Ceramics, mosaic and glass: artworks Books

Book SynopsisA complete guide to fantastic special effects glazes for studio potters. From drippy and crackle to ash and lichen glazes, experienced ceramicist Linda Bloomfield guides you through the world of special effect glazes. Beautifully illustrated with pieces from both emerging and established potters that showcase stunning copper oxide-blues, metallic bronzes and manganese-pink crystal glazes, Special Effect Glazes is packed full of recipes to try out: from functional oilspot glazes using iron oxide, to explosive lava glazes. In this informative handbook discover how you can create these fantastic effects and learn the basic chemistry behind glazes in order to adjust and experiment with your unique pieces. Discussed are materials and stains, how to find them and how they affect the colour and texture of the glaze, alongside practical fixes to familiar glaze-making problems. Special Effect Glazes is essential if you are interested in creating eye-catching glazes and wanting to develop your knowledge of glaze-making, or experiment with your own formulas to achieve the perfect finish.Trade ReviewRight up there with the best of them ... Linda should be congratulated * London Potters *The knowledge of glazes is an evolutionary process ... Special Effect Glazes makes a valuable and desirable contribution to this lineage of knowledge ... I encourage you to embrace this delightful publication. -- Kevin Boyd * The Journal of Australian Ceramics *... there is a ton of information and a variety of recipes in this book [...] there are many useful clues and ideas of how to test and push the glazes in a direction that works for your studio. * The Studio Manager *Table of ContentsAcknowledgements Introduction Section 1: Glaze Principles and Application 1. Understanding Glazes 2. Glaze Materials and Minerals 3. Colouring Glazes 4. Impurities and Variation In Materials 5. Stability and Durability 6. Creating and Testing Glazes 7. Glaze Mixing and Application 8. Firing 9. Glaze ‘Defects’ Section 2: Special Effect Glazes 10. Special Effects: The Chemistry 11. Crackle Glazes 12. Ash Glazes 13. Celadon and Copper Red Glazes 14. Drippy Glazes and Chun Glazes 15. Crystalline Glazes 16. Shrink and Crawl: Lichen Glazes 17. Volcanic, Lava or Crater Glazes 18. Spotted Glazes 19. Metallic Glazes 20. Layering Glazes Conclusion References Bibliography Appendices 1. Glaze Materials UK:US Materials Substitutions 2. Orton Cone Temperatures 3. Ceramic Materials, Chemical Formula and Molecular Weight 4. Limits for Stable Glazes 5. Periodic Table of Elements 6. Materials Analysis for UK Frits, Clays and Feldspars 7. Materials Analysis for US Frits, Clays and Feldspars Suppliers Laboratories for Leach Testing of Glazes Health and Safety Index

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Book SynopsisA comprehensive guide to developing unique glaze effects from natural and sustainable sources. Making your own glazes is a fascinating and rewarding process, even more so when making them from collected ingredients. With little equipment and following a few basic principles, it is possible to harvest glaze ingredients from your local environment, such as clay, subsoil, plants and seashells, to achieve beautiful results in the kiln. Whether you wish to make an entire glaze using collected materials, or just want to use them as additions to existing base recipes, Miranda Forrest teaches you how to source and prepare natural ingredients, from degraded rocks to seaweed, and gives you step-by-step instructions for mixing a glaze, testing samples and finally applying glazes and firing your work. Contributions from contemporary ceramicists who use natural glaze ingredients give you a detailed insight into their working methods and intriguing results. Encouraging experimentation and a creative approach, Natural Glazes is a vital resource for anyone wishing to work in a more natural and sustainable way to develop unique glaze effects.Trade ReviewThis is a very personal account strongly illustrating the love Ms. Forrest has for her environment and her desire to incorporate this into her life and work. The book will be of interest to potters in general and also provide a very useful introduction to the techniques for anyone who wishes to work with found materials. * London Potters News *Table of ContentsAcknowledgements Introduction 1. What is a ceramic glaze? 2. Recognising natural glaze materials 3. Preparation of materials 4. Glazes derived from rocks 5. Glazes derived from plants and animals 6. Making your glaze 7. Glaze application and firing 8. Found clay bodies 9. Raku 10. Artists who work with natural materials 11. Gallery 12. Health and safety Conclusion Bibliography Index

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Book SynopsisWritten by Bernard Leach, the father of British studio pottery, this seminal book is the first treatise to be written by a potter on the workshop traditions handed down from the greatest period of Chinese ceramics in the Sung dynasty. With this book, potters can learn everything from how to adapt recipes for pigments and glazes to designing kilns.Trade Review“With his writings as well as with his ceramics, Leach played a major role in elevating the status of the European potter from craftsman to artist, thereby paving the way for the twentieth-century studio pottery movement.” * New York Times *"This updated edition of the classic by Leach (British potter and teacher) belongs on every ceramist’s bookshelf. Minor text changes, a look at Leach’s impact on the West, and numerous color photographs make this an even more valuable resource than the 1940 original. Highly recommended." * Choice *"This fine new edition of A Potter’s Book, first published in 1940, shows representative images of his work (and sometimes his son David’s) alongside Japanese or Korean wares made from similar bodies or using similar glazes. It is always easy to spot the Leach." * Times Literary Supplement *"This edition, published 75 years after the first edition in 1940, remains faithful to Leach’s text, while also including color versions of the original images (where available), color images of his pots, and additional images to clarify various points. A preface by Leach’s grandson, Philip Leach, updates the family’s story and frames the important role this book has played in countless potters’ lives." * Ceramic Arts *"Despite the idiosyncrasy of Leach’s East-meets-West output and ideas, he expressed these so often and with such solemn conviction in numerous books, talks and tours that by the 1950s they had become doctrine. A Potter’s Book (1940) had the greatest impact: even today, its mixture of poetry, philosophy and practical instruction earns it the soubriquet 'the potter’s bible'." * Apollo *Table of ContentsThe Leach Legacy by Philip Leach Leach in Japan by Soyetsu Yanagi Preface by Michael Cardew Author’s Preface 1. Towards a Standard 2. Raku - English Slipware - Stoneware - Porcelain 3. Clays 4. The Making of Clay Shapes 5. Decoration 6. Pigments and Glazes 7. Kilns 8. The Workshop Footnotes Appendix A - Potters Terms, Tools & Materials Appendix B - Conversion Charts Appendix C - Seger Pyrometric Cones Image Credits Index

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Book SynopsisAn essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.Table of ContentsAcknowledgements Introduction 1. A brief history of colour in glazes 2. Principles of glaze chemistry 3. Glaze materials 4. Base glazes 5. Colouring oxides and colour development 6. Mixing glazes 7. Applying glazes 8. Testing glazes 9. Firing 10. Correcting glaze faults Glossary Appendices Suppliers Bibliography Index

