaid's Tale. The hotly anticipated debut of The Handmaid's Tale-Hulu's groundbreaking show based on Margaret Atwood's best-selling novel-drew a wide audience and rave reviews. Now, this comprehensive book details the process of bringing the story to the small screen with exclusive cast and crew interviews, backstage and set photography, concept art, costume design, and more. Dive deep into the world of the show's dystopian future as interviews with the show's cast and creators provide insight into the inspiration behind the characters, settings, and themes, as well as it's parallels to the real-world political climate. Showcasing striking visuals and insightful commentary, The Making of Hulu's The Handmaid's Tale is the definitive exploration of one of television's most critically acclaimed shows.
£21.24
Globe Pequot Press Cut to the Monkey
Book SynopsisCut to the Monkey is the story of a filmmaker''s journey through Hollywoodrevealing all the secrets behind how the experts find the funny in any projectby a filmmaker who has worked with some of the funniest people in the business and has edited Emmy-nominated episodes from series such as VEEP, Curb Your Enthusiasm, and Who Is America? Nobody knows who first said, Dying is easy, comedy is hard. But almost everyone in the film business agrees it''s true. Roger Nygard will share his anecdotal experiences in television, features, and documentaries as a filmmaker and editorstruggles and successes any filmmaker can identify with. Nygard also includes tips for Hollywood professionals and fans alike on how to successfully navigate the business of being funny.Along with a major focus on film editing, the author also shares filmmaking stories that will leave readers feeling inspired and better prepared to deal with their own struggles. The book also features contributions about
£18.04
Bonnier Books Ltd The Closest Thing to Crazy
Book Synopsis'Fabulously readable' STEPHEN FRY'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS'A brilliant, funny, emotional book' DAVID QUANTICKDescribed variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures.For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just
£17.60
Bloomsbury Publishing Plc Production Sound Mixing
Book SynopsisThe latest hot camera is pretty irrelevant if one can''t understand what''s happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects. Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and locationTrade ReviewAn excellent, comprehensive, and contemporary primer for those interested in becoming sound recordists or mixers. John J. Murphy’s Production Sound Mixing guides you through all you need to know to understand sound recording and technique. * Bill Linsman, Associate Professor of Film and Television, Boston University, USA, and Former Professional Sound Recordist and Mixer *Full of detailed, specific, practical knowledge as well as tips that only pros can teach, Production Sound Mixing is a valuable resource with a relaxed, readable style. With professional—but not overly technical—insights, John M. Murphy covers the physics of sound, equipment, work practice, and troubleshooting for faculty, students, and amateurs in sound production. * Peter Kiwitt, Assistant Professor, School of Film and Animation, Rochester Institute of Technology, USA, and Direcor Member of the Directors Guild of America *I've waited years for this book: it is far and away the most useful book on production audio for first-time students that I've encountered. * Piers Storey, University of Suffolk, UK *Comprehensive guide to the theory, technology and working practices involved in capturing location sound. With plenty of diagrams and an accessible style, this will be of huge value to Film sound students and aspiring professionals. * Simon Waite, Staffordshire University *Table of ContentsPreface Acknowledgements Introduction Chapter 1: What is Sound? Chapter 2: Microphones: The Basic Types and How They Work Chapter 3: The DSLR Shoot: Making the Most of What’s at Hand Chapter 4: The Audio Mixer Chapter 5: Choosing a Location Chapter 6: Booming: The View from Above Chapter 7: Wireless Microphones: What They Are, How They Work, and How and Why We Use Them Chapter 8: Interviews! Chapter 9: On the Set Chapter 10: Prep Is Everything: Your Basic Kit Chapter 11: Synchronization Chapter 12: Post-Production: Where Does It GO From Here? Chapter 13: Opportunities for Sound Work in Film/Video Chapter 14: Stereo: When Two Become One Appendix Glossary Index
£27.54
HarperCollins Publishers Downton Abbey Series 3 Scripts Official
Book SynopsisImmerse yourself in Julian Fellowes' multi-award-winning drama. The full scripts of Series Three include previously unseen dialogue and drama.Downton Abbey has become a national phenomenon and the most successful British drama of our time. Created by Oscar-winning writer Julian Fellowes, the first series delighted viewers and reviewers alike with stellar performances, ravishing costumes and a gripping plot.Set in a grand country house during the late Edwardian era, the third series of Downton Abbey follows the lives of the Crawley family upstairs and their servants downstairs as they cope in the aftermath of the Great War.The Series 3 scripts give readers the opportunity to read the work in more detail and study the characters, pace and themes in depth. With an introduction and commentary from Julian Fellowes, this is an invaluable insight into how he researched and crafted the world of Downton Abbey.Trade Review‘Downton Abbey is what television should be.’ Simon Heffer, Telegraph ‘The sets and costumes are ravishing, the attention to detail painstaking and the performances are brilliant. But above all, it's a cracking story.’ The Times ‘A sumptuous, accomplished piece of television’ Guardian ‘Sundays won't be the same without Downton: In an age of patronising, tacky television, Downton Abbey was a true British gem.’ Max Hastings, Daily Mail
£17.09
Graphetti Ltd The Tripods All For Nothing
Book Synopsis
£46.54
Manchester University Press Cue Cut A Practical Approach to Working in
Book SynopsisCue & Cut is a ‘practical approach to working in television studios’ for anyone who might want to work in that medium. Written by a multi-camera producer-director, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVTable of ContentsLIST OF ILLUSTRATIONSCONTRIBUTORSPREFACEACKNOWLEDGMENTSINTRODUCTIONPART I: SAFETY & GOOD PRACTICEPART II: INTRODUCTION TO THE STUDIO1 - BASICS2 - WORKING WITH CAMERAS3 - LENSES AND SHOOTING CONVENTIONS4 - THE STUDIO PRODUCTION TEAM5 - TECHNICAL JOBS IN THE STUDIO6 - DESIGN AND SETS7 - THE JOB OF SCRIPT SUPERVISOR AND MULTI-CAMERA PAPERWORK8 - CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue)9 - IN THE STUDIO - COMMUNICATION10 - LIGHTING FOR VIDEO CAMERAS - AN INTRODUCTION11 - MICROPHONES & SOUNDPART III: CONTENT12 - INTERVIEWS, DISCUSSION AND CHAT13 - DEMONSTRATIONS AND MOVEMENT14 - HAVING IDEASPART IV: APPLYING THE PRINCIPLESINTRODUCTION15 - GETTING IT ALL TOGETHER16 - DRAMA17 - MUSIC18 - SHOOTING ACTIONAFTERWORDAPPENDIX I: ASPECT RATIOSHISTORYOTHER FORMATSSUMMARYAPPENDIX II: CONTINUITY - A SUMMARYVIDEOGRAPHYBIBLIOGRAPHY AND REFERENCESSUGGESTED FURTHER READINGINDEX
£28.50
Bloomsbury Publishing Plc Beyond the Bottom Line
Book SynopsisThis is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors'' introduction provides a conceptual and methodological overview, arguing that the producer''s complex and multifaceted role is crucial to a film''s success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.Trade ReviewThis will prove an invaluable book, both to students and to those wishing to learn more about the film and media industries. Its spread is broad, making comparisons between different countries, practices and genres, and yet its intellectual focus is precise and well-conceived. The work of the producer has received scant attention in the past, and this important book rectifies that, and in a thorough, sophisticated and approachable way. Not to be missed. * Sue Harper, Emeritus Professor of Film History, University of Portsmouth, UK *A pioneering and timely volume emphasizing historical and transnational perspectives, Beyond the Bottom Line brings the myths and realities of the producer’s many roles into clear focus. Offering well developed case studies and conceptual clarification, the contributors deepen and extend the ongoing conversation about practitioner’s agency in thoughtful and productive ways. * Mette Hjort, Chair Professor of Visual Studies, Lingnan University, Hong Kong *This long-overdue scholarly collection represents an important step forward in the study of the role of the movie producer. Beyond the Bottom Line is a welcome addition to the burgeoning literature of production and industry studies. Its broad range of critical case studies will be a valuable resource to researchers and students alike. * Julian Hoxter, Screenwriting Coordinator, San Francisco State University, USA, and editor of Screenwriting *Table of ContentsTable of Contents List of Illustrations Notes on Contributors Acknowledgements 1. Introduction – Andrew Spicer, A.T. McKenna and Christopher Meir Part I – Theoretical and Historical Contexts 2. Joe Kember, University of Exeter, UK, “A Judge of Anything and Everything”: Charles Urban and the Role of the “Producer-Collaborator” in Early British Film 3. Audun Engelstad and Jo Sondre Moseng, Lillehammer University College, Norway, Mapping a Typology of the Film Producer – Or, Six Producers in Search of an Author 4. Andrew Spicer, University of the West of England, UK, The Independent Producer and the State: Simon Relph, Government Policy and the British Film Industry, 1980-2005 5. Paul Long, Birmingham City University, UK and Simon Spink, UK, Producing the Self: The Film Producer’s Labor and Professional Identity in the UK Creative Economy 6. Pauline Small, Queen Mary, University of London, UK, Producer and Director? Or, “Authorship” in 1950s Italian Cinema 7. Mark David Ryan, Ben Goldsmith, and Stuart Cunningham, Queensland University of Technology, Australia, and Deb Verhoeven, Deakin University, Australia, The Australian Screen Producer in Transition Part II – Media and Genre Contexts 8. Donna Kornhaber, University of Texas at Austin, USA, The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar 9. Brett Mills and Sarah Ralph, University of East Anglia, UK, “Trying to Ride a Naughty Horse”: British Television Comedy Producers 10. Sonia Friel, Norwich University of the Arts, UK, Keith Griffiths’ Poetics of Production 11. James Lyons, University of Exeter, UK, The American Independent Producer and the Film Value Chain Part III – National and Transnational Contexts 12. Constanza Burucúa, Western University, Canada, Lita Stantic: Auteur Producer/Producer of Auteurs 13. A.T. McKenna, University of Nottingham, China, Beyond National Humiliation: Han Sanping and China’s Post-Olympics Historical Event Blockbusters 14. Gertjan Willems, Ghent University, Belgium, The Producer in Belgian Cinema(s): The Case of Jean (and Jan) Van Raemdonck 15. Christopher Meir, University of the West Indies, St. Augustine, Trinidad and Tobago, Post-Imperial Co-Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema
£133.00
Simon & Schuster Homey Dont Play That
