Language learning: writing skills Books

Book SynopsisFrom 70 of the most successful mystery writers in the business, an invaluable guide to crafting mysteries—from character development and plot to procedurals and thrillers—“this is a writing guide that readers and writers will turn to again and again” (Booklist, starred review). Mystery Writers of America (MWA) is known for providing unparalleled resources on the craft, art, and business of storytelling, helping writers of all levels improve their skills for nearly a century. Now, this handbook helps authors navigate the ever-shifting publishing landscape—from pacing, plotting, the business side of publishing, to the current demand for diversity and inclusivity across all genres, and more. Featuring essays by a new generation of bestselling experts on various elements of the craft and shorter pieces of crowd-sourced wisdom from the MWA membership as a whole, the topics covered can be categorized as follows: —Before Writing (rules; genres; setting; character; research; etc.) —While Writing (outlining; the plot; dialogue; mood; etc.) —After Writing (agents; editors; self-pub; etc.) —Other than Novels (short stories; true crime; etc.) —Other Considerations (diverse characters; legal questions; criticism) Also included is a collection of essays from MWA published authors—including Jeffery Deaver, Tess Gerritsen, and Charlaine Harris—selected by bestselling authors Lee Child and Laurie King and arranged thematically answering, “What piece of writing advice do you wish you’d had at the beginning of your career?” “Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery” (Kirkus Reviews), this inclusive manual provides practical, current, easily digestible advice for new and established authors alike.Trade Review"An embarrassment of riches . . . [How to Write a Mystery] overflows with enough pithy wisdom and hard-boiled humor to deserve its place on any mystery lover's shelf, even if they never intend to write a thing. . . . A snappy, wise and expansive guide which in explaining how to write a mystery ends up illustrating much of what makes the genre so engrossing." —Minneapolis Star Tribune "A wonderful book, a seminar in genre writing conducted by some of the genre’s most accomplished practitioners. . . . a writing guide that readers and writers will turn to again and again." —Booklist, starred review "Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery, courtesy of the cheerleaders from the Mystery Writers of America. . . . A chorus of encouraging voices that mix do-this instruction with companionable inspiration." —Kirkus Reviews "Tempted to try your own hand at a tale of crime? How to Write a Mystery gathers sound and often witty advice from nearly 70 contemporary practitioners." —Wall Street Journal "One of the best and most inclusive manuals ever. . . . How to Write a Mystery is a splendid technical treatise for writers of any stage or level. . . . Reading the book feels like taking a graduate-level course. . . . an immensely worthwhile investment for the storyteller in us all.” —BookTrib "All this input from some of the most successful mystery writers alive makes for an invaluable guide to crafting mysteries, police procedurals, and thrillers. These experts offer practical, current, and surprisingly easily digestible advice." —The Big Thrill "Budding authors looking for pro tips will find some useful tidbits." —Publishers Weekly

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Book SynopsisA four-level, paired skills course that teaches students in higher education the essential skills for academic success. Now with Oxford Online Skills Program to improve reading, writing, listening and speaking. Strands available: Reading, Writing, and Study Skills Listening, Speaking, and Study Skills

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Book SynopsisThis second edition of Paul Silvia’s popular guide offers practical, light‑hearted advice to help academics become more productive writers.Trade Review“Do you find your grant-writing intruding on time you’d rather spend with your family? Did revisions to that last journal article ruin your vacation? Then this book might be just the thing you need… tips and tricks hold true for academics in almost any field…Silva backs up all his recommendations with evidence from behavioral studies and personal experience that is often as witty as it is insightful.” —Edgeforscholars.org “Tips to increase your productivity and a surprisingly good section on grammar.” —Thesiswhisperer.com “Silvia draws from his own experience in psychology to explain how to write, submit, and revise academic work, from journal articles to books, all without sacrificing evenings, weekends, and vacations. The tips and strategies in this second edition… have been fully updated to apply to academic writing in most disciplines.” —Midwest Book ReviewPerhaps there are graduate students or faculty members who write as much as they think they should but, if so, I haven’t met any of them in nearly 40 years being a professor. But I’ve certainly met many people who manage to write a lot, and all of them employ one or more of the tactics that Silvia describes. Henceforth, no one should be allowed to complain about how little writing they are getting done unless they have read—and applied—the wisdom in this book. -- Mark R. Leary, PhD, Garonzik Family Professor of Psychology and Neuroscience, Duke University, Durham, NCSilvia demystifies the process of writing and deftly debunks common excuses academics make for not getting it done! The message is simple but powerful: When writing becomes a workday habit, you can write a lot and find more time for life outside of work. -- Monica Biernat, PhD, Distinguished Professor of Psychology, University of Kansas, LawrenceIn this second edition, Silvia helps readers solve the riddle of writing. By using a mixture of science, humor, and compassion, he shows how he has helped thousands of people become productive writers. If you want to stop worrying about writing, this book is required reading. -- C. Nathan DeWall, PhD, Professor of Psychology, University of Kentucky, LexingtonWherever you are on the continuum from bright-eyed and bushy-tailed newbie to grizzly gray-haired veteran on the academic tour, you need to own this book. And don’t just own it; read it. Often. I recommend at least quarterly. You’ll nod. You’ll smile. You’ll fire your writing fervour if you follow Silvia’s suggestions. And most importantly, you’ll write a lot. -- Lisa F. Smith, EdD, University of Otago, Otago, New ZealandThis is a well written, funny, and utterly practical hands-on guide on how to not just write more but also write better, more efficiently, and know how to submit and revise articles. I can’t imagine a graduate student, young professional, or anyone who struggles with writer’s block not needing this book. -- James C. Kaufman, PhD, Professor of Educational Psychology, University of Connecticut, StorrsTable of ContentsContents Preface 1. Introduction 2. Specious Barriers to Writing a Lot 3. The Care and Feeding of Writing Schedules 4. Starting a Writing Group 5. A Brief Foray Into Style 6. Writing Journal Articles 7. Writing Books 8. Writing Proposals for Grants and Fellowships 9. “The Good Things Still to Be Written” References Index About the author

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Book SynopsisIf your writing is preventing you from getting the score you need in IELTS, Collins Writing for IELTS can help. Don't let one skill hold you back.

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Book SynopsisFrom first steps to final submission, this accessible guide takes students through each stage of the assignment-writing process and equips them with the skills they need to construct and develop convincing academic arguments.Concise and compact, it offers practical advice on forming ideas, structuring arguments and finding your academic voice. The authors, both of whom are experienced in working directly with students, also provide valuable guidance on a number of important subtleties in academic writing, including expressing reservations or enthusiasm in academic writing and using evidence to convey different viewpoints.The second edition contains new material on synthesizing ideas from different sources, as well as more varied examples of what finding your academic voice means' in the context of different assignments, including blogs and observations.Applicable to different types of assignment, this is an essential resource for all undergraduates and postgrTrade ReviewThis small book is all you need to get through academic writing. It is really practical with examples. * praise from student *This is a great addition to the Pocket series. The authors address some key questions relating to argumentation, and tackle some all-too-common issues head-on. I recommend it to my students regularly. * praise from lecturer *Table of ContentsIntroduction Part I: Getting Started 1. Stages of the Task 2. What's the Task? Part II: Putting Ideas Together 3. Finding Out 4. Developing Your Ideas 5. Evidence? 6. Forming Your Argument Part III: Building Your Argument 7. Structuring an Argument 8. Using Paragraphs 9. Making the Argument Flow 10. Beginnings and Endings Part IV: Showing Your Argument 11. Presenting Evidence 12. Communicating with the Reader 13. Finding your Academic Voice Part V: Finalising Your Argument References Useful Sources Index

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Book SynopsisThe Collins Cambridge Lower Secondary English series offers a skills-building approach to the Lower Secondary English curriculum framework (0861) from 2020. The Stage 7 Student’s Book supports students to develop their skills in reading, writing and speaking and listening, showing all students how to progress.

