Oils Books

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Book SynopsisOil paint is such a responsive and versatile medium that no two painters need use it in exactly the same way, and since its invention in Renaissance times it has never lost its popularity with artists. Amateurs also find it appealing, both because it is enjoyable to use and because mistakes can be so easily rectified. This compact book explains all the materials, techniques and different approaches to painting with oils. Step-by-step sequences show how to paint a range of themes, from still life to portraits and landscapes, with advice on more difficult subjects. There are also suggestions for presenting your finished paintings and how to go about getting your work seen and exhibited.Trade ReviewI received this book from Search Press in return for an unbiased and honest review. It's been a long time since I dabbled in Oils so this book was a nice refresher for the returning amaturer oil painter. The book is aimed primarily at those who are new to oil painting and Amateurs' rather than the professional Oil painter. I found it well laid out and easy to understand. It talks about the paints themselves and how amatur and professional paints are different in shade and amount of pigment they contain. It covers tools required and how to use them and also how the paint itself can look different depending on the painting surface. I was impressed with how well it covers mixing colours for skin tone, sunsets, water and skies to name but a few. It is certainly a book that is well worth purchasing for anyone wishing to start or improve their skills with oil paints, Art students who need a backup or just those wishing to learn more techniques than the mere basics. * Laura Mackenzie-Hawkins *A great guide for the beginner in oils I received this book from Search Press in return for an unbiased and honest review. I am a long-term painter in oils, so I was very interested in seeing how this book came across. Subtitled “An essential reference for the practising artist”, this book is aimed primarily at those new to oil painting, although the more experienced will also find parts of the book useful. This is a 2016 reprint of the original 2005 edition. I’m not sure whether there have been any updates to the original but the book does not feel out of date in any way. The book is about A5 in size and printed on high quality paper with easy to read text. A two-page introduction gives a well presented precis of the contents and how they are organised. There are four main section to the book: Materials, Colour, Techniques and Subjects. I shall deal with each in turn. Many of the subjects include an analysis and tips for the artist. Materials Straight away, the author highlights the difference between artist and student quality paint and the benefits of buying only the tubes you need, rather than a boxed set. The different types of brush shape and composition are well covered, with illustrations to back-up the text. There are sections on painting knives, surfaces, painting mediums and surface preparation. Each is well presented in just a couple of pages with good quality supporting illustrations. This section will be of great use to the beginner, with the occasional snippet for the more experienced. Colour Making sense of the multitude of colours available can be a daunting task for all of us. However, the author, Marylin Scott, presents the various aspects of the colour wheel and the differing characteristics of the various colours in a clear and methodical way. Once again, the accompanying illustrations are of a high quality and support the text extremely well. Advice is given on choosing an initial palette, with examples of the mixes that could be achieved from the selection. The author goes on to cover the mixing of greens, browns etc, with pictorial examples of how one might use the mixes. Techniques One term often bandied around is “Fat over Lean”. Marlin gets straight to the point and illustrates how the technique is used, why it is used and the results. An excellent description in my view and one that could be of use to many painters. The section continues with basic and advanced subjects. Basic techniques cover painting Alla Prima (and what that means), blending, building up, underdrawing, brushwork, dry brush, hard and soft edges, coloured grounds (including what we men by a ‘ground’), we-in-wet, wet-on-dry, and corrections. Advanced techniques cover glazing, impasto, knife painting, finger painting, sponge painting, scumbling, tonking, scraping back, sgraffito, texturing, underpainting, imprinting, masking, mono printing, and mixed media. Useful hints and tips The author discusses the various materials used to create a painting, how to create darks and adjust perceived colours, preparing a surface, and painting on location. Subjects In this section, Marylin considers a variety of subjects: landscape, still life, buildings etc., with supporting tutorials to follow. Each item has well presented examples of the subject being discussed, helping the reader understand the reasoning behind the text. Conclusion I found this book easy to read and quite interesting. I certainly found snippets that I will refer to and use in my own work. A member of my art group has just started to use oils and I can see that this book would be an extremely useful resource for her. Find a place for this book on your shelves; it will repay your investment. * David Raison *I am an amateur painter and had recently taken up oil paints. I was struggling a bit so switched back to acrylics. This book has made me look at returning to oils as there are many tips, examples and lessons that I have not seen elsewhere. For example I was surprised to see finger painting as I have never encountered this before in any books. The book is well laid out and the content is clear; set out in four comprehensive sections. I particularly like the colour chapter on “Mixing and Using Colours” as I struggle with colours and looking at this I am sure it will be a great help. There is a page on Useful Extra Colours that I found very interesting but feel it could have been expanded on as it was very brief. I was given this book by Search Press Art to provide a review of the book within one week of receipt so I have not been able to use the book on a practical level but am looking forward now to returning to oil painting and using it as it is loaded with useful, interesting information. All in all a nice little bible. * Grace McCarron *

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Book SynopsisA contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level "In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author “This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.” - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.” A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings—so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.Trade Review'In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history.' - James Gurney, artist and author 'This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.' - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine 'A scrumptiously beautiful and informative book about color.' - Artists Magazine

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Book SynopsisCreate nine lustrous and captivating little works of art with this unique introduction to oil painting. Acclaimed artist Estelle Day demonstrates all you need to know to embark on your oil painting journey from what paints and supplies you’ll need to essential oil painting techniques. Beginners will build confidence by working on small-scale, still life painting projects designed for canvases measuring no more than 10cm (4in). Also included are outlines for you to trace so you can get started right away! Easy Oil Painting is the perfect beginner’s guide to working with oils and mastering this luminous and exciting medium.Trade ReviewEstelle Day's new book, Easy Oil Painting is the perfect introduction for those new to oils, or who fancy a change of medium. Subtitled, 'Beginner tutorials for small still lifes' Estelle uses small, everyday objects as her still-life subjects, which she paints on canvases measuring no more than 4in. (10cm), keeping everything very simple. Paints, materials and workspace are all covered in the opening chapters before moving on to oil-painting techniques, learning about colour and composition, and finishing with projects to work on. Outlines are provided for you to trace so that you can get going straight away. * Leisure Painter *Really good book for beginners with simple easy to follow steps. The quality of the book paper is also very good (important when spilling paint by accident). -- Megan Gjajxha * Customer Review *A lovely reasonably priced book with stunning pictures. Really helpful guidance on still life oil painting. Useful introductory chapters on colour and techniques which I found very accessible. Highly recommend. -- Rob K * Customer Review *A beautiful book. Very well sectioned for ease of following it from start to finishing a painting, supported by easy to follow diagrams and photos. * Customer Review *I have purchased other oil painting books in the past but this one is very nice. You work on small canvases or canvas panels to learn how to do the techniques before you go on to larger surfaces. This way you don't feel like you are wasting your time on something you may not like and or may not learn anything. Great book! -- Marti M * Customer Review *Table of ContentsMeet Estelle Chapter One: Paints and Supplies Chapter Two: Your Workspace Chapter Three: Oil Painting Techniques Chapter Four: All About Colour Chapter Five: Looking at Objects to Paint Chapter Six: Projects Index

