Description
Book Synopsis''His artistry is supreme'' John Banville
They suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges'' black gowns, the ermine, the prosecutor''s red robe further added to the impression of a ceremony set in stone where the individual counted for nothing
Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman''s nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man''s guilt and at his trial exposes some shocking truths about Meurant''s private life that may prove his innocence.
''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian
Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —
The Guardian “These Maigret books are as timeless as Paris itself.” —
The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —
People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner
“The greatest of all, the most genuine novelist we have had in literature.” —André Gide
“A supreme writer . . . Unforgettable vividness.” —
The Independent (London)
“Superb . . . The most addictive of writers . . . A unique teller of tales.” —
The Observer (London)
“Compelling, remorseless, brilliant.” —John Gray
“A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark
“A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd
“Extraordinary masterpieces of the twentieth century.” —John Banville
"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)
"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood
"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times
"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)
