Ethnic studies / Ethnicity Books

Book SynopsisHere is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love.

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Book SynopsisArgues that a commitment to diversity is frequently substituted for a commitment to actual change. This title traces the work that diversity does, examining how the term is used and the way it serves to make questions about racism seem impertinent.Trade Review“Ahmed’s book is not a how-to guide to ‘what works.’ But On Being Included would be an excellent choice for a faculty-staff reading group about social justice in the academy, because Ahmed provides a rich resource for serious rethinking: ‘My aim is not to suggest that we should stop doing diversity, but that we need to keep asking what we are doing.’” - Meryl Altman, Academe“For those of us interested in diversity work, Ahmed’s On Being Included provides a novel way of thinking about diversity. In her readings of institutional documents interwoven with the voices of diversity workers, Ahmed cautions us to think about diversity as a tool deployed to further crystallize institutionally sanctioned racist practices that recede to the background of everyday life.” - Andres Castro Samayoa, Somatechnics“[A] unique account of diversity as an institutional practice and also of what people do and feel when they do not quite fit the norms of an institution orare ‘out of place’. Ahmed captures the experience of diversity in liberal institutions through the image of a coming up against a brick wall and an important part of this book is the ‘physical and emotional’ labour of confronting that wall.” - Karim Murji, Ethnic and Racial Studies“Regardless of positionality and lived experiences, this text is engaging both intellectually and emotionally. Ahmed’s unflinching candor compels reflection and tough (hopefully productive) conversations far more effectively than a conventional ‘diversity document’. This is a text that moves to confront and change the status quo.” - Corin de Freitas and Alex Pysklywec, Society and Space, Environment and Planning D“Despite having read widely within the field of diversity and higher education, it is rare for a book to so powerfully call to mind my own identities as did this one. . . . This work is most appropriate for an educational anthropology course or unit focused on applied work within higher education. . . . It would also be useful for researchers looking for a new theoretical approach to how discourse and documents perform within institutions or, more provocatively, how they fail to do so.” - Lauren Miller Griffith, Anthropology and Education Quarterly"Just when you think everything that could possibly be said about diversity in higher education has been said, Sara Ahmed comes along with this startlingly original, deeply engaging ethnography of diversity work. On Being Included is an insightful, smart reflection on the embodied, profoundly political phenomenology of doing and performing diversity in predominantly white institutions. As Ahmed queers even the most mundane formulations of diversity, she creates one eureka moment after another. I could not put this book down. It is a must-read for everyone committed to antiracist, feminist work as key to institutional transformation in higher education."—Chandra Talpade Mohanty, author of Feminism without Borders: Decolonizing Theory, Practicing Solidarity"Sara Ahmed's sensitive and respectful analysis of the complexities faced by diversity workers in higher education institutions arrives at a moment when we urgently need ways to rethink institutional dynamics and the animating effects of policy regimes and processes. This is a vital book: vital as a compass guiding the eye, heart, and mind to the knowledge that can emerge from the labor of institutional transformation, and vital in the sense of being life-giving to those involved in the process."—Gail Lewis, coauthor of Citizenship: Personal Lives and Social Policy"There are no other books of this caliber examining the institutional culture of diversity in higher education. Sara Ahmed not only offers a rigorous empirical study of how diversity operates in the real world; she also develops a brilliant theoretical framework exploring the affective reproduction of inequality. At the same time, as a black feminist, she draws on her own embodiment of difference and experience as a diversity practitioner."—Heidi Safia Mirza, author of Race, Gender and Educational Desire: Why Black Women Succeed and Fail“Ahmed’s book is not a how-to guide to ‘what works.’ But On Being Included would be an excellent choice for a faculty-staff reading group about social justice in the academy, because Ahmed provides a rich resource for serious rethinking: ‘My aim is not to suggest that we should stop doing diversity, but that we need to keep asking what we are doing.’” -- Meryl Altman * Academe *“Regardless of positionality and lived experiences, this text is engaging both intellectually and emotionally. Ahmed’s unflinching candor compels reflection and tough (hopefully productive) conversations far more effectively than a conventional ‘diversity document’. This is a text that moves to confront and change the status quo.” -- Corin de Freitas and Alex Pysklywec * Environment and Planning D *“[T]he book links deeply theoretical questioning to personal experience, empirical findings in interviews, informal discussions and engaged participant observation. It provides the reader with many insights, some created within different varieties of collective intellectual labor that are referred to as discussions in a seminar, meeting or informal talk, that nourish the quest for reading that is simultaneously compelling and delightful. In its combination of theory and practice, the book offers food for thought to theorists and practitioners alike.” -- Anitta Kynsilehto * International Feminist Journal of Politics *“On Being Included is one of those books that took over my life. It seemed like, for a while, I inserted this text into just about every conversation I had. ‘Oh, that’s similar to what Sara Ahmed talks about when she says … ‘ Maybe it’s because I want people to associate me with this brilliant author! It’s also partially because this book is really smart about dealing with the ways that terms–specifically, diversity–are taken up within the institution (and she does a neat job of thinking through what institution means) and used to obscure particular kinds of work.” -- Erin Frost * Theorizing Feminist Apparency blog *“On Being Included does an excellent job of bringing to life, in highly perceptive ways, the experience of doing diversity work. As ethnography, its strength indeed may lie in bracketing other times and places. However, the resonance with other documented experiences in Britain and Australia contributes to the book’s value in offering not just a picture of diversity politics but a vivid account of the persistent features of contemporary organisational life when faced with projects seeking change.” -- Davina Cooper * British Journal of Educational Studies *“Drawing from interviews and informal conversations with higher education diversity practitioners across the United Kingdom and Australia, scholar Sara Ahmed has crafted a keen meditation on the meaning of diversity in higher education and its implications for inclusion.... Focusing on what practitioners can learn about institutions as they work to transform them, her book will be of interest to anyone seeking to promote greater inclusion at their institution.” * On Campus with Women *“This book offers a grounded and open exploration of what it means to ‘do’ diversity, to ‘be’ diverse. It challenges the reader, both in style and in content, to reconsider relations of power that stick to the multiple practices, meanings, and understandings of diversity, and to reconsider how we engage, reproduce, and disrupt these relations.” -- Juliane Collard and Carolyn Prouse * Gender, Place & Culture *“A key finding in Ahmed’s rich analysis of race relations is how diversity policies can become a mechanism for preserving whiteness. . . . Above all, Ahmed’s corpus of work on race and cultural studies continues to remind us that race is a ‘sticky sign’. . . . The wonder of Ahmed’s book is that it allows us insight into some of the more ephemeral ways whiteness, privilege and institutional discrimination come to operate as normative.” -- Anoop Nayak * British Journal of Sociology of Education *Table of ContentsAcknowledgments ix Introduction. On Arrival 1 1. Institutional Life 19 2. The Language of Diversity 51 3. Equality and Performance Culture 83 4. Commitment as a Non-performative 113 5. Speaking about Racism 141 Conclusion. A Phenomenological Practice 173 Notes 191 References 221 Index 235

