Ceramics, mosaic and glass: artworks Books

Book Synopsis

Read more less

Book SynopsisAn essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.Trade ReviewReviewing this book was a delight . . . A pleasure to read, beginning with a brief but engaging history of this amazing material, right back to the first proto-porcelains of 1700-1027 BC . . . [and featuring] an articulate analysis of the chemical constituents of porcelain . . . [and] a simple analysis of how the different components contribute to the workability of this material. ... The author's tips on taming the temperamental beauty generously proliferate throughout the book. Vivienne is so obviously 'in tune' with her material. ... Beautifully illustrated throughout . . . A 'must read' for all those who have an interest in working with porcelain, from student through to knowledge-seeking, established practitioner -- Liz Lawrence * Shards, South Wales Potters Newsletter *Table of ContentsIntroduction Acknowledgements 1. A Brief History of Porcelain 2. What is Porcelain? 3. Producing a Workable Porcelain Body 4. Working with Porcelain 5. Forming and Finishing Porcelain 6. Glazes for Porcelain 7. Firing Porcelain 8. Faults and their Remedies Where to See Historic and Contemporary Porcelain Bibliography Featured Artists Main Suppliers Orton Cone Charts Index

Read more less

Book SynopsisA highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.Trade ReviewThis book is a go to book for the art of creating tableware. Not only is it beautifully illustrated with wonderful examples of work. It explains in simple easy to understand terms of how to get started. The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader. * Keith Brymer Jones, Master Potter and judge on 'The Great Pottery Throw Down' *Owning the book is like having a master craftsman in your studio. * Anthony Quinn, Course Leader BA Ceramic Design at Central Saint Martins *visually appealing… This is best suited for experienced ceramicists looking to elevate their craft. * Publishers Weekly *This is a book to inspire anyone to enter a studio, get hands on and create their own stylish wares for the table. * The Arts Society Magazine *This step-by-step guide is a great source of inspiration for those wanting to further their tableware ambitions. * Ceramic Review *Call this the apex of simplicity. Pryke and Bloomfield, commercial potters who design for powerhouses like IKEA, join forces to explain the how-tos of contemporary tableware… Color photographs showcase not only step-by-step details but also an incredible range of professional ceramics in the authors' understated aesthetic. * Booklist *Packed full of inspiration for those wishing to further their tableware ambitions, the book provides ideas for potters at any level of practice. * London Potters Magazine *A useful one-stop guide to the end to end process of making tableware. * Scottish Potters *This book is beautifully produced and superbly illustrated * Anglian Potters Magazine *Table of ContentsIntroduction Inspiration Design: How to Make a Coherent Tableware Collection Materials: Types of Clay Clay Preparation and Recycling Health and Safety Making Methods Glazing Firing Finishing Conclusion

Read more less

Book SynopsisMastering Kilns and Firing is an all-in-one resource for potters looking to go beyond the electric kiln.Trade ReviewPotters who are ready to explore new atmospheric firing techniques will find Mastering Kilns & Firing to be an indispensable guide. Lindsay introduces each type of firing from an approachable, collaborative perspective with inspiring examples of contemporary work by a variety of artists. She guides readers so they not only learn the basics needed to achieve success, but also feel empowered to experiment, explore, and have fun. * Jessica Knapp, editor, Ceramics Monthly *Mastering Kilns & Firing offers a wealth of knowledge. Oesterritter's dedication both to processes and the community-building they inspire are apparent in her competent writing and echoed in the beautiful guest artist galleries. This text should be a staple of any clay worker’s library. * Elenor Wilson, editor, Studio Potter Journal *Lindsay, a master of deep, rich surfaces, has written a personal, professional, and all-around practical guide to kilns and firing. Her years of teaching and experience as a maker are obvious in this book. It will save you countless hours on your own ceramic journey. * Simon Levin, potter, kiln builder, and Fulbright Scholar *Lindsay has produced a gorgeous and invaluable book for people with all levels of interest and skill. Clear prose and excellent presentation make this book a page-turner; I repeatedly found myself wondering what exquisite beauty and careful explanation lay ahead. * Bill Griffith, educator, administrator, and artist, Arrowmont School of Arts and Crafts *Based on her many years of experience as an educator and as a professional potter, Lindsay gives the reader well-informed insight regarding what to consider, how to prepare, and those all-important health and safety concerns when working with kilns and firing. * Robert Sanderson, co-editor, The Log Book, International Wood-fired Ceramics Publication *Accessible and readable, this book brings clarity and refreshing insight into the often-cumbersome process of wood- and alternative-firings. It is well organized and richly illustrated, covering all the bases. * Peter R. Beasecker, potter and professor of art, Syracuse University *Table of ContentsForeword Introduction 1. GETTING STARTED Basic Safety Clay 15 Cone Packs Cleaning Wood Storage & Sourcing 2. KILN FUNDAMENTALS Kiln Anatomy Kiln Material Considerations Flame Path Personal Considerations 3. RAKU Making Work for Raku Preparing Work for Raku The Reduction Chamber & Combustibles Kiln Design & Firing Techniques Firing Gallery 4. PIT & BARREL Making Work for Pit Firing Preparing Work for Pit Firing Loading the Kiln Kiln Design Firing Gallery 5. WOOD FIRING Making Work for Wood Firing Wadding Loading a Kiln Firing Common Questions & Concerns Unloading & Evaluating a Firing Gallery 6. FURTHER EXPLORATIONS Fuel Source Framework Firing Variations Fire as Performance Gallery Recipes Acknowledgments About the Author Index