Book Synopsis“A fascinating inside look at the trailblazing series” (Entertainment Tonight)—discover the behind-the-scenes stories and lasting impact of the trailblazing sketch comedy show that upended television, launched the careers of some of our biggest stars, and changed the way we talk, think, and laugh about race: In Living Color.Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. Along the way, he introduced the world to Jamie Foxx, Jim Carrey, David Alan Grier, Rosie Perez, and Jennifer Lopez, not to mention his own brothers Damon, Marlon, and Shawn Wayans. In Living Color shaped American culture in ways both seen and unseen, and was part of a sea change that moved black comedy and hip-hop culture from the shadows into the spotlight. Now, the “in-depth, well-researched” (Library Journal, starred review) Homey Don’t Play That reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit. Through exclusive interviews with the cast, writers, producers, and network executives, this insightful and entertaining chronicle follows the show’s ups and downs, friendships and feuds, tragedies and triumphs, sketches and scandals, the famous and the infamous, unveiling a vital piece of history in the evolution of comedy, television, and black culture.Trade Review"[Homey Don't Play That!] dodges and weaves through the biographies of many people, laying down a cultural history of late-twentieth-century black humor, television, and civil rights, even as its bite-size chapters maintain the brisk, gossipy tone of a celebrity tell-all...Peisner does a wizardly job of turning the potentially dull machinations of backstage Hollywood into intriguing details by highlighting the personalities involved and distilling their aspirations and skirmishes down to their essence." * Bookforum *In Living Color was the training ground for America's future Oscar winners, pop idols, and comedy film luminaries. The number of superstars to come from its ranks is truly incredible. In this entertaining book David Peisner finally gives the program its due, demonstrating that the Wayans Family has been one of the most influential forces in comedy for the past thirty years. -- Kliph Nesteroff * The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy *"An in-depth, well-researched look into the success and aftermath of the 1990s TV show In Living Color...It's a fascinating glimpse into the intense work needed to create and keep a show running, and how the production's popularity impacted the culture at that time and still reverberates today...Highly recommended for those who enjoy reading about the entertainment industry, how their favorite TV shows are created, In Living Color, the Wayans family, Jim Carrey, and African Americans in the entertainment industry." -- Sally Bryant * Library Journal (starred review) *“Peisner . . . argues convincingly for In Living Color's cultural importance at the dawn of the 1990s, as it brought an underground tradition of confrontational yet reflective African-American comedy into the mainstream.” * Kirkus Reviews *"In Homey Don’t Play That!, culture and entertainment writer David Peisner traces how Keenan Ivory Wayans and his siblings, including Damon Wayans, Kim Wayans, and Shawn Wayans, created a cultural touchstone for a generation of viewers. Through his reporting and cultural analysis, Peisner specifically focuses on the Wayans family from their upbringing through their departure from the show during its fourth season. Homey Don’t Play That! is a must-read." * Bitch Magazine *"New Book On 'In Living Color' Provides A Thorough History Dripping With Finesse...This book doesn't clown around." * BET.com *"Loaded with great stories and insights, Peisner has put together a loving requiem for one of TV comedy’s greatest shows." * The Interrobang *"essential reading for TV, comedy, and culture lovers." * Hello Giggles *"A fascinating inside look at the trailblazing Fox series. Moreover, Homey Don’t Play That dissects how ILC carved a space in the culture of comic innovation while delving into the evolution of black comedy, and the backstory of Wayans' rise from struggling comic to running an Emmy-winning series." * ETonline.com *"[F]ascinating...Homey Don’t Play That is a welcome addition to the excavation of Black television history." * Splitsider *"Best books for Comedy Fans" * Vulture Magazine *“A capacious account of the seminal Fox variety show ‘In Living Color’ and its place in the larger context of modern African-American culture…In truth, much of what made ‘In Living Color’ must-see-TV probably couldn’t be broadcast in today’s woke and mindful era—but that’s what made it so memorable. Peisner’s narrative fully honors the show’s uniqueness, and meticulously lays out how it came undone." * New York Times Book Review *"With unprecedented access to creator and star Keenen Ivory Wayans, Peisner details the show’s boundary-pushing run, its memorable characters, and the fight to skewer the sacred cows of pop culture." * Mentalfloss.com, 56 Best Books of 2018 *
£16.15
Random House USA Inc Stranger Things: Worlds Turned Upside Down: The
Book Synopsis
£32.00
Bloomsbury Publishing Plc Lighting for Cinematography: A Practical Guide to
Book SynopsisWe can’t shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and augments an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting. Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises to help the reader put into practice what was covered. www.lightingforcinematography.comTrade ReviewIt's dense, detailed, thoughtful, simply written and highly educational. Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image might have been created as a practicum for a 14-week course in cinematography, but David Landau's study of the art and craft of lighting has something for everyone, from the neophyte to the veteran. -- Pauline Rogers * ICG Magazine *Lighting for Cinematography is one of the most comprehensive and engaging texts on the subject this reviewer has read … The author fills the volume with outstanding visuals, including screen captures and lighting plans from actual films and television programs, in so doing bringing the lessons to life. Most notably, Landau includes commentary by current practitioners, thus providing an invaluable glimpse into the minds of creative professionals. This is a compelling read for those wishing to improve their craft as well as for those still learning the ropes. Summing Up: Recommended. Lower-division undergraduates, including students in technical programs, through faculty and professionals. -- M. A. Bay, Southern Connecticut State University * CHOICE *Whilst there are some great books with interviews of big time cinematographers out there, there are few books immediately applicable to what emerging cinematographers face on limited budget shoots ... This how-to book addresses how filmmakers on a limited budget and time schedule can achieve professional looking images similar to what they see on the big screen. * British Cinematographer *This unique approach has been needed for a long time and there is simply no other lighting book like this in print. -- Peter Stein, ASC * Student Filmmakers *A master class in cinematography! David Landau’s conversational tone mixed with 35 years of technical experience and aesthetic prowess results in a very accessible text that should be cherished by students and professionals alike. Whether he is describing the process of lighting through a window with a 1200 HMI Par with a double scrim, 250 diffusion and 1/2 CTO or describing his method of achieving a firelight effect with several 250W Inkies with a mixture of amber and orange gels and run through a flicker box, Landau’s multiple accounts from his work in the field give this book a much appreciated practicality and voice of authority that is invaluable for the emerging cinematographer. -- Harlan Bosmajian, Assistant Professor of Cinematography, Emerson College, USA and Local 600 Director of PhotographyDavid Landau has produced an excellent text in Lighting for Cinematography which manages to cover the practicalities of production, the technical aspects of lighting and vitally the artistic importance of this work. Lighting for Cinematography is constructed to appeal and be of value to the practitioner at all levels; it is equally full of detail for careful consideration and quick hints and images for review before filming. Landau's book is helpfully crammed with instructional diagrams and the chosen images act as exemplars of technique. Lighting for Cinematography contains a series of production skills and helpful hints and exercises; these aspects are exceptionally helpful to the student of film wishing to improve their understanding and technique. I would highly recommend Lighting for Cinematography to those to wish to learn more about this field and to all those interested in the technique and process of film making. -- Robert Edgar, Senior Lecturer in Film and TV Production, York St John University, UKSimply written and highly educational, very few books on the market [have such a] wide perspective on the subject. * Luca Pulvirenti, Accademia di Belle Arti di Palermo, Italy *Table of ContentsContents Acknowledgements Introduction: No matter how good a camera, good lighting is what sells the picture Chapter 1: The Magic of Light – What lighting does for the image and what light is. Chapter 2: Who and What Makes Light- the lighting crew, lighting units, basic electricity Chapter 3: Lighting the Subject - motivated and three point lighting Chapter 4: Light the shot, not just the subject – three plains of lighting Chapter 5: Common Practical Lighting Set-ups - cross key, chicken coop, china ball, bathrooms Chapter 6: Lighting for Movement – subject & camera, ambient soft light Chapter 7: Dealing with Daylight 1: Shooting Exteriors Chapter 8: Dealing with Daylight 2: Working with windows Chapter 9: Night Light- lighting night exteriors & interiors Chapter 10: Working with Color - using color for mood, gels Chapter 11: Light the scene, not just the shot – High Key, Low Key, contrast ratios, exposure choice, Chiaroscuro lighting, Rembrandt, Butterfly lighting Chapter 12: Special Lighting Considerations & Effects– fire, water, rain, fog, lightening, poor man’s process shot, green screen, product shots, etc Chapter 13: Lighting Non-fiction – Interview, Corporate, News Magazine, Documentary, Reality Chapter 14: Inspiration and Lighting Looks Appendix 1: Tales from the Trade – interviews with professional gaffers, LDs & Cinematographers Appendix 2: Resources – Apps, books, magazines, websites, etc. Glossary Index
£28.49
Chronicle Books Behind the Screens: Illustrated Floor Plans and
Book SynopsisHand-drawn floor plans and richly imagined architectural illustrations tell the story of television's most memorable on-screen sets and scenes. Come explore where Lucy and Ethel baked a hilariously monstrous loaf of bread, where Phoebe performed "Smelly Cat," where Jim and Pam fell in love, and countless other homes, offices, and towns as familiar to you as your own living room. Illustrator Inaki Aliste Lizarralde has expertly rendered thirty-six of the most memorable television floor plans in modern history - puzzling together the layouts with an architect's eye for detail and a director's sense of storytelling. TV fans will delight in the interiors and exteriors from shows like Friends, Seinfeld, and The Simpsons, where characters and plotlines converge to create worlds so mesmerizing you want to binge-watch season after season. With immersive illustrations from shows across decades and countries, this truly unique art collection offers hilarious TV moments, Easter eggs, and behind-the-scenes trivia to test even the biggest superfans.
