Language learning: writing skills Books

Book SynopsisThis beautiful notebook makes studying a pleasure!Each double page spread has squared paper on the right-hand side for practicing formation of the Japanese characters, and lined paper on the left-hand side for note-taking. A ten-page reference section gives hiragana and katakana charts, basic character writing guides, a list of the 100 most common kanji; key vocabulary, and verb forms.Contents: Pages 1-8: How to write characters Pages 9-118: Alternate Pages of lined and squared paper for note-taking and handwriting practice Pages 119-120: Hiragana alphabet charts Pages 121-122: Katakana alphabet charts Pages 123-125: Common kanji characters & words Page 127: Plain verb forms in Japanese Trade Review"There's so much more to [the Japanese Language Writing Practice Book] than I first thought! There's both lined and grid pages for writing practice, AND THEN in the front and back of the notebook there's notes on kana, grammar, basic words, and even how to write some basic kanji!" --Strawblondie Studies

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Book SynopsisA complete introduction to written Japanese — start here with zero knowledge and finish feeling confident!This introduction to the Japanese writing system teaches you to read and write the fundamental 92 hiragana and katakana characters—and makes learning fun and easy with a memorable picture-based method!The method that's helped thousands learn Japanese successfully: Memorable pictures help you to learn the characters by associating their shapes and sounds with combinations of images and English words already familiar to you Clear examples and engaging exercises offer opportunities to read, write, use and practice all 92 primary hiragana katakana characters, plus the remaining kana that stand for more complex sounds Polish your knowledge with word searches, crossword puzzles, fill-in-the-blanks, timed recognition quizzes, and other engaging activities The online media includes printable flashcards to help you review and practice, even while you are on the go All media content is alternatively accessible on the Tuttle Publishing websiteTrade Review"As a whole I find this book to be a useful tool to learning the characters of both writing systems. I especially like the vocabulary usage at the bottom of each characters page…If you are looking for a book to get you started with Japanese I think this is a good place to start." --BenLearnsJapanese.com blog

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Book SynopsisReinforce your written Chinese with this practice book for the best-selling Tuttle Learning Chinese Characters.Trade Review"…This book structures the characters efficiently alongside enjoyable stories to help you remember them." --ElementaryChinese.com

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Book SynopsisThis second edition of Paul Silvia’s popular guide offers practical, light‑hearted advice to help academics become more productive writers.Trade Review“Do you find your grant-writing intruding on time you’d rather spend with your family? Did revisions to that last journal article ruin your vacation? Then this book might be just the thing you need… tips and tricks hold true for academics in almost any field…Silva backs up all his recommendations with evidence from behavioral studies and personal experience that is often as witty as it is insightful.” —Edgeforscholars.org “Tips to increase your productivity and a surprisingly good section on grammar.” —Thesiswhisperer.com “Silvia draws from his own experience in psychology to explain how to write, submit, and revise academic work, from journal articles to books, all without sacrificing evenings, weekends, and vacations. The tips and strategies in this second edition… have been fully updated to apply to academic writing in most disciplines.” —Midwest Book ReviewPerhaps there are graduate students or faculty members who write as much as they think they should but, if so, I haven’t met any of them in nearly 40 years being a professor. But I’ve certainly met many people who manage to write a lot, and all of them employ one or more of the tactics that Silvia describes. Henceforth, no one should be allowed to complain about how little writing they are getting done unless they have read—and applied—the wisdom in this book. -- Mark R. Leary, PhD, Garonzik Family Professor of Psychology and Neuroscience, Duke University, Durham, NCSilvia demystifies the process of writing and deftly debunks common excuses academics make for not getting it done! The message is simple but powerful: When writing becomes a workday habit, you can write a lot and find more time for life outside of work. -- Monica Biernat, PhD, Distinguished Professor of Psychology, University of Kansas, LawrenceIn this second edition, Silvia helps readers solve the riddle of writing. By using a mixture of science, humor, and compassion, he shows how he has helped thousands of people become productive writers. If you want to stop worrying about writing, this book is required reading. -- C. Nathan DeWall, PhD, Professor of Psychology, University of Kentucky, LexingtonWherever you are on the continuum from bright-eyed and bushy-tailed newbie to grizzly gray-haired veteran on the academic tour, you need to own this book. And don’t just own it; read it. Often. I recommend at least quarterly. You’ll nod. You’ll smile. You’ll fire your writing fervour if you follow Silvia’s suggestions. And most importantly, you’ll write a lot. -- Lisa F. Smith, EdD, University of Otago, Otago, New ZealandThis is a well written, funny, and utterly practical hands-on guide on how to not just write more but also write better, more efficiently, and know how to submit and revise articles. I can’t imagine a graduate student, young professional, or anyone who struggles with writer’s block not needing this book. -- James C. Kaufman, PhD, Professor of Educational Psychology, University of Connecticut, StorrsTable of ContentsContents Preface 1. Introduction 2. Specious Barriers to Writing a Lot 3. The Care and Feeding of Writing Schedules 4. Starting a Writing Group 5. A Brief Foray Into Style 6. Writing Journal Articles 7. Writing Books 8. Writing Proposals for Grants and Fellowships 9. “The Good Things Still to Be Written” References Index About the author