Read more less

Book SynopsisCreative and practical, Kicking Glass is a step-by-step guide for those wanting to practice the popular craft of stained glass. From simple suncatchers and boho lamps to exquisite 3D constructions and delicately-poised glass butterflies, experienced artist Neile Cooper guides you through the magical world of stained glass with a creative handbook for both the novice and more experienced crafter alike. Beautifully illustrated with photographs of Neile’s own work including her glorious glass cabin in the woods as well as pieces from some of today’s most stylish designers, Kicking Glass is packed with ideas to guide and inspire. This book provides comprehensive technical instruction in the copper foil method, covering everything from tools and supplies to exploratory techniques such as including foraged and found objects into your work. Skills are demonstrated through tutorials with photos, instructional drawings and 16 stunning patterns. Whether you’re looking to decorate your windows, create lovely gifts for friends and family or design your own epic masterpiece, Kicking Glass is the essential modern guide to stained glass making.Trade ReviewA thorough, enthusiastic guide to the art, full of beautiful projects, helpful advice, and inspiring thoughts from working stained glass artists * Foreword *Novices can expect all the familiar faces of how-to books: tools and supplies, an examination of materials, and clear directions on finishing, all well illustrated with quality color photographs. * Booklist *Neile’s warm and supportive approach comes across as she shares the vision behind the creation of her own sanctuary – a cabin in her garden that she is lovingly decorating with reclaimed window frames and stained glass designs based on her love of the natural world. [...] Kicking Glass offers comprehensive training and a liberal helping of motivation through beautiful imagery and practical designs to try. * Contemporary Glass Society *When I’m ready to dip my toes, Kicking Glass by Neile Cooper is where I’ll begin exploring this gorgeous hobby. Cooper’s thorough tome walks beginners through setting up a space, picking out supplies, and basic techniques required for creating stained glass. * The Mercury *The photography is stellar with lushly colorful clear pictures and tutorial explanations. The author provides project lists with tools and supplies and step by step instructions. The book feels like a small, well organized workshop with a well spoken and competent teacher. The projects are varied and attractive and are a mix of more traditional looking and modern. -- Nonstop ReaderThe book is full of beautiful, full colour illustrations, and instructions are easy to follow, if not easy to master. This is great guide for anyone considering starting in the hobby. -- Novel ObsessionTable of ContentsAcknowledgments Introduction Studio setup & safety Tools & supplies Glass Cutting glass Using patterns Foiling Layout Soldering Finishing Clean, patina, & polish Designing patterns Suncatchers 3D construction Reclaimed windows Patterns Suppliers

Read more less

Book SynopsisA scholar and an artist explore the contemporary meaning of Korean Joseon-dynasty porcelain, renowned for its beguiling minimalism.

Read more less

Book SynopsisExpertly crafted from thousands of tiny and intricately arranged pieces, micromosaics appear at first glance to be miniature paintings. Closer inspection reveals the extraordinary skill of the virtuoso makers, who were able to create exquisite images brimming with drama and atmosphere. Focusing on 30 highlights from the V&A's superlative Rosalinde and Arthur Gilbert Collection, which includes some of the finest examples of micromosaics made, this new book explores the technical aspects of micromosaic construction, its roots in antiquity, their incredible popularity in the last quarter of the eighteenth century, and their evolution through the nineteenth century until the technique virtually vanished in the early 1900sTable of ContentsIntroduction -- A Roman Invention -- Inspired by Antiquity -- Nature in Miniature -- Portraits and People -- Souvenirs from Rome -- Italy Envisioned -- Beyond Rome -- A New Era

Read more less

Book SynopsisWhen over seventy-five pieces of rare and intriguing 17th and 18th century Delftware are rediscovered in an historic Manhattan townhouse, decorative art advisor and writer Genevieve Wheeler Brown quickly recognizes that together these pieces tell an amazing story.

Read more less

Book SynopsisThis book emphasises Lady Charlotte Schreiber (1812-1895) also known as Lady Charlotte Guest, née Bertie as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte's contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte's eventful life, McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.

Read more less

Book Synopsis

Read more less

Book SynopsisTransform areas and items in your home into beautiful works of art! Unique and fun to do, this introductory guide to mosaic art covers everything from window sills and wall murals to flower pots and picture frames. You'll learn everything you to know about the materials, tools, and techniques, and create 16 beautiful mosaic projects with step-by-s

Read more less

Book SynopsisA comprehensive introduction to the use of additions in clay bodies, from stones and glass to fibre, metals and colour. Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen advises you on a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice. Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world. Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for anyone wishing to expand their practice.Trade ReviewStanden was a science teacher in her earlier career. This gives her the perfect background to pen a book of this nature. Her experience is evident in the text which has a clear and comprehensive voice in the step-by-step instructions on how to implement the techniques... Standen uses a warm narrative that softens the technical writing of the book. -- Tina Darb O'Sullivan * Irish Examiner *A very practical book for ideas with which to spend many hours in the workshop. -- Wladimir Vivas * InfoCeramica *The clay used at Aylesford Pottery comes prepared for use. But that can be just the starting point. Too often students are concentrating on how to make shapes and decorate them. This book takes you to a new experimental level by encouraging you to think about the actual texture of the clay itself. And what a revelation that can be. This book will take your creativity to a whole new level. -- Billy Byles, Aylesford Pottery * Aylesford School of Ceramics Newsletter *Table of ContentsAcknowledgements Introduction 1. Clays 2. Hard materials 3. Combustible materials 4. Impressions, imprints and dipping 5. Fibres 6. Metal 7. Colour Glossary Suppliers Bibliography Index

Read more less

Book SynopsisLucie Rie (1902–1995) is one of the finest modern potters of the 20th century. Born and trained in Vienna, her successful early career came to a halt in 1938 when forced to leave Austria to escape the persecution of Jewish people. In exile in London, Rie established a new workshop and over five decades created highly individual bowls, vases and tableware which continue to amaze and inspire today. With over 150 photographs and five new essays, Lucie Rie: The Adventure of Pottery celebrates an exceptional life of creative invention and experiment. With texts by Edmund de Waal, Tanya Harrod, Helen Ritchie, Eliza Spindel, Kimberley Chandler and Nigel Wood. Trade Review"Lucie Rie review – the genius ceramicist who refused to be boxed in." - The Guardian

Read more less

Book SynopsisAn essential resource for ceramicists, studios or schools looking for inspiration to reclaim, reuse and recycle in their studio or work. Producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible is now more important than ever. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present you with a range of practical possibilities. This book presents you all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle your waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of your ceramic art, and draws on interviews and examples by practitioners who reclaim, reuse and recycle in their studio or work.Trade ReviewArtists are increasingly interested in producing work which is not only beautiful but also environmentally friendly. The book covers over four decades of making and a wealth of experiences. -- Billy Byles * Aylesford School of Ceramics *Robert Harrison, sets out to convince the reader to do something positive. And he does it well ... I found the book fascinating. I would encourage all potters to read it. Either buy the book or borrow mine; I've read my copy and I daren't let it end up as landfill. -- Frank Hamer * Shards *Table of ContentsForeword by Janet Mansfield Introduction 1. Your carbon footprint 2. Sustainable ceramic practices for the maker 3. Ceramic artists working sustainably 4. Working with industry 5. Sustainable endeavours: education and networks 6. Journal leaders: personal approaches Practical advice – top tips Websites Bibliography Index