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Book SynopsisWorld-renowned anthropologist and ethnopharmacologist Christian Ratsch provides the latest scientific updates to this classic work on psychoactive flora by two eminent researchers.Trade Review"This superbly illustrated, encyclopedic volume provides a much needed, well-balanced scientific perspective on the use of hallucinogenic plants. Richard Evans Schultes, the worlds most eminent ethnobotanist, and Albert Hofmann, the former research director at Sandoz Pharmaceuticals, emphasize the need for continued education about both the potential benefits and the inherent dangers involved in the use of hallucinogens." * Shaman's Drum *"Carefully researched, beautifully written, and abundantly illustrated, this book reminds us that the use of hallucinogenic plants has been a fundamental part of the human experience for millennia." * Michael R. Aldrich, Ph.D., Curator Fitz Hugh Ludlow Library *"It contains an incredible amount of rigorous and fascinating information in a highly accessible, beautiful, and compelling format." * Journal of Scientific Exploration, October 2003 *"Richard Evans Schultes has been the nexus of almost everything interesting and supportive concerned with economic and cultural uses of plants. Plants of the Gods gives precise and illuminating portraits of the many peoples of the Earth who pay homage to and gain insights with the aid of psychedelic plants: an exquisite, thoroughly scholarly book." * Whole Earth Review *Table of ContentsPlants of the Gods Their Sacred, Healing and Hallucinogenic Powers Preface Introduction 1. What are Plant Hallucinogens 2. The Plant Kingdom 3. Phytochemical Research on Sacred Plants 4. Geography of Usage and Botanical Range 5. Plant Lexicon 6. Users of Hallucinogenic Plants 7. Overview of Plant Use 8. Fourteen Major Hallucinogenic Plants 9. Mainstay of the Heavens 10. The Hexing Herbs 11. The Nectar of Delight 12. St. Anthony's Fire 13. Holy Flower of the North Star 14. Guide to the Ancestors 15. Beans of the Hekula Spirit 16. Seeds of Civilization 17. The Magic Drink of the Amazon 18. Ayahuasca Analogs 19 Trumpets of the Angels 20. The Tracks of the Little Deer 21. Little Flowers of the Gods 22. Diviner's Sage 23. Cactus of the Four Winds 24. Vines of the Serpent 25. Semen of the Sun 26. Gateway to Dreamtime 27. Chemical Structures of Hallucinogens 28. Uses of Hallucinogens on Medicine Epilogue Picture Credits Bibliography Acknowledgments Index

