Books by Emily Dickinson

Book SynopsisExplore the essence of life, love, nature, and time in exquisite verse with this elegantly designed edition of Emily Dickinson’s finest poems. Born in 1830 in Amherst, Massachusetts, to a prominent New England family and educated at Amherst Academy and Mt. Holyoke Female Seminary, Emily Elizabeth Dickinson lived most of her life in seclusion, devoted to writing. She scarcely left home, nor did she have many visitors. Only ten of her poems were published in her lifetime, submitted without her permission by friends. It was only after her death in 1886 that the scope of her work as a poet came to light—over 1,700 poems were discovered in a dresser drawer by her sister, Lavinia. Emily Dickinson’s poems reflect her loneliness, as well as her love of nature, the influence of the Metaphysical poets of seventeenth century England, and her strong Puritan religious beliefs. Yet, it is her use of language, form, and the deceptive simplicity of her verse that categorize her as an important force in nineteenth century American letters and, along with Walt Whitman, a founder of a distinctly American voice in modern poetry. PRELUDE THIS is my letter to the world, That never wrote to me,— That simple news that Nature told, With tender majesty. Her message is committed To hands I cannot see; For love of her, sweet countrymen, Judge tenderly of me! The Timeless Classics series from Rock Point brings together the works of classic authors from around the world. Complete and unabridged, these elegantly designed gift editions feature luxe, patterned endpapers, ribbon markers, and foil and deboss details on vibrantly colored cases. Celebrate these beloved works of literature as true standouts in your personal library collection. Table of ContentsContents introduction xxvii poems. 1890. prelude book i. life. success “our share of the night to bear. . .” rouge et noir rouge gagne “glee! the great storm is over. . .” “if i can stop one heart from breaking. . .” almost! “a wounded dear leaps highest. . .” “the heart asks pleasure first. . .” in a library “much madness is divinest sense. . .” “i asked no other thing. . .” exclusion the secret the lonely house “to fight aloud is very brave. . .” dawn the book of martyrs the mystery of pain “i taste a liquor never brewed. . .” a book “i had no time to hate, because. . .” unreturning “whether my bark went down at sea. . .” “belshazzar had a letter. . .” “the brain within its groove. . .” book ii. love. mine bequest “alter? when the hills do. . .” suspense surrender “if you were coming in the fall. . .” with a flower proof “have you got a brook in your little heart?” transplanted the outlet in vain renunciation love’s baptism resurrection apocalypse the wife apotheosis book iii. nature. “new feet within my garden go. . .” may-flower why? “perhaps you’d like to buy a flower. . .” “the pedigree of honey. . .” a service of song “the bee is not afraid of me. . .” summer’s armies the grass “a little road not made of man. . .” summer shower psalm of the day the sea of sunset purple clover the bee “presentiment is that long shadow on the lawn. . .” “as children bid the guest good-night. . .” “angels in the early morning. . .” “so bashful when i spied her. . .” two worlds the mountain a day “the butterfly’s assumption-gown. . .” the wind death and life “’twas later when the summer went. . .” indian summer autumn beclouded the hemlock “there’s a certain slant of light. . .” book iv. time and eternity. “one dignity delays for all. . .” too late astra castra “safe in their alabaster chambers. . .” “on this long storm the rainbow rose. . .” from the chrysalis setting sail “look back on time with kindly eyes. . .” “a train went through a burial gate. . .” “i died for beauty, but was scarce. . .” troubled about many things real the funeral “i went to thank her. . .” “i’ve seen a dying eye. . .” refuge “i never saw a moor. . .” playmates “to know just how he suffered would be dear. . .” “the last night that she lived. . .” the first lesson “the bustle in a house. . .” “i reason, earth is short. . .” “afraid? of whom am i afraid?” dying “two swimmers wrestled on the spar. . .” the chariot “she went as quiet as the dew. . .” resurgam “except to heaven she is nought. . .” “death is a dialogue between. . .” “it was too late for man. . .” along the potomac “the daisy follows soft the sun. . .” emancipation lost “if i shouldn’t be alive. . .” “sleep is supposed to be. . .” “i shall know why when time is over. . .” “i never lost as much but twice. . .” poems. 1891. “my nosegays are for captives. . .” book i. life. “i’m nobody! who are you?” “i bring an unaccustomed wine. . .” “the nearest dream recedes, unrealized. . .” “we play at paste. . .” “i found the phrase to every thought. . .” hope the white heat triumph the test escape compensation the martyrs a prayer “the thought beneath so slight a film. . .” “the soul unto itself. . .” “surgeons must be very careful. . .” the railway train the show “delight becomes pictorial. . .” “a thought went up my mind today. . .” “is heaven a physician?” the return “a poor torn heart, a tattered heart. . .” too much shipwreck “victory comes late. . .” enough “experiment to me. . .” my country’s wardrobe “faith is fine invention. . .” “except the heaven had come so near. . .” “portraits are to daily faces. . .” the duel “a shady friend for torrid days. . .” the goal sight “talk with prudence to a beggar. . .” the preacher “good night! which put the candle out?” “when i hoped i feared. . .” deed time’s lesson remorse the shelter “undue significance a starving man attaches. . .” “heart not so heavy as mine. . .” “i many times thought peace had come. . .” “unto my books so good to turn. . .” “this merit hath the worst. . .” hunger “i gained it so. . .” “to learn the transport by the pain. . .” returning prayer “i know that he exists. . .” melodies unheard called back book ii. love. choice “i have no life but this. . .” “your riches taught me poverty. . .” the contract the letter “the way i read a letter’s this. . .” “wild