News media and journalism Books

Book Synopsis'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible' In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.Trade ReviewOne of the best journalists writing in English anywhere * Financial Times *It is often overlooked how good a reporter Malcolm is, fearless in her questioning, ruthless in her pursuit of every last witness. The Journalist and the Murderer is a lesson in not courting your subject too much * Guardian *A spare and unsparing account of tragicomic human folly * The Times *A timely reissue for Janet Malcolm's 1990 classic, which caused a storm when it was first published for its uncompromising analysis of the ethics - and otherwise - within the slippery relationship between a journalist and her subject -- Claire Allfree * Metro *Malcolm's seminal 1990 work about the ethics of journalism is at once reportage, a scrutinising look at the practice and a cautionary tale of personal manipulation and betrayal * Big Issue *

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Book SynopsisTrade Review"A book that provides valuable context for the latest assaults on democracy. . . . A clear and informative history." * Kirkus Reviews *"A compelling and sober-minded assessment of our situation, and I commend it to you for your consideration." -- L. M. Sacasas * The Convivial Society *"In The Paradox of Democracy: Free Speech, Open Media, and Perilous Persuasion, Gershberg and Illing suggest that democracy isn’t really about the rules and institutions that usually leap to mind... Fundamentally, they say, democracy is a culture of free and open communication. And that openness makes it vulnerable to subversion from within." * The Boston Globe *"We are living through an information revolution, but we have not adequately understood how this tsunami reshapes democratic politics. Sean Illing and Zac Gershberg do just that in this very interesting and intriguing book." -- Fareed Zakaria, CNN"The Paradox of Democracy is as provocative as it is unpredictable. It carefully and engagingly expands our understanding of how democracy works—and struggles—in a society where free expression is foundational and where media is undergoing revolutionary and rapid change. It will change how you think." -- Margaret Sullivan, Washington Post"The book gives a sweeping overview of the ways that political leaders can utilize communication and rhetoric in order to gain office or power. Overall, it provides an excellent summary of the ways that communication and democracy can coexist or undermine each other." -- Shana Gadarian, Syracuse University"As free speech advocates strain to reconcile the unparalleled access to information and the expression of ideas made possible by the internet with their undeniable potential for political, psychological, and even physical harm, Gershberg and Illing have come to say that these advocates are pushing a Sisyphean boulder up a mountainside... Though the authors insist that democracy is the best system there is, they clearly doubt, in Benjamin Franklin's words, 'we can keep it.' ... Recommended." * Choice *"The authors’ efforts to help us understand the role that media can play in the potential fate of democracy and democracies are useful and remind us of the dangers present in this fraught political moment." * ProjectMUSE *Table of ContentsIntroduction Chapter 1: The Bias and the Disruption Chapter 2: Mere Rhetoric: From Free Speech to Bread and Circuses Chapter 3: The News-Print Revolution Chapter 4: The Rise of the Public(s): From a Fuller World to Morse’s Macrocosm Chapter 5: This Is Fascism Chapter 6: Playing Checkers: An Uneasy Triumph for Liberal Democracy Chapter 7: The Death of Liberal Democracy: Have We Got Fake(d) News for You Chapter 8: Democracy, If We Can Keep It Epilogue Notes Index

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Book SynopsisThis groundbreaking book explains why and how so many people consume little or no news despite unprecedented abundance and ease of access.Trade ReviewThis is urgent, necessary reading for anyone in the business of news, for anyone who cares about the news, and for anyone who wants to ensure a future of fair access to knowledge and information for all. We ignore this meticulously researched and empathetically reported book at our own peril. -- Melissa Bell, publisher of Vox MediaNews avoiders are one of the most neglected topics in communications research, yet listening to and understanding them may be absolutely crucial for the health of democratic culture. This precisely grounded, sociologically rigorous, and searching three-country study sets completely new standards for pursuing this elusive topic. -- Nick Couldry, London School of Economics and Political ScienceThis is a beautifully written book that teaches us so much about the nature of our relationships to news by looking in closely at the lives and understandings of people who choose to avoid it. -- Katherine Cramer, University of Wisconsin-MadisonThis book is a wide-ranging investigation of not only the quantitative data about news avoidance but also, most importantly, the sentiments of those who have opted out of quality journalism. If journalists want to regain these readers, then it is crucial that we understand them first. This book serves as an important first step. -- Clara Jiménez Cruz, CEO of Maldita.es and chair of the European Fact-Checking Standards NetworkA deep dive into the complicated reasons that people distrust the news. A must-read for any journalist who wants to serve the people, meaning all the people—not just their friends and colleagues. -- Amanda Ripley, Washington Post columnistHighly recommended. * Choice Reviews *Table of ContentsAcknowledgments1. Is Ignorance Bliss?2. Who Are Consistent News Avoiders?3. Why News Avoiders Say They Don’t Use News4. Identities: How Our Relationships to Communities Shape News Avoidance5. Ideologies: How Beliefs About Politics Shape News Avoidance6. Infrastructures: How Media Platforms and Pathways Shape News Avoidance7. News for All the People?Appendix A: Studying News Avoidance Using Interpretive MethodsAppendix B: Summary Tables Describing Study ParticipantsAppendix C: Interview Protocols for In-Depth InterviewingNotesIndex

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Book SynopsisSTOP READING THE NEWS is a vital toolkit for managing the upsetting coronavirus news cycle and finding equilibrium and calm at a time of chaos and uncertaintyIn 2013 Rolf Dobelli stood in front of a roomful of journalists and proclaimed that he did not read the news. It caused a riot. Now the author of the bestselling The Art of Thinking Clearly finally sets down his philosophy in detail. And he practises what he preaches: he hasn't read the news for a decade.Stop Reading the News is Dobelli's manifesto about the dangers of the most toxic form of information - news. He shows the damage it does to our concentration and well-being, and how a misplaced sense of duty can misdirect our behaviour. Most importantly, he offers the reader the guidance on how to live without news, and the many potential gains to be had: less disruption, more time, less anxiety, more insights. In a world of increasing disruption and division, Stop Reading the News is a welcome voice of calm and wisdom.Trade ReviewChallenging, yet might point to the future of journalism. * Sydney Morning Herald *Rolf Dobelli writes clearly, intelligently and convincingly -- Gerhard SchroderRolf Dobelli offers plenty of food for thought, and writes clearly - stimulating, amusing, brilliant -- Dr Christoph Franz, former CEO of Lufthansa, Chairman of RocheWorth reading to explore why news attracts. * The Courier Mail *Rolf Dobelli's works are informative, insightful, and accessible. In an age of celebrity ignoramuses, he is a true public intellectual. -- Lou Marinoff, Professor of Philosophy at the City College of New YorkRolf Dobelli possesses one of Europe's finest minds -- Matt Ridley, author of The Evolution of EverythingRolf Dobelli is a virtuosic synthesizer of ideas. With wit, grace, and precision he melds science and art in hisjoyful pursuit of wisdom. -- Joshua Greene, professor of psychology, Harvard University, and author of Moral TribesRolf Dobelli is brilliant at converting evidence from scientific research into practical steps that improve personal outcomes. -- Robert Cialdini, author of the international bestseller Influence

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Book SynopsisRobert A. Caro is one of the most acclaimed writers of his generation, whose landmark biographies are widely hailed as masterpieces.This is the captivating account of his life as a writer, describing the sometimes staggering lengths to which he has gone in order to produce his books and offering priceless insights into the craft of non-fiction writing, be it the pursuit of truth, the writer's process, the art of interviewing or the creation of literature.Including several of Caro's most famous speeches and interviews as well as new material, this is the self-portrait of a man who knows the meaning and importance of great story-telling - and, like all his books, is an utterly riveting example of that too.Trade ReviewAnyone trying to write in any form will devour it * Evening Standard *One of the greatest non-fiction works ever written -- Bryan Appleyard, Sunday Times, on The Power BrokerIrresistibly readable, an outright masterpiece -- David Sexton, Evening Standard, on The Power BrokerA stupendous achievement … Caro’s style is gripping, indeed hypnotic, and he squeezes every ounce of drama from his remarkable story -- Vernon Bogdanor, Independent, on The Power BrokerI think about Robert Caro and reading The Power Broker back when I was twenty-two years old and just being mesmerized -- Barack Obama on The Power Broker

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Book SynopsisConspiracy theories are legion. Conspiracies are rare. And of the few that do exist, fewer are ever discovered, let alone explained. This story is the exception. In 2016, media giant Gawker was forced to declare bankruptcy after a $140 million dollar judgment in court over an illegally recorded sex tape of Hulk Hogan. The case was no accident: it was the result of a nearly decade-long plot masterminded by Facebook and Paypal billionaire Peter Thiel. With exclusive access to all the key players, Ryan Holiday takes us behind the scenes of this extraordinary and at times surreal story, and transforms the events into both a dissection of that controversial methodology - conspiracy - and an eye-opening cautionary tale on the use, abuse and consequences of power and secrecy in the modern age.Trade ReviewThis book is the Art of War for any 21st century conspirator... a brilliant meditation on strategy, with numerous lessons -- Robert Greene, author * The 48 Laws of Power *This is a fantastic read about two thoroughly dislikeable men. * Sunday Times *Gripping narrative - Holiday has written one helluva page-turner. -- William D Cohan * New York Times *Riveting...an astonishing modern media conspiracy...that is a fantastic read. Holiday is a fine writer. He brilliantly elucidates... [with] a reporter's eye for detail. * The Sunday Times *Brilliant and terrifying -- Rich Cohen, author of The Fish that Ate the Whale and contributing editor of Vanity FairAn artful examination of how true power really works and how it affects all of us. -- Michael Lombardi, host of GM Street on The Ringer and former CLeveland Browns general managerEvery one of Ryan Holiday's books is appointment reading for me. If he writes it, I make the time to read it. -- Brian Koppelman, producer and creator * Billions *Praise for Ryan Holiday: 'Holiday is part Machiavelli, part Ogilvy, and all results -- Tim Ferriss * The 4-Hour Workweek *Holiday is one of his generation's finest thinkers -- Steven Pressfield, author * The War of Art *When playing for high stakes, Ryan Holiday is my secret weapon. His unique stealth manner makes him essential for winning. -- Aaron Ray, partner of the management company The CollectiveI don't have many rules in life, but one I never break is: If Ryan Holiday writes a book, I read it as soon as I can get my hands on it. -- Brian Koppelman, screenwriter and director, Rounders, Ocean’s Thirteen and Billions

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Book SynopsisKelly Kordes Anton has written and edited dozens of books and training resources on publishing technologies and InDesign, including nine previous editions of Adobe InDesign Classroom in a Book. She is a freelance writer based in Littleton, Colorado, and she also writes about ergonomics and lean manufacturing. Tina DeJarld has worked on the front lines of taking designs from the computer screen to real-world production since before InDesign 1.0. She is highly accomplished in both prepress and graphic design production and passionate about building files that will work correctly. Tina has handled thousands of large and complex projects, becoming an expert on InDesign best practices and techniques. Tina is currently a senior production artist at thePub, a production studio in Chicago.

