Graphic design Books

Book SynopsisIn today’s world of instant snapshots, 24-hour news, and round-the-clock connectivity, an illustrated press where the images are as important as the text has become an increasingly rare art form. This far-reaching compendium celebrates the golden age of graphic journalism as a distinct and unique genre and a laboratory for developing avant-garde aesthetics.Spanning from 1819 to 1921, the collection covers a broad range of news graphics and political and satirical cartoons. Alongside the works of renowned artists such as Jean Cocteau, Juan Gris, and Käthe Kollwitz, the most famous illustrators of the time are also well represented. Thomas Nast, Honoré Daumier, Gustave Doré, and the numerous relatively unknown press graphic artists, the so-called “special artists,” whose work is rediscovered here.Their rich and varied press work is considered not only in connection to the genre and the historical painting of the 19th century but also in its capacity as a pioneering influence on modern art. With striking examples of proto-cinematic narrative thinking, disruptions of the single image space, and daring forays into abstraction, this material is shown to have laid the groundwork for much of the avant-garde artistic expression that followed.The book also explores Vincent Van Gogh's careful attention to the illustrated press of his time. He was inspired not only by the artistic aspect of it but also by the spirit of social reform that it represented. An avid collector, he owned a large number of press graphics and went so far as to consider it a "Bible for Artists".Trade Review“The book bridges the gap between the largely forgotten field of press graphics and firmly established art figures and movements.” * Creative Review *“…graphics that changed the history of illustrated newspapers… an often overlooked medium.” * It’s Nice That *“What a colossal achievement. History of Press Graphics by Alexander Roob is instantly a definitive work.” * Culturmag *

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Book SynopsisAncient scriptures from the most popular book of all time, revolutionised to reveal its themes and narratives for a modern generation.Billions of people across the world find solace, meaning and wisdom from reading the Bible. But for some, it can be a difficult book to engage with and understand. In this this pioneering book Karen Sawrey shows you the bible as you never seen it before, using powerful infographics, with data sourced by experts in their fields, to communicate the key biblical themes and narratives. The Info Graphic Bible focuses on the meta narrative, the key points of the major stories and themes, to give the reader insight into the bigger story and help you understand the complex or abstract themes in a relevant way.Through revealing the ancient traditions, showing connections between Old and New Testament themes, and profiling important characters, you are left with a deeper and more memorable interpretation of the scriptures. Covering themes such as the First Family Trade ReviewSHORTLISTED FOR THE CHRISTIAN RETAILERS TOGETHER AWARD FOR BEST BIBLE AND BEST BOOK OF 2019 ‘Awesome and ambitious … an elegant revisioning of the most read book in the world’ David McCandless [Author of Information is Beautiful] ‘This is an exciting and innovative project which will open many people’s eyes to hitherto unsuspected dimensions of the biblical story’ NT Wright [Professor of New Testament and Early Christianity, University of St Andrews]

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Book SynopsisThe creative use of colour and its combinations in illustration, graphic and product design involves understanding how emotions are conveyed and how they affect our design and illustrations. We must also consider that colour is perceived differently in different countries and cultures. All this is widely explained in this second book in the Palette Perfect series, illustrated with projects by renowned international illustrators and designers, and organized by colours (identified with CMYK, RGB and HEX codes) and moods associated with the time of day. Based on real examples drawn from graphic design, product design and illustration, different innovative combinations and palettes are shown for each colour as well as the meaning it conveys. Intended for graphic designers, design students, fashion and interior design lovers, and all those interested in exciting and unexpected colour combinations that work.