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Book SynopsisAn essential guide to the techniques of making and using slips. In this book, explore the many techniques for making and using slips - liquid clay which can be used for decoration on its own or covered with glaze - such as brushing, dipping, trailing and sgraffito amongst others. You can also find out how to make up slips and use them at higher temperatures, both with and without glazes. As well as examples of techniques, discover what can be achieved with many images of beautiful finished pieces from contemporary potters, and find inspiration through illustrations of potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context.Trade ReviewFascinating and informative. * Craftsman Magazine (July 2010) *Whether you have never used slips before, use them occasionally, or have considered branching out to include slip decoration in your work, this book is for you. Take my advice; get this book * Clay Times (Summer 2010) *Excellent photographs, easy to read. A useful book for those wishing to develop their knowledge on modern day slip methods. * Kent Potters Association newsletter (August/September 2010) *Table of ContentsAcknowledgements Introduction 1. A Selected History of Using Slips 2. Application Techniques 3. Mixing Slips 4. Colour in Slips 5. Using Slips Without a Glaze 6. Slips and Raku 7. Slips with Glaze at Earthenware Temperatures 8. Slips with Stoneware and Porcelain 9. Slips with Salt and Soda Glazing Glossary Health & Safety Websites Bibliography Suppliers Index

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Book SynopsisAn essential book for potters and ceramicists of all abilities who are interested in creating their own glazes. This new, revised edition of Emmanuel Cooper’s classic book is your complete guide to making glazes. Along with an introductory section on glaze materials; colouring, mixing and applying glazes, and information on health and safety issues, the book gives you over 400 glaze recipes – organised according to the different temperature ranges – which cover everything from opaque, matt and transparent glazes to crystalline and black iron glazes. Illustrated with coloured glaze tiles, this reference book is a must for the bookshelves of all potters whatever their level of expertise.Table of ContentsIntroduction The Glaze Materials Glaze Temperature and Classification Colouring Glazes Mixing the Glaze Applying the Glaze Adjusting the Glaze Health and Safety The Glaze Recipes Appendices List of Materials Conversion Tables Further Reading Suppliers

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Book SynopsisThrown is a beginner's guide to making ceramics using a pottery wheel. Beginning with the basics, this book will teach you how to create a collection of 20 stylish homewares from construction to completion with a professional finish including decoration, glazing and firing techniques. From dinner plates, pasta bowls, coffee mugs to decorative vases, a rippled lampshade and more, each project is minimal in design but with thoughtful details, making it the ideal for first time crafters.Complete with stunning lifestyle photography and clear step-by-step instructions to inspire your handmade journey, Thrown is the ultimate modern guide to this addictive, tactile craft.

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Book SynopsisA fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece’s design, and you are creating nerikomi. There are many techniques – stacking, stretching, slicing – but with nerikomi, the decoration is built and fired into the work’s very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: – A brief history of the origins and international styles of colored clay – A section dedicated to the most honored Japanese Masters of nerikomi – Stunning examples of work from the world’s leading experts – Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.Table of ContentsPreface A Colorful History Early Chinese and Korean Colored Clay Ceramics Agateware Twentieth-century Japan Japanese Masters Matsui Kosei – Ito Sekisui V – Ogata Kamio – Kondo Takahiro – Nishi Koichi The Nerikomi Technique: One Artist's Approach Colored Clay Worldwide Hans Munck Andersen – Janny Baek – Curtis Benzle – Angela Burkhardt-Guallini – Mandy Cheng – Ben Davies – Mieke Everaet – Dorothy Feibleman – Barbara Gittings – Robert Hessler – Cody Hoyt – Narumi Ii – Francoise Joris – Maria ten Kortenaar – Judy McKenzie – Anne Mossman – Aya Murata – Jongjin Park – David Pottinger – Kanako Sahashi – Lorraine Shemesh – Tsuneharu Tanaka – Larissa Warren – Dorothee Wenz – Lotte Westphael – Henk Wolvers Conclusion Acknowledgments Bibliography Glossary Thomas Hoadley: Resume and Publications Index

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Book SynopsisA comprehensive introduction to the use of additions in clay bodies, from stones and glass to fibre, metals and colour. Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen advises you on a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice. Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world. Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for anyone wishing to expand their practice.Trade ReviewStanden was a science teacher in her earlier career. This gives her the perfect background to pen a book of this nature. Her experience is evident in the text which has a clear and comprehensive voice in the step-by-step instructions on how to implement the techniques... Standen uses a warm narrative that softens the technical writing of the book. -- Tina Darb O'Sullivan * Irish Examiner *A very practical book for ideas with which to spend many hours in the workshop. -- Wladimir Vivas * InfoCeramica *The clay used at Aylesford Pottery comes prepared for use. But that can be just the starting point. Too often students are concentrating on how to make shapes and decorate them. This book takes you to a new experimental level by encouraging you to think about the actual texture of the clay itself. And what a revelation that can be. This book will take your creativity to a whole new level. -- Billy Byles, Aylesford Pottery * Aylesford School of Ceramics Newsletter *Table of ContentsAcknowledgements Introduction 1. Clays 2. Hard materials 3. Combustible materials 4. Impressions, imprints and dipping 5. Fibres 6. Metal 7. Colour Glossary Suppliers Bibliography Index

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Book SynopsisGet inspired and get glazing! Amazing Glaze Recipes and Combinations provides a captivating collection of sure-fire glaze recipes and electrifying combinations for low-fire, mid-range, and high-fire potters. Hundreds of photos and technically-edited recipes ensure you'll get the best possible results. Whether you're searching for excitement at cone 6 or looking for the perfect high-fire shino recipe, you've come to the right place. Join Gabriel Kline, author of Amazing Glaze and founder of Odyssey Clayworks, for page after color-filled page of glazes. Start by learning the keys to success when applying glazes, then choose the temperature range you want to explore first. Gabriel's collection of well-tested recipes draw on his decades of experience as an instructor and leader of a communal arts studio—including current and past student favorites as well as a few timeless gems. Of course he doesn't stop there! In addition to plentiful tiles showing off two-glaze combinations, Gabriel shares multi-glaze combinations developed through years of trial and error. From waterfall blues to eye-popping bursts of red, there's a rainbow of options. Just as in Amazing Glaze, the recipes have all been technically edited and each one has a photo. By controlling specific gravity and application, the goal is always getting the perfect coat of glaze recipe after recipe. Special topics like majolica and raku firing provide welcome detours, and a variety of artist features serve as launching points for new explorations. Stunning galleries from today's top artists provide even more glazing ideas.Trade Review"This is a worthy resource for artisans wishing to expand their knowledge of pottery glazes. Explanations are clear, and the photographs of finished pieces might inspire readers to advance their skills. Experienced ceramists especially will find useful information in this comprehensive work, to take their pottery to a higher level of artistry" * Library Journal * “Gabriel Kline’s workshop approach to exploring glazes includes reliable and engaging recipes. This book will help you get started and provide a go-to reference for continued experimentation and growth.” * Jessica Knapp, editor, Ceramics Monthly, associate editor, Pottery Making Illustrated *“A compendium of insightful approaches to surface development. It’s a staple for your clay-learning library.” * Deb Schwartzkopf, author of Creative Pottery and founder/owner Rat City Studio *“This book is a must for every pottery studio and school…such quality work, images, and instruction. I love seeing contemporary makers doing diverse things with glaze. Absolutely love it!” * Roberto Lugo, Potter and Assistant Professor *“The first thing you will notice when thumbing through this book is the amazing variety and vibrancy of the colors. These are not the “brown round” pots of the 1970’s…these pots are alive! Gabriel does a masterful job of showing what is possible when combining glazes, drawing back the curtain in a way that makes it easy to find success quickly.” * John Britt, author of The Complete Guide to Mid-Range Glazes and The Complete Guide to High-Fire Glazes *“Ideal and unreservedly recommended.” * Midwest Book Review *