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Book SynopsisIn this characteristically turbocharged book, now in a new post-election edition, celebrated Rolling Stone journalist Matt Taibbi provides an insider’s guide to the variety of ways today’s mainstream media tells us lies. Part tirade, part confessional, Hate Inc reveals that what most people think of as “the news” is, in fact, a twisted wing of the entertainment business. In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism’s dirty tricks. After a 2020 election season that proved to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. is an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.Trade ReviewThe best explanation of media behavior since Manufacturing Consent.” —Glenn Greenwald “Fantastic... Everyone should read [it].” —Krystal Ball “The best American journalism has to offer. ” —David Sirota “Where other mainstream news sources fail, Matt Taibbi madly embraces his role as an honest political observer/writer/citizen in a democracy. ” —Janeane Garofalo “Excellent.” —Joe Rogan “An invigorating polemic against tactics the news media use to manipulate and divide their audiences.” —Kirkus Reviews “Taibbi, a writer of striking intelligence and bold ideas, is as hilarious as he is scathing.” —Publishers Weekly “In a smart and scathing freewheeling analysis, the Rolling Stone journalist analyzes political campaign coverage and other media powder kegs.” —The New York Times “Taibbi aims a cannon, blasting [the] American media industry.” —The Washington Post “Scathing and irreverent.” —The Los Angeles Review of Books “A raucous updating of Noam Chomsky and Ed Herman’s classic dissection of capitalist news. Its message is hilarious yet grim: behind the buffoonery of the 24-hour partisan news machine is a propaganda system devoted to upholding the power of entrenched elites.” —Jacobin “Brilliantly captures the current circus atmosphere and explores its roots in the political, economic and technological transformations of the last half century. ” —CounterPunch “A bracing piece of media analysis… Should be required reading in all three remaining journalism schools. ” —Paste

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Book SynopsisNow a major motion picture - starring Rosamund Pike, Stanley Tucci and Jamie Dornan.The book that inspired the film A Private War, based on acclaimed journalist Marie Brenner’s centrepiece profile of Sunday Times Foreign Affairs correspondent Marie Colvin from this extraordinary collection. In February 2012, Marie Colvin illegally crossed into Syria on the back of a motorcycle. A veteran war correspondent known for her fearlessness, outspokenness and signature eye patch, she was defying a government decree preventing journalists from entering the country. Accompanied by French photographer Remi Ochlik, she was determined to report on the Syrian Civil War, adding to a long list of conflicts she had covered including Egypt, Chechnya, Kosovo and Libya. She had witnessed grenade attacks, saved more than one thousand women and children in an East Timor war zone when she refused to stop reporting until they were e

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Book SynopsisTrade Review"A book that provides valuable context for the latest assaults on democracy. . . . A clear and informative history." * Kirkus Reviews *"A compelling and sober-minded assessment of our situation, and I commend it to you for your consideration." -- L. M. Sacasas * The Convivial Society *"In The Paradox of Democracy: Free Speech, Open Media, and Perilous Persuasion, Gershberg and Illing suggest that democracy isn’t really about the rules and institutions that usually leap to mind... Fundamentally, they say, democracy is a culture of free and open communication. And that openness makes it vulnerable to subversion from within." * The Boston Globe *"We are living through an information revolution, but we have not adequately understood how this tsunami reshapes democratic politics. Sean Illing and Zac Gershberg do just that in this very interesting and intriguing book." -- Fareed Zakaria, CNN"The Paradox of Democracy is as provocative as it is unpredictable. It carefully and engagingly expands our understanding of how democracy works—and struggles—in a society where free expression is foundational and where media is undergoing revolutionary and rapid change. It will change how you think." -- Margaret Sullivan, Washington Post"The book gives a sweeping overview of the ways that political leaders can utilize communication and rhetoric in order to gain office or power. Overall, it provides an excellent summary of the ways that communication and democracy can coexist or undermine each other." -- Shana Gadarian, Syracuse University"As free speech advocates strain to reconcile the unparalleled access to information and the expression of ideas made possible by the internet with their undeniable potential for political, psychological, and even physical harm, Gershberg and Illing have come to say that these advocates are pushing a Sisyphean boulder up a mountainside... Though the authors insist that democracy is the best system there is, they clearly doubt, in Benjamin Franklin's words, 'we can keep it.' ... Recommended." * Choice *"The authors’ efforts to help us understand the role that media can play in the potential fate of democracy and democracies are useful and remind us of the dangers present in this fraught political moment." * ProjectMUSE *Table of ContentsIntroduction Chapter 1: The Bias and the Disruption Chapter 2: Mere Rhetoric: From Free Speech to Bread and Circuses Chapter 3: The News-Print Revolution Chapter 4: The Rise of the Public(s): From a Fuller World to Morse's Macrocosm Chapter 5: This Is Fascism Chapter 6: Playing Checkers: An Uneasy Triumph for Liberal Democracy Chapter 7: The Death of Liberal Democracy: Have We Got Fake(d) News for You Chapter 8: Democracy, If We Can Keep It Epilogue Notes Index

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Book SynopsisSelected by NYU as one of the century's best books of American journalism.Gathered in this volume are seven long-form articles that John Steinbeck wrote in 1936 for The San Francisco News about the plight of migrant farmworkers during the Dust Bowl, accompanied by photographs by Dorothea Lange and others. Steinbeck toured the squatters' camps and Hoovervilles of California, creating unforgettable portraits of once strong, independent farmers reduced to misery. The inquisitiveness and outrage of an investigative reporter combined with the expressive powers of a novelist in his prime fueled The Harvest Gypsies, which in turn furnished the factual and emotional roots for The Grapes of Wrath and has long been hailed as an American classic in its own right.Trade Review"Written in the best tradition of advocacy journalism … Steinbeck moves among the migrants, pen in one hand, fruit pail in the other, alternately picking and penning his way to literary glory."—The Village Voice"Contains some of Steinbeck's best journalism."—The Nation"Steinbeck's potent blend of empathy and moral outrage was perfectly matched by the photographs of Dorothea Lange, who had caught the whole saga with her camera—the tents, the jalopies, the bindlestiffs, the pathos and courage of uprooted mothers and children."—San Francisco Review of Books"Steinbeck's journalism shares the enduring quality of his famous novel."—Publishers Weekly

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Book SynopsisVolume two includes articles about the Russia-Ukraine war and argues that this tragic conflict was preventable.