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Book SynopsisWhere do design principles come from? Are they abstract rules established by professionals or do they have roots in human experience? And if we encounter these visual phenomena in our everyday lives, how do designers use them to attract our attention, orient our behavior, and create compelling and memorable communication that stands out among the thousands of messages we confront each day? Today's work in visual communication design shifts emphasis from simply designing objects to designing experiences; to crafting form that acknowledges cognitive and cultural influences on interpretation. In response, Meredith Davis and Jamer Hunt provide a new slant on design basics from the perspective of audiences and users. Chapters break down our interactions with communication as a sequence of meaningful episodes, each with related visual concepts that shape the interpretive experience. Explanatory illustrations and professional design examples support definitions of visual concepts and discusTrade ReviewA great reference text for all graphic design students. Effectively places many of the main theoretical principles that lie behind successful design outcomes. Clearly links theory to practice in a single accessible volume and a great reference source for either a practical or theoretical module. * Anthony Roocroft, University of Bolton, UK *Table of ContentsForeword CHAPTER 1 – The importance of form The relationship between form and context: Goodness of fit Form and meaning A little bit of history: Twentieth-century attitudes toward “good form” New practices: The changing context for contemporary design The shift in attention from artifact to experience How this book is organized CHAPTER 2 – Getting attention Introduction Contrast Figure-Ground Camouflage Color Size constancy Scale Proportion Proximity Focus Layering Symmetry/Asymmetry Closure Continuity Series and Sequences Pattern Rhythm and Pacing Motion Summary CHAPTER 3 – Orienting for use and interpretive behavior Introduction Affordances Channel Medium and Format Feedback Wayfinding Mapping Hierarchy Reading Pattern Grouping Edge Relationships Direction Point of View Summary CHAPTER 4 – Interpreting, interacting, and experiencing Introduction Legibility and Readability Denotation and Connotation Framing Abstraction Icon, Index, and Symbol Materiality Substitution Metaphor Parallel Form Appropriation Ambiguity Cognitive Dissonance Summary CHAPTER 5 – Extending and retaining meaning Introduction Schemas and Stereotypes Narrative Archetypes Mnemonics Chunking Redundancy Graphic Identity Branding Summary CONCLUSION Bibliography Index

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Book SynopsisTrade Review"[Show Your Work is] timeless; readers can return to it repeatedly throughout life and still glean useful ideas and tips... Anyone starting out (or starting over)...will find upbeat encouragement here." Library Journal Some people are natural self-promoters. For others, it s painfully difficult to put their work out there. In this creatively designed pocket-sized book, Kleon offers the latter group effective strategies that allow them to share their work without leaving their comfort zone . Kleon s advice is sassy and spot-on. Publishers Weekly [The] subtitle could just as easily be, How to Self-promote Without Being a Jerkface. It s an incredibly useful and compulsively readable short book. Fast Company Kleon addresses with equal parts humility, honesty, and humor one of the quintessential questions of the creative life: How do you get discovered ? In some ways, the book is the mirror-image of Kleon s debut rather than encouraging you to steal from others it offers a blueprint to making your work influential enough to be theft-worthy. Brain Pickings A must-read for anyone involved in the creative process. LibraryReads Kleon s powerful advice makes this small-format book not-at-all little. Booklist In this motivating book, packed with smart approaches, ideas and quotes, Kleon teaches you how best to navigate through creative work in the present day... A certain and deserved bestseller. The Bookseller It s not often that I find myself reviewing a book that I can say has already changed my life... At a crucial turn in this fabulous little wallop of a book comes the simple directive, Share something small every day. That something oughtn t be your Instagrammed latte or a selfie, but something useful or interesting about your work. Put enough somethings out there, and a lone artist or entrepreneur can soon be a productive part of a creative community. BookPage "

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Book SynopsisConsultant editor:Cath Caldwell is a Senior Lecturer at Central Saint Martins, the world-leading college for art and design education at University of the Arts London. She is a former Design Director at ELLE UK, having also worked for the Guardian and Condé Nast (New York). She is the author of two books on graphic design and co-founder of the Editorial Designers Organisation.Contibuting authors:Johnny Belknap is a native New Yorker who cut his design teeth on the iconic Village Voice newspaper in the 1970s. He moved on to art director roles at oublications including the New York Times, the Sunday Telegraph Magazine, and the Jewish Chronicle, as well as running his own design studio.Jamie Sanchez Hearn is a graphic designer and lecturer, specializing in Typography, Branding, and Editorial Design. Jamie worked for several international design agencies before forming his own design studio. He currently teaches at Central Saint Martins and is a fellow of the UK's Higher Education Academy.Emily Wood is a graphic designer and lecturer. She has worked for leading design studios Pentagram, Johnson Banks, and Bloom, and with a range of cultural organizations, including London's V&A Museum and Amnesty International. Emily's research is focused on sustainability through education and design. Julia Woollams is a graphic designer, branding consultant, lecturer, and co-founder of creative consultancy 31% Wool. She specializes in cultural and not-for-profit sectors and has worked with organizations including the Science Museum, the Sendai Observatory, the University of Cambridge, and UNICEF UK.

