Textile arts and artworks Books

Book SynopsisThe Red Dress: 380 Embroiderers, 51 countries, 1 dressConceived by British artist Kirstie Macleod,TheRed Dressoffers a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery.

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Book SynopsisThe artist Celia Pym lives in London and has been exploring damage and repair in textiles since 2007. Working with garments that belong to individuals as well as items in museum archives, she has broad experience with stories of damage, from moth holes to accidents with fire. Textile language crops up in the body: mending language works on the body as well as on garments. We describe the body as mending after illness or injury – ‘I’m on the mend,’ someone might say if they’re feeling better. You might hear a doctor or nurse describe a broken bone as ‘mending well’, or broken bones are often described as knitting back together as the break heals. Pym is interested in exploring the varied evidence of damage, and how repair draws attention to the places where garments and cloth wear down and grow thin. These personal tales document the intimate damage caused to clothing by everyday use and the parallels with the consequent wear and tear on the body. Mending work builds on what is left behind. It’s not replacing, or remaking, or cutting apart and putting back together, instead it is slow work that makes things better. It conjures an unhurried recovery or change. In textiles, the act of mending wear-and-tear, thinning cloth or accidental damage builds on what already exists, anchoring threads and yarn into the robust healthy fabric and filling in the holes or reinforcing the areas that are weak. ‘Darning is small acts of care,’ she says, ‘and paying close attention.’ Trade Review'Celia Pym sees touch as an act of tenderness, whether that’s mending clothes or caring for others. Mending clothes that once belonged to someone you loved can take on a different significance. “It used to sit on the skin of someone you loved, it’s like a diffused kind of touch,” says Celia. “Touch isn’t only through your hands – your skin is your biggest organ – and clothing will take on the shape and the smell of someone and become an evocative reminder of the owner.” In her book, Celia tells the story of ten special items she’s mended. One that really illustrates the connection of touch to memory: “I mended my mother’s childhood sweater that my brother also wore – it was so small I couldn’t imagine my mother ever wearing it, but I could picture struggling to hold my brother when he was one and I was three,” she recalls. “The tactility of the sweater really conjured up that memory.”' Katie Antoniou, The Simple Things; Pym has been exploring mending since 2007 and has extensive experience of repairing small holes at heels, elbows and inside pockets, as well as working on more dramatic damage, whether it be from water, animals or moths. For Pym, the greater the damage, the better. Pym studied sculpture at Harvard and has an MA in constructed textiles from the Royal College of Art. She was a finalist in the Woman's Hour Craft Prize (2017) and Loewe Craft Prize (2017). Her work has been exhibited internationally, including at the Nouveau Muse National de Monaco and the Textile Arts Centre, New York and the Curator's Cube in Tokyo.' Toast Magazine; 'Pym acknowledges that in the process of mending she is, in fact, mending more than just the garment. The process enables people to approach her for advice and also to talk candidly about the meaning implied in restoring a treasured piece of clothing. Sometimes, the garment will have been the property of a loved one who has died, so repairing it, she says, enables the relationship to continue. The act of mending artfully is a form of caring and memorialisation.' Janet McKenzie, Studio InternationalTable of ContentsIntroduction Stories Roly’s Sweater Elizabeth’s Cardigan Hope’s Sweater The Norwegian Sweater Bill’s Sweater The Gold Cape Lara and Lolu’s backpacks Siri’s Sweater Vivien Leigh’s Suit Freddie’s Family Rugs

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Book Synopsis A guide to finding, researching and using historical textiles in your stitched work, to bring layers of meaning and a rich sense of emotional connection through place and time. Renowned textile artist and tutor Hannah Lamb frequently uses and is inspired by old fabrics in her work, from age-worn cotton and linen sheets to delicate lace collars, vintage patchwork to snippets of colourful printed silk. In this book she explores many creative ways to incorporate historical textiles into your own work, from first conception and initial research to the finished piece. Chapters cover: Unfolding: how to track down historical textiles in shops, markets, antiques fairs, museum collections and online, or in your own family scrap bag, and how to conduct thorough and meaningful research into them. Connecting: how to design and plan your work with historical textiles, starting with mood boards and sketchbooks and progressing to practical creative experimentation, including old-fashioned techniques such as the prick and pounce' method of pattern transfer, popular in Tudor times. Making: the practicalities of using old and fragile materials in your work, and how to combine them with newer fabrics to make cohesive and beautiful pieces that tell powerful stories. This chapter also explores alternative ideas, such as digital printing, that allow you to import the fabric's essence but leave the original piece intact. Gathering: this chapter considers examples of contemporary artworks that respond to textile heritage and place, and studies how we tell histories and whose perspective we tell them from. This thoughtful, imaginative book is illustrated with inspirational examples of the author's own work and that of other textile artists from around the world, and provides a valuable introduction to working with historical textiles to enhance your own pieces of textile art.

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Book Synopsis''I have never read such a stimulating short guide to art'' Lynn Barber, Sunday Times Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he''s called this book Playing to the Gallery and not ''Sucking up to an Academic Elite''). Based on his hugely popular BBC Radio 4 Reith Lectures and full of pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask.Trade ReviewThis book is full of good jokes, full of cartoons, full of memorable epigrams, but above all full of thought-provoking ideas that make you want to pause on every page and say: "Discuss." I have never read such a stimulating short guide to art. It should be issued as a set text in every school -- Lynn Barber * Sunday Times *A visual and intellectual delight * Time Out *Punchy, mischievous ... Hugely entertaining. You could, genuinely, take an aphorism or a quote from every second page ... This is splendid, transgressive stuff ... a love letter to art ... a thing of pleasure: petite, luxuriously printed, a mischievous little hymn to 21st-century inclusivity -- Melanie Reid * The Times *It reveals Perry to be not just an artist but a wordsmith, too... It is acute and funny at the same time. This, I think, is why people love Perry so much. * Daily Telegraph *A joy to read * New Statesman *A polemic for inclusivity... The great thing about Perry's statement of it here is that you are always convinced that he believes it and lives by it * Observer *It's unputdownable! It's really relevant to anyone who does anything ... A great book ... Grayson is brilliant -- Stewart Lee

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Book SynopsisIn the far east of France, close to the German and Swiss borders, lies the historic city of Mulhouse. During the early 19th century, it became one of the leading centres of textile manufacture in the country. Today it is home to the Musée de l'Impression sur Étoffes, a museum dedicated entirely to the history of fabric printing from the 17th century right up to the present day.Few are the serious fashion designers who have not come to visit this astonishing temple to textiles. This book, however, gives you the key to those vaults, presenting on its broad pages perfectly captured images of its collections that span four different continents recounting a fascinating artistic and technological adventure across the world, from its origins in India to the most contemporary creations.Across two volumes, you'll discover nine luxuriantly illustrated chapters that being to glorious life a chronological and thematic overview of the Musée's unprecedented retrospective

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Book SynopsisPraise for the Build a Bag series: "These books are ideal for those new to bag making and will help readers grow their bag-making skills and confidence as they work through the projects. The plastic templates are a brilliant idea and a great bonus." - The Sewing Directory New to the highly acclaimed Build a Bag series, this fantastic new book by Debbie Shore brings you a selection of 15 sensational satchels! The 15 designs are created using the full-size rigid template contained within the book. It is easy-to-use, durable, reusable, wipe-clean and perfect for fussy cutting, plus it is simple to position and use – there is no need to pin it. The satchels are made using different techniques, pockets, straps and fastenings to create 15 very different results. But why stop there? The template can also be used for your own design variations. As you mix and match the techniques covered within the book, Debbie gives advice on how to adapt and create your own unique designs. Each project in the book is explained using Debbie’s friendly style and easy-to-follow step-by-step photography, and there is also a comprehensive techniques section and a guide to using the template.Trade ReviewThere is more inside this book than paper pages! The cover sports a ruler in imperial and metric and the whole is held together by an elastic strap. Why? Because inside the cover is a pocket of reusable plastic templates for making fifteen different satchels, plus as many variations as you can imagine. Whatever your own views about plastic I think that having a template made from it is a good idea, because it is something you can use many times without it getting dirty or tatty. Search Press is adept at coming up with innovative ideas for their art and craft books, and this is a particularly good one. Satchels tend to be associated with school but have come of age with an array of pretty and practical designs that can be customized with the help of the template. This does not require pins as it is semi-transparent so you can see where to draw, and you can mix and match the various options once the basics have been mastered. There are instructions with staged photographic steps for fifteen bags and these include bags with various pocket types, straps for hand or shoulder wear, a variety of fastenings plus extra details like bows, different shaped straps and ideas for using more than one fabric. At the front there are pages showing how to use the template, plus tips for working with laminates and faux leathers, what fabric supports, threads, tools and hardware you will need plus how to make your own bias strips, make straps, pipe seams, make a zippered pocket and put in several modern types of clasp. There is a page of tips plus a useful Oops! troubleshooting page. Turn to the back for a glossary, index plus how to make a shoulder pad to slip onto the strap to make it more comfortable. This is definitely a book destined for my keeper shelf and one I heartily recommend to anybody who wants to make bags that are modern, attractive and useful. Also new out in this series is a book on making backpacks. This contains a plastic template too plus fifteen different ways of making backpacks, rucksacks and drawstring bags. Make one with a teddy head, a useful bag for shoes or storing hair tools, bags with shaped corners and more. Finally at the back is a project for a cosmetic purse; another winner that adds a less featured type of bag to the sewist’s repertoire. * MyShelf.com *Fabulous book, easy to understand and use, to make a wide range of satchels, of shapes and sizes, with different shape pockets. The options are limitless. Like the plastic template which is very durable. Pictures are very clear and informative. Shall enjoy making several satchels. Once again Debbie Shore has produced a superb book. * Customer review *The book is clearly printed with good photos and instructions. I have made Debbie Shores bag patterns previously but have never made a satchel, by the look of the instructions and with the use of the template I feel it will be easily achievable. Very suitable book for all levels of sewing abilities. * Customer review *The wonderful Debbie Shore is back with her ingenius Build a Bag series. Satchels is just as brilliant as the other pattern books, and once again with a reusable template and 15 designs, this is a book that is highly recommended. I love Debbie Shore designs,simple because they are easy to make, with instructions that are simple to follow, but the finished design always looks professional and not handmade at all. With handy hints and tips, this book is just like a private lesson with the lady herself. She has made this series easy for beginners and technical enough for advanced sewists. Recommend fabrics are given, how to attach hardware and the 'Oops' page gives advice on what to do when things don't quite turn out right. The pattern templates are amazing. The pattern gives an image where each piece needed is highlighted. This makes your sewing a stress free experience. The language used in describing the patterns are jargon free and each step by step is numbered and once again includes a visual image. Recommended for every stitcher and I for one will use mine again and again. * Postcard Reviews *These two stunning brand-new titles from Debbie cover on-trend satchels and backpacks. Each book comes in an attractive hard-back folder which also encloses a wallet containing durable plastic templates, from which, by following Debbie’s impeccable instructions, it is possible to construct fifteen different bags from each book. There is a bag for every taste and occasion, each beautifully presented in full colour, showing Debbie’s inspiring fabric choices. All techniques including zipped pockets, magnetic closures and piping are covered in detail, making these projects suitable for every level of sewing expertise. Debbie also includes inspiring suggestions on adapting the templates to expand the design possibilities and create even more bags! Outstanding value for money, these books are a definite must-have for every bag-loving sewer. * East Kent Embroiderers' Guild *Table of ContentsIntroduction 6 Understanding the template 8 Materials 12 Tools 14 Hardware 16 Techniques 17 Debbie’s top tips 24 Oops! 25 The Projects 26 Twist lock satchel 28 Back pocket satchel 34 Big bow satchel 38 Mini satchel 44 Button snap satchel 48 Patch pocket satchel 52 Simply square satchel 56 Slim satchel 60 Zipped bag 64 Hidden pocket satchel 68 Double buckle satchel 72 Supersized satchel 76 Side pocket satchel 80 Quilted flap satchel 84 Drawstring satchel 88 A little extra something 92 Glossary 94 Index 96