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Book SynopsisLucie Rie (1902–1995) is one of the finest modern potters of the 20th century. Born and trained in Vienna, her successful early career came to a halt in 1938 when forced to leave Austria to escape the persecution of Jewish people. In exile in London, Rie established a new workshop and over five decades created highly individual bowls, vases and tableware which continue to amaze and inspire today. With over 150 photographs and five new essays, Lucie Rie: The Adventure of Pottery celebrates an exceptional life of creative invention and experiment. With texts by Edmund de Waal, Tanya Harrod, Helen Ritchie, Eliza Spindel, Kimberley Chandler and Nigel Wood. Trade Review"Lucie Rie review – the genius ceramicist who refused to be boxed in." - The Guardian

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Book SynopsisA comprehensive and practical guide to developing, testing, applying and firing your own glazes. Developing your own glazes can be tricky as success is dependent on many factors. In this book, ceramicist Greg Daly demystifies the process for you with practical advice and complete step-by-step instructions for testing glazes and experimenting with ingredients. He covers all the essentials, from methods for planning, creating and testing recipes and systematically recording test results, to mixing glazes and finding the correct firing temperature. This hands-on technical guidance is supported with helpful how-to images, and variations on hundreds of recipes to get you started. For any potter beginning to experiment with fired colour, texture and decoration, Developing Glazes is an essential reference revealing workable and exciting methods for achieving the glaze results you want.Trade ReviewThe book is a good, even exciting, read. Daly's intense character shines through every page. It is enjoyable reading, especially chapter one where the author explains all aspects and strings together all the possible things that can occur in a firing and why different kilns give different results. It's not easy to sting all these happenings together developmentally and hold the reader's interest. But he does. -- Frank Hamer * Shards - South Wales Potters Newsletter *Table of Contents1. Introduction to glazes 2. Getting started 3. Systems for glaze testing 4. Fluxes and colour 5. Developing colour 6. Glaze recipes Ingredient conversions Suppliers Index

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Book SynopsisDiscover the world of possibilities offered by paperclay with basic and more advanced techniques. Now firmly established in the ceramics world, paperclay is a vital part of the modern clay artist and potter's repertoire. The workability of this material allows expressive freedom and imagination at every stage in the creative process, from wet to dry. Paperclay, made with new or recycled paper, is remarkable for its flexibility, unfired strength, and the ease with which it can be repaired, and allows the creation of beautiful finished forms. In this book, pioneering artist, researcher and teacher Rosette Gault (M.F.A.) explains how you can make, fire and use paperclay. In addition to the basics such as ingredients, mixing and slips, she introduces you to more advanced techniques for building armatures, sculpting figures and making works for the wall. Packed throughout with photographs of inspiring works by a new generation of paperclay artists, Paperclay is an essential introduction to the medium.Trade ReviewEven after working in the ceramics industry for many years I found many things in this book to be of interest and use. Throughout I found it to be both informative and very thorough in its approach. The use of paperclay as a sculptural medium is both advantageous and exciting. A very attractive book and one every serious ceramic practitioner should have on the bookshelf. -- Alan Parris, Co-Director Aylesford Pottery, Kent UK * Aylesford School of Ceramics Newsletter *Table of ContentsIntroduction 1. Paperclay essentials 2. Ingredients and mixing 3. Paperclay slip 4. The leathersoft state 5. The dry state 6. Integration of methods 7. Figures - small and large 8. Support and armatures 9. Tiles and panels 10. Surface treatments, finishes and glazes 11. Firing 12. The new paperclay

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Book SynopsisThe ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material’s best use, so the authors’ tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay’s characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.Trade ReviewThis beautifully illustrated guide is the ideal starting point for those wanting to forge a closer bond between their art and their natural surroundings. * Ceramics Now *Finding your own clay—especially for use as a glaze material or to augment a commercial clay body—is increasingly popular and this book is a guide to finding, testing, and using wild clay. * The Studio Manager *A fascinating guide to finding your own clay and creating your own glazes. Billed as ideal starting point for novices, experts, and everyone in between, this is an excellent addition to the experienced ceramicist’s library, but also to those new to the art. * Book Riot *Table of ContentsForeword: Wild Clay Introduction: Why Wild Clay? 1. A Personal Journey Through Wild Clay 2. Soil Ecology and Geology 3. Finding Clay 4. Processing and Testing Wild Clay 5. Making Clay Bodies 6. Glazes, Slips, and Alternative Practices 7. Artist Spotlights Bibliography Glossary of Terms Index

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Book SynopsisMastering Hand Building teaches everything you need to know about building with clay by hand, from the basics of coils and slabs through more complex form design.Trade Review"This book is like the best of Sunshine’s pots: a marvel of construction that balances flashy tricks with soulful surprises. The jewels of hard-won knowledge within are piquant, and will linger in your head (and hands) for a long time." -- Garth Johnson, Curator of Ceramics, ASU Art Museum Ceramics Research Center"Anyone who has been lucky enough to take a class with Sunshine will instantly recognize her generosity, humor, and expertise in this book. For all others, it will introduce you to Sunshine’s big heart and organized mind, her sense of form and color, and the joy she finds in making everyday pots. Keep this book close at hand—if you’re using it correctly it should be covered in fingerprints and glaze splatter in no time." -- Leslie Noell, Director of Programs, Penland School of Crafts"Sunshine shares her years of experience working with various hand building techniques to create architectural forms with a strong sense of identity in such an enthusiastic and approachable way that I found myself thinking that she was in the same room with me, sharing her processes, answering anticipated questions, and offering advice." -- Jessica Knapp, Editor, Ceramics Monthly"A must-have book for any potter or teacher, Mastering Hand Building makes me want to be in my studio . . . making pots!" -- Bill Griffith, Administrator/Educator and Potter, Arrowmont School of Arts and Crafts"For a no-nonsense approach to hand building and vessel construction in clay, look no further. As only she can, Sunshine offers generous and straightforward information for the beginning to advanced artist and thoughtful interviews with many talented artists in our field." -- Steven Young Lee, Director, Archie Bray Foundation for the Ceramic Arts"Sunshine Cobb has established a remarkable reputation for quirky, colorful, and thoroughly contemporary pottery. Her new book is just as remarkable. With an engaging combination of technical mastery and philosophical insight, the author’s ebullient personality fairly oozes from the seams of this terrific new studio handbook." -- John Neely, Potter and Professor, Utah State University