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Book SynopsisUsing clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context.Kenneth Goldsmith wants you to rethink the internet.Trade ReviewFor decades, Kenneth Goldsmith has forced us to question what constitutes and what does not constitute art. In Wasting Time on the Internet, he demonstrates persuasively and precisely the myriad ways in which the web undergirds contemporary art and ambitious contemporary art engages seriously with the implications of the web. -- David Shields, author of Reality Hunger: A Manifesto "The Internet made the world an intelligence and vastly increased my own. I got my theory from Hawthorne's House of the Seven Gables, Wells' World Brain and McLuhan, but now I have the Internet instruction book: Wasting Time on the Internet. It's also a pretty good history of the future." -- Glenn O'Brien, author of The Style Guy and How To Be a Man "Deeply versed in avant garde and surreal modes of seeing and playing in the so-called "real world," Goldsmith proves a brilliant guide to the worlds we describe as digital or virtual. It's pure pleasure to browse and surf and swipe and poke at contemporary tech culture in his company." -- Rob Walker, co-editor Significant Objects "Entertaining, vividly written investigation of the ways people interact with the web... Goldsmith maintains a sharp focus as he weaves together wildly diverse ideas, explaining new information clearly for a general audience." -- Publishers Weekly "A persuasive argument about how what conventional wisdom dismisses as "wasting time" is actually time well spent" -- Kirkus Reviews

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Book SynopsisPlanned as a companion volume to "Writing Latin" by Richard Ashdowne and James Morwood, this brand new guide to writing Greek will be useful both in the upper forms of schools and for those starting Greek prose composition at university. Part 1 deals with the constituent elements of the simple sentence, and in Part 2 all major constructions are covered, each with thorough explanations and clear examples. Each chapter has either two or three exercises of practice sentences, further supplemented throughout Part 2 by passages for continuous composition. 100 important irregular verbs with their principal parts are listed at the back of the book, and there is a complete vocabulary for all the exercises, a useful learning and revision resource in itself.

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Book SynopsisWrite clearer business documents more efficientlyThis brand new self-study book is the ideal way for business people to refine and perfect their written English. It is aimed particularly at executives who communicate in written English frequently or work in foreign or multinational companies.Collins English for Business is a new series of self-study skills books which focus on the language you really need to do business in English wherever you are in the world. Each title includes tips on how to communicate effectively and how to communicate inter-culturally. Other titles in the series: Speaking and Listening.Powered by COBUILD using the real language of business EnglishContents: Twenty 4-page units featuring key areas, such as Getting the Right Tone, Linking Ideas, Writing Quickly and Simply, Dealing with Difficult Issues and Editing the Language.Each unit contains:- Exercises focused on written texts, vocabulary or key structures- Grammar tips- Key phrasesReference section with keyTrade ReviewBEBC Book of the month: This new 124-page book aims to help business students write clear documents and is full of sound advice. ‘Writing’ certainly provides a wealth of relevant tasks: it is especially good for self-study. The ‘best practice’ section on email etiquette is excellent, and the many ‘cultural tips’ boxes are useful. One nice feature is the inclusion of memorable quotes about writing that introduce each unit. Recommended. (Reviews by Pete Sharma for the Bournemouth English Book Centre) ‘Finally, modern, well-written and practical Business English texts that are perfect for reference and/or classroom use.’ Peter A. Lewis-Watts, Certified ESL Instructor, Barrie, Ontario, Canada.

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Book Synopsis''A delight . . . a glorious, witty and life-affirming ragbag of autobiography, cultural commentary and hard-won wisdom.'' ANDREW TAYLOR, author of The Shadows of London''Perceptive, wise and illuminating . . . an unmissable farewell.'' Barry Forshaw, FINANCIAL TIMES''The most hilarious, life-affirming book you'll read this year.'' SAGA magazine''Wit and wisdom that make every page turn . . . what a fine talent the world has lost.'' STARBURSTThis is the memoir Christopher Fowler always wanted to write about ''writing''.It''s the story of how a young bookworm growing up in a house where there was nothing to read but knitting pamphlets and motorcycle manuals became a writer - a ''word monkey'' - and pursued a sort of career in popular fiction. And it''s a book full of brilliant insights into the pleasures and pitfalls of his profession, dos and don''ts for would-be writTrade ReviewClever, wise, heartbreaking and yet also life-affirmingly funny: his literary comic lightness of touch is on a par with Wodehouse. -- JOANNE HARRIS, bestselling author of Broken Light and ChocolatA delight to read - a glorious, witty and life-affirming ragbag of autobiography, cultural commentary and hard-won wisdom about the strange and miraculous craft of writing. It's the sort of book that makes you want to underline every other sentence. Beautifully written, of course - one would expect no less from Chris - and characterised by its complete lack of self-pity. I hope it sells by the truckload. -- ANDREW TAYLOR, bestselling author of The Shadows of LondonA delight: perceptive, wise and illuminating on the act of reading (no genre held terrors for him) and, equally, the act of writing. All of this in a book full of disarmingly sardonic gallows humour about his own impending death. An unmissable farewell from the much missed author. -- Barry Forshaw * FINANCIAL TIMES *A remarkable book by a remarkable writer: amazingly entertaining and informative and also, for obvious reasons, one of the most moving. -- SIMON MASON, author of the DI Wilkins MysteriesNot a hint of Pollyanna here, just the most hilarious, life-affirming book you’ll read this year. * SAGA magazine *

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Book SynopsisProblem plot lines? Character chaos? Ask Ally! The definitive guide to writing from one of teen fiction''s best-loved authors.Writing finally has its own agony aunt in bestselling author, Ally Carter. Always wanted to write? Not sure how to begin, or what to do with tricky characters or pesky plotlines? Ask Ally! Ally Carter is the internationally bestselling author of Gallagher Girls, Embassy Row and Heist Society. Known for her gripping plots and adventures that combine danger and glamour in equal measure, Ally knows how to write brilliant books for teen and YA readers.Now Ally and her author friends want to help YOU write the book you''ve always dreamed of. Part agony aunt, part writing guru, this writing guide is thoughtful, witty and best of all, useful.With advice from some of children''s fiction''s brightest stars including Holly Black, Cassandra Clare and Kody Keplinger.