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Book SynopsisThe method that's helped thousands in the U.S. and Japan learn Japanese successfully.The Japanese language has two primary writing systems, kanji characters—which are based on Chinese characters and hiragana and katakana—a mnemonic based alphabet. This handy book teaches you a new mnemonics-based method to read and write the 430 highest-frequency kanji characters. Along with its sister book: Japanese Hiragana and Katakana for Beginners it provides a complete introduction to written Japanese.Japanese Kanji for Beginners contains everything you need to learn the kanji characters required for the Advanced Placement Japanese Language and Culture Exam. It is designed for high school or college students as well as independent learners. The kanji learned in this book carefully adhere to those introduced in every significant Japanese language textbook. Key features of Japanese Kanji for Beginners include: The 430 highest-frequency kanji characters 44 simple, easy-to-follow lessons Concise information on kanji elements, readings and pronunciations Extensive exercises, drills, and writing practice Downloadable flash cards, practice quizzes and extra exercises Online audio with native speaker pronunciations and readings

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Book SynopsisPut simply, practice is the most effective method of mastering written Japanese. The large, open format of Writing Japanese Hiragana invites the student to pick up a pencil and get started!Two phonetic syllabaries, hiragana and katakana, and a set of kanji characters based on Chinese ideographs are what comprises written Japanese. This workbook has been carefully designed to facilitate the quick and easy mastery of the forty-six character hiragana syllabary used to write all types of native words not written in kanji. An understanding of hiragana is essential for the serious student wishing to learn Japanese effectively. Each character is introduced with brushed, handwritten, and typed samples which enhance character recognition. Extensive writing space allows for maximum practice to facilitate memorization and ensure proper character formation. Entertaining illustrations and amusing examples of onomatopoeic usage of hiragana in Japanese writings further reinforce memorization in a fun way. Writing Japanese Hiragana is an easy-to-use and practical workbook tailored to the specific needs of young students of the Japanese language. Beginning students of all ages will delight in its fresh presentation.Trade Review"Writing Japanese Hiragana: An Introductory Japanese Language Workbook is a good book for those who wish to learn Japanese. When studying Japanese, you should start by learning to read and write hiragana. Not only will it help you to be able to read signs, menus, etc in Japan… but knowing and using hiragana (as well as katakana and kanji) helps you to pronounce Japanese properly." --Tokyo Five blog"This workbook has been carefully designed to facilitate the quick and easy mastery of the forty-six character hiragana syllabary used to write all types of native words not written in kanji. An understanding of hiragana is essential for the serious student wishing to learn Japanese effectively." --Just One Cookbook blog

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Book SynopsisAI and Writing is an introduction to Generative Artificial Intelligence (GenAI) and its emergent role as a tool for academic, professional, civic, and personal writing. Sid Dobrin examines GenAI from two perspectives: the conceptual and the applied. The conceptual approach asks readers to consider the function of GenAI in their writing and to consider the ramifications of its use as a writing tool especially the ethical, social, and material issues it raises. The applied approach offers guidance to assist readers in using GenAI responsibly and authentically. In consideration of the rapid evolution of GenAI and the many unsettled questions about its utility, this book leaves room for readers to adapt to shifting technological and institutional contexts.This book is intended for composition and writing-intensive courses, and for any readers with a general or professional interest in the role of GenAI in writing. While it's primarily designed for first-year writing courses, it's also applicable to courses in advanced writing, professional writing, technical writing, business writing, and writing across the curriculum, as well as writing-intensive courses in other disciplines. In other words, it can be used in any course in which students are required to produce texts.Trade Review“AI and Writing is a practical, just-in-time guide for students—and teachers—on the uses and limitations of Generative AI in writing. Just as importantly, it will prompt critical reflection about AI's role in the future of writing and writing education. An invaluable read for anyone who wants to better understand GenAI and its impact on education.” — Naomi Mardock Uman, Metropolitan Community College“Sid Dobrin’s AI and Writing offers engaging insights that cut through contemporary anxiety surrounding generative AI in education. This book adeptly navigates both the speculative and the practical landscape of digital technologies, demystifying the complexities of generative AI and presenting actionable insights. Dobrin’s writing is framed by a philosophical and ethical lens that makes this book relevant, accessible, and essential reading for educators and learners alike.” — Clare Dyson, RMIT University Adobe Creative Campus“Sid Dobrin has spent his career pushing us to see what comes next for writing, and AI and Writing offers yet another exciting glimpse around the corner.… Dobrin’s book offers educators and students alike a vantage point from which to engage writing’s future.” — Jason Crider, Texas A&M University“Whether you are preparing students and colleagues for the new world of writing with AI or just trying to help them catch up to what has happened since the release of ChatGPT, Sid Dobrin offers an essential resource. The speed of change in AI and writing can be intimidating, but Dobrin deftly captures the enduring questions, illuminates a longer history than some might realize for these technologies, and sets an agenda for thoughtful engagement with AI rather than a reactionary response.” — William Hart-Davidson, Michigan State UniversityTable of ContentsI. Introduction: ChatGPT and the Generative Artificial Intelligence Surge Automated Writing: It's not Really New History of Writing Technologies and Cultural Panic II. What is Generative AI? (And for that matter, what is AI?) The Myths of Artificial Intelligence Artificial Intelligence Briefly Defined Generative Artificial Intelligence Briefly Defined How Does Generative Artificial Intelligence Work? What are our Assumptions and Expectations about GenAI? III. Generative AI and Academic Integrity (as well as professional, civic, and personal integrity) Generative AI and Integrity The Plagiarism Problem Spaces of Judgement IV. What is an Author? Generative AI and the Idea of Authorship Where is My Writing? Writing with Algorithms Does generative AI 'Write'? V. The Places of Generative AI Writing Academic Professional Civic Personal VI. Generative AI and Writing Processes Generative AI and Invention Generative AI and Drafting Generative AI and Revision VII. Generative AI and Creativity What is Art? What is original? Visual Rhetoric and GenAI Generative AI and Multimodal Writing VIII. Generative AI Best Practices