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Book SynopsisPainting with Bob Ross—with artwork created by Bob Ross himself using his specially formulated oil paints, brushes, basecoats, and other tools—introduces artists and Bob Ross fans to the basics of painting landscapes. Everyone will enjoy Painting with Bob Ross, as his “happy accidents” approach makes this challenging subject matter enjoyable for all ages, regardless of skill level and materials used. “All you need is the desire to make beautiful things happen on canvas…” —Bob Ross In 1982, The Joy of Painting made its debut on public television. The unrehearsed, unedited show soon became a favorite among aspiring artists and painters. Almost 40 years and 403 episodes after his on-air debut, and decades after his untimely passing, Bob Ross still has enormous global popularity as a beloved painter, affable TV personality, and cultural icon. With this guide, you can learn to paint a happy tree in seconds, just like Bob Ross! Painting with Bob Ross introduces you to the tools and materials you need to paint beautiful landscapes, as well as basic painting techniques, such as how to load your brush and how to paint with a knife. Following the introduction are 16 painting projects, each with a complete list of tools and materials needed and instructions for preparing the canvas. Jump into painting with step one, then follow the full-color painting progressions and clearly written instructions until you’ve reached the final step—and your new, joyful work of art! This is the only Bob Ross book with all-color images. Even if you’re brand new to painting, remember that Bob said, “Talent is nothing more than a pursued interest. All you need to paint is a few tools, a little instruction, and a vision in your mind.” Throughout this book, Bob’s quotes encourage you to keep going. So grab your copy of Painting with Bob Ross, relax and unwind, and paint a Bob Ross-inspired landscape! You can paint graceful mountains, ocean waves crashing onto rocks, a winter cabin, a lakeside path, a deep forest river, and many more breathtaking views. And don’t forget to sign each of your masterpieces once you’ve completed the last step!Trade ReviewBy offering high-quality images, detailed supply lists, and expert advice straight from the artist, Painting with Bob Ross assures the authenticity of each art lesson, providing painters with ample, anxiety-free guidance and keeping Ross' words and legacy alive. After all, it was Ross himself who once noted that “all you need to paint is a few tools, a little instruction, and a vision in your mind.” A perfect resource for seasoned painters and amateur artists alike. * My Modern Met *For some, learning a new creative skill may be best accomplished in private rather than in a formal class setting. Painting with Bob Ross gives beginners a perfect format to gain mastery creating landscapes in oil. ... The fun you’ll have in the process — not to mention your utter absorption in the act of putting brush to canvas — will fill many hours of leisure time. When you’ve created your own work of art, the sense of accomplishment will surely enhance your life. -- The Beacon

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Book Synopsis'If you thought oil pastels were just something for children, prepare to think again.' The Artist '...look on in wonder as Tim shows you how you can use this neglected but simple medium to create real works of art...Just open this book at random and you'll be hooked.' Paint Magazine Learn to paint with oil pastels in this colourful, accessible book for newcomers to the medium. Tim Fisher demonstrates how to use the oil pastels on their own, or in conjunction with acrylic inks and paints, and watercolours, on a variety of surfaces, to create beautiful paintings that will maintain their vibrancy for years to come. The Beginner's Guide to Painting with Oil Pastels features six full step-by-step projects covering a variety of subjects including animal portraits, street scenes, boats and harbours, buildings and glorious landscapes. Tim introduces the reader to mark-making with oil pastels, explains the history of the medium, and how to protect and keep an oil pastel painting once it is complete. Trade ReviewIf you thought oil pastels were just something for your children, think again. As Tim makes clear in his introduction, they were invented 100 years ago as a means of combining the convenience of wax crayons with the quality of pigments suited to more serious art. They have, however struggled to escape the schoolroom connection and have been too frequently overlooked. This book is aimed at the beginner, so you'll need to balance this approach and detailed step-by-step demonstrations against the quality of work that Tim produces and adapt the way you use this, one of the very few books on this subject. Persistence will be rewarded and, with a minimal amount of equipment, you can discover a medium that, while perfect for outdoor sketching, is capable of the subtle effects more often associated with chalk pastels or even watercolour. * The Artist, February 2019 *If you think that oil pastels are just a pricier version of the wax crayon this book will show you how they have really come of age. From their invention in the early 20th century to the acid-free and non-yellowing type we use today they are surprisingly versatile, and mix well with other art media. I confess to having no idea of their origins so found the short history very interesting. This book will particularly appeal to anybody who possesses existing art skills (and materials) but wants to discover how to incorporate oil pastels in their work. It is a beginner’s guide to this and not a primer on how to draw and paint. Discover what brand the author buys and what else he suggests you can use. A surprising array of different materials and tools come into play, from a hairdryer to a scalpel, acrylic and watercolour paints, and inks, encaustic iron, hot glue gun and many more. Prepare a variety of surfaces and work through several exercises on mark making, sgraffito, stencilling, masking, using solvents, working with other types of paint and more. Each exercise will produce a painting, the best way of learning any art technique. After the basics there are several projects, which show in classic Search Press style (ie many captioned photographs for a foolproof learning experience) what to do. Paint flowers, a street scene in Venice, trees, a harbour, a dog and a country cottage. Learn too how to frame your work and look after it. It shows how art doesn’t have to be about just one medium, but mixing it up a bit can produce some excellent results and also how versatile modern materials can be. -- Rachel Hyde * myshelf.com *Oil pastels have a hard time of it in the art world. Often regarded as mere child’s toys, they were invented in Japan some 100 years ago (Tim includes a fascinating history) as a means of combining wax crayons with the better quality pigments demanded by the serious artist. As a medium, they have much to recommend them, being easy to carry and requiring little in the way of ancillary equipment. They don’t drop colour, have no drying time and the images they create are thoroughly robust. If nothing else, therefore, they’re worthy of consideration as a lightweight sketching medium. However, as Tim amply and ably demonstrates here, they’re capable of considerable subtlety and the results he produces could easily be taken for soft pastel or even watercolour. This is, as the title suggests, aimed at the beginner and includes a very straightforward introduction and a series of detailed demonstrations that make the medium’s capabilities clear. For the more experienced artist, this might be a little more than is required, but it may still prove helpful if you are trying something that is unfamiliar. If I were to tell you that this is easily the best book on oil pastels I’ve seen, you’d rightly point out that it’s probably the only one. This isn’t quite true – I’m pretty sure I remember another – but Tim hasn’t taken the easy route and has put a lot of trouble into producing a book it will be hard to better. -- artbookreview.net * Henry Malt *Well-known to Leisure Painter readers, Tim Fisher demonstrates how to use oil pastels in this Beginner's Guide to Painting with Oil Pastels. The book includes history of oil pastels as well as the materials and tools you will need. Six full step-by-step projects, covering a variety of subjects show readers how to create vibrant oil pastel paintings, and demonstrate how they can be used in conjunction with acrylic inks and paints, as well as watercolours. * Leisure Painter, January 2019 *Tim's use of line, colour and economy of shape, make it one of the best books on painting, period. * Paint magazine (November 2018) *In a series of full-colour demonstrations, Tim shows you how to work with subjects as diverse as landscapes, buildings, boats, dogs, trees and flowers. He will also show you how to achieve subtle effects with your oil pastels by using blenders and by combining them with other media such as acrylics and inks. -- The SAA * The SAA Catalogue 19/20 *Table of ContentsIntroduction The history of oil pastels Materials and tools oil pastels Additional materials and tools Surfaces Surface preparation Getting started Painting a red pepper Techniques Mark-making Special effects Using solvents Using oil pastels with other media Projects Flowers: Poppy Field Trees and foliage: Norfolk Lane Street scenes: Venice Buildings: Staithes Cottages harbour scene: ‘Le Fantasque’ Animal portraits: Freyja Care and framing of your artwork Index