Read more less

Book SynopsisFrom divine goddesses to intricate geometric patterns, this colour-by-numbers collection includes over 60 images based on beautiful stained glass designs. Stained glass by its very nature lends itself ideally to forming the basis of these beautiful colour-by-number images. Influenced by some of the greatest works of art that stretch back to Medieval times and come forward to the art nouveau and contemporary designs of the 20th and 21st centuries, these intricate illustrations are full of variety. Includes stained-glass designs from:• Canterbury Cathedral, UK• Reims Cathedral, France• Jarrow Hall, Jarrow• Erfurt Cathedral, GermanySimply match the number to the color on the flip-out colour key and bring these images to life with a kaleidoscope of colour. ABOUT THE SERIES: The bestselling Arcturus Colour by Numbers Collection features peaceful and enchanting designs from an array of artists

Read more less

Book Synopsis

Read more less

Book SynopsisThe ancient art of mosaic-making celebrated in inspirational designs and practical projects. This comprehensive book has everything you need to know about materials, tools, adhesives and how to use them; 300 photographs include a gallery of examples

Read more less

Book Synopsis

Read more less

Book SynopsisThe first book to connect the history of Funk Art to contemporary ceramic practice. Funk You Too! arrives at a moment when clay has unprecedented currency in the art world as a sculptural medium. It is the first book to connect the history of Funk Art to contemporary ceramic practice through an exploration of the enduring role of humor in clay image-making. The founding generation of Funk artists used forms of subversion to deflate the power of the aesthetic hierarchy that dismissed ceramics as hobby art. Today, in the hands of a younger, more diverse cohort, the irreverent approach is a powerful tool of critique and personal expression and the “spoonful of sugar” to help discuss sociopolitical concerns of our time. Showcasing over 50 works from a 2023 exhibition at the Museum of Arts and Design in New York City, this catalog addresses the historical context for the emergence of ceramic sculpture in 1960s Funk Art and applies a critical lens to work by its contemporary successors. The exhibition’s curator, Angelik Vizcarrondo-Laboy, conceptually frames the exhibition’s emphasis on humor as a tool for tackling personal and political themes. Garth Johnson contributes an essay on the impulse for humor in American ceramics that lead to Funk ceramics. The catalog also features biographies of the artists, color images, and a select bibliography.

Read more less

Book SynopsisThe life and legacy of brilliant but elusive potter Lucie Rie is investigated through interviews, letters and the analysis of her elegant, modernist vessels Lucie Rie (1902–1995), one of the 20th century's most celebrated and iconic potters, combined an acute understanding of modernism with the skills of her chosen craft. Emmanuel Cooper, a distinguished potter who knew Rie, interviewed many of her friends and acquaintances to produce this complete and detailed account of Rie's life and work. The author was given unrestricted access by the Rie estate to previously unpublished letters and other material, which provide fascinating new insights into her life and work and allowed him to reevaluate Rie's creative output within the broader context of modernism and the emergence of the studio pottery movement in Britain. ‘It [is] unlikely that this biography of Rie will ever be surpassed.’ —Frances Spalding, Literary Review‘A precious gift, from the only man who could have written it.’ —Glenn Adamson, Crafts MagazineDistributed for the Paul Mellon Centre for Studies in British Art

Read more less

Book SynopsisThe essential studio companion for any potter with a broad range of glaze recipes and clay bodies. The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also introduces you to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults and includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based on meticulously recorded tests and research from a large assortment of established ceramic artists, this book is a must-have resource if you wish to experiment or expand your glazes and clay bodies.Trade ReviewThis is a book which I know I'm going to use. Her satin glazes are particularly appealing, and there are sections on the more experimental aspects ... I feel inspired by this book and I hope others will too. -- Mary Cousins * Shards *If there is a classic among the publications on ceramic techniques, it is undoubtedly this recipe book -- Wladimir Vivas * Infoceramica (Bloomsbury translation) *Table of ContentsIntroduction Glaze materials Glaze temperatures Mixing and applying glazes Adjusting glazes and correcting glaze faults Low-fire glaze recipes Mid-fire glaze recipes High-fire glaze recipes Special glaze recipes Clay body recipes Appendices

Read more less

Book SynopsisAn introduction to all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. All glass makers - unless they are blowing glass - need moulds which can go in the kiln, as part of the process of creating new pieces. This book is your complete and essential reference to all mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. Mould Making for Glass helps you to find out which methods are appropriate for different types of work, and covers all the basics of how to make your mould. Discover practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. Finally, learn where to start with writing programmes for kiln firings including annealing and cooling and explore the work of well-known artists working in cast glass through beautiful photographs.Trade ReviewA solid introduction to, and a survey of, the subject it covers * Art Book Review *Table of ContentsIntroduction 1. Kiln-casting Glass 2. What is Refractory Mould-making? 3. Understanding Ingredients 4. Types of Glass 5. Model and Master Mould-making 6. Mould-making Methods 7. Handbuilding 8. Core Casting 9. Mould-drying, Kiln-packing and Firing 10. List of Mould-mix Recipes 11. Developing Your Own Recipes and Methods 12. Fusing, Slumping and Pâte de Verre 13. Surfaces and Finishes 14. Recycling Further Reading Glossary Suppliers Index

