Oils Books

Book SynopsisCalgary artist Chris Flodberg is a virtuoso oil painter, a painter''s painter. He became known for his landscapes but has since tackled a startling range of themes: World War II warships, intimate interiors, post-apocalyptic banquets, abstracts, guard dogs and, most recently, ninety-six self-portraits in ninety-six different styles. These are monumental paintings that grab the viewer by the throat and demand attention.Flodberg is inspired by art history, but the art he creates is his alone: visceral, intensely rendered, relentlessly probing, beautiful but often uncomfortable. An acutely self-aware painter, Flodberg places a high value on honesty. His art is a dazzling collection of self-portraits and statements on everything from war and greed to the blossoming trees on his street.Chris Flodberg: Paintings brings together 160 of Flodberg''s paintings from his first two decades. It is accompanied by five essays by Monique Westra and short musings by the artist himself.

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Book SynopsisA tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada’s greatest Structurist artist.In celebration of his 100th birthday, Eli Bornstein, in collaboration with author and curator Roald Nasgaard, has published a stunning work of personal reflection on a most transformative time in his life and career. Eli Bornstein: Arctic Journals, 1986 and 1987 is a tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada’s greatest Structurist artist.Devoid of the mythologizing other artists have given their writing on the North, Bornstein’s journals are introspective, insightful, and sometimes funny. Comprised of personal journal entries from two northern trips he took with photographer Hans Dommasch—along with watercolour studies, Structurist reliefs, and a personal collection of poems—Bornstein’s work is a vital reminder of our outsized influence over the natural world and an invitation to recognize our need for nature in our life and in our art.Bornstein's publication is the culmination of a life’s work on reconciling himself with nature and the understanding our very existence.

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Book SynopsisGathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Now in her nineties, Gathie Falk was born in 1928 in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada’s most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen’s brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color—these have been the manifestations of Falk’s rampant imagination as she has explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order are held in a dynamic tension as she works through her generative themes and variations.A trailblazer on all fronts, she has brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice —expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds—she finds the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflects her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full page images of her artworks and rarely seen archival photos of the artist’s studio, performance works, and Falk herself.For more than sixty years, Falk has generated work of extraordinary thematic integrity and material invention. This publication will illuminate those connections across disciplines, while also tracing the artist’s journey from youth to old age—from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.

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Book SynopsisA new, up-to-date edition of the popular and comprehensive encyclopedia by professional and award-winning artist, Jeremy Galton. Ideal for artists of all skill levels, this A-Z reference covers a multitude of topics concerning oil painting. The book is divided into two sections: the first provides step-by-step demonstrations that guide artists through a variety of techniques, from basic colour mixing through to creating special effects such as peinture a l'essence and sgraffito. The second part focuses on themes, illustrating how individual artists tackle a number of common subjects, including landscapes, buildings, portraits, still life, skies and water. This resource provides a wealth of stimulating ideas to help artists – both amateurs and veterans – develop their own oil-painting style.Table of ContentsIntroducing acrylics, Techniques, Alma Prima, Blending, Broken Colour, Brushwork, Building Up, Collage, Colour Grounds, Colour Mixing, Corrections, Dabbing, Defining Edges, Dry Brush, Fat Over Lean, Finger Painting, Glazing, Grounds, Impasto, Imprinting, Knife Painting, Masking, Mediums, Mixed Media, Monoprinting, Palette, Peinture a L'essence, Pointillism, Scraping Back, Scrumbling, Sgraffito, Supports, Texturing, Tonking, Transferring Drawings, Underdrawing, Underpainting, Wet into Wet, Wet On Dry, Themes, Architecture, Figures, Landscapes, Skies, Still life, Water, Index and credits

