Books by Margaret Atwood

Book Synopsis**THE NUMBER 1 BESTSELLER AND WINNER OF THE BOOKER PRIZE**In this electrifying sequel to The Handmaid's Tale, Margaret Atwood answers the question that has tantalised readers for decades: What happened to Offred?The Republic of Gilead is beginning to rot from within. At this crucial moment, two girls with radically different experiences of the regime come face to face with the legendary, ruthless Aunt Lydia. But how far will each go for what she believes?Now with additional material: book club discussion points and an interview with Margaret Atwood about the real-life events that inspired The Testaments and The Handmaid's Tale.'The Testaments is Atwood at her best . . . To read this book is to feel the world turning' Anne Enright_________________________________PRAISE FOR THE TESTAMENTS:'Everything The Handmaid's Tale fans wanted and more. Prepare to hold your breath throughout, and to cry real tears at the end' Stylist'She manages to write about the darkest and most terrifying parts of human psychology in a way that is still deeply funny and full of dark strange hope' Naomi Alderman, author of The PowerTrade ReviewThrilling and blistering * Daily Telegraph *An incredible follow-up * the Sun, *Pick of the Week* *Gripping, pacy and beautifully written -- Justine Jordan * Guardian *Finding hope in a hopeless place, this is everything The Handmaid’s Tale fans wanted and more. Prepare to hold your breath throughout, and to cry real tears at the end. My book of the year -- Kayleigh Dray * Stylist *The Testaments is Atwood at her best, in its mixture of generosity, insight and control. The prose is adroit, direct, beautifully turned. All over the reading world, the history books are being opened to the next blank page and Atwood’s name is written at the top of it. To read this book is to feel the world turning -- Anne Enright * Guardian *I gobbled it down... Atwood has an incredible intellectual nimbleness that challenges us constantly and poses the question that lies like a pearl inside the shell of this frighteningly readable novel, "Before you sit in judgement, how would you behave in Gilead?" -- Allison Pearson * Sunday Telegraph *No one needs another recommendation for The Testaments and still I have to say how thrilling it is when a book manages to exceed all expectations. How did she manage to make darkness feel so effortless? How did she think to inject humour where no humour should exist? Because she’s Margaret Atwood, and she can do anything -- Ann PatchettA cracker: urgent, moving and as tense as any thriller... there's a darkly rebellious humour, ingenious wordplay and, of course, chillingly timely warnings. Atwood is long overdue a Nobel -- Hepzibah Anderson * Mail on Sunday *At its heart, this gripping novel is a rallying call for action... In Atwood's world, resistance is never futile -- Mernie Gilmore * Daily Express *The must-read novel of the year -- a perfect gift for bookworms and fans of the TV series * Sunday Telegraph *Believe the reviews, it is remarkable -- Lindsay Woods * Irish Examiner *A plump, pacy, witty and tightly plotted page-turner that transports us straight back to the dark heart of Gilead... Atwood is on top form -- Julie Myerson * Observer *The Testaments is that elusive dream of a book -- an erudite, accessible, highly readable adventure, that brims with ideas but never lets them get in the way of the story -- Cathy Rentzenbrink * Prospect *While unflinching in depicting horror and showing how complicity enables the collapse of compassion, The Testaments is also a clarion call to hope, resistance and activism... a formidable achievement that will doubtless be read in decades to come -- Anita Sethi * i news *With surgical clarity, Atwood documents how the stripping of fundamental freedoms, the weight of systemic oppression, pushes individuals to extremes... The pacing is flawless. The prose is lean, mean, and charged -- David Canfield * Entertainment Weekly *

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Book SynopsisFifteen years after the events in the Book Prize-winning and New York Times best-selling The Handmaids Tale, the regime running the Republic of Gilead shows signs of collapsing from within as the lives of three women explosively converge. Original.

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Book SynopsisIn the world of the near future, who will control women's bodies? Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable. Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now.... Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

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Book SynopsisOne of a series of top-quality fiction for schools, this is the story of Offred, one of the few women in the Republic of Gilead left with functioning ovaries, whose only function it is to breed. If she deviates, she will be hanged as a dissenter. But Offred is determined to find a way out.