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Book SynopsisFrom the publishers of Brilliant Maps, here is a cartographic journey through our planet's weirdest and most wonderful phenomena.

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Book SynopsisCounter-Print is an independent publisher and online store specialising in design and visual culture. They produce and curate a unique selection of books from around the world.

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Book SynopsisThe Cover Art of Blue Note Records is Graham Marsh and Glyn Callingham’s classic collection of the unparalleled record sleeves produced by the celebrated Blue Note record label. Around January 1956 the photographer Francis Wolff and Alfred Lion of Blue Note Records met Reid Miles, a commercial artists and a devout classical music fan. After establishing a rapport, Reid Miles became the designer for the Blue Note label for the next eleven years creating wonderful graphic covers that were both unique and also retaining the indefinable Blue Note look. Featuring iconic covers for artists such as Herbie Hancock, Thelonious Monk, Miles Davis, John Coltrane, Sonny Rollins and Art Blakey, this anthology is an evocative piece of Jazz history. Alongside over 400 of the record label’s best album covers is a selection of short essays written by leading industry figures. Both a comprehensive guide to an acclaimed label, and an insightful snapshot of graphic design history, The Cover Art of Blue Note Records is a must-have for all Jazz fans.

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Book SynopsisFollowing the worldwide success of his Poemotion trilogy, Takahiro Kurashima presents a title that is in no way inferior to the previous ones in terms of surprise and viewing pleasure. On the contrary: here, the motifs are combined to form a visual narrative that is revealed when the static basic image is set in motion by means of the striped foil. Then an astonishing panorama of unseen moirés and patterns unfolds. The artist uses the digital tools for his creations in a virtuoso manner. At the same time he continues to catch up with the great models of kinetic art. Moirémotion is a school of vision and offers contemplative recreation for our eyes.

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Book SynopsisThe definitive guide to contemporary and historical graphic design for designers and creatives.Designer, writer and lecturer Theo Inglis takes readers through the story, theory, and practice of graphic design, from its historical origins up to the present. Chapters on typography and mediums provide an extensive exploration of how each has been utilized and revolutionized through the years.Extensively illustrated with both historical and contemporary examples, each topic is divided into concise and easily digestible sections. This introductory primer will provide a thorough foundation in all the key ideas, issues, contexts and applications surrounding graphic design, expanding your knowledge and understanding of the rich world of visual communication.

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Book Synopsis‘Big Type’ explores graphic design and identity work where the emphasis is on typography. The visual landscape in which today’s designers are contributing to is very cluttered and the digital world alone is so vast, that sometimes it feels hard to make your voice heard amongst all the noise. The work on show within this book examines how designers can produce work that stands out and cuts through the noise. It showcases a fascinating direction in graphic design, forged by a collision of technology, typography and trends which is creating new and exciting results. This book is available in blue, green of grey; books are shipped to customers at random.

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Book SynopsisHeadquartered in the heart of Asia, victionary connects creative talents and enthusiasts from all over the world through original concepts, intriguing graphic approaches, and innovative printing techniques. Founded by Victor Cheung in 2001, viction workshop ltd. provides fresh perspectives, timeless inspiration, and pure visual delight through its publishing brand, viction:ary. Aside from art, illustration, and graphic design-related titles, viction:ary also publishes travel guides and children's books. To that end, we welcome you to join us in spreading the joy of print to every corner of the world. https://victionary.com/pages/about-us

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Book SynopsisAn updated edition of the authoritative collection of Michael Bierutâs work, featuring six new projects and spanning his full career to date.Trade Review'(An) insight into an illustrious career spanning every aspect of graphic design' - Creative Review

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Book SynopsisThis comprehensive guide to type design is hailed as a ''must-have'' for typographers, graphic designers and students and has been fully refreshed and updated with the introduction of more contemporary typefaces, more explanatory diagrams and a closer connection between text and corresponding image.The new edition of Designing Type also features more in-depth discussion of the processes behind developing typefaces and the basic issues that need to be taken into consideration such as visual principles and letter construction, optical compensation and legibility, and the relationships between letters and shapes in a font. This is a valuable reference for both experienced professionals and novice designers.