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Book SynopsisEvery voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak'*Updated edition featuring a new afterword*The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I''m No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today.THE NO.1 SUNDAY TIMES BESTSELLERWINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018FOYLES NON-FICTION BOOK OF THE YEARBLACKWELL''S NON-FICTION BOOK OF THE YEARWINNER OF THE JHALAK PRIZELONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONLONGLISTED FOR THE ORWELL PRIZESHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARDTrade ReviewA revelation ... Undoubtedly essential * Spectator *This is a book that was begging to be written. This is the kind of book that demands a future where we’ll no longer need such a book. Essential * Marlon James, Man Booker Prize-Winner 2015 *Set to blow apart the understanding of race relations in this country * Stylist *A wake-up call to a nation in denial about the structural and institutional racisms occurring in our homes, offices and communities * Observer *One of the most important books of 2017 * Nikesh Shukla, editor of The Good Immigrant *Eye-opening ... Honest, opinionated and pretty kick-ass * Elle *Blistering … This book is essential reading for anyone even remotely interested in living in a fairer, kinder and more equal world * Paris Lees *Eviscerating ... A riveting deep-dive into the history and communication of race in Britain … This book is destined to become cult * Red *The black British Bible * Gal-Dem *Political, accessible and uncompromising * Guardian, Books of the Year *Vital dialogue from a powerful voice * Daily Telegraph *A thunderclap of a book -- Catherine Johnson, Jhalak Prize judgeHas become essential to understanding what life is like in the UK for many people of colour. A must-read for everyone * Elle Book Club *

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Book SynopsisNON-FICTION WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE AND A FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NON-FICTION What does it mean to belong? All her life, Tessa McWatt has been asked, ‘What are you?’ Born in Guyana to a family with Scottish, African, French, Chinese, Indian, Portuguese, and Native American heritage, she grew up in a white suburb, out of place, longing to fit in. As an adult, she moved to the UK, still pursued by questions about her identity. In this deeply personal reckoning with race and belonging, Tessa interweaves her own experiences as a mixed-race woman with a stark and unvarnished history of slavery and indenture, as well as observations on literature and popular culture. This powerful memoir of being mixed race in a predominantly white society is a necessary exploration of who and what we truly are.Trade Review‘Eloquent and moving.’ -- Barbara Taylor * The Guardian *‘Political, personal, intellectual, and critical.’ -- Bernardine Evaristo, author of Girl, Woman, Other‘This remarkable meditation on beautiful, human bodies formed by the violence of slavery and by colonial shame resists categorisation, even as it shows up the ways in which categories of race and identity are no more than empty methods of social control. Reading this book I felt a profound sense of relief: that someone as wise as Tessa McWatt had the compassion and courage to write it. Though she doesn’t spare us, her ancestors or herself, as she travels from British Guiana to China, India and Scotland, we must go with her: and realise the power of recovering female lineage, and realise that there is no centre, except the one we ourselves can make with all the various stories we contain. It is a deeply moving, urgent and important book.’ -- Preti Taneja, author of We That Are Young‘She is one of our greatest black female writers … She’s a deeply thoughtful woman and deeply radical in her thinking. She’s not on the fence about her politics.’ -- Monique Roffey * The Observer *‘Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction.’ -- Layla Saad, author of Me and White Supremacy‘Superb.’ -- Emma Dabiri, author of Don’t Touch My Hair‘Stunningly beautiful … Her flowing, lyrical first-person prose is as close to poetry as prose can be, deeply evocative and laden with imagery without weighing the narrative down … Deeply compelling and strikingly original.’ -- Becky Long * The Irish Times *‘Shame on Me offers alternative routes into black life and suggests that there’s still space for … reflections on the politics of race presented in tangential ways.’ -- Colin Grant * TLS *‘Executed with mellifluous scholarship and an eagle’s eye for affecting detail.’ -- Stephanie Sy-Quia * Brixton Review of Books *‘Heartstopping and wise, exquisitely written, compellingly told, Shame on Me rises to a crescendo of such beauty and grace in its final chapter — a call to activism and resistance — that it left me breathless with the intensity of my own listening.’ -- Rebecca Stott, author of In the Days of Rain‘A brave indictment, both passionate and reflective, of the category of race and the prison that identity can become.’ -- Lisa Appignanesi, author of Mad, Bad, and Sad‘There have been many books about race and identity in recent years, but none quite like this one. Shame On Me is part memoir, part essay, and partly a challenge to think beyond the current parameters of “identity” in our contemporary world. Told from the perspective of a writer whose own inheritance confounds established identities at every turn, it is a perceptive, poignant and deeply profound meditation on how the race-thinking of the plantation continues to structure our sense of ourselves “all the way down”. It is an essential intervention on behalf of those of us who wish to confront and overcome the resurgence of racism today.’ -- Anshuman Mondal, Professor of Modern Literature at UEA‘Shame on Me is one of the most moving and intellectually profound books of its kind. As an ‘anatomy,’ it operates with surgical precision upon the necrotic legacies of race, affirming kinship and solidarity against the ongoing violence of silence and denigration. Courageously intimate and beautifully written, it is everything I admire in Tessa McWatt.’ -- David Chariandy, author of I've Been Meaning to Tell You‘Poignant, provocative, beautifully written, Tessa McWatt's new memoir Shame on Me is an important, original and deeply thoughtful book. McWatt asks the toughest, most searching of questions about race and belonging and offers answers that surprise and challenge us. I loved it.' -- Jill Dawson, author of The Language of Birds‘Her prose is lyrical and haunting ... McWatt forcefully demonstrates how we all have a stake in dismantling the status quo and creating new paths towards true freedom: “a place outside both the master’s house and the field”. Shame on Me is a tale of our time, yet also timeless.’ -- Shu-Ling Chua * The Saturday Paper *‘Powerful and provocative.’ * Sunday Life *‘Beautifully written, profoundly moving, and deeply reflective.’ * 2020 OCM Bocas Prize jury citation *‘Beautifully written and courageously told.’ * 2020 Hilary Weston Writers’ Trust Prize for Nonfiction jury citation *‘This is a fierce, remarkable and poetic take on racial identity.’ -- Susan Dale * Bad Form *‘A personal and powerful exploration of history and identity.’ * The Globe and Mail ‘Books of the Year’ *Praise for Higher Ed: ‘[C]ombines campus novel (historically a distinctly white-male genre) with a Zadie Smith-like sense of a thoroughly multicultural London … satirises with sharp wit the precariousness of academic life.’ * The Age *Praise for Higher Ed: ‘A wryly passionate, slyly political and engrossing concatenation of London lives, that only a Londoner by choice could have written.’ * China Miéville *

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Book SynopsisThe first major account of the history of reggae, black music journalist Lloyd Bradley describes its origins and development in Jamaica, from ska to rock-steady to dub and then to reggae itself, a local music which conquered the world. There are many extraordinary stories about characters like Prince Buster, King Tubby and Bob Marley. But this is more than a book of music history: it relates the story of reggae to the whole history of Jamaica, from colonial island to troubled independence, and Jamaicans, from Kingston to London.Table of ContentsPart One First session: boogie in my bones; music is my occupation; we are rolling; message from the king; train to Skaville; strange country; what a world. Part Two Simmer down: soul style; dance crasher; mix it up; you can get it if you really want. Part Three Studio kinda cloudy: pressure drop; wake the town, tell the people; dubwise situation; dreadlocks in moonlight; ah fi we dis; trench town rock; warrior charge; sipple out deh. Part Four Fist to fist days gone: ring the alarm; kid's play; Johnny dollar; healing of a nation.

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Book SynopsisThey called him the ''angriest black man in America'' . . . Celebrated and vilified the world over for his courageous but bitter fight to gain for millions of black men and women the equality and respect denied them by their white neighbours, Malcolm X inspired as many people in the United States as he caused to fear him.His remarkable autobiography, completed just before his murder in 1965, ranges from Omaha and Michigan to Harlem and Mecca, and tells of a young, disenfranchised man whose descent into drug addition, robbery and prison was only reversed by his belief in the rights struggle for black America, and his conversion to the Nation of Islam. Not only is this an enormously important record of the Civil Rights Movement in America, but also the scintillating story of a man who refused to allow anyone to tell him who or what he was.Trade ReviewExtraordinary . . . a brilliant, painful, important book * New York Times *

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Book SynopsisStrange Career offers a clear and illuminating analysis of the history of Jim Crow laws and American race relations. This book presented evidence that segregation in the South dated only to the 1880s. It''s publication in 1955, a year after the Supreme Court ordered schools be desegregated, helped counter arguments that the ruling would destoy a centuries-old way of life. The commemorative edition includes a special afterword by William S. McFeely, former Woodward student and winner of both the 1982 Pulitzer Prize and 1992 Lincoln Prize. As William McFeely describes in the new afterword, ''the slim volume''s social consequence far outstripped its importance to academia. The book became part of a revolution...The Civil Rights Movement had changed Woodward''s South and his slim, quietly insistent book...had contributed to that change.''Table of ContentsIntroductionI.: Old Regimes and Reconstructions II.: Forgotten Alternatives III.: Capitulation to Racism IV.: The Man on the Cliff V.: The Declining Years of Jim Crow VI.: The Career Becomes Stranger Afterword by William s. McFeely

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Book SynopsisReparations for slavery have become a reinvigorated topic for public debate over the last decade. Most theorizing about reparations treats it as a social justice project - either rooted in reconciliatory justice focused on making amends in the present; or, they focus on the past, emphasizing restitution for historical wrongs. Olúfemi O. Táíwò argues that neither approach is optimal, and advances a different case for reparations - one rooted in a hopeful future that tackles the issue of climate change head on, with distributive justice at its core. This view, which he calls the constructive view of reparations, argues that reparations should be seen as a future-oriented project engaged in building a better social order; and that the costs of building a more equitable world should be distributed more to those who have inherited the moral liabilities of past injustices. This approach to reparations, as Táíwò shows, has deep and surprising roots in the thought of Black political thinkers sTrade ReviewOlúfẹmi Táíwò's Reconsidering Reparations offers a novel, passionate, and compelling account of reparative justice in the contemporary world. Offering a "constructive" theory of reparations, Táíwò combines two pressing moral and political concerns: reparations for historical injustices, and environmental justice for future generations. * Felix Lambrecht, University of Toronto, Ethics *This book takes on the question of reparations for the damage wrought by colonialism and slavery. Drawing on the efforts of anti-colonial activists of the 20th century, Táíwò calls for a constructive approach to reparations to establish a new world order based on justice. * J. M. Rich, CHOICE *Colonialism isn't over. Instead of men in pith helmets, the rich now send pollution, climate catastrophe, development consultants and philanthropists. In this sweeping, subtle and sophisticated analysis, Olúfẹ́mi O. