Books by Georges Simenon

Book SynopsisThe profession he had always yearned for did not actually exist... he imagined a cross between a doctor and a priest, a man capable of understanding another's destiny at first glance. The very first investigation by eager young police secretary Jules Maigret leads him to a wealthy Paris family's dark secrets.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianMaigret’s past comes to life in this evocative novel, set in the Inspector’s hometown“Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense.”The last time Maigret went home to the village of his birth was for his father’s funeral. Now, an anonymous note predicting a crime during All Souls’ Day mass draws him back there, where troubling memories resurface and hidden vices are revealed.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewFierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *Compelling . . . Simenon shows how close the deranged mind is to the ordinary mind' * Financial Times *

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Book SynopsisThe second book in the new Penguin Maigret series: Georges Simenon''s devastating tale of misfortune, betrayal and the weakness of family ties, in a new translation by Anthea Bell.Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.The circumstances of Monsieur Gallet''s death all seem fake: the name the deceased was travelling under and his presumed profession, and more worryingly, his family''s grief. Their haughtiness seems to hide ambiguous feelings about the hapless man. In this haunting story, Maigret discovers the appalling truth and the real crime hidden behind the surface of lies.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Stonewalled and The Death of Monsieur Gallet.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisThe city of Simenon''s youth comes to life in this new translation of this disturbing novel set in Liège, book ten in the new Penguin Maigret series.In the darkness, the main room is as vast as a cathedral. A great empty space. Some warmth is still seeps from the radiators. Delfosse strikes a match. They stop a moment to catch their breath, and work out how far they have still to go. And suddenly the match falls to the ground, as Delfosse gives a sharp cry and rushes back towards the washroom door. In the dark, he loses his way, returns and bumps into Chabot.Maigret observes from a distance as two boys are accused of killing a rich foreigner in Liège. Their loyalty, which binds them together through their adventures, is put to the test, and seemingly irrelevant social differences threaten their friendship and their freedom.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret at the Gai-Moulin.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA sensational tale of deceit and back-stabbing in an isolated community in which only Inspector Maigret can intervene“She came forward, the outlines of her figure blurred in the half-light....‘I gather you wish to talk to me, Inspector...but first of all please sit down...’ Her accent was more pronounced than Carl’s. Her voice sang, dropping on the last syllable of the longer words.”Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He’s either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows CrossrTrade ReviewCompelling, remorseless, brilliant. -- John GrayOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories. * Guardian *A supreme writer . . . unforgettable vividness. * Independent *

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible.On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut.Sailors don''t talk much to other men, especially not to policemen. But after Captain Fallut''s body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean''s voyage.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors'' Rendezvous.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade Review‘One of the greatest writers of the twentieth century…Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.’ — The Guardian'I love reading Simenon. He makes me think of Chekhov.' — William Faulkner'The greatest of all, the most genuine novelist we have had in literature' — André Gide‘A supreme writer…unforgettable vividness’ — The Independent 'Superb... The most addictive of writers... A unique teller of tales' — The Observer‘Compelling, remorseless, brilliant.’ — John Gray'A truly wonderful writer... marvellously readable - lucid, simple, absolutely in tune with the workd he creates' — Muriel Spark'A novelist who entered his fictional world as it he were a part of it' — Peter Ackroyd'Extraordinary masterpieces of the twentieth century' — John Banville