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Book SynopsisRob Wareing has built a formidable international reputation as a portrait artist. This is his first book, and here he draws on over 40 years' experience to provide a complete guide to painting portraits in oils. In Rob's view, the most effective way to capture character is by working from life rather than photographs, and to follow the alla prima method to create a painting in one sitting. Starting with a fascinating overview of the subject, Rob then guides the reader through the materials he uses, explains how to pose and light the sitter, and how to prepare the work area before starting to paint. This is followed by detailed coverage of design and composition, the importance of proportions, and the painting process itself – from colour mixing through to finishing a painting without over-working. With clear, step-by-step demonstrations and numerous examples of the author's work throughout, this book provides both an expert guide to portrait painting and a unique insight into the working methods of one of the world's leading portrait painters.Trade ReviewSought-after tutor, and The Artist contributor, Rob Wareing, draws on 40 years of experience for his first book, Painting Portraits in Oils. Working from life, Rob encourages students to complete their painting in one sitting. His alla prima method is explained here in great detail, from the initial overview of the subject and preparing your work area to how to post and light the sitter. Every stage of the process is covered – composition, proportions, colour mixing and skin tones, to finishing touches – with clear step-by-step demonstrations and plenty of the artist's work included throughout. * The Artist *Acclaimed portrait artist Rob Wareing shares more than 40 years of experience in his first book, Painting Portraits in Oils. If you're ready for a new challenge, discover how to paint a subject from life, beginning with the materials needed, how to light and pose your sitter, to the painting process itself. * Crafts Beautiful *Portraiture in Oils. Difficult, messy, best left to the professionals. And, you know what, I wouldn't disagree. Until now, right up to the moment I discovered this amazing guide. Rob is a portrait painter with an international reputation and some four decades' of experience. What impressed me most about this book is how Rob breaks what is indeed a complex subject, down into easily-understood parts. You can (and should) get the sense of a book by flicking quickly through its pages. This one is not just phenomenally unintimidating, but actually welcoming. So how is this sleight of hand achieved? Simple lessons – one thing at a time, carefully graded stages. Let's look at the first few: Materials (of course), Planning, Preparation, Composition, Lighting, Studies. There are plenty of examples and illustrations, but this is about getting to know them. This not only puts both of you at ease, but also helps you understand character and expressions. Groundwork, you see. The rest of the book proceeds in the same way. Rob teaches specific painting skills – facial features, hard and soft edges (even how to keep the sitting the right length) through examples and simple exercises. Rob is nothing if not a patient teacher and we're some 100 pages in before a full sitting appears and, by now, you'll be ready for the heavy lifting. Even here, Rob takes things slowly (you can with oils), taking time over drawing, initial paint layers, construction of features and the final refining. This is a careful and believable book; perhaps its greatest trick is to convince you that you really can do what you thought wasn't possible. -- Henry Malt * Paint Magazine *This beautifully produced book takes us through the stages of painting oil portraits from life. From materials and equipment, choosing a model, composition, lighting, achieving a likeness, values, edges, and colour, to step-by-step demonstrations of the whole process, the book is packed with great tips and advice. The sections showing how to avoid common mistakes, like making the nose too long, are particularly useful. Everything is well illustrated with photos, and explained clearly. Anyone wanting to learn to paint portraits from life, or to improve their skills, would find lots of advice and inspiration here. Although the book is primarily concerned with painting 'alla prima', (in one sitting), there's plenty of information which would equally apply to other types of portrait, and to other subjects and mediums. It's a book that I'm sure will become a well used friend in future. -- Sarah Ledger * Amazon *Oil portraits are often regarded as the highest form of art, certainly one to be taken with the utmost seriousness. Capturing a likeness as well as the character of yout subject requires planning, preparation and persistence and is not for the faint-hearted. Rob's four decades of experience have imbued him with a deep understanding not merely of the subject, but of the processes involved. This is a thoroughly researched and presented course that teaches you everything you need to know progressively. Explanations are succeeded by exercises until the final sitting, so that you understand what you're trying to do and how to work before getting to grips with real people. Such a solid grounding can only lead to confidence and success. Rob makes light of learning and his thorough approach is never hard work, but rather a journey of discovery. If you've ever wanted to try your hand at portraiture, there's no better place to get started. -- SAA * SAA *Painting portraits in oils is generally regarded as one of the highest art forms, something refined, complex and generally best left to the specialist. That’s hardly surprising as oils do require a fair amount of equipment. Finding suitable sitters, as well as the little matter of getting a worthwhile likeness, are considerable obstacles for the amateur. So how do you set about getting started? Until now, that’s been the conundrum. There have been few books and those that exist have been, well, rather so-so. This is different. Rob is a portrait artist with considerable experience, but he also has a YouTube channel where he posts demonstrations, and this experience shows. This is a book aimed at the needs of the learner rather than at the subject of portraiture itself. It’s a subtle but important difference. Open the pages at random and you’ll find yourself in the middle of a complete project. Look further and you’ll struggle to find the smaller lessons and exercises you’d be expecting. This is, in part at least, an extension of his online method. However, the idea of not having to wade through pages of eyes, ears, mouths and hands has an appeal, as long as it works. Portraiture is a language and has a grammar – there are technicalities you need to know as part of the foundations and to short-circuit those can be dangerous. Rob, however, is a patient and thorough explainer and all these foundations are here, but he manages to make them interesting. All those details come up both in the projects and also discussions of various approaches – mixing colours, preparing canvases, getting to know your subject. There are examples on every page that precisely illustrate each point that’s being made. The whole process is intensely practical and Rob manages to make what is genuinely a complex subject seem, if not easy (that would be sleight of hand), at least manageable. Knowing the limits of what you can teach is perhaps Rob’s greatest skill and this is a truly remarkable piece of work. -- Henry Malt * Artbookreview.net *Painting portraits in oils is often regarded as the highest form of art, and also not to be tackled by any other than the specialist. In this book, Rob - who has some four decades of experience - takes on a massive and daunting subject and, without trivialising, succeeds in making it manageable. This is an achievement that should be celebrated in itself. There are no sleights of hand, quick fixes or shortcuts. Rather, from a deep understanding of approaches and working processes, he adopts a methodical path that breaks everything down into a series of comprehensible steps. From getting to know your sitter to mental and technical preparation, basic skills, colour and values, everything works up to a final study and sitting. Each stage is packed with examples and exercises and, by taking a visual approach, Rob leads from the front, allowing the build-up to appear before your very eyes. -- Henry Malt * The Artist *I am quite new to oil painting and have only ever attempted landscapes. This book is well written and contains just about everything you need to know about painting portraits. I can’t wait to get started. Illustrated with lovely coloured photos the author gives step-by-step instruction on how to construct your painting with whole chapters on composition, materials, mixing your colours, using light and dark values, capturing light, angles, edges, proportions and common mistakes. The only other thing that I felt could have been included is a section on the painting's background, how and when to paint it without distracting from the main portrait etc -- Lyla Horley * Amazon Customer Review *Table of ContentsForeword 6 Introduction 8 Working from life 10 What makes a portrait? 12 Materials 22 Composing your paintings 34 Preparation 36 Drawing and painting 56 Drawing skills 58 Painting alla prima 70 Values 82 Colour 92 Skin tone 106 The sitting 116 The Portrait 118 Going further 134 Other types of portrait 136 Settings and background 156 Index 160