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Book SynopsisA guide to harnessing the world of nature to create sustainable textile art. Textile artist Alice Fox shows how to work with found, foraged, gathered and grown materials to create fabulous textile pieces that are inspired by, and made from, nature. She encourages crafters to be open minded and experimental, using local (and sometimes) unconventional materials, working with the seasons and learning what materials are available at different times of year to ground artists in natural cycles and integrate creative activity with a strong sense of place and character. Alongside advice on growing your own plants (such as flax or nettles) for creative work, the book is packed with practical ideas for foraging – from weeds, dandelions and other plants useful for making cordage, or leaves that can be stitched, quilted and shaped into vessels, to grass, wool, plastics and mud that can be gathered and delightfully repurposed by the textile artist. Other ideas for found materials include stones, shells and wood that can be wrapped or woven into, as well as a multitude of urban treasures that find a new life in creative hands.Trade Review‘A masterclass in harnessing nature to create sustainable art’ Wildflower ‘A book with such depth of meaning – this is a mindful tome.’ Ailish Henderson Blog 'If you would like to take a more sustainable approach in your textile work, this beautiful book offers plenty of inspiration and advice’ The Quilter ‘Advice on how to work with foraged, gathered and grown materials to create fabulous textile art pieces. You’ll be amazed by the possibilities!’ Textile Artist

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Book SynopsisThis is the first UK edition of the cult darning book by Hikaru Noguchi who has become a guru of visible darning in Japan. With 12 different darning techniques and 63 inspirational examples, this detailed step by step guide makes the methods easy to follow.The stylish photography shows off the artistic and minimalist style of the designer's work.

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Book SynopsisA landmark survey of how textiles have been used for protest in the 20th and 21st centuries, including banners, posters, flags, clothing and pieces from the world of fine art.

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Book SynopsisComprises more than 1,000 images that highlight the beauty, subtlety, simplicity or complexity of textiles created around the world. This title illuminates the ways in which structure or surface decoration or embellishment enhance this most tactile of arts.Trade Review'As good as it gets … a wonderful resource and reference book … this wonderfully illustrated book is a rich visual feast … clear and thought-provoking' - Selvedge'Can be picked up often as a reference, an inspiration, or for personal refreshment … an extraordinary accomplishment that pays tribute to this field and its practitioners' - Surface Design Journal'The writer’s knowledge of the field and her practical experience of making are evident throughout … a sumptuous - and well-writtendesign resource aimed at inspiring textile art and design of the future' - Textile History'With its sumptuous cloth cover and more than 1,000 colour images of historical and contemporary textiles, this fascinating journey through the history and meanings of textiles cannot fail to impress' - EmbroideryTable of ContentsI. Impact • II. Ingredients • III. Structure: Non-tensioned Techniques; Looping & Twisting; Weaving • IV. Surface: Insertions; Embroidery; Painting & Printing • V. Added Dimensions: Pleating & Folding; Cutting & Stitching; Elaborations • VI. Imagery: Content; Identity; Narrative • Resources • Further Reading

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Book SynopsisLearn how to create exquisite, delicately embroidered silk ribbon flowers, including foxgloves, roses, hydrangeas, delphiniums, primroses, geraniums, irises, poppies... and much more. A small selection of stitches are used to create a wide variety of flowers. All the techniques are explained in detailed step-by-step sequences.Trade ReviewOctober 2014 I learned ribbon embroidery with this book and went on to teach classes and make various embroidered items using this lovely method. First published in 1998 this is one of the Classics range of stand out titles that belong firmly on every crafter’s keeper shelf. This is a user-friendly primer that gets you started right away before pictures of advanced work and worse still, what you might have to buy can frighten you. Fortunately that mostly means ribbons, embroidery floss, a hoop and if you want to stencil or paint backgrounds materials for this, otherwise there is no large outlay before you can start. Learn how to anchor ribbon and the special stitch unique to ribbon embroidery plus a few other adaptations of freestyle stitches and before long you will be working on your first picture, a study of spring flowers. If you have done some embroidery before you will find it easier as you have already learned much of what you need to know, but even if you haven’t expect clear photographs and captions guide you through the process. Why is this book a classic? I have several other books on the subject but none is so obviously aimed at the beginner, and with a subject that has not had a lot of coverage (especially back in 1998) this is essential. It literally takes you from choosing the ribbon through practising the stitches to making several small, simple but beautiful pieces. If you are at all interested in having a go and don’t already own this book do buy it. Very highly recommended. * Myshelf.com *October 2014 This was first published in 1998 and even looks dated for then, it has been re-published but not re-designed. However the information given is still relevant and useful and at this price, you cannot expect more. This book includes all the information you need to create stunning silk flowers, including framing your work. The Bouquet of Roses is my favourite. * Karen Platt Yarnsandfabrics.co.uk/crafts *September/October 2014 Over one hundred step-by-step photographs show how to create exquisite, delicately embroidered silk ribbon flowers, using a surprisingly small number of stitches. Learn how to create exquisite, delicately embroidered silk ribbon flowers, including foxgloves, roses, hydrangeas, delphiniums, ,primroses, geraniums, irises, poppies... and much more. A small selection of stitches are used to create a wide variety of flowers. All the techniques are explained in detailed step-by-step sequences. With clear, step-by-step instruction and beautiful designs, this book is a best-selling, timeless classic redesigned for modern embroiderers which is suitable for beginners and more experienced embroiderers alike. First an foremost, Ann Cox is a silk ribbon embroidery designer who runs her own company selling silk ribbons and kits. She teaches at colleges of further education, takes classes in her own studio and gives talks to clubs and guilds., She is also a professional cake decorator, a very keen gardener and is interested in many other crafts, especially those relating to flowers. Ann lives with her husband, Ashley, in a small village near Southampton in Hampshire. * Workbox *Table of ContentsIntroduction 4 Tools and materials 8 Embroidering with silk ribbons 12 Spring flowers 26 Bouquet of roses 32 Country garden 36 Poppies and wheat 38 Blackberries 41 Stencilling a background 42 Painting a background 44 Mounting and framing 46 Index 48

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Book SynopsisA creative and practical guide on how to get in touch with your local natural world to create thoughtful works of textile art. Filled with projects and step-by-step techniques, this book is perfect for textile students and professionals alike. Renowned quilter and textile artist Helen Parrott explores the creative potential of your local surroundings and teaches you the processes and techniques used to create beautiful textile artworks. Drawing on the Slow Stitch movement, she explains how mark-making techniques can be used meditatively to record personal lives and surroundings influenced by seasonal changes of colour, energy and light. She encourages you to connect to your own locality, whether it be urban or rural, at home or on holiday, and its specific seasonal aspects in order to create a personal, working cycle of textile art. The book is divided into seasons; from learning how to spot the first signs of Spring to recording seasonal characteristics – equinox through to solstice – Helen teaches you how to be in tune with your environment. Each location will have different signs, so each artwork will truly be unique. Techniques and projects are also covered in this book: she first teaches you the basics of both hand and machine stitch techniques, working with free-form stitching, chain stitch, corded quilting and then moves onto appliqué, blackwork and dyeing. The techniques build in complexity ending with pieced textiles and collages. Helen also explores how to work with dot and line, repeating patterns, light and shadow, colour (and lack of colour), plant structures and people in landscapes. The last chapter consolidates techniques you've learnt in the book and showcases finished works from her exhibitions, as well as the Bradford Textile Archive, to help you better understand where inspiration leads.