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Book SynopsisA story told by a condemned man leads Maigret to a bar by the Seine and into the sleazy underside of respectable Parisian life. In the oppressive heat of summer, a forgotten crime comes to light.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA gripping domestic tragedy starring Inspector Maigret and set in Simenon’s very own neighborhood“One by one the lighted windows went dark. The silhouette of the dead man could still be seen through the frosted glass like a Chinese shadow puppet. A taxi pulled up. It wasn't the public prosecutor yet. A young woman crossed the courtyard with hurried steps, leaving a whiff of perfume in her wake.”Summoned to the dimly-lit Place des Vosges one night, where he sees shadowy figures at apartment windows, Maigret uncovers a tragic story of desperate lives, unhappy families, addiction and a terrible, fatal greed.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray When a tramp is recovered from the Seine, after being badly beaten, Maigret must delve into the man''s personal circumstances to figure out just who wanted to kill him.This novel has been published in previous translations as Maigret and the Dosser and Maigret and the Bum. ''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century...Simenon was unequalled at making us look inside, though the ability was masked by the brilliance at absorbing us obsessively in his stories. * Guardian *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. -- John BanvilleA supreme writer . . . unforgettable vividness. * Independent *One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining * John Banville *A supreme writer . . . unforgettable vividness * Independent *

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Book SynopsisInevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted.Trade ReviewGem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor * Times *Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts. * Margaret Atwood *One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere. * Financial Times *Simenon's supreme virtue as a novelist, to burrow beneath the surface of his characters' behaviour; to empathise . . . it is this unfailing humanity that makes the Maigret books truly worth reading. * Guardian *Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn -- Stig Abell * The Sunday Times *

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after ten in the evening.But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.Inspector Maigret is standing in the pouring rain by a canal. A well-dressed woman, Mary Lampson, has been found strangled in a stable nearby. Why did her glamorous, hedonistic life come to such a brutal end here? Surely her taciturn husband Sir Walter knows - or maybe the answers lie with the crew of the barge La Providence.This novel has been published in previous translations as Lock 14 and Maigret Meets a Milord.''One of the greatest writers of the twentieth century'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA gripping mystery from Georges Simenon in which Inspector Maigret must go up against small town suspicion—and revengeIn a small, seaside town in the northwest of France, the local wine dealer is wounded by a gunshot while retuning home drunk from a hotel bar. Maigret, who is heading up a mobile squad of the Paris police force, is called in by the mayor to solve the crime. But upon settling down in the hotel, Maigret quickly discovers a curious cast of characters awaits him there—and they all have something to hide.In the course of this strange case, a customs official is shot, a retired journalist is lost and found, and a vagrant is attested, but through it all Maigret has his sights setTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves ''Just take a look,'' Duclos said in an undertone, pointing to the scene all round them, the picture-book town, with everything in its place, like ornaments on the mantlepiece of a careful housewife . . . ''Everyone here earns his living. Everyone''s more or less content. And above all, everyone keeps his instincts under control, because that''s the rule here, and a necessity if people want to live in society.''When a French professor visiting the quiet, Dutch coastal town of Delfzjil is accused of murder, Maigret is sent to investigate. The community seem happy to blame an unknown outsider, but there are people much closer to home who seem to know much more than they''re letting on: Beetje, the dissatisfied daughter of a local farmer, Amy van Elst, sister-in-law of the deceased and a notorious local crook.This novel has been published in a previous translation as Maigret in Holland.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves ''Let''s be clear that it''s not your professionalism which I question. If you understand nothing, and I mean absolutely nothing, it''s because from the very start you''ve been working with facts which had been falsified.''Maigret sets out to prove the innocence of a man condemned to death for a brutal murder. As his audacious plan to uncover the truth unfolds, he encounters rich American expatriates, some truly dangerous characters and their hidden motives.This novel has been published in previous translations as Maigret''s War of Nerves and A Battle of Nerves.''Maigret emerges as a master of intuition and imagination, who moves in a world rendered intensely real in Simenon''s incomparable prose'' Christopher Hirst, IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianThe first-ever English publication of Georges Simenon’s compelling novel about summer escape and elusive obsessions“The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son’s bed, the deafening sound of cicadas.”During his first holiday on the island of Porquerolles, Dr. Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence—or may destroy him. Taut, insightful, and impossible to put down, this is the first English translation of The Mahé Circle, Simenon’s dark, malevolent depiction oTrade ReviewOne of Georges Simenon's most powerful roman durs - the non-Maigret novels in which ordinary lives are suddenly, and at times seemingly inexplicably, unsettled and irrevocably changed. Written in Simenon's spare signature style, it's unputdownably gripping -- John Gray * Guardian *Sublime . . . as good, in its unforced and unemphatic way, as anything in Proust or even Flaubert . . . a sort of masterpiece -- John Banville * New York Review of Books *Extraordinary . . . Simenon is one of the most important writers of the 20th century . . . In 150 high-pressure pages, it gives insights into the world, the mind and the horrible frustration of a French country doctor that most writers would struggle to convey with 10 times the word-count -- Sam Jordison * Independent *