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Book SynopsisTake your plein air artwork to the next level through easy-to-understand workshop-style lessons and skill-building exercises. In Plein Air Techniques for Artists, award-winning artist and respected workshop instructor Aimee Erickson demystifies how to capture a variety of light effects and guides you in strengthening your plein air skills through practice. This accessible book covers:   Materials and gear. Gain a basic knowledge of the possibilities so you can keep your options open and your plein air process fresh. Composition and value. Explore the impact of proportion, color, value, line, edges, shape, and texture. Color. Consider how knowledge and intention, your color palette, and what you see—your perspective—take turns being in charge of the color game, inventing rules and finding solutions. Light effects. Learn how conditions of the day—how much light there is, Trade Review"Award-winning oil painter Erickson’s devotion to sharing her love of plein air painting techniques is clear from the first pages of this book. This resource is a great addition to crafts collections. Suitable for both experienced artists and novices interested in this artistic practice." * Library Journal *"Aimee Erickson demystifies how to capture a variety of light effects—from sunlight and shadow to nighttime—and every glisten and glimmer in between. Her friendly tone and accessible workshop-syyle lessons and skill-building exercises offer artists down-to-earth guidance on painting more effectively in natural light. Exceptional still lifes, figures and landscapes by noted contemporary plein air artists provide endless inspiration." * Artists Magazine *Table of ContentsCONTENTS Introduction Finding “The Zone” 1 MATERIALS AND GEAR What’s Your Medium? Brushes and Brushstrokes Supports: Canvas, Panels, and Paper Plein Air Painting Kit 2 COMPOSITION AND VALUE Making Interesting Compositions Black and White Sketchbook Exercise: Notan Value Exercise: Simplified Value Studies 3 COLOR Speaking of Color . . . Color Exercises Exercise: A Color Chart, Emphasizing Value Exercise: Color Ladders Limited Palettes Color Development of Value Studies SUNLIGHT AND SHADOW Seeing Skills: Shift Your Perception Light, Shadow, and Color Demonstration: Light and Shadow on Architecture Where to Start Exercise: The Color of Light Raking Light Technique: Stain It, Draw It, Paint It Perspective Foreground Solutions 5 INDIRECT LIGHT Dappled and Filtered Light Technique: Starting with a Mid-Tone Canvas Demonstration: Large Scale Work Demonstration: Dappled Afternoon Light Overcast Light Demonstration: A Two-Session Painting Technique: Cutting In Painting Makeover: Light and Shadow Relationships Technique: Using a Broad Brush Shade and Reflected Light 6 BACKLIGHT Rim Light Contre-Jour: Against the Light Transmitted Light Technique: A Loose Start Painting Makeover: Perspective

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Book SynopsisWater-mixable oil paints offer all the qualities of traditional oils – rich pigments, buttery consistency, long drying times – but with one remarkable difference, there is no need for solvents! This book will encourage and inspire beginners and provide them with all the skills and knowledge they need to produce successful oil paintings. It starts with an introduction to the medium, and explains what water-mixable oils are. This introduction is followed by several sections on materials, preparation (how to care for your brushes, storing your paints, and so on), colour (selecting your basic, or capsule, palette), mixing the paints and preparing your surfaces. The first project explains how to explore colour in order to paint in the style of Vincent van Gogh. There are then five longer projects that touch upon the themes of abstraction, still life, landscapes, buildings, and working from a photograph, all of which capitalize on the rich qualities of the paints. Each project is accompanied by a clear list of materials needed as well as top tips and skills practised; Sarah also interjects with useful anecdotes and words of wisdom garnered from her experience working in this vibrant and exciting medium. At the end of the book, the reader discovers how best to store and transport finished paintings, especially if the paint is still tacky to the touch, and how to frame a painting for impact.Trade ReviewAimed specifically at beginner's, Sarah Wimperis's new book will encourage and inspire those new to the medium to explore the world of water-mixable oil paints, which off all the qualities of traditional oils, but without the need for solvents. A thorough introduction to the medium and how to us it is followed by six projects. The first looks at how to explore colour to paint in the style of Van Gogh. Other projects include still life, landscapes, abstraction, buildings, and working from a photograph. Each of the projects is clearly explained with step-by-step processes and plenty of top tips from an expert tutor. * Leisure Painter, August 2023 *Table of ContentsIntroduction 6 The qualities of water-mixable oils 8 Materials and tools 10 The paints 10 Brushes 12 Application tools 14 Surfaces 16 A space in which to work 20 Easels 22 From the studio 24 Maintenance of your materials 26 Colours and mixes 30 Mixing colours 32 Mixing the paints 35 Mark-making 40 Brushes 40 Other tools 42 Seeing things differently 43 Projects 46 Exploring colour 46 Painting from a photo 54 Painting an abstract 64 Still life 78 Landscape 90 Buildings 102 Troubleshooting 116 Aftercare 120 Storing your paintings 120 Transporting your paintings 121 Using a mount to crop your paintings 122 Frames 123 Glossary 126 Index 128

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Book SynopsisStimulating, informative guide by noted teacher covers painting technique, painting from life, materials paints, varnishes, oils and mediums, grounds, etc. a painter''s training, more. Speed also provides expert analysis of works by Velasquez, Reynolds, Gainsborough, Hals, Rembrandt, and others. 64 photos. 5 line drawings.

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Book SynopsisA how-to introduction to all aspects of painting with oils, acrylics and gouache, from beginners to intermediates, with full technical instruction and learning projects, shown with 750 images.