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Book SynopsisTrade ReviewThis is a rich source of inspiration and guidance and will become a well thumbed reference for many potters. Each chapter is a rich source of ideas, illustrations, suggestions and offerings, with something new for everyone to consider, experiment or to try anew. There is also a helpful list of suppliers in the US and UK . -- Jackie Harrop, Dacorum & Chiltern Potters Guild Newsletter * Dacorum & Chiltern Potters Guild Newsletter *Developing a decorative surface can take as much time and effort as it does to make the ceramic piece, and is crucial to the individual style of the maker. This book is an easy reference point for any maker to consider the options which are open to them. Over 30 ceramic makers share their individual way of working in this extensive book. -- Paul Bailey. Emerging Potters magazine * Emerging Potters magazine *Surface Decoration for the contemporary maker is a book of beautiful images and solid content like a good lush cookery book which provides you with successful recipes and a happy feeling. Content needs to support images and this book is a successful marriage of the two, it just happens to be in the pottery world. -- Sarah Vanic, Northern Potters Association Newsletter * Northern Potters Association Newsletter. *

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Book SynopsisThe essential studio companion for any potter with a broad range of glaze recipes and clay bodies. The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also introduces you to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults and includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based on meticulously recorded tests and research from a large assortment of established ceramic artists, this book is a must-have resource if you wish to experiment or expand your glazes and clay bodies.Trade ReviewThis is a book which I know I'm going to use. Her satin glazes are particularly appealing, and there are sections on the more experimental aspects ... I feel inspired by this book and I hope others will too. -- Mary Cousins * Shards *If there is a classic among the publications on ceramic techniques, it is undoubtedly this recipe book -- Wladimir Vivas * Infoceramica (Bloomsbury translation) *Table of ContentsIntroduction Glaze materials Glaze temperatures Mixing and applying glazes Adjusting glazes and correcting glaze faults Low-fire glaze recipes Mid-fire glaze recipes High-fire glaze recipes Special glaze recipes Clay body recipes Appendices

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Book SynopsisA practical introduction to handbuilding with clay using techniques such as coiling and slab-building. Handbuilding with clay offers a unique opportunity to experiment, requiring few tools, and allowing intuition and imagination to come to the fore. In this overview of a fast-developing practice, artist Claire Loder teaches you time-honoured methods of handbuilding, as well as introducing you to the fascinating new approaches of contemporary ceramicists. Explore the basic techniques, from coiling and pinching to working with slabs, with practical instructions and helpful accompanying images and get advice on equipment, clay bodies and studio practices. Then, through the work of today's makers, discover and find inspiration from new methods of building by hand, including mixed media work, sculptural methods, vessels and surface decoration, illuminating a wide variety of forms and styles. Sculpting and Handbuilding is an essential guide for any ceramic artist or student wishing to learn the basics of handbuilding, or seeking inspiration to integrate and adapt conventional methods.Trade ReviewThe art of handbuilding is still the most popular form of ceramics for all ages at the pottery. This book not only introduces you to some of the basic techniques but also illustrates some surprising work being done. It is a thought provoking addition to anyone's collection and a constant reference tool. -- Alan Parris, Co-Director Aylesford Pottery, Kent UK * Aylesford School of Ceramics Newsletter *Table of ContentsAcknowledgements About the author Introduction 1. Handbuilding techniques 2. Research and inspiration 3. The vessel 4. Surface treatments 5. Sculptural approaches 6. Combining techniques 7. Contemporary approaches Conclusion Gallery

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Book SynopsisA comprehensive guide with recipes for making your own lustres and techniques for applying and firing them. A lustre is a thin layer of metal which is deposited onto the surface of the pot during firing and which produces a lustrous surface. Lustres are very sought after, fabulous surfaces which can lure you in and keep you spellbound. They can be coloured as golds, coppers, reds and blues, or have a colourless sheen like mother of pearl. Although lustre is a complex technique, this handbook explains and simplifies the process of creating various types of lustre for you to enjoy producing spectacular results. The book offers various recipes for making your own lustres and techniques for applying and firing, and shows you the results of Greg Daly’s extensive testing to point you in the right direction. One of the most commonly used lustres today is a resin lustre (known as the ‘commercial’ lustre) which contains some dangerous carcinogens thinners. There is therefore an advantage to making your own lustre using more natural materials, which will also give you an infinite variety of effects.Trade ReviewThe enthusiasm for his personal alchemy and the excitement that exploration generates is evident throughout Daly's book. His extremely thorough approach to record keeping, with constant attention to every detail, is an important example for anyone to follow, if they hope to achieve repeatable effects in what is an uncertain medium. * Ceramic Review *A useful specialist handbook for the potter who is particularly fascinated with lustre and wants to create their own lustre effects. * London Potters News *Lavishly illustrated in glorious colour, a feast for the eyes and a temptation to have a go, or enter on a serious programme ... This handbook will send you on an exciting path creating many types of lustre effects. * Shards: South Wales Potter Newsletter *A fascinating read for anyone who wants to learn more about lustres at any level ... This is an excellent guide to an intriguing area of ceramics, rich in detail, photography and explanation. It is sure to become a standard text on the subject. * Dacorum & Chiltern Potter's Guild *Table of ContentsIntroduction 1. Lustre: A Brief History 2. Pigment Lustres 3. Lustre Glazes 4. Resin Lustre 5. Fuming Bibliography Chemical Supplies Orton Cones Temperature Conversion Chart Analysis of Frits Used Index

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Book SynopsisAmazing Glaze sets out all you need to create your own amazing glazes: recipes, foundational and advanced techniques, and inspiration from some of the best contemporary ceramicists.Trade ReviewThis book made me fall in love with glaze all over again. With Amazing Glaze, Gabriel has created that rare glaze book that is both thorough and accessible, giving you the information and inspiration you need to spark your creativity. It is a must have for potters that are looking to expand their knowledge of ceramic surfaces and glazes. * Ben Carter, author of Mastering the Potter’s Wheel *Amazing Glaze takes an engaging look at what a glaze is, then why and how to use it, with a strong emphasis on planning ahead. It’s a book that will help many who struggle with the process—it may even encourage a new perspective for those who are in the ‘I hate glazing’ camp. If you find that you approach glazing with trepidation and anxiety that leads to indecision, or if you need more variation, creativity, and spontaneity in your surfaces, Kline's guidance will help you get beyond those roadblocks and find successful, personalized solutions to finishing your work. * Jessica Knapp, Editor, Ceramics Monthly *

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Book SynopsisAn introduction to all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. All glass makers - unless they are blowing glass - need moulds which can go in the kiln, as part of the process of creating new pieces. This book is your complete and essential reference to all mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. Mould Making for Glass helps you to find out which methods are appropriate for different types of work, and covers all the basics of how to make your mould. Discover practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. Finally, learn where to start with writing programmes for kiln firings including annealing and cooling and explore the work of well-known artists working in cast glass through beautiful photographs.Trade ReviewA solid introduction to, and a survey of, the subject it covers * Art Book Review *Table of ContentsIntroduction 1. Kiln-casting Glass 2. What is Refractory Mould-making? 3. Understanding Ingredients 4. Types of Glass 5. Model and Master Mould-making 6. Mould-making Methods 7. Handbuilding 8. Core Casting 9. Mould-drying, Kiln-packing and Firing 10. List of Mould-mix Recipes 11. Developing Your Own Recipes and Methods 12. Fusing, Slumping and Pâte de Verre 13. Surfaces and Finishes 14. Recycling Further Reading Glossary Suppliers Index

