Autobiography: writers Books

Book SynopsisMargaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories.Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

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Book Synopsis Joan Didion’s savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution. Trade Review"Didion's essays of a world featuring barricades and bombings, mass murders and kidnapped heiresses make recent history as filtered through her seem a savage and passionate drama, something you can put a hand on and feel it beating, something you can put your ear to and hear its story."VILLAGE VOICE "Brilliant, troubling, indelible tales and reflections."SAN DIEGO TRIBUNE "Reveals a wholly original analytic mind, a sensibility as expansive and idiosyncratic as a 19th-century novelist's."MONA SIMPSON "Our quintessential essayist."JERRY KOSINSKI, 'LA Times'

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Book SynopsisIntroducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience classics which will endure for generations to come.A single person is missing for you, and the whole world is emptyJohn Gregory Dunne and Joan Didion saw their daughter fall ill. At first they thought it was flu, then she was placed on life support. Days later, the Dunnes were sitting down to dinner when John suffered a massive and fatal coronary.This powerful book is Didion's attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness'. The result is a personal yet universal portrait of marriage and life, in good times and bad, from one of the defining voices of American literature.Beautiful and devastating Didion has always been a precise, humane and meticulously truthful writer, but on the subject of death she becomes essential' Zadie SmithTrade Review‘It is the most awesome performance of both participating in, and watching, an event. Even though Didion does not allow herself to break down, only a terribly controlled reader will resist doing the same’ Independent ‘Ultimately, and unexpectedly for a book about illness and death, this is a wonderfully life-affirming book’ Observer ‘Searing, informative and affecting. Don’t leave life without it’ Financial Times ‘This is a beautiful and devastating book by one of the finest writers we have. Didion has always been a precise, humane and meticulously truthful writer, but on the subject of death she becomes essential.’ Zadie Smith ‘Taking the reader to places where they would not otherwise go is one of the things a really good book can do. The Year of Magical Thinking does just that, and brilliantly. Powerful, moving and true’ Spectator ‘A great book, a great work. Angular, exact, pressured and tough, precise as a diamond drill bit’ Nick Laird

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Book SynopsisThis book is the very simple story of the love affair between Miss Helene Hanff of New York and Messrs Marks and Co, sellers of rare and secondhand books, at 84 Charing Cross Road, London''. DAILY TELEGRAPHTold in a series of letters in 84 CHARING CROSS ROAD and then in diary form in the second part THE DUCHESS OF BLOOMSBURY STREET, this true story has touched the hearts of thousands.Trade ReviewA lovely new edition of this classic title * Good Book Guide *A must for anyone who reads - the correspondence between book lover Helen Hanff and Messers Marks & Cross of Charing Cross Road has been reissued * Daily Express *A real-life love story . . . A timeless period piece. Do read it * Wall Street Journal *Unmitigated delight from cover to cover * Daily Telegraph *Those who have read The Guernsey Literary and Potato Peel Pie Society, a novel comprised of only letters between the characters, will see how much that bestseller owes 84, Charing Cross Road * Medium.com *[84, Charing Cross Road] will beguile an hour of your time and put you in tune with mankind . . . will provide an emollient for the spirit and a sheath for the exposed nerve * New York Times *A unique, throat-lumping, side-splitting treasure * San Francisco Examiner *A lovely new edition of this classic title * Good Book Guide *A must for anyone who reads - the correspondence between book lover Helen Hanff and Messers Marks & Cross of Charing Cross Road has been reissued. * Daily Express *Unmitigated delight from cover to cover * DAILY TELEGRAPH *A real-life love story . . . A timeless period piece. Do read it * WALL STREET JOURNAL *

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Book SynopsisFrom one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma. This powerful book is Didion's 'attempt to make senseTrade Review‘It is the most awesome performance of both participating in, and watching, an event. Even though Didion does not allow herself to break down, only a terribly controlled reader will resist doing the same.’ John Freeman, Independent ‘Ultimately, and unexpectedly for a book about illness and death, this is a wonderfully life affirming book.’ Lisa O’Kelly, Observer ‘Searing, informative and affecting. Don’t leave life without it.’ Financial Times ‘This is a beautiful and devastating book by one of the finest writers we have. Didion has always been a precise, humane and meticulously truthful writer, but on the subject of death she becomes essential.’ Zadie Smith ‘Taking the reader to places where they would not otherwise go is one of the things a really good book can do. “The Year of Magical Thinking” does just that, and brilliantly. Powerful, moving and true.’ Cressida Connolly, Spectator ‘A great book, a great work. Angular, exact, pressured and tough, precise as a diamond drill bit.’ Nick Laird

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Book SynopsisThe perennial classic: this intimate journal chronicling the Narnia author''s experience of grief after his wife''s death has consoled readers for half a century with its ''sensitive and eloquent'' magic (Hilary Mantel)''An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.'' Guardian ''Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.'' Observer''A source of great consolation ... Lewis deploys his genius for vivid imagery ... It is a relief for the reader to find that he or she is not alone in the intense loneliness or feelings of anguish that bereavement brings.'' Henry Marsh, The Times''Testimony from a sensitive and eloquent witness [on] The Human Condition'. It offers an interrogation of experience and a glimmer of hardwon hope. It allows one bewildered mind to reach out to another. Death is no barrier to that.'' Hilary Mantel''Here, sorrow and despair, the tiredness and numbness and petulance and nightmarishness of grief, all have their full, uncontrolled, experienced force ... [Such] radical openness ... Brilliant.'' Francis Spufford***No one ever told me that grief felt so like fear.Narnia author C.S. Lewis had been married to his wife for four blissful years. When she died of cancer, he found himself alone, inconsolable in his grief. In this intimate journal, he chronicles the aftermath of the bereavement and mourning with blazing honesty. He grapples with a crisis of religious faith, navigating hope, rage, despair, and love - but eventually regains his bearings, finding his way back to life.A luminous modern classic, A Grief Observed has offered solace to countless readers for decades. This companion edition combines the original text with personal responses from Hilary Mantel, Rowan Williams, Francis Spufford, Maureen Freely, Kate Saunders, Jessica Martin and Jenna Bailey.***What readers are saying:''A truly great book - inspirational and untold help.'' ''Every human being, living or dead, understands what Lewis means ... One of the most valuable books ever written.'' ''Lewis, as always, sits down next to you and validates your grief like a true friend. He lets you rage, and cry, and even be furious with God, just as he did.''''If you are grieving an enormous loss, you may find comfort here ... A great mind and wonderful writer who understands your grief well enough to put words to it.''''His journal was also my journal as I worked through my own grief. Reading this book was actually comforting in that I knew that someone else understood my situation and offered insight and hope ... I highly recommend this book for anyone who has gone through the death of a loved one or who wants to comfort. ''This little book has had me in floods of tears [and] shows a real understanding of grief ... To read the words of this great man who shared and understood my pain and is a life affirming and faith affirming experience.''