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Book SynopsisPenelope. Immortalised in legend and myth as the devoted wife of the glorious Odysseus, silently weaving and unpicking and weaving again as she waits for her husband's return.Now Penelope wanders the underworld, spinning a different kind of thread: her own side of the story - a tale of lust, greed and murder.The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.Trade ReviewAtwood takes Penelope's part with tremendous verve . . . she explores the very nature of mythic story-telling -- MARY BEARD * * Guardian * *As potent as a curse * * Sunday Times * *Fabulous . . . Determinedly irreverent * * New York Times * *A witty desecration . . . Atwood plays with vigour and ingenuity * * Observer * *Pragmatic, clever, domestic, mournful, Penelope is a perfect Atwood heroine * * Spectator * *Half Dorothy Parker, half Desperate Housewives * * Independent * *Atwood and all authors named above are able to grasp the female experience perfectly in myths dominated by men, creating beautifully rounded and realistic characters from those created as ornaments and prizes by Homer * * The Courier * *Nothing short of genius * * Week * *

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Book SynopsisElaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for forty years. 'Not since Graham Greene has a novelist captured so forcefully the relationship between school bully and victim...Atwood's games are played, exquisitely, by little girls' LISTENER An exceptional novel from the winner of the 2000 Booker PrizeTrade ReviewI read this when I was about sixteen and remember its menace. It is about the potential toxicity in female friendships, which is a contentious issue. Atwood is never pigeonholed, she's wry and has a poet's eye -- Jessie Burton, author of The MiniaturistI read this when I was about sixteen and remember its menace. It is about the potential toxicity in female friendships, which is a contentious issue. Atwood is never pigeonholed, she's wry and has a poet's eye -- Jessie Burton, author of The MiniaturistNot since Graham Greene or William Golding has a novelist captured so forcefully the relationship between school bully and victim...Atwood's power games are played, exquisitely, by little girls * LISTENER *Irrestistible...This book is about life for all of us. She is one of our finest novelists. Read it * THE TIMES *Atwood's taut and exquisite use of language makes all her books irresistable... * THE WEEK *Margaret Atwood charts the psychological process of memory as compulsion and memory as a healing act through the character of Elaine Risley, an artist who returns to her home town of Toronto for a retrospective of her work. Elaine's visit triggers though * - Chris Kellett, From 500 Great Books by Women, AMAZON.CO.UK REVIEW *

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Book Synopsis* Atwood's Booker prize-winning novel reissued with a striking new jacket along with other titles from Margaret Atwood's backlistTrade ReviewAtwood has never written with more flair and versatility than in this multidimensional novel. Adding sardonic wit and characterisation that takes you into the ambivalent intricacies of a personality, this is a novel of extraordinary variety and reach. A brilliant accomplishment * Peter Kemp, SUNDAY TIMES *Atwood has never written with more flair and versatility than in this multidimensional novel. Adding sardonic wit and characterisation that takes you into the ambivalent intricacies of a personality, this is a novel of extraordinary variety and reach. A brilliant accomplishment * Peter Kemp, SUNDAY TIMES *The fertility of Atwood's imagination is something extraordinary...The only thing familiar about The Blind Assassin is its technical accomplishment and exhilarating emotional power. Everything else is sparkling new * Kathryn Hughes, SUNDAY TELEGRAPH *The fertility of Atwood's imagination is something extraordinary...The only thing familiar about The Blind Assassin is its technical accomplishment and exhilarating emotional power. Everything else is sparkling new * Kathryn Hughes, SUNDAY TELEGRAPH *Margaret Atwood is one of the most brilliant and unpredictable novelists alive * Kate Kellaway, LITERARY REVIEW *Margaret Atwood is one of the most brilliant and unpredictable novelists alive * Kate Kellaway, LITERARY REVIEW *With every year and every novel, Atwood's subjects get bigger...her new novel is so rich thematically and so convincing psychologically... THE BLIND ASSASSIN may indeed prove to be that most elusive of literary unicorns * Elaine Showalter, NEW STATESMAN *With every year and every novel, Atwood's subjects get bigger...her new novel is so rich thematically and so convincing psychologically... THE BLIND ASSASSIN may indeed prove to be that most elusive of literary unicorns * Elaine Showalter, NEW STATESMAN *

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Book SynopsisBy the author of The Handmaid''s Tale and Alias GraceThe sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a man-made plague - has ended the world.But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?Trade ReviewPrescient and inventive * Tracy-Ann Oberman *Prescient and inventive * Tracy-Ann Oberman *

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Book SynopsisA WATERSTONES BEST POLITICS BOOK OF 2024This is an exceptional moment for democracy.In the year of elections, read Margaret Atwood, Mary Beard, Lea Ypi, Elif Shafak and more on what democracy means - and why it matters. In 2024, nearly half the world will take part in a national election, with billions heading to the polls. It''s a thrilling, unprecedented opportunity for change - yet democracy is also under threat.Women are at the forefront of the fight for democratic rights, as well as being the most vulnerable when those rights disappear. Here, eleven extraordinary women - leaders, philosophers, historians, writers and activists - explore democracy''s power to uplift our societies. Between its ancient origins and its modern challenges, they share a vision for a better future - one we can build together.