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Book SynopsisAn essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.Trade ReviewReviewing this book was a delight . . . A pleasure to read, beginning with a brief but engaging history of this amazing material, right back to the first proto-porcelains of 1700-1027 BC . . . [and featuring] an articulate analysis of the chemical constituents of porcelain . . . [and] a simple analysis of how the different components contribute to the workability of this material. ... The author's tips on taming the temperamental beauty generously proliferate throughout the book. Vivienne is so obviously 'in tune' with her material. ... Beautifully illustrated throughout . . . A 'must read' for all those who have an interest in working with porcelain, from student through to knowledge-seeking, established practitioner -- Liz Lawrence * Shards, South Wales Potters Newsletter *Table of ContentsIntroduction Acknowledgements 1. A Brief History of Porcelain 2. What is Porcelain? 3. Producing a Workable Porcelain Body 4. Working with Porcelain 5. Forming and Finishing Porcelain 6. Glazes for Porcelain 7. Firing Porcelain 8. Faults and their Remedies Where to See Historic and Contemporary Porcelain Bibliography Featured Artists Main Suppliers Orton Cone Charts Index

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Book SynopsisA highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.Trade ReviewThis book is a go to book for the art of creating tableware. Not only is it beautifully illustrated with wonderful examples of work. It explains in simple easy to understand terms of how to get started. The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader. * Keith Brymer Jones, Master Potter and judge on 'The Great Pottery Throw Down' *Owning the book is like having a master craftsman in your studio. * Anthony Quinn, Course Leader BA Ceramic Design at Central Saint Martins *visually appealing… This is best suited for experienced ceramicists looking to elevate their craft. * Publishers Weekly *This is a book to inspire anyone to enter a studio, get hands on and create their own stylish wares for the table. * The Arts Society Magazine *This step-by-step guide is a great source of inspiration for those wanting to further their tableware ambitions. * Ceramic Review *Call this the apex of simplicity. Pryke and Bloomfield, commercial potters who design for powerhouses like IKEA, join forces to explain the how-tos of contemporary tableware… Color photographs showcase not only step-by-step details but also an incredible range of professional ceramics in the authors' understated aesthetic. * Booklist *Packed full of inspiration for those wishing to further their tableware ambitions, the book provides ideas for potters at any level of practice. * London Potters Magazine *A useful one-stop guide to the end to end process of making tableware. * Scottish Potters *This book is beautifully produced and superbly illustrated * Anglian Potters Magazine *Table of ContentsIntroduction Inspiration Design: How to Make a Coherent Tableware Collection Materials: Types of Clay Clay Preparation and Recycling Health and Safety Making Methods Glazing Firing Finishing Conclusion

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Book SynopsisAn indispensable compendium of technical know-how and troubleshooting tips Just like having a mosaic tutor on call 24 hours a day-this book is packed with handy, time-saving tips and technical knowledge to improve your skills, speed up the learning process, and give your unique mosaics a professional finish. Easy-to-follow step-by-step techniques, photography, and illustrations. Handy, professional quick fixes and solutions for commonly encountered problems. Advice on what to buy and how to use the tools and materials-from ceramic tiles to pebbles, shells, and beads. Tips on design: finding ideas, drawing outlines, order of work, and adding eye-catching details.Trade ReviewOct 12 A great book for anyone wishing to know more about mosaic. It literally covers everything and has lot of inspiring techniques and projects to try. It's a new book too, only came out in August and I have to say I am impressed with it! I have learned something every time I have had a read through. It is easy to follow and well laid out. I think it will be a book that will be on my shelves for a long time as it covers everything for beginners and experienced mosaic artists a like. It is full of useful information and I highly recommend it if you have an interest in this craft.-spansstudio.co.uk * makeandcraft.com *Table of Contents* An indispensable mosaic compendium, packed with everything you need to know * Clear, step-by-step techniques are accompanied by useful illustrations and photographs * Includes handy tips, technical advice, inspiration and ideas

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Book SynopsisAccording to Ceramics Monthly, approximately 75 per cent of potters glaze their pieces at mid-range temperatures. This is a complete studio guide to successful glazing at mid-range temperature. It explores all the fundamental techniques, as well as offering artisan tips for specialist glazing.

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Book SynopsisThe ultimate guide to the potential of ceramic transfer printing as a creative medium. This book is ideal for anyone wishing to combine ceramics with print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially-made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting. Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. Discover the specific materials and techniques for making versatile screen-printed ceramic transfers - from the 'low tech' to the more sophisticated. In this book, you can also explore other approaches by artist researchers as well as recent developments with digital transfers. A range of case studies shows the potential and diversity of the transfer printing approach in this area, which extends beyond ceramics to include printing on enamel, metal and glass.Trade ReviewPetrie shares his wisdom, experience and techniques in this very comprehensive work ... a serious reference tome for both the student and the artist. * London Potters News *New and exciting ... Well produced offering a clear and well-structured layout in both its historical analysis and new technical developments ... Highly recommended. * South Wales Potters' Newsletter *This title is the first in a new series called The New Ceramics, with which the publisher will offer a contemporary vision of different areas of ceramic art. In this case concerning the transfer of images on ceramic, support was studied from traditional techniques to the use of computers. * [Translated from] Revista de Libros *Table of ContentsAcknowledgements Introduction 1. What is a ceramic transfer? 2. A historical overview 3. How ceramic transfer prints look: methods and aesthetics 4. Materials for ceramic transfer printing 5. Screen-printed waterslide transfers: the basics 6. Some ‘low-tech’ approaches to using screenprinting 7. Extending the potential of screenprinting: ‘photographic’ stencils 8. Integrating form and image: one artist’s approach 9. Digital transfers 10. Revisiting early transfer printing methods 11. Transfer printing and enamel on metal 12. Transfers and glass Conclusion Suppliers Further reading Index

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Book SynopsisA diverse selection of contemporary ceramic work by Japanese women, featuring stunning pieces from virtuosic artists

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Book SynopsisA celebration of art traditionally devalued as too domestic or feminine to be taken seriously and the innovative, brilliant artists reclaiming the idea of ‘women’s work’. Table of ContentsGee’s Bend Quilters Maria Martinez Elsa Schiaparelli Anni Albers Lucie Rie Lenore Tawney Dorothea Tanning Louise Bourgeois Rut Bryk Monir Shahroudy Farmanfarmaian Miriam Schapiro Yayoi Kusama Faith Ringgold Magdalena Abakanowicz Olga de Amaral Sheila Hicks Eva Hesse Marva Lee Pitchford-Jolly Judy Chicago Judith Scott Annette Messager Isabelle de Borchgrave Dindga McCannon Cecilia Vicuña Mrinalini Mukherjee Polly Apfelbaum Sarah Lucas Yin Xiuzhen Simone Leigh Billie Zangewa Otobong Nkanga Alexandra Kehayoglou Sarah Zapata Tschabalala Self Hannah Hill More artists to explore Bibliography Index Picture credits Acknowledgements

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Book SynopsisExplore the history of crystalline glazes and the various aspects of their production in this updated second edition.This book describes suitable clays and kilns, glaze recipes, glazing techniques and how to fire in both oxidation and reduction. This edition has been updated to include information about new crystalline glaze potters and redesigned with colour illustrations.