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Book SynopsisWater-mixable oil paints offer all the qualities of traditional oils – rich pigments, buttery consistency, long drying times – but with one remarkable difference, there is no need for solvents! This book will encourage and inspire beginners and provide them with all the skills and knowledge they need to produce successful oil paintings. It starts with an introduction to the medium, and explains what water-mixable oils are. This introduction is followed by several sections on materials, preparation (how to care for your brushes, storing your paints, and so on), colour (selecting your basic, or capsule, palette), mixing the paints and preparing your surfaces. The first project explains how to explore colour in order to paint in the style of Vincent van Gogh. There are then five longer projects that touch upon the themes of abstraction, still life, landscapes, buildings, and working from a photograph, all of which capitalize on the rich qualities of the paints. Each project is accompanied by a clear list of materials needed as well as top tips and skills practised; Sarah also interjects with useful anecdotes and words of wisdom garnered from her experience working in this vibrant and exciting medium. At the end of the book, the reader discovers how best to store and transport finished paintings, especially if the paint is still tacky to the touch, and how to frame a painting for impact.Trade ReviewAimed specifically at beginner's, Sarah Wimperis's new book will encourage and inspire those new to the medium to explore the world of water-mixable oil paints, which off all the qualities of traditional oils, but without the need for solvents. A thorough introduction to the medium and how to us it is followed by six projects. The first looks at how to explore colour to paint in the style of Van Gogh. Other projects include still life, landscapes, abstraction, buildings, and working from a photograph. Each of the projects is clearly explained with step-by-step processes and plenty of top tips from an expert tutor. * Leisure Painter, August 2023 *Table of ContentsIntroduction 6 The qualities of water-mixable oils 8 Materials and tools 10 The paints 10 Brushes 12 Application tools 14 Surfaces 16 A space in which to work 20 Easels 22 From the studio 24 Maintenance of your materials 26 Colours and mixes 30 Mixing colours 32 Mixing the paints 35 Mark-making 40 Brushes 40 Other tools 42 Seeing things differently 43 Projects 46 Exploring colour 46 Painting from a photo 54 Painting an abstract 64 Still life 78 Landscape 90 Buildings 102 Troubleshooting 116 Aftercare 120 Storing your paintings 120 Transporting your paintings 121 Using a mount to crop your paintings 122 Frames 123 Glossary 126 Index 128

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Book SynopsisLearn to capture the beauty and drama of the sky. A good sky is the essence of successful landscape and seascape paintings. This practical book covers everything you will need to know to paint a sky that captures the mood and atmosphere of a scene. With over 200 paintings, it explains techniques, demonstrates the painting process including step-by-step instruction on painting in oils with the alla prima technique. Advice is given on using alternative colours and creative interpretations and gives ideas to inspire and develop skills and a personal style. There is also detailed instruction on equipment, tone, composition and perspective and finally, practical advice on painting en plein air and travelling light.

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Book SynopsisA clear instruction manual for hobby artists hoping to improve their work by learning from a master artist and getting inspiration from a practical showcase of his work. President of the Royal Institute of Oil Painters (ROI), Adebanji Alade's mission is to make oil painting accessible to anyone, while simultaneously providing insights and instruction that are valuable to experienced artists. From the absolute basics of getting an image onto your painting surface and preparing and mixing oil paints, this book includes invaluable information on different working approaches. Starting with the basics of value, edge, and colour, the book delves into brief exercises and fundamental techniques for sketching and drawing. It then gradually advances to Adebanji's distinctive method of oil painting diverse subjects, featuring six complete stage-by-stage projects. These projects encompass a range of subjects, from intimate portraits to captivating crowd scenes and the urban landscapes for which he is renowned. The reader will discover how best to tackle subjects ranging from single figures and small groups to expansive crowd scenes and interiors. Light, weather, character and atmosphere are all investigated by this infectiously enthusiastic artist.Trade ReviewAdebanji Alade's new book, Painting People and Places, is an instruction manual for hobby artists in which he aims to make oil painting accessible to anyone. Opening with the basics, preparing and mixing oil paints and simple exercises and techniques, the book features six complete stage-by-stage projects from intimate portraits to urban landscapes and crowd scenes. Throughout, the artist offers advice and insights into all of the problems facing the oil painter. Whether it's changing light and weather, capturing scenes at speed or creating atmosphere, Adebanji is a master painter and a practiced tutor. -- The Leisure Painter * Issue 647 *What, you might wonder, links these two apparently different subjects? The answer is that they both have character, and capturing that is what this book is about. We've met Adebanji Alade before as an often quite fast-working sketcher. It turns out that he's an oil painter of considerable skill as well. That he can also present his work with clarity makes this an absolute delight. Sensibly, the book is divided into two distinct halves and there is no sleight of hand trying to connect studio portraits with outdoor work in all weathers. Both contain a wealth of practical advice about ways of working, use of colour and how to interact with people. Although there are urban landscapes here, it's the people on the streets that make the strongest connection between the two sections. This is an enjoyable journey with a thoroughly likeable companion, enhanced by the superb quality of production. -- Henry Malt * The Artist, March Issue *Table of ContentsIntroduction Materials Sketching with oils My way – techniques and approach: how I paint with oils Portraits Project 1: Homeless person portrait Figures Project 2: Child playing Crowds Project 3: Urban scene Landscapes Project 4: Summer evening light Urban landscapes Project 5: Rain and reflections Seascapes Project 6: Harbour skyline Afterword Index