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Book SynopsisFinally--a book of writing advice that accounts for all of the messy, perverse, practical, and inexplicable parts of being a human who writesThe truth is that all of the writing rules you''ve learned are bullshit. Sure, they work for some people, but the likelihood that they''ll work for you--unique butterfly of a person that you are--is slim.  That doesn''t mean you''re out of luck! There is meaningful advice to be had in the writing world, and Chuck Wendig is here to deliver it. In this hilarious guide, Wendig will help you discover more about yourself as a writer, parse through your quirks and foibles, and help you figure out the best way for you to get words on the page--without destroying yourself along the way. With behind-the-scenes stories of Wendig''s own writing struggles, sections on debunking popular advice, self-care tips, and more footnotes than are strictly necessary (or legally recommended by scientists), Gentle Writing A

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Book SynopsisLEARN HOW TO WRITE WONDERFUL AND VARIED SHORT STORIES AND SHARE THEM WITH THE WORLD.Written by one of the country''s leading experts on the short story, this book is ideal if you want to write creatively in a genre that is increasingly attracting attention from publishers, and which offers plenty of competition and festival opportunities for you to showcase your work.This new edition includes uptodate material on web resources and outlets and provides new information on self-publishing. In addition it discusses genres such as micro-fiction, and throughout is fully updated with new resources, events, slams and competitions.It will help unlock your imagination and creativity, and to discover stories you didn''t know you had. It will help you to observe the world around you more sharply, as well as to structure, shape and polish your story. It is full of practical exercises that will both inspire imagination and refine skills, and confidence-building suggestTrade ReviewHer chapter by chapter approach to gradually developing your writing works well, with relevant anecdotes, references to short story collections and exercises in each section... If you've got some experience of writing, it's worth a look for the exercises - a good way to help you get your stories 'match fit', or moving again if you're stuck mid-draft. * Left Lion *Table of Contents : 1. Introduction : 2. Where do I start? : 3. What you need : 4. Before you go on : 5. Do you enjoy short stories? : 6. Size matters : 7. Getting in, getting through and getting out : 8. Plots and structures : 9. More on plots and structures : 10. Unreliable narrators : 11. Documentary stories : 12. Characterisation : 13. Dialogue : 14. Do not skip this chapter! : 15. Publishing your story : 16. Why?

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Book SynopsisLEARN HOW TO GET STARTED IN CREATIVE WRITING AND WRITE WITH CONFIDENCE AND FLAIR.Get Started in Creative Writing will help writers at the very beginning of their creative journey to gain confidence and find inspiration, and then support you in the completion of your first pieces of creative writing - a short story, a poem, a draft of a novel or screenplay. Each chapter includes a central writing exercise and four shorter ones, while key quotes, key ideas and focus points will be clearly signposted and will summarise important concepts and advice. At the heart of each chapter is a ''Workshop''. The Workshop is a key exercise, in which you will gain a deeper insight into the craft of writing. In addition to coverage of all the key genres and their conventions, this new edition includes an expanded section on self- and digital publishing, to reflect recent advances in technology and the wide variety of digital platforms now available for the distribution oTable of Contents : aaa : bbb : ccc

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Book SynopsisWriting Well is a practical handbook of creative writing exercises which forms the basis of an indirect, nonconfrontational approach specifically intended for therapeutic use within the mental health field. Although people with emotional or psychological problems can find creative writing particularly difficult and unsettling, when writing courses are sensitively designed they are known to be of therapeutic benefit to people with mental health problems. The exercises are taken from the authors' successful practice with groups of people from a range of backgrounds in a variety of settings.The book is structured to be accessible and easy to use. The warm-ups and main exercises are organised by themes, such as positive memories, imagined worlds, changes and painful feelings. Guidelines are given for developing and adapting the exercises and practical suggestions for materials are included in the appendix. This volume will be an invaluable practical resource and imaginative inspiration for creative writing tutors and mental health professionals.Trade Review...a valuable resource for those wanting to use creative writing in groupwork. Every chapter provides a wealth of different exercises. Each exercise lists the materials needed and gives a recommended warm-up exercise as well as possible prompt questions to ease discussion following the period of writing. The book therefore provides a clear framework for running creative writing groups. The exercises provide a useful primer and can be adapted to suit a wide range of needs. The appendices are equally useful with one on how to devise your own exercises, another providing a list and outline of useful books, and a third giving a comprehensive list of useful organisations. The book offers a practical resource and many of the exercises contained in this slim, well-organised volume appear to be original and are likely to prompt many creative activities. -- British Journal of Occupational TherapyThere are several good creative writing handbooks on the market at the moment but, as any therapist running groups on the subject in mental health settings will know, they generally just miss the mark, being too skill-based on the one hand or too process orientated on the other. This slim new volume goes some way to closing the gap. What the busy therapist might most appreciate is the resource aspect of the book. It is full of ideas - recommended warm-up activities for each writing session, along with useful commentaries on how to take creative ideas further. Writing Well clearly meets a need and will prove a welcome addition to every therapy department bookshelf. -- Therapy WeeklyTable of ContentsForeword. 1. Introduction. 2. Warm-Up Exercises. 3. Beginnings. 4. Introductory Work. 5. Memories. 6. Empathy. 7. Changes and Endings. 8. Imagined Worlds. 9. Opening Up. 10. General Themes. 11. Exploring Literary Form. Appendix 1. Guidelines for Developing and Adapting your own Exercises. Appendix 2. Creative Writing Books (or Why This Book is Necessary). Appendix 3. Useful Organisations. The Authors. References.

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Book SynopsisThe method that's helped thousands in the U.S. and Japan learn Japanese successfully.The Japanese language has two primary writing systems, kanji characters—which are based on Chinese characters and hiragana and katakana—a mnemonic based alphabet. This handy book teaches you a new mnemonics-based method to read and write the 430 highest-frequency kanji characters. Along with its sister book: Japanese Hiragana and Katakana for Beginners it provides a complete introduction to written Japanese.Japanese Kanji for Beginners contains everything you need to learn the kanji characters required for the Advanced Placement Japanese Language and Culture Exam. It is designed for high school or college students as well as independent learners. The kanji learned in this book carefully adhere to those introduced in every significant Japanese language textbook. Key features of Japanese Kanji for Beginners include: The 430 highest-frequency kanji characters 44 simple, easy-to-follow lessons Concise information on kanji elements, readings and pronunciations Extensive exercises, drills, and writing practice Downloadable flash cards, practice quizzes and extra exercises Online audio with native speaker pronunciations and readings

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Book SynopsisA writer will change and grow many times in their writing life. This Journal Workbook aims to champion this journey. It answers those tricky questions writers long to ask, shares secret practices to inspire their writing confidence, and free their unique gifts from common obstacles and writing worries. In this Journal Workbook you will discover surprising new techniques from acting, neuroscience, psychology, philosophy, and spirituality to re-wild your creativity and empower your writing craft. Writing can seem overwhelming. You long to be a writer, but where do you start?And how do you bridge the gap between where you are right now and where you want to go? How do you discover your voice? What does that even mean? And what can you do to improve your writing? Or discover what you want to write about? This is not a book about getting published or finding an agent. This is a book about finding you. Finding your voice. Trusting your talent. Your creativity. It is about puttiTrade ReviewA wonderful warm hug of a book, packed with practical help and inspiring goodness. Just the tonic to boost the morale of any writer. -- Chris Callaghan * Goodreads *Full of nuggets of wisdom from beginning to end. Packed full of goodies, gems and guidance. -- Emma Perry * Waterstones review *This book is like an invisible hand on one's shoulder supporting and empowering the writer as one takes the first tentative step on their writing path ... I felt [Lucy] wrote it, especially for me. * Amazon review *Table of ContentsIntroduction - Your secret power: what A Writer's Journal Workbook can do for you Part I - Surprising solutions to common questions: Tips, tricks and writing prompts Part II - Practice: The secret habits of a happy writer Resources

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Book SynopsisLevel: KS1Subject: EnglishAn engaging Handwriting activity book to really help boost your child's progress at every stage of their learning! Including helpful questions and answers, this English book provides reassurance whilst supporting your child's learning at home.Combining useful English practice with engaging, colourful illustrations, this Handwriting practice book helps to boost your child's confidence and develop good learning habits for life. Each fun activity is designed to give your child a real sense of achievement.Included in this book:Questions that allow children to practise the important skills learned at schoolColourful activities that make learning fun and motivate children to learn at homeHelpful tips and answers so that you can support your child's learning

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Book SynopsisThe home of trusted English learner''s dictionaries for everyday language learning.Collins Easy Learning Writing is an easy-to-use guide on how to write good, clear and effective English.With simple explanations of everything from the basics of sentence and paragraph structure, to writing CVs, letters and essays, this book is a valuable guide for anyone who wants to improve their writing.Collins Easy Learning Writing is the helpful guide to good written style. Covering areas such as sentence structure, punctuation and page layout, all users of English will appreciate the clear advice provided in this book.Each point is described in a user-friendly format, with corpus examples that show how English is really used today.Trade Review.