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Book SynopsisA new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret AtwoodIn Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.  This co

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Book Synopsis‘Compelling' Marie Claire * 'Immensely enjoyable' Observer * 'Fascinating' Red *One week into lockdown, the tenants of a Manhattan apartment building have begun to gather on the rooftop each evening and tell stories in this exciting new twist on the novel.With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned buckets. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.With each character secretly written by a different, major literary voice - from Margaret Atwood to John Grisham and Celeste Ng, Fourteen Days is a heart-warming ode to the power of storytelling and human connection.‘An immensely enjoyable product of an immensely unenjoyable time, Fourteen Days is lively, freewheeling… An impressive achievement’ Observer‘Fourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners)’ Financial TimesIncludes writing from: Margaret Atwood, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Erica Jong, Celeste Ng, Tommy Orange, Doug Preston, R.L. Stine, Nafissa Thompson-Spires, Meg Wolitzer and many more.Trade ReviewFourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners) * Financial Times *If you want to feel well read in double-quick time, try Fourteen Days, which is set in a New York city tenement in the early days of the pandemic. It has a novel twist (pardon the pun) - each character has been secretly written by a different author from Margaret Atwood and John Grisham to Dave Eggers and Celeste Ng * BBC *While we're really not in a rush to think about the pandemic again, we'll make an exception for Margaret Atwood. Fourteen Days is a collaborative novel edited by Atwood and Douglas Preston, and includes writing from Celeste NG and John Grisham, amongst others. In the novel, the inhabitants of a Manhattan apartment block gather on the roof and tell stories, as more neighbours join people start to form real bonds * Cosmopolitan *Reading Fourteen Days is like sitting by a campfire, with characters taking turns telling tales about their lives * Economist *A heart-warming and surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection * SheerLuxe *

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Book Synopsis‘Compelling' Marie Claire * 'Immensely enjoyable' Observer * 'Fascinating' Red *One week into lockdown, the tenants of a Manhattan apartment building have begun to gather on the rooftop each evening and tell stories in this exciting new twist on the novel.With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned buckets. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.With each character secretly written by a different, major literary voice - from Margaret Atwood to John Grisham and Celeste Ng, Fourteen Days is a heart-warming ode to the power of storytelling and human connection.‘An immensely enjoyable product of an immensely unenjoyable time, Fourteen Days is lively, freewheeling… An impressive achievement’ Observer‘Fourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners)’ Financial TimesIncludes writing from: Margaret Atwood, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Erica Jong, Celeste Ng, Tommy Orange, Doug Preston, R.L. Stine, Nafissa Thompson-Spires, Meg Wolitzer and many more.Trade ReviewFourteen Days serves as a valuable reminder that stories can teach, console, provide a place of acceptance and perhaps even change their readers (or listeners) * Financial Times *If you want to feel well read in double-quick time, try Fourteen Days, which is set in a New York city tenement in the early days of the pandemic. It has a novel twist (pardon the pun) - each character has been secretly written by a different author from Margaret Atwood and John Grisham to Dave Eggers and Celeste Ng * BBC *While we're really not in a rush to think about the pandemic again, we'll make an exception for Margaret Atwood. Fourteen Days is a collaborative novel edited by Atwood and Douglas Preston, and includes writing from Celeste NG and John Grisham, amongst others. In the novel, the inhabitants of a Manhattan apartment block gather on the roof and tell stories, as more neighbours join people start to form real bonds * Cosmopolitan *Reading Fourteen Days is like sitting by a campfire, with characters taking turns telling tales about their lives * Economist *A heart-warming and surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection * SheerLuxe *

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Book SynopsisIllustrated with high-contrast artwork, a graphic-novel adaptation of Margaret Atwood''s modern classic depicts the terrifying realities of women consigned to childbirth roles in the occupied Republic of Gilead.

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Book SynopsisFrom the author of The Handmaid's Tale and Dearly I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.Eating Fire brings together three of Margaret's Atwood's key poetry collections: Poems 1965-1975, Poems 1976-1986 and Morning in the Burned House. The landscape of Atwood's poetry is one of bus trips and postcards, wilderness, glass, and fires both savage and tender. Atwood's signature themes resound throughout all of them: the politics of sex, the darkness at the heart of every fairytale, and the pain - and triumph - of existing as a woman. * * * 'Atwood is the quiet Mata Hari, the mysterious, violent figure . . . who pits herself against the ordered too-clean world like an arsonist' - Michael Ondaatje'Detached, ironic, loving by turns . . . poems that sing off the page and sting' - Michèle RobertsTrade ReviewAtwood is the quiet Mata Hari, the mysterious, violent figure ... who pits herself against the ordered too-clean world like an arsonist * Michael Ondaatje *An acute and poetic observer of the eternal, universal rum relations between women and men * THE TIMES *Detached, ironic... poems that sing off the page and sting * Michele Roberts *Lean, symbolic, thoroughly Atwoodesque prose honed into elegant columns... * SCOTLAND ON SUNDAY *