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Book SynopsisTrade ReviewTo get it out of the way: these are the best books I have read this year ... Childhood has the simple declarative sentences of Natalia Ginzburg and the pervasive horror of a good fairy story -- John Self * New Statesman *Mordant, vibrantly confessional... A masterpiece * Guardian *Semi-miraculous, raw and poignant ... Radiates the clear light of truth and stands as the ultimate victory of a life that must have felt, in the living of it, like a defeat -- Alex Preston * Observer *Intense, elegant ... Ditlevsen's portrait of Vesterbro in the Twenties has something of the same texture of Elena Ferrante's description of the poor Neapolitan neighbourhood in which her heroines grow up -- Lucy Scholes * The Daily Telegraph *Wrenching sadness and pitch-black comedy ... Sharp, tough and tender -- Boyd Tonkin * Spectator * A particular kind of masterpiece, one that helps fill a particular kind of void. Ditlevsen's voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own. * New York Times *Intense and elegant ... an absolute tour de force -- Lucy Scholes * Paris Review *A stunning portrait of addiction and ambition . . . unnervingly brilliant. I felt an almost physical pull to reimmerse myself in the freezing cold water of the trilogy, which understands the trauma of childhood and its reverberations like nothing else I have ever read * Vox *Ditlevsen's taut, simple prose shines a light on what life and love were like for working-class women in 20th century Copenhagen. Elena Ferrante fans, take note * Stylist *Despite the darkness that haunts these three books, they shine with Ditlevsen's honesty and humanity ... Her work, seemingly so simple, has the miraculous quality of a life perceived in perfect clarity. Despite the author's untimely death, The Copenhagen Trilogy is a powerful - and uplifting - testament of survival -- Erica WagnerAs in much of the best autofiction, the protagonist's weakness is counterpoised by the strength of her voice ... [Ditlevsen speaks] beyond the cruel and disappointing figures she encounters to us, her readers, awaiting her in another time and another place -- Lara Feigel * Guardian *A punishing, addictive pleasure -- Amber Husain * The White Review *Desperately affecting * New Statesman *Astonishing * Telegraph *Exceptional ... Her writing is impelled not only by her fine intelligence, but also by a rare focus: the compulsion to tell a particular story, and only that story * Times Literary Supplement *

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Book SynopsisIn 1982, having sold his jazz bar to devote himself to writing, the author began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such races, he reflects upon the influence the sport has had on his life and on his writing. This title presents his portrait.Trade ReviewIt’s an inspiring, reflective read that’ll make you want to dust your trainers off -- Andy McNicoll * Professional Social Work *An outstanding read -- Peter Sharkey * Eastern Daily Press *

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Book SynopsisDISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.'A sapphic graphic treat' The TimesA moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is swift, graphic, and redemptive.Interweaving between childhood memories, college life and present day, and through narrative that is equally heartbreaking and fiercely funny, Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew.'A groundbreaking masterpiece' The Independent'A finely woven blend of yearning and euphoric fantasy' Evening Standard**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**Trade ReviewA work of passion... It's perhaps one of the best books I've read that explores sexuality and identity * Writing Magazine *

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Book SynopsisWITH AN INTRODUCTION BY BENJAMIN MARKOVITSIn 1845 Thoreau, a Harvard-educated 28-year-old, went to live by himself in the woods in Massachusetts. He stayed for over two years, living self-sufficiently in a small cabin built with his own hands. Walden is his personal account of the experience, in which he documents the beauty and fulfilment to be found in the wilderness, and his philosophical and political motivations for rejecting the materialism which continues to define our modern world.Trade ReviewLike Mary Wollstonecraft's Vindication of the Rights of Woman, Walden is one of those seriously important books I feel I must have read and, if I haven't, I should, because seriously important people - Tolstoy, Marx, Gandhi - said that it changed their lives -- Sue Arnold * Guardian *A lovely read...Thoreau was ahead of his time, right down to his hipster beard -- Lauren Laverne * The Pool *Walden can be taken as an antidote to apathy and anxiety. With its high spirits and keen appeals to the senses, it fortifies -- John Updike * Guardian *Walden is really the original alternative manifesto -- Martin Kettle * Guardian *It is as philosophy, as one of the great self-help books, as a spiritual message, that is Walden at its most powerful * Washington Post *

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Book SynopsisStefan Zweig's seminal memoir recalls the golden age of pre-war Europe - its seeming permanence, its promise and its devastating fall. Through the story of his life and his relationships with the leading literary figures of the day, Zweig's fervent, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction. This translation by the award-winning Anthea Bell captures the passionate fluency of Zweig's writing in arguably his most important work, completed the day before his suicide in 1942 - a unique elegy for a lost world of security and peace.