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Book SynopsisWhen Kate L. Turabian first put her famous guidelines to paper, she could hardly have imagined the world in which today's students would be conducting research. Yet while the ways in which we research and compose papers may have changed, the fundamentals remain the same: writers need to have a strong research question, construct an evidence-based argument, cite their sources, and structure their work in a logical way. A Manual for Writers of Research Papers, Theses, and Dissertationsalso known as Turabianremains one of the most popular books for writers because of its timeless focus on achieving these goals. This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research. Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago's two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material. A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project. Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines. Bestselling, trusted, and time-tested advice for writing research papers The best interpretation of Chicago style for higher education students and researchers Definitive, clear, and easy to read, with plenty of examples Shows how to compose a strong research question, construct an evidence-based argument, cite sources, and structure work in a logical way Essential for anyone interested in learning about research Everything any student or teacher needs to know concerning paper writingTrade Review“Without doubt, for anyone interested in learning about research—what it is, where one goes to pursue it, how to do it, what it entails and means, why it is important (now more so than ever before)—A Manual for Writers of Research Papers, Theses, and Dissertations: Chicago Style for Students and Researchers is the place to begin. It will likely show people new to the field a way forward and offer experienced researchers the means to test established modes of operation. This book will not fail you, today or tomorrow, at home or in the library. Look for it at a bookstore near you or online.” -- Thomas R. Claire * Publishing Research Quarterly *“Turabian’s A Manual for Writers of Research Papers, Theses, and Dissertations continues a tradition of providing one of the best interpretations of The Chicago Manual of Style for higher education students and researchers in this ninth edition. The writing style is clear and easy to read, with examples illustrating proper formatting of items.” -- Cynthia Goode * American Reference Books Annual *"A mainstay in high-school and college libraries." -- Praise for a previous edition * Booklist *“This definitive handbook supplies information on about everything any student or teacher may desire to know concerning paper writing.” -- Praise for a previous edition * Quill and Scroll *“Kate L. Turabian was our trusted guide and mentor, the absolute authority, the one who knew all there was to know about the strange world of proper term papers. . . . To write a term paper without a well-worn copy of Turabian handy was unthinkable. Our writing on term papers might be weak, our research haphazard, our insights sophomoric, but, thanks to Kate L. Turabian, our footnotes could always be absolutely flawless.” -- Praise for a previous edition * Seattle Post-Intelligencer *"Indispensable. . . . Turabian is everything a student researcher might need save a grammar guide and training in specific research methods. . . . When you consider the sheer wealth of material contained or cited in Turabian, its US $18.00 paperback and eBook list price is an absolute steal." -- Steven E. Gump * Journal of Scholarly Publishing *

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Book SynopsisMaster Japanese scripts with this straightforward guide from Teach Yourself - the No. 1 brand in language learning. Read and write Japanese scripts is a clear step-by-step guide to the written languages, with plenty of examples from real-life texts to show how they work in context and lots of exercises to reinforce your learning. This new edition has an easy-to-read page design.Now fully updated to make your language learning experience fun and interactive. You can still rely on the benefits of a top language teacher and our years of teaching experience, but now with added learning features within the course. Learn effortlessly with new, easy-to-read page design: AUTHOR INSIGHTSLots of instant help with common problems and quick tips for success, based on the author''s many years of experience.USEFUL VOCABULARYEasy to find and learn, to build a solid foundation for speaking.TEST YOURSELFTests in the book to keep track of youTable of Contents : Introduction : Units 1-4 Introduction to kanji : Unit 5 Hiragana : Units 6-8 How to decipher more complex kanji and build on your knowledge : Unit 9 Katakana : Unit 10 Reading passages : Key to the activities : Index (1) Japanese-English : Index (2) English-Japanese

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Book SynopsisMaster Urdu script with this straightforward guide from Teach Yourself - the No. 1 brand in language learning. Read and write Urdu script is a clear step-by-step guide to the written language, with plenty of examples from real-life texts to show how it works in context and lots of exercises to reinforce your learning. This new edition has an easy-to-read page design.Now fully updated to make your language learning experience fun and interactive. You can still rely on the benefits of a top language teacher and our years of teaching experience, but now with added learning features within the course. Learn effortlessly with new, easy-to-read page design: AUTHOR INSIGHTSLots of instant help with common problems and quick tips for success, based on the author''s many years of experience.USEFUL VOCABULARYEasy to find and learn, to build a solid foundation for speaking.TEST YOURSELFTests in the book to keep track of your progress.<Table of Contents : Introduction : Units 1-11 Step-by-step introduction to the 35 Urdu characters : Appendix: Numbers, Decimals and fractions, Dates, Days of the week, Months

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Book Synopsis'I've always wanted to be an author'; 'People often ask me when I'm going to write my book'; 'I have a story to tell, but I never seem to make time to write' These are just a few of the messages Kelly Notaras hears every day from potential authors around the globe. Life coaches with new methods for living with purpose, healers who've learned how to prevent disease and increase life force, and everyday heroes and heroines who've made it through difficult circumstances and want to inspire others to do the same.This book will light the way, offering a simple, step-by-step path for turning your transformational idea or story into a finished book as quickly as possible. You'll discover how to:- Be clear on your motivation for writing a book- Craft a powerful, compelling hook and a strong internal structure- Handle resistance, writer's block and other obstacles that can keep you from sitting down to write- Take your finished manuscript to the next level, whether through traditional publishing or self-publishing - so that you can share your message with the world!With humour, encouragement and common sense, book industry veteran Kelly Notaras demystifies the publishing process so you can get started, keep writing and successfully get your wisdom onto the page.