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Book SynopsisWith Logos that Last, learn key concepts and transformational techniques for creating iconic visual branding.Table of ContentsHello The Pursuit of Perfection The Beginning Chapter 1: What Makes a Logo Last? Chapter 2: Brand Mark Process Chapter 3: Inspiration Hunting Chapter 4: Badge Design Process Chapter 5: Brand Extensions Chapter 6: Brand Evolution Chapter 7: The Shop Chapter 8: Case Studies Chapter 9: Passion Projects Thank You Acknowledgments About the Author Index

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Book SynopsisGrace Wilmshurst works with collage artist Maria Rivans. She is an expert picture researcher and collector of visual ephemera.

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Book SynopsisIn the mid- to late 1980s, rave culture developed. It influenced music, design, art, drugs, fashion, language and even the law. Originally emerging in the USA, it was refined in the UK by people who wanted to dance, party and express themselves in terms of art and music. It started in in small, sweaty clubs but such was the popularity that soon enormous Raves, with tens of thousands of people, were common. 'House' music and illegal drug ecstasy were the driving forces behind what turned into a global phenomenon. Events that started as secretive nights in underground clubs, with word-of-mouth advertising grew from one-off take-overs of unusual venues into huge open land-based events. Pager and telephonic communication became the medium of message-passing, and flyers were key to it all: informing the right people about the right place at the right time. Chelsea Berlin was there from the beginning, attending many of the now legendary events, from Club Shoom to Energy and beyond. In Rave Art, the whole exciting movement is documented through the flyers that were handed out freely (often privately) to inform partygoers of the next venue. Flyer design became an artform, and this book contains hundreds of the most significant and rare examples from Chelsea's huge collection. Together with personal reminiscences and quotes from famous, infamous and not-so-famous attendees, Rave Art paints a vivid picture of what is probably the last significant youth culture movement of modern times. Table of ContentsForeword by Mark Moore. Introduction: A look back at the roots of dance music and how rave culture emerged. The musical, political and cultural heritage of the movement. Flyers, Invites and Membership Cards: Hundreds of the most interesting, colourful and significant pieces of art from a ten-year period. Chelsea provides a commentary, drawing the reader's attention to particular events and places where necessary. Chronology: The key moments including the 'freedom to party movement', the music of the times and people documented (prominent DJs, organisers and others involved).

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Book SynopsisThe Designers Republic is the design group that changed design. But there's never been a book that tells its story - until now. Led by founder and born rebel, Ian Anderson, The Designers Republic has shaped graphic communication over the past thirty years through rule-defying music work, provocative self-initiated projects and a fierce commitment to conceptual thinking over style. Now, for the first time in book form, Anderson explores the studio's output, and its influence on a generation of graphic designers. AZTDR spans over three decades of work from the studio's earliest designs for the FON label in the mid-1980s and sleeves for Age of Chance, Chakk and Cabaret Voltaire, right up to its recent projects for The Cinematic Orchestra, Led Bib and the Gulbenkian Foundation. Alongside classic self-initiated TDR projects, the 512-page book features an A to Z of everything from campaigns for Evolution Print, Coca-Cola and Nike, through to the studio's celebrated designs for vide

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Book SynopsisAn essential foundation course for graphic designers working in digital media, print and moving image. Regularly revised and in print for over twenty years, this practical resource for students is used in graphic design classes in Europe, the UK and the USA. Graphic Design School is organized into two main sections, âprinciplesâ and âpracticeâ. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The second section closes with an overview of some of the different career choices open to students entering the graphic design field. This new edition features over forty new images, updated reading lists and expert voices referencing a more diverse set of practitioners, and is as packed as ever with exercises, tutorial