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Book SynopsisDelving into Frederick Sandys's unconventional life, Betty Elzea's research reveals much about his complicated and often scandalous relationships. Born and educated in Norwich with an artisan background, Sandys was bohemian by nature, though from necessity, to the world at large, he appeared genteel and respectable. Unfortunately disorganised, un-businesslike and preferring to live alone as a bachelor in lodgings, he struggled to support two growing families of illegitimate children. From youth, developing skills as a draughtsman and painter, he moved to London, meeting Dante Gabriel Rossetti and the Pre-Raphaelites and their associates, while keeping a foothold in Norwich where he maintained friendships and enjoyed the support of the Norfolk gentry and several notable Norwich industrialists. Norfolk landscape painting and nature studies led to commissioned portraiture which became his main source of income. He is known for depictions of beautiful women in legendary disguises as well as meticulously-detailed portraits of elderly women. He also pioneered a new type of large-scale portrait drawing in chalks.

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Book SynopsisThe brilliance of Peter Paul Rubens' career changed forever the perceptions of painting and painters. Here was a man whose astonishing gifts were allied to a personality so cosmopolitan, engaging, and virtuous that he could mingle as easily with kings as with fellow painters. Rubens' character and achievements fascinated his contemporaries, and these three biographies of the artist show the impact of his life and art on three very different observers. Baglione, an Italian painter and art historian, records the remarkable success of Rubens visits to Rome; Sandrart, a German painter, writes on the later years of his career; and de Piles, one of the greatest early art critics, offers an evaluation of Rubens style that remains one of the most influential ever written.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisOver the centuries, landscape painting has attracted countless artists. Its diversity, enhanced by the weather, special lighting conditions and seasonal change, offers the painter an infinite variety of subject matter. Oils are an extremely versatile and immediate medium, enabling artists to express themselves in a variety of creative ways. They are relatively easy to use, suitable for both the beginner and the more experienced painter.

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Book SynopsisOils give a rich, majestic quality to a painting but may often be deemed too tricky or ambitious to try. This practical book puts the joy of painting with oils within reach of all who want to develop their skills. Examples of landscape, marine, nude and equestrian paintings will inspire and show the rich diversity, texture and depth that oil painting can achieve. Written by a professional painter, it encourages artists of all levels to experiment with the medium and to develop their art.

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Book SynopsisGodefridus Schalcken: A Late 17th-century Dutch Painter in Pursuit of Fame and Fortune is the first book in English dedicated to the entire artistic output of seventeenth-century Dutch artist Godefridus Schalcken (1643–1706). It examines the artist’s paintings and career trajectory against the background of his ceaseless pursuit of fame and fortune. Combining a comprehensive analysis of Schalcken's artistic development and style with our increasing biographical knowledge, it provides an authoritative overview of Schalcken’s ample production as an artist. It also integrates his art into the circumstances of his life in relation to his ambitious career aspirations, exploring how economic conditions, a concomitantly oversaturated art market, talent and ambition, demographics, and even sheer luck all played a role in Schalcken’s great professional success. Since Schalcken’s art, like that of all Dutch painters, provides a plethora of information about seventeenth-century culture—its predilections, its prejudices, indeed, its very mind-set—the book inevitably links his work to the broader socio-cultural contexts in which it was created.Table of Contents1. Beginnings; 1643-73; 2. Crafting a Reputation: The 1670s; 3. An Internationally Famous Master: 1680-1692; 4. Schalcken in London: 1692-6; 5. The Final Years: 1696-1706; Conclusion; Notes; Bibliography; Acknowledgements; Index

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Book SynopsisThis, London-based painter Sarah Medway’s second publication from Anomie Publishing, is devoted to the subject of the River Thames. The publication presents a series of twenty-eight oil paintings created in Medway’s canal-side studio in central London during the Covid-19 lockdowns of 2020-21.The Thames is beautiful, terrifying, powerful, alluring and dangerous. Medway captures the river’s eclectic dynamics, rhythms and energy through the language of abstract painting, the ripples, bubbles, eddies and currents, the reflections and refractions denoted through sinuous lines, ellipses and spots, dots and loops, flecks and swirls. Referencing 20th-century modernist movements such as De Stijl, Tachisme and post-war American Abstract Expressionism, Medway’s own, lyrical, often graphic approach to painting the Thames results in a vivid interplay between pattern and colour. The paintings have overt musical resonances – tempo, rhythm and dynamics as might be encountered in an orchestral score. Like the river, the paintings are at times joyous and playful, at other times brooding and menacing, yet always moving, in flux, traveling onwards towards the sea.An introductory text by critic and writer Sue Hubbard takes readers through the series, exploring how the paintings engage with the qualities and complexities of the river. An in-person conversation between Medway and writer, editor and curator Anna McNay provides insight into the artist’s life and work, discussing the processes by which Medway makes her paintings and the thinking behind them. Designed and produced by Peter B. Willberg, this foil-blocked, cloth-bound hardback publication with a special dustjacket also features an illustrated chronology documenting Medway’s life and career.Sarah Medway (b.1955, Seaton Carew, UK) is a painter based in London. As well as group exhibitions at institutions such as Tate Britain, the Whitechapel, the Royal Academy, the World Trade Center and Austin Museum of Art, Medway’s solo shows include Flowers East, London, Chelsea Hotel, New York, Kienbaum Gallery, Frankfurt, The Mandalai, Thailand, and Atelier Gallery, Spain. She has works in many public, private and corporate collections in the UK, US, Germany, Italy, Spain, Belgium, Hong Kong and Thailand.