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Book SynopsisLevel: KS1Subject: EnglishAn engaging Handwriting activity book to really help boost your child's progress at every stage of their learning! Including helpful questions and answers, this English book provides reassurance whilst supporting your child's learning at home.Combining useful English practice with engaging, colourful illustrations, this Handwriting practice book helps to boost your child's confidence and develop good learning habits for life. Each fun activity is designed to give your child a real sense of achievement.Included in this book:Questions that allow children to practise the important skills learned at schoolColourful activities that make learning fun and motivate children to learn at homeHelpful tips and answers so that you can support your child's learning

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Book SynopsisFrom 70 of the most successful mystery writers in the business, an invaluable guide to crafting mysteries—from character development and plot to procedurals and thrillers—“this is a writing guide that readers and writers will turn to again and again” (Booklist, starred review). Mystery Writers of America (MWA) is known for providing unparalleled resources on the craft, art, and business of storytelling, helping writers of all levels improve their skills for nearly a century. Now, this handbook helps authors navigate the ever-shifting publishing landscape—from pacing, plotting, the business side of publishing, to the current demand for diversity and inclusivity across all genres, and more. Featuring essays by a new generation of bestselling experts on various elements of the craft and shorter pieces of crowd-sourced wisdom from the MWA membership as a whole, the topics covered can be categorized as follows: —Before Writing (rules; genres; setting; character; research; etc.) —While Writing (outlining; the plot; dialogue; mood; etc.) —After Writing (agents; editors; self-pub; etc.) —Other than Novels (short stories; true crime; etc.) —Other Considerations (diverse characters; legal questions; criticism) Also included is a collection of essays from MWA published authors—including Jeffery Deaver, Tess Gerritsen, and Charlaine Harris—selected by bestselling authors Lee Child and Laurie King and arranged thematically answering, “What piece of writing advice do you wish you’d had at the beginning of your career?” “Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery” (Kirkus Reviews), this inclusive manual provides practical, current, easily digestible advice for new and established authors alike.Trade Review"An embarrassment of riches . . . [How to Write a Mystery] overflows with enough pithy wisdom and hard-boiled humor to deserve its place on any mystery lover's shelf, even if they never intend to write a thing. . . . A snappy, wise and expansive guide which in explaining how to write a mystery ends up illustrating much of what makes the genre so engrossing." —Minneapolis Star Tribune "A wonderful book, a seminar in genre writing conducted by some of the genre’s most accomplished practitioners. . . . a writing guide that readers and writers will turn to again and again." —Booklist, starred review "Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery, courtesy of the cheerleaders from the Mystery Writers of America. . . . A chorus of encouraging voices that mix do-this instruction with companionable inspiration." —Kirkus Reviews "Tempted to try your own hand at a tale of crime? How to Write a Mystery gathers sound and often witty advice from nearly 70 contemporary practitioners." —Wall Street Journal "One of the best and most inclusive manuals ever. . . . How to Write a Mystery is a splendid technical treatise for writers of any stage or level. . . . Reading the book feels like taking a graduate-level course. . . . an immensely worthwhile investment for the storyteller in us all.” —BookTrib "All this input from some of the most successful mystery writers alive makes for an invaluable guide to crafting mysteries, police procedurals, and thrillers. These experts offer practical, current, and surprisingly easily digestible advice." —The Big Thrill "Budding authors looking for pro tips will find some useful tidbits." —Publishers Weekly

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Book SynopsisThis is a comprehensive academic writing skills book that includes authentic readings and a study of grammar. A Writer's Workbook takes advanced-level writing students systematically from reading to writing. Along the way, students read high-interest texts; study the structure of academic essays; grapple with troublesome areas of grammar and writing mechanics; read and analyze student model essays; and write, revise, and edit.Table of ContentsUNIT ONE LANGUAGE Chapter 1 Destination: College, U.S.A. Chapter 2 How to Be a Successful Language Learner Chapter 3 The Education of Berenice Belizaire UNIT TWO CULTURE Chapter 4 Cultural Identity vs. Ethnic Fashions Chapter 5 A Global Analysis of Culture Chapter 6 The All-American Slurp UNIT THREE WORK Chapter 7 Age and Youth Chapter 8 Job Satisfaction Chapter 9 Village Is More Global, Language Is More Vital UNIT FOUR ROOTS Chapter 10 Back, but Not Home Chapter 11 Legacies Chapter 12 The Man to Send Rain Clouds