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Book SynopsisDavid Galef provides a guide to writing flash fiction, from tips on technique to samples by canonical and contemporary authors to provocative prompts that inspire powerful stories in a little space. Brevity is an indispensable resource for anyone working in this increasingly popular form.Trade ReviewIf I had to choose just one book for my class in writing flash fiction, it would be this one. Practical, direct, wonderful examples, fun to read-if this book doesn't energize your writing, nothing will. -- Robert Shapard, coeditor of Sudden Fiction: American Short-Short Stories Brevity represents a useful addition to the range of current creative writing texts, combining an anthology of flash fiction with an analysis of the subcategories within the form and writing exercises that will inspire students. Galef's witty, welcoming tone will appeal to beginning and intermediate writers. Often, I felt so inspired by the prompts that I wanted to sit down at my computer and try the exercises myself. -- Eileen Pollack, author of A Perfect Life: A Novel Brevity is a thorough introduction to the form, offering a variety of strategies for composition, as well as a wide-ranging, international anthology linked to each chapter's focus. A relentlessly generative, eclectic, instructive, entertaining, and motivational text. -- Michael Martone, author of The Flatness and Other Landscapes Galef is an excellent writer, and the book throughout is a delight-he makes the reader want to immediately start writing... He provides deft insights and suggestions on editing... and he suggests techniques that work well when applied to a small text. Best of all, each chapter provides examples of great flash fiction-from authors as different as Saki and Steve Martin-as well as ideas for readers to explore. Publishers WeeklyTable of ContentsAcknowledgments A Short Introduction Vignettes. Readings: Colette: "The Other Wife"; Isaac Babel: "An Incident on the Nevsky Prospekt" Character Sketches. Readings: L. E. Leone: "The Argument for a Shotgun"; Josefina Estrada: "The Extravagant Behavior of the Naked Woman" Letters. Readings: Yasunari Kawabata: "Canaries"; Phil Karasik: "Mickey the Dog Phones Home" Diary Entries. Readings: Will Stanton: "Barney"; Mark Budman: "The Diary of a Salaryman" Lists. Readings: Sei Shonagon: "Annoying Things"; Steve Martin: "Disgruntled Former Lexicographer" Fables. Readings: Anonymous: Untitled; Raphael Dagold: "The Two Rats and the BB Gun" Anecdotes. Reading: The peasant and the genie Prose Poems. Readings: Yusef Komunyakaa: "Nude Interrogation"; Len Kuntz: "Story Problems" Soliloquies, Rants, Riffs, and Themes. Readings: Christine Byl: "Hey, Jess McCafferty"; John Edgar Wideman: "Witness" Perfect Miniatures. Readings: John Collier: "The Chaser"; Jeffrey Whitmore: "Bedtime Story" Intermission: Cutting Down. Bruce Taylor: "Exercise" Surrealism. Readings: Richard Brautigan: "A Need for Gardens"; Donald Barthelme: "The Baby" What If? Readings: Wayland Hilton-Young: "The Choice"; Dicky Murphy: "The Magician's Umbrella" Genre. Readings: Roxane Gay: "The Mistress of Baby Breath"; Tara Orchard: "My Love" Setting. Readings: Bharati Mukherjee: "Courtly Vision"; Alice Walker: "The Flowers" Twists. Readings: Luisa Valenzuela: "Vision Out of the Corner of One Eye"; Saki: "The Open Window" Two Viewpoints. Readings: Robert Schipits: "Dialogue Between Two Teenagers, One Interested in Cars and One Not"; Ryan Ridge: "Shaky Hands & All" Mass Compression. Readings: Bruce Holland Rogers: "Dinosaur"; Susan O'Neill: "Memento Mori" Metafiction. Readings: Ptim Callan: "Story"; Jorge Luis Borges: "Borges and I" Vanishing Point. Readings: Merilee Faber: "We came around the corner"; Dean Clayton Edwards: "It was pretending"; Davian Aw: "She raised the glass"; Augusto Monterroso: "The Dinosaur" The Future Conclusion Bibliography Permissions Index

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Book SynopsisJohn Foster has a background in journalism and has held senior public relations posts with Pira International and the Institute of Practitioners in Advertising. He has written, edited and produced work ranging from house journals, books, posters and brochures to speeches and presentations. A Fellow of the Chartered Institute of Public Relations, he was awarded the Institute's Stephen Tallents Medal for his 'contribution and commitment to the effective use of the written word'.Trade Review"John Foster's book is a 'how to' guide that gives solid grounding in the writing requirements of the PR business. It covers a lot of ground on a complex but rewarding subject." * Writing Magazine *"Writing good English must be one of the most difficult jobs in the world... This book by John Foster gives invaluable advice, not only on the rules of English grammar, but on how to make the language come alive." * Professor Anne Gregory, Director, Centre for Public Relations Studies at Leeds Metropolitan University *"This book addresses the pitfalls that wind up editors, clients and PR managers alike." * PRWeek *"A brilliantly comprehensive teach-yourself guide to making sure people will want to read or hear your written words. Foster covers print, website, broadcast, blog, Twitter, Facebook and public speaking with a sharp expertise gained from a lifetime in PR and journalism and a love of good, unpretentious English." * Robin Corry, UK Features.co.uk and former Fleet Street editor *"...can be read with pleasure from cover-to-cover or dipped into for a refresher on a particular topic [...] As someone who has spent his career on both sides of the divide, Foster speaks with true authority." * The Writer Magazine *"...covers enormous ground. Besides writing effectively, Foster tackles new media, such as social networks and the Internet, even public speaking. He also gives helpful tips on how to make language come alive [...] to learn more about communicating well, read the book." * Robert Harland, Philippine Rotary *Table of Contents Chapter - 00: Introduction; Chapter - 01: The importance of style: an overview; Chapter - 02: Trouble with plurals and possessives; Chapter - 03: Making your mark; Chapter - 04: Down with capitalism!; Chapter - 05: Clichés, jargon and other worn words; Chapter - 06: Is it easy to read?; Chapter - 07: Headlines: making them work; Chapter - 08: Dealing with figures and abbreviations; Chapter - 09: Keep it short, simple – and plain; Chapter - 10: Social media: the X-factor for PR; Chapter - 11: Writing for the media; Chapter - 12: Captions: how to handle them; Chapter - 13: Why editing matters; Chapter - 14: Skills and styles for the office; Chapter - 15: Traps, snares and pitfalls; Chapter - 16: Americanisms – the differences; Chapter - 17: The spoken word: pronunciation pointers; Chapter - 18: Principles of presentation; Chapter - 19: Writing for the web; Chapter - 20: Tone – the linchpin of reputation; Chapter - 21: Now it’s annual report time; Chapter - 22: Is it legal?; Chapter - 23: Keep to the codes

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Book SynopsisEverything you need to teach story writing to primary pupils, packed full of effective, curriculum-aligned, classroom-ready resources and strategies.To be used as a standalone or alongside existing writing schemes, this book contains comprehensive practical guidance on planning and teaching story writing, including: how to pick the right text, effective strategies for selecting vocabulary and teaching pupils how to edit. Step-by-step advice covers all elements of story writing, including the difference between plot and story, story shapes and how to use them, characters and their goals and the effective use of dialogue. Written by an experienced classroom teacher, all of the classroom-ready strategies are in line with the National Curriculum and are tailored for every Key Stage and ability level, making this the ideal time-saving resource for any primary teacher and any writing scheme.