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Book SynopsisThe NAB Engineering Handbook is the definitive resource for broadcast engineers. It provides in-depth information about each aspect of the broadcast chain from audio and video contribution through an entire broadcast facility all the way to the antenna. New topics include Ultra High Definition Television, Internet Radio Interfacing and Streaming, ATSC 3.0, Digital Audio Compression Techniques, Digital Television Audio Loudness Management, and Video Format and Standards Conversion. Important updates have been made to incumbent topics such as AM, Shortwave, FM and Television Transmitting Systems, Studio Lighting, Cameras, and Principles of Acoustics.The big-picture, comprehensive nature of the NAB Engineering Handbook will appeal to all broadcast engineerseveryone from broadcast chief engineers, who need expanded knowledge of all the specialized areas they encounter in the field, to technologists in specialized fields like IT and RF who are interested Table of Contents1.1 The Electromagnetic Spectrum- John Norgard and Gregory L. Best1.2 Fundamentals of Broadcast Coverage- Doug Vernier1.3 Distance and Bearing Calculations- Dane E. Ericksen2.1 Broadcast-Related Organizations and Information- Loren White2.2 Broadcast-Related Regulatory Considerations: Environmental, Aeronautical, Safety, Online- David Oxenford2.3 Frequency Coordination for Broadcast Auxiliary Services- Dane E. Ericksen2.4 Frequency Allocation for Broadcasting and the Broadcast Auxiliary Services- William R. Meintel2.5 Analog and Digital Terrestrial Radio Standards- Stanley Salek and Lawrie Hallett2.6 HF Shortwave Radio: Allocation, Design Methods, and Regulation- James E. O'Neal2.7 Worldwide Standards for Analog and Digital Television- Aldo G. Cugnini2.8 Digital Audio Standards and Practices- Chip Morgan, Randall Hoffner, and Tim Carroll2.9 Digital Video Standards and Practices- Karl J. Kuhn2.10 Broadcasting Emergency Information- Gary E.Timm 3.1 Broadcast Engineering Management- Norman R. Swan3.2 Broadcast Engineering Documentation Management- David M. Baden3.3 Systems Integration and Project Management- Stephen Pumple3.4 Managing Workplace and Environmental Hazards- David Maxson3.5 Human Exposure to Radio Frequency Energy- Robert D. Weller3.6 Broadcast Facility Security, Safety, Disaster Planning, and Recovery- Richard Rudman, Thomas G. Osenkowsky, and Joseph Pollet4.1 Principles of Acoustics and Noise Control for Broadcast Applications- Ronald Eligator4.2 Planning a Radio Studio or Audio Production Facility- Stephen Poole4.3 Microphones for Broadcast Applications- Ty Ford and Greg Silsby4.4 In-studio Audio Recording for Radio and TV- Rich Rarey and Jeff Brugger4.5 Telephone Network Interfacing- Kirk Harnack and Joe Talbot4.6 Radio Remote Broadcasts- Lorna White4.7 Radio Station Automation, Networks, and Audio Storage- Eugene Novacek4.8 Digital Audio Compression Technologies- Schuyler Quackenbush and Fred Wylie5.1 Principles of Light, Vision, and Photometry- Jerry Whitaker5.2 Planning a Video Production and TV Studio Facility; Systems, Principles, Design, Architecture Ralph S. Blackman and David Guerrero 5.3 Lighting for Television- Bill Marshall and Cindy Hutter Cavell5.4 Television Playout and Content Delivery- Peter Wharton5.5 Television Camera Systems- Michael Bergeron, Steven Mahrer, Idin Roshan, and Martin Marietta5.6 Camera Supports- Martin Marietta5.7 Closed Caption Services- Chris Homer5.8 Workflow and Professional Media Networks- Brad Gilmer5.9 Digital Asset Management- Wendy Allen5.10 ATSC 1.0 Encoding, Transport, and PSIP Systems- Richard Chernock, Matthew S. Goldman, and Chris Lennon5.11 Video Compression- Peter Symes and Matthew S. Goldman5.12 Video Recording, Servers, and Storage- Karl Paulsen5.13 Format and Standards Conversion- Paola Hobson5.14 Digital Television Audio Loudness Management- Jim Starzynski5.15 Weather Radar Systems- Baron Services, Inc.5.16 Television Graphics- Kevin Entrekin, Chris Kelly, and Paul Lacomb5.17 ENG, SNG, and Remote Video Production- Tom Jennings and Stephen Alhart 5.18 Television Audio: Analog and Digital Systems- Tim Carroll and Jeffrey Riedmiller5.19 Intercom and IFB Systems- Vinnie Macri and Kari Eythorsson5.20 Ultra-High Definition Television- Matthew S. Goldman6.1 Audio Contribution and Distribution Methods- Skip Pizzi and John Kean6.2 Video Contribution and Distribution Methods Cindy Hutter Cavell6.3 Satellite Uplinks and Downlinks for Contribution and Distribution- Sidney M. Skjei6.4 STL Systems for Radio and TV- Ernest M. Hickin, James H. Rooney III, and Doug Irwin6.5 Transmitter Remote Control and Monitoring Systems- Paul Shulins6.6 Fiber Optic Transmission Systems- Jeff Juniet7.1 Planning Radio Transmitter Facilities- Paul Shulins and Thomas R. Ray III7.2 Transmission Audio Processing- Robert Orban7.3 Internet Radio Interfacing and Streaming- Greg Ogonowski7.4 AM Radio Broadcasting- Thomas G. Osenkowsky7.5 Medium Wave (AM) Transmitters- Jeff Welton and John Stanley7.6 AM and FM IBOC Systems and Equipment- Jeff Detweiler7.7 Worldwide Digital Radio Systems- Kenneth E. Colwell7.8 Medium Wave AM Broadcast Antenna Systems- Ronald D. Rackley7.9 Antenna Coupling and Phasing Systems- Tom King, Bobby Cox, and James Moser7.10 AM Diplexing, Combining, and Filter System Design- Ronald D. Rackley7.11 Synchronous AM Broadcasting- Stephen F. Smith7.12 AM Antenna System Maintenance- John F. Warner7.13 Antenna System Moment Method Modeling- W. Cris Alexander7.14 FM Radio Broadcasting- Geoff N. Mendenhall and Tim Anderson7.15 VHF (FM) Radio Transmitters- Jeff Welton7.16 Radio Data System- Scott A. Wright and Alan W. Jurison7.17 FM Broadcast Antennas- Thomas B. Silliman and Eric R. Wandel7.18 FM Combining and Filter System Design- Robert A. Surette and Shively Labs7.19 FM and AM Translators and Boosters- Ron Castro7.20 HF Shortwave Radio- J. Fred Riley and John O. Stanley7.21 Hybrid Radio and the Radio DNS Open Standards- Nick Piggott8.1 Planning a Television Transmitter Facilit-y David Sanderford and Matthew A. Sanderford8.2 Analog Television Transmitters- Fred Baumgartner8.3 Digital Television Transmitters- Fred Baumgartner8.4 Next-Generation DTV Systems- Walter Fischer8.5 Single-Frequency Networks for DTV Systems- Walter Fischer8.6 Single-Frequency Networks (SFNs) for Television – Digital On-Channel Repeaters, Distributed Transmitters, and Distributed Translators- S. Merrill Weiss8.7 Television Antenna Systems- Andre J. Skalina8.8 Television Filters, Combiners, and RF Components: Broadcast Television Co-Location Site Management- Daniel S. Fallon, Shane O'Donoghue, and Peggy Miles9.1 Tower Design, Erection, and Maintenance- John Wahba9.2 Lightning Protection for Tower Structures- Edward A. Lobnitz9.3 Tower Lighting and Monitoring- Richard G. Hickey9.4 Transmission lines for AM, FM, HF, and TV Stations and Associated Systems- Phillip Young, Nicholas Paulin, and Bill Harland10.1 Audio Signal Analysis- Stanley Salek., Thomas Kite, David Mathew, and John Kean10.2 AM Radio Performance Measurements- David Maxson10.3 AM Radio Antenna System and Field Strength Measurements- Jack Sellmeyer10.4 FM Antenna Performance Measurements- Martyn Gregory and Peter Long10.5 FM Radio Field Strength Measurements- Clarence M. Beverage and William P. Weeks10.6 Digital Television Proof of Performance Measurements- Mark H. Bricker and Steve Ramer10.7 TV Transmission Line and Antenna System Measurements- Todd R. Loney and Stephen N. Heazlewood10.8 VHF and UHF Television Antenna Test Range Measurements- John L. Schadler 10.90 VHF and UHF Television Field Strength Measurements- Daniel M. Barton11.1 Electrical Power Systems, Specification, Conditioning, Fault Protection- John N. West11.2 Facility Grounding Practice and Lightning Protection- Jeff Welton11.3 Media Archives- James Snyder

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Book SynopsisNick Davies writes investigative stories for the Guardian, and has been named Journalist of the Year, Reporter of the Year and Feature Writer of the Year in British press awards. Between July 2009 and July 2011, he wrote more than a hundred stories about crime in Rupert Murdoch's News of the World. He has written six books including White Lies and Dark Heart, and the bestselling Flat Earth News, exposing falsehood and propaganda in news media. Hack Attack is his latest book.He has three children and lives in Sussex.Trade ReviewImportant, vital, urgent * Financial Times *Meticulous, fair-minded and utterly gripping -- Sam Leith * Daily Telegraph *If you read newspapers, you MUST read this book -- John HumphrysA must-read for anyone worried about journalism - which, on this analysis, should be everyone -- Ian HislopPowerful and timely...his analysis is fair, meticulously researched and fascinating * Observer *

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Book SynopsisThe story of western correspondents in Russia is the story of Russia's attitude to the west. Russia has at different times been alternately open to western ideas and contacts, cautious and distant or, for much of the twentieth century, all but closed off. From the revolutionary period of the First World War onwards, correspondents in Russia have striven to tell the story of a country known to few outsiders. Their stories have not always been well received by political elites, audiences, and even editors in their own countriesbut their accounts have been a huge influence on how the West understands Russia. Not always perfect, at times downright misleading, they have, overall, been immensely valuable. In Assignment Moscow, former foreign correspondent James Rodgers analyses the news coverage of Russia throughout history, from the coverage of the siege of the Winter Palace and a plot to kill Stalin, to the Chernobyl explosion and the Salisbury poison scandal.Trade ReviewAssignment Moscow exposes how the Moscow correspondent has had to adapt to multiple manifestations of censorship, or compete with state-run media, the severity of which has ebbed and flowed with changes in regime. * History Today *Rodgers’s narrative rests on an enormous number of articles in Anglo-American media, books by and about journalists, and his own interviews with many Moscow correspondents. * Foreign Affairs Magazine *Rodgers retains his focus on the correspondent’s interactions with Russia and Russians, rather than being sidetracked into discussions of normative values or political controversy. This approach prepares the reader for the conclusion, which celebrates the openness and curiosity of the best Russia correspondents, reminding the reader that what they have just read is a history not of Russia but of how Western correspondents have told Russia’s stories. Differentiating the two is an important and hitherto neglected task but one that James Rodgers has achieved masterfully. * Journalism *Reporting from Russia has never been easy; Rodgers vividly captures the changing fortunes of Moscow correspondents over the past hundred years, as they penetrated the mysteries of life in Russia and brought them to our newspapers and screens. Some were duped, some were fellow-travellers or spies; most battled against censors and blank-faced politicians; all have helped to shape our understanding of the world’s biggest country. * Angus Roxburgh, former Moscow correspondent for the BBC, Sunday Times and Economist *Writing about journalism in Russia since the revolution, James Rodgers rightly emphasises that to understand Russia you have to talk to people of all kinds. But he argues that even correspondents who knew the language and the history found it hard to report dispassionately because of official obstruction and their own emotional involvement. * Rodric Braithwaite *A highly original, engrossing and accessible book, Assignment Moscow stands out among journalistic accounts of Russia for its subtlety, humility and historic scope. It tells the story of British and American journalists who aimed to throw light on Russia from Lenin to Putin, and in the process illuminated the West itself. * Arkady Ostrovsky, Author of The Invention of Russia: The Rise of Putin and the age of Fake News, Winner of the 2016 Orwell Prize *It is hard to believe that in the torrent of books published on Russia each year, that one could come along as original and valuable as Assignment Moscow. One comes to appreciate the service of our reporting men and women in Moscow. For all their fallibilities, without their dedication, we wouldn’t have half the understanding of Russia that we have today, imperfect as it will always be. We therefore owe them – and especially Rodgers as journalist, teacher, analyst and cataloguer – a huge debt. * James Nixey, Chatham House *[Rodgers'] experience has been wisely distilled in this fair-minded, balanced and perceptive exploration of the problems reporters have faced in trying to report from Russia. * British Journalism Review *Reveals how journalists’ experiences reporting from Russia for the past 100 years mirrors its changing attitude to the West. * The Journalist *Table of ContentsAcknowledgements List of illustrations Foreword by Martin Sixsmith Introduction 1.Sympathies in the Struggle: Reporting Russia in Revolution, 1917 2.‘The press is lying, or does not know’: Russia goes to war with itself 3.From ‘A Wild And Barbarous Country’ via Starvation to Stalinism 4.Believe Everything But The Facts 5.But What A Story Everything Tells Here: The Great Patriotic War 6.Secrets, Censorship, and Cocktails with the Central Committee 7.A Window On The Country: Reporting Reform and Ruin 8.‘Free for all’: the Yeltsin era 9.Becoming Strong Again? 10.Russia: My History Bibliography Index