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Book SynopsisWrite clearer business documents more efficientlyThis brand new self-study book is the ideal way for business people to refine and perfect their written English. It is aimed particularly at executives who communicate in written English frequently or work in foreign or multinational companies.Collins English for Business is a new series of self-study skills books which focus on the language you really need to do business in English wherever you are in the world. Each title includes tips on how to communicate effectively and how to communicate inter-culturally. Other titles in the series: Speaking and Listening.Powered by COBUILD using the real language of business EnglishContents: Twenty 4-page units featuring key areas, such as Getting the Right Tone, Linking Ideas, Writing Quickly and Simply, Dealing with Difficult Issues and Editing the Language.Each unit contains:- Exercises focused on written texts, vocabulary or key structures- Grammar tips- Key phrasesReference section with keyTrade ReviewBEBC Book of the month: This new 124-page book aims to help business students write clear documents and is full of sound advice. ‘Writing’ certainly provides a wealth of relevant tasks: it is especially good for self-study. The ‘best practice’ section on email etiquette is excellent, and the many ‘cultural tips’ boxes are useful. One nice feature is the inclusion of memorable quotes about writing that introduce each unit. Recommended. (Reviews by Pete Sharma for the Bournemouth English Book Centre) ‘Finally, modern, well-written and practical Business English texts that are perfect for reference and/or classroom use.’ Peter A. Lewis-Watts, Certified ESL Instructor, Barrie, Ontario, Canada.

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Book SynopsisIf your writing is preventing you from getting the score you need in IELTS, Collins Writing for IELTS can help. Don't let one skill hold you back.

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Book SynopsisThis is an introductory workbook and guide to writing Japanese Katakana.Writing Japanese Katakana has been carefully designed to facilitate the quick and easy mastery of the 46-character katakana alphabet, making it the perfect tool to begin the process of mastering written Japanese. Each character is introduced with brushed, handwritten and typed samples that enhance character recognition. Extensive space for writing allows the maximum practice to facilitate memorization and to ensure proper character formation. Entertaining illustrations and amusing examples of loan-words that use katakana in Japanese writings further reinforce memorization in a fun way. Writing Katakana is tailored to the specific needs of young students of the Japanese language, but is also well suited to beginning students of any age. This Japanese language workbook contains: grayed-out, trace-over characters for correct character construction. Extensive practice in writing sentences for maximum reinforcement. Supplementary explanations, including a brief history of the origin of each character, to foster visual recall. Trade Review"Writing Japanese Katakana: An Introductory Japanese Language Workbook is a good book for those who wish to learn Japanese. When studying Japanese, you should start by learning to read and write hiragana, and then, you should study katakana next. Not only will it help you to be able to read signs, menus, etc in Japan, but knowing and using katakana will help you to pronounce foreign words and onomatopoeia in the way that Japanese people understand them." --Tokyo Five blog"One of the keys to learning Japanese is stroke order and drilling until each stroke is second nature. Jim Gleeson put together a wonderful workbook that lets you do just that." --Japan Powered blog"Each character is introduced with brushed, handwritten, and typed samples which enhance character recognition. Extensive writing space allows for maximum practice to facilitate memorization and ensure proper character formation. Entertaining illustrations and amusing examples of onomatopoeic usage of hiragana in Japanese writings further reinforce memorization in a fun way." --Just One Cookbook blog

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Book SynopsisAn indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg. Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that “wisdom”—about genius, about creativity, about writer’s block, topic sentences, and outline—and understand that writing is just as much about thinking, noticing, and learning what it means to be involved in the act of writing. There is no gospel, no orthodoxy, no dogma in this book. Instead it is a gathering of starting points in a journey toward lively, lucid, satisfying self-expression.

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Book SynopsisThe home of trusted English learner''s dictionaries for everyday language learning.Collins Easy Learning Writing is an easy-to-use guide on how to write good, clear and effective English.With simple explanations of everything from the basics of sentence and paragraph structure, to writing CVs, letters and essays, this book is a valuable guide for anyone who wants to improve their writing.Collins Easy Learning Writing is the helpful guide to good written style. Covering areas such as sentence structure, punctuation and page layout, all users of English will appreciate the clear advice provided in this book.Each point is described in a user-friendly format, with corpus examples that show how English is really used today.Trade Review.

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Book Synopsis"One of the best modern texts. Highly recommended." —The Japan Times Complete, compact and authoritative—this Japanese language book provides all the information needed to learn kanji and kana, including the 92 hiragana and katakana phonetic symbols (known collectively as Japanese Kana) and the 2,136 standard Joyo Kanji characters that every Japanese person learns in school. This new and thoroughly revised edition reflects recent changes made to the official Joyo kanji list by the Japanese government. The kana and kanji are presented efficiently and systematically which helps you learn them quickly and retain what you have learned to improve your mastery of the Japanese language. The ability to read Japanese and write Japanese is an essential skill for any student and will build on their previous knowledge and improve their overall capacity to learn Japanese. A concise index allows you to look up the Kanji in three different ways (so the book also serves as a Japanese Kanji dictionary) and extra spaces are provided to allow you to practice writing Japanese. Japanese Kanji and Kana contains: All 2,136 official Joyo kanji with readings and definitions. Characters are graded by their JLPT examination levels. Up to 5 useful vocabulary compounds for each kanji. Brush and pen cursive forms as well as printed forms. 19 tables summarizing key information about the characters. Kanji lookup indexes by radicals, stroke counts and readings. Trade Review"One of the best modern texts. Highly recommended" --The Japan Times"A helpful guide for anyone who needs to use kanji." —Mainichi Daily News"The kana and kanji book has the most common readings for each character which could definitely be worth memorizing. It also has stroke order which is useful and common words using that kanji which is very useful." -- How to Japan blog