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Book SynopsisPoetry and short stories can act as powerful springboards to growth, self-enhancement and healing. With the guidance of a facilitator, participants can engage with their own creative expression, and with that of others, and in doing so find opportunities to voice their truth, affirm their strengths, and find new ways of coping with challenges. This accessible book explores the therapeutic possibilities of poetry and stories, exploring ways of selecting appropriate works for discussion, and providing techniques for facilitating personally relevant and growth-enhancing sessions. The author provides ideas and suggestions for personal writing activities that emerge from or intertwine with this discussion, and explains how participants can create their own poetic and narrative pieces using other media, such as music, photographs, film, paintings, objects, and physical movement. The book references a wide variety of specific poems, short stories and films to use as prompts to creative writing, and contains a useful bibliography of poetry collections, story anthologies and film resources as well as a list of further resources and template feedback forms. Combining theory with a multitude of case examples and innovative ideas for practical, experiential activities, this book is a valuable introduction for creative arts therapy students and practitioners, mental health and medical professionals, and anyone else interested in the healing possibilities of creative expression.Trade ReviewGeri Chavis, long-time leader in the expressive art of poetry therapy, shares her collected wisdom and experience in Poetry and Story Therapy: The Healing Power of Creative Expression. This volume is a significant contribution to the growing literature about the expressive literary arts. A key feature of the book is the author's ability to discuss theory and research, historical antecedents for current poetry therapy, aid readers in exploration of the pros and cons of approaches and selections, and to describe examples and models for use by clinicians and other practitioners... Practitioners who use writing, literary sources, and metaphors in their therapeutic work have a new and wonderful volume to support and expand their efforts. Educators of and coaches for those wanting to learn about the expressive literary arts have a rich, stimulating resource for their efforts. Lovers of literature could pass over all the pages about poetry and story therapy and still get a book of value for the exceptional variety of quotes and references. -- Journal of Poetry TherapyThis is an excellent resource for anyone who is interested in using stories in a therapeutic context. The author's focus is on using a written text or reading aloud from a text rather than oral storytelling however there is still much that is useful for the storyteller.In reading I was reawakened to the potential that stories have to facilitate healing and change lives. Chavis uses stories and poems to work with clients and in the book she outlines how she chooses the texts and works with them. There is a short section on folk and fairy tales and I was interested to read that the author likes to work with client's most memorable story. The reason it is memorable is because it resonates strongly with the client's psyche and can help to reveal aspects that have been suppressed or hidden. -- StorylinesEnvisaged as a "primer of poetry therapy"(primarily for readers outside of the United States), this wonderful book thoroughly explores the therapeutic possibilities of poetry and story, as well as considering some wider aspects of creative writing practice. It will be of interest to both students and practitioners of creative arts therapies within the medical and health professions, as well to those working in other settings that use the healing possibilities of creative expression. -- Lapidus JournalTable of ContentsIntroduction: The Transformative Power of Word and Image. 1. Poems: Springboards to Growth and Healing. Poetry's Special Healing and Inspirational Role. Therapeutic Features of Poetry. Poetry Selection Process. Choosing Therapeutic Poems for Your Files. Selecting Poems for Specific Participants and Settings. Facilitating the Poetry Growth/Healing Experience. Steps in the Poetry Therapy Process. Setting the Tone/Warm Ups. Introducing the Poems. Beginning Discussion - Encouraging Personal Engagement with the Poem. Encouraging Exploration and Self-Application Through Discussion. Incorporating Writing Activities for Exploration and Self-Application. Providing Closure. Illustrating the Process - Two Vignettes. 3. Stories: Stimuli for Personal Development and Relationship Building. The Role and Personal Magic of Stories. Choosing Therapeutic Poems for Your Files. Basic Therapeutic Features of Stories. Fairy/Folk Tales, Fables, Myths and Childhood Storybook Tales. Literary Short Stories. Short-Short Stories or Sudden Fiction. Creative Non-Fiction Memoirs/Vignettes/Anecdotes. Selecting Stories for Specific Participants and Settings. Facilitating the Story Therapy/Growth Experience. Setting the Tone/Warm-Ups. Presenting the Story. Beginning Discussion/Encouraging Personal Engagement with the Story. Inviting Exploration and Application to Self. Creative Writing Techniques in Response to Stories. Providing Closure. 4. Creative Writing for Life Enhancement. The Power of Self-Expression. Setting the Atmosphere for Writing. The Therapeutic Process of Telling Our Stories. Developing Our Personal Waking and Dream Metaphors/Symbols. Word Play and Creating with Linguistic Structures. Creatively Working with Objects. Nature Writing and Healing. Writing to Visual Stimuli. Writing in Response to Film. Melding Art, Music and Movement with Creative Expression. The Power of the Group Poem. 5. Concluding Remarks. Appendix I: Selected Resources. Poetry Anthologies. Story Anthologies. Anthologies with Both Poems and Short Stories. Film Resources. Recommended Websites. Appendix II: Feedback and Report Forms.

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Book SynopsisThe home of trusted Mandarin dictionaries for everyday language learning.Learn how to write 250 of the commonest Chinese characters, with stroke by stroke guidance on every page.With thousands of characters to learn, beginning to read and write Chinese is a daunting task. Aimed at learners, this book takes you through 250 of the commonest characters in a clear and accessible way.The meaning of every character is explained along with information about its radical, the compound words it can form, its history, and more. There is a practice grid on every page, showing how the character is written, with space for you to practise writing the character for yourself.It is generally agreed that learners of Chinese need a working knowledge of about 100 characters in order to make themselves at all understood and to travel in China, so Easy Learning Chinese Characters is a great place to start.

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Book SynopsisWinning and beguiling ... Smith shares Jane Austen's clarity and gentle irony' IndependentJane Austen is one of the most beloved writers in the literary canon. Her novels changed the landscape of fiction for ever, and her books remain as fresh, entertaining and witty as the day they were first published. Bursting with useful exercises, beautiful illustrations and enlightening quotations from Austen's novels and letters, this book will teach you her tips, tricks and methods, including: * Her foolproof guide to plotting a novel * The best ways to introduce, establish and develop characters * Her secret for building suspense * How to write sparkling dialogue * Using irony, ekphrasis and other clever devices * How best to live the writer's life These techniques have been tried and tested by Rebecca Smith, who is none other than Jane Austen's five-times-great-niece. The author of five books, she teaches creative writing at the University of Southampton and has been Writer in ResidenTrade ReviewWinning and beguiling ... Smith shares Jane Austen’s clarity and gentle irony * Independent *She’s the perfect English miniaturist * Barbara Trapido *She’s wise, sharp, funny and touching ... A class act * Mavis Cheek *Charming, funny, witty and romantic * Esther Freud *

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Book SynopsisMaster Hindi script with this straightforward guide from Teach Yourself - the No. 1 brand in language learning. Read and write Hindi script is a clear step-by-step guide to the written language, with plenty of examples from real-life texts to show how it works in context and lots of exercises to reinforce your learning. This new edition has an easy-to-read page design.Now fully updated to make your language learning experience fun and interactive. You can still rely on the benefits of a top language teacher and our years of teaching experience, but now with added learning features within the course.Learn effortlessly with new, easy-to-read page design: INSIGHTSLots of instant help with common problems and quick tips for success, based on the author''s many years of experience.USEFUL VOCABULARYEasy to find and learn, to build a solid foundation for speaking.TEST YOURSELFTests in the book to keep track of your progress.Table of Contents : Preface: How to use this book : 01 Introducing Devanagari : 02 The Devanagari syllabary : 03 Consonants : 04 Vowels : 05 Simple sentences and commands : 06 Conjunct consonants : 07 Some more writing conventions : 08 More about Hindi words and spelling : Appendix 1: Examples of Hindi handwriting : Appendix 2: Minimal pairs : Appendix 3: Reading practice : Appendix 4: Key to the exercises : Appendix 5: The figures explained : Appendix 6: Index of terms : Glossary : Some further reading