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Book SynopsisA clear instruction manual for hobby artists hoping to improve their work by learning from a master artist and getting inspiration from a practical showcase of his work. President of the Royal Institute of Oil Painters (ROI), Adebanji Alade's mission is to make oil painting accessible to anyone, while simultaneously providing insights and instruction that are valuable to experienced artists. From the absolute basics of getting an image onto your painting surface and preparing and mixing oil paints, this book includes invaluable information on different working approaches. Starting with the basics of value, edge, and colour, the book delves into brief exercises and fundamental techniques for sketching and drawing. It then gradually advances to Adebanji's distinctive method of oil painting diverse subjects, featuring six complete stage-by-stage projects. These projects encompass a range of subjects, from intimate portraits to captivating crowd scenes and the urban landscapes for which he is renowned. The reader will discover how best to tackle subjects ranging from single figures and small groups to expansive crowd scenes and interiors. Light, weather, character and atmosphere are all investigated by this infectiously enthusiastic artist.Trade ReviewAdebanji Alade's new book, Painting People and Places, is an instruction manual for hobby artists in which he aims to make oil painting accessible to anyone. Opening with the basics, preparing and mixing oil paints and simple exercises and techniques, the book features six complete stage-by-stage projects from intimate portraits to urban landscapes and crowd scenes. Throughout, the artist offers advice and insights into all of the problems facing the oil painter. Whether it's changing light and weather, capturing scenes at speed or creating atmosphere, Adebanji is a master painter and a practiced tutor. -- The Leisure Painter * Issue 647 *What, you might wonder, links these two apparently different subjects? The answer is that they both have character, and capturing that is what this book is about. We've met Adebanji Alade before as an often quite fast-working sketcher. It turns out that he's an oil painter of considerable skill as well. That he can also present his work with clarity makes this an absolute delight. Sensibly, the book is divided into two distinct halves and there is no sleight of hand trying to connect studio portraits with outdoor work in all weathers. Both contain a wealth of practical advice about ways of working, use of colour and how to interact with people. Although there are urban landscapes here, it's the people on the streets that make the strongest connection between the two sections. This is an enjoyable journey with a thoroughly likeable companion, enhanced by the superb quality of production. -- Henry Malt * The Artist, March Issue *Table of ContentsIntroduction Materials Sketching with oils My way – techniques and approach: how I paint with oils Portraits Project 1: Homeless person portrait Figures Project 2: Child playing Crowds Project 3: Urban scene Landscapes Project 4: Summer evening light Urban landscapes Project 5: Rain and reflections Seascapes Project 6: Harbour skyline Afterword Index

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Book SynopsisLandscape painting is one of the most popular subjects for painters working in the medium of oils. In The Elements of Landscape Oil Painting, author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water.

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Book SynopsisArtists who wish to explore the world of painting with oils en plein air will love the freshness and vibrancy of the work in this book – as well as the expert, down-to-earth advice of its author. Award-winning artist Haidee-Jo explores the appeal of working outside with oils and the enormous benefits it can bring in terms of personal well-being. She also shares her techniques to allow the reader to invest their oil artwork with light, motion and life. With dozens of Haidee-Jo's artworks to provide inspiration to the reader, and clear, step-by-step demonstrations throughout, this book provides both an expert guide to the challenges, opportunities and fun of painting outdoors; and provides an insight into the working methods of this dynamic artist.Trade ReviewA super, no nonsense guide, Haidee-Jo deals with all aspects of starting out with plein air painting. The book is beautifully and liberally illustrated. The whole process, from choosing the correct equipment and paints to finding inspiration and coping with every weather condition is covered with practical advice. Exercises and examples are used throughout, based on the artists own experience and work. She even discusses the main barrier that may prevent some people engaging in plein air painting, i.e. painting in public and there is a chapter dealing with options for works which for whatever reason haven’t made the grade. It is a comprehensive work filled with a wealth of knowledge and information and the artists’ obvious love and enthusiasm for her subject, a must for anyone wishing to take their first steps outside. -- Anne Chalkley * Amazon Customer Review *I’ve looked forward to the release of this book by my favourite plein air artist Haidee-Jo Summers and it certainly doesn’t disappoint. There is lots of inspiration for anyone wanting to give plein air painting a try. I know I have wanted to paint en plein air but being an amateur have not had the confidence. Haidee-Jo’s book certainly encourages me to give it a go. Her book provides lots of helpful and practical advice and tips on how to go about this, from what equipment you may need and how to transport this, colour palettes and colour mixing, how to compose a painting and how to simplify subjects, how to deal with changeable weather. There are demonstrations to show her painting process from quick sketches to doing tonal washes leading to final paintings. And she provides exercises for you to try to gain more confidence such as doing timed paintings against the clock in small panels to help you learn to paint faster, and painting from memory to develop your short term visual memory, all helpful for painting outside in order to get the essential details down before your subject changes! Even though this is not a hardback book it has a sturdy glossy cover and the pages are of good quality with a plentiful number of good quality photos of Haidee-Jo’s beautiful paintings to drool over and envy! She truly is the expert and advocate for plein air painting, not just of landscapes but of the everyday subjects that a lot of people would overlook, as Haidee-Jo has the knack of finding the light and shadows that bring out their beauty and creating a stunning painting. I can’t recommend this book highly enough. -- Julie Geelan * Amazon Customer Review *I should first of all say that I am not an oil painter. I paint mostly in watercolour and sometimes in gouache or casein paint. However I just love this book. It is packed full with information and her beautiful paintings, and I cannot wait to ‘get out there’ after looking at this. It is really inspiring and packed with practical advice too. Well done Haidee-Jo, this is a winner for sure! * Customer Review *This book is full of very useful information. Beautifully illustrated to inspire the artist to get out and give plein air a go. I am an experienced painter but found lots of very useful advice within the pages. * Customer Review *Everything you need to know to help you start plein air painting. Suitable for all. Haidee-Jo offers practical advice given in her easy to read style. She has condensed her years of experience into this fabulous book and given us a chance to join her on this amazing adventure. Just brilliant! -- Charlotte Davies * Amazon Customer Review *As a regular plein air painter I found the finishing “Pearls of wisdom” very relatable and written with kind humour! This book appeals across the experience range, with essential information for beginners to reinforcement for the more experienced; a visual treat clearly written with examples and exercises. -- Steven James Dunster * Amazon Customer Review *Time spent in Haidee-Jo's company is always time well spent. She is adept at voicing her thought processes and showing how the creative endeavour develops in the face of changing circumstance, light and the way the work itself progresses. This is not, therefore, a straightforward book of instruction, but rather a tour round the process of painting outdoors and dealing with both the practical and theoretical considerations it raises. A quick flick through the pages reveals a wealth of visual material - just about every one of the 176 pages is packed with illustrations. These cover all of the subjects you'd expect as well as a variety of compositions, light and weather conditions. As well as demonstrations, there are plenty of discussions of aesthetics, colour, recession and ways to set up. This should delight any oil painter and is one of the most complete and absorbing books on the subject. -- Henry Malt * The Artist *Award-winning artist and editorial consultant to The Artist magazine, Haidee-Jo Summers describes herself as hooked on plein-air painting and here she shows us why. Haidee-Jo's work is fresh and full of vibrancy. With a deceptively easy sweep of her brush, she can bring her canvas to life and her work will energise you to have a go yourself. There's plenty of clear step-by-step demonstrations to work through with Haidee-Jo at your side offering paractical advice to overcome challenges that painting outdoors in the elements can throw at you. Above all, it is the sense of well-being that painting outside can bring to you that she is so keen to share and her love of plein-air painting will surely be contagious. * Leisure Painter *Time spent with Haidee-Jo is always time well spent and feels more like a relaxed conversation with an old friend than any kind of tutorial process. If you’ve watched any of her DVDs, you’ll know that she spends time discussing not just ways of applying paint, but of reacting to scenes and conditions, explaining the way the creative process works perhaps better than anyone else. A book is a very different beast, of course, and needs to be more prescriptive than discursive. The written word doesn’t um and ah, doesn’t wave its arms about to make a point eloquently and doesn’t get distracted by a sudden gust of wind. At least, it shouldn’t, though we can all think of books that wander infuriatingly off the topic. No, I won’t be mentioning any names. For all that, what we have here is an enjoyable ramble through the ways of oil painting. And that’s not a sentence I’ve ever written in forty years. Rambling is normally associated with watercolour; oils are a much more serious business. Aren’t they? You see, that’s the thing, Haidee-Jo is a painter who happens to work in oils, not a (serious voice) Painter In Oils. The medium is very much not the message, merely (is that the right word?) the messenger, a way of communicating form, colour, composition and emotion. There, I’ve said it, I’ve used the E word, because that’s really what this book is about. The subtitle (they’re always instructive) is “a practical and inspirational guide to painting outdoors”. What you’ll get here is advice about the practicalities of working the field – equipment, preparation, adaptation – as well as how to recognise a subject and construct a scene, whether it’s landscapes, trees, flowers, buildings, water or even people. There’s consideration of light, weather, seeing, interpreting, remembering (because scenes change before your very eyes) and, of course, getting the all-important paint on the also-important canvas. This is an enjoyable book that can’t but inspire you to get outside. You probably can’t take Haidee-Jo with you, so you’ll just have to imagine her. -- Henry Malt * Artbookreview.net *This is a fascinating and thorough guide to working outdoors that feels much more like an adventure with an old friend than a course of instruction. Chapters include working with changing light, allowing for weather and even working around people. On top of this, there's plenty of advice on practice, from colour and brushwork to composition, planning, both on the ground and on the canvas, and finishing off in the studio. * SAA Catalogue *Table of ContentsForeword 6, An introduction to painting outdoors 8, Choosing a subject 12, Getting outside: equipment and supplies 18, Painting outside: The bigger picture 32, Chasing the light: alla prima 44, Step-by-step Improving your visual memory 52, Slowing down: painting over multiple sessions 62, Colour and your palette 70, Step-by-step Fog and Ruby Chard 80, Design and impact: composing your artwork 84, Step-by-step Free Range Hens at Low Bradfield 96, Step-by-step Waterfall 106, Still life en plein air 108, Step-by-step Log Pile 114, Painting in daylight 118, Step-by-step Pink Cherry Blossom Against the Sky 124, Step-by-step Beyond the Gate 132, Working with the weather 140, Painting around people 152, Exploring further: working in the studio 170, Afterword 174, Index 176