Read more less

Book SynopsisThis broad approach to slab work shows a wide variety of building methods and highlights the work of high-profile ceramic artists. Slabs can be used to make a variety of forms ranging from the most basic to the more complex. The book covers many building methods using a varied range of pots and sculptures, demonstrated through step-by-step images. With fantastic images of finished work from high-profile ceramic artists for inspiration, you are also encouraged to experiment and find the methods that are most suited to you. Slab Techniques covers all the basics, such as making your slabs and joining well, simple building methods, use of supports, creating textures, decorating with slips and ways to avoid problems during the firing stage. The handbook also looks at innovative and original approaches, as well as building large-scale pieces and the potential issues associated with them. This book is an essential addition to the bookshelves of students and professional ceramicists.Table of ContentsDedication & Acknowledgements Introduction 1. The Clay 2. Making the Slab 3. Construction Techniques 4. Textures, Impressions, Mark-making, Colour 5. The Importance of Detail 6. Going Larger 7. Applying the Glaze 8. Drying and Firing Bibliography Glossary of Terms List of Suppliers Index

Read more less

Book SynopsisThe essential guide to raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes. Over the last thirty years interest in the raku pottery technique has grown hugely – the excitement, immediacy and unpredictability of the raku process catching and firing the imagination of professional and amateur potters alike. Despite its association with amateur pottery classes, when practised at a higher level, it is an unforgiving, demanding medium which tests pots and potters to the limit. The famous Japanese potter Hamada said that he wanted to wait until the end of his life before making raku pots as it was the most difficult and important technique to master. A growing number of potters have turned to this medium however, as a serious expression of their work, finding new (or perhaps old) and varied techniques to explore, and thriving on the opportunities provided by the raku process to transform accidents and mistakes into new techniques or innovative pieces. This new edition of Raku has new text and is beautifully illustrated in full colour throughout with an almost totally new selection of images from the work of the many highly-regarded raku potters featured. As in the previous edition, an important focus of the book is the exploration of the work, inspiration and influences of some sixty-five artists. The gallery of artists featured has been greatly updated and expanded to reflect new techniques by established raku potters and also the work of more recent converts to the medium. New entries include Toshio Ohi, Maika Korfmacher, Yasuo Terada, Marvin Sweet, John Wheeldon, Maila Klementinnen, Ashraf and Sue Hanna and Justin Novak to name but a few. This also remains a highly practical book for the practicing potter, providing a fresh and comprehensive overview of raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes. It also provides recipes for clays and glazes used by the potters featured. A history of raku is also included following its inception in Japan at the end of the 16th century to its introduction to the West by Bernard Leach up until the present day. Those exciting early years are vividly brought to life with anecdotes from David Leach. Raku provides all the essential practical information you need to start raku firing. It is also a great source of inspiration for potters and of delight for those interested in contemporary ceramics.Table of ContentsForeword by David Leach Acknowledgements Preface 1. Raku – It’s Meaning and History 2. Materials and Techniques Contemporary Approaches 3. Form and Vessel 4. Glaze and Surface Treatment 5. Colour and Decoration 6. Figurative Responses to Raku 7. A Sculptural Approach A Sculptural Approach – Ceremonial Pieces 8. Clay, Smoke and Sawdust 9. Large Scale/Installation Work Conclusion Clay and Slip Recipes Raku Glaze Recipes Materials – UK/US Equivalents Temperature Conversion Bibliography Suppliers and Manufacturers Index

Read more less

Book SynopsisThe most comprehensive collection of artworks by world-renowned artist Brian Clarke to date. Designed in close collaboration with the artist himself, featuring stunning photography that captures Clarke's revolutionary approach to the medium of stained glass, with an introduction by Norman Foster and an essay by Paul Greenhalgh.

Read more less

Book Synopsis*Longlisted for the William MB Berger Prize for British Art History, 2022*A spectacular biography of the great designer, entrepreneur, abolitionist and beacon of the Industrial Revolution, from acclaimed historian and Director of the Victoria and Albert Museum, Tristram HuntJosiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him ''the Steve Jobs of the eighteenth century''.But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic ''Emancipation Badge'', depicting a slave in chains and inscribed ''Am I Not a Man and a Brother?'' that became the symbol of the abolitionist movement.Tristram Hunt''s hugely enjoyable new biography, strongly based on Wedgwood''s notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.Trade ReviewThis is a remarkable and impassioned book. Josiah Wedgwood innovated across boundaries of technology and art and taste, commerce and scientific enquiry, and Tristram Hunt makes the powerful case for rediscovering his humane entrepreneurial spirit. The Radical Potter brings Wedgwood's protean energy alive for a new generation and I loved it. -- Edmund de Waalimpassioned, wide-ranging ... Hunt's sympathetic, engaged and finely written biography makes it clear that [Wedgwood] was a one-off, and a genius. -- David Horspool * Spectator *fabulously unputdownable ... In parts it reads like a thriller. -- Judith Woods * Telegraph *Wedgwood's remarkable story has been told in many biographies over the years. The great contribution of The Radical Potter, Tristram Hunt's new book, is to place him in the context of the rapid economic and social changes during his lifetime that helped make his success possible. -- Richard Lambert * Financial Times *this brisk and highly readable biography ... places Wedgwood in a dissenting tradition that goes back to the civil wars ... It is a timely tale. -- Paul Lay * The Times *engrossing ... Hunt, as director of the Victoria and Albert Museum and MP for Stoke-on-Trent Central from 2010 to 2017, is uniquely fitted to write this book. -- John Carey * Sunday Times *superb ... this delicious, meticulously researched, wide-ranging but never long-winded book made me admire Tristram Hunt as well as Josiah Wedgwood. -- Ysenda Maxtone Graham * Daily Mail *Hunt is exquisitely alive to all the contradictions in Wedgwood's achievements ... a rich portrait of the charismatic but contradictory man who made Georgian Britain the most stylish country in the world -- Kathryn Hughes * Mail on Sunday *One of the achievements of Tristram Hunt's biography... is too bring into view the commercial and moral instincts of the man behind the powerhouse ... Wedgwood emerges from this books as a man of voracious interest in the world. Canny and determined, he had both strong beliefs and the adaptability that marks any great innovator. Hunt ... is as interested in what the man can tell us about the times as the times meant for the man. -- Sarah Watling * Literary Review *Tristram Hunt, one of our finest historians, has done a magnificent job in The Radical Potter. Every chapter made me cheer and halloo. -- A. N. Wilson * Spectator Books of the Year *this attractively packaged ... splendid... biography of ceramics impresario Josiah Wedgwood ... reminds us not only of what has been lost in terms of manufacturing, but what can be regained. -- Jacqueline Riding * Country Life *Hunt performs the important task of telling the great potter's story clearly and accessibly ... Wedgwood the man should be as famous as Wedgwood the brand. That he is not might be due to his business - there are more heroic and glamorous trades than making pots - and to the national tendency to undervalue manufacturing. Hunt's book should help to correct that imbalance. -- Rowan Moore * The Observer *The Radical Potter sees Tristram Hunt argue that Wedgwood was epicentral to the transformation of Britain in the late 18th and early 19th centuries ... This is a remarkable book from a historian at the top of his game. -- Andrew Roberts * BBC History *Confident ... Hunt makes sure Wedgwood's pots stay at the heart of his biography -- Tanya Harrod * Prospect *easily the best account of that multi-faceted genius -- A. N. Wilson * The Times *The indefatigable one-legged artist and abolitionist Josiah Wedgwood personified the optimism of Georgian Britain. Hunt brings him brilliantly to life. -- Iona McLaren * Daily Telegraph Books of the Year *Josiah Wedgwood was "the Steve Jobs" of the 18th century, according to Tristram Hunt, the historian and V&A director. Wedgwood, of modest background but expansive inventive genius, turned a Staffordshire pottery firm into a global company, one that showed that Britain could make high-quality porcelain, a high-demand product in the new age of tea drinking. Not bad for a man who couldn't turn a wheel because childhood disease disabled one of his legs. He was nicknamed "Owd Wooden Leg" by his workers - and referred to the day he lost his limb as "Saint Amputation Day". -- Robbie Millen * The Times Books of the Year *Tristram Hunt, in The Radical Potter, underlines brilliantly the consumerism and politics of the age in the character of Josiah Wedgwood, in whom we can see all the energy of the era - the campaign for abolition, the birth of international trade, the stirrings of the industrial revolution, the combination of mass production and aesthetic sense. -- Catherine Ostler * Aspects of History Books of the Year *