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Book SynopsisBy the author of The Handmaid's Tale and Alias GraceToby, a survivor of the man-made plague that has swept the earth, is telling stories.Stories left over from the old world, and stories that will determine a new one. Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they've chosen a new hero - Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.Trade ReviewA fierce, learned intelligence . . . MaddAddam is a wild ride * Guardian *A fierce, learned intelligence . . . MaddAddam is a wild ride * Guardian *Mordant satire, deadpan wit and verbal brio sizzle through this concluding book in Atwood's global disaster trilogy * Sunday Times *Mordant satire, deadpan wit and verbal brio sizzle through this concluding book in Atwood's global disaster trilogy * Sunday Times *[Atwood's] vivid wit and essential humanity make MaddAddam an invigorating read. A fitting conclusion to a genre-defying series * Mail on Sunday *[Atwood's] vivid wit and essential humanity make MaddAddam an invigorating read. A fitting conclusion to a genre-defying series * Mail on Sunday *Moving, but also very funny . . . MaddAddam is an extraordinary achievement * Independent on Sunday *A fierce, learned intelligence . . . MaddAddam is a wild ride . . . great fun * Guardian *Atwood has brought the previous two books together in a fitting and joyous conclusion . . . Atwood's prose miraculously balances humor, outrage and beauty . . . This finale to Atwood's ingenious trilogy lights a fire from the fears of our age, then douses it with hope for the planet's survival * New York Times *There are few writers able to create a world so fiercely engaging, so funny, so teeming - ironically - with life. MaddAddam is ultimately a paean to the enduring powers of myth and story, and like the sharpest futuristic visions, it's really all about the here and now * Daily Mail *This final volume deploys its author's trademark cool, omniscient satire, but adds to that a real sense of engagement with a fallen world. Atwood has created something reminiscent of Shakespeare's late comedies; her wit and dark humour combine with a compassionate tenderness towards struggling human beings . . . Since almost everything in the world has been broken or has broken down, the novels' form, whirling as brilliantly as the bits of glass in a kaleidoscope, or the pixels in a complex computer game, seems simply to replicate that chaos. However, behind the apparent disorder Atwood the conjuror remains in firm control, juggling her narrative techniques with postmodern glee * Independent *A haunting, restless triumph . . . A writer of virtuoso diversity, with an imagination that responds as keenly to scientific concerns as it does to the literary heritage in which she is steeped . . . A dystopia over which Atwood sets swirling a glitterball of different kinds of fiction * Sunday Times *It may have been a decade in the making, but it has been well worth the wait . . . Margaret Atwood not only completes one of the most harrowing visions of a near-future dystopia in recent fiction, but lures us even further into new zones of existential terror * The Times *