£17.09
Little, Brown & Company The Big Bang Theory: The Definitive, Inside Story
Book SynopsisThe Big Bang Theory is a television phenomenon. To the casual viewer, it's a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don't know in its entirety.The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation, with the blessing and participation of co-creators Chuck Lorre and Bill Prady, executive producers Steve Molaro and Steve Holland, as well as Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch, Mayim Bialik, and more. Glamour senior editor Jessica Radloff, who has written over 150 articles on the series (and even had a cameo in the finale!), gives readers an all-access pass to its intrepid producing and writing team and beloved cast. It's a story of on-and-off screen romance told in hilarious and emotional detail, of casting choices that nearly changed everything (which even some of the actors didn't know until now), of cast members bravely powering through personal tragedies, and when it came time to announce the 12th season would be its last, the complicated reasons why it was more difficult than anyone ever led on. Through hundreds of hours of interviews with the sitcom's major players, Radloff dives into all this and much more. The book is the ultimate celebration of this once-in-a-generation show and a must-have for all fans.AN INSTANT NEW YORK TIMES BESTSELLERA USA TODAY BESTSELLERNAMED A BEST BOOK OF 2022 BY GLAMOUR"Talking with Jessica, I realized how easy it had been for me to kind of put all 12 years of my time on Big Bang Theory under one general umbrella, as it were. The questions she asked and the information she'd reveal to me from someone else she'd interviewed forced me into a frame of mind where each season - and sometimes each episode - became it's own, separate entity again. . . Frankly, it turned into a version of therapy I hadn't realized I'd needed and couldn't have known how much I'd enjoy." -Jim Parsons
£15.29
Titan Books Ltd Rick Baker: Metamorphosis
Book SynopsisThe definitive visual history of the thrilling make-up artistry of the legendary Rick Baker, a must-have for collectors and special effects afficionados. From the gory zombies of Michael Jackson's Thriller to the staggeringly lifelike results of Bigfoot in Harry and the Hendersons to the groundbreaking effects in An American Werewolf in London, Baker's special effects, makeup, and prosthetics are some of Hollywood's most enduring legacies. This deluxe, two-volume set is replete with more than 1000 four-colour images and original sketches. It covers the makeup artist's 40-plus-year journey, from his early days as a young "monster maker", creating body parts in his parents' kitchen, to his more than 70 film and television credits--that earned seven Academy Awards, one Emmy, and three BAFTAs, among numerous other awards.
£138.75
Taylor & Francis Ltd Set Lighting Technicians Handbook
Book SynopsisA friendly, hands-on training manual and reference for lighting technicians in motion picture and television production, this handbook is the most comprehensive guide to set lighting available. It provides a unique combination of practical detail with a big-picture understanding of lighting, technology, safety, and professionalism, essential to anyone doing motion picture lighting. The fifth edition delves into every aspect of lighting and features vastly expanded sections on controlling LED lights, color science, lighting control systems, wireless systems, Ethernet-based control systems, battery power, and modern set protocol for productions small and large. With a generous number of original images, the book illustrates the use of soft light, the effect of lighting angles, and how the gaffer and DP build an effective lighting plan around the blocking of the actors. This encyclopedic volume of technical knowhow is tempered with years of practical experience and a much-neededTable of ContentsChapter 1 Set Basics: Your First BarbecueChapter 2 Preproduction Planning: the Package, Expendables, Personal ToolsChapter 3 Lighting ObjectivesChapter 4 Lighting StrategiesChapter 5 Manipulating Light: Tools, Techniques, and the Behavior of LightChapter 6 ColorChapter 7 LED LightsChapter 8 Established Lighting InstrumentsChapter 9 Operating HMI LightsChapter 10 Stands and RiggingChapter 11 Set ProtocolChapter 12 Lighting Control NetworksChapter 13 ElectricityChapter 14 Power Distribution EquipmentChapter 15 Dimming EquipmentChapter 16 Electrical RiggingChapter 17 Working With Electrical PowerChapter 18 Power SourcesChapter 19 Special Circumstances and PracticesChapter 20 Specialty Lighting EquipmentChapter 21 LED Color Science and TechnologyAppendix A Photometric Calculation TablesAppendix B Lamp TablesAppendix C Flicker-free Frame RatesAppendix D Electrical TablesAppendix E IP and NEMA Equipment RatingsAppendix F Equipment Suppliers and ManufacturersAppendix G Gels and DiffusionsAppendix H LED LightsGlossary
£51.29
HarperCollins Publishers Shinoy and the Chaos Crew The Day of the Dodgy
Book SynopsisCollins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Book banded for guided and independent reading, there are reading notes in the back, comprehensive teaching and assessment support and ebooks available.When Shinoy downloads the Chaos Crew app on his phone, a glitch in the system gives him the power to summon his TV heroes into his world. With the team on board, Shinoy can figure out what dastardly plans S.N.A.I.R. has come up with, and save the day.Location: Chaos Crew Flat Hill film set.Operatives: Sky-high Ember.Mission: Find out everything about the new Chaos Crew spin-off TV show being filmed in Flat Hill.This exciting title is part of the Shinoy and the Chaos Crew series by Chris Callaghan.Lime/Band 11 books have longer sentence structures and a greater use of literary language.Ideas for reading in the back of the book provide practical s
£10.20
HarperCollins Publishers The Making of HBOs House of the Dragon Go behind
Book SynopsisDiscover the filmmaking secrets behind HBO and Sky's HOUSE OF THE DRAGON!Witness the genesis of a Targaryen dynasty with this deluxe book that explores the creation of HBO's hit series House of the Dragon.Based on visionary author George R. R. Martin's book Fire & Blood, House of the Dragon charts the earth-shattering events that led to the fall of Westeros's most powerful family, House Targaryen. Brought to the screen by showrunners Ryan Condal and Miguel Sapochnik, the ambitious prequel series required a striking new vision that would transport viewers back in time, two centuries before the events of Game of Thrones. With unparalleled access to the show's cast and crew, including Condal, Sapochnik, and Martin, this book tells the incredible story of their creative journey, from the initial scriptwriting process to the epic international shoot. Illustrated with a remarkable wealth of concept art, on-set photography, and other key visuals, this is the ultimate companion to House of theTrade Review Praise for House of the Dragon ‘This isn’t just another fantasy show, it’s the BEST series ever made!’INDIEWIRE ‘A roaring success’GUARDIAN ‘It’s pure GAME OF THRONES – just not in the way you remember’BBC ‘
£44.00
Oxford University Press Inc The Ghost in the Image
Book SynopsisOur century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hauntings, and horror films presented as found footage. The horror genre is no longer exclusive to fiction and its narratives actively engage us in web forums, experiential viewing, videogames, and creepypasta. These participative modes of relating to the occult, alongside the impulse to seek proof of either its existence or fabrication, have transformed the production and consumption of horror stories. The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life, arguing that the relationship between the horror genre and reality is more intimate than we like to think. Through a revisionist and transmedial approach to horror this book investigates our expectations about the ability of photography and film to work as evidence. A historical examination of technology''s role in at once showing and forging truths invites questions about our investment in its powers. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling a hoax.Trade ReviewThe Ghost in the Image is a useful attempt to develop a theoretical framework with which to analyse horror's hydra like expansion beyond its fictional domain as it co-opts the factual in its desire to keep the customers coming back for more. * Tom Ruffles, Fortean Times 430 *How does the horror genre bleed into documentary forms of seeing and knowing? The Ghost in the Image shows us how rich and complex this question becomes across a broad range of visual media in the digital era, and Cecilia Sayad proves an expert guide through the fascinating territory where nightmares and reality collide. * Adam Lowenstein, University of Pittsburgh *A powerful book that threads the tendrils of the natural and supernatural world into a persuasive argument on popular culture and paranormal phenomena. * Annette Hill, Lund University, Sweden *Table of ContentsAcknowledgments Introduction: Of reality and images 1. Seeking ghosts: Spirit photography, reality television, and the web 2. Serial tellers: The factual recreations of the Amityville and Enfield hauntings 3. Beyond the frame: Found-footage horror and the uncontainable 4. Beyond the film: The reality of participation in experiential cinema and games Conclusion: Beyond horror: An Internet legend and the faking of reality Notes Bibliography Index
£38.43
Oxford University Press Special Sound
Book SynopsisSpecial Sound traces the fascinating creation and legacy of the BBC''s electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds neither music nor sound effect. Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music.Using in-depth research in the studio''s archives and papers, this book tells the history of the many engineers, composers, directors, and producers behind the studio to trace the shifting perception towards electronic music in Britain. Combining historical discussion of the people and instruments in theTrade Reviewimmaculately researched. * Mark Brend, Record Collector *excellent ... [Neibur] draws on specially undertaken and published interviews with key participants, as well as a treasure trove of written material from the BBC Written Archives Centre, and original programmes. * Timothy Boon, British Journal for the History of Science *Niebur's research into this early history of the BBC Radiophonic Workshop is wickedly illuminating * David Toop, Times Higher Education *Louis Niebur delves illuminatingly into a hitherto untold story to throw a deserved spotlight on the creative talents involved. * Michael Quinn, Editor's Choice for 2011, Classical Music Magazine *Table of ContentsABOUT THE COMPANION WEBSITE; ENDNOTES; APPENDIX: TRANSCRIPTIONS; BIBLIOGRAPHY; INDEX