Read more less

Book SynopsisWilliam de Morgan is one of the greatest names of the Arts & Crafts movement of the late nineteenth century. This is the perfect introduction to his iconic tiles.

Read more less

Book SynopsisBritainâs churches, great houses and civic buildings are treasure houses, adorned with a collection of vivid stained glass that is the envy of the world. This is the perfect introduction to this too-often overlooked art form.

Read more less

Book Synopsis“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.”—Martha Stewart Living“Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.” —House Beautiful, Best New Design Books What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions—all of one’s creativity—into the whole of life. And what an inspiration it is. A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless people who collect and use her ceramics but also of designers and design lovers, writers, and fellow artists who marvel at her example. Now, in her first book, she finally tells her story, in her own words and images, distilling from her experiences lessons that will inspire a new generation of makers and entrepreneurs.Life in the Studio is as beautiful and unexpected as Palmer’s pottery, as breathtakingly colorful as her celebrated dahlias, as intimate as the dinners she hosts in her studio for friends and family. There are insights into making pots—the importance of centering, the discovery that clay has a memory. Strategies for how to turn a passion into a business—the value to be found in collaboration, what it means to persevere, how to develop and stick to a routine that will sustain both enthusiasm and productivity. There are also step-by-step instructions (for throwing her beloved Sabine pot, growing dahlias, building an opulent flower arrangement). Even some of her most tried-and-true recipes. The result is a portrait of a unique artist and a singularly generous manual on how to live a creative life.Trade Review"This is a glorious and uplifting book. Frances has an overspilling talent for making the world a more generous place through ceramics, gardens, and food. I loved it." --Edmund de Waal "Frances Palmer is as generous as she is talented, an incredible role model for me and so many other creative people. I've been waiting for this book ever since I discovered Frances's work, and it has exceeded all my expectations. The depth of the subject matter, the heartfelt essays, the beautiful photography, and the wisdom that Frances shares are sure to inspire and change lives." --Erin Benzakein, New York Times bestselling author of Floret Farm's A Year in Flowers "I need two copies of this beautiful book: one to sit proudly on my bookshelves, and one to follow me to my kitchen and garden, where it will soon get covered in fingerprints, dirt, and spots of water. It will be much used and loved." --Bunny Williams

Read more less

Book SynopsisPottery and Porcelain Restoration is a practical guide for amateurs to the craft of the professional restorer. With over 360 photographs, it explains the simplest, safest and ethical techniques that are recommended today and - essentially - do not further damage your pieces. Written with clear practical detail, it explains the full process and gives unique insight into the delicate job of the ceramic restorer. This new book introduces the history of pottery and porcelain, and gives an account of the methods and ethics of ceramic restoration; it gives a complete list and details of materials and equipment, and particularly advises on the best choice of glues; it describes the full restoration process, from preparation and cleaning to gluing and modelling, and finally to painting and gilding and provides step-by-step instructions for gluing multiple breaks, filling chips and large missing areas, as well as making lids, teapot spouts, hands, leaves, fingers and handles. Restoration examples are illustrated such as making Beswick horse legs, replacing missing handles on a Chinese jug and painting a Clarice Cliff jug and, finally, vital tricks of the trade are shared throughout and useful tips to setting up a workshop are given.Trade ReviewAbsolute gold for anyone who doesn’t have a ceramic specialist tutor on hand. * The C-word Podcast *

Read more less

Book SynopsisThe Illuminated Window is a unique journey through stained-glass installations that spans both time and place. Diverse in technique and style, these windows speak for the communities that created them. From the twelfth to the twenty-first century, we find in the windows stories of conflict, commemoration, devotion and celebration. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury and Cologne, and takes us from Paris's Sainte-Chapelle to Swiss guildhalls, Iran's Pink Mosque, Tiffany's chapel for the World Exposition, Frank Lloyd Wright's houses and more. As she reveals, the art of stained glass relies on not only a single maker, but the relationship between the physical site, the patron's aims, the work's legibility for the spectator and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.Table of ContentsIntroduction: Patrons and Process 1. Canterbury: A Martyr's Tomb and its Cathedral 2. Chartres: An Iconic Gothic Programme 3. Sainte-Chapelle, Paris: Propaganda for the Monarch 4. Cologne Cathedral: A Building Over Time 5. All Saints, North Street, York: Instructing a Parish 6. Fairford Parish Church, Fairford, Gloucestershire: Surviving Iconoclasm 7. Renaissance Donors in Switzerland: An Art of Exchange 8. Renaissance Roundels: The Transformation of European Image Making 9. Harvard University's Memorial Hall: Honouring the Dead, the Nation and Art 10. The Tiffany Chapel: World's Columbian Exposition 11. The Light Screens of Frank Lloyd Wright 12. The Spirituality of Abstraction References Further Reading Acknowledgements Photo Acknowledgements Index