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Book Synopsis“The matchless French crime novelist” -- Adam Gopnik, The New Yorker“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA chilling Inspector Maigret mystery set on the Belgian border“She wasn't an ordinary supplicant. She didn't lower her eyes. There was nothing humble about her bearing. She spoke frankly, looking straight ahead, as if to claim what was rightfully hers. ‘If you don't agree to look at our case, my parents and I will be lost, and it will be the most hateful legal error...’”Maigret is asked to the windswept, rainy border town of Givet by a young woman desperate to clear her family of murder. But their well-kept shop, the sleepy community and its raging river all hide their own mysteTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianAn Inspector Maigret mystery and a gripping tale of lost identity“A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets.”A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianInspector Maigret loses himself in coastal luxury—and danger—in this devastating mystery set on the French Riviera“It had a smell of holidays. The previous evening, in Cannes Harbour, with the setting sun, had also had the smell of holidays, especially the Ardena, whose owner swaggered in front of two girls with gorgeous figures...”Dazzled at first by the glamour of sunny Antibes, Maigret soon finds himself immersed in the less salubrious side of the Riviera as he retraces the final steps of a local eccentric.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianThe classic Inspector Maigret mystery set in a claustraphobic provincial town“Cars drove past along with the trucks and trams, but by now Maigret had realized that they were not important. Whatever roared by like this along the road was not part of the landscape. . . . What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots’ bars and especially the tall house where he could make out Ducrau’s red chair framed by a window.”Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. ''You bet we''ll see'' he growled.Maigret''s peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Returns.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianThe basis for the 1947 French film noir classic Panique, which was rereleased in January 2017Georges Simenon’s chilling portrayal of tragic love, persecution and betrayal“One sensed in him neither flesh nor bone, nothing but soft, flaccid matter, so much so that his movements were hard to make out. Very red lips stood out from his orb-like face, as did the thin moustache that he curled with an iron and looked as if it had been drawn on with India ink; on his cheekbones were the symmetrical pink dots of a doll's cheeks.” People find Mr. Hire strange, disconcerting. The tenants in his building try to avoid him. He is a peTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianWhile on holiday, Inspector Maigret is drawn into the murder of a teenage girl and subsequent disappearance of her brother and must confront an evil that is hidden in plain sight   During their holidays in Sables-d’Olonne, Maigret’s wife is hospitalized with appendicitis and Maigret receives a strange note instructing him to visit a patient in another ward. To solve the mysterious case that has left a young woman dead and her brother missing, Maigret must give one of his best performances yet in a story laced with mood, class tension, and in the end, of course, justice.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianInspector Maigret finds himself caught in the middle of a husband and wife duo’s case of “he said/she said”—with murderous consequences An unusually quiet day for Inspector Maigret at the Quai des Orfèvres is disturbed by a visit from mild-mannered toy salesman Xavier Manton. Maigret is taken aback by Manton’s revelation that he suspects his wife of plotting to poison him. And when he receives a visit from Madame Manton expressing her own grave concerns later that day, he finds himself deeply conflicted, unsure of whom to trust. Maigret heeds the advice of his seniors and begins investigating the couple—and with every turn, new complications arise. When the case comes to aTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''His artistry is supreme'' John BanvilleThey suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges'' black gowns, the ermine, the prosecutor''s red robe further added to the impression of a ceremony set in stone where the individual counted for nothing Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman''s nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man''s guilt and at his trial exposes some shocking truths about Meurant''s private life that may prove his innocence.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisBelow stairs at a glamorous hotel on the Champs-Elysees, the workers lives are worlds away from the luxury enjoyed by the wealthy guests. When their worlds meet, Maigret discovers a tragic story of ambition, blackmail and unrequited love.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray He went out, lit his pipe and walked slowly to the harbour. He could hear scurrying footsteps behind him. The sea was becoming swollen. The beams of the lighthouses joined in the sky. The moon had just risen and the judge''s house emerged from the darkness, all white, a crude, livid, unreal white. Exiled from the Police Judiciare in Paris, Maigret bides his time in a remote coastal town of France. There, among the lighthouses, mussel farms and the eerie wail of foghorns, he discovers that a community''s loyalties hide unpleasant truths.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret in Exile.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisA mysterious note predicting the murder of a fortune-teller; a confused old man locked in a Paris apartment; a financier who goes fishing; a South American heiress... Maigret must make his way through a frustrating maze of clues, suspects and motives to find out what connects them.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“The matchless French crime novelist” -- Adam Gopnik, The New Yorker“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA battle of wills between Inspector Maigret and an adversary from the past When a friend’s brother-in-law is accused of murdering his daughter’s lover, Maigret sets out for a small French town to help and upon arrival is plunged into an atmosphere of animosity. He soon finds himself tangled up in a case that may ruin the very people whom he has come to aid and must face an old enemy—an ex-police officer nicknamed “Inspector Cadaver”—who seems to be doing everything in his power to obstruct Maigret’s investigations.Trade Review"One of the greatest writers of the twentieth century…Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." - The Guardian "I love reading Simenon. He makes me think of Chekhov." - William Faulkner "The greatest of all, the most genuine novelist we have had in literature." - André Gide "A supreme writer…unforgettable vividness." - The Independent "Superb... The most addictive of writers... A unique teller of tales." - The Observer "Compelling, remorseless, brilliant." - John Gray "A truly wonderful writer... marvelously readable - lucid, simple, absolutely in tune with the works he creates." - Muriel Spark "A novelist who entered his fictional world as if he were a part of it." - Peter Ackroyd "Extraordinary masterpieces of the twentieth century." - John Banville