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Book SynopsisMaster painter Kevin Macpherson shares his bold, direct approach to capturing nature's glorious colors and luminosity in oils in complete step-by-step demonstrations.

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Book SynopsisOver the centuries, landscape painting has attracted countless artists. Its diversity, enhanced by the weather, special lighting conditions and seasonal change, offers the painter an infinite variety of subject matter. Oils are an extremely versatile and immediate medium, enabling artists to express themselves in a variety of creative ways. They are relatively easy to use, suitable for both the beginner and the more experienced painter.

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Book SynopsisThis, London-based painter Sarah Medway’s second publication from Anomie Publishing, is devoted to the subject of the River Thames. The publication presents a series of twenty-eight oil paintings created in Medway’s canal-side studio in central London during the Covid-19 lockdowns of 2020-21.The Thames is beautiful, terrifying, powerful, alluring and dangerous. Medway captures the river’s eclectic dynamics, rhythms and energy through the language of abstract painting, the ripples, bubbles, eddies and currents, the reflections and refractions denoted through sinuous lines, ellipses and spots, dots and loops, flecks and swirls. Referencing 20th-century modernist movements such as De Stijl, Tachisme and post-war American Abstract Expressionism, Medway’s own, lyrical, often graphic approach to painting the Thames results in a vivid interplay between pattern and colour. The paintings have overt musical resonances – tempo, rhythm and dynamics as might be encountered in an orchestral score. Like the river, the paintings are at times joyous and playful, at other times brooding and menacing, yet always moving, in flux, traveling onwards towards the sea.An introductory text by critic and writer Sue Hubbard takes readers through the series, exploring how the paintings engage with the qualities and complexities of the river. An in-person conversation between Medway and writer, editor and curator Anna McNay provides insight into the artist’s life and work, discussing the processes by which Medway makes her paintings and the thinking behind them. Designed and produced by Peter B. Willberg, this foil-blocked, cloth-bound hardback publication with a special dustjacket also features an illustrated chronology documenting Medway’s life and career.Sarah Medway (b.1955, Seaton Carew, UK) is a painter based in London. As well as group exhibitions at institutions such as Tate Britain, the Whitechapel, the Royal Academy, the World Trade Center and Austin Museum of Art, Medway’s solo shows include Flowers East, London, Chelsea Hotel, New York, Kienbaum Gallery, Frankfurt, The Mandalai, Thailand, and Atelier Gallery, Spain. She has works in many public, private and corporate collections in the UK, US, Germany, Italy, Spain, Belgium, Hong Kong and Thailand.