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Book SynopsisTHE SUNDAY TIMES BESTSELLER WINNER OF THE ONDAATJE PRIZE''The best book I read last year by a mile. . . so beautifully written that anyone would be hooked'' Laura Hackett, Sunday Times, Best Summer Books''Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime'' Luke Harding, Observer''We never lose our inner freedom; the freedom to do what is right''Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation''s aspirations became another''s disillusionment, and as her own family''s secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.THE SUNDAY TIMES MEMOIR OF THE YEARWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZESHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONSHORTLISTED FOR THE GORDON BURN PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATORTrade ReviewIf you read one memoir this year, let it be this * Sunday Times, Books of the Year *A magical, timeless and important account of what life was really like under communism. Free brims with diamond-studded details, it lays bare the compromises, fear and betrayals of a secret police state, but is also an uplifting and humorous reminder of how much the human spirit can endure -- Alec Russell * Financial Times *Lea Ypi's Free is the first book since Elena Ferrante's My Brilliant Friend that I have pressed on family, friends and colleagues, insisting they read it. . . a truly riveting memoir and a profound meditation on what it means to be free -- Ruth Scurr * Spectator, Books of the Year *Enthralling. . . a classic in the making -- David Abulafia * TLS, Books of the Year *Ypi's deliciously smart memoir of her Albanian girlhood at the end of the Cold War is a brilliant disquisition on the meanings of freedom - its lures, false hopes, disappointments and possibilities - in our time -- Lyndsey Stonebridge * New Statesman, Books of the Year *A tart and tender childhood memoir. But also a work of social criticism, and a meditation on how to live with purpose. . . A quick read, but like Marx's spectre haunting Europe, it stays with you * The New Yorker, Best Books of 2021 *An absorbing memoir of Ypi's Albanian childhood and its ideological delusions. The freedom she discovers is far more complex than we might expect -- Terri Apter * TLS, Books of the Year *A strange world and its legacy is now stunningly brought to life. Lea Ypi offers a moving and compelling memoir of growing up in turbulent times, as well as a frank questioning of what it really means to be "free" -- Frederick Studemann * Financial Times, Books of the Year *Lea Ypi's Free: Coming of Age at the End of History is a beautifully written account of life under a crumbling Stalinist system in Albania and the shock and chaos of what came next. In telling her story and examining the political systems in which she was raised, the author and LSE professor asks tough questions about the nature of freedom * Guardian, Books of the Year *An astonishing and deeply resonant memoir about growing up in the last days of the last Stalinist outpost of the 20th century. . . What makes it so unforgettable is that we see this world, one about which we know so little, through the eyes of a child.. . It is more fundamentally about humanity, and about the confusions and wonders of childhood. Ypi weaves magic in this book: I was entranced from beginning to end -- Laura Hackett * Sunday Times *Utterly engrossing . . . Ypi's memoir is brilliantly observed, politically nuanced and - best of all - funny. An essential book, just as much for Britons as Albanians -- Stuart Jeffries * Guardian *Riveting. . . A wonderfully funny and poignant portrait of a small nation in a state of collapse. . . gloriously readable. . . One of the nonfiction titles of the year, it is destined for literary accolades and popular success -- Luke Harding * Observer *Gripping. A book of political reality as lived from day to day by a young girl coming of age. It shows what can arrive all too easily in the void left by a suddenly discarded political system. Unforgettable * Daily Mail *A wonderful memoir. . . a uniquely engaging and illuminating account of a young life during a period of intense turmoil. So readable, yet Ypi does not sacrifice profound observations about politics and culture. Detailing the absurdities of the regime from a child's perspective, she pulls off the remarkable feat of emphasizing their cruelty with a light and often humorous touch -- Misha Glenny * TLS *Fantastically engaging. . . A breakout book. . . Such an engrossing story that it is (almost) unsurprising that it is already being translated into eleven languages. If a film follows, don't be surprised -- Tim Judah * Financial Times *Five stars. . . deserves to be added to the history curriculum * Daily Telegraph *Lea Ypi's experiences inspire a moving and profound reflection on the nature of freedom that avoids either liberal triumphalism or Stalinist nostalgia. She is most concerned with the futures that were lost in between -- George Eaton, * The New Statesman *With its delicious sour-sweet comedy and pages of precise observation, Free opens a window on to one of the most bleakly isolationist regimes in human history -- Ian Thomson, * Spectator *Free is a rare and nuanced glimpse into the history of Albania, offering the personal perspective of a childhood spent in the shadow of an oppressive regime, and the long and turbulent transition that came after * Geographical, Books of the Year *A really fascinating and wonderful book, and beautifully written too. Not many writers could have pulled this off with such grace and elegance. You won't regret buying this one, for sure -- Nigel Warburton * Five Books, Best Philosophy Books of 2021 *Ypi excels at describing the fall and aftermath of Albanian communism from the perspective of her childhood . . . rich and remarkable * Literary Review *Essential reading. Lea Ypi's gorgeously written text - part memoir, part bildungsroman - tells a very personal story of socialism and postsocialism. Poignant and timely -- Kristen Ghodsee * Jacobin *Vital . . . an extraordinary memoir of social upheaval and historical change in 1990s Albania * Huck *A powerful and thought provoking memoir . . . wonderfully human, it is a story of missed opportunities, disillusionment and hope that ultimately invites readers to ask themselves what it means to be free -- Katja Hoyer * History Today *This vivid rendering of life amid cultural collapse is nothing short of a masterpiece * Publishers Weekly *Remarkable and highly original . . . Both an affecting coming-of-age story and a first-hand meditation on the politics of freedom -- Caroline Sanderson * Editor’s Choice, Bookseller *A probing personal history, poignant and moving. A young life unfolding amidst great historical change - ideology, war, loss, uncertainty. This is history brought memorably and powerfully to life -- Tara Westover, author of EducatedUnique, insightful, and often hilarious. . . Albania on the cusp of change, chaos and civil war is the setting for the best memoir to emerge from the Balkans in decades -- Craig Turp-Balazs * Emerging Europe *A lyrical memoir, of deep and affecting power, of the sweet smell of humanity mingled with flesh, blood and hope -- Philippe Sands, author of East West StreetFree is astonishing. Lea Ypi has a natural gift for storytelling. It brims with life, warmth, and texture, as well as her keen intelligence. A gripping, often hilarious, poignant, psychologically acute masterpiece and the best book I've read so far this year -- Olivia Sudjic, author of Asylum RoadLea Ypi's teenage journey through the endtimes of Albanian communism tells a universal story: ours is an age of collapsed illusions for many generations. Written by one of Europe's foremost left-wing thinkers, this is an unmissable book for anyone engaged in the politics of resistance -- Paul Mason, author of PostcapitalismThis extraordinary coming-of-age story is like an Albanian Educated but it is so much more than that. It beautifully brings together the personal and the political to create an unforgettable account of oppression, freedom and what it means to acquire knowledge about the world. Funny, moving but also deadly serious, this book will be read for years to come -- David Runciman, author of How Democracy EndsA new classic that bursts out of the global silence of Albania to tell us human truths about the politics of the past hundred years. . . It unfolds with revelation after revelation - both familial and national - as if written by a master novelist. As if it were, say, a novella by Tolstoy. That this very serious book is so much fun to read is a compliment to its graceful, witty, honest writer. A literary triumph -- Amy Wilentz, author of Farewell, Fred VoodooIlluminating and subversive, Free asks us to consider what happens to our ideals when they come into contact with imperfect places and people and what can be salvaged from the wreckage of the past -- Azar Nafisi, author of Reading Lolita in TehranA young girl grows up in a repressive Communist state, where public certainties are happily accepted and private truths are hidden; as that world falls away, she has to make her own sense of life, based on conflicting advice, fragments of information and, above all, her own stubborn curiosity. Thought-provoking, deliciously funny, poignant, sharply observed and beautifully written, this is a childhood memoir like very few others -- a really marvellous book -- Noel Malcolm, author of Agents of EmpireFree is one of those very rare books that shows how history shapes people's lives and their politics. Lea Ypi is such a brilliant, powerful writer that her story becomes your story -- Ivan Krastev, author of The Light that FailedLea Ypi is a pathbreaking philosopher who is also becoming one of the most important public thinkers of our time. Here she draws on her unique historical experience to shed new light on the questions of freedom that matter to all of us. This extraordinary book is both personally moving and politically revolutionary. If we take its lessons to heart, it can help to set us free -- Martin Hägglund, author of This LifeI haven't in many years read a memoir from this part of the world as warmly inviting as this one. Written by an intellectual with story-telling gifts, Free makes life on the ground in Albania vivid and immediate -- Vivian Gornick, author of Unfinished BusinessLea Ypi has a wonderful gift for showing and not telling. In Free she demonstrates with humour, humanity and a sometimes painful honesty, how political communities without human rights will always end in cruelty. True freedom must be from both oppression and neglect -- Shami Chakrabarti, author of On LibertyA funny and fascinating memoir * White Review, Books of the Year *A rightly acclaimed account of loss of innocence in Albania from a master of subtext . . . Precise, acute, often funny and always accessible * The Irish Times *A remarkable story, stunningly told -- Emma Duncan * The Times *A vivid portrayal of how it felt to live through the transition from socialism to capitalism, Ypi's book will interest readers wishing to learn more about Albania during this tumultuous historical period, but also anyone interested in questioning the taken-for-granted ideological assumptions that underpin all societies and shape quotidian experiences in often imperceptible ways -- Hannah Proctor * Red Pepper *A classic, moving coming-of-age story. . . Ypi is a beautiful writer and a serious political thinker, and in just a couple hundred readable pages, she takes turns between being bitingly, if darkly, funny (she skewers Stalinism and the World Bank with equal deadpan) and truly profound * New York Times *Beguiling. . . the most probing memoir yet produced of the undefined 'transition' period after European communism. More profoundly a primer on how to live when old verities turn to dust. Ypi has written a brilliant personal history of disorientation, of what happens when the guardrails of everyday life suddenly fall away. . . Reading Free today is not so much a flashback to the Cold War as a glimpse of every society's possible pathway, a postcard from the future -- Charles King * Washington Post *

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Book Synopsis'You are the knife I turn inside myself'Franz Kafka's letters to his one-time muse, Milena Jesenska - an intimate window into the desires and hopes of the twentieth-century's most prophetic and important writerKafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech. Their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.While at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.Trade ReviewPerhaps the most interesting writer of his generation- a strange and disconcerting genius -- Edwin Muir

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Book SynopsisTrade Review“Devotion is short enough to devour at one enjoyable sitting and thought-provoking enough to deserve re-reading. . . . It’s a privilege to spend any time with Patti Smith, however brief.”—Suzi Feay, Financial Times“A triptych of compact, heartfelt essays on discovery, solitude and writing.”—Darragh McManus, Irish Independent“By turns allegorical, metaphysical, fictional and factual, Devotion shows rather than tells what it means to give a life to writing. A master of poetic innovation, Smith takes her style to the next level in this slim volume.”—Katherine Cooper, Hyperallergic

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Book SynopsisA devastating story of motherhood, abandonment and the real lives of women in Sixties Italy. Non-fiction Ferrante.