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Book Synopsis A captivating and highly illustrated introduction to Vincent Van Gogh, told through 50 major works. This new book presents all you need to know about Vincent Van Gogh’s turbulent and prolific creative life, featuring fifty works from the world’s leading art collections and museums. Art historian John Cauman analyses the career and works of, arguably, the best-known artist in the world today. A detailed introduction examines Van Gogh’s development as an artist and explores the themes, methods and driving forces behind his extraordinary paintings and drawings, as well as his relationships with his brother Theo and fellow artists. The book includes both major paintings and lesser-known sketches and artworks. The latest digital technology has been used to ensure that the reproductions are as faithful to the original works as possible. For all art lovers and students interested in Post-Impressionism and 19th-century art, Van Gogh in 50 Works provides a dazzling recreation of the viewing experience. Among the fifty paintings featured, the book includes The Potato Eaters (1885), Père Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Café Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh’s Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).Trade Review‘The prefect "greatest hits" compilation.' * Artists & Illustrators *

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Book SynopsisDuring World War II, London was at its most perilous moment since the Great Fire of 1666. Districts were transformed at night by falling bombs, fires, and searchlights. During the day, when the results of the previous night's bombing were laid bare, ordinary people dealt with the aftermath as best they could. In 1939, the Ministry of Information set up the War Artists Advisory Committee (WAAC) to compile an artistic record of Britain during the war. After the war had ended, more than half of the paintings commissioned--some three thousand works--ended up in the Imperial War Museums collection. Wartime London in Paintings showcases seventy oil paintings from the IWM's unmatched collection in one stunning illustrated volume, portraying the ordinary and the extraordinary of London at the time. Featuring works by some of the most famous war artists of the conflict--including Graham Sutherland, Henry Moore, Edward Ardizzone, and more--this incredible visual exploration of a wartime city gives readers a firsthand look at how London coped during one of the most significant periods of its history.

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Book SynopsisThis volume brings together over 25 scholarly essays, reviews and shorter contributions by Peter Hecht, preceded by an introduction on what he thinks his life in art history has taught him. The title indicates what his collected papers have in common: together they represent an attitude of listening to what you see. Hecht is very suspicious of applying a method and believes that looking at an image until it speaks is essential to understanding it. Also, he has done much to prove that it not only pays to study the subject of a picture as part of an iconographical tradition, but that one should study it within the oeuvre of the artist who made it as well.

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Book SynopsisA fully illustrated, comprehensive, and scholarly catalogue of the paintings in the Ashmolean Museum’s collection by French artists born between 1775 and 1875 The only complete catalogue of French paintings of the period in the Ashmolean Museum, this comprehensive and scholarly study explores their rich collection of nineteenth-century French art. Continuing a convention set by earlier Ashmolean catalogues that mirrors the concept of the long nineteenth century, the book defines nineteenth-century French artists as those born between 1775 and 1875. Stretching into the twentieth century, it covers a fascinating range of paintings including works by Louis-Léopold Boilly, Camille, Lucien, and Félix Pissarro, Henri Fantin-Latour, Édouard Manet, Pierre-Auguste Renoir, Paul Cézanne, Claude Monet, and Henri Matisse. The catalogue was compiled by the late distinguished art historian Jon Whiteley. In each entry, Whiteley draws upon his encyclopaedic knowledge of French art and the Ashmolean holdings. Provenance, literature, and exhibition history are recorded as well as extensive technical notes and information on frames. The entries on each work are accompanied by new, high-quality photography and comparative images, resulting in a complete and thorough documentation of this important part of the Ashmolean collection of Western art, providing an informative contribution to existing scholarship. Distributed for Modern Art Press

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Book SynopsisThe Oregon artist Nelson Sandgren (1917-2006) worked in three distinct media - oil painting, watercolor, and lithography - distinguishing himself in each of these modes throughout his sixty-five-year career. Nelson Sandgren: An Artist's Life is the first in-depth study of this mid-century Oregon modernist who was born in Canada, grew up in Chicago, and moved with his family to Oregon during the Depression. As a watercolorist who loved to paint on site, often on the Oregon coast, Sandgren worked in the tradition of Winslow Homer and John Marin. In oil painting, he combined modernist abstraction with Pacific Northwest landscape imagery, in this practice paralleling Louis Bunce, Carl Morris, and other Oregon moderns. As a lithographer, Sandgren was central to the printmaking culture that Gordon Gilkey promoted at Oregon State university, where Sandgren taught for thirty-eight years. Roger Hull provides a detailed biography and a close analysis of Sandgren's key artworks while demonstrating Sandgren's significant place in Pacific Northwest modernist tradition.