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Book Synopsis A captivating and highly illustrated introduction to Vincent Van Gogh, told through 50 major works. This new book presents all you need to know about Vincent Van Gogh’s turbulent and prolific creative life, featuring fifty works from the world’s leading art collections and museums. Art historian John Cauman analyses the career and works of, arguably, the best-known artist in the world today. A detailed introduction examines Van Gogh’s development as an artist and explores the themes, methods and driving forces behind his extraordinary paintings and drawings, as well as his relationships with his brother Theo and fellow artists. The book includes both major paintings and lesser-known sketches and artworks. The latest digital technology has been used to ensure that the reproductions are as faithful to the original works as possible. For all art lovers and students interested in Post-Impressionism and 19th-century art, Van Gogh in 50 Works provides a dazzling recreation of the viewing experience. Among the fifty paintings featured, the book includes The Potato Eaters (1885), Père Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Café Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh’s Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).Trade Review‘The prefect "greatest hits" compilation.' * Artists & Illustrators *

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Book SynopsisHow Art Is Made looks at renowned works of art from across the centuries and around the globe and asks the intriguingly simple question – how were these works actually made?   Divided into two sections – materials and methods – each chapter showcases a single work of art which demonstrates the mastery and innovative use of a single material or method, from oil paint, pastel and pencil, to woodcut, litho and impasto. Each work is presented as the centerpiece of a capsule history, while comparative works are also included to help amplify our understanding. How, for example, did Michelangelo paint the Sistine Chapel fresco, or Turner become such a master of watercolor? How did Warhol turn so effectively to screen printing, and how does Yayoi Kusama create such beguiling 'infinity rooms'? The book enhances the experience of looking at great works of art Table of ContentsIntroduction Gold Mosaic Encaustic Ink Charcoal Chalk Pencil Opaque Watercolour Tempera Fresco Oil Transparent Watercolour PastelMethods Relief, Lost Wax Casting, Perspective, Foreshortening, Light and Shadow, Monochrome, Brushwork, Impasto, En Plein Air, Drip and Flow, Woodcut, Engraving, Etching, Colour Woodblock Printing, Lithography, Screen Printing, Collage, Graffiti, Immersive SpacesEndnotes Further Reading Index Acknowledgments About the Author

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Book SynopsisLearn how use oil paints with this clear and simple guide. Accomplished artist and teacher Norman Long explains all the basics and shows you how to master this versatile, vibrant medium so you can produce beautiful paintings full of life and colour. A handy front section covers all the practical stuff, from choosing the right materials to essential techniques. Ten step-by-step tutorials then guide you through a range of subject matter, from still life to landscapes and figures, providing a thorough grounding in painting with oils. Each tutorial is broken down into key stages, with clear step-by-step photography and easy-to-follow instructions. There are also special features on composition, painting outdoors and painting people. Throughout, Norman gives plenty of tips and practical advice to help you make the most of your paints. AUTHOR: Norman Long BA, MAFA studied at Blackpool and Fylde College, Newcastle University and the Pennsylvania Academy of Fine Arts. In addition to over thirteen solo shows, his work has featured in distinguished group exhibitions in the USA and throughout the UK, including the BP Portrait Award. He is the winner of the Royal Society of Portrait Painters' de Laszlo Award and Artist and Illustrator's Artist of the Year 2013. SALES POINTS: . 10 step-by-step projects to inspire and perfect new skills . Covers all the basic techniques with special features of painting outdoors, composition and painting people . Oils are the most popular medium for painting 190 colour photographs

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Book SynopsisThe nude has inspired artists for centuries and continues to inspire us today. Alongside a historical study of the nude in painting, this book introduces oil paint and gives advice on techniques when using this challenging and rewarding medium. Capturing the beauty of form and the delicate colours of the figure, it celebrates the powerful images that examine human relationships, personality and psychology. Some of the topics included in this book are instructions on materials, the colour palette and stretching your own canvas; the practicalities of working with a model in the studio; colour-mixing exercises that explore colour relationships and temperature, and finally step-by-step examples that demonstrate the progression of a painting.

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Book SynopsisMake art with no-mess, quick-drying shimmer sticks!Finally, there's a way to have your very own paint studio with absolutelyno mess involved! Iridescent paint sticks are the ultimatekid-friendly art media. They create bright, vibrant streaks ofpaint. And best of all? They dry instantly!

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Book SynopsisThis beautiful book shows the artist how to develop their own unique way of seeing and interpreting light and colour in oils, using plein air painting as the foundation (painting outdoors direct from life). It serves as a catalyst for exploration, both out in the field, and back in the studio. Packed with finished examples and step-by-step sequences, it guides you through the beguiling challenge of painting the light, demonstrating how to say just enough' in your own work.Trade ReviewFor a thorough and enjoyable guide to a complex subject, this is a thorough and thoroughly satisfying look at a vast topic. -- Henry Malt, The Artist * The Artist *

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Book SynopsisA celebration of the life and work of the pop-culture icon who gently encouraged millions to explore their creativity. Known for incorporating “happy little” clouds, mountains, and trees in paintings he would create in just twenty-six television minutes, Bob Ross had an encouraging and soothing demeanor that made his instructional television shows the most recognized and watched in television history. Ross created nearly 30,000 paintings in his lifetime, most using the wet-on-wet method employed by Caravaggio, Cézanne, and Monet. This fully authorized collection of more than 300 pieces of his art features his most famous quotes about painting and life, including “And success with painting leads to success with many things. It carries over into every part of your life” as well as techniques that will inspire readers to create their own art. Originally airing in 1982 on PBS in the United States and various outlets throughout Canada, Trade Review"You probably remember him from his instructional TV shows, in which he patiently, soothingly demonstrated how to paint “happy little” clouds, trees, mountains and seascapes. Bob Ross: The Joy of Painting (Rizzoli/Universe) is a calming collection of some 300 pieces of the late artist’s work, accompanied by his inspirational quotes—like 'Success with painting leads to success with many things.' "—Parade Magazine

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Book SynopsisA tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada’s greatest Structurist artist.In celebration of his 100th birthday, Eli Bornstein, in collaboration with author and curator Roald Nasgaard, has published a stunning work of personal reflection on a most transformative time in his life and career. Eli Bornstein: Arctic Journals, 1986 and 1987 is a tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada’s greatest Structurist artist.Devoid of the mythologizing other artists have given their writing on the North, Bornstein’s journals are introspective, insightful, and sometimes funny. Comprised of personal journal entries from two northern trips he took with photographer Hans Dommasch—along with watercolour studies, Structurist reliefs, and a personal collection of poems—Bornstein’s work is a vital reminder of our outsized influence over the natural world and an invitation to recognize our need for nature in our life and in our art.Bornstein's publication is the culmination of a life’s work on reconciling himself with nature and the understanding our very existence.