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Book SynopsisOne of the most distinctive features of Islamic design is the evolution of an increasingly abstract and repetitive repertoire of motifs, which are shared among all media – metalwork, woodwork, ceramics, tilework and textiles. In textiles the main themes are based on angular and geometric shapes – vertical and horizontal striped bands; hexagons and octagons, which can be linked and infinitely extended; stylized and rhythmic scrolls of foliage and flowers; and Arabic calligraphy, of which the letters can be formed into continuous borders, panels and medallions. These motifs can be used separately or combined into complex patterns, of which the repetitive and two-dimensional features are ideal for textile production, especially where varying lengths are required – for hangings, curtains, robes and shawls. Valued for their role in the subtleties of court ceremonial and fashion, these textiles were also much admired beyond the Islamic lands. The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament – evidence of the international nature of Islamic design. Materials represented are silk – the most prestigious of fibres, requiring highly respected weavers – wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth and early twentieth centuries, which, thanks to the basically conservative nature of textile technique and design, preserve and continue the traditions established in the medieval Islamic world. They are important in an assessment of Islamic textiles both for their quality and as illustrations of survival and adaptation in a major industry. Their heritage reaches back well over a thousand years, even though their very high perishability means that for the earlier part of the tradition our knowledge is reliant very largely on written sources. These, however, attest to the superb quality and quantity of textiles at the courts of the period.Trade ReviewBeautiful … a must for anyone interested in the history of Middle Eastern and South Asian textiles and garments, as well as those seriously interested in the history and development of textile technology and design in these regions. * Textile Research Centre *

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Book SynopsisA seasonal collection of quilts inspired by life in the countryside. With 20 new projects that are suitable for a range of skill levels and include 12 large quilts and 8 smaller items, which can be customized to suit your own décor.Highly Commended for Best Sewing Book in the Creative Book Awards 2025Selected for its warm, inviting approach to traditional quilting with a modern twist inspiring readers to create beautiful, heirloom-quality quilts with confidence and creativity.'A brand new collection of quilts and projects from one of the most recognizable and best-loved quilt designers in the UK. These inspiring designs, photographed in beautiful rural locations, reflect the changing seasons and beauty of the British countryside. Each of the four chapters features inspirational lifestyle photography showing the quilts in beautifully styled settings.For all skill levels from beginner to advanced, the book includes the guidance and practical knowledge you need to begin quilting successfully. The 12 large quilts and 8 smaller projects and accessories can also be made in alternative colours and fabrics to fit your own style, making them enormously versatile.This is the book for any quilter and lover of country style.

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Book SynopsisA celebration of art traditionally devalued as too domestic or feminine to be taken seriously and the innovative, brilliant artists reclaiming the idea of ‘women’s work’. Table of ContentsGee’s Bend Quilters Maria Martinez Elsa Schiaparelli Anni Albers Lucie Rie Lenore Tawney Dorothea Tanning Louise Bourgeois Rut Bryk Monir Shahroudy Farmanfarmaian Miriam Schapiro Yayoi Kusama Faith Ringgold Magdalena Abakanowicz Olga de Amaral Sheila Hicks Eva Hesse Marva Lee Pitchford-Jolly Judy Chicago Judith Scott Annette Messager Isabelle de Borchgrave Dindga McCannon Cecilia Vicuña Mrinalini Mukherjee Polly Apfelbaum Sarah Lucas Yin Xiuzhen Simone Leigh Billie Zangewa Otobong Nkanga Alexandra Kehayoglou Sarah Zapata Tschabalala Self Hannah Hill More artists to explore Bibliography Index Picture credits Acknowledgements

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Book SynopsisBy teaching you the foundations of natural dyeing, and guiding you through the simple stitch techniques, this book will allow you to dip in and out of projects while learning how to forage for and grow your own dye plants. In The Wild Dyer, Abigail Booth demystifies the `magic'' of natural dyeing and shows how to use the results to stunning effect in 15 exquisite patchwork and stitch projects, including a drawstring forager''s bag, an apron, samplers, cushions and a reversible patchwork blanket. Focusing on how to grow or gather your own dyeing materials - from onion and avocado skins to chamomile and comfrey, nettles and acorns - as well as scouring, mordanting (using fixative) and setting up a dye vat, Abigail explains how to create effective dyes. And once you have them, how you can produce beautiful, contemporary textiles that can then be used to create projects that build on your skills.

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Book SynopsisCelebrates the earliest history of the Islamic world's great textile traditions through fifty beautiful carpets and fragments. A wave of these beautiful textiles has reached the West since the turn of the 21st century, and here they are divided into variants featuring birds, mammals, and mythological creatures, which retain their glowing colors and lively charm.Trade Review'The long awaited work is finally here ... fills substantial gaps in the early history of knotted rugs' - Carpet Collector

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Book SynopsisA mind-bending archive of Collina Strada, the downtown New York brand that puts self-expression and honest sustainability first.Launched in 2008 by Hillary Taymour, Collina Strada has spent the last decade successfully injecting the generally colorless style of downtown New York with acid-colored dye jobs, off-kilter dresses, sparkling hair pins, and fearlessly fluid ensembles. Rooted in interconnectedness, self-expression, and thoughtful production, the brand screams nonconformity: cosmically dyed dresses, rhinestone-studded water bottles, and wildly graphic bodysuits serve as representations of the cacophony of sounds, symbols, and spirit that imbue the Collina Strada world.All of the brand’s pieces are produced in the USA using mostly reinterpreted deadstock materials: recycled t-shirts from Kantamanto Market in Accra, Ghana, and Rose Sylk, an organic cellulose fiber derived from rose bushes and their stems. Taymour has also shown an unwavering commiTrade Review"Can responsible fashion be fun? Collina Strada, the colorful, conscious, and always-creative New York-based brand from designer Hillary Taymour, proves the answer is a resounding yes. Fifteen years after its launch, Collina Strada has won over innumerable devotees with its vibrant, kitschy designs and demonstrated commitment to promoting social and environmental change—from using deadstock fabric to upcycling unsold items. I Care a Lotta, I Wear Collina Strada captures the spirit of the brand perfectly with a delightful compilation of inspiring imagery and unexpected artistic collaborations— such as David Mattingly of Animorphs fame. A dazzling celebration of one of New York’s most beloved sustainable brands, this book will inspire readers to be just as bright and bold." — V MAGAZINE"If you’re a fan of Hillary Taymour’s Collina Strada then it’s safe to say that you are a fan of Charlie Engman, the artist and photographer who is Taymour’s stalwart collaborator. The pair’s latest project is "I Care A Lotta, I Wear Collina Strada," a monograph published by Rizzoli that brings together a decade of the New York label’s history in their signature maximalist aesthetic." — VOGUE"Embark on a decade-spanning journey of audacious fashion and eco-consciousness with NYC brand Collina Strada in this visually captivating compendium directed by Charlie Engman and showcasing vibrant designs by founder Hilary Taymour." — VOGUE Singapore"One part photo collage, one part manifesto, New York designer Hillary Taymour's new book explores her use of rainbow dresses made of rosebushes and rhinestone-studded water bottles as vehicles for environmental advocacy." — Harper's Bazaar"Collina Strada’s environmentally-conscious absurdism is on display in a book that intersperses collages of aliens with advice on composting." — NY TIMES

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Book SynopsisAn evocative exploration of how travel - local and far away - can inform, inspire and enhance textile art. Travel has always featured heavily in textile art, from artists’ ‘travelling sketchbooks’ to large-scale installations mapping coastal erosion or the effects of climate change. In this book, renowned textile artist Anne Kelly shows how to capture your travels, past and present, in stitch, with practical techniques sitting alongside inspiring images. She begins the book by discussing maps in textile art, including their iconography as well as incorporating actual maps into textile work. She then goes on to explore the influence of different cultures from across the globe on textile art. From India and Peru to Scotland and Scandinavia, the book shows how to harness traditional techniques, fabrics, motifs and colours for use in your own work. The chapter ‘Stopping Places’ captures the moments in time on a journey that can be distilled, remembered and documented to create stitched postcards, sketchbooks and other pieces. The final chapter, ‘Space and the Imagination’, explores the possibilities of space travel as a source of inspiration, and covers inner space too, with artists mapping their own emotional journeys. Including a wealth of practical tricks and techniques as well as exquisite photography of both Anne’s own work and that of other leading textile artists, this fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.Trade ReviewA fascinating exploration of travel in textile art, with practical techniques and inspiring images' Craft Focus 'Gorgeous … Packed with rich imagery, detailed instruction and inspiration galore.' Textile Artist 'Anne Kelly has captured her experiences with travel beautifully in this new title' Sew 'This book will inspire all makers' Simply Sewing 'This fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.' Selvedge ‘A delightful publication which will install a desire to look beyond, and to explore the expanse of what the world presents as a starting point for any creative endeavour, particularly involving textiles’ Art Quilt Quarterly ‘Filled with many clever and interesting ideas … Useful for spurring ideas for projects I never would have thought about otherwise’ Spin Off (US) Terry Mattison

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Book SynopsisSHORTLISTED in The Creative Book Awards 2024.A creative and beautiful book packed with inspiring ideas to help you capture likenesses and explore personalities in stitch, from a well-loved textile artist. Anne Kelly's evocative and nostalgic work often incorporates portraits – of friends, family, historical figures and even pets. Within these pages she shares her approach to textile portraiture, bringing in a wealth of different embroidery techniques, including hand and machine embroidery, quilting and appliqué, to render in cloth the nuances of facial expressions and the personalities of her subjects. The book covers: • Selfies at Home: making the perfect self-portrait in cloth. • Representation and Culture: how portraits have been used in textile art for cultural expression around the world. • Stylized Imagery: going beyond the traditional portrait into abstraction. • Place and Time: creating a sense of place with portraiture, sometimes incorporating photographs. • Narratives: how to create a fuller story using deeply personal ephemera and related imagery. • Pet Projects: immortalising your pets in your textile work. Beautifully illustrated with stunning examples of her own work and that of intriguing textile artists who specialise in portraiture from around the world, this is the ideal book for embroiderers and textile artists who want to introduce this often tricky subject area into their work.