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Book SynopsisBy the author of The Handmaid''s Tale and The TestamentsCharmaine sees an advertisement for a project called Positron that promises you a job, a place to live, a bed to sleep in - imagine how appealing that would be if you were working in a dive bar and living in your car. She and her husband, Stan, apply at once.The only catch is that once you''re in there, you can''t get out.No one writes the lust and the loves, the wickedness and the weakness of the human heart like the splendid Margaret Atwood.''Margaret Atwood [is] a living legend'' New York Times Book Review''Gloriously madcap . . . You only pause in your laughter when you realise that, in its constituent parts, the world she depicts here is all too horribly plausible'' Stephanie Merritt, Observer''Her eye for the most unpredictable caprices of the human heart and her narrative fearlessness have made her one of the world''s most celebrTrade ReviewGloriously madcap . . . You only pause in your laughter when you realise that, in its constituent parts, the world she depicts here is all too horribly plausible -- Stephanie Merritt * Observer *Her eye for the most unpredictable caprices of the human heart and her narrative fearlessness have made her one of the world's most celebrated novelists -- Naomi Alderman * Guardian *The bestselling author who shot to fame 30 years ago with The Handmaid's Tale is still at her darkly comic best * Sunday Times *Atwood's gift is to take what's already out there and nudge it to the next level . . . The Heart Goes Last is all at once thrilling, funny, grim - and shockingly convincing -- Erica Wagner * Harper's Bazaar *What distinguishes Atwood's apocalypticism is her insistence that we have brought it on ourselves. It's not meteor strikes, or aliens that destroy our world. It's us . . . I loved it -- John Sutherland * The Times *Jubilant comedy of errors, bizarre bedroom farce, SF prison-break thriller, psychedelic sixties crime caper: The Heart Goes Last scampers in and out of all of these genres, pausing only to quote Milton on the loss of Eden or Shakespeare on weddings. Meanwhile, it performs a hard-eyed autopsy on themes of impersonation and self-impersonation, revealing so many layers of contemporary deception and self-deception that we don't know whether to laugh or cry * Guardian *This visceral study of desperation and desire journeys into the dark heart of greed, exploitation and brutality, as it portrays a project that is "an infringement of individual liberties, an attempt at total social control, an insult to the human spirit". It is filled with passages of great intellectual and emotional acuity, appealing both to the head and to the heart -- Anita Sethi * Observer *An arresting perspective on the confluence of information, freedom, and security in the modern age * New Yorker *Captivating. . . . Thrilling. . . . Margaret Atwood [is] a living legend -- New York Times Book ReviewGloriously madcap . . . You only pause in your laughter when you realise that, in its constituent parts, the world she depicts here is all too horribly plausible -- Stephanie Merritt * Observer *Her eye for the most unpredictable caprices of the human heart and her narrative fearlessness have made her one of the world's most celebrated novelists -- Naomi Alderman * Guardian *The bestselling author who shot to fame 30 years ago with The Handmaid's Tale is still at her darkly comic best * Sunday Times *Atwood's gift is to take what's already out there and nudge it to the next level . . . The Heart Goes Last is all at once thrilling, funny, grim - and shockingly convincing -- Erica Wagner * Harper's Bazaar *What distinguishes Atwood's apocalypticism is her insistence that we have brought it on ourselves. It's not meteor strikes, or aliens that destroy our world. It's us . . . I loved it -- John Sutherland * The Times *Jubilant comedy of errors, bizarre bedroom farce, SF prison-break thriller, psychedelic sixties crime caper: The Heart Goes Last scampers in and out of all of these genres, pausing only to quote Milton on the loss of Eden or Shakespeare on weddings. Meanwhile, it performs a hard-eyed autopsy on themes of impersonation and self-impersonation, revealing so many layers of contemporary deception and self-deception that we don't know whether to laugh or cry * Guardian *This visceral study of desperation and desire journeys into the dark heart of greed, exploitation and brutality, as it portrays a project that is "an infringement of individual liberties, an attempt at total social control, an insult to the human spirit". It is filled with passages of great intellectual and emotional acuity, appealing both to the head and to the heart -- Anita Sethi * Observer *

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Book SynopsisBy the author of THE HANDMAID''S TALE and ALIAS GRACEWhat is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book''s title: if a writer is to be seen as ''gifted'', who is doing the giving and what are the terms of the gift?Margaret Atwood''s wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the mTrade ReviewAtwood's wonderful collection of lectures isn't so much advice on how to write as it is a series of ruminations on the deeper problems and joys of being a writer, such as what moral debt we may owe the reader. She calls on past great writers like helpful friends for their adivce -- Lesley McDowell * Sunday Herald *As one of literature's luminaries, surely Margaret Atwood possesses a magical secret we can truffle out? It's an absorbing book, which you read with pleasure and benefit...'On Writers and Writing,' is frequently hilarious * The Independent *Juggling well worn subjects which "get murky or pretentious", this is a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone * Independent *Her witty, occasionally self-depracating and always ingenious approach is a delight * Sunday Times *A witty and profound rumination about writing * The Times *A playful, informed and briskly sensible discussion of the writing life * Sunday Telegraph *'an absorbing book, which you read with pleasure and benefit... the sense of an agile mind revolving sophisticated ideas' -- Stevie Davies * Independent *

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Book SynopsisMargaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic The Handmaid's Tale was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories. Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.Trade ReviewA fantastic, chilling story. And so powerfully feminist -- Bernadine Evaristo, author of GIRL, WOMAN, OTHERCompulsively readable * Daily Telegraph *Out of a narrative shadowed by terror, gleam sharp perceptions, brilliant intense images and sardonic wit * Independent *The Handmaid's Tale is both a superlative exercise in science fiction and a profoundly felt moral story -- Angela CarterMoving, vivid and terrifying. I only hope it's not prophetic * The Listener *