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Book SynopsisA new, up-to-date edition of the popular and comprehensive encyclopedia by professional and award-winning artist, Jeremy Galton. Ideal for artists of all skill levels, this A-Z reference covers a multitude of topics concerning oil painting. The book is divided into two sections: the first provides step-by-step demonstrations that guide artists through a variety of techniques, from basic colour mixing through to creating special effects such as peinture a l'essence and sgraffito. The second part focuses on themes, illustrating how individual artists tackle a number of common subjects, including landscapes, buildings, portraits, still life, skies and water. This resource provides a wealth of stimulating ideas to help artists – both amateurs and veterans – develop their own oil-painting style.Table of ContentsIntroducing acrylics, Techniques, Alma Prima, Blending, Broken Colour, Brushwork, Building Up, Collage, Colour Grounds, Colour Mixing, Corrections, Dabbing, Defining Edges, Dry Brush, Fat Over Lean, Finger Painting, Glazing, Grounds, Impasto, Imprinting, Knife Painting, Masking, Mediums, Mixed Media, Monoprinting, Palette, Peinture a L'essence, Pointillism, Scraping Back, Scrumbling, Sgraffito, Supports, Texturing, Tonking, Transferring Drawings, Underdrawing, Underpainting, Wet into Wet, Wet On Dry, Themes, Architecture, Figures, Landscapes, Skies, Still life, Water, Index and credits

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Book SynopsisDelving into Frederick Sandys's unconventional life, Betty Elzea's research reveals much about his complicated and often scandalous relationships. Born and educated in Norwich with an artisan background, Sandys was bohemian by nature, though from necessity, to the world at large, he appeared genteel and respectable. Unfortunately disorganised, un-businesslike and preferring to live alone as a bachelor in lodgings, he struggled to support two growing families of illegitimate children. From youth, developing skills as a draughtsman and painter, he moved to London, meeting Dante Gabriel Rossetti and the Pre-Raphaelites and their associates, while keeping a foothold in Norwich where he maintained friendships and enjoyed the support of the Norfolk gentry and several notable Norwich industrialists. Norfolk landscape painting and nature studies led to commissioned portraiture which became his main source of income. He is known for depictions of beautiful women in legendary disguises as well as meticulously-detailed portraits of elderly women. He also pioneered a new type of large-scale portrait drawing in chalks.

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Book SynopsisOils give a rich, majestic quality to a painting but may often be deemed too tricky or ambitious to try. This practical book puts the joy of painting with oils within reach of all who want to develop their skills. Examples of landscape, marine, nude and equestrian paintings will inspire and show the rich diversity, texture and depth that oil painting can achieve. Written by a professional painter, it encourages artists of all levels to experiment with the medium and to develop their art.

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Book SynopsisGodefridus Schalcken: A Late 17th-century Dutch Painter in Pursuit of Fame and Fortune is the first book in English dedicated to the entire artistic output of seventeenth-century Dutch artist Godefridus Schalcken (1643–1706). It examines the artist’s paintings and career trajectory against the background of his ceaseless pursuit of fame and fortune. Combining a comprehensive analysis of Schalcken's artistic development and style with our increasing biographical knowledge, it provides an authoritative overview of Schalcken’s ample production as an artist. It also integrates his art into the circumstances of his life in relation to his ambitious career aspirations, exploring how economic conditions, a concomitantly oversaturated art market, talent and ambition, demographics, and even sheer luck all played a role in Schalcken’s great professional success. Since Schalcken’s art, like that of all Dutch painters, provides a plethora of information about seventeenth-century culture—its predilections, its prejudices, indeed, its very mind-set—the book inevitably links his work to the broader socio-cultural contexts in which it was created.Table of Contents1. Beginnings; 1643-73; 2. Crafting a Reputation: The 1670s; 3. An Internationally Famous Master: 1680-1692; 4. Schalcken in London: 1692-6; 5. The Final Years: 1696-1706; Conclusion; Notes; Bibliography; Acknowledgements; Index

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Book SynopsisIn the latest addition to the Color Mixing Recipes family of books, artist William F. Powell provides instruction on colour mixing as it relates to landscape painting in oil and acrylic. Following the format of the other books in the series, Color Mixing Recipes for Landscapes offers a robust index of landscape subjects that correspond to the featured colour mixing swatches. This useful book also discusses how colour is influenced by the time of day, the angle of the sun, and changing seasons, making it a must-have in every oil and acrylic artist's reference library.

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Book SynopsisLearn how to create your own Deep Impasto® masterpieces using a palette knife and oil paints with this book featuring tips, techniques, and 8 complete step-by-step projects.Professional artist Lisa Elley works from her studio in the San Francisco Bay Area with the purpose of inspiring and bringing joy to people through her art. In Palette Knife Painting: Deep Impasto, Lisa shares her techniques with you through easy-to-follow step-by-step projects.Learn to paint:   Art inspired by Vincent van Gogh Seascapes and landscapes A Tuscan vineyard Flower fields Wet-into-wet (alla prima) With texture And more! Also included in the book are:   Primers on the best palette knives and paints to use Color mixing and color theory instructions Beautiful, textured artwork that seems to lTrade Review"An ideal, comprehensive, and thoroughly 'user friendly' DIY course of instruction for artists of all skill levels looking to learn to paint and scrape with oil paint." * Midwest Book Review *"Far from a how-to for beginners, this book includes projects that expertly teach processes, such as color blocking, blending, and multiple effects that can be executed with a knife." * Library Journal *Table of ContentsContents Introduction Why Paint with a Palette Knife? Getting Started Hokusai–Inspired Ocean Wave Van Gogh–Inspired Poppy Field Van Gogh–Inspired Irises Piccola Casa (The Little House) Summer Peonies Birch Tree Forest in the Fall Coastal Landscape with Wildflowers Tuscan Vineyard Landscape with Sunflowers Cleanup & Care Signing Your Art Varnishing Presenting Wiring a Painting About the Artist

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Book SynopsisHere is everything you need to know about getting into oil painting—and maintaining a safe, solvent-free oil painting practice—in a slim, sophisticated guide.Oil painting is an exciting and adventurous medium, but aspiring artists can feel daunted by complex setups and the thought of using harsh chemicals. All of that changes now. The New Oil Painting walks you step-by-step through oil painting fundamentals—which materials you actually need, how to mix paint, how to set up your painting space—and, most revolutionary of all, how to eliminate harmful solvents from your work and replace them with safe, effective substitutes. This instructional handbook is organized into chapters with helpful diagrams throughout illustrating various techniques and tools. Whether you''re a true beginner or have been painting with oils for years, you will find that this book has everything you need to build a new, thriving, toxin-free practice.• UNIQ

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Book SynopsisColor Mixing Recipes for Portraits Oil - Acrylic - Watercolor features master mixes for an array of skin colors in oil, acrylic, and watercolor—plus recipes for hair, eye, and lip colors.Also included are a plastic color-mixing grid for measuring out paints, as well as a handy conversion chart for finding acrylic equivalents of oil paints and vice versa. With Color Mixing Recipes for Portraits Oil - Acrylic - Watercolor and your painting materials, follow the three simple steps to mix virtually any skin tone for your portrait: Match a palette of skin tones from this book to your portrait subject. Create the Master Skin Tone Recipe for this palette using the included plastic color mixing grid to measure each paint color. Follow the recipes to create all the skin tones you will need to complete your portrait—from light values to shadows. Also featured in this book: Color theory Tinting, toning, and shading Graying skin tones naturally Identifying facial planes Mouth, nose, and ear color tones Eye and hair color tones Watercolor skin tone recipes With recipes for more than 500 color combinations, Color Mixing Recipes for Portraits Oil - Acrylic - Watercolor is your ultimate source for painting realistic skin, mouths, ears, noses, eyes, and hair. Walter Foster’s best-selling Color Mixing Recipes series also includes Color Mixing Recipes for Oil and Acrylic, Color Mixing Recipes for Watercolor, and Color Mixing Recipes for Landscapes. These books contain hundreds of precise color mixing combinations for realistic results, as well as acetate grids for measuring paint units.Table of ContentsInstructions Skin Tone Palettes Color Theory Mouth Color Tones Ear/Nose Color Tones Oil & Acrylic Skin Tone Recipes Color Tones Watercolor Skin Tone Recipes Creating Colors Index Oil/Acrylic Conversion Chart About the Author