nights! wild nights!” at home 89 possession “a charm invests a face. . .” the lovers “in lands i never saw, they say. . .” “the moon is distant from the sea. . .” “he put the belt around my life. . .” the lost jewel “what if i say i shall not wait?” book iii. nature. mother nature out of the morning “at half-past three a single bird. . .” day’s parlor the sun’s wooing the robin the butterfly’s day the bluebird april the sleeping flowers my rose the oriole’s secret the oriole in shadow the humming-bird secrets “who robbed the woods. . .” two voyagers by the sea old-fashioned a tempest the sea in the garden the snake the mushroom the storm the spider “i know a place where summer strives. . .” “the one that could repeat the summer day. . .” the wind’s visit “nature, rarer uses yellow. . .” gossip simplicity storm the rat “frequently the woods are pink. . .” a thunder-storm with flowers sunset “she sweeps with many-colored brooms. . .” “like mighty footlights burned the red. . .” problems the juggler of day my cricket “as imperceptibly as grief. . .” “it can’t be summer,—that got through. . .” summer’s obsequies fringed gentian november the snow the bluejay book iv. time and eternity. “let down the bars, o death!” “going to heaven!” “at least to pray is left, is left. . .” epitaph “morns like these we parted. . .” “a death-blow is a life-blow to some. . .” “i read my sentence steadily. . .” “i have not told my garden yet. . .” the battle-field “the only ghost i ever saw. . .” “some, too fragile for winter winds. . .” “as by the dead we love to sit. . .” memorials “i went to heaven. . .” “their height in heaven comforts not. . .” “there is a shame of nobleness. . .” triumph “pompless no life can pass away. . .” “i noticed people disappeared. . .” following “if anybody’s friend be dead. . .” the journey a country burial going “essential oils are wrung. . .” “i lived on dread; to those who know. . .” “if i should die. . .” at length ghosts vanished precedence gone requiem “what inn is this. . .” “it was not death, for i stood up. . .” till the end void “a throe upon the features. . .” saved! “i think just how my shape will rise. . .” the forgotten grave “lay this laurel on the one. . .” poems. 1896. “’tis all i have to bring today. . .” book i. life. real riches superiority to fate hope forbidden fruit (i) forbidden fruit (ii) a word “to venerate the simple days. . .” life’s trades “drowning is not so pitiful. . .” “how still the bells in steeples stand. . .” “if the foolish call them ‘flowers’. . .” a syllable parting aspiration the inevitable a book “who has not found the heaven below. . .” a portrait i had a guinea golden saturday afternoon “few get enough,—enough is one. . .” “upon the gallows hung a wretch. . .” the lost thought reticence with flowers “the farthest thunder that i heard. . .” “on the bleakness of my lot. . .” contrast friends fire a man ventures griefs “i have a king who does not speak. . .” disenchantment lost faith lost joy “i worked for chaff, and earning wheat. . .” “life, and death, and giants. . .” alpine glow remembrance “to hang our head ostensibly. . .” the brain “the bone that has no marrow. . .” the past “to help our bleaker parts. . .” “what soft, cherubic creatures. . .” desire philosophy power “a modest lot, a fame petite. . .” “in bliss, then, such abyss. . .” experience thanksgiving day childish griefs book ii. love. consecration love’s humility love satisfied with a flower song loyalty “to lose thee, sweeter than to gain. . .” “poor little heart!” forgotten “i’ve got an arrow here. . .” the master “heart, we will forget him!” “father, i bring thee not myself. . .” “we outgrow love like other things. . .” “not with a club the heart is broken. . .” who? “he touched me, so i live to know. . .” dreams numen lumen longing wedded book iii. nature. nature’s changes the tulip “a light exists in spring. . .” the waking year to march march dawn “a murmur in the trees to note. . .” “morning is the place for dew. . .” “to my quick ear the leaves conferred. . .” a rose “high from the earth i heard a bird. . .” cobwebs a well “to make a prairie it takes a clover. . .” the wind “a dew sufficed itself. . .” the woodpecker a snake “could i but ride indefinite. . .” the moon the bat the balloon evening cocoon sunset aurora the coming of night aftermath book iv. time and eternity. “this world is not conclusion. . .” “we learn in the retreating. . .” “they say that ‘time assuages’. . .” “we cover thee, sweet face. . .” “that is solemn we have ended. . .” “the stimulus, beyond the grave. . .” “given in marriage unto thee. . .” “that such have died enables us. . .” “they won’t frown always,—some sweet day. . .” immortality “the distance that the dead have gone. . .” “how dare the robins sing. . .” death unwarned “each that we lose takes part of us. . .” “not any higher stands the grave. . .” asleep the spirit the monument “bless god, he went as soldiers. . .” “immortal is an ample word. . .” “where every bird is bold to go. . .” “the grave my little cottage is. . .” “this was in the white of the year. . .” “sweet hours have perished here. . .” “me! come! my dazzled face. . .” invisible “i wish i knew that woman’s name. . .” trying to forget “i felt a funeral in my brain. . .” “i meant to find her when i came. . .” waiting “a sickness of this world it most occasions. . .” “superfluous were the sun. . .” “so proud she was to die. . .” farewell “the dying need but little, dear. . .” dead “the soul should always stand ajar. . .” “three weeks passed since i had seen her. . . “i breathed enough to learn the trick. . .” “i wonder if the sepulchre. . .” joy in death “if i may have it when it’s dead. . .” “before the ice is in the pools. . .” dying “adrift! a little boat adrift!” “there’s been a death in the opposite house. . .” “we never know we go,—when we are going. . .” the soul’s storm “water is taught by thirst. . .” thirst “a clock stopped—not the mantel’s. . .” charlotte brontë’s grave “a toad can die of light. . .” “far from love the heavenly father. . .” sleeping retrospect eternity