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Book SynopsisMargaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories. Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cartoonist, illustrator, librettist, pTrade ReviewRiotous, insanely readable and just the best fun... The novel builds to a fantastic climax of dark calamity... There is so much exuberance and heart and wonder in this novel that the only thing I want to happen next is for Atwood to rewrite the whole of Shakespeare. (No offence, Will.) -- Viv Groskop * Observer *A triumph... The book illuminates the breadth and depth of the whole play. The troupe's workshops on it fizz with perception as Atwood transmits the pleasurable buzz of exploring a literary masterpiece. There won't be a more glowing tribute to Shakespeare in his 400th anniversary year -- Peter Kemp * Sunday Times *Atwood reinterprets the play as a heartbreaking novel, told in gorgeous yet economical prose -- Editor's Choice * New York Times Book Review *Surpassingly brilliant... without question the cleverest "neo-Shakespearean novel" I have ever read... the learning and the critical analysis are worn exceptionally lightly, always subordinated to wit, invention, characterisation and slick twists of plot... wonderfully ingenious -- Jonathan Bate * The Times *An absolute triumph... ravishing... I am not ashamed to say that I didn't just have a lump in my throat by the end of Hag-Seed, I had tears on the fringed curtains of mine eyes -- Stuart Kelly * Scotland on Sunday *

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Book SynopsisFrom the bestselling author of The Handmaid''s Tale and The Testaments: A clear-eyed glance into the shadows where writers work and live.” —The Washington Post Book WorldIn this wise and irresistibly quotable book, one of the most intelligent writers now working in English addresses the riddle of her art: why people pursue it, how they view their calling, and what bargains they make with their audiences, both real and imagined. To these fascinating issues Margaret Atwood brings a candid appraisal of her own experience as well as a breadth of reading that encompasses everything from Dante to Elmore Leonard. An ambitious artistic inquiry conducted with unpretentious charm, Negotiating with the Dead is an invaluable insider’s view of the writer’s universe.

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Book SynopsisFrom the bestselling author of The Handmaid's Tale and The Testaments—a thrilling, funny, and thought-provoking collection of stories that affirms Atwood as our greatest creator of worlds—and as an incisive chronicler of our darkest impulses.    “Alphinland,” the first of three loosely linked tales, introduces us to a fantasy writer who is guided through a stormy winter evening by the voice of her late husband. In “Lusus Naturae,” a young woman, monstrously transformed by a genetic defect, is mistaken for a vampire. And in the title story, a woman who has killed four husbands discovers an opportunity to exact vengeance on the first man who ever wronged her. Stone Mattress is a collection of unforgettable tales that reveal the grotesque, delightfully wicked facets of humanity.

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Book SynopsisBy the author of The Handmaid's Tale and Alias GraceZenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman''s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...Trade ReviewIt stirs depths that CAT'S EYE did not reach, and grants deeper, stronger powers to women's friendship in distress * Marina Warner *Margaret Atwood's new novel is a fairy tale of malicious simplicity. Fay Weldon's SHE-DEVIL meets John Updike's WITCHES OF EASTWICK...Vividly written, acutely observed and very likely the most intelligently tongue in cheek novel of the year. * Salman Rushdie, INDEPENDENT ON SUNDAY *Excitements, wit and insight sizzle across the pages. Atwood's survey of impulses that bedevil life seethes with imagination, inventiveness and intelligence. Even she has never written better than in this novel of glittering breadth and dark, eerie depths. * SUNDAY TIMES *The virtuosity with which Margaret Atwood's prose moves between rage and wit, poignancy and suspense, fantasy and realism makesTHE ROBBER BRIDE a stimulating read. THE SUNDAY TELEGRAPH

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Book SynopsisBy the author of THE HANDMAID''S TALE and ALIAS GRACE* Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility. *Praise for Oryx and Crake:''In Jimmy, Atwood has created a great character: a tragic-comic artist of the future, part buffoon, part Orpheus. An adman who''s a sad man; a jealous lover who''s in perpetual mourning; a fantasist who can only remember the past'' -INDEPENDENT''Gripping and remarkably imagined'' -LONDON REVIEW OF BOOKSTrade ReviewThe writing is spare. The structure is tight. The observation of the human condition is both profound and impish. Character is crucial. The issues are huge and we feel the weight of them. Finally, it leaves the reader on a cliff-edge the like of which I have never encountered elsewhere. It was nominated for the Man Booker. I think it should have won -- Anita Mason * Guardian *Mischief of a much darker variety drags me into the dystopian world of Margaret Atwood's Oryx and Crake. Although written in 2003, the year of Sars, many passages chill me to the core with their prescience, depicting elements of what we are living through now; a reminder of the fine line between the imagined and the real . . . Shocking and darkly humorous with much to say on the pharmaceutical and beauty industries. A book to galvanise me -- Emma Reed * Daily Telegraph *The writing is spare. The structure is tight. The observation of the human condition is both profound and impish. Character is crucial. The issues are huge and we feel the weight of them. Finally, it leaves the reader on a cliff-edge the like of which I have never encountered elsewhere. It was nominated for the Man Booker. I think it should have won -- Anita Mason * Guardian *

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Book SynopsisA new work by the Booker Prize-winning author of The Blind Assassin and Alias Grace is set in a future world that has been devastated by a series of ecological and scientific disasters. Reader''s Guide available. Reprint. 100,000 first printing.