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Book SynopsisThis volume brings together over 25 scholarly essays, reviews and shorter contributions by Peter Hecht, preceded by an introduction on what he thinks his life in art history has taught him. The title indicates what his collected papers have in common: together they represent an attitude of listening to what you see. Hecht is very suspicious of applying a method and believes that looking at an image until it speaks is essential to understanding it. Also, he has done much to prove that it not only pays to study the subject of a picture as part of an iconographical tradition, but that one should study it within the oeuvre of the artist who made it as well.

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Book SynopsisFrancis Bacon’s portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon’s oeuvre. Markus Rath embeds the painting into Bacon’s visual world for the first time. The English painter reveals a biographically oriented representationalism in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure – these are pioneering approaches to composition that shaped his late work decisively.

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Book SynopsisThis volume collects the fifteen oil paintings in Picasso's "Les Femmes d'Alger" series, which are scattered in museums around the world.Picasso’s study of the old masters forms an impressive focus of his late work. At the beginning of this new interest stood the works series Les Femmes d’Alger, which was on view in Paris, Munich, Cologne and Hamburg in 1955 and which today is scattered across several continents. The volume presents the series within the context of its reference works by Delacroix and Matisse. Pablo Picasso was 73 years of age during that winter when he created the unique ensemble of fifteen oil paintings, over 100 drawings and lithographs during his study of Eugene Delacroix’ The Women of Algiers in their Apartment (1834, 1849) and works by Henri Matisse like Odalisque with Red Trousers (1924/25) within the space of just three months. In addition to the cycle, this lavishly illustrated volume will also present the reference works and their reception. Two Algerian writers introduce a modern aspect with their contributions to the catalogue.

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Book SynopsisA fully illustrated, comprehensive, and scholarly catalogue of the paintings in the Ashmolean Museum’s collection by French artists born between 1775 and 1875 The only complete catalogue of French paintings of the period in the Ashmolean Museum, this comprehensive and scholarly study explores their rich collection of nineteenth-century French art. Continuing a convention set by earlier Ashmolean catalogues that mirrors the concept of the long nineteenth century, the book defines nineteenth-century French artists as those born between 1775 and 1875. Stretching into the twentieth century, it covers a fascinating range of paintings including works by Louis-Léopold Boilly, Camille, Lucien, and Félix Pissarro, Henri Fantin-Latour, Édouard Manet, Pierre-Auguste Renoir, Paul Cézanne, Claude Monet, and Henri Matisse. The catalogue was compiled by the late distinguished art historian Jon Whiteley. In each entry, Whiteley draws upon his encyclopaedic knowledge of French art and the Ashmolean holdings. Provenance, literature, and exhibition history are recorded as well as extensive technical notes and information on frames. The entries on each work are accompanied by new, high-quality photography and comparative images, resulting in a complete and thorough documentation of this important part of the Ashmolean collection of Western art, providing an informative contribution to existing scholarship. Distributed for Modern Art Press

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Book SynopsisAt the beginning of the 20th century, a group of artists around Henri Matisse and André Derain were carrying out revolutionary colour experiments. The art critic Louis Vauxcelles gave them their name in 1905: the "Fauves". Translated into English, this means something like "beasts" or "wild animals". This catalogue is being published for the first survey exhibition on the Fauves staged in Switzerland for decades. It presents the expressive painting style and unusual colour combinations employed by Matisse, Derain and their companions in the years 1904 to 1908, situating them in the aesthetic and socio-political debates of that time. The male connotation of the term Fauves already suggests the exclusion of women artists on a conceptual level. The exhibition and catalogue challenge this traditional view and draw attention to female protagonists on the Paris art scene. Richly illustrated and supplemented by new art-historical research contributions, the publication offers an insight into the diversity of the colourful painting by the "beasts". Fauvism – the first avantgarde movement of the 20th century Brilliant colour experiments in a break with academic conventions Exhibition: Kunstmuseum Basel, New building, September 2, 2023 to January 2, 2024 Look inside https://issuu.com/deutscher_kunstverlag/docs/look_inside_matisse_derain_and_friends

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Book SynopsisThe Easy Way to Get Started with Oil Painting Craig Stephens has a simple motto for painting: With a brush, some paints and a willingness to learn, anyone can do it. With that mindset, Craig takes his most essential lessons, boils them down to their basics and teaches you everything you need to know to start oil painting, without any fuss or highbrow. Thanks to his experience teaching painting to high school students for over two decades, Craig is an expert at helping those with no experience pick up a brush and make beautiful art they are proud of. With his direction, you'll create dynamic, vivid paintings and learn to capture your world in ways you never thought possible. Each project in this book is designed to highlight the important elements of using oil paints, helping you to practice new skills and get comfortable with the medium. And thanks to Craig's helpful step-by-step directions that pair a picture with each stroke, you'll get great results. Hone your color-mixing eye as you blend the vibrant greens and subtle yellows in the Freshly Cut Avocado piece. Practice painting unique textures, like the small craters in the Simplified Strawberry or the glossy skin on the Smooth and Shiny Plum. Learn all the ways to capture natural light, like transparency in a glass of Refreshing Lemon Water or dazzling reflections on a Chrome Coffee Creamer. Oil painting is a timeless art form, and with Craig as your teacher, you'll create 22 beautiful pieces for your walls and learn all the foundational skills you need to enjoy this hobby for years to come.

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Book SynopsisYour artistic ability to bring wondrous backdrops to life is just a brushstroke away with Sarah Mckendry’s Oil Painting Landscapes. Now you can create breath-taking scenery—even if you’ve never held a brush—with Sarah’s easy-to-follow instructions and guided photography that take you carefully through each step. Sarah makes the process easier than ever by providing helpful tips for blending colour and adjusting artistic blunders, as well as information on oil painting techniques and material recommendations. To lower the cost of art supplies, each project uses only a handful of colours and keeps the number of necessary tools to a minimum— reducing stress for the aspiring artist. Inside you will find 12 stunning projects, all in Sarah’s unique, atmospheric style, including enchanting forests, tranquil sunsets, peaceful meadows and magnificent ocean waves. So pick up your brush and open your mind to a new creative journey: painting the world around you with soft, beautiful colour.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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