£38.69
Taylor & Francis The Shut Up and Shoot Video Production Guide
Book SynopsisAnthony Q. Artis is a 30-year veteran of the fi lm and TV industry whose features and TV shows have screened at the Tribeca Film Festival and the IFP Market, as well as on MTV and the Independent Film Channel. Anthony works professionally as a producer, director, and cinematographer at MightyAntMedia.com and has taught video production at New York University for two decades now. He is the author of the bestselling Shut Up and Shoot Documentary Guide (2014), The Shut Up and Shoot Freelance Video Guide (2011), and numerous fi lmmaking courses on LinkedInLearning.com .Accessible and comprehensive, this book is a great introduction on how to make movies and video projects with limited resources, time, or experience. Artis will teach readers the âœDown and Dirtyâ filmmaking mindset, which forces fi lmmakers to be creative with their resources, do more with less, and result in a better, faster, and less expensive product.Drawing on more than 30 yeTable of ContentsINTRODUCTION CHAPTER 1: COMPOSITION AND SCREEN GRAMMARCHAPTER 2: WHAT IT LOOK LIKE—CAMERAS AND IMAGE CONTROLCHAPTER 3: LENSOLOGYCHAPTER 4: SMARTPHONE FILMMAKING 101CHAPTER 5: LISTEN UP – AUDIO EQUIPMENT AND TECHNIQUESCHAPTER 6: GET YOUR SHINE ON – LIGHTING ESSENTIALSCHAPTER 7: PRODUCING AND OTHER TIPSCHAPTER 8: VIDEO PROJECT CASE STUDIES
£42.74
Taylor & Francis Ltd Make the Cut
Book SynopsisBeing a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books.Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected film and video editor.Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won''t find in any other book.The book concludes with a chapter featuring Q+A sessions with various establishedTrade Review"A thorough guide to becoming an indispensable assistant editor.- Alan Heim, Vice President, A.C.E.; Professional film editor (Network, Grey Gardens, American History X, Alpha Dog)"Make the Cut explains the postproduction editing workflow with utmost clarity and illustrates with abundant examples. Priceless! The book reflects a great depth of knowledge, that clearly has come from years of experience and accumulated wisdom. This book inspires excellence and will provide any aspiring editor with a huge leg up."- Howard E. Smith, A.C.E.; Professional film editor (Snakes on a Plane, Glengarry Glen Ross, The Abyss)"This is terrific preparation for anyone who wants to be an assistant editor. I teach editing at USC and I will certainly have this on my class' reading list. I will also give it to anyone I hire as an assistant."- Tina Hirsch, A.C.E."Where was Make the Cut when I started out. [T]his is a must-read.. My biggest frustration is that there wasn't a book like this when I started editing. If there was I wouldn't have made the same political missteps or fumbles, so if you're trying to get into the editing world this book should find a home on your bookshelf."- Guillotine website"Make The Cut is an excellent read and a vital manual to keep in your bag when embarking on your first few assisting jobs. (..) Throughout the book it is made abundantly clear that attention to detail, tenacity and personality are all key to becoming a successful assistant editor. Make the Cut is an absolute must read for anyone seeking to begin, or develop their career in film editing."- Jonny ElwynTable of ContentsPart 1 Getting Started; Chapter 1 On Your Way; Chapter 2 Before Your First Day on the Job; Chapter 3 Your First Day; Chapter 4 Your Second Day; Chapter 5 Edit and Distribute the Cut; Chapter 6 Get Ready to Online; Chapter 7 Assisting Protocols for Documentaries; Chapter 8 Assisting Protocols for Reality Shows; Chapter 9 First Day Observations in the Editing Room; Part 2 Protocol; Chapter 10 The Unwritten Rules of the Editing Room; Chapter 11 Personality; Chapter 12 Navigating the Room; Part 3 Make the Cut; Chapter 13 Approaching Your Career; Chapter 14 Plan Ahead and Move Up; Chapter 15 On the Brink of Editing; Part 4 Commonality; Chapter 16 Editors Panel Discussion;
£31.34
Taylor & Francis Color Grading 101
Book SynopsisWritten both for students and working professionals, this book walks readers step-by-step through the foundations of color grading for projects of any size, from music videos and commercials to full-length features.In this clear, practical, and software-agnostic guide, author Charles Haine introduces readers to the technical and artistic side of color grading and color correction. Color Grading 101 balances technical chapters like color-matching, mastering, and compression with artistic chapters like contrast/affinity, aesthetic trends, and building a color plan. The book also includes more business-focused chapters detailing best practices and expert advice on working with clients, managing a team, working with VFX, and building a business. An accompanying eResource offers downloadable footage and project files to help readers work through the exercises and examples in the book.This book serves as a perfect introduction for aspiring colorists as wTrade Review"Color Grading 101 is an easy introduction to color grading for new and aspiring colorists. It is full of excellent advice for embarking on a career as a colorist and I recommend it to anyone who wants to know more about the responsibilities and craft of our profession."—Kevin Shaw, President of Colorist Society International"Color correction is often the most misunderstood stage of the filmmaking process. It can be daunting, confusing, and even in some cases, completely forgotten. This reputation often derives from its traditionally over-complicated explanation and arduous approach by its masters. In Color Grading 101, author Charles Haine walks readers through this crucial post production process in a way that is grounded, universal, and personable. Whereas most books on the subject matter are geared solely towards aspiring colorists, this work is intended to serve a multitude of crew members on all levels."—Matthew J. Pellowski, Film and Television Director and Showrunner"Everything you wanted to know about color grading but were potentially afraid to ask! A great ‘101,’ helping anybody interested in color grading to get to grips with an often-misunderstood area. Written with panache and a ‘no-nonsense’ style!"—Charlie Watts, Avid Certified Instructor; Principal Lecturer and Course Leader, School of Film, Media and Communication, University of PortsmouthTable of ContentsIntroduction: "Why Doesn’t My Footage Look as Good as Other People’s?"Overview: What is Color Grading, Exactly?Tech 1: Hardware, Software, MonitoringArt 1: The Story as GuideQuiz 1Tech 2: Codecs and PipelineArt 2: Color PlanQuiz 2Practice 1Tech 3: Basic Primary Grading Art 3: Basics of Additive ColorQuiz 3 Practice 2Tech 4: MatchingArt 4: History and GenresQuiz 4Practice 3Tech 5: Curves, Shapes, and KeysArt 5: Protecting Skin TonesQuiz 5Practice 4Tech 6: Tracking and KeyframingArt 6: Clients and Decision MakingQuiz 6 Practice 5Tech 7: Plugins, Noise Correction, and Heavy ProcessingArt 7: CommercialsQuiz 7Practice 6Tech 8: Mattes, Alpha, Composites, and CleanupArt 8: Music VideosQuiz 8Practice 7Tech 9: LUTs and TransformsArt 9: Portfolio BuildingQuiz 9Practice 8Tech 10: Onset Workflow, Panels, Dailies and Online/Conform Art 10: Building a BusinessQuiz 10Practice 9ConclusionIndex
£35.14
Taylor & Francis Running the Show The Essential Guide to Being a
Book SynopsisWhether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX. This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring ADâs seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production.The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.Trade Review"An essential book for all A.D.'s - Trainee to First, those new to the game, or experienced old hands. This bible covers EVERYTHING and I can't recommend it highly enough. If you're serious about being a First AD and want to know how to get there - READ THIS BOOK!!"Nick Thomas, First Assistant Director, Vikings and Game of ThronesPraise for the Previous Edition:"I would encourage not only AD’s but other crew (and even cast) to read this book to gain a greater understanding of how the many parts of a film production can work together in a harmonious flow."Jim Sheridan, six time Oscar nominee, Director, My Left Foot, In the Name of the Father, In America"You can’t learn this in film school or buy this experience, but you can read this book. Liz Gill is a top first AD, and I hope everyone who wants to work in film and Tv will receive the wisdom available here"Christine Vachon, Producer, Mildred Pierce, Boys Don’t Cry, Go Fish, I’m Not There and Far From Heaven"This is the book I wish I had when I was starting out; detailed, accessible and never forgetting the big picture. Running the Show is a must-read for anyone starting down that treacherous and highly rewarding road as an assistant director"Timothy Bird, DGA member, First Assistant Director, Far From Heaven, Requiem For A Dream, Definitely, Maybe, In The Cut"What a fantastic book. Liz Gill has written a funny, easy to read guide that fully explains the inner workings of preparation and production for movies and TV. Read this book before you begin your next production… it will save you time and money."Bruce A. Block, Producer, The Holiday, Something’s Gotta Give, What Women Want"An essential book for all AD's - Trainee to First, those new to the game, or experienced old hands. This bible covers EVERYTHING and I can't recommend it highly enough. If you're serious about being a First AD and want to know how to get there - READ THIS BOOK!!"Nick Thomas, First Assistant Director, Vikings and Game of ThronesPraise for the Previous