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Book SynopsisThe ideal gift for all word puzzle enthusiasts!250 fun puzzles for word game lovers. Based on techniques required for Scrabble, these challenges have been designed to put your word power to the ultimate test. All words used are from the official Scrabble word list, so you learn as you play.Suitable for the whole family.In this collection of word puzzles you will find a great variety of word games:Word Slider move tiles in the grid to create multiple wordsScrabble Word a variation of Wordle, solve the anagram from the clues givenSeven Letters solve the given clues to find the hidden 7-letter wordScrabble Score try and make the maximum score from a given rack of tilesWordsearch ideal for word trainingAnagram Challenges unscramble the letters from the racksGive me a clue fill in the blank tiles to match the definitionWord Wheel find as many words as you can with a given lengthScrabble Soup find the highest-scoring word you can in the grid of lettersWord Ladder get from the top o

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Book SynopsisAn indispensable guide for writers of English prose from Robert Graves.

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Book Synopsis The easy way to learn the Japanese writing system! In this beginner's workbook, students of Japanese will learn to read and write the Hiragana and Katakana alphabets, as well as 50 basic Kanji characters. A step-by-step approach moves from tracing letters to reading and writing complete words quickly and effectively. This book gives you all the tools you need to learn to pronounce, read and write Japanese: A thorough overview of the hiragana and katakana alphabets. Audio recordings to improve your pronunciation and comprehension. A step-by-step approach to writing words and then sentences. Practice exercises featuring everyday activities and situations. An introduction to 50 key kanji characters. Free downloadable flash cards to aid memorization of the characters. Instead of dealing with separate Hiragana and Katakana workbooks, as is common, this comprehensive guide provides an efficient way to learn both with the help of one book.

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Book SynopsisAn invaluable aid to master the art of writing for specific purposes.

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Book SynopsisDavid Galef provides a guide to writing flash fiction, from tips on technique to samples by canonical and contemporary authors to provocative prompts that inspire powerful stories in a little space. Brevity is an indispensable resource for anyone working in this increasingly popular form.Trade ReviewIf I had to choose just one book for my class in writing flash fiction, it would be this one. Practical, direct, wonderful examples, fun to read-if this book doesn't energize your writing, nothing will. -- Robert Shapard, coeditor of Sudden Fiction: American Short-Short Stories Brevity represents a useful addition to the range of current creative writing texts, combining an anthology of flash fiction with an analysis of the subcategories within the form and writing exercises that will inspire students. Galef's witty, welcoming tone will appeal to beginning and intermediate writers. Often, I felt so inspired by the prompts that I wanted to sit down at my computer and try the exercises myself. -- Eileen Pollack, author of A Perfect Life: A Novel Brevity is a thorough introduction to the form, offering a variety of strategies for composition, as well as a wide-ranging, international anthology linked to each chapter's focus. A relentlessly generative, eclectic, instructive, entertaining, and motivational text. -- Michael Martone, author of The Flatness and Other Landscapes Galef is an excellent writer, and the book throughout is a delight-he makes the reader want to immediately start writing... He provides deft insights and suggestions on editing... and he suggests techniques that work well when applied to a small text. Best of all, each chapter provides examples of great flash fiction-from authors as different as Saki and Steve Martin-as well as ideas for readers to explore. Publishers WeeklyTable of ContentsAcknowledgments A Short Introduction Vignettes. Readings: Colette: "The Other Wife"; Isaac Babel: "An Incident on the Nevsky Prospekt" Character Sketches. Readings: L. E. Leone: "The Argument for a Shotgun"; Josefina Estrada: "The Extravagant Behavior of the Naked Woman" Letters. Readings: Yasunari Kawabata: "Canaries"; Phil Karasik: "Mickey the Dog Phones Home" Diary Entries. Readings: Will Stanton: "Barney"; Mark Budman: "The Diary of a Salaryman" Lists. Readings: Sei Shonagon: "Annoying Things"; Steve Martin: "Disgruntled Former Lexicographer" Fables. Readings: Anonymous: Untitled; Raphael Dagold: "The Two Rats and the BB Gun" Anecdotes. Reading: The peasant and the genie Prose Poems. Readings: Yusef Komunyakaa: "Nude Interrogation"; Len Kuntz: "Story Problems" Soliloquies, Rants, Riffs, and Themes. Readings: Christine Byl: "Hey, Jess McCafferty"; John Edgar Wideman: "Witness" Perfect Miniatures. Readings: John Collier: "The Chaser"; Jeffrey Whitmore: "Bedtime Story" Intermission: Cutting Down. Bruce Taylor: "Exercise" Surrealism. Readings: Richard Brautigan: "A Need for Gardens"; Donald Barthelme: "The Baby" What If? Readings: Wayland Hilton-Young: "The Choice"; Dicky Murphy: "The Magician's Umbrella" Genre. Readings: Roxane Gay: "The Mistress of Baby Breath"; Tara Orchard: "My Love" Setting. Readings: Bharati Mukherjee: "Courtly Vision"; Alice Walker: "The Flowers" Twists. Readings: Luisa Valenzuela: "Vision Out of the Corner of One Eye"; Saki: "The Open Window" Two Viewpoints. Readings: Robert Schipits: "Dialogue Between Two Teenagers, One Interested in Cars and One Not"; Ryan Ridge: "Shaky Hands & All" Mass Compression. Readings: Bruce Holland Rogers: "Dinosaur"; Susan O'Neill: "Memento Mori" Metafiction. Readings: Ptim Callan: "Story"; Jorge Luis Borges: "Borges and I" Vanishing Point. Readings: Merilee Faber: "We came around the corner"; Dean Clayton Edwards: "It was pretending"; Davian Aw: "She raised the glass"; Augusto Monterroso: "The Dinosaur" The Future Conclusion Bibliography Permissions Index