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Book SynopsisRecently, fake news has become real news, making headlines as its consequences become crushingly obvious in political upsets and global turmoil. But it's not new - you've seen it all before. A malicious online rumour costs a company millions. Politically motivated 'fake news' stories are planted and disseminated to influence elections. Some product or celebrity zooms from total obscurity to viral sensation. Anonymous sources and speculation become national conversation. What you don't know is that someone is responsible for all this. Usually, someone like Ryan Holiday: a media manipulator. Holiday wrote this book to explain how media manipulators work, how to spot their fingerprints, how to fight them, and how (if you must) to emulate their tactics. Why is he giving away these secrets? Because he's tired of a world where trolls hijack debates, marketers help write the news, reckless journalists spread lies, and no one is accountable for any of it. He's pulling back the curtain because it's time everyone understands how things really work.Trade ReviewHoliday is part Machiavelli, part Ogilvy, and all results -- Tim Ferriss * The 4-Hour Workweek *Essential reading for anyone concerned with the current health of our digital media. -- Andrew Keen, TechCrunchRyan Holiday's brilliant expose of the unreality of the Internet should be required reading for every thinker in America. -- Edward Jay Epstein, author * The Big Picture *This is an astonishing book. ... Many of these stories are chilling. -- Gillian Tett * Financial Times *Provides valuable food for thought regarding how we receive - and perceive -information. * New York Post *Holiday has written more than a dyspeptic diatribe, as his precise prose and reference to the scholarship of others add weight to his claims. A sharp and disturbing look into the world of online reality. * Kirkus Reviews *His focus is prescient and his schemes compelling. Media students and bloggers would do well to heed Holiday's informative, timely, and provocative advice. * Publishers Weekly *The strategies Ryan created to exploit blogs drove sales of millions of my books and made me an internationally known name. -- Tucker MaxBehind my reputation as a marketing genius there is Ryan Holiday, whom I consult often and has done more for my business than just about anyone. -- Dov Charney, CEO and founder, American ApparelThis book will make online media giants very, very uncomfortable. -- Drew Curtis, founder, Fark.com[Like] Upton Sinclair on the blogosphere. -- Tyler Cowen, MarginalRevolution.com

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Book SynopsisA society that isn't sure what's true can't function, but increasingly we no longer seem to know who or what to believe. We're barraged by a torrent of lies, half-truths and propaganda: how do we even identify good journalism any more?At a moment of existential crisis for the news industry, in our age of information chaos, News and How to Use It shows us how. From Bias to Snopes, from Clickbait to TL;DR, and from Fact-Checkers to the Lamestream Media, here is a definitive user's guide for how to stay informed, tell truth from fiction and hold those in power accountable in the modern age.Trade ReviewGiven that Rusbridger is, in my opinion, one of the two great newspaper editors of the past half-century (the other is the late Harry Evans), anything he writes about the press is going to be worth reading . . . Many of the mini-essays are useful distillations of his experience in, and knowledge of, the industry * * Guardian * *If you are interested in the mechanics of the news, especially related to the times we are living in, going through and set to go through, then this book is a must -- NIHAL ARTHANAYAKE, BBC[Rusbridger] was one of the stand-out editors of his generation and it shows in his book: an astute and agreeably random canter through the imperfect world of journalism in Britain and America . . . erudite * * Financial Times * *An agreeable and very worthwhile book. It invites you to think and question. It is informative and entertaining * * Scotsman * *Smart, relevant and punchy . . . a powerful light in the darkness * * Evening Standard * *Captivating . . . a compelling tour d'horizon of the trade * * Guardian * *An important book for anyone concerned about the erosion of trust in society * * Church Times * *Praise for Breaking News: [Rusbridger] has written a book of breathtaking range . . . The brilliant Breaking News is essential - and entertaining - reading -- SIR HAROLD EVANS * * Observer * *I particularly enjoyed Alan Rusbridger's Breaking News - in places it's as exciting as a thriller (and the good guys win) but it also gave me a new understanding of the difficulties that now confront good journalism -- HENRY MARSH * * New Statesman, Best Books of 2018 * *Just when we were feeling lost in the dark labyrinth of fake news and journalism in crisis, Alan Rusbridger lights his torch and leads the way. Essential -- STEVE COOGAN

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Book SynopsisWINNER OF THE COSTA BIOGRAPHY AWARD 2021THE SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2021A SUNDAY TIMES AND TELEGRAPH BOOK OF THE YEARA dramatic, gripping account of the rise and fall of the notorious business tycoon Robert Maxwell from the acclaimed author of A Very English Scandal.''The best biography yet of the media magnate Robert Maxwell - by turns engrossing, amusing and appalling'' Robert Harris, Sunday Times''Electrifying... the supreme chronicler of modern British scandals'' Mail on SundayRobert Maxwell was a very British success. Born an Orthodox Jew, he escaped the Nazi occupation of Czechoslovakia, fought in the Second World War, and was decorated for his heroism with the Military Cross. He went on to become a Labour MP and an astonishingly successful businessman, owning a number of newspapers and publishing companies. But aTrade Review'This is the best biography yet of the media magnate Robert Maxwell - by turns engrossing, amusing and appalling... it slips down as richly, easily and pleasurably as a tablespoonful of Beluga caviar' -- Robert Harris * Sunday Times *'Electrifying... the supreme chronicler of modern British scandals' * Mail on Sunday *'This is such a richly detailed, well-written, gripping biography I wished it could have been twice as long' -- Lynn Barber * Daily Telegraph *'I have a shelf full of books about frauds, but this one is by far the most enjoyable. By turns self-righteous and revolting, Maxwell makes the perfect villain' -- Craig Brown * Mail on Sunday *'Any good biography of a mountebank depicts not only its subject but also the ambivalent society that accommodated the monster. John Preston's Fall does this with deft understatement ... Preston's A Very English Scandal used an almost novelistic eye to revive a well-worn scandal. Fall is equally satisfying' -- Quentin Letts * The Times *'An absorbing profile of the war hero turned rogue ... Preston comes to his subject with the advantage both of hindsight and his great skill at exposing hypocrisy and subterfuge ... he has an eye for the telling detail and an ear for the revealing quote' * Observer, Book of the Week *'There have been many books written about Robert Maxwell, but surely none as pacy, entertaining and jaw-dropping as this one... yes, this is quite a book' * Daily Mail *'Preston has written a wonderfully ­entertaining book and interviewed almost everyone who crossed ­Maxwell's path in his heyday. He has an eye for comedy and drama and, where he explains his subject's shady and dauntingly complex business dealings, he does so clearly and succinctly' * New Statesman *'Irresistible page-turning pace ... what emerges from Fall is a vividly grotesque picture of the emperor showing off his nonexistent new clothes to an applauding crowd of courtiers - politicians, editors, bankers - who all too willingly suspended any disbelief they may have felt' -- Francis Wheen * Spectator *'John Preston's book Fall, a recounting of the life of one of the most extraordinary figures in British corporate life, is timely ... almost 30 years since Maxwell died at sea in unexplained circumstances, it is possible to look back on his story and the fraud as a great, sweeping whole, a bridge from the second world war to the last years of the media barons before the internet began ... Preston tells the story well ... its strength is in telling the grand sweep of an extraordinary life' * Financial Times *'Vivid ... Preston (has a) gift for the kind of wry comedy that suits English decline' * Guardian, Book of the Day *'John Preston's research for this terrific biography is extensive; he interviewed three of Maxwell's children and his sister. But he also presents a large character at the heart of a gripping novel which happens to be true' * Evening Standard *'Thanks to Preston's fine writing, Fall fizzes along at pace and is engrossing as it charts Maxwell's astonishing life - and how he came to be so widely reviled' * i *'John Preston tells [the story of Maxwell] with great verve and the benefit of extensive interviews with, among others, Maxwell's one-time rival Rupert Murdoch... the portrait that emerges is more subtly drawn than previous ones' * Economist *'John Preston brings the old crook and liar magnificently to life in this sparkling biography... this beautifully written book provides many moments of high and low comedy... Preston's sharp eye for the ridiculous and the piquant conjures up a lost Fleet Street world' * Jewish Chronicle *'Preston is a natural storyteller' -- The TimesDeeply researched, fluently written, and darkly comic, it reads like a thriller -- Ben Macintyre on 'A Very English Scandal'Brilliant, sad, startling -- Jon Ronson on 'A Very English Scandal'A terrific book and brilliantly researched -- Claire Tomalin on 'A Very English Scandal'Very funny and endlessly extraordinary * Guardian on 'A Very English Scandal' *Preston is a natural storyteller * The Times *

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Book SynopsisWhen South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray. What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship. “As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.” The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage. “I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.” Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.Trade Review“Searing, heartbreaking, triumphant: Brutal Legacy is for anyone who’s been punched in the face by someone they loved and then stood up again. It’s for every mother who has run, every sister who has picked up the pieces and every friend who hasn’t fled. It’s for every brother who’s cried and for the children who have watched. Every South African should read it.” – Sisonke Msimang, author of Always Another Country. “On average, one in five South African women older than 18 has experienced physical violence, but the picture of gender-based attacks varies according to marital status and wealth. Four in 10 divorced or separated women reported physical violence, as has one in three women in the poorest households. It’s a complex picture that emerges in Statistics SA’s 2016 Demographic and Health Survey ... And it is one that not only challenges societal attitudes of patriarchy and chauvinism, but also the effectiveness of government programmes and interventions.” – Marianne Merten, Daily Maverick