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Book SynopsisPunctuated with illustrations, this book presents a collection of short fiction stories from Margaret Atwood.Trade Review'Atwood is one of the most inventive, enthralling and accomplished authors writing in English' Sunday Times 'These are fine, original takes on ancient stories ... How knowing she is; how quick. How easily she mocks herself, and us. She is our medicine' Independent 'Margaret Atwood's short stories are a breath of fresh air ... These are haunting, enigmatic tales that punch above their ethereal weight' Tatler 'Fresh and funny, and distinctively, dryly disconcerting ... Her wit is quicksilver, simultaneously succinct and elusive ... these nicely turned fragments engage the imagination, and tease the mind' Telegraph

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Book SynopsisCan we ever be wholly free? In this book of breathtaking imaginary leaps that conjure dystopias and magical islands, Margaret Atwood holds a mirror up to our own world. The reflection we are faced with, of men and women in prisons literal and metaphorical, is frightening, but it is also a call to arms to speak and to act to preserve our freedom while we still can. And in that, there is hope.Selected from The Handmaid’s Tale and Hag-Seed by Margaret Atwood.VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us human

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Book SynopsisBy the author of The Handmaid''s TaleNow a major NETFLIX seriesSometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.'' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.''Brilliant... Atwood''s prose is searching. So intimate it seems to be written on the skin'' Hilary Mantel''The outstanding novelist of our age'' Sunday Times''A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don''t think I have ever been so thrilled'' Julie Myerson, Independent on SundayTrade ReviewA sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled...This, surely is as far as a novel can go -- Julie Myerson * INDEPENDENT ON SUNDAY *A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled...This, surely is as far as a novel can go -- Julie Myerson * INDEPENDENT ON SUNDAY *Brilliant...Atwood's prose is searching. So intimate it seems to be written on the skin -- Hilary MantelBrilliant...Atwood's prose is searching. So intimate it seems to be written on the skin -- Hilary MantelMargaret Atwood is to be congratulated -- Anita Brookner * SPECTATOR *Margaret Atwood is to be congratulated -- Anita Brookner * SPECTATOR *The outstanding novelist of our age -- Peter Kemp * SUNDAY TIMES *The outstanding novelist of our age -- Peter Kemp * SUNDAY TIMES *

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Book SynopsisMargaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories. Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cartoonist, illustrator, librettist, p

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Book Synopsis'A source of uncompromising elemental warmth' Ali SmithBy turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in flux, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.Dearly is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy and humour.BOOK OF THE YEAR OBSERVER, FINANCIAL TIMESTrade ReviewHere we see Atwood at the height of her poetic powers * New York Times Book Review *A poignant yet playful collection of verse, about endings and departures, it is sliced with clever, sharp humour * Daily Telegraph *This collection of poems is a reckoning with the past that comes from a place of wisdom and control . . . You can almost hear her speaking voice, see the twinkle in her eye . . . wonderfully observed * Observer *Atwood's first poetry collection in over a decade is intimate, lingering delicately between the human and the natural, and this world and the next * New Statesman *She's become world famous for The Handmaid's Tale, and jointly won the 2019 Booker Prize for The Testaments, but Canadian author Margaret Atwood was once better known as a poet . . . this new volume brings together some of her favourite themes, from zombies, werewolves and aliens, to the passage of time and the most pressing political issues of the day * Evening Standard *

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Book SynopsisFor centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages. In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats' affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion's complacency; and Hemingway-a famous cat-lover-wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can't turn down a stray despite the trouble they cause him, and admits he has no idea what they're thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, "one cat leads to another." The book features six black-and-white cat portraits by photographer Elliot Ross.

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Book SynopsisBy the author of The Handmaid''s Tale and The Testaments A leathery bog-man transforms an old love affair; a sweet, gruesome gift is sent by the wife of an ex-lover; landscape paintings are haunted by the ghost of a young girl. This dazzling collection of ten short stories takes us into familiar Atwood territory to reveal the logic of irrational behaviour and the many textures lying beneath ordinary life.''Atwood is a writer of importance, with a deep understanding of human behaviour, a beautiful understated style and, rarest of all, a broad scope'' Marilyn French''Funny, sharp and always incisive'' Time Out''Everything Atwood forms in words has substance and weight'' Daily Telegraph ''Margaret Atwood deserves an adjective - Atwoodian - in recognition of her virtuoso wit and unmistakable style'' Chicago Tribune

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Book SynopsisAs portrayed in Homer''s Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus'' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer''s original story, inexplicably hangs Penelope''s twelve maids.Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel.The Penelopiad premiered with the Royal Shakespeare Company in association with Canada''s National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in Jul