Edition:"I would encourage not only AD’s but other crew (and even cast) to read this book to gain a greater understanding of how the many parts of a film production can work together in a harmonious flow."Jim Sheridan, six time Oscar nominee, Director, My Left Foot, In the Name of the Father, In America"You can’t learn this in film school or buy this experience, but you can read this book. Liz Gill is a top first AD, and I hope everyone who wants to work in film and TV will receive the wisdom available here."Christine Vachon, Producer, Mildred Pierce, Boys Don’t Cry, Go Fish, I’m Not There and Far From Heaven"This is the book I wish I had when I was starting out; detailed, accessible and never forgetting the big picture. Running the Show is a must-read for anyone starting down that treacherous and highly rewarding road as an assistant director."Timothy Bird, DGA member, First Assistant Director, Far From Heaven, Requiem For A Dream, Definitely, Maybe, In The Cut"What a fantastic book. Liz Gill has written a funny, easy-to-read guide that fully explains the inner workings of preparation and production for movies and TV. Read this book before you begin your next production… it will save you time and money."Bruce A. Block, Producer, The Holiday, Something’s Gotta Give, What Women WantTable of ContentsAcknowledgmentsPrefaceChapter 1 Pre-pre-productionChapter 2 Pre-productionChapter 3 ProductionChapter 4 WrapAppendix 1 SAG Tier Budget ThresholdsAppendix 2 Filmmakers’ Code of Professional ResponsibilityAppendix 3 Some Filmster JokesGlossaryWebsites and Other ResourcesList of IllustrationsIndex
£34.19
Taylor & Francis Ltd Lighting for Televised Live Events
Book SynopsisLighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience.The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including: how exposure and color work for the camera; how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality; information on camera equipment, screens, and projecTrade Review"I was first asked to adapt one of my stage productions for broadcast in 1982, long before the Internet or the availability of any book on the subject on theatre to television lighting. Luckily, I found a team of willing colleagues who worked in television to advise and counsel me. Arriving on site, however, I still had to confess to the video engineer that I was new to this, although ready, of course, to learn on the job. Thanks to some generous designers and patient engineers, my first broadcast production looked really good, and I have gone on to light a long list of stage productions for television and film. If, for my initiation, I had only had access to Moody and Ravitz’s Lighting for Televised Live Events (Routledge, 2021), I might not now have as many gray hairs. Now, in the wake of the pandemic, live streaming is making its demands on lighting designers, and this new venue will remain a part of our professional future. For that reason alone, this detailed and practical text should be part of every lighting curriculum and in every designer’s library. All of us working in live entertainment will be busy for some time, adapting our work for broadcast. We will be prepared." Ken Billington, Tony Award- and Drama Desk Award-winning Broadway lighting designer "An incredibly well written and thorough text authored by two masters of light. The authors clearly explain advanced technical concepts with a very easy, almost conversational style. They also include many excellent color photographs and graphics that beautifully supports the text. A very timely and needed resource for lighting students and professional lighting designers." David Martin Jacques, Professor Emeritus, California State University Long Beach, Co-host of Light Talk with The Lumen Brothers "Lighting for Televised Live Events is an invaluable resource for lighting designers, and especially for theatrical lighting designers who find themselves adapting their designs for the world of film and television. This book will equip the young, and established theatrical designer alike with a clearer understanding not only of the needs of a videographer, but for ways that they can make their designs more viable for the camera. Jeff Ravitz and Jim Moody explain highly technical information in a clear and usable format without sacrificing the designer’s eye for the needs/aesthetics of a production. As a professional lighting designer for theatre and dance for over 25 years, and a professor of theatrical lighting for over 20 years, I will integrate this wonderful resource into my classes and my professional design work immediately." Lonnie Rafael Alcaraz, Lighting Designer/Professor, Head of Lighting and Associate Head of Design for University of California, Irvine (UC Irvine) "Incredibly helpful and so well written! I cannot thank the authors enough for creating this resource for new designers like me who want a better understanding of how to make stage lighting and television lighting coexist, as the two worlds intersect more and more." Hannah Kerman, 2021 BFA graduate of the lighting design program at Carnegie Mellon University "The book is filled with lots of information that one would expect from a work like this, but it’s also sprinkled with practical advice that I’ve not seen in other books. […] Moody and Ravitz are very accomplished in their profession and they could easily rest on their laurels and be very proud of their achievements. The fact that they chose to put in writing their vast knowledge and experience in order to share it and hand it down to future generations speaks volumes. […] Don’t pass up the opportunity to benefit from their knowledge and experience. This book is highly recommended for anybody in the entertainment lighting field." Richard Cadena, Lighting&Sound America, author of Electricity for the Entertainment Electrician & Technician Third Edition "I think that any live event lighting designer who spends a weekend with this book, and applies what they take from it to their design practice, will come away with an understanding that will allow them to play a more significant role in capturing their future live designs for broadcast. […] Lighting For Televised Live Events is a satisfying read and a wealth of information for live stage lighting designers. It’s a must read for students of the art and those who engage with cameras only occasionally, and an important resource for anyone who spends a lot of time bringing live shows to screens to stretch and refresh with regularity." Stan Crocker, Live Design Online "Lighting for Televised Live Events is a fantastic resource for anyone who is developing their lighting skills and knowledge. It is even more perfect for someone aspiring to design lighting for TV and to gain a stronger foundation, especially in the more specialized "combo" area of live entertainment being captured for broadcast or streaming. It’s equally good for an expert looking to review newer concepts. […] The excellent mix of text and visual graphics breaks up the information in a way that makes it easy to absorb and understand the topics presented." Anthony Wayne, IA Local 728 Lighting Programmer, Mesmeric Designs "This is a book for now because many more modest producing organizations now are offering remote, streamed access to performances also presented for an in-person audience. […] The subtitle, 'Making your production look great . . .' suggests that Lighting for Televised Live Events is a recipe book, but I think it is far more interesting than that. It offers a mix of practical advice, a summary of the state of the art, and things to think about when you are working on a show that is meant to be seen by more people than will fit in the room." Karl G. Ruling, ESTA’s Senior Technical Standards Manager and Technical Editor at Protocol. Table of ContentsPart 1: The Science 1. Introduction: Making Your Live Production Look Great for the Eye and the Camera 2. Exposure 3. Contrast in Lighting 4. Dynamic Range 5. Balance 6. Color and Color Temperature Part 2: The Art 7. Angle 8. Composition 9. Depth of Field 10. Aesthetics: Style and Taste Part 3: The Equipment 11. Contrast Ratios of Displays 12. Digital Cameras and Projectors 13. Projection Screens and LED Tiles Part 4: The Production 14. Adapting the Live Show 15. Content Video
£30.39
Taylor & Francis Ltd Television Sports Production
Book SynopsisIn this sixth edition of Television Sports Production, regional Emmy Award-winning producer Jim Owens walks readers through the planning, setup, directing, announcing, shooting, and editing involved in covering a sports event.Originally written as a training guide for entry-level broadcast staff at the Olympics, this manual gives readers the tools they need to effectively cover sports from ice skating to motorcycle racing. Throughout, Owens breaks down all aspects of the production process, revealing the techniques that producers and directors use to bring sports to a worldwide audience. Chapters further include tips and advice on using the latest technologies and tools such as production trucks, REMIs, smart phones, mobile units, cameras, audio equipment, and lighting rigs. Featuring new instructive illustrations and sample forms, as well as testimonials from experienced professionals in the business, this new edition gives readers an inside look at how the expTrade ReviewPraise for Television Sports Production, 5th Edition"Quite simply, no one person knows more about how to teach sports television production than Jim Owens. With nine Olympic broadcasts under his belt, including the training of students that worked at six Olympics, Jim is unique in both his knowledge of professional television sports production and how to teach students the skills and techniques necessary for them to be a successful part of any sports production."--Michael Silbergleid, former Editor, Television Broadcast Magazine"It’s the best information reference on television sports production that I have ever seen! It is a book that really cuts to the essence of what television sports production is really about."--Brian Douglas, Television Producer/Director, Head of Olympic Production for Salt Lake, Torino and Vancouver Olympics"A sports production book for seasoned professionals and newcomers alike with detailed information, diagrams and charts covering diverse areas of expertise all in a single volume. In a condensed format, a wide body of knowledge is at your disposal."