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Book SynopsisVermeer van Delft gilt als der bedeutendste Schilderer holländischen Lebens im sog. Goldenen Zeitalter. Viele Studien zu seinen Gemälden haben sich mit der Entschlüsselung verborgener Zusammenhänge und symbolischer Bezüge beschäftigt. Bisher ging die Forschung dabei davon aus, dass die Philosophie Spinozas und Descartes' den Maler beeinflusst haben könnte. Andeas Prater zeigt hingegen, dass und wie bestimmte Maximen und Sentenzen Epikurs und seines lateinischen Herolds Lukrez in Vermeers Malerei Eingang gefunden haben. Epikur wurde im 17. Jahrhundert wiederentdeckt und hinsichtlich seiner lange in Verruf geratenen Lehre von Freude und Lust rehabilitiert. Die bisher völlig unbeachteten und unbekannten Aspekte lassen das Werk des großen holländischen Malers in einem ganz neuen Licht erscheinen.

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Book SynopsisBauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898–1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna’s Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker’s work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stöppel, and others To accompany an exhibition in Vienna and Zurich; awarded as one of the most beautiful books in Austria in 2022

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Book SynopsisZwei Werkserien von Jeremias Altmann In seiner künstlerischen Arbeit beschäftigt sich Jeremias Altmann mit den Themen Maschine, Mensch und Entwicklung. Die aufwendig gestaltete Künstlermonografie präsentiert die beiden Werkserien YOUNG PROPHECIES und MACHINES. In der Serie YOUNG PROPHECIES rekonstruiert Altmann seine eigenen Kinderzeichnungen. Die Auseinandersetzung mit dem Innenleben technischer Apparaturen im zeitlichen Wandel ist Ausgangspunkt für die Serie MACHINES. Die Präsentation der Serien wird ergänzt durch einen essayistischen Text des Künstlers, von Fragen kindlicher Entwicklungspsychologie bis zu Reflexionen zum Spannungsfeld Mensch/Maschine. Die ungewöhnliche Gestaltung des Buches mit zwei Leserichtungen erlaubt das spielerische Erforschen der Serien: Leseroutinen werden aufgebrochen; Texte und Bilder sind zu einer besonderen Einheit verwoben. Präsentation zweier außergewöhnlicher Werkserien des Künstlers Jeremias Altmann Unkonventionell gestaltetes Buchobjekt mit zwei Leserichtungen Mit Beiträgen von Barbara Herbst, Antonia Hoerschelmann, Esther Mlenek, Günther Oberhollenzer und Nina Schedlmayer

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Book SynopsisFew other artists have shaped the image of Spain abroad around 1900 as much as Ignacio Zuloaga (1870-1945): proud toreros and spirited flamenco dancers; the simple life of the rural population, ascetics and penitents in vast, barren landscapes, and beggars, diminutive people and witches who invoke the legacy of old masters such as Diego Velázquez and Francisco de Goya. In times of massive industrialisation and Spain’s increasing orientation towards European modernism, Zuloaga aimed to preserve the “Spanish soul” with such scenes. The artist’s painting was celebrated internationally during his lifetime. This volume is the first comprehensive monographic publication on the artist to appear in German. Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_mythos_spanien?fr=xKAE9_zU1NQ Catalogue for the first posthumous exhibition on Ignacio Zuloaga outside Spain - the formative artist of Spain’s image abroad around 1900. Exhibitions: Kunsthalle Munich, 15.09.2023-04.02.2024; Bucerius Kunst Forum Hamburg, 17.02.-26.05.2024

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Book Synopsis In 1904, Saxon artist Oskar Zwintscher painted the portrait of a lady smoking a cigarette. Today, the work has cult status at the Albertinum in Dresden. Her hair loose, a burning cigarette held casually in her hand, the sitter in a black reform dress is sitting in front of a black curtain. But who is behind the young woman who looks out of the picture so confidently? Andreas Dehmer and Susanna Partsch embark on a fascinating search for clues to the identity of the lady smoking. They find emancipated women who earned their living as artists, actors or writers, preferred reform dress to the corset, and regarded smoking as a symbol of independence. They follow them to metropolises like Berlin, Dresden or Munich, where they lived as part of the bohemian scene. A captivating picture of the way art and life intertwined around 1900 emerges in this search for the unknown.

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Book SynopsisEine Gruppe von Künstlern um Henri Matisse und André Derain führte zu Beginn des 20. Jahrhunderts revolutionäre Farbexperimente durch. Der Kunstkritiker Louis Vauxcelles gab ihnen 1905 ihren Namen: „Fauves". Ins Deutsche übersetzt bedeutet es so viel wie „Bestien" oder „wilde Tiere". Anlässlich der ersten Überblicksschau zu den Fauves seit Jahrzehnten in der Schweiz erscheint der Katalog, der die expressive Malweise und die ungewöhnlichen Farbkombinationen von Matisse, Derain und ihren Weggefährten in den Jahren 1904 bis 1908 vorstellt und sie in den ästhetischen und sozio-politischen Debatten der Zeit verortet. Der männlich konnotierte Begriff der Fauves suggeriert bereits auf begrifflicher Ebene den Ausschluss von Künstlerinnen. Ausstellung und Katalog stellen diese traditionelle Sichtweise infrage und machen auch auf Akteurinnen in der Pariser Kunstszene aufmerksam. Reich bebildert und ergänzt um neue kunsthistorische Forschungsbeiträge bietet das Buch einen Einblick in die Vielfalt der farbenreichen Malerei der „Wilden". Der Fauvismus – die erste Avantgarde-Bewegung des 20. Jahrhunderts Großartige Farbexperimente im Bruch mit akademischen Konventionen Ausstellung: Kunstmuseum Basel, Neubau, 2. September 2023 bis 21. Januar 2024 Blick ins Buch https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_matisse_derain_und_ihre_freunde