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Book SynopsisThis three-in-one guide is the perfect addition to any professional or amateur writer's bookshelf. Aimed at those who use language in their day-to-day lives, it is divided into three parts. The Grammar Guide provides clear, comprehensive guidance on sentence structure, parts of speech and punctuation; the Vocabulary Builder helps you choose the right word by listing commonly confused, misused and cliched words; the dictionary of Literary Terms provides concise definitions of linguistic forms. The budding writer can use this guide to quickly enhance their style and improve their word power. The rules and advice provided are accompanied by usage examples throughout.Trade Review‘an engaging reference book to flip through if you’re interested in the finer points of language and usage . . . it leaves you filled with awe at the nuance and breadth of the English language’ -- Carrie O’Grady * Chartered Institute of Editing and Proofreading *Table of ContentsIntroduction Part 1: Grammar - The parts of speech - Words working together - Punctuation - Type, format and layout - Spelling rules - Rules you can break - Glossary of grammatical terms Part 2: Vocabulary builder - Choosing the right word - Commonly confused words and word pairs - Commonly misused words - Word families - Just the opposite - Avoiding cliches Part 3 Literary terms

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Book SynopsisIntermediate and advanced learners will discover how to use the Arabic linguistic features that are key to achieving written fluency. Each unit contains carefully selected exercises where students practise their vocabulary and grammar in a range of registers and contexts: writing a CV, a short story, a love letter, an essay and many more.

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Book SynopsisTrish Hall’s essential new work on writing well is a sparkling instructional guide to persuading (almost) anyone, on (nearly) anything. Hall has spent years immersed in argument, passion and trend-setting ideas—but also in tangled sentences, migraine-inducing jargon and dull-as-dishwater writing. Drawing on her experience editing everyone from Nobel Prize winners and global strong-men (Putin) to first-time pundits (Angelina Jolie), Hall presents the ultimate guide to writing persuasively for students, job applicants and authors. Setting out the core principles for connecting with readers, Writing to Persuade combines boisterous anecdotes with practical advice, offering an accessible guide to the art of effectively communicating above the digital noise of the twenty-first century.Trade Review"Writing To Persuade is a stealth guide to manners for living in a world where conversations are as likely to take place in 280 characters on a screen as they are at a dinner table." -- Times Literary Supplement

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Book SynopsisA completely new guide to writing Latin from scratch, this user-friendly book includes key features such as: broad coverage - all the major grammatical constructions of the Latin language are covered, reinforcing what students have learnt from reading Latin; thorough accessible explanations - no previous experience of writing in Latin assumed; hundreds of examples - clear accurate illustrations of the constructions described, all with full translations; over six hundred practice sentences - graduated exercises leading students through three levels of difficulty from elementary to advanced level; introduction to Latin word order - a brief guide to some of the most important principles; and, longer passages for practising continuous prose composition - more challenging passages to stretch the most able students.It also includes features such as: commentaries on examples of Latin prose style - passages from great Latin prose writers focus attention on imitating real Latin usage; and, complete list of vocabulary - all the words needed for the exercises and a valuable reference for English-Latin work in general.Table of ContentsIntroduction About this book Use of the cases I Use of the cases II Time, place and space Participles Relative clauses * Prepositions Use of tenses Pronouns Reported statements Questions Commands * Verbs Time clauses * Purpose clauses Conditionals * Result clauses Because, although, as if Reported speech Gerunds and gerundives * Verbs of fearing quin and quominus Word order * Latin prose style Cicero: Regulus Cicero: A good man Caesar: The Nervii offer terms to the Romans Livy: The rape of Lucretia Tacitus: The death of Seneca Longer passages Numbers and dates The top Latin irregular verbs English – Latin vocabulary Index * These chapters are followed by one or two Further practice passages

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Book SynopsisThis is an introductory workbook and guide to writing Japanese Katakana.Writing Japanese Katakana has been carefully designed to facilitate the quick and easy mastery of the 46-character katakana alphabet, making it the perfect tool to begin the process of mastering written Japanese. Each character is introduced with brushed, handwritten and typed samples that enhance character recognition. Extensive space for writing allows the maximum practice to facilitate memorization and to ensure proper character formation. Entertaining illustrations and amusing examples of loan-words that use katakana in Japanese writings further reinforce memorization in a fun way. Writing Katakana is tailored to the specific needs of young students of the Japanese language, but is also well suited to beginning students of any age. This Japanese language workbook contains: grayed-out, trace-over characters for correct character construction. Extensive practice in writing sentences for maximum reinforcement. Supplementary explanations, including a brief history of the origin of each character, to foster visual recall. Trade Review"Writing Japanese Katakana: An Introductory Japanese Language Workbook is a good book for those who wish to learn Japanese. When studying Japanese, you should start by learning to read and write hiragana, and then, you should study katakana next. Not only will it help you to be able to read signs, menus, etc in Japan, but knowing and using katakana will help you to pronounce foreign words and onomatopoeia in the way that Japanese people understand them." --Tokyo Five blog"One of the keys to learning Japanese is stroke order and drilling until each stroke is second nature. Jim Gleeson put together a wonderful workbook that lets you do just that." --Japan Powered blog"Each character is introduced with brushed, handwritten, and typed samples which enhance character recognition. Extensive writing space allows for maximum practice to facilitate memorization and ensure proper character formation. Entertaining illustrations and amusing examples of onomatopoeic usage of hiragana in Japanese writings further reinforce memorization in a fun way." --Just One Cookbook blog

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Book Synopsis"Sergio Chejfec is an admirable writer." —Patti Smith“Could anyone possibly believe that writing doesn’t exist? It would be like denying the existence of rain.”The perfect green notebook forms the basis for Sergio Chejfec’s work, collecting writing, and allowing it to exist in a state of permanent possibility, or, as he says, “The written word is also capable of waiting for the next opportunity to appear and to continue to reveal itself by and for itself.” This same notebook is also the jumping off point for this essay, which considers the dimensions of the act of writing (legibility, annotation, facsimile, inscription, typewriter versus word processor versus pen) as a way of thinking, as a record of relative degrees of permanence, and as a performance. From Kafka through Borges, Nabokov, Levrero, Walser, the implications of how we write take on meaning as well worth considering as what we write. This is a love letter to the act of writing as practice, bearing down on all the ways it happens (cleaning typewriter keys, the inevitable drying out of the bottle of wite-out, the difference between Word Perfect and Word) to open up all the ways in which “when we express our thought, it changes.” Trade Review************Praise for Sergio Chejfec"Sergio Chejfec is an admirable writer." —Patti Smith“Chejfec's latest work should be treated as a significant event." —Publisher's Weekly"It is hard to think of another contemporary writer who, marrying true intellect with simple description of a space, simultaneously covers so little and so much ground.” —Times Literary Supplement"I'd locate My Two Worlds among the rarae aves of recent fiction, among those books still capable of blazing new paths on the perilous trajectory of the modern novel." —Enrique Vila-Matas"This first novel by New York-based Argentine native Chejfec to be translated into English is a slim, gracefully discursive work....[My Two Worlds] allows us to enter the thoughts of a restless intellectual whose streams of thought involve the reader in his quest to find meaning in everything he sees and does." —Kirkus Reviews"If genius can be defined by the measure of depth of an artist’s perception into human experience, then Chejfec is a genius." —Coffin Factory“Sergio Chejfec’s The Incompletes is a masterfully nested narrative where writing—its presence on the page, its course through time, its prismatic dispersion of meaning—is the true protagonist. Heather Cleary’s flawless translation adds yet another layer to this extraordinary palimpsest of a novel.” —Hernan Diaz"This was one of Sergio’s great gifts as a writer: his ability to take the small, the fragmentary, and to reveal the worlds contained within." —Heather Cleary, Lit Hub"A beautifully baffling book about the peripatetic wanderings of your own mind through the hotels, hallways, and postcards of the protagonists, or about the instability hiding in every apparently solid building, or maybe even how you don’t know an event is significant until some disconnected and celestial phenomenon illuminates it." —Josh Cook , Porter Square Books