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray In his mind''s eye he would see that slim figure in the striking clothes, those wide eyes the colour of forget-me-not, the pert nose and especially the hat, that giddy, crimson bonnet perched on the top of her head with a bronze-green feather shaped like a blade stuck in it . . . Félicie had given him more trouble than all the ''hard'' men who had been put behind bars.This novel has been published in a previous translation as Maigret and the Toy Village.''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisThat shoeless foot looked incongruous lying on the pavement next to another foot encased in a shoe made of black kid leather. It was naked, private... A series of strange phone calls leads Inspector Maigret through the Paris streets towards a man out of his depth amid a network of merciless criminals.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray ''The palm trees around the railway station were motionless, fixed in a Saharan sun . . . It really felt as if they were stepping into another world, and they were embarrassed to be entering it in the dark clothes that had been suited to the rainy streets of Paris the evening before.''An officer from Scotland Yard is studying Maigret''s methods when a call from an island off the Côte d''Azure sends the two men off to an isolated community to investigate its eccentric inhabitants.Penguin is publishing the entire series of Maigret novels in new translations.''His artistry is supreme'' John Banville''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianWhen a man is killed outside a Parisian boarding house, Inspector Maigret moves in to get to the bottom of it While keeping watch outside Mademoiselle Clément’s boarding house to await a suspect in a local bar robbery, a man named Janvier is shot in the chest. When Maigret, whose wife is away caring for her sister in Alsace, hears of the crime, he moves into the boarding house to solve the case. But the web quickly grows ever-more tangled, and Maigret must navigate generations-long secrets and a torrid affair to find his answers before it’s too late.Trade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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