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Book SynopsisThis is a memoir as wry, funny, moving and vivid as its inimitable subject himself. A joy for both lifelong fans and for a whole new generation.'One of Britain's outstanding poets' – Sir Paul McCartney'Riveting' – Observer'An exuberant account of a remarkable life' – New StatesmanJohn Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator. At 5 feet 11 inches (32in chest, 27in waist), in trademark dark suit, dark glasses, with dark messed-up hair and a mouth full of gold teeth, he is instantly recognizable. As a writer his voice is equally unmistakable and his own brand of slightly sick humour is never far from the surface.I Wanna Be Yours covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from Bernard Manning to Linton Kwesi Johnson, Elvis Costello to Gregory Corso, Gil Scott Heron, Mark E. Smith and Joe Strummer, and on to more recent fans and collaborators Alex Turner, Plan B and Guy Garvey.Interspersed with stories of his rock and roll and performing career, John also reveals his boggling encyclopaedic take on popular culture over the centuries: from Baudelaire and Edgar Allan Poe to Pop Art, pop music, the movies, fashion, football and showbusiness – and much, much more, plus a few laughs along the way.'Nothing short of dazzling' – Alex TurnerTrade ReviewThis is not a ‘ponderous trudge through the turgid facts of an ill-remembered life’ but the kind of autobiography Rimbaud might have written if he had been a Mancunian stand-up comedian. -- Graham Robb * Spectator Best Books of the Year *The bookshop shelves have been clogged up for years by musicians and artists who made their debuts in the sulphurous days of 1976-7, but I Wanna Be Yours, the autobiography of the "punk poet" John Cooper Clarke, aka "the Bard of Salford", knocked most of the competition into a cocked hat. -- Books of the Year * TLS *Any autobiography that features both Bernard Manning and Nico is unlikely to disappoint; even less so when it’s written with such brilliantly Dickensian vigour by the Bard of Salford, John Cooper Clarke . . .this fast, funny book catches his life in its lines -- Music Books of the Year * Sunday Times *Manchester punk poet John Cooper Clarke takes a rather different approach to heroin addiction, treating it as a source of humour in his sharply observed, entertaining memoir . . . “Relentless tragedy is always hilarious,” he notes of his eventual recovery. “At some point the laughter has to stop.” -- Best Music Books of 2020 * Daily Telegraph *[I Wanna Be Yours] might be the funniest book published this year. Few memoirists have had better material to work with: heroin addiction, years living in a squat with Nico, endless love affairs and a TV appearance with the Honey Monster. Talk about getting the most out of life. -- Best Music Books of the Year 2020 * The Times *John Cooper Clarke is one of Britain’s outstanding poets. His anarchic punk poetry has thrilled people for decades and his no nonsense approach to his work and life in general has appealed to many people including myself for many years. Long may his slender frame and spiky top produce words and deeds that keep us on our toes and alive to the wonders of the world. -- Sir Paul McCartneyI say to people, have you heard of John Cooper Clarke and if they say, yes, yeah he's an absolute genius and you just go, 'oh - ok, you've saved me a lot of time' -- Steve Coogan, comedian and actor (I'm Alan Partridge)John Cooper Clarke uses words like Chuck Berry uses guitar riffs melody and anger, humour and disdain in equal measure. He's the real deal, really funny and really caustic, the velvet voice of discontent. -- Kate Moss. . . nothing short of dazzling -- Alex Turner, musician (Arctic Monkeys)There are a legion of new young poets who rightly pay homage to Cooper Clarke -- Julian Hall * Independent *It’s impossible not to hear Clarke’s voice, rhythmic & deadpan, while reading his memoir. Like his poetry,his prose style is wry and dry . . . Mad anecdotes & whimsical gags abound, but wisdom often lurks beneath the wordplay. * Guardian *Riveting * The Observer 'Book of the Week' *An immensely engaging memoir that fizzes with wit . . . Though he needs no such affirmation, it cements Clarke’s status as one of the most distinctive voices in pop cultural history – it’s impossible not to hear him read every word aloud in your head with that unforgettable Manc drawl – and reveals much about a remarkable life and career * NME *An exuberant account of a remarkable life * New Statesman *A naturally splendid tell-all * I newspaper *The most entertaining and certainly the most culturally revealing book I have read this year -- D. J. Taylor * Literary Review *Clarke’s primordial gift for language is everywhere in this book. It is almost impossible not to read passages out loud — a meta reminder of his contribution to the joy of spoken-word performance. As Clarke puts it: 'Wherever people gather for amusement, that’s where I’ll be.' * Financial Times *He became the first big-time performance punk poet – a warm-up act for the Sex Pistols, with famous fans ranging from Sir Paul McCartney to Kate Moss. And his life has been as chaotically unpredictable as his next line . . . Now clean and, to his own surprise, a happily married family man at 71, the bard of Salford has written his memoirs. * Sunday Mirror *One of the most magnificent and hysterically funny memoirs of modern times * Irish Times *Crafted, entertaining and educative * Mojo Magazine *Elegantly sardonic . . . His writing remains spry and sparkly, sweary but sweet, with this book testament to how 'a half-arsed grafter with a rich vocabulary' became a kind of British institution * Uncut Magazine *A poet who writes about darkness and decay but makes people laugh, a human cartoon, a gentleman punk, a man who has stayed exactly the same for thirty years but never grown stale. John Cooper Clarke is an original -- Claire Smith * Scotsman *One of the most entertaining autobiographies of the year. Hilarious and inspirational in equal measure, it’s the perfect panacea to the misery of 2020 * The Quietus *I Wanna Be Yours could not be more entertaining, charming and optimistic . . . Its immense spirit-lifting qualities will do the despairing – and everyone else – the world of good * Strong Words Magazine *I telephoned hardworking entertainer and poet Dr. John Cooper Clarke to tell him how much I’m enjoying his memoir, I Wanna Be Yours . . . a buxom read and a highly entertaining one. -- Martin Newell * East Anglian Times *

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Book SynopsisThe shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was a story of survival.This book is that story's the silent twin.Trade ReviewUnforgettable… It’s the best book I have ever read about the cost of growing up. -- Daisy Goodwin * Sunday Times *A searingly felt and expressed autobiography…Funny and profoundly hopeful – a tale of survival -- Kate Hamer * Metro *This book is good, sensible, beautiful company… Try this -- A.L. Kennedy * Week *Jeanette Winterson’s writing is poetic, emotive and beautiful * So Many Books So Little Time (blog) *Incredibly moving and full of Winterson’s characteristic wit. * Elle *

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Book SynopsisThis new translation includes Kafka's most famous story, The Metamorphosis, together with two other stories, The Judgement and In the Penal Colony, and Meditation and the autobiographical Letter to his Father. The edition includes a detailed introduction, notes, and other helpful items.Trade ReviewThis edition contains a fascinating introduction by Ritchie Robertson, offering Buddhist, Freudian and expressionist readings of the text. * Guardian online, WB Gooderham *Bracing surprises for buffs as well as an easy passage into the labyrinth for newcomers. * Boyd Tonkin, The Independent *Table of ContentsMeditation ; The Judgement ; The Metamorphosis ; In the Penal Colony ; Letter to his Father

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Book SynopsisNamed Most Anticipated by: Bustle Popsugar Goodreads Zibby Magazine SheReads Book RiotAnd featured in Cosmopolitan and Marie Claire*Nominated for the 2023 Goodreads Best Debut Novel award and longlisted for the Book of the Year award through Book of the Month*'Achingly beautiful, and heartbreakingly relatable.' DANA SCHWARTZ'Beautiful and raw, Adelaide is a visceral portrayal of love and loss... Wheeler is a master.' ELLA BERMAN, Reese's Book Club Pick authorOn an otherwise ordinary day, 26-year-old American expat Adelaide Williams walks into a London hospital and asks for help. Something's not right. She doesn't feel like herself any more. For the past year, she's been dating Rory Hughes, the charming man she met when she was least expecting to fall in love. Does he respond to texts? Honour his commitments? Make advance plans? Sometimes, rarely, and no, not at all. Despite everything, Adelaide is convinced he's The One. But when tragedy strikes unexpectedly, their relationshi

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Book SynopsisAlison Bechdel is the author of the bestselling memoir Fun Home: A Family Tragicomic and, most recently, Are You My Mother? For twenty-five years, she wrote and drew the comic strip Dykes to Watch Out For, a visual chronicle of modern life - queer and otherwise - considered 'one of the pre-eminent oeuvres in the comics genre.' Alison Bechdel is guest editor of Best American Comics, 2011, and has drawn comics for Slate, McSweeney's, Entertainment Weekly, Granta, and the New York Times Book Review.Trade ReviewFun Home and Are You My Mother? are the kind of head-spinningly thoughtful and textured works that make you rejoice in the comic-book form. * Daily Telegraph *Bulging with literary allusions from Proust to Scott Fitzgerald, Fun Home is a book that demands to be read again and again. * Royal Academy Magazine *One of the very best graphic novels ever * Booklist *A brilliant, bleakly hilarious memoir in comic-book form * Time *A beautiful, assured piece of work... Bechdel's cartooning has transmuted [her father's] life and death into an extraordinary book * Salon.com *