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Book SynopsisThis elegant hardback edition presents Emily Dickinson''s best loved poetry, featuring a silver-embossed cover design, gilded page edges and beautiful patterned endpapers. A deeply personal collection of poetry, the raw emotion and mastery of Emily Dickinson''s poems cannot be denied. Her unique style, with its short lines, unusual punctuation and succinct nature, is quite unlike anything else.This collection of over 250 poems feature a range of subject matters, from love and death to beauty, isolation and the nature of time. There is something for everyone in this selection of poetry from one of America''s most accomplished writers.Includes: • ''Hope is the thing with feathers'' • ''Because I could not stop for Death'' • ''Success is counted sweetest'' • ''Wild Nights- Wild Nights!''This elegant pocket-sized gift edition is presented with a silver embossed cover design, beauti

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Book SynopsisWith an Introduction by Emma Hartnoll.Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth, startling originality and courage for as she wrote: ‘Assent and you are sane; /Demure you’re straightaway dangerous / And handled with a chain’.

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Book SynopsisThe startling originality of Emily Dickinson''s style condemned her poetry to obscurity during her lifetime, but her bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations have since won her international recognition as a poet of the highest order. The Complete Poems is the only one-volume edition containing all of Emily Dickinson''s verse. In this landmark edition, the editor, Thomas H. Johnson, has presented the poems in their original contexts; and where alternate readings were suggested, he has chosen only those which the poet evidently preferred. His introduction includes a brief explanation of his selection of texts as well as an outline of Emily Dickinson''s career.

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Book SynopsisR. W. Franklin, the foremost scholar of Dickinson’s manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson—1,789 poems in all, the largest number ever assembled—rendered with Dickinson's spelling, punctuation, and capitalization intact.Trade ReviewThis is now the definitive text of Dickinson, a poet one can open at random and find something exhilarating. * The Guardian *Mr. Franklin is the recognized authority on Emily Dickinson's poetry and gives us 1,789 poems, the largest and most accurate collection of her verse...For all those who love Emily Dickinson's unique verse this is a treasure trove from which to choose. This is a publishing coup of the first order. * Contemporary Review *Not only is it the 'authoritative' and 'definitive' edition of her complete poems, it is a gorgeous volume printed by the Belknap Press, complete with a crimson ribbon bookmark...For those who like Emily Dickinson and who want all the poems as she wrote them, unmolested by well-meaning editors and thoughtless publishers, this is the book. In one volume you can hold the closest thing to the real Dickinson that anyone will ever get. * bn.com *Table of ContentsIntroduction Poems 1-1789 Appendixes 1. Distribution by Year 2. Editorial Notes Index of First Lines

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Book SynopsisLet your children discover the works of poet Emily Dickinson in Emily Dickinson. As the premier title in the Poetry for Kids series, Emily Dickinson introduces children to the works of poet Emily Dickinson. Poet, professor, and scholar Susan Snively has carefully chosen 35 poems of interest to children and their families. Each poem is beautifully illustrated by Christine Davenier and thoroughly explained by an expert. The gentle introduction, which is divided into sections by season of the year, includes commentary, definitions of important words, and a foreword.Trade Review"This arresting edition makes for a wonderful introduction to Dickinson's poetry that's sure to captivate all ages." - Kirkus Reviews (starred)"I’m already a HUGE Emily Dickinson fan so the poems, to me, are wonderful. But, what sets this book apart are the whimsical illustrations. They bring the poems to life! Especially for children." - Melissa Taylor, Imagination Soup"It’s a solidly good book in a promising new series – and one I was happy to stumble upon this week, as Dickinson is so much balm for one’s soul." - Julie Danielson, kirkusreviews.com“A beautiful introduction to Dickinson for upper elementary poets.” - Rachel Zuffa, Racine Public Library, WI, for School Library Journal “Thick, creamy paper and a clean but vivacious design, combined with Davenier's friendly, thoroughly charming ink and watercolor illustrations make this fine collection of Dickinson's poetry an appealing gift for children or adults.” - Karin Snelson, children's & YA editor, Shelf Awareness

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Book SynopsisThis comprehensive edition contains the largest number of Dickinson’s poems ever assembled, arranged chronologically and drawn from a range of archives. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation.Trade ReviewI think there will be a wide agreement regarding most of Franklin’s editorial decisions. He states his principles clearly and does not conceal his uncertainties (about the dating of individual poems, for example). He is deeply respectful of Dickinson’s writing practices, following her often erratic spelling and, ‘within the capacity of standard type,’ her capitalization and punctuation. His textual apparatus is informative without being intrusive, and includes such useful information as where Dickinson broke her lines on her manuscript sheets, as well as any other information—pinned attachments, tears in the paper, and the like—that might have a bearing on interpretation. All scholars and readers of Dickinson are in his debt. -- Christopher Benfey * New York Review of Books *The poems of Emily Dickinson speak to an amazingly wide range of readers… Dickinson wrote more than 1,700 poems, but only a few were published in her lifetime. The first substantive scholarly collection of her work was Thomas H. Johnson’s edition in 1955. That edition is now superseded by this three-volume variorum edition by Ralph W. Franklin, director of the Beinecke Rare Book and Manuscripts Library at Yale. Not only does this new edition contain even more poems, but it also gives alternative versions of the poems, which Dickinson left in her manuscripts. Serious scholars, students, and teachers will welcome this landmark edition. But it might also be the perfect…gift for any reader who loves and wants to continue exploring the endless marvels of her poetic creations. -- Merle Rubin * Christian Science Monitor *Nearly 1,800 poems—only 10 published in her lifetime—occupied Dickinson during her long, reclusive life; she sent them to friends and family, changing words as she did so. These changes are noted in this edition, which brings us into her workshop; indeed, I know of no better way to get to know this astounding poetry. -- Tom D’Evelyn * Providence Journal-Bulletin *Among its valuable new features, Franklin’s variorum gives equal weight to each surviving version of a poem: Franklin clarifies Dickinson’s manuscript lineation in his introduction (asserting that it was ordinarily determined by available space) and provides a section below each poem to show her original breaks… Step by step, each of Franklin’s books and articles has defined and pointed the way to solving the ‘impossible’ task that confronts an editor attempting to transform into print manuscript poems and letters not prepared by the author for publication. Ralph W. Franklin has met that challenge. He is our indispensable guide to Dickinson’s legacy. -- Benjamin Lease * Emily Dickinson International Society Bulletin *This new edition is a staggering feat of editorial scholarship and discipline, and a colossal, indispensable achievement in Dickinson studies. -- Greg Johnson * Georgia Review *

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Book SynopsisThis comprehensive and authoritative collection of all 1,775 poems by Emily Dickinson is an essential volume for all lovers of American literature.  Only eleven of Emily Dickinson's poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumous published collections — some of them featuring liberally 'edited' versions of the poems — did not fully and accurately represent Dickinson's bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson's extraordinary poetic genius.  This book, a distillation of the three-volume Complete Poems, br

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Book SynopsisIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.