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Book SynopsisThis book takes a light-hearted look at what the author considers to have been the golden age of motoring journalism - the last two decades of the 20th century. As a writer and tester for Motor magazine, founding Editor of Fast Lane magazine, and a freelance journalist with a weekly column in The Daily Telegraph, Peter Dron has many tales to tell. In these pages we meet industry moguls, unusual motoring journalists and various other passers-by. The reasons why it has all gone wrong, both for the motor industry and motoring journalism, are examined with candour. Although this book is essentially about cars and car people, the author ambitiously hopes that it may amuse, irritate or even inform people who are not interested in cars at all. If the readers are not amused, irritated or informed, the author does not mind in the least, provided they have bought the book with their own money rather than stolen it or acquired it by other means, fair or foul.Trade ReviewEver wondered what goes on behind the scenes of magazine road tests? If so, The Good, the Mad & the Ugly may be for you. Through 99 short essays, former Motor man Peter Dron tells a few truths, and reignites the old grudge, in his look back at what he claims to be the 'Golden Age' of motoring journalism. - Classic & Sports Car. Musings on motoring journalism throughout the Seventies, Eighties and Nineties. Very funny. - Classic Cars. Even if your interest in cars, or the motor journalistic scene, is minimal, you will find much to enjoy in this book, mainly because it is just a darned good read! – Iain P W Robertson.Table of Contents1 The not about Jeremy Clarkson chapter 2 A conspicuously successful man 3 The Rollerball Corporation 4 Public Enemy Number 1 5 An industry mogul follows my advice 6 Reference points 7 The good, the mad and the ugly 8 Cardinal Sin 9 BARGAIN OF THE WEEK!!! 10 Geneva as it was 11 Fiatboating 12 Whiteout in Provence 13 A memorably bad week 14 To Turin by Quattro - Part I 15 To Turin by Quattro - Part 2 16 Nobody messed with The Electric Carrot 17 The best laid plans 18 Up the hill with Hannu 19 My ego is bigger than yours 20 Answering questions nobody asked 21 Decline of the Routes Nationales 22 A splendid Anniversary 23 A cold day in the New Forest 24 Where Russian poets go to die 25 Not picking up the tab 26 An singular experience 27 Crashing into dustbins 28 "Let's go back to the hotel..." 29 Jabba and the Bleeptron 30 Frank and the Tardis 31 The training scheme 32 The man who shot Lord Haw-Haw 33 Just a second 34 Going to the wall 35 The subtle art of seduction 36 Crashing a motor caravan 37 Immediate and accurate correction 38 Testing, testing 39 Have you done this kind of thing often? 40 Look - no hands! 41 Brake fade 42 Insurance yarns 43 By Bentley around Europe 44 Asleep at the wheel 45 Dee-dah, dee-dah 46 What should I talk about? 47 Mr Plod takes a dip 48 Bernard 49 No way out, Jose 50 No escape, but in credit 51 Achtung! Take cover! 52 Purple haze 53 Scoop! 54 No survivors, it is claimed 55 EcotY? Phooey! 56 You're a cab 57 Countach! 58 Top speed controversy 59 Maxing the Lotus Carlton 60 A bit more sideways 61 Some enchanted evening 62 The nine-million-euro dream 63 Measure for measure 64 Testing, testing...like so, jawohl! 65 Missed opportunities and creative fibs 66 Polluted steering 67 The conversion of John 68 Plan A: a relaxing weekend in Paris 69 Drinking and driving 70 The mysteriously empty tureens 71 An inspector calls 72 Asymmetric, man 73 The High Priest of Asymmetry 74 Shadow boxing with Mr Bangle 75 It's The Pope, virtually 76 Avant-garde? Says who? 77 The real Mona Lisa, allegedly 78 The royal milk float 79 An adequate product solution 80 Sequiturs and bungarolas 81 Getting in a flap 82 Iron slugs 83 Wheeler dealer 84 Max Power 85 The largest pilot of all times 86 Telegraph times 87 V for Vette 88 The ghost of Mika Hakkinen 89 "What's the best car you have driven?" 90 "What's the best car you have owned?" 91 Retromania 92 Why I hate concours d'elegance 93 Stop the World... 94 Back to basics 95 From 3 to 4/4 96 Career advice 97 Crossing the finish line 98 The trouble with Uncle Harry 99 Last hominid at the wheel

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Book Synopsis'Superb...his pages fizz with character and colour' Dominic Sandbrook, Sunday Times 'Scholarly and very readable' Andrew Lycett, Spectator 'Energetic and hugely entertaining' A.N.Wilson, TLSThe definitive biography of Alfred Harmsworth, 1st Viscount Northcliffe, the first and greatest press magnate in history and the genius who invented modern popular journalism. The turn of the century was a period when the world was opening up in new and exciting ways – radio, telegrams, the advent of flight. With literacy and the right to vote extending across an ever-expanding populace, politics and journalism were embarking on a power struggle that continues unabated to this day. Lord Northcliffe rose to the challenges of this new world by employing cutting-edge technology, upending the outdated mores of traditional journalism and radically reshaping the very concept of ‘news’.Trade Review‘Roberts does a superb job of bringing [Northcliffe's story] alive… His pages fizz with character and colour...but at their heart is Northcliffe himself: charismatic, swashbuckling, admirable and appalling. His book is littered with affairs, tantrums and tirades, all of which add considerably to its attractions… Some of the most memorable scenes come in the early 1920s, as Northcliffe succumbs to all-out megalomania.’ -- Dominic Sandbrook * Sunday Times *'With an experienced historian’s use of contemporary documents, Roberts makes Northcliffe’s eventful life a panoramic account of his times... [a] restrained, scholarly and very readable book.' -- Andrew Lycett * Spectator *'Lord Northcliffe...was the daddy of all press barons...classless, dynamic and fearless. This compelling biography...leaves you exhausted by the sheer work that bred success. Northcliffe had his faults...but what an exciting man he must have been to work for.' -- Quentin Letts * The Times *'The way Roberts persuasively tells it, not only did Northcliffe establish the template for British journalism ever since, but he also did much to win the First World War. You do finish The Chief utterly open-mouthed at all that Northcliffe got done in his 57 years. -- James Walton * Daily Telegraph *‘Towards the end of The Chief, his keenly researched biography of Lord Northcliffe, the Daily Mail founder and “Britain’s greatest press baron”, the historian Andrew Roberts observes: “Great men are seldom nice men.”…there’s no question that Northcliffe was indeed an exceptional character… His last months were spent in a state of delirium that manifested as extreme megalomania.’ -- Andrew Anthony * Observer *'Long before Rupert Murdoch, there was Alfred Harmsworth. The original and probably the greatest UK press baron...the man who styled himself “the Chief” set a tone and style for popular newspapers that still prevails today. Roberts is keen to dispel myths of megalomania, until Harmsworth’s final short illness destroys his mind... While mostly friendly, the author is critical at times and unsparing about Harmsworth’s zealous anti-Semitism. It’s a pacy and enjoyable read.' -- Robert Shrimsley * Financial Times *'Reading this energetic and hugely entertaining biography, you are trapped on a carousel in an insane fairground, whizzing round and round inside the head of “the Chief”. What hits you again and again is the absolute randomness of his inspired, sometimes loathsome, obsessions.' -- A.N.Wilson * Times Literary Supplement *'Lord Northcliffe - founder of the Daily Mail, inventor of tabloid journalism, the most significant media innovator of the early 20th century - ended up in Hell... This has long been the highbrow take on Northcliffe. Shovelling information and entertainment was Northcliffe’s business model. His conjuror’s trick was simple: give as many people as possible what they want. It is the megalomaniac perception of Northcliffe that Andrew Roberts seeks to rebut in a new and sympathetic biography. [Rupert Murdoch] took Northcliffe’s principles and dialled them up.' -- Nicholas Harris * UnHerd *'This intriguing biography...is sympathetic to its subject, Roberts does not gloss over the darker side of Harmsworth’s life and his foibles: his anti-Semitism, his quirky prejudices and his eventual descent into madness. Northcliffe died 100 years ago, and his legacy was the British popular press as we know it.' -- Kim Bielenberg * Irish Independent *

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Book Synopsis'Superb...his pages fizz with character and colour' Dominic Sandbrook, Sunday Times 'Scholarly and very readable' Andrew Lycett, Spectator 'Energetic and hugely entertaining' A.N.Wilson, TLSThe definitive biography of Alfred Harmsworth, 1st Viscount Northcliffe, the first and greatest press magnate in history and the genius who invented modern popular journalism. The turn of the century was a period when the world was opening up in new and exciting ways – radio, telegrams, the advent of flight. With literacy and the right to vote extending across an ever-expanding populace, politics and journalism were embarking on a power struggle that continues unabated to this day. Lord Northcliffe rose to the challenges of this new world by employing cutting-edge technology, upending the outdated mores of traditional journalism and radically reshaping the very concept of ‘news’.Trade Review‘Roberts does a superb job of bringing [Northcliffe's story] alive… His pages fizz with character and colour...but at their heart is Northcliffe himself: charismatic, swashbuckling, admirable and appalling. His book is littered with affairs, tantrums and tirades, all of which add considerably to its attractions… Some of the most memorable scenes come in the early 1920s, as Northcliffe succumbs to all-out megalomania.’ -- Dominic Sandbrook * Sunday Times *'With an experienced historian’s use of contemporary documents, Roberts makes Northcliffe’s eventful life a panoramic account of his times... [a] restrained, scholarly and very readable book.' -- Andrew Lycett * Spectator *'Lord Northcliffe...was the daddy of all press barons...classless, dynamic and fearless. This compelling biography...leaves you exhausted by the sheer work that bred success. Northcliffe had his faults...but what an exciting man he must have been to work for.' -- Quentin Letts * The Times *'The way Roberts persuasively tells it, not only did Northcliffe establish the template for British journalism ever since, but he also did much to win the First World War. You do finish The Chief utterly open-mouthed at all that Northcliffe got done in his 57 years. -- James Walton * Daily Telegraph *‘Towards the end of The Chief, his keenly researched biography of Lord Northcliffe, the Daily Mail founder and “Britain’s greatest press baron”, the historian Andrew Roberts observes: “Great men are seldom nice men.”…there’s no question that Northcliffe was indeed an exceptional character… His last months were spent in a state of delirium that manifested as extreme megalomania.’ -- Andrew Anthony * Observer *'Long before Rupert Murdoch, there was Alfred Harmsworth. The original and probably the greatest UK press baron...the man who styled himself “the Chief” set a tone and style for popular newspapers that still prevails today. Roberts is keen to dispel myths of megalomania, until Harmsworth’s final short illness destroys his mind... While mostly friendly, the author is critical at times and unsparing about Harmsworth’s zealous anti-Semitism. It’s a pacy and enjoyable read.' -- Robert Shrimsley * Financial Times *'Reading this energetic and hugely entertaining biography, you are trapped on a carousel in an insane fairground, whizzing round and round inside the head of “the Chief”. What hits you again and again is the absolute randomness of his inspired, sometimes loathsome, obsessions.' -- A.N.Wilson * Times Literary Supplement *'Lord Northcliffe - founder of the Daily Mail, inventor of tabloid journalism, the most significant media innovator of the early 20th century - ended up in Hell... This has long been the highbrow take on Northcliffe. Shovelling information and entertainment was Northcliffe’s business model. His conjuror’s trick was simple: give as many people as possible what they want. It is the megalomaniac perception of Northcliffe that Andrew Roberts seeks to rebut in a new and sympathetic biography. [Rupert Murdoch] took Northcliffe’s principles and dialled them up.' -- Nicholas Harris * UnHerd *'This intriguing biography...is sympathetic to its subject, Roberts does not gloss over the darker side of Harmsworth’s life and his foibles: his anti-Semitism, his quirky prejudices and his eventual descent into madness. Northcliffe died 100 years ago, and his legacy was the British popular press as we know it.' -- Kim Bielenberg * Irish Independent *