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Book SynopsisA GUARDIAN BEST BOOK OF THE 21ST CENTURYWINNER OF THE PRIX FEMINA ETRANGER 2020Following on from the critically acclaimed Things I Don''t Want to Know, discover the powerful second memoir in Deborah Levy''s essential three-part ''Living Autobiography''. ''I can''t think of any writer aside from Virginia Woolf who writes better about what it is to be a woman'' Observer _________________________________''Life falls apart. We try to get a grip and hold it together. And then we realise we don''t want to hold it together . . .'' The final instalment in Deborah Levy''s critically acclaimed ''Living Autobiography'', Real Estate, is available now._________________________________''I just haven''t stopped reading it . . . it talks so beautifully about being a woman'' Billie Piper on BBC Radio 4''s Desert Island Discs''It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself. Wonderful'' Guardian ''Wise, subtle and ironic, Levy''s every sentence is a masterpiece of clarity and poise . . . a brilliant writer'' Daily Telegraph ''A graceful and lyrical rumination on the questions, What is a woman for? What should a woman be?'' Tatler ''Extraordinary and beautiful, suffused with wit and razor-sharp insights'' Financial TimesTrade ReviewDeborah Levy is a most generous writer. What is wonderful about this short, sensual, embattled memoir is that it is not only about the painful landmarks in her life - the end of a marriage , the death of a mother - it is about what it is to be alive. I can't think of any other writer aside from Virginia Woolf who writes better about the liminal, the domestic, the non-event, and what it is to be a woman... This is a little book about a big subject. It is about how to find a new way of living * Observer *Extraordinary and beautiful, suffused with wit and razor sharp insights * Financial Times *It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself... A piece of work that is not so much a memoir as an eloquent manifesto for what Levy calls 'a new way of living' in the post-familial world * Guardian *Ingenious, practical and dryly amused... This is a manifesto for a risky, radical kind of life, out of your depth but swimming all the same * New Statesman *Wise, subtle and ironic, Levy is a brilliant writer... Each sentence is a small masterpiece of clarity and poise. That shed should be endowed with a blue plaque * Telegraph *A heady, absorbing read * Evening Standard *This, from Deborah Levy, is exceptional. A memoir of life, art and separation. How to write when you're broke, have no writing space, are a parent. Also: crushed chickens, electric bikes, plumbing. Out in May and an early contender for one of the books of the year * Sinead Gleeson *Both memoir and feminist manifesto, her writing focuses so sharply on what it means to be alive that she's given me much-needed clarity...Levy subtly informs us about what it is to be a woman. * Vogue *

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Book Synopsis Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion. Trade Review Praise for Let Me Tell You What I Mean: ‘The peripheral, the specific, the tangible – or, as the writer Hilton Als notes in his foreword, “the Didion gaze”, the penetrating prose of a reporter who writes with a scalpel – is by far the most compelling theme in Didion’s latest collection of essays’ Vogue ‘The clarity of Didion's vision and the precision with which she sets it down do indeed feel uncanny … Reading her now, she does seem prophetic, as manifested, for instance, in her concerns in 1968 about the weaknesses of the “traditional press”, whose unspoken attitudes and “quite factitious ‘objectivity’” come “between the page and the reader like so much marsh gas”. Perhaps those iconic sunglasses were really X-ray specs’ Independent ‘Didion’s dogged pursuit of the truth in her writing is more vital than ever in our era of fake news, echo chambers and political turmoil. This is an essential read that reminds us of her magic’ i Paper ‘The slighter these pieces are, the more remarkable they seem: they’re so deft and enigmatic … A sentence by Didion, whether it sticks to 39 characters or articulates possibilities in multiple dependent clauses, is always a marvel of magical thinking’ Observer ‘One of the most celebrated, influential and pioneering writers of the past 60 years. As the great chronicler of US cultural, societal and political movements, Didion’s prose illuminates understanding of what connects and divides a nation … It’s a treat for Didion fans but also serves as an introduction to the writing that would become legendary’ Irish Times ‘A valuable addition to the literature of self-doubt and self-awareness, an elegant untangling of what and why we remember and forget’ Francesca Wade, Guardian

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Book SynopsisGeorge Orwell is a difficult author to summarize. He was a would-be revolutionary who went to Eton, a political writer who abhorred dogma, a socialist who thrived on his image as a loner, and a member of the Imperial Indian Police who chronicled the iniquities of imperialism. Both the books in this volume were published in the 1930s, a “a low, dishonest decade,” as his coeval W.H. Auden described it. Orwell’s subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s. Orwell’s honesty, courage, and sense of decency are inextricably bound up with the quasi-colloquial style that imbues his work with its extraordinary power. His descriptions of working in the slums of Paris, living the life of a tramp in England, and digging for coal with miners in the North make for a thoughtful, riveting account of the lives of the working poor and of one man’s search for the truth. Our edition includes the following essays: Marrakech; How the Poor Die; Antisemitism in Britain; Notes on Nationalism

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Book Synopsis'A magnificent, beautifully written memoir. Unsentimental but heartbreaking, the voice – true and clear. Brilliant.' Nina StibbeIn 2014 I moved back to the United States after living abroad for fourteen years, my whole adult life, because my father was dying from cancer. Six weeks after I arrived in New York City, my father died. Six months after that I learned that I had inherited the gene that would cause me cancer too.When Jean Hannah Edelstein's world overturned she was forced to confront some of the big questions in life: How do we cope with grief? How does living change when we realize we're not invincible? Does knowing our likely fate make it harder or easier to face the future? How do you motivate yourself to go on your OkCupid date when you’re struggling with your own mortality?Written in her inimitable, wry and insightful voice, Jean Hannah Edelstein's memoir is by turns heart-breaking, hopeful and yet also disarmingly funny. This Really Isn't About You is a book about finding your way in life. Which is to say, it’s a book about discovering you are not really in control of that at all.Trade ReviewDeft, witty and profound, this is a true story about how to let go, and when to hold on. Jean Hannah Edelstein's writing glows with a peerless clarity that had me turning the pages all night. A stunning book. -- Jessie BurtonJean Hannah Edelstein is one of the most brilliant writers of her generation, as witty, wry and unsentimental as Nora Ephron. This is a magnificent book, about families, mortality, love and the hard, necessary work of becoming an adult. -- Olivia LaingNever sentimental, this memoir is by turns extremely funny and extremely sad; Edelstein is a wonderful writer, and this is a stunning book. * Stylist *A most magnificent, beautifully written memoir. Unsentimental but heartbreaking, the voice – true and clear. Brilliant. -- Nina StibbeA very funny and charming and bittersweet book. -- Jami Attenberg, author of All Grown Up[This] debut book does everything I love about memoir: it hits you with the truth, it reads as enthrallingly as fiction can, and it leaves you changed.' * Elle *One of Red’s favourite essayists, Jean Hannah Edelstein’s memoir is a work of deceptive simplicity and heart-crushing truths . . . by the end, you’ll never want to let her go. -- Sarra Manning * Red *Jean Hannah Edelstein is an exceptional writer, simultaneously wry and heartbreaking. She has this incredible ability to extrapolate moments of grace and sadness from the everyday. And this memoir about cancer, mortality, shifting ideas of home and love is no exception. -- Nikesh ShuklaThis isn’t the heroic narrative about a fight for life against the odds, but instead it’s about getting on with things, maybe not in the most heroic way, but in a way that’s funny and real and quietly profound. This Really Isn't About You is wry and poignant and true, and I loved it. -- Julie CohenInsightful and charming, this is a breathtaking exploration of grief and becoming -- Laura Jane Williams, author of ICE CREAM FOR BREAKFASTIt’s a wonderful, warm and funny dissection of grief and life that left me feeling like Jean was a friend I never made, and wishing I had. -- David Whitehouse, The Long ForgottenThis Really Isn’t About You really isn’t about me, but it resonated in all sorts of ways: as a woman, as a writer, as a daughter. It is funny and serious, moving yet entirely unsentimental, and bracingly truthful. Jean Hannah Edelstein considers life in all its complexity with great clarity, grace and wit. -- Lisa Owens, author of Not WorkingA bold and unusual meditation on loss, instability, freedom and home. Engrossing, funny and brave. -- Kate Murray-Browne, author of The Upstairs RoomA powerful debut about a woman who is diagnosed with a genetic cancer syndrome shortly after her father’s death from cancer. Read if you’re into: memoirs, powerful tales written by Jewish women, and heartbreakingly funny writing. * Alma magazine *Jean Hannah Edelstein has written an elegant, beautiful book about a time in her life that was messy and ugly. It's strange to say such a sad story was "a joy", but her gift as a writer is that it was. -- Emma Forrest, author of Your Voice in My HeadShe writes about the biggest and most recognisably tiny aspects of humanity with such detail – and she’s darkly hilarious. -- Daisy Buchanan * Sheer Luxe *