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Book SynopsisOver 100 best-known, best-loved poems by one of America''s foremost poets, reprinted from authoritative early editions. The Snake, Hope, The Chariot, many more, display unflinching honesty, psychological penetration, and technical adventurousness that have delighted and impressed generations of poetry lovers. No comparable edition at this price. Index of first lines.

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Book SynopsisThis attractive collection gathers more than 150 of her memorable works. Featuring insights about nature, love, life, death and immortality, these poems are among the best loved in English literature.

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Book Synopsis“This is my letter to the world . . .” — Emily DickinsonThe Poetry of Emily Dickinson is a collection of pieces by 19th-century American poet Emily Dickinson, who insisted that her life of isolation gave her an introspective and deep connection with the world. As a result, her work parallels her life—misunderstood in its time, but full of depth and imagination, and covering such universal themes as nature, art, friendship, love, society, mortality, and more. During Dickinson’s lifetime, only seven of her poems were published, but after her death, her prolific writings were discovered and shared. With this volume, readers can dive into the now widely respected poetry of Emily Dickinson.

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Book SynopsisEmily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a 'letter to the world'--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called 'the landscape of the soul.' And as Billy Collins suggests in his Introduction, 'In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art.'

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Book SynopsisThis compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work.The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts. This edition departs from other editions in the series in one important respect—its format. The large page size of the edition facilitates the reproduction of manuscript pages in readable facsimile form, and the two-column format of the text facilitates comparison between different versions.Trade ReviewComments on The Broadview Anthology of American Literature“The expansion, diversification, and revitalization of the texts and terms of American literary history in recent years is made marvelously accessible in the … new Broadview Anthology of American Literature.” — Hester Blum, Penn State University“The Broadview Anthology of American Literature is, quite simply, a breakthrough. … Meticulously researched and expertly assembled, this anthology should be the new gold standard for scholars and teachers alike.” — Michael D’Alessandro, Duke University“So much thought has been put into every aspect of the Broadview Anthology of American Literature, from the selection of texts to their organization to their presentation on the page; it will be a gift to classrooms for years to come.” — Lara Langer Cohen, Swarthmore College “The multiplicity of early American locations, languages, and genres is here on wondrous display.” — Jordan Alexander Stein, Fordham University “Above all, this is a volume for the 21st century. … Its capaciousness and ample resource materials make for a text that is always evolving and meeting its readers in new ways.” — Russ Castronovo, University of Wisconsin-Madison“a rich collection that reflects the diversity of American literatures…. [and] that never forgets its most important audience: students. There is a wealth of material here that will help them imagine and reimagine what American literature could be.” — Michael C. Cohen, UCLA “The Broadview Anthology of American Literature is an instructor’s dream for introducing students to the diversity and complexity of American literature.” — Venetria K. Patton, University of Illinois, Urbana-Champaign“I am eager to teach with this anthology! It aligns with cutting-edge research through its selections, its introductions, and explanatory notes, and the texts are supplemented with primary documents that encourage teachers and students to think critically and dynamically.” — Koritha Mitchell, The Ohio State UniversityTable of ContentsIntroductionSelected Poems [It’s all I have to bring today –] [I never lost as much but twice –] [I robbed the woods –] [These are the days when Birds come back ˎ] [alternative versions] [Success is counted sweetest] [Safe in their Alabaster Chambers –] [alternative versions] [Besides the Autumn poets sing] [All overgrown by cunning moss,] [I’m “wife” – I’ve finished that –] [Title divine – is mine!] [Faith is a fine invention] [alternative version] [Some keep the Sabbath going to Church –] [The Lamp burns sure – within –] [I came to buy a smile – today –] [I’m Nobody! Who are you?] [alternative version] [Wild nights – Wild nights!] [alternative versions] [Over the fence –] [I taste a liquor never brewed –] [alternative version] [There’s a certain Slant of light,] [alternative versions] [“Hope” is the thing with feathers –] [Your Riches – taught me – Poverty.] [I found the words to every thought] [I like a look of Agony,] [I felt a Funeral, in my Brain,] [It was not Death, for I stood up,] [A Bird came down the Walk –] [I know that He exists.] [After great pain, a formal feeling comes –] [This World is not conclusion.] [I like to see it lap the Miles –] [The Soul selects her own Society –] [One need not be a Chamber – to be Haunted –] [They shut me up in Prose –] [This was a Poet –] [I died for Beauty – but was scarce] [The Malay – took the Pearl –] [Our journey had advanced –] [Because I could not stop for Death –] [alternative version] [I dwell in Possibility –] [He fumbles at your Soul] [It feels a shame to be Alive –] [This is my letter to the World] [I’m sorry for the Dead – Today –] [I heard a Fly buzz – when I died –] [The Brain – is wider than the Sky –] [There’s been a Death, in the Opposite House,] [I measure every Grief I meet] [Much Madness is divinest Sense –] [I started Early – Took my Dog –] [That I did always love] [What Soft – Cherubic Creatures –] [My Life had stood – a Loaded Gun –] [“Nature” is what We see –] [I could bring You Jewels – had I a mind to –] [Publication – is the Auction] [Truth – is as old as God –] [I never saw a Moor –] [Color – Caste – Denomination –] [She rose to His Requirement – dropt] [The Poets light but Lamps –] [A Man may make a Remark –] [Banish Air from Air –] [As imperceptibly as Grief] [The Heart has narrow Banks] [Could I but ride indefinite] [As the Starved Maelstrom laps the Navies] [A narrow Fellow in the Grass] [alternative versions] [The Bustle in a House] [A Spider sewed at Night] [Tell all the Truth but tell it slant –] [alternative version] [To pile like Thunder to its close] [Apparently with no surprise] [A Word made Flesh is seldom] [My life closed twice before its close;] [To make a prairie it takes a clover and one bee,] Fascicle 13 [I know some lonely Houses off the Road] [I can wade Grief] [You see I cannot see – your lifetime –] [“Hope” is the thing with feathers –] [To die – takes just a little while –] [If I’m lost – now –] [Delight is as the flight –] [She sweeps with many-colored Brooms –] [Of Bronze – and Blaze –] [There’s a certain Slant of light,] [Blazing in Gold – and] [Good Night! Which put the Candle out?] [Read – Sweet – how others – strove – a] [Put up my lute!] [There came a day – at Summer’s full –] [The lonesome for they know not What –] [How the old Mountains drip with sunset] [Of Tribulation, these are They,] [If your nerve, deny you –] Dickinson’s Personal Correspondence To Abiah Root (29 January 1850) To Jane Humphrey (3 April 1850) To Abiah Root (7 and 17 May 1850) To Susan Gilbert Dickinson (April 1852) To Susan Gilbert Dickinson (27 June 1852) To Samuel Bowles (February 1861) To Unknown Recipient (circa 1861) Susan Dickinson to Emily Dickinson (1861) To Susan Gilbert Dickinson (1861) To Thomas Wentworth Higginson (15 April 1862) To Thomas Wentworth Higginson (25 April 1862) To Thomas Wentworth Higginson (7 June 1862) To Thomas Wentworth Higginson (July 1862) To Susan Gilbert Dickinson (October 1883) In Context The Reception of Emily Dickinson in the Nineteenth Century from Alexander Young, “Boston Letter,” Critic (11 October 1890) from Anonymous, “From the Book Store,” St. Joseph Daily News (22 November 1890) from Anonymous, “New Books,” Boston Post (27 November 1890) from Kinsley Twining and William Hayes Ward, “Poems by Emily Dickinson,” Independent (11 December 1890) from William Dean Howells, “Editor’s Study,” Harper’s New Monthly Magazine (January 1891) from Anonymous, Springfield Daily Republican (23 January 1891) from Andrew Lang, “A Literary Causerie,” Speaker (31 January 1891) Laura Coombs Hills, Retouched image of Emily Dickinson (late nineteenth century) Thomas Wentworth Higginson, “Emily Dickinson’s Letters” (The Atlantic Monthly, October 1891)