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Book SynopsisUsing more than fifty prompts and vibrantly illustrated examples, The Creative Journal—a classic in the fields of art therapy, memoir and creative writing, art journaling, and creativity development—guides readers through drawing and writing exercises to release feelings, explore dreams, and solve problems creatively.Trade Review“The process of healing is the product, and her work guides us in the process, presenting us with tools for change.”“Beginning with The Creative Journal, Capacchione has been a powerful champion of the therapeutic potential of keeping one’s own drawing journal.… In [her books] she discusses her personal journey and how journaling has facilitated her growth and development…. This intimate touch engages readers and offers them permission to tell their stories through working in their journals.” * Art Therapy *“I think both drawing and writing encourage a fundamental need that we have for self-expression. There may be an added benefit to writing in that it translates experiences into language—which helps the person to resolve a trauma more quickly.”“Lucia Capacchione’s workshop was a powerful tool on my healing journey. She shares her insights and gives you the opportunity to heal your relationship with your inner child.”“[Capacchione] not only helps to bring out the best, but helps to discover that there is a best that is worth bringing out.”

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Book SynopsisPrepare yourself for the IELTS exam using Collins Practice Tests for IELTS Book 2By using Practice Tests for IELTS 2, you will: Feel completely confident about how the IELTS exam works Know what to expect on the day of the exam Improve your score through realistic practiceAll you need for your ideal IELTS score: Four complete Academic IELTS tests PLUS Two complete General Reading and Writing papers A clear guide to how the IELTS exam works Useful information on common mistakes and how to avoid them CD + audioscript for the Speaking and Listening papers Answer key + model answers for the Speaking and Writing papersYou can trust Collins COBUILDPractice Tests for IELTS 2 contains a mini-dictionary with definitions based on COBUILD content. The 4.5-billion-word Collins Corpus is the world's largest database of the English language. It is updated every month and has been at the heart of Collins COBUILD for over 20 years.Trade ReviewReview of Collins Reading for IELTS (2011) ‘Reading for IELTS contains twelve units and covers the type of questions included in the exam. The choice of topic area is particularly relevant for those doing the Academic Module: cultural differences and education, for example.’ EL Gazette, July 2011 Review of Collins Listening for IELTS (2011) This book will help you to recognize and understand differences in pronunciation and vocabulary. It includes a CD covering a number of business topics, spoken by both native and non-native speakers of English. Business Spotlight, October 2011

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Book SynopsisReal English for life beyond the classroomWriting in English at advanced levels involves more than just words and grammar it requires knowledge of the audience, context, environment and more. Being able to communicate in an appropriate way will help you to make a great impression when you write in English. Using real life examples and language Collins English for Life: Writing (B2+) will help you to sound natural, clear and confident when you write.> Study the language people really use when they are writing> Compare and contrast writing styles in lots of different environments> Useful tips to increase your understanding of tone, slang and social contextIncludes practice of writing in the following contexts: Writing a blog Contributing to an online forum Making a complaint Writing notesPlus each context helps to develop valuable writing skills including: Structuring your thoughts Being polite but firm Being light-hearted Editing your own workAbout the series:What is it? Collins' innovTrade Review‘My image of the ‘writing’ section in a typical ELT library would be a short, rather dusty, neglected shelf with just a few titles related to either academic writing, exam preparation or perhaps business English. What feels original about this new writing book from Collins is that it contains a wide range of genres with a great variety of personal or work-related writing dealing with different levels of formality and types of audience.’Jon Clayden, Academic Manager, Eurocentres London© Copyright BEBC REVIEW PANEL 2014 About the Collins English for Life series:‘… superb, attractively packaged series (…) excellent support for candidates preparing for the Cambridge FCE and higher (…) work on the topics, skills and current needs of the language learner (…) may be used in various ways: either by learners alone, by teachers, or by teacher trainers on language development courses.’Wayne Trotman, EL Gazette, August 2012