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Book SynopsisFrom Clay to Kiln is a must-have guide for anyone working with ceramics, from absolute beginners, weekend crafters and students, through to practising ceramicists. In this book, Stuart Carey invigorates and encourages you through all stages of the pottery process. Covering all the information you need about tools and materials, he takes you through preparation and hand building, throwing and finishing your vessel, to glazing and firing. You will gain an in-depth knowledge of how clay works and how to apply your skills to the wheel and beyond. With simple step-by-step tutorials, clear visuals and Stuart’s helpful hints and tips, you can jump straight in with confidence and create a piece of pottery that marries beauty, form and function. Including stunningly beautiful photography throughout, this is a book to inspire.Trade ReviewI’m very new to pottery, and have found it a relaxing and rewarding pastime. I haven’t braved the wheel yet and I found glazing to be a frustrating process. This book has really helped me understand the processes and has made me feel much more comfortable in trying out more processes. It’s clearly set out and has great photos, I’m ready to try that wheel now! Would highly recommend. -- Jane Mackenzie * Customer review *My mum loved this, being an ex-pottery teacher, she loved how simple and easy it was to follow. The pictures she thought were glorious, this book bought us back a lot of good memories and now we have a hard copy to treasure... Perfect book thank you. -- Vivian Allman-Neal * Customer review *Haven't done any ceramics before but this book has given me the encouragement and confidence to have a go. The pictures are great and explain things easily, especially for a visual learner. The text is equally as good. Each chapter moves you slowly from task to task, to end up with a completely finished piece of work. The glossary at the back is useful as is the fault-finding section. -- Jan Hudson * Customer review *Table of ContentsMeet Stuart 6 Chapter 1: Preparing and Hand Building 8 Meet the Materials 10 Wedging 12 Weighing and Balling 18 Hand Building 20 Chapter 2: Throwing 36 Body Position 38 Glossary of Hand Positions 40 Tools 46 Using a Bat 50 Planning a Project 52 Centering 54 Cylinder 58 Bowl 72 Plate 84 Chapter 3: Finishing your Vessel 90 Turning 92 Finishes 104 Handles 106 Chapter 4: Decoration: Glazing and Firing 120 Surface Finishes 122 Colour 128 Glaze and Glaze Making 130 Mixing and Sieving 136 Application 140 Firing 144 Faults and Flaws 148 Glossary 154 Index 157 Credits 160

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Book SynopsisA comprehensive textbook on ceramic technology and a chronicle of the developments made by the European Ceramic Work Centre. The Ceramic Process is both a comprehensive textbook on ceramic technology and a chronicle of the developments made by the European Ceramic Work Centre (EKWC) over the years. It is a practical book which helps you to look at materials, methods and equipment, using the results of various artists' projects for inspiration. EKWC is internationally renowned as a centre where ceramic artists come for a period to experiment with new materials, methods and technologies. Their time there is funded and they are given the back-up of innovative technicians and materials to work with. Learn about the artists who have worked at the centre, including some of the top names in sculpture and ceramics from around the world: Neil Brownsword, Tony Cragg, Ewen Henderson, Jun Kaneko, Anish Kapoor, Kinpei Nakamura and Betty Woodman. Throughout the book, discover some spectacular results and how the new techniques and materials have been adopted by artists around the world.Trade ReviewCombines expert advice and information from many of the EKWC's tutors and may well be the new 'bible' for ceramic artists, amateurs and students. * Craftsman Magazine (Feb 2006) *It is essential reading for everyone from beginners to experts. * Craftsman Magazine (Feb 2006) *an impressive overview of techniques, recipes, and working processes used at the European Ceramic Workcentre in the Netherlands [...] The best part of this book is the color photographs throughout [...] There is probably no better guide to this period of large-scale ceramic sculpture in Europe, and for that alone, the book is worth it. There is also information on paper clay, large-scale plaster sculptures, and other adventurous approaches to clay, making this a useful resource for ceramic sculptors and designers [...] it is a unique book that does cover every part of working with clay. * The Studio Manager *the tables and process illustrations are highly useful * Art Journal Open *Table of ContentsForeword by Joel Fisher Introduction by Dr Koos de Jong, Director of the EKWC Author’s Note and Acknowledgements 1. Material, Method and Process 2. Clay Body and Casting Slip 3. Preparations Prior to Making 4. Handbuilding 5. Using Moulds 6. Drying 7. Firing Biscuit 8. Glazes and (Sinter) Engobes 9. Painting and Decoration 10. Terra Sigillata 11. Firing Glazes 12. Non-Ceramic Treatment 13. Advanced Section: Clay 14. Advanced Section: Glaze 15. Advanced Section: Terra Sigillata Appendix 1: Unity Formulas and Percentage Analyses Appendix 2: Further Reading Appendix 3: Glaze Calculation Software Appendix 4: Suppliers List Appendix 5: Names of Participants 1991–2003 Index

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Book SynopsisTrade ReviewCeramicist Jo Davies' book give a clear, through and practical account of firing, explaining the techniques and ideas behind the magical stage of making. It highlights commonly overlooked details that can lead to disastorous results and shares useful tips to help you achieve the best from your kiln. It also profiles leading makers and illustrates how their use of kilns contributes to their unique and beautiful work. This book will be your handbook to successful and confident firing. -- Jessica Browne, Ceramic Review * Ceramic Review *This very prepossessing publication has to be one of the most important books to be published this year for anyone involved in or who wants to develop their interest in ceramics. It is also very timely in that it meets the new market for ceramic making and people wanting to start their own studio at whatever entry level. This book by Jo Davies starts from the premise of asking what is it you want to fire and with which effect. Not forgetting the type of clay used and where will the kiln live, that you are just about to buy. My advice is to stop immediately and buy this book and read it from cover to cover. It’s going to answer all the questions you need to know and save you a lot of money. -- Paul Bailey. Emerging Potters magazine * Emerging Potters magazine *This very prepossessing publication has to be one of the most important books to be published this year for anyone involved in, or wants to develop their interest in ceramics. It is also very timely in that it meets the new market for ceramic making and people wanting to start their own studio at whatever entry level. -- Paul Bailey, Emerging Potters Magazine Oct-Dec 23 * Emerging Potters Magazine Oct-Dec 23 *

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Book SynopsisThis impressive monograph of the Norwegian potter Elisa Helland-Hansen (b. 1950) is an all-encompassing work of art. With unique hand-processed photographs, she documents her distinctive vessels, traces her sources of inspiration, and displays her objects in action: serving, pouring, or cooking. The publication brings together essays by various authors and a series of short, poetic texts by Helland-Hansen and others on significant figures, topics, and events in her life. This book, which is published in conjunction with an exhibition of her work at Kunstnerforbundet in Oslo, presents and contextualises an important, contemporary ceramicist and affords personal insights into her life, thinking, and work processes.