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Book SynopsisKnown as The Myth of Amherst for her withdrawal from society while still a young woman, Emily Dickinson (1830-1886) had an inner life that was deeply emotional and intense. She knew rapture and despair, pondered the wonder of God and the meaning of death. She broke tradition and was criticized for her seminal experiments with unorthodox phrasing, rhyme and broken meter, within concise verse forms, thus becoming an innovator and forerunner of modern poets.This collection of Emily Dickinson''s poems is interspersed with her luminous and fascinating letters, all read by Julie Harris, who received a Tony® Award for her portrayal of Emily Dickinson in The Belle of Amherst.

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Book SynopsisThe essential poems of Emily Dickinson selected and introduced by Joyce Carol Oates“Between them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche. . . .Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.” —from the introduction by Joyce Carol Oates

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Book SynopsisFeatures poems of isolation, beauty, death and eternity. This title includes fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

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Book SynopsisA selection of the remarkable letters of Emily Dickinson in an elegant Pocket Poet edition.The same inimitable voice and dazzling insights that make Emily Dickinson’s poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.

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Book SynopsisA selection of 576 of Emily Dickinson's poems which is designed to be representative of the complete range of her work.

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Book SynopsisThis Anchor edition includes both poems and letters, as well as the only contemporary description of Emily Dickinson, and is designed for readers who want the best poems and most interesting letters in convenient form. An excellent introduction to the work of a poet whose originality of thought remains unsurpassed in American poetry.

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Book SynopsisWhen the complete Letters appeared in 1958, Robert Kirsch wrote in the L.A. Times: The missives offer access to the mind and heart of one of America's most intriguing literary personalities. This selection provides crucial texts for the appreciation of America literature, women's experience in the 19th century, and literature in general.Trade Review[These letters] present us with as inward a view of one of God’s rarer creatures as we are likely to be given… The letters themselves are as no others. The briefest line can be a mystery (and, when fathomed, a communion), the formal note a sign… If [these letters] are put alongside those of…Coleridge and Keats, they will present the most striking contrast in a poet’s reactions and sensibilities. But they will stand there unashamed. * The Times *She was no solemn bookworm destined to grow into a crabbed recluse, but a lively original creature, fully participating in the joys and despairs of a busy circle of friends and relatives… Here was a woman capable of the most intense emotion who was forced, or forced herself, to crystallize her feelings into words and phrases. The letters and poems are all of a piece. The letters, in fact, read sometimes like the raw materials of the poems. * Listener *Emily Dickinson’s letters are among the major treasures of American literature… [In] this one-volume selection…virtually everything of interest to the general reader or nonspecialist has been retained. * Library Journal *Table of ContentsPublisher's Note Introduction PART I: 1842-1846 "...the Hens lay finely..." PART II: 1847-1848 "I am really at Mt Holyoke..." PART III: 1849-1850 "Amherst is alive with fun this winter..." PART IV: 1851-1854 "...we do not have much poetry, father having made up his mind that its pretty much all real life." PART V: 1855-1857 "To live, and die, and mount again in triumphant body... is no schoolboy's theme!" PART VI: 1858-1861 "Much has occurred...so much that I stagger as I write, in its sharp remembrance." PART VII: 1862-1865 "Perhaps you smile at me. I could not stop for that- My Business is Circumference." PART VIII: 1866-1869 "A Letter always feels to me like immortality because it is the mind alone without corporeal friend." PART IX: 1870-1874 "I find ecstasy in living the mere sense of living is joy enough." PART X: 1875-1879 "Nature is a Haunted House but Art - a House that tries to be haunted." PART XI: 1880-1883 "I hesitate which word to take, as I can take but few and each must be the chiefest..." PART XII: 1884-1886 "...a Letter is a joy of Earth it is denied the Gods." Appendix: Biographical Sketches of Recipients of Letters and of Persons Mentioned in Them Index