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Book SynopsisA fully updated edition of one of the world's bestselling journalism handbooksTrade Review'Easily the best introduction to being a reporter' -- Paul Jones, Press Association'What I admire about this book is that it is not simply a 'how to' manual, it is also a wise, witty and extremely entertaining read. Anyone who aspires to be a journalist should read it' -- Dame Ann Leslie, 'British Journalism Review''The go-to guide for any up and coming journalist, shining a light on every element of the job in an engaging, insightful way. And with the likes of social media and data covered too, it's also a compelling read for the established reporter' -- Peter Clifton, Editor-in-Chief, PA TrainingTable of ContentsAcknowledgements Preface 1. Journalism in an Age of Social Media 2. What Makes A Good Reporter? 3. The Limitations of Journalism 4. What Is News? 5. Where Do Good Stories Come From? 6. Research 7. Handling Sources, Not Them Handling You 8. Questioning 9. Reporting Numbers and Statistics 10. Investigative Reporting 11. How to Cover Major Incidents 12. Mistakes, Corrections and Hoaxes 13. Ethics 14. Writing News and Features 15. Intros 16. Construction and Description 17. Handling Quotes 18. Different Ways To Tell A Story 19. Comment, Intentional and Otherwise 20. How To Be A Great Reporter Reading for Journalists Index

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Book SynopsisThe official style guide followed by The Times and The Sunday Times.Uncover the rules, conventions and policies on spelling, grammar and usage followed by the journalists, contributors and editors working on the Times and Sunday Times newspapers. Now updated with all the latest policy decisions.Royal Family or royal family? Frontrunner or front-runner? Assure or ensure? Affect or effect? Even the most accomplished writer will run up against these and many similar problems in the quest for clear, elegant and grammatical writing.The Times and Sunday Times editors answer these and hundreds of other usage conundrums with a comprehensive collection of entries covering the quirky minefield of the English language.Although no literary straitjacket, this authoritative guide is the foundation of correct English usage for all Times and Sunday Times journalists and contributors and provides a benchmark style, the essential ingredient of all well-written English.

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Book SynopsisTHE NUMBER ONE BESTSELLER * UPDATED WITH NEW REPORTING * 'It’s all here in this stunning first draft of the history of the presidency of Donald Trump' Sydney Morning Herald ‘An icy, Iago-like glimpse of the emotional and moral nullity that may be the source of Trump’s power’ Observer ‘A damning, well-reported, well-sourced and clearly written haymaker’ Sunday Times Drawing on nearly three years of reporting, hundreds of hours of interviews and more than two hundred sources, including some of the most senior members of the administration, friends and first-hand witnesses who have never spoken before, Philip Rucker and Carol Leonnig take us inside some of the most controversial moments of Trump’s presidency. They peer deeply into Trump’s White House – at the aides pressured to lie to the public, the lawyers scrambling to clear up norm-breaking disasters, and the staffers whose careers have been reduced to ashes – to paint an unparalleled group portrait of an administration driven by self-preservation and paranoia. Rucker and Leonnig reveal Trump at his most unvarnished, showing the unhinged decision-making and incompetence that has floored officials and stunned foreign leaders. They portray unscripted calls with Vladimir Putin, steak dinners with Kim Jong-un, and calls with Theresa May so hostile that they left her aides shaken. They also take a hard look at Robert Mueller, Trump’s greatest antagonist to date, and how his investigation slowly unravelled an administration whose universal value is loyalty – not to country, but to the president himself. Grippingly told, A Very Stable Genius is a behind-the-scenes account of Trump’s vainglorious pursuit of power in his first term.Trade ReviewRichly sourced and highly readable . . . Sheds new light on how the 45th president tests the boundaries of the office while trying the patience and dignity of those who work for or with him. It is not just another Trump tell-all or third-party confessional * Guardian *There’s no doubt that Rucker and Leonnig have the goods. This book is a damning, well-reported, well-sourced and clearly written haymaker aimed at the 45th president, who has anointed it himself with angry tweets about “third-rate reporters” seeking to “demean” him . . . This playground bully, who somehow gained control of the nuclear codes, sprawls maniacally across every page of A Very Stable Genius * Sunday Times *Rucker and Leonnig present Trump as a lord of misrule who delights in instability, running a government that resembles “a virtual tilt-a-whirl” at a carnival . . . Like his boast about being able to shoot someone on Fifth Avenue with impunity, this is an icy, Iago-like glimpse of the emotional and moral nullity that may be the source of his power * Observer *A pacey read . . . Again and again you are reminded how uncouth Trump can be, but how effective too * The Times *They’re meticulous journalists, and this taut and terrifying book is among the most closely observed accounts of Donald J. Trump’s shambolic tenure in office to date . . . There aren’t a lot of moments in A Very Stable Genius in which people do the right instead of the expedient thing * New York Times *Remains a page-turner even for those who chronicle Trump for a living. As with previous books on Trumpworld, it is the cumulative effect of what has happened in the Trump presidency, the reminder of outrage piled on outrage that shocks the conscience numbed by the daily drumbeat of Trump transgressions . . . Rucker and Leonnig have done us all a service * Financial Times *Superbly reported and written with clarity . . . It is the story of how Trump got rid of all the advisors – the so-called grown-ups in the room – who patronised him and tried to prevent him from doing what they considered to be stupid things. The authors have dislodged new sources who enable them to describe the thoughts and feelings of players like Tillerson, McMaster, Chief of Staff John Kelly, Deputy Attorney General Rod Rosenstein and others . . . Rucker and Leonnig offer lots of gory details about the president. He blusters about, desperately solipsistic, relentlessly ignorant. His gaffes are breathtaking * Washington Post *Walks readers step by step through the first 30 months or so of a presidency like no other . . . Whatever may happen to that impeachment effort in the weeks and months ahead, it creates a moment of intermission in the Trump saga and a chance to consider how the landscape has already been altered by this president. A Very Stable Genius offers a harrowing companion narrative to be read during intermission * NPR *An arresting narrative of how Trump has come to operate with far fewer constraints and much greater conviction about the soundness of his own instincts * New Yorker *Compulsively readable * TLS *Rucker and Leonnig set out to provide an historical record of Trump’s administration . . . Their account is certainly more meticulous and less gossipy than Michael Wolff’s Fire and Fury . . . We get an excellent sense of the man as President . . . Rucker and Leonnig don’t tell us what to think of Trump, but by the end I had a long list of adjectives to describe him: obtuse, capricious, immature, narcissistic, naïve, impetuous, ignorant * The Herald *

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Book SynopsisIn 1935, a group of journalists and theater artists embarked on an unusual collaboration. With funds from the Federal Theatre Project (FTP), a Depression-era employment initiative established by President Roosevelt's New Deal, they set out to produce news for the theatrical stage. Over the next four years, the New York–based team created six productions, known as the Living Newspapers. Covering a variety of public issues that included affordable housing, the plight of Dust Bowl farmers, the Tennessee Valley Authority, and labor law, Living Newspaper productions would reach hundreds of thousands of spectators and inspire adaptations across the country.Staged News interprets the Living Newspaper's process and repertoire amid journalists' changing conceptions of their profession. Jordana Cox spotlights marginalized "newsmakers," particularly Black artists, who challenged the parameters of public knowledge and assumptions surrounding newsworthiness. This timely analysis uncovers how a vital theatrical form sprouted from a changing news landscape and reimagined what journalism could do for people seeking democratic change.Trade Review“Cox brilliantly chronicles the embrace of imagination by newspaper reporters and theatre makers. This engaging, beautifully written book reveals how their staging of the news inspired democratic participation while questioning the idea of journalistic objectivity.”—Harvey Young, author of Theatre and Race “Jordana Cox deftly traces the twinned histories of US theater and journalism in the 1930s, drawing on extensive archival material to detail how innovations in journalistic practice and imagination shaped many of the Federal Theatre Project’s most significant Living Newspaper productions. This is a timely and insightful book.”—Marlis Schweitzer, author of Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century “Journalism historians have paid little attention to the subject of Living Newspapers. In this carefully researched history, Cox uncovers how this New Deal program illuminated the limitations of journalism while offering an alternative and collaborative model for truth-telling—a model with lasting value.”—Carolyn Kitch, author of Pages from the Past: History and Memory in American Magazines “Cox’s writing style is smooth and fluid, and she has mined archives that others have missed. A book on Living Newspapers that focuses on their journalistic status is way overdue.”—Laura Browder, author of Rousing the Nation: Radical Culture in Depression AmericaTable of Contents Preface Acknowledgments A Note on Terminology Introduction THEATER, NEWS, AND JOURNALISTIC IMAGINATION Chapter One GETTING A FEEL FOR THE OFFICE Reimagining the Newsroom Chapter Two THE COURT OF PUBLIC OPINION Reimagining News Publics Chapter Three THE LITTLE MAN AND THE LOUDSPEAKER Reimagining News Media Chapter Four THE KEEPER OF RECORDS Reimagining Representation Conclusion OUTSIDE AND AFTER THE NYLN Reimagining Living Newspapers Notes Index