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Book SynopsisA new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret AtwoodIn Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.  This co

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Book SynopsisOffred is a Handmaid in the Republic of Gilead. She has only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs.Trade ReviewA fantastic, chilling story. And so powerfully feminist -- Bernadine Evaristo, author of GIRL, WOMAN, OTHERCompulsively readable * Daily Telegraph *Out of a narrative shadowed by terror, gleam sharp perceptions, brilliant intense images and sardonic wit * Independent *The Handmaid's Tale is both a superlative exercise in science fiction and a profoundly felt moral story -- Angela CarterMoving, vivid and terrifying. I only hope it's not prophetic * The Listener *

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Book SynopsisMargaret Atwood (Author) Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories. Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cTrade ReviewAtwood takes us into a modern Orwellian nightmare… This haunting novel now seems scarily prophetic. Bleakly compelling and chilling, but with a redemptive twist. -- Rebecca Wallersteiner * Lady *Four years in the making, this graphic novelisation by Atwood's fellow Canadian, illustrator Renée Nault, is strikingly visualised. * Bookseller *Whatever one’s level of Gileadean connoisseurship (or ignorance), this version, superbly adapted and illustrated in ink and watercolour is an excellent addition to the formats. * Strong Words *

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Book SynopsisOne of the most powerful and most widely read novels of our time: A gripping vision of our society radically overturned by a theocratic revolution—from “the patron saint of feminist dystopian fiction” (The New York Times). • Now an award-winning Hulu series starring Elizabeth Moss.Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking t

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Book SynopsisNATIONAL BESTSELLER • From the bestselling author of The Handmaid''s Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction. The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life forms, Ren and Toby will have to decide on their next move, but they can''t stay locked away.

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Book SynopsisBY THE AUTHOR OF THE HANDMAID''S TALE, THE TESTAMENTS AND ALIAS GRACE''Dark and witty tales from the gleefully inventive Margaret Atwood. Witty verve, imaginative inventiveness and verbal sizzle vivify every page'' Sunday TimesA recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.''A collection of nine acerbic, mischievous, gulpable short stories'' Harper''s Bazaar''Atwood''s prose is so sharp and sly that the effect is bracing rather than bleak'' Guardian''[Look at thTrade ReviewDark and witty tales from the gleefully inventive Margaret Atwood . Witty verve, imaginative inventiveness and verbal sizzle vivify every page -- Peter Kemp * Sunday Times *Atwood illuminates heavy themes with a lightness of touch, giving insight not only into the nature of stone but the trials and tribulations of flesh and blood -- Anita Sethi * Observer *This collection of short stories is charged with a delightful cheekiness . Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first * Independent *Realism and ridiculousness, play and deadly seriousness, are held in fine balance throughout. This long view throughout the collection is entirely unsparing, both of the vanished past and the vanishing present, but Atwood's prose is so sharp and sly that the effect is bracing rather than bleak * Guardian *Atwood is as puckish as ever with these 'nine wicked tales' . . . 'Lusus Naturae' is a deliciously gothic treat in which the language is so rich you could lick it and 'The Freeze-Dried Groom' is a spine-tingling mini-thriller -- Marcus Field * Independent *Danc[es] over the dark swamps of Horror on the wings of satirical wit. . . . Look at these tales . . . as eight icily refreshing arsenic Popsicles followed by a baked Alaska laced with anthrax, all served with impeccable style and aplomb. Enjoy! -- Ursula K. Le Guin * Financial Times *Astonishing . . . Powerful . . . I loved these strange, sharp and wild stories -- Meg Wolitzer * NPR *Dark and witty tales from the gleefully inventive Margaret Atwood . Witty verve, imaginative inventiveness and verbal sizzle vivify every page -- Peter Kemp * Sunday Times *Atwood illuminates heavy themes with a lightness of touch, giving insight not only into the nature of stone but the trials and tribulations of flesh and blood -- Anita Sethi * Observer *This collection of short stories is charged with a delightful cheekiness . Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first * Independent *Realism and ridiculousness, play and deadly seriousness, are held in fine balance throughout. This long view throughout the collection is entirely unsparing, both of the vanished past and the vanishing present, but Atwood's prose is so sharp and sly that the effect is bracing rather than bleak * Guardian *Atwood is as puckish as ever with these 'nine wicked tales' . . . 'Lusus Naturae' is a deliciously gothic treat in which the language is so rich you could lick it and 'The Freeze-Dried Groom' is a spine-tingling mini-thriller -- Marcus Field * Independent *

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Book SynopsisA breathtaking novel of a woman grappling with the tangled knot of her life—from the bestselling author of The Handmaid''s Tale and The TestamentsDisturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman—but above all she must seek release form her haunting memories.

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Book Synopsis

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