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Book SynopsisAn essential guide to low firing and producing natural finishes without using glazes. This book explores the techniques of firing and finishing at low temperature without using glazes or electric kilns. Many ancient cultures and contemporary potters use methods of low firing, adding slips and burnishing pieces to create a more natural finish. As these techniques can be achieved without a kiln, for example using old dustbins, pits dug out of the earth or bonfires, it means that providing you have some outdoor space, the process can be done on a low budget. With many illustrations of beautiful work by contemporary makers for inspiration, this step-by-step guide to low firing and natural finishes is suitable for potters of all levels, including beginners. Get started in no time with practical approaches to burnishing, terra sigillata, smoke-firing, pit-firing, saggar firing and raku techniques.Trade ReviewA must book not only for beginners but also for the experiences if just for the pictures alone * Kent Potters newsletter, January/February 2010 *well produced, as usual, with many good photographs of the techniques and of the finished works * London Potters *A very useful reference work if starting out on burnishing & low fired finishes for pots * London Potters *Table of ContentsAcknowledgements Introduction 1. Burnished pottery in history 2. About burnishing 3. Burnishing with terra sigillata 4. Smoke-firing and black-firing 5. Pit-firing 6. Saggar firing 7. Raku firing techniques: horsehair and naked raku 8. Finishing touches Bibliography List of suppliers Contributing artists Glossary Index

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Book SynopsisA practical guide to all forms of decoration for pots and sculpture. This step-by-step guide encourages you to explore the full range of surface treatment techniques and teaches you how to obtain a professional finish to your work by suggesting an appropriate finish choice. Surface Decoration looks at all manner of surface decoration techniques, at every stage of the ceramic process and from a practical perspective explains how to achieve these effects. The book explores a variety of innovative and contemporary approaches to surface finish including sgrafitto, resist methods, sprigging, trailing, glaze layering, lustre, transfer, impressing, incising and textural methods amongst others. This is the perfect guide for any ceramic artist interested in exploring new surface decoration techniques.Trade ReviewThis book will certainly inspire many readers to try new decoration methods. The best parts of this book are the beautiful images showing the variety of options there are. * Keramiske noter (Bloomsbury translation) *Keith Millward shares his vast experience as a ceramicist, designer and educator in this rich overview of surface decoration in ceramics. He outlines each process clearly and concisely, and importantly, highlights the special qualities and unique effects of each. This is a valuable book for the studio. * Charlotte Hodes, Artist and Professor of Fine Art at London College of Fashion, UK *Millward has created a reference for contemporary potters that mines and updates a vocabulary steeped industry and the ancients. Thorough and comprehensible, this book is a must have for any studio library. * Brian Gillis, Associate Professor of Art and Ceramics Coordinator at the University of Oregon, USA *Kevin Millward's Surface Decoration is an exciting and thorough compilation of ceramics surface techniques. From green ware to sgraffito, glazes to lustres- this book explores it all. A clearly organized compressive and easy to follow book that could be a perfect companion to the student, artist, teacher and craftsmen. * Io Palmer, Associate Professor of Ceramics and 3D Foundations Coordinator at Washington State University, USA *This comprehensive guide represents the consolidation of Milward’s extensive knowledge of the subject. As a highly experienced studio potter who has served also as a technical consultant to the ceramic industry, a plethora of tried and tested practical advice is made accessible to serve a range of ceramicists at any level in their career. * Neil Brownsword, Artist and Professor of Ceramics at Buckinghamshire New University, UK *This instructive, well-organized book is the culmination of 40-plus years of Millward’s hands-on experience teaching, designing, and potting in the UK. In accessible, concise text and excellent color photographs (including step-by-step processes), the author presents an eclectic mix of traditional and contemporary methods to decorate ceramics. The author encourages experimentation by including tried and true tips and tricks, variations, and recommendations, and discussion of expected results and potential problems (and their solutions). Ceramics can be decorated before and/or after firing; some processes begin on the wet clay itself, whereas others require application during specific stages of production. Contrasting colored clays can be combined several ways. Stencils, stamps, inlay, relief, and resists can produce a variety of surface textures and imagery. The advantages and pitfalls of all the methods presented are insightfully discussed. Detailed instructions are included for painting, drawing, printing, trailing, dipping, and spraying slips, underglazes, overglazes, and lusters onto unfired and fired clay. Numerous inspirational images of the author’s and of other ceramists' work accompany the text. This very practical book should be in every potter’s library. Summing Up: Recommended. All readers. * CHOICE *Table of ContentsIntroduction 1. Raw Techniques 2. Texture 3. Stamps 4. Resist and Masking 5. Slip 6. Painting 7. Drawing 8. Glaze Effects 9. Glaze Application 10. On-glaze Techniques Appendix Glossary Additional References Index

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Book SynopsisLearn new slipcasting techniques to create a wide range of beautiful and individualised pieces. In the past, slipcasting was primarily considered an industrial method. Today, however, ceramic artists are adapting its techniques to create a wide range of beautiful and highly individualised pieces. Sasha Wardell clearly explains and demonstrates the techniques involved and shows you how they can be adapted for the studio workshop. Full of colourful images, this book gives you a thorough grounding in all aspects of mould making and slipcasting. Get inspired by the work of an international group of artists which illustrate the breadth and versatility of the work that can be created. This second edition also contains a revised chapter on individual approaches by well-known contemporary artists.Table of ContentsPreface Acknowledgements Introduction 1. Plaster – the Material 2. Tools and Materials 3. Modelmaking 4. Mould Making Part I 5. Mould Making Part II 6. Slipcasting 7. Bone China 8. Individual Approaches Appendix Glossary of Terms Bibliography Suppliers Index

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Book SynopsisA tarot deck inspired by the intricate symbolism and colors of stained glass• Includes 78 full-color cards featuring colorful and detailed original adaptations of the tarot archetypes in stained-glass style• The detailed guidebook provides thorough meanings for each card of both Major and Minor Arcana, for their upright and reversed appearances, as well as exploring each card’s esoteric symbolism• Shares instructions on how to use the cards, explains a variety of card spreads, and offers a glimpse into tarot history and its connections to astrology, numerology, alchemy, the Western esoteric tradition, and the teachings of Carl JungInspired by the intricate symbols and colors of the stained glass windows of cathedrals and other sacred places, this 78-card tarot set draws the reader into a meditative state as they contemplate the mystical symbolism and stunning artwork of the cards.The accompanying guidebook provides thorough meanings for each card of both Major and Minor Arcana, and for their upright and reversed appearances, as well as evocative verses that invite the reader to explore each card’s esoteric symbolism.For the 22 Major Arcana, the author explains how each card fits into the progressive soul’s journey from The Fool to The World. For the Minor Arcana, he explains the significance of each of the suits and their key attributes and influences. He describes a number of ways to interpret each card and how to decide which interpretation to favor. He also includes a variety of card spreads and offers a glimpse into tarot history and its connections to astrology, numerology, alchemy, the Western esoteric tradition, and the teachings of Carl Jung.This illuminating tarot set provides not only a highly detailed manual but also mesmerizing images that draw the eye and calm and focus the mind for an authentic divinatory experience.