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Book SynopsisApproximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This volume, designed to accompany Mr. Johnson's previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson's letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biographical notes on recipients of letters. The notes for each letter identify persons and events mentioned, and the source of literary allusions and quotations is given wherever known. Since Emily Dickinson rarely dated her letters after 1850, the dates for the most part must be conjectured from careful study of handwriting changes and from internal evidence of the letters. Of the 1,150 letters and prose fragments included in this outstanding edition, the text of about 800 derives from Dickinson autographs.Table of ContentsACKNOWLEDGMENTS INTRODUCTION NOTES ON THE PRESENT TEXT Symbols Used To Identify Manuscripts Symbols Used To Indentify Publication LETTERS 1."...the Hens lay finely..." Letters 1-14 [1842-1846] 2. "I am really at Mt Holyoke..." Letters 15-26 [1847-1848] 3. "Amherst is alive with fun this winter" Letters 27-39 [1849-1850] 4. "...we do not have much poetry, father having made up his mind that its pretty much all real life." Letters 40-176 [1851-1854] 5. "To live, and die, and mount again in triumphant body... is no schoolboy's theme!" Letters 177-186 [1855-1857] 6. "Much has occurred...so much that I stagger as I write, in its sharp remembrance." Letters 187-245 [1858-1861] 7. "Perhaps you smile at me. I could not stop for that My Business is Circumference." Letters 246-313 [1862-1861] 8. "A Letter always feels to me like immortality because it is the mind alone without corporeal friend." Letters 314-337 [1866-1869] 9. "I find ecstasy in living--the mere sense of living is joy enough." Letters 338-431 [1870-1874] 10. "Nature is a Haunted House--but Art--a House that tries to be haunted." Letters 432-626 [1875-1879] 11. "I hesitate which word to take, as I can take but few and each must be the chiefest..." Letters 627-878 [1880-1883] 12. "...a Letter is a joy of Earth--it is denied the Gods." Letters 879-1045 [1884-1886] PROSE FRAGMENTS APPENDIXES 1. Biographical Sketches of Recipients of Letters and of Persons Mentioned in Them 2. A Note on the Domestic Help 3. Recipients of Letters INDEX INDEX OF POEMS

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Book SynopsisTrade ReviewThomas H. Johnson and the Belknap Press of the Harvard University Press have brought out in three big volumes, noted, chronologically arranged, and accurate to the last variant, misspelling, and grammatical error, The Poems of Emily Dickinson… This is, truly, a marvelous book: the reader finishes speechless, and laughing, and shaking his head in helpless wonder… All the absolutes and intensives and eccentricities of an absolutely intense eccentric have passed over him like a train of avalanches, and left him a couple of hundred feet deep in Knowledge… [Dickinson’s] poetry is the diary or autobiography—though few diaries or autobiographies compare with it for intentional and, especially, unintentional truth—of an acute psychologist, a wonderful rhetorician, and one of the most individual writers who ever lived, one of those best able to express experience at its most nearly absolute. -- Randall Jarrell * Harper’s *A scholarly miracle… [This work], in three volumes, includes ‘variant readings critically compared with all known manuscripts’… [The editor] has brought sympathy and insight to bear in an illuminating way on several major Dickinsonian enigmas… The work comprises seventeen hundred and seventy-five poems, of which forty-one are known to be unpublished, in whole or in part. * New Yorker *The appearance of Thomas H. Johnson’s three-volume compilation of ‘The Poems of Emily Dickinson,’ the first authentic and really Complete Poems, is a major publishing event. A carefully collated and scholarly text has been awaited, demanded, and needed for years. The present publication is a cumulative response to that demand. It is far more than an important revision; it is a rediscovery. -- Louis Untermeyer * Saturday Review *

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Book SynopsisCris Miller’s volume of Emily Dickinson's complete poems is the only edition to distinguish in easy visual form the poems Dickinson took pains to copy carefully onto folded sheets in fair hand—arguably to preserve them for posterity—from the poems she retained in rougher form or did not retain.Trade ReviewThis book brings us as close as we can get to how [Dickinson] presented her work… Sparing us the task of deciphering the poet’s sometimes challenging handwriting and presenting intriguing variants, this edition demonstrates why generations of writers have been galvanized by Dickinson… This edition brings us that much nearer to what this exceedingly decisive and willful writer wanted. It sweeps away distractions caused by posthumous fame, leaving us with the poems themselves… Closer than previous editions to Dickinson’s wishes, priorities and personality, Emily Dickinson’s Poems: As She Preserved Them calls for no redundant plays, films, novels or warbling. What remains is lightning bolts of language akin to the trouvailles of Arthur Rimbaud and other powerful magicians of verse. -- Benjamin Ivry * Literary Review *[Dickinson’s] ‘fluid’ approach to poetic composition [is] clarified in Cristanne Miller’s painstaking new edition of Dickinson’s poems. -- Christopher Benfey * New York Review of Books *Miller chooses rightly not to number Dickinson’s poems, as previous editors have done, and allows them instead to name themselves in their first lines. More importantly, though, she does make a convincing case for Dickinson’s having wanted to preserve and organize her works as poems, to decide, for the most part, on their finished forms. -- Fiona Green * Times Literary Supplement *Miller’s approach works well, not only to give readers agency, but also to show Dickinson’s thought process… Miller crafts an edition that artfully accommodates Dickinson’s process of continuously reworking poems. -- Meg Schoerke * Hudson Review *Cristanne Miller’s edition of Emily Dickinson’s Poems: As She Preserved Them is surely the best poetry book of all this past year. Who’d have expected such a surprising, new and fruitful way to read the great poet? -- Don Share * Irish Times *Reading the volume straight through, it’s a pleasure to discover and re-discover Dickinson’s odd metaphors and strange sounds in poems that oscillate between whimsical riddle and hard-nosed philosophical meditation… Emily Dickinson’s Poems delivers. -- Micah Mattix * Washington Free Beacon *This new edition of Dickinson’s poems attempts nothing less than to shift the center of gravity and value in present-day Dickinson studies back to the fascicles, the poet’s own ‘manuscript books.’ Miller has done the community of general readers as well as scholars a huge service in compiling this edition. -- Mary Loeffelholz, Northeastern UniversityA remarkable new resource in a wonderfully accessible format. This edition offers readers a print version of the manuscript poems Dickinson retained and that, Miller argues, Dickinson preserved for posterity. -- Paul Crumbley, Utah State UniversityMiller’s edition gives us something like the Collected Poems Dickinson might have published in different circumstances. An invaluable book for Dickinson scholars and general readers alike. -- Bonnie Costello, Boston University