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Book SynopsisGenerations of student writers have been subjected to usage handbooks that proclaim, "This is the correct form. Learn it"--books that lay out a grammar, but don't inspire students to use it. By contrast, this antihandbook handbook, presenting some three hundred sentences drawn from the printed works of a single, typical day in the life of the languTrade ReviewOne of Choice's Outstanding Academic Titles for 2016 "This little volume has several things going for it: it's compact, bound in the style of an industrial manual, so it can take a lot of punishment."--Mary Norris, Times Literary Supplement "Cioffi effectively employs a fast-paced narrative style that readers will find entertaining and insightful."--Teaching Matters Monthly "The work is accessible, fun to read, and packed with helpful information on almost every page. It will appeal to a wide audience--not only those who love grammar but also those who do not."--Library Journal "For readers at any level who are seeking to improve their written English, One Day in the Life of the English Language helps to make grammar relatable and rewarding... A creative alternative for students of all ages."--Sarah Powell, Reference Reviews "Cioffi has created a different kind of grammar handbook, one that not only lays out the 'rules' of Standard English but also makes readers more sensitive to language and so better able to communicate ideas... He used the material in this book in a freshman composition course, to good effect, and readers will find that this clever book sharpens their awareness."--ChoiceTable of ContentsPreface xi Navigation Tips xix Introduction The Starting Idea: You and Your Audience 1 Preview of the Following Pages 7 December 29, 2008, as History 10 Two Disclaimers 20 On Using Sentences from the Real World 23 Formal Usage-Its Rules and Value 31 "If you don't have grammar, you don't have sense" 40 1Actants, Actions, Ongoing States: Nouns, Verbs, and the Sentences They Form Why Learn the Parts of Speech? 45 Fundamentals 49 Fine Tuning 56 Deep Focus 71 2Words That Modify and Orient: Adjectives, Adverbs, Conjunctions, Prepositions, Articles, Interjections The Power of Small Words Well Deployed 88 Adjectives 89 Adverbs 99 Conjunctions 114 Prepositions 123 Articles 128 Interjections 133 3Who Is He/She? Pronouns A Whole Chapter on Pronouns? 134 Fundamentals 135 Fine Tuning 150 Deep Focus 160 4Punctuation, Part I-The Comma: Promiscuous Uses Introduction: Punctuation Substitutes for Oral Emphases, Facial Expressions, and Body Language 167 Fundamentals 169 Fine Tuning 193 Deep Focus 200 5Punctuation, Part II-The Colon, Semicolon, and More Mysteries of Punctuation The Colon and Semicolon 207 The Apostrophe 217 The Dash 228 The Quotation Mark 232 End Punctuation and Combining Sentences 241 6Diction: Sentences as Clockwork On the Interconnectedness of Words 254 Fundamentals 258 A Microconclusion 286 Appendix I: Fifteen Myths of Digital-Age English 293 Appendix II: Using This Book to Teach College Writing: A Microguide 301 Fifty Key Terms: A Microglossary 317 Works Cited General Sources 329 December 29, 2008, Examples 335 Index 351

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Book SynopsisIn Writing Without Teachers, well-known advocate of innovative teaching methods Peter Elbow outlines a practical program for learning how to write. His approach is especially helpful to people who get stuck or blocked in their writing, and is equally useful for writing fiction, poetry, and essays, as well as reports, lectures, and memos. The core of Elbow''s thinking is a challenge against traditional writing methods. Instead of editing and outlining material in the initial steps of the writing process, Elbow celebrates non-stop or free uncensored writing, without editorial checkpoints first, followed much later by the editorial process. This approach turns the focus towards encouraging ways of developing confidence and inspiration through free writing, multiple drafts, diaries, and notes. Elbow guides the reader through his metaphor of writing as cooking: his term for heating up the creative process where the subconscious bubbles up to the surface and the writing gets good.1998 marks Trade ReviewA wise and witty analysis of the process of self-confrontation and growth through writing. * Harvard Educational Review *

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Book SynopsisSkills for Effective Writing teaches these skills, such as avoiding run-ons and using transition words, and offers extensive practice opportunities. When students master discrete skills, all of their writing improves. This allows teachers to focus their time and feedback on the content of student work.

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Book SynopsisSkills for Effective Writing teaches these skills, such as coherence and using sources, and offers extensive practice opportunities. When students master discrete skills, all of their writing improves. This allows teachers to focus their time and feedback on the content of student work.

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Book SynopsisAcademic Writing Skills 2 takes students through a step-by-step process of writing expository, argumentative, and compare and contrast essays. It is appropriate for students wishing to focus on specific essay types that require the use and integration of sources to complete academic writing tasks.Table of ContentsUnit I. Writing an Expository Essay: 1. Essay structure and the introductory paragraph; 2. Body paragraphs, concluding paragraphs and outlining; 3. Improving your work; Unit II. Research and Citation: 1. Introduction to research and citation; 2. In-text citation and the Works Cited list; Unit III. Writing an Argumentative Essay: 1. Developing arguments; 2. Organizing argumentative essays; 3. Improving your work; Unit IV. Writing a Compare and Contrast Essay: 1. The introductory paragraph and essay structure; 2. Writing to compare and contrast; 3. Improving your work.