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Book Synopsis''This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big'' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine EvaristoIn 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history.Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain''s first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today - Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain.Bernardine Evaristo''s life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It''s a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It''s a manifesto for being unstoppable.''Raw and emotive . . . a powerful account of how Evaristo got to the top of her game - it''s moving, but there''s also much humour and joy'' Independent ''Bernardine Evaristo is one of those writers who should be read by everyone, everywhere'' Elif Shafak ''Bernardine Evaristo is one of Britain''s best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional'' Nikesh ShuklaTrade ReviewThis honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big * The Times & The Sunday Times, Book of the Year *Raw and emotive . . . a powerful account of how Evaristo got to the top of her game - it's moving, but there's also much humour and joy * Independent *Manifesto combines the personal with the practical to powerful effect * The Guardian *Bernardine Evaristo is one of those writers who should be read by everyone, everywhere -- Elif Shafak, author of the bestselling The Island of Missing TreesA bold memoir. Prepare to be inspired * Psychologies *A meditation on personal transformation, cultural inequalities, activism, belonging, love and friendships - and above all, the power of creativity * New Statesman *Bernardine Evaristo is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional -- Nikesh Shukla, author of Brown Baby and The Good ImmigrantHow I wish when I was 18, that someone - if not necessarily my school - had also thrust Manifesto into my hands * Evening Standard *Shimmers with unfailing self-belief and a strong vein of humility * The Spectator *This humorous and eye-opening memoir is fascinating . . . and beautifully told * Sunday Telegraph, Five Books That Will Make You See the World Differently *The autobiographical parts of the book serve as vivid lessons about the power of change, growth and self-confidence * The Daily Telegraph *The most striking feature of this moving and enjoyable book is her fearless openness. When the publishing world looked closed to her she prised it open with her daring fiction * The Sunday Times *Bernardine Evaristo is the most daring, imaginative and innovative of writers -- Inua EllamsManifesto serves as not only a beautifully written, measured companion piece to the fictionalised lives of Girl, Woman, Other, but as a testament to Evaristo's own trailblazing commitment to creativity, education and activism * Buzzfeed *

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Book SynopsisSHORTLISTED FOR THE 2024 WOMEN''S PRIZE FOR NON-FICTION''Vivid and empowering'' GILLIAN ANDERSON''A stunning book' BERNARDINE EVARISTODazzling' TARA WESTOVERA story about hope, imagination and resilience'GUARDIANAn award-winning, inspiring memoir of family, education and resilience.Born in Montego Bay, Jamaica, where luxury hotels line pristine white sand beaches, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything.Her mother did what she could to bring joy to her children with books and poetry. But as Safiya's imagination reached beyond its restrictive borders, her burgeoning independence brought with it ever greater clashes with her father. Soon she realised that if she was to live at all, she

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Book Synopsis*BBC Radio 4 Book of the Week* Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life. In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn’t read books. His poetry was political, musical, radical and relevant.  By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year) and he hasn’t stopped performing and touring since. Nelson Mandela, after hearing Benjamin’s tribute to him while he was in prison, requested an introduction to the poet that grew into a lifelong relationship, inspiring BTrade Review'The Life and Rhymes has a performative quality reminiscent of Zephaniah’s poetry – honest, unshowy and ultimately unthreatening. It matches the man.' * The Guardian *'Vivid, frank and to the point, yet bristling with compassion, this is a rousing romp through a life less ordinary and a timely reminder of art’s redemptive force.' * Mojo magazine *‘Compelling and inspiring’ * Scottish Poetry Library *'His singular career has spanned poetry, music and activism, with detours into acting and academia. And he’s really lived a life less ordinary – from teenage jailbird to celebrity role model, embraced by the British Establishment, even if he hasn’t always reciprocated. His scepticism about the necessity of his memoir, The Life and Rhymes of Benjamin Zephaniah, is unfounded.' * The Scotsman *'His singular career has spanned poetry, music and activism, with detours into acting and academia. And he’s really lived a life less ordinary – from teenage jailbird to celebrity role model, embraced by the British Establishment, even if he hasn’t always reciprocated. His scepticism about the necessity of his memoir, The Life and Rhymes of Benjamin Zephaniah, is unfounded.' * The Scotsman *‘This is a beautifully penned and highly entertaining account of an intriguing life, opening us up not just to Zephaniah's story but to a wide range of topics arising out of it...tackled with down-to-earth honesty and insight, not to mention an element of gentle humour and self-effacement.’ * Morning Star *'The people’s laureate' * Birmingham Mail *‘A celebration of a truly extraordinary life story which remarks upon the power of poetry and the importance of pushing boundaries with the arts.’ * Shropshire Star *'Retaining a humility and humour that belie his extraordinary rise from street gang to cultural touchstone…Zephaniah is one of the rare voices that manages to remain determinedly outside the Establishment (he famously turned down an OBE) yet is embraced by it...a riveting read worthy of a Netflix drama.' * iNews *'Filled with extraordinary moments, taking in his first poetry performance in a church aged 10, his time in borstal and prison, and his stint in a gang when he feared for his life and slept with a gun under his pillow. He was framed by the police for murder, turned his life around to the extent that he developed a friendship with Nelson Mandela – and his words helped usher in freedom in South Africa. But the book is also a searing social history of Britain and a salutary reminder that when it comes to the fight for racial equality, there is no end bell.' * Big Issue North *'Zephaniah pulls no punches when it comes to talking about the racism that has shaped his life or the mischief he got up to in response to it.' * The Spectator *

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Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.If there is one man to whom I do feel myself inferior, it is a coalminer.In the mid-1930s, George Orwell was given an assignment from his publisher to write a book about unemployment and social conditions in the economically depressed north of England. Revolutionary for its time, The Road to Wigan Pier documents Orwell's stint in towns likes Barnsley, Sheffield and Wigan in 1936, where he met and observed working-class people living in the bleak industrial heartlands of Yorkshire and Lancashire.Orwell graphically and emphatically describes the hardships of ordinary people living in cramped slum housing, working in dangerous mines and growing hungry through malnutrition and social injustice. It is an honest, gripping and humane study that also looks at socialism as a solution to the problems facing working-class northerners something many readers at the time were uncomfortable discussing.The Road

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Book SynopsisA chemist by training, the author became one of the witnesses to twentieth-century atrocity. In these haunting reflections inspired by the elements of the periodic table, he ranges from young love to political savagery; from the inert gas argon - and 'inert' relatives like the uncle who stayed in bed for twenty-two years - to life-giving carbon.