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Book SynopsisThe Gorgeous Nothings is a pivotal book: the first full-color publication of Emily Dickinson’s complete envelope writings in facsimile from her visually stunning manuscripts, here in a deluxe, large-scale editionTrade Review"The Gorgeous Nothings claims our attention with a new Emily Dickinson. This edition itself is a work of art." -- Susan Howe"This exquisitely produced book [The Gorgeous Nothings]—lovingly curated by Bervin and Werner—allows you to encounter Emily Dickinson’s ‘envelope poems’ in full-color facsimile for the first time. It’s an experience suspended between reading and looking, of toggling between those two modes of perception, and it thoroughly refreshes both." -- Ben Lerner - The New Yorker"The Gorgeous Nothings works as both an engrossing visual treat and an affecting work of literature, giving us a keen and tangible sense of not only of Dickinson’s writing, but of how she wrote." -- Bookforum"The first and immediate shocks are in the words, with other, lingering, aftershocks following in the visual details of their settings. The great thing about [The Gorgeous Nothings] is, of course, that it gives us all of this, complete." -- Holland Cotter - The New York Times"This book is a rare gift for all poetry lovers." -- Craig Morgan Teicher - NPR"Visual poets around the world will soon be mining these endlessly suggestive fragments." -- Marjorie Perloff - Times Literary Supplement"The beautiful reproduction, on the pages of The Gorgeous Nothings, of what might seem only negligible scraps of waste paper brings us closer to the restlessness of the constantly thinking poet who, in her later years, repeatedly seized her pencil and a fragment of an envelope to write about the lowliest and the most exalted states of being." -- Helen Vendler - New Republic"We see from The Gorgeous Nothings the way [Dickinson's] art and life were not separate endeavors. Dickinson wrote poetry every time she addressed or received an envelope. Whenever there was paper around, she put quill or pencil right to it. Dickinson, master of paradox. started these un-conversations with nobody, and so many years after her death, now — in curled script, with their sweet, perfect Ms and half-formed Ys, unpublished and unseen until now — they speak to us. And they have so much yet to say." -- Brenda Shaughnessy - Los Angeles Times"This book is a testament to the lasting power of Dickinson’s work and a new insight into the way her work arose. It’s suitably gorgeous production and lyrical accompanying essays make it a treat for the eye and the mind. " -- The Australian"An insightful new volume, The Gorgeous Nothings, edited by Jen Bervin and Marta Werner, also provides a fascinating glimpse of Dickinson by assembling images documenting the poetry she scrawled on repurposed envelopes — envelopes that have themselves been elevated to a new sort of art." -- Chicago Tribune"For years, Dickinson critics have been looking for some kind of order among the manuscripts - some way to describe or theorize the 'filing system' that the poet left and we found. In The Gorgeous Nothings, instead, what's restored to these traces of the work is a sense of occasioned disorder. What's been preserved through time in her handwriting is the decision to occupy the page. The page becomes just as important as the writing." -- Los Angeles Review of Books"The Gorgeous Nothings is one of the most ambitious, important literary feats of the year. It’s stunning, revelatory, and it functions as a key text to Dickinson’s oeuvre: seeing it demands a tectonic shift in the way we read her, brings her back to us even more extremely idiosyncratic than we could have guessed." -- The Rumpus"[The Gorgeous Nothings] opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating texts in relation to the visual, spatial, and technological possibilities of her medium—composing in response to the confines of her writing world rather than despite it." -- Quarterly Conversation"The Gorgeous Nothings is proof that one of our most important poets can still amaze and teach us new thing about the practice of poetry." -- Tupelo Quarterly