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisAn in-depth portrait of the life and work of Shoji Hamada, one of the key figures behind the development of studio pottery in the 20th century, and the legacy he left. Shoji Hamada was one of the seminal figures in 20th century ceramics. Along with the British potter Bernard Leach, he was instrumental in the development of the international Studio Pottery movement in the early 1900s. Their dramatic influences are still felt today, particularly in the United States and Great Britain. Hamada, also a major figure in Japan’s folk art revival, was designated a ‘Living National Treasure’ by the Japanese government in 1955 and awarded the Order of Culture in 1968. Shoji Hamada is an ebullient and fascinating portrait of a great potter, tracing his place in the ceramic tradition and revealing a keen perception of his energetic lifestyle, dazzling work cycle, and intriguing specifics about the firing of his kilns. The text and over 200 new colour photographs from Peterson’s stay at Hamada’s compound in 1970 present a wealth of detail about techniques and processes. Equally important are the author’s insights depicting Hamada’s bequest to us: one whose life was concentrated toward the perpetuation and achievement of fundamental, unchanging and universal values and goals. In this completely re-designed and updated version of her classic book, Susan Peterson brings together the East-West connection personified by Hamada and Leach. In a completely new concluding chapter, she assesses Hamada’s ongoing legacy to the world of studio pottery. This is an authoritative account of one of the towering figures in the ceramics world by one of the first people to welcome him to America in the early 1950s. The book is a must for anyone interested in the evolvement of hand pottery and the dynamics of ceramics in general.Trade ReviewThis book covers anything and everything one might want to know about the potter and his work, but even so, it is still an incredibly easy read. The language is accessible to people who have not studied pottery, but also enriching for those that have. The book covers everything from his workflow, techniques, glazes, kilns, family life, and even the way Hamada himself thinks. [...] The photo albums scattered throughout the book are both an enjoyable and invaluable addition to the biography [...] If you are at all a fan of the arts, even just a little, I would definitely recommend this book. -- Ruth Duncan * Union University Library Blog *Table of ContentsForeword By Bernard Leach Acknowledgements 1. The Legacy 2. The Setting 3. The Work The Clay Wheels Throwing Pots The Workers The Household Finishing Pots Reminiscing Enamel Overglaze Painting The Bisque Kiln 4. Glazing And Firing Mixing the Glaze Making Tea Ceremony Bowls Yanagi’s Scroll Glazing Continues Trimming Tea Ceremony Bowls Glazing the Big Bowls Hamada’s Patterns Loading the Glaze Kiln Hamada Tells Stories Beginning the Glaze Kiln Firing Finishing the Fire Hamada and Shimaoka Unloading the Kiln The Ware of the Kiln 5. A New Cycle Hamada’s Museum Thoughts Making Pots For Salt Glazing The Salt Firing Exhibition Appendix Glossary Index

Read more less

Book Synopsis

Read more less

Book SynopsisAn essential guide to the techniques of making and using slips. In this book, explore the many techniques for making and using slips - liquid clay which can be used for decoration on its own or covered with glaze - such as brushing, dipping, trailing and sgraffito amongst others. You can also find out how to make up slips and use them at higher temperatures, both with and without glazes. As well as examples of techniques, discover what can be achieved with many images of beautiful finished pieces from contemporary potters, and find inspiration through illustrations of potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context.Trade ReviewFascinating and informative. * Craftsman Magazine (July 2010) *Whether you have never used slips before, use them occasionally, or have considered branching out to include slip decoration in your work, this book is for you. Take my advice; get this book * Clay Times (Summer 2010) *Excellent photographs, easy to read. A useful book for those wishing to develop their knowledge on modern day slip methods. * Kent Potters Association newsletter (August/September 2010) *Table of ContentsAcknowledgements Introduction 1. A Selected History of Using Slips 2. Application Techniques 3. Mixing Slips 4. Colour in Slips 5. Using Slips Without a Glaze 6. Slips and Raku 7. Slips with Glaze at Earthenware Temperatures 8. Slips with Stoneware and Porcelain 9. Slips with Salt and Soda Glazing Glossary Health & Safety Websites Bibliography Suppliers Index

Read more less

Book SynopsisA comprehensive textbook on ceramic technology and a chronicle of the developments made by the European Ceramic Work Centre. The Ceramic Process is both a comprehensive textbook on ceramic technology and a chronicle of the developments made by the European Ceramic Work Centre (EKWC) over the years. It is a practical book which helps you to look at materials, methods and equipment, using the results of various artists' projects for inspiration. EKWC is internationally renowned as a centre where ceramic artists come for a period to experiment with new materials, methods and technologies. Their time there is funded and they are given the back-up of innovative technicians and materials to work with. Learn about the artists who have worked at the centre, including some of the top names in sculpture and ceramics from around the world: Neil Brownsword, Tony Cragg, Ewen Henderson, Jun Kaneko, Anish Kapoor, Kinpei Nakamura and Betty Woodman. Throughout the book, discover some spectacular results and how the new techniques and materials have been adopted by artists around the world.Trade ReviewCombines expert advice and information from many of the EKWC's tutors and may well be the new 'bible' for ceramic artists, amateurs and students. * Craftsman Magazine (Feb 2006) *It is essential reading for everyone from beginners to experts. * Craftsman Magazine (Feb 2006) *an impressive overview of techniques, recipes, and working processes used at the European Ceramic Workcentre in the Netherlands [...] The best part of this book is the color photographs throughout [...] There is probably no better guide to this period of large-scale ceramic sculpture in Europe, and for that alone, the book is worth it. There is also information on paper clay, large-scale plaster sculptures, and other adventurous approaches to clay, making this a useful resource for ceramic sculptors and designers [...] it is a unique book that does cover every part of working with clay. * The Studio Manager *the tables and process illustrations are highly useful * Art Journal Open *Table of ContentsForeword by Joel Fisher Introduction by Dr Koos de Jong, Director of the EKWC Author’s Note and Acknowledgements 1. Material, Method and Process 2. Clay Body and Casting Slip 3. Preparations Prior to Making 4. Handbuilding 5. Using Moulds 6. Drying 7. Firing Biscuit 8. Glazes and (Sinter) Engobes 9. Painting and Decoration 10. Terra Sigillata 11. Firing Glazes 12. Non-Ceramic Treatment 13. Advanced Section: Clay 14. Advanced Section: Glaze 15. Advanced Section: Terra Sigillata Appendix 1: Unity Formulas and Percentage Analyses Appendix 2: Further Reading Appendix 3: Glaze Calculation Software Appendix 4: Suppliers List Appendix 5: Names of Participants 1991–2003 Index