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Book SynopsisThis beautiful notebook makes studying a pleasure!Each double page spread has squared paper on the right-hand side for practicing formation of the Japanese characters, and lined paper on the left-hand side for note-taking. A ten-page reference section gives hiragana and katakana charts, basic character writing guides, a list of the 100 most common kanji; key vocabulary, and verb forms.Contents: Pages 1-8: How to write characters Pages 9-118: Alternate Pages of lined and squared paper for note-taking and handwriting practice Pages 119-120: Hiragana alphabet charts Pages 121-122: Katakana alphabet charts Pages 123-125: Common kanji characters & words Page 127: Plain verb forms in Japanese Trade Review"There's so much more to [the Japanese Language Writing Practice Book] than I first thought! There's both lined and grid pages for writing practice, AND THEN in the front and back of the notebook there's notes on kana, grammar, basic words, and even how to write some basic kanji!" --Strawblondie Studies

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Book SynopsisReinforce your written Chinese with this practice book for the best-selling Tuttle Learning Chinese Characters.Trade Review"…This book structures the characters efficiently alongside enjoyable stories to help you remember them." --ElementaryChinese.com

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Book SynopsisUsing more than fifty prompts and vibrantly illustrated examples, The Creative Journal—a classic in the fields of art therapy, memoir and creative writing, art journaling, and creativity development—guides readers through drawing and writing exercises to release feelings, explore dreams, and solve problems creatively.Trade Review“The process of healing is the product, and her work guides us in the process, presenting us with tools for change.”“Beginning with The Creative Journal, Capacchione has been a powerful champion of the therapeutic potential of keeping one’s own drawing journal.… In [her books] she discusses her personal journey and how journaling has facilitated her growth and development…. This intimate touch engages readers and offers them permission to tell their stories through working in their journals.” * Art Therapy *“I think both drawing and writing encourage a fundamental need that we have for self-expression. There may be an added benefit to writing in that it translates experiences into language—which helps the person to resolve a trauma more quickly.”“Lucia Capacchione’s workshop was a powerful tool on my healing journey. She shares her insights and gives you the opportunity to heal your relationship with your inner child.”“[Capacchione] not only helps to bring out the best, but helps to discover that there is a best that is worth bringing out.”

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Book SynopsisGuides readers to consider style not as an elegant accessory of effective prose but as its very heart. This title presents writing as an intellectual activity, not a passive application of verbal skills.Trade ReviewWinner of the 1996 Prix du Rayonnement de la langue et de la litterature francaises, Academie francaise "Their model of 'classic prose' ... elegantly captures the differences between vigorous and turgid writing."--Steven Pinker, New York Times Book Review "[I]n the hands of a good instructor and students who have a solid foundation in writing, the book could be quite empowering."--Choice "[T]his book has value for the technical communicator who has an interest in style, and teachers who teach style in their classes. Thomas and Turner are right about the current crop of books that essentially ignore this way of writing, and their discussion of styles can be valuable to a fuller understanding of the relationship between thought and dress."--Tom Warren, Technical Communication Praise for the first edition: "Whether they can spark a revival in classic writing is uncertain, but Thomas and Turner serve their topic well. A good choice for the serious stylist and those learning the craft."--Library Journal Praise for the first edition: "Thomas and Turner engagingly delineate the attributes of a classic style of writing... In the second half, Thomas and Turner cite examples of classic style in excerpts from the writing of well-known literary figures."--Booklist Praise for the first edition: "Every once in a while a book comes along with the power to alter permanently the view of a subject you thought you knew well. For me this year, that book is Clear and Simple as the Truth."--Denis Dutton, Philosophy and Literature Praise for the first edition: "[For] the mature student, this is indeed a classic. For the connoisseur, it is indispensable."--Thomas D'Evelyn, Boston Book Review Praise for the first edition: "An acclaimed new reference manual."--The Chicago Sun TimesTable of ContentsAcknowledgments vii Clear and Simple as the Truth 1 Chapter One: Principles of Classic Style 5 The Concept of Style 7 Recognizing Classic Style 12 The Elements of Style 17 The Classic Stand on the Elements of Style 24 Truth 24 Presentation 32 Scene 37 Cast 45 Thought and Language 57 Other Stands, Other Styles 66 Trade Secrets 97 Envoi: Style Is Not Etiquette 10 Chapter Two: The Museum 107 Chapter Three: The Studio 187 Introduction 189 Fundamentals: Talk First 189 Fundamentals: Write Second 212 Advanced Writing 215 Conclusion 227 Chapter Four: Further Readings in Classic Prose 229 Notes 239 Index 253

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Book SynopsisDevelop key writing skills and become more confident when writing in English.If you want to get better at writing in English you need to practise writing different kinds of texts. Collins Writing (A2) presents 20 styles of writing for everyday situations, to help you choose the right style of writing and the right words and phrases.Improve your writing for: text messages postcards making plans invitations advertisements job applications social networking sites e.g. Facebook and Twitter Collins Writing (A2) is part of the English for Life series. It is suitable for self-study and classroom use, and can help towards Cambridge ESOL KET exam preparation. Suitable for pre-intermediate learners of English (CEF level A2).Twenty units with a clear design in full colourAuthentic and adapted texts in a wide variety of stylesAppendices contain detailed advice targeting specific writing skills, such as sentence structure and punctuationMini-dictionary with definitions of the most difficult wTrade ReviewAbout the Collins English for Life (B1+) series:‘… superb, attractively packaged series … excellent support for candidates preparing for the Cambridge FCE and higher … work on the topics, skills and current needs of the language learner …’Wayne Trotman, EL Gazette, August 2012

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Book SynopsisThis book provides students of all levels with essential and easy-to-follow guidance on how to plan, research, and write essays, dissertations, and exams. Taking you step by step through the process, from understanding a title or choosing your own, planning what to say and how to say it, right through to writing a strong conclusion, this book breaks down the process of essay writing and makes it manageable for everyone. It displays information clearly and features charts, diagrams, examples, handy hints, pitfalls to avoid, and separate ''in-depth'' chapters specifically for anyone wanting to develop their essay writing skills even further. It also includes advice on setting out footnotes, references, and bibliographies, printing and editing the final draft, presentation, deadlines, time management, and good exam practice.This new edition has been thoroughly revised and updated to explain how digital resources can be used to improve your essay technique e.g. how to research efficientlyTrade ReviewReview from previous edition eminently clear and readable * The Guardian *Table of ContentsPreface ; 1. Introduction ; 2. Looking at questions ; 3. Research ; 4. Structuring the essay ; 5. Getting words in the right order ; 6. Presentation ; 7. Managing your time ; 8. More about research ; 9. More about writing ; 10. Exams, Presentations, and Posters ; 11. Dissertations and long essays ; 12. References: Notes and Bibliography

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Book SynopsisAn award-winning poet, teacher and “champion of poetry” (New York Times) demystifies the elusive element of voice.

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Book SynopsisThis beautiful notebook makes studying a pleasure!

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