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Book SynopsisAnother gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Trade Review"Here is a book almost as rare as its author, Emily Dickinson (1830–1886)." -- Larry Smith - New York Journal of Books"[The Gorgeous Nothings] opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating texts in relation to the visual, spatial, and technological possibilities of her medium—composing in response to the confines of her writing world rather than despite it." -- Jessica Michalofsky - Quarterly Conversation"The Gorgeous Nothings is proof that one of our most important poets can still amaze and teach us new thing about the practice of poetry." -- Hannah Star Rogers - Tupelo Quarterly"Dickinson’s incandescent thinking is everywhere on display, and the makeshift nature of the scraps gives us a vivid idea of what composition must have felt like for a woman whose thoughts raced far ahead of her ability to capture them." -- Dan Chiasson - The New Yorker"This exquisitely produced book The Gorgeous Nothings—lovingly curated by Bervin and Werner—allows you to encounter Emily Dickinson’s ‘envelope poems’ in full-color facsimile for the first time. It’s an experience suspended between reading and looking, of toggling between those two modes of perception, and it thoroughly refreshes both. " -- Ben Lerner"The first and immediate shocks are in the words, with other, lingering, aftershocks following in the visual details of their settings. The great thing about [The Gorgeous Nothings] is, of course, that it gives us all of this, complete." -- Holland Cotter - The New York Times"Magnificent: the absolute perfect combination of solid scholarship and art." -- Susan Howe"The Gorgeous Nothings is a rare gift for all poetry lovers." -- Craig Morgan Teicher - NPR"Visual poets around the world will soon be mining these endlessly suggestive fragments." -- Marjorie Perloff - Times Literary Supplement"We see from The Gorgeous Nothings the way [Dickinson's] art and life were not separate endeavors. Dickinson wrote poetry every time she addressed or received an envelope. Whenever there was paper around, she put quill or pencil right to it. Dickinson, master of paradox. started these un-conversations with nobody, and so many years after her death, now—in curled script, with their sweet, perfect Ms and half-formed Ys, unpublished and unseen until now—they speak to us. And they have so much yet to say." -- Brenda Shaughnessy - Los Angeles Times"An insightful new volume, The Gorgeous Nothings, edited by Jen Bervin and Marta Werner, also provides a fascinating glimpse of Dickinson by assembling images documenting the poetry she scrawled on repurposed envelopes—envelopes that have themselves been elevated to a new sort of art." -- Chicago Tribune"For years, Dickinson critics have been looking for some kind of order among the manuscripts—some way to describe or theorize the ''filing system'' that the poet left and we found. In The Gorgeous Nothings, instead, what''s restored to these traces of the work is a sense of occasioned disorder. What''s been preserved through time in her handwriting is the decision to occupy the page. The page becomes just as important as the writing." -- Los Angeles Review of Books"The beautiful reproduction, on the pages of The Gorgeous Nothings, of what might seem only negligible scraps of waste paper brings us closer to the restlessness of the constantly thinking poet who, in her later years, repeatedly seized her pencil and a fragment of an envelope to write about the lowliest and the most exalted states of being." -- Helen Vendler - The New Republic"The Gorgeous Nothings is one of the most ambitious, important literary feats of the year. It’s stunning, revelatory, and it functions as a key text to Dickinson’s oeuvre: seeing it demands a tectonic shift in the way we read her, brings her back to us even more extremely idiosyncratic than we could have guessed." -- The Rumpus

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Book SynopsisThe bird poems of a revered American poet paired with classic bird illustrations

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Book SynopsisA curated collection of essential poems by American writer Emily Dickinson, now freshly repackaged for the Union Square & Co. Signature Editions line. This edition collects a wide selection of Dickinson's brief but memorable poems. Bursting with insights about life, love, nature, death, and immortality, these works are among the most beloved in American poetry.

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Book SynopsisAmerican poet Emily Dickinson is revered around the world, and influenced many feminist artists and writers. Her work is some of the best known and most quoted or adapted:''Hope is the thing with feathers, that perches in the soul, and sings the tune without the words, and never stops at all'' Emily DickinsonDickinson received a very good education, but chose to return home to Amherst, Massachusetts, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression meant that only a tiny fraction of her work was published in her lifetime. Even today, her work feels startlingly modern:''Dogs are better than human beings because they know but do not tell'' Emily Dickinson''The dearest ones of time, the strongest friends of the soul - BOOKS''This is a superb collection from a truly iconic poet.

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Book SynopsisEmily Dickinson is widely considered to be one of the greatest of American poets. The aphoristic style and wit of much of her verse, its irregular rhymes, directness of expression, and startling imagery have had a profound effect on twentieth-century literature. Over a hundred of Dickinson?s best poems are collected here. These unique and gemlike lyrics are pure distillations of profound feeling and great intellect. They contain a world of imagination, observation, and precisely articulated spiritual and emotional experience. As editor Brenda Hillman says, this small and succinct collection can serve as a guidebook to readers who are exploring the highs and lows of the human experience.

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Book SynopsisThe same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.

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Book SynopsisWhen Emily Dickinson died in 1886, having published only a tiny selection of her verse anonymously in journals and newspapers, she left behind a chest containing almost 1,800 poems written on notebooks and loose sheets. Her family members, starting with her sister Lavinia, began editing and compiling them for publication, and one of the most celebrated collections, The Single Hound, was prepared by her niece Martha Dickinson Bianchi and published in 1914. This volume, containing some of Dickinson’s most original and poignant pieces, helped cement her reputation as one of America’s most important poets. Sparse and experimental, yet accessible and intimate, the compositions included in The Single Hound provide an ideal introduction to Dickinson’s genius.Trade ReviewEmily was my patron saint. -- William Carlos Williams

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Book SynopsisA stunning illustrated edition of one of the world's most famous poems, made accessible to children for the first time.

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Book SynopsisTurtle Point Press is pleased to introduce the Divining Poets Quotable Deck Series. These elegant, boxed sets of seventy-eight cards à la tarot decks feature short quotes meant to inspire, provoke, and guide users—to contemplate, memorize, or answer life questions. Here is the ever-astonishing Emily Dickinson. David Trinidad was struck by the Magic 8 Ball sound in his favorite bits from Emily Dickinson’s poems—mystical answers to questions one might ask about life and death. He chose seventy-eight, the number of cards in a tarot deck, and found they worked. This is a superlative selection of indelible gems to guide, ponder, and quote. The set includes a display stand, plus an instruction card with tips on how to use the deck. This is pocket-sized wisdom to give and to keep, here in perfect time for the holiday season.Trade Review"Trinidad turns the paste jewels of pop art into the real thing."—James Schuyler"[Trinidad's] most impressive gift is an ability to dignify the dross of American life, to honor both the shrink-wrapped sentiment of the cultural artifacts he writes about and his own much more complicated emotional response to them."—New York Times Book Review"There is an unwavering light in all of Trinidad's work that turns individual words into objects, new facts."—Alice Notley

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Book Synopsis Discover the joy of poetry in this simple introduction to Emily Dickinson, celebrating the power of hope perched within and the promise of sunnier days. Emily Dickinson’s beloved poem “Hope is the thing with feathers” takes flight in Tatyana Feeney’s beautifully illustrated adaptation, reminding us that hope is always there when we need it, never asking for anything in return. Originally written in 1861, this enduring poem is now accessible to future generations.

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