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Book SynopsisThis book tells the story of how American journalists have covered China—from the civil war of the 1940s through the COVID-19 pandemic—in their own words. Mike Chinoy assembles a remarkable collection of personal accounts from eminent journalists.Trade ReviewThe China beat is one of the toughest in journalism—and one of the most important. In Assignment China, Mike Chinoy, CNN's longtime Beijing bureau chief, has created a remarkable oral history of multiple generations of China correspondents, providing insight beyond the headlines and introducing readers to some of the committed, compassionate and colorful people who covered China for the American media from 1945 to the present day. Essential reading for understanding modern China and the history of journalism. -- Tom Johnson, former publisher of the Los Angeles Times and former CEO of CNNBy collecting the thoughts and observations of dozens of prominent journalists who have covered China for more than half a century, we get a broader and richer view of modern China and even some of the difficulties they faced in getting their stories out to the world, rather than through the eyes of just one reporter. And by arranging the insights of the journalists around specific events—whether the Cultural Revolution, ping pong diplomacy, Nixon’s trip to China, Tiananmen Square, China’s economic and social transformation—Chinoy made me feel privileged, as if I was listening in on a gathering of esteemed journalists providing their different and unique perspectives and interpretations. -- Gary Locke, former United States Ambassador to ChinaChina may be one of the most fascinating countries in the world, with 1.4 billion people, and a long, rich and consequential history. But the fact it’s also one of the most closed societies on earth, makes it almost impossible to know the truth of what’s happening there. Mike Chinoy brings us closer to penetrating that wall of secrecy with his brilliant idea of interviewing almost all (?) of the U.S. journalists who’ve covered China over the past 75 years, publishing their observations and their tales of struggle with China’s leaders to win access. This is riveting reading for anyone who wants to understand China, or cares about how great reporters do their work. -- Judy Woodruff, PBS NewsHourA rare and fascinating assemblage of first-hand accounts from decades of American journalists in China. Assignment China fills a gap in the literature on Sino-American relations and it opens a window into how Americans have formed their perceptions of China. -- David Shambaugh, George Washington UniversityMike Chinoy weaves together fascinating vignettes of the drama of changing China from the journalists experiencing them first hand. I started reading and couldn’t put it down. -- Susan Shirk, University of California, San DiegoA terrific document and a fun read. -- Matt Pottinger, China-based reporter (1998-2005) and former Deputy National Security AdvisorAssignment China is an engaging way to view the changing and evolving relationship between the United States and China...a real treat to read. * Middle East Monitor *Mike Chinoy is a pioneering broadcaster who opened CNN's first Beijing bureau in 1987. This book is based on his documentary of the same name. In each, correspondents talk about the challenges of covering China as outsiders. For those not old enough to remember, Chinoy comes from a time when journalism was considered a craft, guided by ethics—when journalists didn't have agendas. A must read for serious journalists and would-be international reporters—plus anyone who wants to understand China's contemporary history. -- Lisa Napoli, author of Up All Night: Ted Turner, CNN, and the Birth of 24-Hour News and Susan, Linda, Nina & Cokie: The Extraordinary Story of the Founding Mothers of NPRAssignment China gives readers unforgettable behind-the-scenes insights on the challenges and choices faced by journalists covering the biggest story of the past 45 years—the rise of China to the world's center stage. Organized chronologically, author Mike Chinoy is the guide who provides the context for the recollections of the reporters who faced threats, intimidation, and the risk of expulsion to cover Tian'anmen, SARS, COVID-19, and the dramatic changes in the lives of the Chinese people. I couldn't put it down. -- John Holden, former President of the National Committee on U.S.-China RelationsChinoy looks at China since the 1949 revolution and how its journey has been covered by the U.S. media correspondents who had been assigned there. Moments of insight and courage are discussed, along with the painstaking everyday challenge of trying to report the news from this massive, complicated, and secretive country. A fascinating read for China hands and those who want to understand the profession of journalism. -- Frank Lavin, former U.S. ambassador to SIngaporeOffers fascinating accounts of U.S. reporters covering one of journalism's key international beats over the course of close to a century. * Studies in Intelligence *Assignment China is packed full of such wonderful anecdotes, all delivered in conversational speech of reporters on the scene, state department officials and Chinese government personnel. I found myself tearing through the pages. For the modern China bookshelf, this is absolutely required reading. But even for casual news watchers, it’s a highly accessible and utterly engrossing history. -- David Frazier * Taipei Times *A rich story of how correspondents collected and transmitted news and their dealings with the PRC authorities at both national and local levels. * China Quarterly *Table of ContentsAcknowledgmentsCast of CharactersIntroduction1. The Chinese Civil War2. China Watching3. “A Struggle of Sea Monsters”4. The Week That Changed the World5. End of an Era6. Opening Up7. “You Were Writing What We Were Thinking”8. Testing the Limits9. Beijing Spring10. The Crackdown in Tiananmen Square11. Aftermath12. A Tale of Two Chinas13. The New Millennium14. Tremors15. Contradictions16. The Turning Point17. Poison18. Follow the Money19. The Surveillance State20. Emperor for Life21. “Reeducation” in Xinjiang22. “I Started to Cry”23. Epidemic24. Expulsion25. The Door ClosesNotesSuggested ReadingIndex

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Book SynopsisIn this fifth edition, Brian Carroll explores writing and editing for digital media with essential information about voice, style, media formats, ideation, story planning, and storytelling.Carroll explains and demonstrates how to effectively write for digital spaces and combines hands-on, practical exercises with new material on podcasting, multi-modal storytelling, misinformation and disinformation, and writing specifically for social media. Each chapter features lessons and exercises through which students can build a solid understanding of the ways that digital communication provides opportunities for dynamic storytelling and multi-directional communication. Broadened in scope, this new edition also speaks to writers, editors, public relations practitioners, social media managers, marketers, as well as to students aspiring to these roles. Updated with contemporary examples and new pedagogy throughout, this is the ideal handbook for students seeking careers in digital media, particularly in content development and digital storytelling.It is an essential text for students of media, communication, public relations, marketing, and journalism who are looking to develop their writing and editing skills for these ever-evolving fields and professions.This book also has an accompanying eResource that provides additional weekly activities, exercises, and assignments that give students more opportunity to put theory into practice.Table of Contents1. Writing for Digital Media: Laying the Foundation 2. Editing for Digital Media: Storytelling Strategies 3. Writing for Digital Media II: Tools & Techniques 4. Editing for Digital Media II: Creating the User Experience 5. Digital Storytelling: Generating Ideas & Publishing the Story 6. Doing Journalism 7. Responsible Advocacy: Public Relations and Social Media Management 8. Multimodal Storytelling: The Medium is the Message 9. Misinformation & Disinformation: Credibility in a "Post-truth" Age 10. Knowing the Law: Intellectual Property, Libel & Privacy

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Book SynopsisClosely examining how the news media reports economic and financial matters, this book equips students with solid methodological skills for reading and interpreting the news alongside a toolkit for best practice as an economic journalist. How to Read Economic News combines theory and practice to explore the discourse surrounding economics in the mass media and how this specialised form of reporting can be improved. Beginning by introducing major concepts such as financialised economic reporting, media amnesia and loss of trust, the book goes on to help students to interpret, understand and analyse existing news discourse and to identify subtle biases in news reports stemming from hegemonic belief systems. The final section puts this analytical knowledge into practice, providing students with methods for the critical production of news and covering such skills as identifying newsworthiness, story sourcing, achieving clarity, and using complex datasets in news stories. <Table of ContentsList of Figures List of Tables List of ContributorsChapter 1: Introduction – How to Read Economic NewsHenry SilkeFergal QuinnMaria Rieder Part I: Connecting economic theory, ideology and journalismChapter 2: Economic Imaginaries, Economics Theories And The Role Of Economic Journalism Hendrik TheineChapter 3: What can journalism learn from Heterodox EconomicsAndrea GrisoldChapter 4: Ideology, Economics and JournalismHenry SilkeChapter 5: Journalism Studies and Crises: Economic, Environmental and Political - Towards a political Economic Approach.Paschal PrestonPart II: Methodological approaches for evaluation of economy-related media outputChapter 6: Using Content Analysis to study Economic JournalismFergal QuinnMuireann PrendergastChapter 7: Analysing Economic News Sources: Who gets to speak? Henry SilkeChapter 8: Corpus Linguistics and Economic Media researchBrian ClancyElaine VaughanChapter 9: Breaking Down the Discourse, Exposing Power in Economic Journalism – Critical Discourse AnalysisMaria RiederHendrik TheineChapter 10: Deconstructing Economic Discourses on Broadcast NewsCiara GrahamBrendan O’RourkeChapter 11: Deconstructing Discourse: Applying Interview Research in the Economic NewsroomSophie KnowlesNadine StraußChapter 12: Researching Audiences: Understanding how economic news is receivedMike BerryPart III: News production: Best practices for investigating economic and business stories Chapter 13: Making sense of economic dataDonal PalcicDarragh FlanneryChapter 14: Economic news approachesAudrey GalvinBrian HurleyChapter 15: Where theory meets practice - tips for BETTER economic journalism Fergal QuinnMaria RiederHenry SilkeIndex

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Book Synopsis*** WINNER OF INTERNATIONAL SPORTS BOOK OF THE YEAR AT THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 ***''fascinating, informative and revealing'' Mail on SundayBeloved bestselling author and golf aficionado Rick Reilly channels his insatiable curiosity, trademark sense of humour, and vast knowledge of the game of golf in 80 original pieces about what it has meant to him and to others, and all the reasons we love it.This is the book Rick Reilly has been writing in the back of his head since he fell in love with the game of golf at eleven years old. He unpacks and explores all of the wonderful, maddening, heart-melting, heart-breaking, cool, and captivating things about golf that make the game so utterly addictive. We meet the PGA Tour player who robbed banks by night to pay his motel bills, the golf club maker who takes weekly psychedelic trips, and the caddy who kept his loop even after an 11-year prison stint. We leTrade ReviewAn informative, enjoyable romp. * Kirkus Reviews *[So Help Me Golf] features Reilly's usual hilarious story-telling with a kinder, gentler, more grateful tone. * Sports Illustrated *Former Sports Illustrated and ESPN man Reilly has always had the knack of unearthing great anecdotes that reveal the golfer and of also putting those tales together in fast-paced and funny narratives - So Help Me Golf is a romp that maintains all those trends. * Planet Sport *This book is Reilly's heartfelt ode to the game: a bulging collection of sharp and snappy snippets... His usual wit and charm is in abundance, but what actually keeps you turning is just how fascinating, informative and revealing it all is. * Daily Mail *