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Book SynopsisIn this fun and practical introduction to patchwork and quilting, well-known TV personality Sarah Payne leads you through a series of techniques to build up your skills. Each chapter includes a number of different-sized step-by-step projects, including quilts, cushions, tote bags and table runners. Sarah discusses different shapes (squares, circles, triangles) and different techniques (appliqué, piecing blocks and curved piecing) in turn. She also includes information on basting, layering, quilting and binding, as well as pre-cuts. Filled with guidance and helpful tips and tricks, this book will equip you with all you need to know to get started on your quilting adventure. Put your skills into practice and at the same time create beautiful projects to keep or give as gifts.Trade ReviewA really useful book that takes you through what you will need to get started on patchwork projects. It teaches patchwork skills through projects which are well illustrated with plenty of ‘tips’ to help you on the way. The book is mainly suitable for beginners, but anyone interested in patchwork would find it a worthwhile addition to their library. -- Barbara Allan * Customer review *I am new to quilting and found this book an excellent starting point. It clearly covers the basics of tools, fabrics, techniques, hand or machine sewing and even how to choose colours that complement each other for a lovely project. I really like the way this book leads you through all the quilting projects, with lots of colour photos showing step by step what your project should look like! There are 15 lessons and each lesson makes a new project, starting with a straight forward bag made up of squares and progressing and introducing more complex shapes. I think this is a perfect book for anyone wanting to have a go at quilting. I can't wait to make a start on my first quilting project. -- Lorna Cox * Customer review *This is an excellent book to teach all the basics of quilting, especially if you don’t attend a class. Instructions are clear and well laid out, with helpful pictures throughout. Sarah takes the quilter through choosing equipment and fabric to building up skills gradually as you go through the book. There’s also plenty to interest a more experienced quilter, for instance the instructions on the various methods for making flying geese are brilliant.There’s a good range of different sized projects to make and a couple of fun ways to use up scraps. A really great introduction to patchwork. -- Anna Wheal * Customer review *Sarah Payne's Quilt School is a must have book for those wanting to start patchwork and quilting. She starts at the beginning and covers the essential tools - not forgetting to mention that fabric scissors should only ever be used for fabric! She guides the reader through the basics, with clear pictures showing the techniques for cutting accurately, sewing with a machine or by hand and pressing. The projects are well thought out, with clear instructions, aided by clear photographs. Each project is presented in the form of a lesson, and includes tips to help you improve your technique. There are very clear examples of different methods for creating flying geese units, how to create a flanged border, bordered binding and flanged binding. One aspect that I particularly like in this book is the double spread about the disappearing 9 patch; it shows how different the block looks in the final layout, when different colour combinations are used. If this were not enough, the book contains a section for using the scraps that the reader will have left over after finishing the other projects in this book. This is a genius addition, as patchwork and quilting will produce a plethora of scraps! Sarah Payne is my kind of quilter - finding ways to make things easier on the quilter. This book should be on the bookshelf of everyone who wants to start or improve patchwork and quilting. It would not be out of place on the bookshelf of more advanced quilters, as it contains ideas and techniques (especially for binding) that I've not seen before. -- Christine Hutchins * Customer review *This is an excellent book for anyone new to patchwork and quilting, or for anyone looking for inspiration and new ideas. The instructions are clearly explained in step by step description and photos, with lots of top tips included. I've made a start on the cover quilt as it's a fantastic project that will help me to use up my scraps. I'd highly recommend this book. -- Sazzie Jessop * Customer review *I'm a great fan of Sarah Payne, she's a great teacher so I was looking forward to this book. I had wondered whether it would be too basic, I'm not an expert, but equally not a beginner quilter, but was not disappointed at all. A beginner would find it extremely helpful, but there's plenty in it to interest those of us who are past that stage. The illustrations are photos not drawings and I find that much clearer to follow. For each technique there's a project, ranging from bags, cushions, quilts and more. Sarah also explains how to use rulers and acrylic templates for cutting and there's also a bit which tells you what you can cut from a fat quarter of fabric, very useful! A lovely book to look through but also a very useful book too! Would definitely recommend! -- Linda Jesuadian * Customer review *I just love this book. It's suitable for beginners and beyond, something for everyone. Well set out with beautiful colour photographs to go alongside the writing. Very easy instructions for all the projects. I am certainly going to make the circles quilt. I would recommend this book to any sewer/quilter. -- Bev Hackleton * Customer review *Sarah Payne's lovely book leads you through the very beginning, the tools you will need, fabric wadding, thread, right through to caring for your completed projects, with lots of things to make in between. It is very well illustrated with lots of nice, clear photographs, including plenty of close ups. Much clearer than diagrams, I find. Whilst this book is suitable for beginners, it will also grow with you so that you don't outgrow it too quickly. -- Pat Darlington * Customer review *An introduction to patchwork and quilting especially suitable for beginners. The introduction covers equipment, technical terms and rotary cutting. The designs begin with squares (a simple tote bag), but progress to real projects. A shoulder bag with Flying Geese blocks and a quilt with several alternative layouts and interesting borders are introduced early. The final objects are a delightful elephant cushion and a scrap quilt using all the leftover pieces. The final section gives clear advice on hand and machine quilting, binding, labelling and caring for the quilts. There are excellent photos and instructions throughout. It is my Book of the Month. * British Patchwork & Quilting *I recently got the opportunity to get a look at Sarah Payne’s Quilt School: New ways to start patchwork and quilting. I have really enjoyed looking through this book and it even inspired me to make a table runner! With the holidays coming upon us I feel this book is perfect for anyone who wants to make some beautiful gifts that will not take weeks to make. The book is set up with good introduction information for anyone interested in starting to quilt and it also has information that can likely be helpful to people who are already familiar with patchwork and quilting. The pictures are wonderful and detailed. In her Introduction she illustrates various tools and materials as well as basic techniques. Then with the different Lessons there is additional material that speaks to those particular lessons. The lessons are broken down into types patchwork and quilting. There is a section on Squares, Triangles, Circles and then just basic scrap projects. In the section on squares the first project is a shopping bag which I love. Who doesn’t need more shopping bags! Throughout this section there are several projects that are generally quick and easy. She also presents a beautiful and simple approach to the disappearing none-patch quilt which is really fun. She has many beautiful photos that take you through what different layouts will produce. I am going to have to play with that on my next project. She moves on to triangles and, again, there are numerous wonderful photos of different projects. There is a little quilted purse, a pillow, a wall hanging, a quilt and then this little placemat that spoke to me. While I have quilted for decades I am no expert and generally have used paper patterns. I have never utilized a ruler to make 60 degree triangles! I am sure everyone else knew this but I was excited. I even used that trick on a construction project I was working on! I changed her suggestion for size to accommodate a piece of furniture I have. I made mine narrower and longer. Then I hand quilted with black in my very simple primitive hand quilting style. With her section on circles she has that classic Drunkard’s path, which I always have loved. She provides a pillow pattern which is nice if someone wants to try simple circles. She demonstrates different ways to sew circles, with applique or sewing in, and has a beautiful circle quilt out of batiks. The last section is about scrap use and there is a wonderful scrap quilt, also pictured on the cover of the book. I love the elephant, which appears in many pictures throughout Payne’s work. Overall I really enjoyed this book and found many fun and simple projects that have inspired me. I really think there is a little something for everyone in this book. There are quilted items someone can make in one day or items that may test your skills and teach you something new! -- Julie Rogers * Mr X Stitch *This bright and colourful book is an ideal introduction for those starting out on their patchwork and quilting journey. The essentials about tools, fabrics and basic techniques are covered in the introduction. This is followed by sections on Squares, Triangles, Circles, and Beautiful Scraps. Guidance for layering, quilting and binding are given at the end of the book. Within each section there are a number of ‘Lessons’, which present instructions for a variety of projects that build on your skills – some of the patterns can be varied to use differentsized blocks or pre-cut fabrics. Handy tips to achieve the best results are scattered throughout. A range of construction methods are also introduced in projects that include bags, cushions, runners and wallhangings as well as full-size quilts. * The Quilter *In Sarah Payne's Quilt School (RRP £12.99), the well-known TV personality leads readers through a series of techniques to build up their skills. Each chapter has step-by-step projects for a range of items including cushions, tote bags and table runners. The author also discusses a variety of different shapes and methods. * Craft Focus *I have been watching Sarah Payne on TV for quite a while and love her zest for all things stitchy. So, when I heard that she had written a book I was very excited. Ms Payne has not disappointed me. From beginner to advanced sewist, everyone will take something from this book, whether it be a new skill or a fabulous idea. The book is sectioned in 'lessons'. So from beginning to end, each project introduces a new skill. With simple language, easy instructions that are in written and visual format and brilliant hints and tips, there is no reason why you would not get a professional finish to your very usable project. Quilts, bags, runners and cushions are all included, and each step is easy to follow. The bright glossy pages showcase the projects and the colours 'pop' giving you so much inspiration and they will definitely boost your creativity and imagination. I loved this book, it has a wealth of information of fabric, fat quarters, thread and gives expert advice on what you will need for your sewing journey. -- Tracy Shephard * Amazon *Table of ContentsIntroduction 6 Materials and tools 8 Basic techniques 20 Squares 26 Lesson 1: Simply squares shopping bag 28 Lesson 2: French braid table runner 32 Lesson 3: Turned four-patch bed runner 36 Lesson 4: Disappearing nine patch quilt 40 Lesson 5: Snowball pillowcase 44 Triangles 47 Lesson 6: Half square triangle bedspread 50 Lesson 7: Jacob’s ladder quilt 56 Lesson 8: Ohio star cushion cover 62 Lesson 9: Flying south for the winter wall hanging 72 Lesson 10: Quilted handbag 76 Lesson 11: Placemats 82 Circles 86 Lesson 12: Drunkard’s path large cushion cover 90 Lesson 13: Circles quilt 95 Beautiful scraps 98 Lesson 14: Elephant cushion 100 Lesson 15: Quick strip quilt 106 Layering 108 Quilting 110 Binding 119 Labelling and caring for your quilt 124 Conclusion 126 Resources 127 Index 128

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Book SynopsisThe book is aimed at anyone with an interest in surface design and pattern whether they are students, hobbyists or professionals. Over 350 images from the last 100 years are presented with informative captions, ordered aesthetically to create a pleasing visual impression whereby contemporary images are displayed next to historical images.The images are drawn from a wide variety of styles, art movements and countries of origin to give an overview of pattern design from the beginning of the last century to the present day. Images include fabric designs and wallpaper patterns primarily, plus some ceramic and other decorative patterns where appropriate. Patterns are chosen from a number of sources, including the archives of colleges, museums and private collections. International fashion houses and notable British designers such as Celia Birtwell and Zandra Rhodes have contributed images. An opening introduction discusses the predominant key themes that are relevant to the subject of pattern design.