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Book SynopsisThis expanded and revised version of the best-selling Universal Methods of Design is a comprehensive reference that provides a thorough and critical presentation of 125 research methods, synthesis/analysis techniques, and research deliverables for human-centered design. The text and accompanying photos and graphics of this classic resource are delivered in a concise and accessible format perfect for designers, educators, and students. This new, expanded edition includes updated information on scenarios, secondary research, territory maps, and other chapters. The addition of 25 new chapters brings fresh relevance to the text with innovative design methods that have emerged since the first edition, such as backcasting, behavioral design, horizon scanning, and transition design.Universal Methods of Design, Expanded and Revised distills each method down to its essence, in a format that helps design teams select and implement the most credible research methods suited to their design culture. Each method is presented in a two-page format. The left-hand page contains a concise description of the method, accompanied by references to further reading. On the right-hand page, images and case studies for each method are presented visually. The relevant phases for design application are highlighted as numbered icons along the right side of the page, from phases 1 (planning, scoping, and definition) through 5 (launch and monitor).Build more meaningful products with these methods and more: Affinity Diagramming, Behavioral Mapping, Bodystorming, Contextual Design, Critical Incident Design, Directed Storytelling, Empathy Maps, Graffiti Walls, Image Boards, Parallel Prototyping, Simulation Exercises, Touchstone Tours, and Weighted Matrix. This essential guide: Dismantles the myth that user research methods are complicated, expensive, and time-consuming Creates a shared meaning for cross-disciplinary teams Illustrates methods with compelling visualizations and case studies Characterizes each method at a glance Indicates when methods are best employed to help prioritize appropriate design research strategies Universal Methods of Design, Expanded and Revised is an essential resource for designers of all levels and specializations.

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Book Synopsis''Truly something that''s just a beautiful, slick, and very enjoyable little publication'' – CreativeBoom"Graphic Design Play Book features a variety of puzzles and challenges, providing a fun and interactive way for young visual thinkers to engage with the world of graphic design" – EyeUnderstand how graphic design works and develop your visual sensibility through puzzles and activities!An entertaining and highly original introduction to graphic design, the Graphic Design Play Book uses puzzles and visual challenges to demonstrate how typography, signage, logo design, posters and branding work.Through a series of games and activities, including spot the difference, matching games, drawing and dot–to–dot, readers are introduced to graphic art concepts and techniques in an engaging and interactive way. Further explanation and information is provided by solution pages and a glossary, and a loose–leaf section contains stickers, die–cut templates, and coloured paper to help readers complete the activities.Illustrated with typefaces, poster design and pictograms by distinguished designers including Otl Aicher, Pierre Di Sciullo, Otto Neurath and Gerd Arntz, the book will be enjoyed both by graphic designers, and anyone interested in finding out more about visual communication.An excerpt from the book:How many ways are there of saying ''hello''? Probably a zillion. And there are surely just as many ways of writing it. In CAPITALS, and with an exclamation mark ! Or with a question mark ? Or maybe both ?! As a tiny black word in the middle of a white page; or with large, multi–coloured, dancing letters ; maybe with a simple shape or an image.Being interested in graphic design means looking at and understanding the world around us. And being aware of the multitude of signs that shape our daily life day after day and freight it with meaning – whether it''s a stop sign, a cornflakes packet, a psychedelic album cover, a seductive headline on the cover of a magazine, the more subtle typography of a page in a novel, a flashing pharmacy sign or the credits of a sci–fi film.Thinking about this plethora of signs was what led us to conceive this introduction to graphic design as a collection of beacons and benchmarks – as a toolbox for exploring and learning in a simple and intuitive way through play, alone or with others, whether you''re a child or an adult. These are experiments, a series of suggestions, with no right or wrong answers.The four sections of this book – typography, posters, signs, identity – are all invitations to dive in, explore and let your eyes and your hands take you on a voyage of discovery! – Sophie Cure and Aurélien Farina

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Book SynopsisShowcasing creative pairings and ingenious applications of Serif and Sans Serif typefaces as well as a rich selection of type specimen, Sans in Use and Serif in Use act as a reference point to inspire type designers and type lovers alike. In the world of typography, it is not uncommon to see combinations of serif and sans serif typefaces in the same design. However, it takes skill to combine them in order to avoid tension and clashes, and ensure maximum readability of the text in the design. From font weights to classifications, each font has its own distinct personality, and should be carefully paired to convey the right tone and mood of the design. Featuring a selection of type specimens, their design applications, and the thoughts that go behind the craft, Sans in Use / Serif in Use collates the best combinations of the two typeface categories and serves as a reference point for inspiration-seeking designers and typographers.