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Book SynopsisThe use of wax, paper, clay and other materials to prevent the effects of heat, fire, smoke, chemical reactions, colours and glazes from altering or contaminating the surfaces of work is very popular with ceramicists. However, learning to use these techniques can be a long and frustrating process, particularly when complicated by considerations of the state of the clay and which form of glazing is to be used. In this book, Peter Beard discusses the techniques of masking and resist and gives guidance as to how best to use various materials and firing method to achieve a wide range of finishes.Table of Contents1. History and overview of resists and masking 2. Water-based waxes 3. Oil-based waxes 4. Latex wax or latex rubber solutions 5. Spraying - ordinary and airbrush 6. Paper and adhesive tapes, papers and films 7. Exercises in using slips and resists 8. Colloidal slips 9. Acid etching 10. Lustre techniques 11. Masking resists and smoke 12. Grit blasting 13. Recipes

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Book SynopsisFully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes. Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources. Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots. This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.Trade ReviewThe most useful and definitive guide to the various uses of wood ashes in glaze application. -- Mike Dodd, internationally acclaimed potterPotters, young and old, will delight in the updates, and our continuing experiments and revelations will be fitting tributes to all that Phil and Hajeong have contributed to our field. -- Mark Hewitt, author of 'The Potter's Eye'For those seeking a single reference work which both introduces the topic but also gives you the tools, knowledge and encouragement to experiment in your own environment this is undoubtedly the definitive choice. * Westcountry Potters *Table of ContentsIntroduction Preface to the Third Edition Foreword Author Preface A Brief History of Wood Ash Glazes The Growing Plant What is Wood Ash? Collecting and Preparing Wood Ash What are Glazes and How do they Work? Making Glazes Ash-like Glazes without Ash Potters' profiles Katherine Pleydell-Bouverie Terry Bell-Hughes Mike Dodd Lis Ehrenreich John Jelfs Dick Lehman Jim Malone Eric James Mellon Jim Robison John Thies Tom Turner Phil Rogers Showcase Ash Glaze Recipes Ash Analyses & Molecular Weights Glossary Bibliography Index Afterword

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Book SynopsisThis broad approach to slab work shows a wide variety of building methods and highlights the work of high-profile ceramic artists. Slabs can be used to make a variety of forms ranging from the most basic to the more complex. The book covers many building methods using a varied range of pots and sculptures, demonstrated through step-by-step images. With fantastic images of finished work from high-profile ceramic artists for inspiration, you are also encouraged to experiment and find the methods that are most suited to you. Slab Techniques covers all the basics, such as making your slabs and joining well, simple building methods, use of supports, creating textures, decorating with slips and ways to avoid problems during the firing stage. The handbook also looks at innovative and original approaches, as well as building large-scale pieces and the potential issues associated with them. This book is an essential addition to the bookshelves of students and professional ceramicists.Table of ContentsDedication & Acknowledgements Introduction 1. The Clay 2. Making the Slab 3. Construction Techniques 4. Textures, Impressions, Mark-making, Colour 5. The Importance of Detail 6. Going Larger 7. Applying the Glaze 8. Drying and Firing Bibliography Glossary of Terms List of Suppliers Index

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Book SynopsisAn essential resource for ceramicists, studios or schools looking for inspiration to reclaim, reuse and recycle in their studio or work. Producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible is now more important than ever. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present you with a range of practical possibilities. This book presents you all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle your waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of your ceramic art, and draws on interviews and examples by practitioners who reclaim, reuse and recycle in their studio or work.Trade ReviewArtists are increasingly interested in producing work which is not only beautiful but also environmentally friendly. The book covers over four decades of making and a wealth of experiences. -- Billy Byles * Aylesford School of Ceramics *Robert Harrison, sets out to convince the reader to do something positive. And he does it well ... I found the book fascinating. I would encourage all potters to read it. Either buy the book or borrow mine; I've read my copy and I daren't let it end up as landfill. -- Frank Hamer * Shards *Table of ContentsForeword by Janet Mansfield Introduction 1. Your carbon footprint 2. Sustainable ceramic practices for the maker 3. Ceramic artists working sustainably 4. Working with industry 5. Sustainable endeavours: education and networks 6. Journal leaders: personal approaches Practical advice – top tips Websites Bibliography Index

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Book SynopsisTrade ReviewIt would not be entirely amiss to describe Yanagi's position in Japan as comparable to that of Ruskin and Morris in England ... He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world -- Bernard LeachWhat impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind -- Shoji HamadaRadical and inspiring ... Yanagi's vision puts the connection between heart and hand before the transient and commercial -- Edmund de WaalSoetsu Yanagi's unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world -- Jasper Morrison

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Book Synopsis104 stained glass projects using all the well-known themes of Art Nouveau: swirling forms, florals, peacocks, and sensuous women. Sourcebook for use or for inspiration. 104 projects on 60 plates.

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Book SynopsisThe essential guide to the smoke firing method with highlights from international artists' work. Smoke firing is an ancient technique, used both to fire raw clay into durable ceramic and also to decorate it with smoke designs. Its technological simplicity not only lends itself to endless interpretations but encourages artistic creativity through improvisation and experimentation. Smoke Firing is a thorough survey of the varied work and approaches of contemporary artists today, showing recent innovative developments. By investigating the ideas of selected ceramicists Jane Perryman reveals the meanings and inspiration behind their work. Clear and colourful images demonstrate the various processes used, showing sequences of artists in action. The book covers smoke firing using bonfires, various containers, earth pits, saggars, and kilns, with a chapter on how smoke firing can be used as an educational tool in groups and workshops. Dynamic illustrations feature the work of the 29 artists represented, from 17 different countries, making it a truly international focus on smoke firing.Trade Review...fabulous...Perryman explores this wondrous subject by highlighting contemporary artists and approaches to smoke-firing. * www.karenplatt.co.uk (June 2009) *Table of ContentsPreface Foreword 1. An Introduction to Smoke Firing Smoke Firing in Antiquity Traditional Firing Technology 2. Smoke Firing in Contemporary Traditional Societies Nigeria India Native America (New Mexico) PART 1: SMOKE FIRING WITHOUT A KILN 3. Smoke Firing in the Open Siddig El’Nigoumi (Sudan/UK) Susan Halls (UK/USA) 4. Smoke Firing in a Container Inger Sodergren (Sweden) Antonia Salmon (UK) Ann Marais (South Africa) Gabriele Koch (Germany/UK) Jimmy Clarke (USA) Madhvi Subrahmanian (India/USA) 5. Smoke Firing in a Pit Janey Burton (USA) Gudrun Kainz (Austria) Signe Lassen (Denmark) PART 2: SMOKE FIRING WITH A KILN 6. Smoke Firing in a Saggar Magdalene Odundo (Kenya/UK) Richard Notkin (USA) Pao Fei Yang (Taiwan/USA) Eva Marie Kothe (Sweden) Jane Perryman (UK) Duncan Ross (UK) Alison Tinker (UK/Spain) Sebastian Blackie (UK) Nattinee Satawatthamrong (Thailand) Pamela Gorgone (USA) 7. Smoke Firing in a Kiln Pierre Bayle (France) Ellen Schopf (Germany) Munemi Yorigami (Japan) 8. Post-raku Smoke Firing Giovanni Cimatti (Italy) Anne James (UK) Joy Bosworth (UK) Ashraf Hannah (Egypt/UK) Mark Verbruggen (Belgium) 9. Smoke Firing in Groups Smoke firing with groups of children and adults using a variety of firing techniques and locations Conclusion and Acknowledgements Health & Safety and Suppliers List References Index

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