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Book SynopsisIn this visually stunning book, Moy Mackay reveals how you too can create beautiful pictures using felt. Characterised by her wonderful use of colour, Moy’s work is breathtaking and includes still-lifes, animals and landscapes inspired by the dramatic scenery of the Scottish Borders where she lives and works. Moy takes you through every step of the process, including the materials and tools you need, the feltmaking process itself (which is easier than you’d imagine), and how to put together four fabulous felt paintings of your own. There is guidance on stitching, including both hand- and machine-stitching, as well as how to use colour and introduce texture in the form of different fibres and threads. There are numerous examples of Moy’s work through the book, and by the end you will not fail to be inspired to create gorgeous felt paintings of your own. "Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter – her work is very free." - Kaffe FassettTrade ReviewWe love this refreshing take on how we can use our own photographs as inspiration, creating unique felt versions. We think its fresh and we are drawn in by Mackay’s passion for her subject. This isn’t an artist simply producing a book for the sake of it, this seems to be her life and love. For the full review click here. -- Ailish Henderson * www.mrxstitch.com *May 12 'Art in Felt & Stitch' by Moy Mackay is a colourful splash of fleece, fibre and thread. The book involves wet felting with wool tops and machine stitching on top of the picture created with it. The book has very clear instructions at the beginning and is excellent if you are thinking of starting to felt pictures. There are six projects in the book with quite a few pages on each one and there is a very clear photographic step-by-step process to follow. What irritates me sometimes about art books is that they can show you how to draw or paint a complex picture and only show four stages. Suddenly they've finished the picture and you wonder how many stages they've skipped over while your picture looks nothing like the final shot in the book. Moy has photographed each stage so if you are a beginner you won't feel lost or frustrated. Each layer is shown and you get a feel for what she has done in each step. Moy explains her inspiration for using felt in the book: "My 'felt paintings', as I call them, are [...] a way of placing the strokes of coloured fibres as one would place brushstrokes. The results are strikingly rich in colour and texture, and as my passion is for colour, there is a great deal of satisfaction to be had from working with this medium in this way." If you love texture and colour I can't imagine why you wouldn't love this book. A three-dimensional soft intricate woollen picture looks amazing and can look more dramatic than an oil painting. * sewingisforgirls.blogspot.com *Summer 13 Vivid colours and dramatic scenery attracted me to this book. Moy’s enthusiastic introduction describes how her love of painting, drawing and ‘making things’ from an early age progressed to ‘create work that utilises colour and subjects in an uplifting, inspiring way.’ Her bio explains that ‘Since graduating from Glasgow School of Art with a BA (Hons) degree in Design, she has lived and worked as a full time artist in the beautiful Scottish Borders, which are the main source of inspiration for her work.’ Moy hopes that her book will inspire and guide you to create in felt, and that through it she can pass on the positive encouragement given by her creative mother and uncle who nurtured her early efforts. The clear contents page outlines a natural progression of topics to inspire even those who have been previously hesitant, to create their own ‘felt painting’. The first few chapters give full details of the materials and equipment required. Chapters with advice on source of inspiration, colour, texture, composition and techniques follow. Projects are grouped under the headings of landscapes, birds, flowers and still life. Clear, easy to follow, step by step instructions accompany photographs to guide you through all the basic techniques. These include the felting process itself as well as how to embellish it to create form and structure with machine and hand stitching. Plentiful inspiring photos of Moy’s own felt paintings enhance the book. I think that this book is suitable for people with all ranges of experience and it has certainly inspired me. Linda Russell, Gwent Guild * Journal for Weavers, Spinners & Dyers *Sept 12 This book is a refreshing take on still life and art. Moy Mackay creates her pictures using felting and stitch and gives guidance in the book on how these beautiful works are created. The book begins with an introduction to all the materials and equipment you would need to tackle this kind of work. There is an interesting section where you can see, via instruction and photographs, the progression from wool tops to finished piece. It is quite surprising that the majority of design work is completed prior to felting, and what follows from that is embellishment. It covers the process of wet felting, needle felting, machine and hand stitching, and how each technique adds to the picture. After the initial tutorial, there are three project sections that cover Landscapes, Birds and Flowers. You are guided through these with step-by-step photographs and there is also a gallery of a series of works to illustrate each section. It is a wonderful book to read, with good clear instruction to guide you, and to see the finished pieces which are so colourful and perfectly executed is impetus for the reader to try their own. * Workshop On The Web *May 2015 Since learning to needle felt I have wanted to take it to the next level. This book takes me to that next level and far beyond. Moy gives you everything you need to make the most amazing felted pictures. She uses everything from needle felting, wet felting & sewing to create the most amazing pictures. She takes you through step-by-step each of the techniques so that you'll be able to create each of the pictures in the book. She also gives you all this knowledge so that you can create your own. II love the pictures that you can create. They look amazing! I haven't used some of the techniques in the book but after reading the instructions I feel confident that I will be able to perform them. Moy's use of colours is amazing. I can't wait to try her colour mixes. I feel they will give me more confidence to use more colours in my own projects. I can't believe the amazing looks she gets from her techniques in this book. I've already ordered the items I'll need to make my first picture. I just hope I can do justice to her amazing book. * Crochet Addict UK *June 12 Moy Mackay creates beautiful works of art using fleece, fiber and threads in her book "Art in Felt & Stitch". It is filled with colorful felt paintings of still-life, animals and landscapes inspired by her home in the Scottish Borders. See how she uses various felt techniques to achieve her paintings. Felt is one of the earliest fabrics and is older than weaving, spinning and knitting. The book itself is a work of art with the fiber colors jumping off the page in the numerous photographs. Four step by step projects are included with instructional pictures that are clear, detailed and inspiring and numerous. Also included are many examples of her finished pieces. Moy walks you through the materials and equipment you will need. She explains about fibers and texture, composition and technique. Wool, bamboo and silk are just a few of the fibers she works with. Learn about needle and wet felting and using machine and hand stitching to strengthen the highlights and shadows and creating depth. Her flowers are lovely and landscapes breath taking. It is her project of the Birds with berries and her felt painting of Waxwing with Cherry and Lime Blossom that will make you sigh. If you have been thinking about trying your hand at felting or felting pictures in particular, you will enjoy every page of her book. * www.examiner.com/knitting-in-hartford *May 13 Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter - her work is very free. (Kaffe Fassett) * Author *June 12 This is a lovely book. It is beautifully produced with Moy's felt paintings vibrantly reproduced. The book takes the reader through all the processes beginning with a full description of her colour blending and all materials used in her work. There may be a little too much detail on the techniques of hand carding but that is only a slight criticism. Moy is exceptionally generous with her descriptions and tips, which are scattered around the pages. The reader is taken step by step through all the elements of her work from the designing, preparation, laying of fibres, felting, embellishing, needle felting and embroidery with hand and machine. The projects start with a quite simple scene of bucolic bliss, proceeding onto a patchwork landscape and then on to more complicated designs. These exercises are interspersed with some wonderful nature pieces and landscapes of exceptional beauty. She is a very talented artist and colourist. This is a book which will inspire, delight and instruct and may lead the reader on to experiments of their own or you can just enjoy it for its wonderful images. * Felt Matters *Apr 12 It is fabulous. If you like contemporary art, with vivid colour and lots of texture then this book is for you. There are lots of pictures of Moys work, and plenty of supporting text. Additionally, there are four diverse projects which detail, step-by-step, how to create similar work using felting, embellishing and stitching techniques. I'm awaiting the delivery of some wool and silk tops, so I can get started.-"BushBabyJane", Amazon * Customer *Jun/Jul 12 Moy Mackay's unique and vibrant 'felt paintings' are created by replacing paint as a medium with fleece, fibres and threads and combining traditional felting techniques with fine art. The result is an exquisite fusion of art, felt and stitch that is both up-lifting and inspiring. There is clear guidance through all of the basic techniques, including the felting process itself and how to use machine and hand stitching to further create form and texture. The four projects and numerous examples of Moy's work complete this visual feast, which cannot fail to inspire and excite painters and textile artists alike. * Fabrications *Jun/Jul 12 Hot water and soap have a profound effect on wool. If your favourite sweater has accidentally been treated that way, you are probably less than thrilled with the outcome. But, if the process was intentional, you've probably been experimenting with the art of felting – and creating one of the earliest fabrics known to man. Dry needle-felting using a felting needle or embellisher machine is currently very popular, but the techniques in this book use the traditional wet-felting methods. Every step of the process is clearly described and illustrated with step-by-step photos. The results are simply beautiful and the 'fibre paintings' range from softly impressionistic landscapes to still-lifes of teacups and bold flowers. Needle-felting is used to refine the shapes and simple hand and machine stitching add definition, details and, of course, texture. Moy shares the techniques that she uses to create her beautiful pictures, and every stage is beautifully illustrated with clear photographs. She begins at the very beginning, showing how to card the fibres, lay them down to form the picture and finally felt the piece. When the felting process is complete, more photos show the process of needle-felting to add details and stitching to create definition in the finished piece. There are four projects, which take you through the processes used to create a patchwork landscape, birds, flowers and a still-life (teacup and cakes). If this book doesn't persuade you to explore the creativity of felting, nothing will. * Stitch *Jun/Jul 12 Using fleece, fibres and threads, Moy creates stunning felt ‘paintings’, combining felt-making with fine art in a unique way. Comprehensive step-by-step instructions guide the reader through the basic techniques and continue with four projects, where Moy shows how to use machine and hand embroidery to produce landscapes, still-life studies of flowers and animals. This colourful and exciting book will inspire the felt-maker to try a different approach to their craft. * East Kent Embroiderer's Guild *Table of ContentsIntroduction 6 Materials and equipment 10 Inspiration 20 Colour 22 Texture 26 Composition 28 Techniques 30 Landscapes 52 Birds 76 Flowers 92 Still life 110 Index 128

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Book SynopsisThis book is a unique view of the traditional art of rag rug making for this age of the Anthropocene. Projects made in the artist's studio and with a community group, highlight a reverence for our lost textiles, a response to the environmental impact of fast fashion and a proof that rag is a rich resource, wrongly classed as a taboo material.