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Book SynopsisFrom noted graphic designer and logo expert George Bokhua, Principles of Logo Design presents essential techniques and examples for developing and refining logos and other visual marks, including the use of grids and other geometric shapes to achieve classic proportions.Table of ContentsPreface Chapter 1 General Concepts Are Logos Just Logos? 1.618033 Rule or No Rule? Less is More? Modernism in Design Chapter 2 Types of Logo Designs Pictorial Marks Letterforms Abstract Marks Wordmarks Monograms Negative Space Marks Logo System Pictograms Patterns as Identity Elements Chapter 3 Visual Matters Gradients Color Gradiation Simplified Shade Gradiation with Strokes Light and Shading Shading of Hemisphere Light and Shading on Simple Marks Chiaroscuro in Logo Design Logo Visibility Graphic Device Black on White vs. White on Black Same-sized Look Bone Effect Bone Effect in Logo Design Overshoot Balancing Visual Paradoxes Types of Visual Paradoxes Impossible Figures Impossible Figures and Logo Design Motion-Illusion Ambiguous Forms Symmetry vs. Asymmetry Solid vs. Line Sharp vs. Round Pattern as a Design Element Dimension Dialectical Approach Composition Experimentation and Accidents Copying vs. Imitation Client Relations Real-life Objects as Aids Chapter 4 Design Process Concepting Mood Boarding Sketching The Initial Stage The Refinement Stage The Fine-Tuning Stage Execution Gridding Gridding Complex Forms Type Lockup Chapter 5 Presentation Brand Guidelines Logo Uses Guidelines Primary Colors and Secondary Colors Typography Grids Graphic Devices Stationary Pricing Design Studio About the Author Acknowledgements Index

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Book SynopsisRecord covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for—Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.Trade Review“Vinyl revival? This book single-handedly champions the cause.” * Inpress *

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Book SynopsisThis book serves as an introduction to the key elements of good design. Broken into sections covering the fundamental elements of design, key works by acclaimed designers serve to illustrate technical points and encourage readers to try out new ideas. Themes covered include narrative, colour, illusion, ornament, simplicity, and wit and humour. The result is an instantly accessible and easy to understand guide to graphic design using professional techniques.

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Book SynopsisThree new graphic design courses, detailed in this volume, comprise a critical companion to Reinfurt's bestselling DIY textbook, A *New* Program for Graphic DesignThis volume expands David Reinfurt's uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt's new Princeton University graphic design coursesC-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-hdeveloped explicitly in the context of remote teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A *New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is an advanced graphic design class which cultivates an exploratory and expansive design process and investigates what the term design research has meant at different points in design history. From these separate angles comes a collaborative and cooperative way of telling and teaching design history, taking on subjects from the Detroit Printing Co-op, Corita Kent and Charles and Ray Eames, to Giuseppe Peano, Marshall McLuhan, Sylvia Harris and Virgil Abloh. Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually understanding the historyand shaping the futureof our designed world.David Reinfurt is an independent graphic designer and writer based in New York City. He worked as an interaction designer at IDEO from 1995 to 1997, where he was the lead designer for the MTA Metrocard vending machine interface. In 2000, Reinfurt formed the graphic design practice O-R-G inc., followed by Dexter Sinister in 2006 and the Serving Library in 2012. He has taught at Princeton University since 2010.