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Book SynopsisFrom the bestselling author of The Handmaid''s Tale and The Testaments: A clear-eyed glance into the shadows where writers work and live.” —The Washington Post Book WorldIn this wise and irresistibly quotable book, one of the most intelligent writers now working in English addresses the riddle of her art: why people pursue it, how they view their calling, and what bargains they make with their audiences, both real and imagined. To these fascinating issues Margaret Atwood brings a candid appraisal of her own experience as well as a breadth of reading that encompasses everything from Dante to Elmore Leonard. An ambitious artistic inquiry conducted with unpretentious charm, Negotiating with the Dead is an invaluable insider’s view of the writer’s universe.

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Book SynopsisThis is a complete and easy-to-use guide for reading and writing Chinese characters.Learning written Chinese is an essential part of mastering the Chinese language. Used as a standard by students and teachers learning to read Chinese and write Chinese for more than three decades, the bestselling Reading & Writing Chinese has been thoroughly revised and updated. Reading & Writing Chinese places at your fingertips the essential 1,725 Chinese characters'' current definitions, derivations, pronunciations, and examples of correct usage by utilizing cleverly condensed grids. This guide also focuses on Pinyin, which is the official system to transcribe Hanzi, Chinese characters, into Latin script, now universally used in mainland China and Singapore. Traditional characters (still used in Taiwan and Hong Kong) are also included, making this a complete reference. Newly updated and revised, these characters are the ones officially prescribed by the Chinese goTrade Review"I wish we'd all been given a copy of this in the first year of university. Even now I can find gems of information about Chinese characters in this book that I didn't know before. It's a nice book to have around." --Hugh Grigg, East Asia Student blog"…learning how to write Chinese characters will provide a more thorough understanding of their structure and composition, as well as open the door to the world of Chinese calligraphy. William McNaughton's Reading and Writing Chinese is an excellent introduction to this knowledge." --Qiu Gui Su, About.com Mandarin Language"…this book can be the best choice for Chinese beginners who want to learn Chinese characters. With exact pronunciation, lively definition and derivation, it will make the process of characters learning more interesting and easier." --Yes-Chinese.com

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Book SynopsisTrish Hall’s essential new work on writing well is a sparkling instructional guide to persuading (almost) anyone, on (nearly) anything. Hall has spent years immersed in argument, passion and trend-setting ideas—but also in tangled sentences, migraine-inducing jargon and dull-as-dishwater writing. Drawing on her experience editing everyone from Nobel Prize winners and global strong-men (Putin) to first-time pundits (Angelina Jolie), Hall presents the ultimate guide to writing persuasively for students, job applicants and authors. Setting out the core principles for connecting with readers, Writing to Persuade combines boisterous anecdotes with practical advice, offering an accessible guide to the art of effectively communicating above the digital noise of the twenty-first century.

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Book SynopsisGuides readers to consider style not as an elegant accessory of effective prose but as its very heart. This title presents writing as an intellectual activity, not a passive application of verbal skills.Trade ReviewWinner of the 1996 Prix du Rayonnement de la langue et de la litterature francaises, Academie francaise "Their model of 'classic prose' ... elegantly captures the differences between vigorous and turgid writing."--Steven Pinker, New York Times Book Review "[I]n the hands of a good instructor and students who have a solid foundation in writing, the book could be quite empowering."--Choice "[T]his book has value for the technical communicator who has an interest in style, and teachers who teach style in their classes. Thomas and Turner are right about the current crop of books that essentially ignore this way of writing, and their discussion of styles can be valuable to a fuller understanding of the relationship between thought and dress."--Tom Warren, Technical Communication Praise for the first edition: "Whether they can spark a revival in classic writing is uncertain, but Thomas and Turner serve their topic well. A good choice for the serious stylist and those learning the craft."--Library Journal Praise for the first edition: "Thomas and Turner engagingly delineate the attributes of a classic style of writing... In the second half, Thomas and Turner cite examples of classic style in excerpts from the writing of well-known literary figures."--Booklist Praise for the first edition: "Every once in a while a book comes along with the power to alter permanently the view of a subject you thought you knew well. For me this year, that book is Clear and Simple as the Truth."--Denis Dutton, Philosophy and Literature Praise for the first edition: "[For] the mature student, this is indeed a classic. For the connoisseur, it is indispensable."--Thomas D'Evelyn, Boston Book Review Praise for the first edition: "An acclaimed new reference manual."--The Chicago Sun TimesTable of ContentsAcknowledgments vii Clear and Simple as the Truth 1 Chapter One: Principles of Classic Style 5 The Concept of Style 7 Recognizing Classic Style 12 The Elements of Style 17 The Classic Stand on the Elements of Style 24 Truth 24 Presentation 32 Scene 37 Cast 45 Thought and Language 57 Other Stands, Other Styles 66 Trade Secrets 97 Envoi: Style Is Not Etiquette 10 Chapter Two: The Museum 107 Chapter Three: The Studio 187 Introduction 189 Fundamentals: Talk First 189 Fundamentals: Write Second 212 Advanced Writing 215 Conclusion 227 Chapter Four: Further Readings in Classic Prose 229 Notes 239 Index 253

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Book Synopsis

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