Read more less

Book SynopsisThis impressive monograph of the Norwegian potter Elisa Helland-Hansen (b. 1950) is an all-encompassing work of art. With unique hand-processed photographs, she documents her distinctive vessels, traces her sources of inspiration, and displays her objects in action: serving, pouring, or cooking. The publication brings together essays by various authors and a series of short, poetic texts by Helland-Hansen and others on significant figures, topics, and events in her life. This book, which is published in conjunction with an exhibition of her work at Kunstnerforbundet in Oslo, presents and contextualises an important, contemporary ceramicist and affords personal insights into her life, thinking, and work processes.

Read more less

Book SynopsisA practical guide to all forms of decoration for pots and sculpture. This step-by-step guide encourages you to explore the full range of surface treatment techniques and teaches you how to obtain a professional finish to your work by suggesting an appropriate finish choice. Surface Decoration looks at all manner of surface decoration techniques, at every stage of the ceramic process and from a practical perspective explains how to achieve these effects. The book explores a variety of innovative and contemporary approaches to surface finish including sgrafitto, resist methods, sprigging, trailing, glaze layering, lustre, transfer, impressing, incising and textural methods amongst others. This is the perfect guide for any ceramic artist interested in exploring new surface decoration techniques.Trade ReviewThis book will certainly inspire many readers to try new decoration methods. The best parts of this book are the beautiful images showing the variety of options there are. * Keramiske noter (Bloomsbury translation) *Keith Millward shares his vast experience as a ceramicist, designer and educator in this rich overview of surface decoration in ceramics. He outlines each process clearly and concisely, and importantly, highlights the special qualities and unique effects of each. This is a valuable book for the studio. * Charlotte Hodes, Artist and Professor of Fine Art at London College of Fashion, UK *Millward has created a reference for contemporary potters that mines and updates a vocabulary steeped industry and the ancients. Thorough and comprehensible, this book is a must have for any studio library. * Brian Gillis, Associate Professor of Art and Ceramics Coordinator at the University of Oregon, USA *Kevin Millward's Surface Decoration is an exciting and thorough compilation of ceramics surface techniques. From green ware to sgraffito, glazes to lustres- this book explores it all. A clearly organized compressive and easy to follow book that could be a perfect companion to the student, artist, teacher and craftsmen. * Io Palmer, Associate Professor of Ceramics and 3D Foundations Coordinator at Washington State University, USA *This comprehensive guide represents the consolidation of Milward’s extensive knowledge of the subject. As a highly experienced studio potter who has served also as a technical consultant to the ceramic industry, a plethora of tried and tested practical advice is made accessible to serve a range of ceramicists at any level in their career. * Neil Brownsword, Artist and Professor of Ceramics at Buckinghamshire New University, UK *This instructive, well-organized book is the culmination of 40-plus years of Millward’s hands-on experience teaching, designing, and potting in the UK. In accessible, concise text and excellent color photographs (including step-by-step processes), the author presents an eclectic mix of traditional and contemporary methods to decorate ceramics. The author encourages experimentation by including tried and true tips and tricks, variations, and recommendations, and discussion of expected results and potential problems (and their solutions). Ceramics can be decorated before and/or after firing; some processes begin on the wet clay itself, whereas others require application during specific stages of production. Contrasting colored clays can be combined several ways. Stencils, stamps, inlay, relief, and resists can produce a variety of surface textures and imagery. The advantages and pitfalls of all the methods presented are insightfully discussed. Detailed instructions are included for painting, drawing, printing, trailing, dipping, and spraying slips, underglazes, overglazes, and lusters onto unfired and fired clay. Numerous inspirational images of the author’s and of other ceramists' work accompany the text. This very practical book should be in every potter’s library. Summing Up: Recommended. All readers. * CHOICE *Table of ContentsIntroduction 1. Raw Techniques 2. Texture 3. Stamps 4. Resist and Masking 5. Slip 6. Painting 7. Drawing 8. Glaze Effects 9. Glaze Application 10. On-glaze Techniques Appendix Glossary Additional References Index