--Joseph Maar, Vice President of Programming & Production, NESN"This is not only the definitive text on remote television sports production, but Jim Owens brings the unique perspective of vast personal experience gained working at live remotes."--Ben Brown, Partner, Event Support Services"Jim Owens offers a unique perspective as an educator and an author. He explains the language of broadcast jargon and technical terms in simple language that draws the reader into the fascinating world of sports television. His unique access to television professionals has allowed him to compile an encyclopedia of relevant information."--Dennis Baxter, Four-time Emmy Award winner in audio for CBS and NBC SportsPraise for Television Sports Production, 5th Edition"Quite simply, no one person knows more about how to teach sports television production than Jim Owens. With nine Olympic broadcasts under his belt, including the training of students that worked at six Olympic Games, Jim is unique in both his knowledge of professional television sports production and how to teach students the skills and techniques necessary for them to be a successful part of any sports production."--Michael Silbergleid, Former Editor, Television Broadcast Magazine"It’s the best information reference on television sports production that I have ever seen! It is a book that really cuts to the essence of what television sports production is really about."--Brian Douglas, Television Producer/Director, Head of Olympic Production for Salt Lake, Torino and Vancouver Olympics"A sports production book for seasoned professionals and newcomers alike with detailed information, diagrams, and charts covering diverse areas of expertise all in a single volume. In a condensed format, a wide body of knowledge is at your disposal."--Joseph Maar, Vice President of Programming & Production, NESN"This is not only the definitive text on remote television sports production, but Jim Owens brings the unique perspective of vast personal experience gained working at live remotes."--Ben Brown, Partner, Event Support Services"Jim Owens offers a unique perspective as an educator and an author. He explains the language of broadcast jargon and technical terms in simple language that draws the reader into the fascinating world of sports television. His unique access to television professionals has allowed him to compile an encyclopedia of relevant information."--Dennis Baxter, Four-time Emmy Award winner in audio for CBS and NBC SportsTable of ContentsForewordIntroductionAcknowledgments PrefacePart 1: Introduction To Remote ProductionChapter 1: What is Remote Production?Chapter 2: Television Sports PersonnelChapter 3: What is Television?Chapter 4: Production FacilitiesPart 2: PlanningChapter 5: Planning the ProductionChapter 6: CamerasChapter 7: LightingChapter 8: Audio ProductionChapter 9: Design: Graphics and SetsChapter 10: Preproduction and Setup Part 3: Creating the ProductionChapter 11: The ProductionChapter 12: Directing: Telling the StoryChapter 13: Sports AnnouncingChapter 14: PostproductionChapter 15: Production SafetyChapter 16: Budgeting for the RemoteAppendix I: Truck DiagramsAppendix II: Camera Placement DiagramsAppendix III: Microphone DiagramsAppendix IV: Production Support DocumentsAppendix V: Event StoryboardsAppendix VI: Sports Announcing ArticleGlossaryRecommended ReadingIndex
£65.54
Taylor & Francis Ltd Television Field Production and Reporting
Book SynopsisTelevision Field Production and Reporting provides a comprehensive introduction to the art of video storytelling. Endorsed by the National Press Photographers Association, this book focuses on the many techniques and tools available in today's digital landscape, including how drones and miniaturized technology can enrich the storytelling process. The new edition of Television Field Production and Reporting is an absolute must in this visually oriented, rapidly changing field. At its core, visual storytelling helps transmit information, expose people to one another, and capture and communicate a sense of experience in unforgettable ways. This edition reflects, through practitioners'' eyes, how to achieve those goals and excel as a professional, whatever the medium at hand, even as changing technology revises the storyteller's toolkit. This edition emphasizes digital and emerging media, and includes new color photography relevant to contemporary visual storytelling andTrade Review"John Larson’s passion for telling stories that matter finds the heart-pounding dramas in the lives we too often don’t notice." Andrew Lehren, New York TimesIt's true that some people are born storytellers, while others practice and study ceaselessly to improve their work. John Larson is a rare combination of the two."I watched his storytelling for more than 30 years. It started good and then got better. Even more amazingly, he can tell you how to make that happen." Howard Weaver, two-time Pulitzer Prize Winner, McClatchy "I would argue that John Larson is the Tom Hanks or Denzel Washington of TV journalism. He is not a one hit wonder, or even a one-decade wonder. His body of excellent work stretches more than 30 years. I can count on one hand a list of whom I consider to be his peers, and have a couple of fingers left unused." Al Tompkins, Senior Faculty, Poynter Institute, USA"This is a must-read in my classes! The writing is clear and conversational and captures the essence of strong visual storytelling, being prepared and curious. The lessons in this book transcend the classroom and this text has become the bible for doing it right."-Jerry Gibbs, Curry College, USAJournalists have important stories to tell. Stories that can provide a check and a balance to those in power, bring to light societal wrongs, and empower citizens to feel as if they are a part of the process. Television Field Production and Reporting brings together best practices for budding broadcast journalists, and teaches them how to make their stories sing with strong visuals and words.- Ann Strahle, Associate Professor, University of Illinois Springfield, USATable of ContentsPreface About the AuthorsIntroductionCHAPTER 1-Telling the Visual Story CHAPTER 2-Planning and Shooting the StoryCHAPTER 3-Visual GrammarCHAPTER 4-Video Editing: The Invisible Art CHAPTER 5-Shooting Video in the Field CHAPTER 6-Writing with Light CHAPTER 7 -The Sound TrackCHAPTER 8-The Video Interview CHAPTER 9-Writing the Package CHAPTER 10-Write Like a Storyteller CHAPTER 11-Producing the Story Minute by Minute CHAPTER 12-How to Improve Your Storytelling AbilityCHAPTER 13-Improving On-Camera and Voice-Over Performance CHAPTER 14-Digital Media Law CHAPTER 15-Ethics: Defining Your Contract With Viewers Glossary Index
£128.25
Taylor & Francis Ltd The Art Direction Handbook for Film Television
Book SynopsisIn this new and expanded edition of The Art Direction Handbook, author Michael Rizzo now covers art direction for television, in addition to updated coverage of film design. This comprehensive, professional manual details the set-up of the art department and the day-to-day job duties: scouting for locations, research, executing the design concept, supervising scenery construction, and surviving production. Beyond that, there is an emphasis on not just how to do the job, but how to succeed and secure other jobs. Rounding out the text is an extensive collection of useful forms and checklists, as well as interviews with prominent art directors. Trade Review'I think that this book is not only a must for anyone who wants to make a career in the Art Department but a very useful reference for those who may already be working in film or television and who want to take the next step up the ladder - or change departments.' - Wendy Laybourn FBKS - Network NineTable of ContentsSection 1: Pre-Production ProcessChapter 1: IntroductionChapter 2: The Responsibilities, The Relationships, and The SetupChapter 3: Visual HistoryChapter 4: The Design ProcessChapter 5: The Physical DesignChapter 6: A Legacy of Historical TechniquesChapter 7: CGI and Digital FilmmakingSection 2: Production and Post-Production Processes Chapter 8: Navigating Paperwork and Daily Shooting-Process TasksChapter 9: Networking and Self-PromotionChapter 10: Non-Union vs. Union StatusSection 3: AppendicesAppendix A: Reference and Source ListsAppendix B: Start PaperworkAppendix C: Figure and Table ListAppendix D: Glossary
£46.54
University of California Press Producing Feminism
Book Synopsis
£25.50
Manchester University Press Cue Cut A Practical Approach to Working in
Book SynopsisCue & Cut is a ‘practical approach to working in television studios’ for anyone who might want to work in that medium. Written by a multi-camera producer-director, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVTable of ContentsLIST OF ILLUSTRATIONSCONTRIBUTORSPREFACEACKNOWLEDGMENTSINTRODUCTIONPART I: SAFETY & GOOD PRACTICEPART II: INTRODUCTION TO THE STUDIO1 - BASICS2 - WORKING WITH CAMERAS3 - LENSES AND SHOOTING CONVENTIONS4 - THE STUDIO PRODUCTION TEAM5 - TECHNICAL JOBS IN THE STUDIO6 - DESIGN AND SETS7 - THE JOB OF SCRIPT SUPERVISOR AND MULTI-CAMERA PAPERWORK8 - CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue)9 - IN THE STUDIO - COMMUNICATION10 - LIGHTING FOR VIDEO CAMERAS - AN INTRODUCTION11 - MICROPHONES & SOUNDPART III: CONTENT12 - INTERVIEWS, DISCUSSION AND CHAT13 - DEMONSTRATIONS AND MOVEMENT14 - HAVING IDEASPART IV: APPLYING THE PRINCIPLESINTRODUCTION15 - GETTING IT ALL TOGETHER16 - DRAMA17 - MUSIC18 - SHOOTING ACTIONAFTERWORDAPPENDIX I: ASPECT RATIOSHISTORYOTHER FORMATSSUMMARYAPPENDIX II: CONTINUITY - A SUMMARYVIDEOGRAPHYBIBLIOGRAPHY AND REFERENCESSUGGESTED FURTHER READINGINDEX
£72.00
Edinburgh University Press The Early Years of Television and the BBC
Book SynopsisGives a unique insight into British television between 1929 53
£105.51
McFarland and Company, Inc. The Audio Theater Guide Vocal Acting Writing
Book SynopsisA comprehensive guide to achieving success in the exciting and imaginative world of audio performance - including radio, voice-overs, commercials, and live theater. It provides the information that radio and audio novices need to get started and brush up on their skills.