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Book SynopsisMeghan Casey owns Do Better Content Consulting. She helps a wide variety of clientsfrom startups, nonprofits, colleges and universities, Fortune 50 companies, and everything in betweensolve the messy content problems most organizations encounter every day. Meghan has also helped several agencies and clients build their capacity to do content strategy. Perhaps her proudest moments are when content strategy practitioners tell Meghan that the first edition of this book helped them launch their content strategy career, tackle a difficult content project, or get a promotion. A regular trainer and speaker on content strategy topics, she once inspired participants to spontaneously do the wave in a workshop setting. Yep, that really happened. Meghan has been working with content and communications since 1996, after receiving her Bachelor of Arts degree in writing from Concordia College. She also holds a Master of Arts in nonprofit management from Hamline University.Table of ContentsPART I: GET BUDGET AND BUY-IN 1 IDENTIFY PROBLEMS AND OPPORTUNITIES 2 CONVINCE LEADERS AND GET THE RESOURCES PART II: SET UP FOR SUCCESS 3 GET STAKEHOLDERS ON BOARD 4 ASSEMBLE YOUR CROSS‑DISCIPLINE TEAM 5 PREPARE FOR CHANGE PART III: DIG IN AND GET THE DIRT 6 UNDERSTAND YOUR BUSINESS ENVIRONMENT 7 LEARN ABOUT YOUR AUDIENCE AND USERS 8 GET FAMILIAR WITH YOUR CONTENT 9 EVALUATE YOUR PROCESSES PART IV: ARTICULATE YOUR STRATEGY 10 ALIGN ON A STRATEGIC FOUNDATION 11 SET YOUR CONTENT COMPASS PART V: DESIGN YOUR CONTENT 12 PRIORITIZE BASED ON YOUR STRATEGY 13 ORGANIZE FOR INTUITIVE WAYFINDING 14 DEFINE THE CONTENT EXPERIENCE 15 SPECIFY CONTENT STRUCTURE AND REQUIREMENTS PART VI: IMPLEMENT AND EVOLVE 16 DEFINE HOW YOU'LL GOVERN YOUR CONTENT 17 BUILD OUT YOUR CONTENT PLAYBOOK

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Book Synopsis'This insightful and superb book takes you to World Cups, to conflicts in war-torn countries, to division in Trump's America... A terrific read.' - Gary LinekerFor over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods.Full of high drama, raw emotion and the sometimes hilarious happenings from the life of a veteran reporter, Mark Austin's memoir gives startling insight into the stories behind the headlines.'A must read.' - Sir Trevor McDonaldTrade ReviewMark Austin is one of the very finest television journalists anywhere, and his charming, insightful view of the world, as laid back yet gutsy as the man himself, is a delight to read. -- John SimpsonMark Austin made his name as a distinguished journalist and one of the popular news anchors on Independent Television News... His great good fortune was to get sent to Washington to report on the Trump administration, surely one of the most unorthodox presidencies of our time. For this alone his book is a must read. -- Sir Trevor McDonaldAuthoritative, searching and honest - Austin writes as brilliantly about the personal as about the professional encounters he's had. -- Emily MaitlisThis insightful and superb book takes you to World Cups, to conflicts in war-torn countries, to division in Trump's America... A terrific read. -- Gary LinekerMark Austin is a brilliant journalist and a great guy. Read this book to be informed, entertained - and moved. -- Jeremy Bowen

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Book Synopsis*NOW A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN AND ZOE KAZAN* 'Explosive' Margaret Atwood 'Seismic' Observer 'Brilliant' Nigella Lawson 'Gripping' Jon Ronson A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world. Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world – and some unknown ones – to go on the record. Three years later, it helped lead to his conviction. This is how they did it.Trade ReviewSeismic. Examines what happens when a bully is cornered * Observer *A binge-read of a book, propelled by a clear, adrenaline-spiking tick-tock * Los Angeles Times *The narrative speeds towards the moment when the story that Weinstein can’t stop detonates with shattering force . . . Feels like a Hollywood film in the making * Daily Telegraph *She Said is a fascinating tale of investigative journalism in action, the ultimate story-behind-the-story filled with so many twists and obstacles that it often reads like a Hollywood screenplay * Evening Standard *Cinematic, remarkable . . . A much deeper story than the one that seized headlines * Guardian *She Said is not a lurid celebrity exposé, nor even a dark farce, but a cool, just-the-facts-ma’am account of how Kantor and Twohey uncovered the horror story that ignited the MeToo movement * The Times *Seamless and suspenseful . . . A gripping blow-by-blow * New York Times *Has the morally satisfying arc of a thriller, with all the suspense, a clear dynamic of right and wrong, and partial justice at the end * i *The groundbreaking new book that tells the true story of the Harvey Weinstein scandal. With plenty of unknown material and new discoveries, She Said serves as a testament to the importance of journalism and how facts can drive social change in an age of fake news * Stylist *Captivating. The cumulative effect is almost cinematic, a sort of All the President’s Men for the #MeToo era, except the men are women, and they don’t protect the boss, they take him down * Washington Post *She Said is first and foremost an account of incredible reporting. Kantor and Twohey show the background research they ran on sources, to protect both them and the paper, the careful way they documented and substantiated information, and their extraordinary precision in acquiring proof. We know how the story ends, but She Said is nonetheless deeply suspenseful, a kind of less swaggering All the President’s Men * NPR *Painstakingly researched, their account is less interested in Weinstein the monster than the structures that enabled him to flourish. A hymn to old-fashioned investigative reporting * Guardian *It reads like a thriller. It’s incredible the work they’ve done. It staggered me. I could talk all day about this book. It’s about so much more than Harvey Weinstein -- Pandora SykesFor decades Hollywood has whispered about Harvey Weinstein. Journalists sniffed around, but none ever could – or, perhaps, would – bring one of the industry’s darkest and longest-kept secrets to light. Until Jodi Kantor and Megan Twohey delivered a chilling exposé ... It sent shockwaves * Marie Claire *It's not often that you can pinpoint the beginning of such a momentous cultural shift, but in this case you can draw a pretty clear line to the stories by Meghan Twohey and Jodi Kantor * Glamour *A compelling account of serious investigative journalism. Riveting -- Helena Kennedy QC, author of 'Eve Was Shamed'What an inspiring and gripping story. I could not put it down -- Jessica AshworthI hope this book will go a long way to exonerating me and the other victims who’ve dealt with slander and mental assault for years now -- Rose McGowanI can’t put it down. The ins and outs of how they broke this story are riveting and the respect they show for their sources is beautiful -- Shonda RimesSuperb reporting. Unputdownable non-fiction. A powerful book -- Reni Eddo-LodgeFor years, the showbiz world has asked why Gwyneth Paltrow stayed silent about the man who helped her win as Oscar – but once made advances to her. Now, a new book reveals the extraordinary truth. She Said sheds a revealing light on the closest and most successful producer-actor partnership for decades * Daily Mail *An explosive new book chronicling the downfall of Harvey Weinstein. Since the release of She Said, Weinstein’s lawyers have hit back, and he has denied all previous allegations. One thing is clear, though: thanks to a thorough investigation, Weinstein’s victims will no longer be silenced * Grazia *Can a book feel important AND be a page-turner? Yes! This one! What a read. Edge of my seat plus I feel smarter about investigative journalism at its finest -- Mindy Kaling

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Book SynopsisNow a major motion picture starring Hugh Jackman.When politics went tabloidIn May 1987, Colorado Senator Gary Hart seemed like a no-brainer for the Democratic party's presidential nomination. He was articulate, dashing, refreshingly progressive and led George H. W. Bush by double digits in the polls. However, he was also a deeply private man, uneasy when attention moved away from his political views to his personal life. Then, in one tumultuous week, it all came crashing down. Rumours of marital infidelity, a photo of Hart and a model snapped near a fatefully-named yacht, and a newspaper's stakeout of Hart's home resulted in a media frenzy the likes of which had never been seen before.Through the spellbindingly reported story of the Senator's fall from grace, Matt Bai, Yahoo News columnist and former chief political correspondent for The New York Times Magazine, revisits the Gary Hart affair and unpicks how one man's tragedy forever changed the nature of political media and, by extensiTrade Review‘In buoyant, vivid prose … All the Truth Is Out gives the reader a visceral appreciation of how our political discourse has changed in the last two and a half decades, and how those changes reflect broader cultural and social shifts.’ Michiko Kakutani, The New York Times ‘A mini classic of political journalism that will restart the debate of 1987.’ Jack Shafer, The New York Times Book Review ‘Compelling … Bai's superb book provokes many questions, and I gulped it down in a single sitting.’ Ken Auletta, The New Yorker ‘Perhaps you’re one of the many millions who believe something has gone sadly wrong in politics … If so, All The Truth Is Out is for you.’ The Dallas Morning News ‘Matt Bai astonishes us by delving deeply into a story and thus overturning our views about how the press should cover politics. This fascinating and deeply significant tale shows how the rules of American politics and journalism were upended for the worse by the frenzied coverage of Gary Hart's personal life. The soot still darkens our political process.’ Walter Isaacson, author of Steve Jobs ‘Bai doesn't just make an argument: He tells the juicy Hart story all over again, right down to the oil-stained alley in which reporters cornered the candidate and interrogated him about the blonde in his apartment. . . Bai's important call for perspective is a reminder to all of us in the press and the electorate to recognize the complexity of the human condition, whether we're casting aside candidates because they wear a funny helmet in a tank or because they once committed adultery.’ Slate ‘You think you know it all: Donna Rice, Monkey Business, Hart taunting the press. You don't. The combustible mix of new technology and politics was birthed in [the 1987] presidential campaign, and there was no turning back.’ NPR ‘Bai … tells [Hart's] story with details that only great reporting can provide.’ Los Angeles Times

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Book SynopsisAn accessible compilation of news-breaking stories from The Times. As one of Britain’s leading newspapers for more than 200 years The Times has covered every major world events as they happened. This book profiles the ones that have had the most impact on the world today from the fall of the Berlin Wall to stepping onto the Moon.

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Book SynopsisA must-have gift for anyone interested in investigative journalism. The Sunday Times Insight team is famous for its investigative journalism. This book profiles the major stories – often a result of years of work and painstaking investigation – that ripped away the shrouds of secrecy, revealing the inconvenient truth.

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Book SynopsisThe incendiary untold story of Ireland's response to the most significant public health emergency of the past century, woven from a wealth of original research and dozens of interviews with ministers, politicians, public health experts, essential workers, and ordinary people on whom the crisis exacted a personal toll.Ranging from the halls of Government Buildings, where a new Cabinet riven by personal acrimony found itself beset by a series of unprecedented crises, to the frontlines of the containment effort itself, where medical practitioners and the communities they serve were pushed to breaking point, A Year Unlike Any Other is a landmark work of investigative journalism and the defining account of an extraordinary time in Irish history.Trade Review‘Absolutely RIVETING’ – Marian Keyes ‘The last thing I thought I would want to read at the end of 2021 was a book about Covid-19 … I was wrong. At times it reads like a thriller with larger-than-life characters we all think we know, who are all just human in the end.’ – Rick O’Shea ‘An absolutely fascinating read’ – Claire Byrne

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