Read more less

Book SynopsisThe essential guide to the smoke firing method with highlights from international artists' work. Smoke firing is an ancient technique, used both to fire raw clay into durable ceramic and also to decorate it with smoke designs. Its technological simplicity not only lends itself to endless interpretations but encourages artistic creativity through improvisation and experimentation. Smoke Firing is a thorough survey of the varied work and approaches of contemporary artists today, showing recent innovative developments. By investigating the ideas of selected ceramicists Jane Perryman reveals the meanings and inspiration behind their work. Clear and colourful images demonstrate the various processes used, showing sequences of artists in action. The book covers smoke firing using bonfires, various containers, earth pits, saggars, and kilns, with a chapter on how smoke firing can be used as an educational tool in groups and workshops. Dynamic illustrations feature the work of the 29 artists represented, from 17 different countries, making it a truly international focus on smoke firing.Trade Review...fabulous...Perryman explores this wondrous subject by highlighting contemporary artists and approaches to smoke-firing. * www.karenplatt.co.uk (June 2009) *Table of ContentsPreface Foreword 1. An Introduction to Smoke Firing Smoke Firing in Antiquity Traditional Firing Technology 2. Smoke Firing in Contemporary Traditional Societies Nigeria India Native America (New Mexico) PART 1: SMOKE FIRING WITHOUT A KILN 3. Smoke Firing in the Open Siddig El’Nigoumi (Sudan/UK) Susan Halls (UK/USA) 4. Smoke Firing in a Container Inger Sodergren (Sweden) Antonia Salmon (UK) Ann Marais (South Africa) Gabriele Koch (Germany/UK) Jimmy Clarke (USA) Madhvi Subrahmanian (India/USA) 5. Smoke Firing in a Pit Janey Burton (USA) Gudrun Kainz (Austria) Signe Lassen (Denmark) PART 2: SMOKE FIRING WITH A KILN 6. Smoke Firing in a Saggar Magdalene Odundo (Kenya/UK) Richard Notkin (USA) Pao Fei Yang (Taiwan/USA) Eva Marie Kothe (Sweden) Jane Perryman (UK) Duncan Ross (UK) Alison Tinker (UK/Spain) Sebastian Blackie (UK) Nattinee Satawatthamrong (Thailand) Pamela Gorgone (USA) 7. Smoke Firing in a Kiln Pierre Bayle (France) Ellen Schopf (Germany) Munemi Yorigami (Japan) 8. Post-raku Smoke Firing Giovanni Cimatti (Italy) Anne James (UK) Joy Bosworth (UK) Ashraf Hannah (Egypt/UK) Mark Verbruggen (Belgium) 9. Smoke Firing in Groups Smoke firing with groups of children and adults using a variety of firing techniques and locations Conclusion and Acknowledgements Health & Safety and Suppliers List References Index

Read more less

Book SynopsisCollects the breadth and range of ceramic techniques. This title includes a guide to forming techniques, from pinch, coil, slab and wheel to mold-making, slip casting and extrusion, with sections on slip decoration, embossing and glazing, glaze recipes and applications.Trade Review'This is quite the guide … a very helpful book for those doing ceramics. The illustrations are wonderful. The instructions are clear and to the point' - Reference ReviewsTable of ContentsIntroduction • Materials, Processes and Tools • Forming Techniques • Surface Decoration (Pre-firing) • Firing • Glazes • Surface Decoration (Post-glaze) • Design • Professional Practice

Read more less

Book SynopsisAn exceptionally thoughtful and well-written biography of one of the most influential studio potters in Britain Widely recognized as the father of studio pottery, Bernard Leach (1887–1979) played a pioneering role in creating an identity for artist potters in Britain and around the world. Born in the East (Hong Kong) and educated in the West (England), throughout his life Leach perceived himself as a courier between the disparate cultures. His exquisite pots reflect the inspiration he drew from East and West as well as his response to the basic tenets of modernism—truth to materials, the importance of function to form, and simplicity of decoration. This outstanding biography provides for the first time a vivid and detailed account of Leach’s life and its relation to his art. Emmanuel Cooper, himself a potter of international reputation, explores Leach’s working methods, the seams of his pottery, his writings and philosophy, his recognition in Japan and Britain, and his continuing legacy, bringing into sharp focus a complex man who captured in his work as a potter the “still center” that always eluded him in his tumultuous personal life.Distributed for the Paul Mellon Centre for Studies in British ArtTrade Review"Emmanuel Cooper is a distinguished potter and writer on the crafts, and his biography of the great potter Bernard Leach is an impressive piece of work, well-informed, thoughtful and clearly written."---Journal of William Morris Society Studies"[A] magisterial biography. . . . Fascinating."—Emma Crichton-Miller

Read more less

Book SynopsisTrade ReviewThe range of work included is much wider than I was anticipating. While there are many items of domestic ware, there are many sculptural pieces including human and animal forms. Colours obtained also are wider ranging than I was expecting and in some cases brighter than I thought possible. Significant books on wood-firing are few and far between as can be seen from the length of the bibliography included. This is a certainly a significant addition and a credit to both author and publisher. - Roger Bell, NPA Newsletter

Read more less

Book Synopsis

Read more less

Book SynopsisThis Element demonstrates how ceramics, a dataset that is more typically identified with chronology than social analysis, can forward the study of Egyptian society writ large. This Element argues that the sheer mass of ceramic material indicates the importance of pottery to Egyptian life. Ceramics form a crucial dataset with which Egyptology must critically engage, and which necessitate working with the Egyptian past using a more fluid theoretical toolkit. This Element will demonstrate how ceramics may be employed in social analyses through a focus on four broad areas of inquiry: regionalism; ties between province and state, elite and non-elite; domestic life; and the relationship of political change to social change. While the case studies largely come from the Old through Middle Kingdoms, the methods and questions may be applied to any period of Egyptian history.Table of Contents1. Ceramics as Dataset; 2. Integration of State and Province; 3. Investigating Egyptian Regionalism; 4. The Relationship of Political to Social Change; 5. The Complexity of Private Life; 6. Finding People through Potsherds; Glossary; References.

Read more less

Book SynopsisPeople collect to connect with the past, personal and historic, to exercise some small and perfect degree of control over a carefully chosen portion of the world. The Grain of the Clay is Allen S. Weiss's engaging exploration of the meaning and practice of collecting through his relationship with Japanese ceramics. Weiss unfolds their world of materiality and pleasure and the culture and knowledge that extends out of their forms and uses.Japanese ceramics are celebrated for their profound material poetry, especially in relation to the natural world, and they maintain a unique place in the history of the arts and in the lives of those who collect and use them. The Grain of the Clay deepens our appreciation of ceramics while providing a critical meditation on collecting. Weiss examines the vast stylistic range of ceramics, investigating the reasons for viewing, using and collecting them. He explores ceramic objects' relationship with cuisine as an art and as a part of everyday life. Ceramics are increasingly finding their rightful place in museums and Weiss shows how this newfound engagement with finely wrought natural materials might foster an increased ecological sensitivity.The Grain of the Clay will appeal to the collector in every one of us.

Read more less

Book SynopsisChinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for ‘Chinese’, the style also incorporated influences from other Asian countries, helping to shape the period’s popular fantasy of the ‘exotic Orient’. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.Trade ReviewWith over 50 full-colour illustrations, this small book is a delightful and informative introduction to an interesting phenomenon. * The Historian *Table of ContentsChinese Whispers Anglo-Chinese Trade The Chinese Room Objects Chinese Buildings Revival Further Reading Places to visit Index

Read more less