£20.89
University of Nebraska Press Backstage
Book SynopsisA well-known and much-loved figure after six decades in television, Ron Hull sets out in Backstage to tell his story—from playing a bellhop in a junior class play in South Dakota (and meeting his “real” mother backstage) to initiating the American Experience series for the Corporation for Public Broadcasting.Trade Review"The author does an amazing job at bringing you into his life, though all of the interesting twists and turns that have made this man into the truly unique individual that you can see that he is. . . . This was a great book that I would highly recommend to one and all."—Christopher Lewis, Dad of Divas "Possessing a remarkable memory, and with attention to detail, Hull takes us on an intimate pilgrimage. . . . Ron's personal journey echoes a line from Nebraska's Willa Cather: 'The end is nothing; the road is all.""—Leta Powell Drake, Lincoln 55 Plus "Hull's book takes us on a nostalgic ride through the founding days of public television."—Paul Hammel, Omaha World Herald"For Hull, the performing arts and mass media have always been tools of self-discovery, and his memoir reminds us of television's latent educational and connective power."—Chris Rasmussen, Nebraska History"Ron Hull's Backstage: Stories from My Life in Public Television sums up the incredible journey of a man who has loved, with heart and soul, the mission and impact of a philosophy and medium known as public television."—Daniel L. Schiedel, Great Plains QuarterlyTable of ContentsAcknowledgments 1. Where the West Begins in the Middle of . . . 2. The Mystery in Grandmother's Trunk 3. The Stranger in the Night 4. The Hulls and the Kayes 5. On Becoming a Storyteller 6. Front and Center 7. With Thanks to the gi Bill 8. Our Town 9. We Had a Dream 10. Shapers of the Dream 11. My Two Friends John Neihardt and Mari Sandoz 12. Bringing Television to Vietnam 13. Actors, Politicians, and Airplanes 14. Like Dragons Take to Maidens 15. Brief and Memorable Far East Encounters 16. Programming the Vietnamese Way 17. Goodbye, Saigon 18. The House that Jack Built 19. Back to Vietnam 20. David and Goliath 21. The Big Time 22. Sandy, Jean, and Phil 23. The Gang of Seven 24. The Missed Opportunity 25. Exciting Times, Stimulating People 26. Feeling the "Old Washington Squeeze" 27. The Peace Tree
£17.99
Scarecrow Press The Days of Live Televisions Golden Age as Seen
Book SynopsisA fascinating account of the era of live television. Compiled from the first-hand accounts of 21 members of the Directors Guild of America who were instrumental in shaping the medium during this formative phase, the book covers the development of network programming, technical advances, sponsor relations, and the blacklist.Trade ReviewThis is television history in the words of those who helped to create it. * Communication Booknotes Quarterly *...plenty of juicy anecdotes, which vividly express the exhilaration, the creative freedom, and the sheer panic which marked most productions...a vital, lively book, one that's often as exciting as the era it recounts. * Past Times *
£108.90
Scarecrow Press The Days of Live Televisions Golden Age as Seen
Book SynopsisA fascinating account of the era of live television. Compiled from the first-hand accounts of 21 members of the Directors Guild of America who were instrumental in shaping the medium during this formative phase, the book covers the development of network programming, technical advances, sponsor relations, and the blacklist.Trade ReviewThis is television history in the words of those who helped to create it. * Communication Booknotes Quarterly *...plenty of juicy anecdotes, which vividly express the exhilaration, the creative freedom, and the sheer panic which marked most productions...a vital, lively book, one that's often as exciting as the era it recounts. * Past Times *
£88.20
Scarecrow Press Paul Landres A Directors Stories The Scarecrow
Book SynopsisIf you were first exposed to television as a child in the early 1950s when your parents bought their first set, you probably saw the words directed by Paul Landres on the screen several times a week. His name became familiar by sheer repetition on the end credits of episode after episode of what youngsters were watching in those days: The Cisco Kid, Boston Blackie, The Lone Ranger, Sky King, Cowboy G-Men, and Ramar of the Jungle. Francis M. Nevins grew to know Landres'' name then, and later in his life when he watched other series directed by himWesterns including The Rifleman and Bonanza and detective shows like 77 Sunset Strip and Hawaiian Eye. Nevins had the pleasure of later meeting Paul Landres and was able to tap into his memories, insights, and professional knowledge to create this enjoyable biographical account. This book is organized as a sort of prose documentary, with Landres'' reminiscences interspersed with Nevin''s own narration. Includes photos and a filmography.Trade Review...a great primer for wannabe directors....An enlightening, educational, fun read. * Western Clippings *
£84.60
Scarecrow Press Confessions of a Hollywood Director
Book SynopsisRichard Bare is primarily known as the sole director of the television series Green Acres, but his Hollywood career spanned over 40 years, starting with his USC student film, So You Want to Give Up Smoking, which resulted in a long-term contract at Warner Bros. He has directed over a dozen feature films and over 400 television shows, including Maverick, 77 Sunset Strip, The Virginian, and the Twilight Zone. Follow Bare through his many years in the film industry, which brought him into contact with Hollywood''s biggest stars, like Gary Cooper, Betty Hutton, Debbie Reynolds, Eva Gabor, Eddie Albert, and Charlie Chaplin, as well as producers Steven Spielberg, George Lucas, and Walt Disney. Bare opens with a gripping story of how he and the crew of MGM''s The Islanders almost lost their lives in a devastating plane crash in the Caribbean Sea. Includes filmography.Trade ReviewThe day I met Richard Bare changed my life. -- James Garner[A] useful addition to the always excellent and informative Scarecrow Filmmakers series, which has done much to preserve the memories of the veterans of the cinematic community. * Historical Journal of Film, Radio, & Television *Dick Bare is not only a highly skilled director but is also an articulate spokesperson for his fellow directors. -- Robert Wise, Former President Directors Guild of AmericaTable of ContentsChapter 1 Preface Chapter 2 Chapter One Chapter 3 Chapter Two Chapter 4 Chapter Three Chapter 5 Chapter Four Chapter 6 Chapter Five Chapter 7 Chapter Six Chapter 8 Chapter Seven Chapter 9 Chapter Eight Chapter 10 Chapter Nine Chapter 11 Chapter Ten Chapter 12 Chapter Eleven Chapter 13 Chapter Twelve Chapter 14 Chapter Thirteen Chapter 15 Chapter Fourteen Chapter 16 Chapter Fifteen Chapter 17 Chapter Sixteen Chapter 18 Chapter Seventeen Chapter 19 Chapter Eighteen Chapter 20 Chapter Nineteen Chapter 21 Chapter Twenty Chapter 22 Chapter Twenty-One Chapter 23 Chapter Twenty-Two Chapter 24 Chapter Twenty-Three Chapter 25 Chapter Twenty-Four Chapter 26 Chapter Twenty-Five Chapter 27 Chapter Twenty-Six Chapter 28 Chapter Twenty-Seven Chapter 29 Chapter Twenty-Eight Chapter 30 Chapter Twenty-Nine Chapter 31 Chapter Thirty Chapter 32 Chapter Thirty-One Chapter 33 Chapter Thirty-Two Chapter 34 Chapter Thirty-Three Chapter 35 Chapter Thirty-Four Chapter 36 Chapter Thirty-Five Chapter 37 Chapter Thirty-Six Chapter 38 Chapter Thirty-Seven Chapter 39 Filmography, compiled by Jerry Roberts
£60.30
Rlpg/Galleys From My Three Sons to Major Dad
Book SynopsisOver the course of his five-decade career in television, John Stephens produced many hit shows, including My Three Sons, Family Affair, Gunsmoke, How the West Was Won, and Simon & Simon. He also produced a number of failures, including The Smith Family (starring Henry Fonda and Ron Howard) and arguably the worst Movie of the Week, the pilot to Wonder Woman (starring Cathy Lee Crosby). Along the way, Stephens encountered the usualand not so usualdifficulties that accompany work on such projects. While others may have seen these events as obstacles, Stephens regarded them as opportunities. And when an opportunity did not yield the most favorable outcome, he made the most of it by rendering the experience into an amusing anecdote. It is with this lighthearted approach that Stephens recounts his lengthy career in From My Three Sons to Major Dad: My Life as a TV Producer. From Arness to Zsa Zsa, the author reveals everything about the making of episodic television: casting stars and guest Table of ContentsPart 0 Acknowledgments Part 0 Preface Chapter 1 Martinis and Quaker Oars with Bill Frawley Chapter 2 Thanks for the Job, Dad!-Barbara Stanwuck and George Sanders Chapter 3 New York Moves West-Dickie Widmark and Charles Bronson Chapter 4 Katy Jurado Needs a Job and Tommy Kirk Gets His Start Chapter 5 The Great Gildersleeve-Unchained and Hall Bartlett Chapter 6 I Ruin a Preview Chapter 7 "Why Did You Bring That Bum in Here?" Chapter 8 Aaron Spelling, Chuck Connors, and Angie Dickinson Chapter 9 Encounters with Betty White and Tallulah Bankhead Chapter 10 Keenan Wynn, the Actor and the Writer Chapter 11 Good Days and Bad Nights on The Millionaire Chapter 12 Las Vegas with Bob Altman Chapter 13 How We Filmed My Three Sons Chapter 14 Casting My Three Sons Chapter 15 Fred's Frugality Chapter 16 From Bill Frawley to Bill Demarest Chapter 17 Three Sons Directors Chapter 18 Jimmy Stewart at Scale Chapter 19 My Toughest Show: Family Affair Chapter 20 Sebastian Cabot and Trailer Sizes Chapter 21 Ann Sothern, Ethel Merman, and Zsa Zsa Chapter 22 Henry Fonda and Ron Howard: Bullets and Brownies Chapter 23 John Forsythe and Walter Brennan in Rome Chapter 24 Lunch with Ray Walston-I Make a Few Mistakes Chapter 25 Twenty-Five Girls with Beautiful Whats? Chapter 26 Don Fedderson Chapter 27 Fred Henry-Brian Keith to the Rescue Chapter 28 "Garry Marshall's Italian, Brian" Chapter 29 I Produce TV's Worst Ninety-Minute Movie of the Week Chapter 30 If the Script is Bad, Filming It Doesn't Make It Better Chapter 31 Premier Sadat-Gunsmoke's Last Season Chapter 32 I Help to Put 60 Minutes into Prime Time Chapter 33 Jim Arness and How the West Was Won Chapter 34 Season Two of West Chapter 35 Season Three-Burgess Meredith Needs Toilet Paper Chapter 36 Marciano and Working with Boxers Chapter 37 Meeting with Brandon Tartikoff Chapter 38 Elizabeth Montgomery as Dorian Gray?-I Enter the 25th Century Chapter 39 The Start of Simon & Simon Chapter 40 Simon Season Two: Where the Cheapest Becomes the Best Chapter 41 The Stars Become STARS Chapter 42 The Enquirer Catches Up with Simon & Simon Chapter 43 The Stars Strike Back Chapter 44 A Good Script to Start the Season Chapter 45 Universal's Suits-the Simon "Bible" Chapter 46 The Agony and the Ectasy of Locations Chapter 47 Lucky Luciano: "A True American Hero" Chapter 48 Gangster Chronicles Goes Down Chapter 49 Computers, Corey, and Max Gail's Ponytail Chapter 50 Don Bellisario: A Complicated Genius Chapter 51 The Nonunion Experience Chapter 52 I Finally Sell a Show: Major Dad Chapter 53 The Sitcom World of Today: Not Desi's or Lucy's Chapter 54 I Become a Pitchman and Strike Out Chapter 55 My Swan Song Chapter 56 In Conclusion Part 57 Index Part 58 About the Author
£54.90
Rutgers University Press The Zoom Drama at the Touch of a Lever
Book SynopsisFrom the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. Nick Hall traces the century-spanning history of the zoom lens in American film and television. Trade Review"Outstanding and engaging, Zoom makes a significant contribution to the scholarship of cinematography, allowing scholars to see zoom technology afresh." -- Patrick Keating * editor of Cinematography *"New Scholarly Books: Weekly Book List, June 8," by Nina C. Ayoub * Chronicle of Higher Education *Table of Contents1 Introduction 2 Drama at the Touch of a Lever 3 Take Me Out To the Ball Game 4 Unlimited Horizons 5 Creepers and Neck-Snappers 6 The Zoom Boom 7 Contemporary Zooms Acknowledgments Selected Bibliography Index
£26.99
Wayne State University Press Have GunWill Travel TV Milestones Series
Book SynopsisOne of the most successful series of its time, Have Gun-Will Travel became a cultural phenomenon in the late 1950s and made its star, Richard Boone, a nationwide celebrity. Film scholar Gaylyn Studlar draws on a remarkably wide range of episodes from the series' six seasons to show its sophisticated experimentation with many established conventions of the Western.