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Book SynopsisDesign better logos and become a more successful, confident graphic designer with Made by James as your guide. *Winner of the 2021 American Graphic Design Award for Book Design from Graphic Design USA* UK-based graphic designer James Martin shares his wealth of experience, information, and advice with one goal in mind: to help designers of all levels create better work and enjoy the process. James has designed hundreds of logos for a variety of top brands, and shares his unique creative process, from concept to sketches to final design. Learn how to create outstanding logos, craft and refine your creative process, build great relationships with clients, and become prolific and consistent. Discover how James creates innovative, clever, and memorable logos with his own hands-on, step-by-step process that includes word mapping, rapid prototyping, and sketching ideas on paper. Learn how to bTrade Review"James Martin is a rare breed – not only is he an incredibly talented designer, he’s also equally skilled at explaining the how and the why behind his decisions, and teaching beginning designers how to think strategically as a foundational aspect of their work. James’ work is a valuable resource for any designer looking to develop their skills, hone their craft, and communicate more effectively with clients." -- Emily Mcdowell, creative director of Em & Friends"James Martin is one of the world’s top logo designers. I have been working in the creative industry for more than two decades. I have managed and employed hundreds of designers doing work for the biggest brands in the world. James has an elite level eye for detail and a creative spark that makes his work shine even compared to top talent worldwide. He has a rare gift and is, without a doubt, one of the most talented creatives I have seen in all my career." -- Michael Janda, best-selling author of Burn Your Portfolio"...his personality shines throughout... James is eighty percent drawing, and that’s what I like most about the book. James doesn’t hold back on sharing his sketches. I’m positive that’s what contributed to his huge Instagram appeal, too, because there’s an insight you get from sketches that can’t be seen in any other part of a design project." -- David Airey * LogoDesignLove.com *"From detailing the hundreds of logos he’s designed to writing about how client relationships help fortify your vision, there’s a lot you’re going to learn from this book." * Just Creative *

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Book SynopsisModernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.Trade Review“This fantastic collection of handsome logos testifies to the enduring power of clean, crisp, universally symbolic design language that is a far cry from the often trendy, cheesy, puffed-up corporate branding that exists today. […] Logo Modernism is a brilliant catalog of what good corporate logo design looks like.” * Slate.com *“…blockbuster new book Logo Modernism…is a beautiful distillation of modernist ideals rendered in their most superbly crafted way.” * Itsnicethat.com *“…This book is not only full-to-bursting with hugely important logos, it is physically huge!… If you have an interest in social, cultural or corporate history, this is an unrivalled resource and deserves a place on your shelves (if it will fit).” * FormFIftyFive.com *“…Almost limitless as a logo archive for the period, TASCHEN’s Logo Modernism means business about the business of good design.” * PedroSilmon.com *

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Book SynopsisA practical and inspirational workbook featuring instructions for hand drawing a range of letterforms, from Modern Roman and Gothic through to Latin and Script.

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Book Synopsis This rich treasure trove of twentieth century Batsford book covers showcases the very best of Batsford's design heritage. Founded by Bradley Thomas Batsford in1843, Batsford has forged a strong reputation for niche publishing, in subjects such as textile art, practical art and craft, architecture and design, heritage and chess. Batsford books are both accessible and beautiful, and their quality means they sell for years, often decades. The covers in this beautiful book have been chosen from the extensive collection of book collector Paul Dimond. The collection includes the iconic covers of Brian Cook, which are recognised and collected worldwide, as well as beautifully tooled cloth bindings, Art Deco gems, mid-century architecture titles and quirky designs from the 60s and 70s. Rich with stunning photographs of these iconic jackets, The Book Cover explores the development of book cover design over the twentieth century. This book is a labour of love that will showcase the very best of Batsford's design heritage and will delight book collectors and design enthusiasts alike.

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Book SynopsisThis beautifully curated book showcases a diverse collection of packaging solutions from Japan's most talented designers, studios, and brands. Japan Unboxed offers an immersive journey into the captivating world of contemporary Japanese packaging design. Known for its seamless blend of tradition, innovation, and attention to detail, Japanese design is admired worldwide for transforming even the simplest of products into works of art. This beautifully curated book showcases a diverse collection of packaging solutions from Japan's most talented designers, studios, and brands. From minimalist designs that evoke a sense of calm and precision to bold, colourful creations that celebrate playfulness and creativity, Japan Unboxed is a visual feast for design enthusiasts, professionals, and anyone intrigued by the art of packaging.

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