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Book SynopsisThis book is dedicated to works by Michael Müller (*1970) commenting on four paintings by Gerhard Richter (*1932) entitled "Birkenau"; they aim to reappraise the cruel historical fact of Auschwitz II/Birkenau extermination camp in various artistic forms. Direct as the critical comments on Richter may be, they are accompanied by many less conspicuous, quieter, one might even say wounded works by Müller, which were shown at the Museum im Kulturspeicher Würzburg in 2022/23 and will be exhibited at St. Matthew’s Church in Berlin’s Kulturforum in spring 2023 to coincide with the publication of this book. The thematic focus of both exhibitions is the so-called "Sonderkommando", a work detachment of selected Jewish prisoners from 1942 to 1944/45, who were forced to prepare for and clear up after the extermination of their fellow human beings under SS supervision and facing a constant threat to their lives. The book documents the key works of this demanding artistic investigation by Michael Müller and contextualises them in a detailed essay by art historian Lukas Töpfer (*1988). Look inside

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Book SynopsisDer Maler Rudolf Levy (1875–1944) war eine zentrale Figur der Münchner und Pariser Avantgarde und feierte mit seinen farbkräftigen Bildnissen, Landschaften und Stillleben auch im Berlin der 1920er-Jahre große Erfolge, unter anderem in der legendären Flechtheim-Galerie. Die Machtergreifung der Nationalsozialisten führte zu einem jähen Karriereende. Nach einer Flucht-Odyssee konnte Levy sich schließlich in Florenz niederlassen, wo sein Schaffen bis zur Deportation und Ermordung im Konzentrationslager Auschwitz einen letzten eindrucksvollen Höhepunkt erlebte. Als erstes deutsches Ausstellungshaus widmet sich das Museum Pfalzgalerie Kaiserslautern in einer Retrospektive nun Werk und Leben von Rudolf Levy. Der Katalog öffnet den Blick auf einen Künstler europäischen Ranges, dessen reiche Bildwelt immer wieder neu zu entdecken ist. Beiträge namhafter Autorinnen und Autoren beleuchten Levys Schicksal als verfolgter Künstler und als verfolgter Jude, das künstlerische Kaleidoskop seiner Zeit, die Jahre im Florentiner Exil sowie die Rezeption und Re-Kanonisierung seiner Kunst in der jungen Bundesrepublik. Wiederentdeckung eines großen Klassikers der Moderne anlässlich einer ersten Retrospektive in Deutschland – Internationales Kooperationsprojekt mit den Uffizien in Florenz Standardwerk zu Rudolf Levy in deutscher Sprache Mit einem zeitgenössischen Kunst- und Wortbeitrag von Edmund de Waal Ausstellung, Museum Pfalzgalerie Kaiserslautern, 28. Oktober 2023 bis 11. Februar 2024 (Schirmherrschaft Bundespräsident Frank-Walter Steinmeier) Blick ins Buch

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Book SynopsisThree books in one (Ger./Engl.) Nan Hoover, Anneliese Hager and Maria Lassnig are women artists who expressed themselves experimentally and innovatively in various media. They were interested in alienation effects, body perception, and reflections about time and space. All three explored Surrealism early on and found their own individual visual language in different ways: the common denominator is a preoccupation with light, space and the body, as well as the existential question of self-perception and one’s place in the world. While American Hoover was one of the pioneers of international light, video and performance art and produced a surprising painterly early oeuvre close to pop art, Hager, who is one of the most interesting female photographers of the 20th century, remains very little known. Today, Austrian painter Lassnig is one of the most important female artists of the 20th century, but she only achieved her international breakthrough late – in the 1980s. This publication, three books in one, enables readers to rediscover the three artists, or even discover them for the first time. Nan Hoover (1931–2008), light, video and performance artist Look inside Anneliese Hager (1904–1997), photo artist, poet Look inside Maria Lassnig (1919–2014), painter, graphic artist Look inside Art, body, (self-)perception - a focused, concentrated introduction to the work and biography of three 20th century women artists Exhibition: Kunsthalle Mannheim, 10 November 2023 to 28th April 2024

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Book SynopsisGerman-english edition As an artist, and as a theorist and collector of Art brut, Jean Dubuffet changed the concept of art in the 20th century. He provided a definition of Art brut in 1949: "we understand it as works executed by people untouched by artistic culture [...]." These included Gaston Chaissac, Louis Soutter, Adolf Wölfli, Madge Gill and Margarethe Held. The self-taught artists and social outsiders gave him inspiration on his own path in art; they released the delight in experimentation so characteristic of Dubuffet’s work, along with anti-cultural and anti-aesthetic ideas. The book presents a selection of works from the extensive holdings of the Klewan Collection. Jean Dubuffet and Art brut – focusing on six artistic positions Exhibition: 16.09.2023–25.02.2024, Gutshaus Steglitz, Berlin Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_die_wahre_kunst_ist_immer_da_wo_ma

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Book SynopsisBand 4.1 des Werkverzeichnisses von Michael Müller greift das Thema der Darstellbarkeit des Holocaust und des künstlerischen Umgangs mit dem Bösen auf. Er widmet sich Werken, die vier Gemälde von Gerhard Richter mit dem Titel Birkenau kommentieren und einen grausamen historischen Sachverhalt im Vernichtungslager Auschwitz II/Birkenau in unterschiedlicher Form künstlerisch aufzuarbeiten versuchen. Die kritischen Kommentare zu Richter werden durch viele weniger auffällige, stillere, ja verwundete Werke von Müller begleitet, die 2022/23 im Museum im Kulturspeicher Würzburg und 2023 in der St. Matthäus-Kirche in Berlin zu sehen waren. Das Verzeichnis auf Deutsch, Englisch und Chinesisch dokumentiert die wichtigsten Werke dieser anspruchsvollen künstlerischen Auseinandersetzung und kontextualisiert sie in einem ausführlichen Essay des Kunsthistorikers Lukas Töpfer.