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Book SynopsisA creative guide to a unique and beautiful form of Korean art, steeped in ancient tradition.Bojagi are textiles that wrap, cover, carry, or store objects. Some are made from whole pieces of fabric and some are patched together from small scraps of cloth - they are a unique form of Korean textile art. The careful arrangement of shapes and colours shows an abstract composition which has made bojagi popular with textile artists and quilters today. In this book, experienced artist and educator Youngmin Lee gives you comprehensive step-by-step instructions on traditional bojagi techniques and materials, and provides a history of the art form in Korean culture - which dates back to the Joseon dynasty - where it continues to occupy a prominent place in the daily lives of Koreans. Learn hand stitch techniques, seam finishes and decorative motifs on a range of materials from ramie, hemp and cotton to silk and naturally dyed, eco-printed materials.Youngmin intr

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Book SynopsisPopular author Corinne Lapierre creates a charming range of 20 exquisite folk embroidered felt birds, including a swan, a hen, a goose, a partridge, an owl, a dove, a peacock and a flamingo. Beautifully made in lovely, soft colours, the birds are filled with toy stuffing and embellished with folk-style surface embroidery in different-coloured threads. The stitches include chain, feather, fly running, blanket, French knots and satin stitch. There are also bead and sequin embellishments on some birds. The book includes pretty hand-drawn step-by-step illustrations and there are same-size templates at the back of the book for all the designs. The birds all have optional ribbon hangers for display.Trade ReviewWhether or not you make your own felt or just enjoy stitching, the twenty different birds featured in this book might appeal as characters with a folksy feel. In designing the projects the author, Corinne Lapierre, has combined her love of felt, folk embroidery and birds. The first part of the book lists the necessary materials, tools and equipment required before moving on to the basic techniques for making the birds.This is followed by instructions for the embroidery stitches used in each project. Throughout this section the author adds a series of tips to help the maker work through the different techniques smoothly. The second part of the book concentrates on the different bird projects. For each bird there is a list of the materials and equipment required followed by step-by-step instructions for making. Cutting templates are also provided at the end of the book. The author points out that the birds themselves are relatively easy to make, but their characters are defined by the colours and embroidery stitches used. The information provided throughout the book is clearly presented and well illustrated. Each fun project should be achievable for anyone with a basic knowledge of stitch and embroidery. * Journal of Weavers, Spinners & Dyers *This book is a delight from cover to cover. It starts by explaining what items are needed to complete the projects and then goes on, in simple terms, to talk about techniques from drawing templates to cutting out the felt, to embellishing with hand sewn embroidery. These stitches are clearly explained at the beginning of the book in easy to follow instructions and photos. There are even simple instructions for making birds feet. Once this has all be laid out for you, there follows 20 easy to make colourful birds which are so pleasing to the eye! I particularly like the use of sequins on the pigeon to add texture and shimmer. All of the templates needed to complete the projects are at the back of the book, these can easily be copied or traced as they are so simple. All in all, a lovely book! -- Shirley Marriott * Customer review *A great little book. Every process is clearly described, with beautiful photos and diagrams. Perfect for experienced and beginners alike. The patterns are clear and easy to follow. The birds are beautiful - I love the robin - that will be the one I will make first. All of the templates to make each bird, are at the back of the book, and they can be easily traced, or scanned so that you don't need to damage such a lovely book. -- Sue Rowland * Customer review *What a superb book, the techniques section is very informative and will certainly be a great help for me, a novice embroiderer. The illustrations are bright and clear, fantastic photography. At the back of the book you will find the templates for each of the projects. I can’t wait to make my first bird, which I think will be the peacock. -- Sandra Dennis * Customer review *Folk Embroidered Felt Birds is a beautiful book full of lovely birds to create. The techniques are clear with lots of pictures and step-by-step instructions to follow for the basic creating, then each bird has its own instructions that are easy to follow. I would recommend to anyone who wanted to have a go. Hooray - all patterns are full scale and easy to copy from the book, no upscaling, popping to the library, or giving up and leaving on the shelf. -- Helen Harries * Customer review *If you want a book to help you sew felt into beautiful birds... look no further!! The clear photographs and instructions are just so easy to follow. This book would be a lovely present and you could give the person a few felt squares, some thread and let them start creating right away!! Love it!! -- Moyra Blayney * Customer review *Received my book today the projects are lovely and more importantly achievable. I love the fact that the project is all hand stitched. My nieces and I have already picked which ones we are going to do and are off out to get our materials this afternoon. These projects are going to provide many happy sewing hours for us and some great little gifts which we plan to give away as random acts of kindness. Search Press have produced yet another fab book. -- Wendy Burt * Customer review *The square format of this beautiful book makes it feel different and inside it is filled with the enthusiasm of the author for her felt birds. There are twenty very attractive birds to make. Each of them a pleasing mix of well chosen felt colours and embroidery stitches. Techniques and stitches used are illustrated with excellent photographs and easy to follow instructions. The hand drawn illustrations add a personal touch to the book. Full size templates are included for each project. This is a book to make you smile. A clever use of simple embroidery stitches such as fly, seed, chain and French knots are used effectively to give each of the birds their individual characters. I very much liked the proud peacock, a pheasant with attitude and the trendy flamingo. Making felt birds is not my usual thing but I could be tempted by my favourite, the hen, whose comforting shape and embroidery really epitomises 'folk art'. -- Carol Winter * SEW Region Magazine (June 2019) * Time for a book review! And today’s book review is all about fun! Folk Embroidered Felt Birds is a new book packed full of – you guessed it! – folk embroidered felt birds! And they’re delightful! If you love birds (I love birds) and you like the look of folk embroidery, and you like working with felt to make three dimensional objects, then you need to add this book to your library. It’s one of those books that just makes me happy when I flip through it. Folk Embroidered Felt Birds is a project book. The projects are small, three-dimensional birds made from felt, stuffed and embroidered. The cover is the seller for me. I know, I know! Don’t judge a book by its cover and all that. But really – a flamingo AND a puffin? With those legs? And those feet? I see this book being perfect for those who like to make. The birds are perfect for whimsical ornaments and delightful gifts. What a great way to pass on a bit of cheer to a friend on a birthday – or out of the blue for no reason at all! The book features a fairly vast array of projects focusing on twenty different types of birds, which are all recognizable. From the humble robin, to the pheasant and flamingo, the parrot, the toucan, the gentle dove and the flamboyant peacock, the gangly stork, the majestic swan, the hen, the goose, the owl, the gull and goldfinch – they’re all there, waiting for you to bring them to life! Like any good project book, Folk Embroidered Felt Birds begins with a section on materials. There’s nothing too out of the ordinary here – felt (the author recommends a wool / viscose blend); embroidery floss; wire (for legs), filling, ribbon, sequins, wire tape, and other very regular stuff. From materials and tools, we move into techniques: transferring the template designs to felt, to sewing, filling, stuffing, making legs and feet, appliqué, and all the techniques necessary for creating a three dimensional bird. Every aspect of instruction is presented in very clear, step-by-step photos with text. The text is succinct quite minimal; it’s very precise and easy to follow. And of course, there’s a selection of embroidery stitch instructions with step-by-step photos as well. And then – the projects! For each project, you’ll find a list of tools and supplies required to make the bird, along with a list of the templates to use from the back of the book. The templates in the back of the book are clean line drawings of the different bird parts, that you trace and cut out for patterns. Along with the materials and templates lists, you’ll find a page of instructions that take you through constructing the bird, referring to the techniques covered at the beginning of the book. The projects in the book are all darling! And the instructions are excellent and very accessible. If you enjoy making things and you like birds, folk art, and felt, this book would be right up your alley! I’m pretty sure it will put a smile on your face! See the full review here. -- Mary Corbet * Mary Corbet's Needle n Thread *Anybody who cut their sewing teeth on felt will enjoy this book; inside it are twenty folk art style birds to make up and display. If, like me you have loved working with felt since early childhood you will probably want to dive in but if you are new to it read the first section of the book before picking up a needle. This will tell you what type of felt to use (a mix of viscose and wool sold on the author’s website) and how to work with it, do several embroidery stitches, sew up the patterns and make the wire legs and feet. When you have the basics sorted you can progress to the patterns. Each one features a page-sized photograph of the bird in a suitable setting, a list of materials, tools and templates and written instructions. These usually come with a simple diagram or two, but unless you are a total beginner you won’t have problems making them up. The first section lays it all out very clearly with staged photographs, including some excellent ones for the embroidery stitches which are so good I wish there was a whole book of them! I think the family pet could learn how to embroider with these…the birds themselves are mostly those familiar to UK residents including robin, blue tit, heron, swan, peacock, hen, goose, herring gull and owl. A few exotics are included such as a flamingo, toucan and parrot, and many are suitable for certain occasions such as Christmas (robin and dove) Easter (hen and goose) and new baby (stork). At the front is a handy double page spread showing all the birds for easy choice, and at the back are all the templates life size. No sewing machine is required for these projects, and all are ideal quick makes for somebody who knows a few basics but is not confident enough for larger projects including older children (be careful with that wire though). Anybody in more need of something easier can go to the author’s website and buy kits of some of these birds as well as lots of other creatures and Christmas decorations. Bundles of wool/viscose felt and kits are available from www.corinnelapierre.com -- Rachel Hyde * myshelf.com *Tweet, Tweet You're guranteed to love Corinne Lapierre's latest book, Folk Embroidered Felt Birds! This read contains 20 flighty friends which you can whip up an afternoon, including swans, hens, flamingos, peacocks and many more. This book also has hand-drawn step-by-step illustrations and traceable templates to make embroidering these pretty birdies fuss-free. * Sew *Corinne Lapierre's easy-to-stitch folk birds include templates for a swan, a hen, a goose, a partridge, an owl, a dove, a peacock and a flamingo among others, making this book ideal for beginners or youngsters. * The Textile Art Magazine - Embroidery *Table of ContentsIntroduction 6 Materials & tools 8 Techniques 10 Embroidery stitches 17 Projects 24 Robin 26 Blue Tit 30 Goldfinch 34 Chaffinch 36 Swan 38 Hen 42 Pigeon 46 Goose 48 Flamingo 50 Peacock 54 Owl 58 Pheasant 60 Thrush 64 Dove 66 Stork 68 Parrot 72 Heron 76 Toucan 78 Puffin 80 Seagull 84 Templates 88