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Book SynopsisLaurie Lee was born in Stroud, Gloucestershire, in 1914, and was educated at Slad village school and Stroud Central School. At the age on nineteen he walked to London and then travelled on foot through Spain, as described in his book As I Walked Out One Midsummer Morning. In 1950 he married Catherine Polge and they had one daughter. Cider With Rosie (1959) has sold over six million copies worldwide, and was followed by two other volumes of autobiography: As I Walked Out One Midsummer Morning (1969) and A Moment of War (1991). Laurie Lee also published four collections of poems, The Sun My Monument (1944), The Bloom of Candles (1947), My Many-Coated Man (1955) and Packet Poems (1960) as well as The Voyage of Magellan (1948), a verse play for radio, A Rose for Winter (1955), which records his travels in Andalusia, The Firstborn (1964), I Can't Stay Long (1975), a collection of his writing, and Two Women (1983). Laurie Lee died in May 1997.Trade ReviewUtterly captivating * Four Shires *A classic of English literature * Good Book Guide *[Laurie Lee] froze a moment in time for us. You don’t forget the language and he is wonderful at detail -- Michael Morpurgo * Daily Express *Evocative memoir. * RTE Guide *So convincing and atmospheric… This magical book will captivate you with its richly painted images * Woman's Weekly *

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Book SynopsisA memoir of land, family and perseverance from one of the most influential writers in America.In this moving and surprising book, Joan Didion reassesses parts of her life, her work, her history and America's. Where I Was From, in Didion''s words, represents an exploration into my own confusions about the place and the way in which I grew up, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely.The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue. Didion examines how the folly and recklessness in the very grain of the California settlement led to the California we know today a state mortgaged first to tTrade Review‘Her tough, beautiful, surgically precise prose is like nothing else I’ve ever read.’ Donna Tartt ‘She is a voice like no other in contemporary journalism.’ New York Times ‘Everything Didion writes has a land’s end edginess to it- a hyperattentiveeye on the dramas of the human condition. She writes as someone who has come through great shudders of the earth with a fundamental understanding that everything is subject to instantaneous and complete revision.’ Village Voice ‘She is the best chronicler California has.’ Vogue ‘Valediction and elegy alike, WHERE I WAS FROM is a storm-tossed book… Some writers see Californians as brilliant dreamers; others see failures, seeking a second start. Didion steps over both arguments and portrays the settlers of the state as shrewd entrepreneurs who would stop at nothing to turn dirt into dollars.’ Thomas Curwen, LA Times

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Book SynopsisA collection of wisdom and life lessons, from the beloved and bestselling author of I KNOW WHY THE CAGED BIRD SINGS 'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMADedicated to the daughter she never had but sees all around her, Letter to my Daughter reveals Maya Angelou's path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: it's part guidebook, part memoir, part poetry - and pure delight. 'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISONTrade ReviewA brilliant writer, a fierce friend and a truly phenomenal woman -- President Barack ObamaThe poems and stories she wrote . . . were gifts of wisdom and wit, courage and grace -- President Bill ClintonShe moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds -- Oprah WinfreyShe was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate -- Toni Morrison

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Book SynopsisA NEW YORK TIMES BESTSELLER A VOGUE AND NEW STATESMAN BEST BOOK OF 2024AN OPRAH PICK OF THE YEAR 2024 'Obviously, Grief Is for People is about grief, but Sloane Crosley can't help being funny' GABRIELLE ZEVIN'A stunning investigation into the nature of loss' VOGUE'I am a Crosley fan and, to my mind, this is her best book: subtle, brutal and, amazingly, funny, with twists that made me catch my breath' SUNDAY TIMESFor most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place.When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the

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Book SynopsisA superb autobiography by one of the great literary figures of the twentieth century, Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s. Simone de Beavoir describes her early life, from her birth in Paris in 1908 to her student days at the Sorbonne, where she met Jean-Paul sartre - ''the dream-companion I had longed for since I was fifteen''.

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Book SynopsisSarah Moss has written several novels including the Sunday Times top ten bestseller Summerwater, and Ghost Wall, which was longlisted for the Women's Prize. She has also written a memoir of her year living in Iceland. She was born in Glasgow and grew up in the north of England. After moving between Oxford, Canterbury, Reykjavik, west Cornwall and the Midlands, she now lives in Dublin, where she teaches English and creative writing at UCD.

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Book SynopsisIn the bitter winds of autumn 1963, Tove Jansson, helped by Brunström, a maverick fisherman, raced to build a cabin on a treeless skerry in the Gulf of Finland. The island was Klovharun, and for thirty summers Tove and her beloved partner, the graphic artist, Tuulikki Pietilä, retreated there to live, paint and write, energised by the solitude and shifting seascapes. Notes from an Island, published in English for the first time, is both a chronicle of this period and a homage to the mature love that Tove and 'Tooti' shared for their island and for each other. Tove's spare prose, and Tuulikki's subtle washes and aquatints combine to form a work of meditative beauty. '... Tooti wandered aimlessly around the island and stood stock still for long periods. I thought I knew what she was doing. She was working again. Copperplate etchings and wash drawings. Mostly the lagoon, the lagoon as a consummate mirror for clouds and birds, the lagoon in a storm, in fog. And the granite, first and foremost, the granite, the cliff, the rocks. It's all peace and quiet now.'Trade ReviewIt's hard to describe the astonishing achievement of Tove Jansson's artistry -- Ali SmithThe Summer Book's limpid style belies a deep psychological subtlety. It's about how people can live close together for months with tact and grace, and about how rich and rewarding even a small world can be. -- Melissa Harrison * Guardian *Both a memoir and a love letter to all things wild and weathered * New Statesman *These wry and winsome autobiographical sketches demonstrate the couple's virtuosity in the art of living...as evocative as a long-lost coastline glimpsed through mist. -- Nancy Campbell * TLS *

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Book Synopsis From one of the most important chroniclers of our time, come two extended excerpts from her never-before-seen notebooks – writings that offer an illuminating glimpse into the mind and process of a legendary writer. Trade Review‘Didion at her most fascinatingly unfiltered, recording folksy vernacular at a motel pool, having G & Ts with Walker Percy, and searching fruitlessly for Faulkner’s grave in an Oxford cemetery … her riffs on everything from Gertrude Atherton to crossing the Golden Gate bridge for the first time in three-inch heels captures the thrill of a writer discovering her richest subject: the American mythologies that governed her own romantic girlhood, a yearning for an MGM-style heritage that never really was – a yearning that feels freshly perilous in its delusions.’ Vogue ‘Every era needs better criticism … And so it’s been a relief to read [South and West], investigating the South and its “vertiginous preoccupation with race, class, heritage, style and the absence of style”’ Adam Thirlwell, TLS, Books of the Year ‘Let your heart skip a beat. For here be new writing from the mind behind The Year of Magical Thinking and The White Album – Joan Didion. But this isn’t just for Didionites … For an understanding of certain parts of modern America, it still has eerie resonance … An insight into the process of a writer who can truly be referred to as an icon’ Emerald Street ‘A compelling book — rooted utterly in a past now all but lost to us, while also incredibly timely and relevant … It bears the hallmarks of Didion’s sparkling prose’ Los Angeles Review of Books ‘You'll learn more about America's future from Didion's 40-year-old field notes than you will from tomorrow's newspaper’ Esquire ‘There’s a universal rule against reading someone else’s diary – but in this case, it’s not just OK, it’s required reading’ Marie Claire ‘The power of Didion’s work is on striking display in this slender volume … Didion’s notes are remarkably polished and slicing; they shimmer with dark implications’ Booklist ‘Here are many of the splendid, sharp-eyed sentences for which [Didion] has long been admired … An almost spectral text haunted by a past that never seems distant’ Kirkus Reviews