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Book SynopsisFrancis Bacon’s portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon’s oeuvre. Markus Rath embeds the painting into Bacon’s visual world for the first time. The English painter reveals a biographically oriented representationalism in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure – these are pioneering approaches to composition that shaped his late work decisively.

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Book SynopsisDie Tschechoslowakei bildete sich 1918 als ein neuer demokratischer Staat in Europa. Künstlerinnen und Künstler nahezu aller Bereiche entwickelten in den Folgejahren visionäre Ideen. Die tschechische Avantgarde-Bewegung durchzog nicht nur die bildende Kunst, sondern auch die Architektur, Literatur, Poesie, Musik, das Theater und den Film. Die Publikation zur Ausstellung im Bröhan-Museum gibt einen Überblick über die wichtigsten Strömungen der tschechischen Moderne. Ausgehend vom tschechischen Kubismus und dem Surrealismus über Architektur, Möbeldesign und Fotografie wird die lebendige Kunst- und Designgeschichte Tschechiens vermittelt. Anhand von Gemälden, Grafiken, Collagen, Skulpturen und Fotografien ruft der Band die kreativen Ideen in Erinnerung und würdigt den tschechischen Beitrag zur europäischen Moderne. Künstler/-innen: Stefan Bedřich, Emil Berka, Josef Chochol, František Drtikol, Emil Filla, Bohuslav Fuchs, Jaromír Funke, Josef Gočár, Jindřich Halabala, Jaroslava Hatláková, Pavel Janák, Dušan Jurkovič, Celda Klouček, Miloš Koreček, Jan Kotěra, Emil Králík, Jiří Kroha, Antonín Kybal, František Kysela, František Muzika, Vítězslav Nezval, Otakar Novotný, Karel E. Ort, Antonín Procházka, Miloslav Prokop, Jaroslav Rössler, Robert Slezák, Václav Špála, Oldřich Starý, Jiří Stibral, Jindřich Štyrský, Ladislav Sutnar, Karel Teige, Toyen, Jóža Uprka, Ladislav Žák u. a. Kompakter Überblick über die tschechische Avantgardebewegung der ersten Hälfte des 20. Jahrhunderts Ein Must-have für Fans von Kubismus, Surrealismus, Fotografie, Architektur und funktionalistischem Design Ausstellung: 12.10.2023 – 03.03.2024, Bröhan-Museum, Berlin Blick ins Buch https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_hej_rup_die_tschechische_avantgard

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Book SynopsisThe painting technique and artist’s materials of the renowned Expressionist Emil Nolde (1867–1956) have been examined for the first time by an interdisciplinary team of restorers, art historians, and scientists. The research included an evaluation of Nolde’s studio estate and his text sources from the perspective of art technology, as well as detailed microscopic, imaging, and material-analysis examinations of his paintings. Known as a master of coloring, the choice of canvas, primer, and paint, as well as diverse application techniques are essential to the effect of his pictures. The impressive spectrum of Nolde’s working methods and his struggle to arrive at artistic solutions are explained clearly based on forty-four works from all the phases of his long career. Exhibitions:Hamburger Kunsthalle, October 16, 2021 until April 18, 2022Emil Nolde. Meine Art zu malen…, Pinakothek der Moderne, Munich, March 31, 2022 until February 28, 2023Presentation in the Nolde Stiftung Seebüll, expected from summer 2022

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Book Synopsis Der vierte Band des über 40 Bände umfassenden geplanten Werkverzeichnisses des Künstlers Michael Müller – ein einzigartiges über Jahrzehnte angelegtes Vorhaben –, das einen Überblick über das malerische Œuvre Müllers bietet, fungiert zugleich als Ausstellungskatalog. Er ist dem über 6 x 65 m messenden monumentalen Gemälde Der geschenkte Tag gewidmet, das für Michael Müllers Einzelausstellung im Frankfurter Städel Museum 2022 entstand. Das 24-teilige Gemälde sowie die Ausstellung arbeiten den griechischen Mythos um das Zwillingspaar Kastor und Polydeukes, den Dioskuren, auf, der bisher sowohl von der Kunstgeschichte als auch der Philologie und Philosophie wenig beachtet wurde. Neben der Entstehungsgeschichte der Werke, einer Zusammenstellung historischer Textquellen und einem ausführlichen Interview mit dem Künstler wird in Essays und einer lyrischen Komposition des amerikanischen Literaturwissenschaftlers und Übersetzers Stanley Lombardo die Geschichte der Dioskuren für das 21. Jahrhundert aktualisiert. Mit begleitenden Essays von Hubertus von Amelunxen, Stanley Lombardo, Lukas Töpfer, Cora von Pape und Rudolf Zwirner, Gedichten von Stanley Lombardo und Michael Krüger sowie einem Vorwort von Gero Heschl und einem Grußwort von Philipp Demandt. Blick ins Buch

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Book Synopsis

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