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Book SynopsisRick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men’s and women’s collections and featuring Owens’s continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli’s previous monograph on Owens’s work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up—right through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens’s “grunge-meets-glTrade Review"Documenting Rick Owen’s longtime collaboration with photographer Danielle Levitt, this latest book (which picks up where 2011’ Rick Owens left off) captures the rock-and-roll-meets-glam approach that the designer has been known for throughout his 30-year career." —THE ZOE REPORT "An oeuvre as revolutionary as Rick Owens’s could never be contained in just one book. That’s why we need More Rick Owens, the follow-up to the designer’s eponymous 2019 monograph. Through the precise lens of Danielle Levitt, Owens’s daring recent looks come into sharp focus. Alien headpieces and off-kilter silhouettes are tamed through impeccable tailoring and visionary detail. The typical goth-glam aesthetic of the anti-fashion designer is reinvigorated with splashes of color, while unexpected materials—think fish hides and goat hair—propel his work squarely into the realm of the avant-garde. Nearly three decades into his career, Owens continues to leave us begging for more." —V MAGAZINE"In a continuation of his first volume of photographs, the designer Rick Owens teams up with the photographer Danielle Levitt to delight in provocation. Prepare for louche poses and leather, daring silhouettes and spikes." —NY TIMES"A new Rizzoli tome — “More Rick Owens,” Owens’s second with the publisher — captured by his longtime collaborator, photographer Danielle Levitt, features some of his most audacious collections on those subjects, made between 2019 and 2023. It includes what Owens calls “our covid quartet”: four shows that Owens produced during the height of the pandemic." —THE WASHINGTON POST"More so than many comparable titles on other designers, the physical production of the volume beautifully reflects the essence of the Owens brand: the cover is raw cardboard with unfinished edges; the title is understated and small but gorgeously embossed, blending rich black ink with luminescent metallic in a clean, sans-serif, ultra-modern typeface. This blend of restrained, cool modernity with rugged utilitarianism is an overarching theme in Owens’s work, and echoing it in the actual materiality of the book was a wise move by Rizzoli. It makes it the too-cool volume to add to your coffee table stack, the book that will make you feel very Berlin or—dare we say—Scandi (an interesting complement given that Owens is, himself, from California)." —NY JOURNAL OF BOOKS

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Book Synopsis'This book will provide you with enough inspiration to keep you sewing all through the year.'Popular PatchworkMake 37 gorgeous Scandi-style felt decorations, embellished with simple but stunning embroidery stitches.

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Book SynopsisWritten by expert shibori teacher Jane Callender, this beautiful, practical book is packed with both traditional and inventive stitch-resist techniques, a complete dyeing guide and an inspirational gallery of Jane’s work. This book contains all the information a beginner will need to get started - including tips on dyeing in small spaces and a guide to all the necessary health and safety considerations - but is also packed with innovative techniques and inspiring designs that will appeal to the experienced textile artist. The book is broken into three sections. The first shows you all the key stitch-resist techniques you need - from the basics right through to creating intricate designs – and all are clearly explained with photography and illustrations. Learn how to create a range of different shibori styles, oversew, make circles and other shapes, use grids, double needles, stencils and caps, bind fabrics, work with machine stitch, use fabric buffers and incorporate appliqué. The second section shows you how to use motifs to create pattern: learn how to create and position designs, including traditional arrangements such as Karamatsu and Tatewaku, create composite designs and get tips on how to plan your own patterns. Finally, the book contains a complete guide to dyeing – it contains recipes, tips and advice so that you can get the very best from every dye bath you make. Learn how to dye with both natural and synthetic indigo, in organic and synthetic vats. Also choose from a wide range of natural dyes, iron rust and dazzling Procion dyes, which can be used in combination or alone for amazing effects. Trade ReviewJane Callender is possessed of a unique talent. Since she was a student at West Surrey College of Art and Design, she has dedicated herself to the subtle arts of shibori and indigo dyeing. She is an acknowledged master of her craft. Her innovative award-winning work, admired both for its artistry and high level of technique, has been widely exhibited. A patient and accomplished teacher with all the necessary technical skills at her fingertips, she lectures and conducts workshops across the globe and through her website ‘Callishibori’ supplies shibori materials and tools to a worldwide audience. Well known as the author of the seminal 2000 Pattern Combinations, she has now written this superlative book. Clear, concise, instructive and inspiring, it is destined to be an essential manual and classic work of reference for both beginners and advanced practitioners for many years to come. -- John Gillow * Customer Review *For anyone who has ever pulled up and dyed a simple stitched resist, the beauty and complexity of Jane Callender's work is awe-inspiring. In this generous book, she shares, with great detail, her mastery of shibori techniques and dyeing. Attention to detail makes this an excellent guide for all levels. An introduction explains shibori as the interaction between compressed cloth and dye. The section entitled "Shibori Tradition", along with additional pages throughout the book, reveal the history of shibori worldwide and how politics, economics, and fashion affected design, including particular techniques developed by significant Japanese masters in modern times. The "Techniques" section proceeds from the simplest to more complex stitched patterns and shows the power of simple motifs in repeat. Even complex techniques are made clear with step-by-step photos and illustrations. Only a few indigo photos are perhaps too dark to be easily discernible. Some 100 pages are devoted to cloth preparation and process for specific techniques. Even the most experienced practitioner will learn something new about stitching on a single layer, on folded or pleated cloth, or combined methods such as capping and oversewing. Developing a motif by filling in larger shapes encourages creativity. Techniques not usually associated with stitch resist, such as clamp resist and binding or capping to a core, increase our understanding of the possibilities. Suggestions on dip dyeing for variety in some patterns and buffers for clean edges and to prevent knots from pulling through are invaluable. Degumming silk and even working on synthetic fabrics for interesting dimensional results without dyeing is explained. Japanese stitch names are used throughout. The sections on "Pattern" and "Dyes" will set the novice on the right path. Although many examples are dyed in traditional indigo, which is particularly well suited to resist dyeing, mordanted natural dyes, tannins and fiber reactive dyes enliven the book. There are excellent didactic chapters at the end of the book on these dyes. Indigo in particular is well explained. Callender acknowledges the dye experts she has learned from: Michelle Kwon of maiwa, french dye chemist Michel Garcia, and her compatriot author Jenny Balford Paul. The chapters devoted to discharge and dyeing whet the appetite for further exploration. The reader is encouraged to innovate and adapt traditional patterns according to her own artistic creativity. The author provides excellent sections on working with a grid and planning ahead for complex interactions between small pattern motifs. Other valuable tips are highlighted throughout. Callender's book should be read through with care and referred back to often when planning a new project. In this age of searchable documents on line, references to useful pages on particular techniques are appreciated. Finally, the gallery of Callender's own inspiring artwork shows what true mastery of craft can produce. This is an excellent companion to Yoshiko Iwamoto Wada's two earlier seminal books on shibori. Callender's book is a must have for all textile schools, shibori dyers and surface design artists. -- Barbara Shapiro * Shuttle Spindle & Dyepot *Autumn 2017 The author is very well known as both a tutor and textile artist, and this book certianly met my high expectations. Starting with an explanation of the process and an overview of worldwide shibori traditions, the text moves seamlessly through a full description of procedures, starting with methods of scouring fabrics for dyeing, knots and stiching variations. The very clearly illustrated and numerous step-by-step methods, generally referred to by their traditional terminology, are illustrated with photographs of the results. Design advice is provided throughout, so that you don't just master techniques, but learn to use them as effectively as possible. Chapters towards the end of the book are devoted to dyeing firstly, with indigo (including the natural organic vat), then -more unusually for shibori using natural dyes, iron and finally cold water fibre reactive dyes. Unusually this book is very suitable for both beginners and more advanced dyers. For the former, the text is logically organised and clear enough to be viewed as a complete self-teaching guide, but even for those with some experience there are likely to be some new ideas to try. If you have never tried shibori before, the stunning photographs will inevitably tempt you in. Highly recommended. * Journal for Weavers, Spinners and Dyers *A comprehensive resource for shibori. The book is divided into three sections: Techniques, Pattern and Dyeing with how-to instructions and photographs. To my knowledge this is the most comprehensive book on shibori. Develop motifs for unique textiles. Indigo recipes and ones for other dyes too, ensure a range a colours. Suitable for the beginner with challenges for every level. Illustrated throughout with some of the most remarkable examples of shibori outside Japan. Learn about shibori tradition, preparation, process, pattern, folds and more. Mogume is my favourite technique. I found Jane's work years ago, and my jaw still drops at her amazing achievements. I just want to work through this book from beginning to end and over and over again. Absolutely essential for anyone interested in dyeing, stitching and shibori. Simply wonderful, demonstrating the true art of shibori. * Yarnsandfabrics.co.uk *Jane Callender has written the most marvellous book, 'Stitched Shibori', in encyclopaedic detail. Exploring the art of Shibori, in particular reference to stitched pieces and the pattern they create, this book exhaustively covers everything. It consists of three sections – Technique, Pattern and Dyeing. In Technique, there are 35 different approaches to stitching fabric. Many different stitches and patterns are explored, whether stitching on a single or double layer, how space between stitches can change a pattern, curve, pleat or binding. There are variations within each choice, producing multitudes of photographs of all the different effects achieved by changing the smallest detail. It is quite mind-boggling! If you want to work on stitched Shibori techniques, there can’t be many places where you can find all the answers. Pattern is a short section but teaches how to create the different patterns and stencils. You can see how combining techniques creates an infinite number of patterns – if you thought the first section was overwhelming, suddenly the world of Shibori opens up more widely. The Dyes section is extensively recipe-laden with many different Shibori dyes and how to create them. * Workshop on the web *May 2017 Shibori is a technique with its roots in Africa, China, and Japan. I’ve seen some pieces that are as intricate and delicate as a snowflake and as such I’ve rather filed this technique in the box marked ‘advanced’ i.e. not for me. Jane is a highly respected Shibori artist, teacher and speaker and so used to breaking down the technicalities of this centuries-old tradition into practical steps. The book is laid out intelligently, starting with the process of sewing in a single line of straight stitch with clear illustrations and photos showing the results that can be achieved. You can progress quite quickly by introducing more lines and layers or with folds and curves. Finished patterns can quickly become quite kaleidoscopic and for anyone interested in designing their own fabrics this could possibly get quite addictive. I was particularly drawn to the chapter on Wrapped Pattern, which combines stitching on the fold with binding the cloth around a cylinder for its more unpredictable results (but that’s me all over: living on the edge!). As with any technique involving dyes, you’ve got to have a certain amount of space to experiment and be comfortable handling chemicals. There are safety guidelines and recipes for all manner of dyes, both natural and synthetic, at the back of the book and some amazing colour combinations can be achieved with practice. Marigolds at the ready! * Popular Patchwork *Issue 40 Stitched Shibori is the Japanese art of immersing textiles in a dye bath and creating pattern using a range of stitched resist techniques (think tye-dyeing but on another level!). In this practical and beautiful guide , renowned expert Jane Callender showcases techniques, patterns and dyes in three comprehensive sections. Complete with full instructions, illustrations, photographs, designs, tips and advice, her guide features ideas for using grids, folding, pleating, motifs and stencils (plus other techniques) to create beautiful designs. It includes due recipes and useful advice on which fabrics to use. We believe it is a wonderful handbook for beginners and experienced textile artists alike. * Reloved *Shibori is a resist dye technique often associated with indigo. In its most basic form, stitches and/or pleats are applied to cloth before dyeing to create undyed, neutral marks or areas of pattern. Jane Callender, as Jenny Balfour-Paul explains in her foreward, is one of the few British shibori practitioners whose work can be considered a match to the foremost Japanese artists and in this book, the author brings to bear more than three decades of expert knowledge in this ancient craft. Callender wastes no time delving into every aspect of creating patterns using stitch resist. She begins with a brief introduction to shibori, before explaining the basics of preparation, tying knots, pulling threads and simple stitch arrangements. In pages 22-122 she explains all the key stitch-resist techniques needed – how various lengths, directions and rhythms of hand and machine stitch produce different marks. When combined with folds, pleats, binding, capping, wrapping, appliqué or multiple layers, the possibilities are endless. A second chapter reveals how to create intricate patterns. Finally she provides tuition and recipes for natural and synthetic indigo dyeing, as well as natural dyes and throughout, the instructions are explained clearly with helpful diagrams and photographs. Jane Callender has condensed a lifetime of practical expertise to create what can be best described as the shibori’s artist’s ‘best friend’, packed with both traditional and inventive stitch-resist techniques, designs and inspiration, including examples of her own work. Readers of this book will not be disappointed – both beginners and experienced makers will benefit from this guide, which at this price provides incredible value for a reference book you will return to again and again. * Embroidery Magazine *This is a lovely book, with a new technique I haven't tried before. I must admit I am more of a knitter and crocheter than stithcer, but the running stitch technique is easy to master, and the effects are amazing! What interested me most about the book was the section on natural dyeing (with yarn in mind!), and I found the step by step instructions really interesting and easy to follow. I have already ordered some indigo and alum, and intend to go foraging for some other natural products to continue this experiment! I honestly don't know how much shibori stitching I can see in my future, but I can see this book being pored over with regards to the fantastic dye section -- Natasha Field * Customer Review *At its simplest, shibori is the art of folding and pleating fabric, so distorting it before immersion in the dyebath. But it is so much more than that and eminent artist Jane Callender, who has devoted her working life to the art of shibori and indigo dyeing, presents, what will surely become, without doubt, a reference work for future generations of devotees of the craft. The book is divided into three sections – technique, pattern and dyeing, each meticulously explored with both lavish photography and highly detailed diagrams and explanations. A huge range of different stitch techniques are illustrated, used to create a myriad of specific designs and effects, together with the recipes for indigo and fibre-reactive dyes. This is an invaluable and inspiring resource book for both the beginner and the more experienced – highly recommended. * East Kent Embroiderers Guild *A beautifully presented book, with lots of information on the history of Shibori.Lovely projects, though not for the complete beginner to embroidery. The techniques are very clearly explained and illustrated , with step by step instruction,Definately a book i will use and reuse multiple times -- Jane Johnson * Customer Review *At first glance I thought this was going to be a little too technical and difficult for a beginner but I was so wrong. There is a section on the fascinating history of the craft, lots of different stitches to try and also details on how to make your own dye recipes. You are guided through each step with diagrams and photos which makes it very easy to follow. Its a very comprehensive book on this subject and I would recommend it to an enthusiastic beginner right through to the more accomplished crafter. -- Karen Painter * Customer Review *March 17 Master the art of Japanese stitch-resist dyeing through both traditional and more innovative techniques of stitching and staining fabric. This book guides you through the process starting with detailed explainations of how to create patterns with stitches and offering helpful photos of each finished effect. It contains all the information you need to get started, while its inspiring content ensures that it will remain a fruitful resource as you become an experiened textile artist. * Sew *A very technical book, which is also very informative. I would recommend it to students genuinely interested in Shibori and dyeing techniques. There is lots of imagery to inspire and whet the appetite. Written in a somewhat prescriptive manner which helps students to learn the techniques precisely and leaving room for further exploration. As always, excellent photography by Paul Bricknell adds value. Jane Callender brings her many years experience with this technique to bear in a way that will enable much learning to take place, for students of little or no experience and also for those in the know! I love the recipe charts, these make it all much easier to digest. -- Valerie Hughes * Customer Review *This book is a very informative & inspiring guide to the Japanese art of Shibori. It is well illustrated both with photos & diagrams. The results are stunning but the book guides you through the processes so that you feel good results are achievable even for a beginner. Shibori does not need a lot of specialist equipment & I think anyone with an interest in textiles would find this a very useful addition to their bookshelf -- Nicola Urmenyi * Customer Review *Although on first look the book looks very complicated however after reading the book the instructions are very clear and precise with handy little tips -- Jennifer Brain * Customer Review *Very informative book with lots of photos to guide you through this embroidery craft, I'm looking forward to trying this out for the first time! -- Donna Hall * Customer Review *Very comprehensive book on many aspects of this craft. At first look the book seemed quite complicated but once I started reading about this fascinating craft I now can't wait to get started. There are chapters on the history of Shibori. Plenty on the different types of stitching and dye patterns and a lovely section about natural dyes and how to recipes for them I would definitely recommend this book to anyone interested in this craft or anyone looking for a different craft to try -- Sharon Raglan * Customer Review *Table of ContentsWhat is shibori? 6 About this book 8 Shibori tradition 10 Stitch-resist techniques 14 Fabric preparation 15 The stitch-resist process 18 Stitching on a single layer 18 Mokume shibori 20 Blocks and stripes 24 Creating simple pattern 26 Double needles 31 Stitching with binding and capping 32 Capping 34 Oversewing 35 Oversewn shapes 37 Introducing the fold 39 Curves on the fold 40 One fold seam 43 Double fold 44 Shapes on the fold 46 Motif development 48 The versatile grid 55 The stitch grid 58 Folding on the grid 62 Two for the effort of one 65 Machined resist folds 66 Machined resists: dots, stripes and shapes 72 Machined resists using concertina folds 75 Wrapped pattern 82 Itajime shibori 86 Binding and capping to a core 92 Capping with plastic 94 Cores and reserved grounds 95 Chikuwa shibori 98 Dip-dyeing 100 Applying indigo with a pipette 103 Shirokage shibori 104 Appliqué shibori 108 Hotaru shibori 113 Degumming 116 Knots 118 Buffers 120 Pulling up 122 Creating pattern 124 Pattern in form 125 Traditional karamatsu 126 Takewaku 128 Traditional linked flower 130 Hemp leaf pattern 133 Planning pattern 136 Composite design for pattern 140 Dyes 142 Dipping into magical water: indigo 143 Natural chemical vat 144 Synthetic indigo vat 145 Natural organic vats 146 Indigo dyeing procedure 148 Indigo vat considerations 149 Indigo recipe charts 150 Other useful recipes 151 Indigo dyeing tips 152 Natural dyes 153 Iron rust 158 Cold water fibre-reactive dyes 161 Shibori equipment 166 Health and safety 168 Glossary 169 Gallery 170 Index 175 Biography 176