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Book SynopsisA Beat Memoir. Astonishing insider account of the Beat generation by Jack Kerouacs lover and probably the best book ever written about the Beats.Trade ReviewWhat Joyce Johnson is doing here, then, is several things. Sure, she’s writing a memoir of the ’50s, the ‘Beat Generation’ and Kerouac in particular . . . But she’s also writing her own biography and summation of the times . . . taking these two themes, she merges them into the idea of ‘minor characters,’ those people who live just as intensely or more so than those who are defining ‘what’s going on,’ but who still, under these inaccurate definitions, come in as minor characters . . . a tender, sweet intelligent book. Carolyn See, Los Angeles Times; [Johnson] has brought to life what history may ultimately judge to have been minor characters, but who were to her own generation major enough to shape its consciousness. Christopher Lehmann-Haupt, The New York Times; Joyce Johnson hands over to us the safe-deposit box that contains the lost, precious scrolls of the New York ’50s. Seymour Krim, The Washington Post; MINOR CHARACTERS is an avowedly nostalgic portrait that captures the excitement, the strangeness and the often misdirected and destructive energy of those lost days. The Philadelphia Enquirer; The love story of Joyce from the upper westside who journeys to the village on the subway, putting on a pair of copper earrings en route, and Jack, the confused, mother-tied, suddenly famous road poet from Lowell, Massachusetts . . . a first-rate memoir, very beautiful, very sad. . . E. L. Doctorow; Johnson, who was living with Kerouac when the novel that made him famous came out, has given us in Minor Characters a dispassionate portrait of a time that has since become a literary myth . . . at once forgiving and wry. James Atlas, The Atlantic; Tender and complex . . . far more than a simple enumeration of the highs and lows of an underground romance with Jack Kerouac . . . her book becomes a moving story of adolescent rebellion, and then a fascinating meditation on the relations between the sexes by one who in her Bohemian youth took a measure of freedom unthinkable to most women of her time. The Boston Globe; [A] lovely, poignant memoir . . . Minor Characters glows with affection. Todd Gitlin, The Nation; Realistic rather than flamboyant, Johnson succeeds in portraying the Beats not as oddities or celebrities but as individuals. In wry retrospect, she recognizes the folly of young women rebelling against their well-meaning parents only to become subservient to indifferent men. The New Yorker; Joyce Johnson does much more than add her personal memoir to the history of the Beats . . . Her honest story illuminates a classic pattern of feminine ambivalence, blurred direction and girlish dreams. Susan Brownmiller; A beautifully written venture into iconoclasm. Now, realer heroines emerge as Beat gods fall, along with all the strutting princes of literature. Sol Yurick; With a style balanced between lyricism and forceful clarity, Joyce Johnson has become one of our premier memoirists. O, The Oprah Magazine; Joyce Johnson summons up the mythic Greenwich Village of jazz, poetry and black-stockinged Bohemia with infinite ironic grace. She was, briefly, a muse for all those messy Beat angels. This is the muse’s side of the story. It turns out the muse could write as well as anybody. Angela Carter; An open, perfect memoir: the one to read when you think you are tired of memoirs: the one to study when you think you might write one. It’s here. In print and every word is right. Jill Robinson; Rich and beautifully written, full of vivid portraits and evocations . . . of the major Beat voices and the minor characters, their women San Francisco Chronicle; A major literary event, describing with a rare blend of intelligence and grace the difficult process of becoming, in Doris Lessing’s words, a “free woman.” Ann Charters

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Book Synopsis''In the journal I do not just express myself more openly than I could do to any person; I create myself''Intimate, vulnerable and unsparing, Reborn bears witness to the evolution of Susan Sontag.With entries dating from 1947-1963, the first instalment from Susan Sontag''s diaries charts her ascension from early adolescence to her early thirties. Unabashed, though thoroughly self-reflective, Sontag''s diaries reveal the inner workings of her mind, her insecurities and her passions. This compelling account of the evolution of America''s greatest post-war intellectual allows us to behold the moral and political awakening of the artist and critic.''An exceptionally vivid, and often moving, account of a young woman''s painful journey towards acceptance of her own nature'' Sunday Telegraph''Moving on several levels . . . thrilling . . . fascinating . . . often reads like a brilliant postmodern bildungsroman'' New YoTrade ReviewFascinating. One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging * Guardian *Inspirational. Sontag shows us not just the importance, but the exhilaration of being earnest * New Statesman *A fascinating document of her apprenticeship, charting her earnest quest for education, identity, and voice. Reborn is overwhelmingly a record of an inner landscape. * New York Review of Books *

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Book SynopsisElizabeth Smart's passionate fictional account of her intense love-affair with the poet George Barker, described by Angela Carter as Like Madame Bovary blasted by lightening A masterpiece'.One day, while browsing in a London bookshop, Elizabeth Smart chanced upon a slim volume of poetry by George Barker and fell passionately in love with him through the printed word. Eventually they communicated directly and, as a result of Barker's impecunious circumstances, Elizabeth Smart flew both him and his wife from Japan, where he was teaching, to join her in the United States. Thus began one of the most extraordinary, intense and ultimately tragic love affairs of our time. They never married but Elizabeth bore George Barker four children and their relationship provided the impassioned inspiration for one of the most moving and immediate chronicles of a love affair ever written By Grand Central Station I Sat Down and Wept.Originally published in 1945, this remarkable book is now widely identTrade Review‘Like Madame Bovary blasted by lightening … A masterpiece.’ Angela Carter ‘At some point every good reader comes across By Grand Central Station I sat Down and Wept. And he or she recognises an emotion essential and permanent to us.’ Michael Ondaatje ‘A revelation…This short, powerful work has a profound influence on me and was one of the factors that made me want to be a writer.’ Beryl Bainbridge ‘I doubt if there are more than half a dozen such masterpieces of poetic prose in the world.’ Brigid Brophy ‘Explores a passion between a man and two women, one of them his wife – a love despairing and triumphant upon which the reader may gaze, awed, appalled, or even, perhaps, envious.’ The Times ‘Few writers have ever captured the full honesty of what passion means as shockingly and as piercingly as Smart. Today, its force still strikes us hard in the face, a beautiful and bloody blow.’ Lesley McDowell, Independent on Sunday ‘Constructed as a single, sustained climax, it is like a cry of ecstasy which, without changing volume or pitch, becomes a cry of agony.’ Spectator ‘The emotion, the truth and abject affliction comes through…to move the reader, and even to awe him.’ London Review of Books

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Book SynopsisThe Journals of Sylvia Plath offers an intimate portrait of the author of the extraordinary poems for which Plath is so widely loved, but it is also characterized by a prose of vigorous immediacy which places it alongside The Bell Jar as a work of literature. These exact and complete transcriptions of the journals kept by Plath for the last twelve years of her life - covering her marriage to Ted Hughes and her struggle with depression - are a key source for the poems which make up her collections Ariel and The Colossus.''Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now . . . The struggle of self with self makes the Journals compelling and unique.'' John Carey, Sunday Times

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Book SynopsisWritten between August and December 1938, Autumn Journal is still considered one of the most valuable and moving testaments of living through the thirties by a young writer. It is a record of the author''s emotional and intellectual experience during those months, the trivia of everyday living set against the events of the world outside, the settlement in Munich and slow defeat in Spain.Trade Review"'He completely seizes the atmosphere of the year of Munich. He tolls the knell of the political thirties with melancholy triumph.' Cyril Connolly"

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Book SynopsisThe ground-breaking work of the poet who paved the way for generations of women writers, in a new selection by her daugher and literary executor, Linda Gray SextonWhen Anne Sexton took her own life in October 1974, she left behind a body of work which had already, in less than two decades of writing, won her the Pulitzer Prize for Poetry, established her as one of the foremost voices of her generation, and shocked America by breaking multiple taboos of subject matter, from insanity, depression and addiction to menstruation, adultery and the figure of the witch.Sexton''s name is legendary. Her poetry is read around the world, translated into over thirty languages, and in her own country remains a touchstone for poets and readers looking for rawness of perception, vitality of expression, confessional frankness and fiery passion. Yet, incredibly, there has been no new UK edition of her work for decades. In Mercies, readers are provided with a resonant new selection from the writings of this natural phenomenon of a poet.Trade ReviewDo you know Anne Sexton? I worship her -- MadonnaAnne Sexton domesticates my terror, examines it and describes it, teaches it some tricks which will amuse me, then lets it gallop wild in my forest once more ... God love her -- Kurt VonnegutIn Sexton's New England ... adultery looms as the next horizon of sexual destiny, once marriage and childbirth have ripened a woman's body and mapped her pleasure centers ... No woman had published such poems in English for centuries -- Diane Wood Middlebrook

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