£22.51
Texas Christian University Press 3... 2...1... Were on the Air
Book Synopsis
£26.96
Taylor & Francis The Grip Book
Book SynopsisGain the essential skills of a professional grip to become the jack and master of all trades on any movie or television show set. This new edition has been fully updated and revised and will enable aspiring and professional grips to discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, trains, and cars.Seasoned Hollywood grip Michael G. Uva teaches you to install, set up, maintain, and ensure the safety of all equipment on a set, such as C-stands, cameras, and any specialty gear needed for a shoot. Expanded content on navigating the set, including set etiquette and how to succeed as a technical crew member, will jump-start your career and make you a valuable asset on any film or television crew. This seventh edition has been updated to include the latest technology, further explanations of equipment and how to use it for those new to the role, a new chapter on working as a Table of ContentsIntroduction 1. Basic Essential Equipment 2. Expendables 3. Knots 4. Basic Tool Descriptions 5. Truck Order Form (Basic) 6. Green and Blue Screens 7. Mounts 8. Cranes 9. Condors and Lifts 10. Walkies 11. T.O.T.S. (Tricks Of The Trade) 12. F.A.C.T.S. 13. Fly Swatter 14. Chain Motors 15. Virtual Sets 16. Fluid Heads 17. Field Operations 18. Grip Tests 19. Terms 20. Glossary 21. Index
£44.64
Taylor & Francis Ltd Factual Television Producing
Book SynopsisThis book is an unvarnished look at how to originate, pitch, sell, and produce factual television programming for global broadcast television networks and streaming services. Grounded in firsthand experience, this essential how to guide walks readers through the crucial steps in the factual television process while unpacking valuable insights to successfully producing and delivering projects on time and on budget. With over 20 years of experience in the TV documentary arena, Executive Producer Dylan Weiss shares how to break into the industry, originate your own documentary ideas, forge a path forward through the creative process, prepare your concepts for commissioners, and then pitch them to networks, broadcasters, streamers, and distributors around the world. Industry voices are layered throughout sharing their experiences from each stage of the process. These interviews include top executives from Disney, Investigation Discovery, National Geographic, and many more. Table of Contents1. Breaking In and Getting Started 2. The Eight Factual Steps 3. Idea Creation 4. Crafting a Presentation 5. Pitching Your Idea 6. Selling Your Idea 7. Pre-Production 8. Field-Production 9. The Post-Production Process 10. Delivery and Exhibition 11. Forging a Factual Career 12. Appendix
£29.99
Taylor & Francis Ltd Drawing the Line
Book SynopsisThis is the definitive guide for all aspects of scenic hand drafting for film and television, now comprehensively updated and revised for its second edition. Author, David McHenry, utilizes 45 years of experience as a Designer, Art Director, Storyboard Artist, and Draftsman to provide readers with an accessible step-by-step guide of professional techniques, tools, and workflows.Readers will discover how to draw the iconic scroll of a classical column or learn the difference between Flemish and English bond brickwork, as well as all four types of drafting projection in detail: isometric, oblique, orthographic, and axonometric. Also included is hard-to-find information on lens angles and their calculation for different screen aspect ratios, how to create a lens projection image of a set with a given lens, height, and aspect ratio, and how to create forced perspective. Beautifully illustrated with carefully crafted hand-drawn illustrations on every page, this thoroughly revised text has been updated to include new examples and exercises and a revised glossary, making it the ideal step-by-step guide to hand drafting for film and television.This is an essential resource for students of drafting for film and television, scenic design, and art direction courses. It will also hugely benefit professionals studying or working in film and television design.Trade Review"This book is a must for anyone learning technical drawing, as well as those establishing themselves in art departments around the world."- Kerry Bradley, Course Leader BA (Hons) Design for Film & Television (Nottingham Trent University)"Drawing the Line is an excellent resource for students and professionals of film and television alike. In an age of technology, it is inspiring to see a text that focuses on drafting as a means of communication, and approaches drafting in a guided, thoughtful way."-Scott C. Chapman, Associate Professor of Theatre, Resident Scenic & Lighting Designer & Technical Director (Longwood University, Farmville, Virginia)Praise for the 1st Edition"When David worked with us on Game of Thrones, I was impressed by his enthusiasm and extensive knowledge of architecture. He is a fine draughtsman and teacher, and I believe this book will prove invaluable to those wishing to improve their skills at the drawing board."— Paul Ghirardani, Five-Time Emmy Award Winner, Supervising Art Director, Game of Thrones"This excellent book both celebrates and helps to perpetuate the unique skills of hand-drawn orthographic construction draughting for film and television set building. David McHenry’s drawings have a beautiful pictorial quality which, through his sensitive use of line, communicate technical and artistic information. The book is a useful introduction to both students and professionals in the Art Department. A winner!"— Professor Moira Tait, Production Designer and Tutor; Member of BAFTA, Fellow of The Royal Society of Arts"My only flaw with Drawing the Line is that I didn't have it when I was in high school or college. It is a must have for up and coming designers. This book merely consolidates how seamlessly his drawings simply and elegantly enhance the designer's vision."- Jon Gary Steele, Production Designer, Sandman (2022), Outlander (2014-20), and Luther (2023)Table of Contents1. EQUIPMENT - THE BASICS 2. SCALE 3. PLAN 4. REFLECTED THE CEILING PLAN 5. LAYING OUT THE PAGE 6. PRACTICAL DRAFTING EXCERCISES 7. LETTERING AND LABELLING 8. TITLE BLOCK 9. PAPER SIZES 10. FOLDING DRAWINGS 11. TRIANGLES 12. THE CIRCLE 13. DIVIDING A LINE INTO EQUAL PARTS 14. POLAR POINT 15. THE ARCH 16. DOORS 17. WINDOWS 18. STAIRCASES 19. BRICKWORK 20. STONEWORK 21. MOULDINGS 22. ISOMETRIC 23. AXONOMETRIC 24. OBLIQUE 25. PROJECTION OF CIRCLES 26. PERSPECTIVE GRIDS 27. DEVELOPMENT OF TRUE SHAPES 28. SETTING UP A CAMERA PROJECTION 29. REFLECTIONS IN A MIRROR 30. BACKINGS - CALCULATING SIZE 31. FORCED PERSPECTIVE 32. CLASSICAL ORDERS 33. ENTASIS 34. IONIC VOLUTE 35. SPIRAL -HELIX 36. SURVEYING 37. GLOSSARY
£39.99
Taylor & Francis Ltd Lighting for Digital Video and Television
Book SynopsisThis book gives a comprehensive overview of lighting equipment and techniques for digital production. Suitable for either beginners or more advanced users, the fully updated fourth edition covers human sight vs. film or video, the basic issues of contrast and exposure, with explanation of how exposure of digital video differs from analog video or film, electrical connectors, requirements, electrical load management, safety issues, and the latest LED systems.A variety of basic lighting setups for different situations are explained, with clear diagrams and photos showing the look of each approach. Techniques for shooting in available light and dealing with color problems in mixed lighting situations is examined. More advanced film-style lighting is covered, especially techniques in creating a convincing realistic look. A special section deals with solutions to common problems, ranging from reflections on glasses and dealing with white walls, to lighting very light-skinned and Trade ReviewPraise for the previous edition:"If you don't know a tota light from a omni from a soft box or a fresnel; if you are unsure how to light a scene to achieve a particular look; if you think that lighting for a night shoot is to simply take your cam out at night and press 'record', if you fail to understand the difference between hard and soft light or find lighting terminology undecipherable, than this book is a must. Even if you already know all those things there are excellent and useful chapters for the advanced shooter and lighting tech covering low budget setups, advanced lighting setups." Steve Douglas, kenstone.netTable of ContentsTable of ContentsAcknowledgementsIntroductionChapter 1 Why is Lighting Important for Television and Video?Chapter 2 Human Vision, the Camera, and ExposureChapter 3 Volts, Amps, and WattsChapter 4 Lighting InstrumentsChapter 5 Lighting Controls and UsesChapter 6 Basic Lighting TechniquesChapter 7 Interview SetupsChapter 8 Solving Common ProblemsChapter 9 Studio LightingChapter 10 Advanced Lighting SetupsChapter 11 Lighting Low-Budget LocationsChapter 12 Specialized LightingChapter 13 Imagination and InventionAppendix 1 Using a Light Meter for VideoAppendix 2 Basic Primer in Signal MonitoringAppendix 3 Addresses of ManufacturersGlossaryIndex
£45.59