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Book SynopsisTrade Review“Scholarly yet sumptuous”—Crafts Magazine“[A]n intriguing and fascinating narrative through centuries of trade, artistry, politics and culture drawn from the threads of this classic cloth”—Embroidery magazine“Cloth That Changed the World offers a beautiful catalogue of the Royal Ontario Museum’s exceptional collection alongside diverse, authoritative texts.”—Avalon Fotheringham, Journal of the Oriental Rug and Textile Society of Great BritainShortlisted for the R. L. Shep Award, sponsored by The Textile Society of America

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Book SynopsisBeginner's guide featuring exclusive modern macram projects.

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Book SynopsisA model of clarity... It provides absolutely essential reference material for the dress historian and archaeologist, for the early textile specialist, and those interested in the tools and equipment used. TOOL AND TRADES HISTORY SOCIETY NEWSLETTER [Linda Woolley, curator of early and medieval textiles and dress, V&A Museum] Among the most evocative items to be discovered by archaeologists are the scraps of silk and wool and other fabrics that signal so eloquently their owner's status and concerns. Such clothing and textile finds have figured prominently in excavations of medieval sites in London in the past two decades; they have included knitting, tapestries, silk hair-nets and elaborately patterned oriental, Islamic and Italian fabrics, which reveal for the first time the wide range of cloths available to medieval Londoners; there are beautifully made buttons, and buttonholes and edgings which display superb craftsmanship and a high level of needlework skills; the way that clothes were cut and sewncan be studied in detail. This highly readable account will be of wide general interest; dress historians and archaeologists will also find a wealth of new insights into the fashions, clothing and textile industries of medieval England and Europe. Contents include: The Excavations, Techniques used in Textile Production, Wool Textiles, Goathair Textiles, Linen Textiles, Silk Textiles, Mixed Cloths, Narrow Wares, Sewing Techniques and Tailoring, Dyes. THE AUTHORS Past and present staff of the Museum of London.

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Book SynopsisAn inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point, each full of inspiration and artistic potential: Memory (both personal experiences and historical events); Graven (cemetery) images and idols; Books as objects; Pompeii and archaeological excavations; Walls; and Everyday items. For each of the themes the authors have provided a personal interpretation of the work and a description of the techniques they used, along with step-by-step instructions. In the chapter on memory, for example, Cherilyn demonstrates how old fabrics and textiles (which themselves have a unique history all of their own) can be recycled to incorporate your own stitched drawings. Alternatively, Els explores Procion Dye techniques to create colourful and striking fabrics that bear no resemblance to Els work on the same theme. The trend for collaborative textile art is increasing in popularity. This fascinating guide provides a rich seam of inspiration from two renowned artists, exploring how to get the most from your collaborations and produce beautiful and unique work.

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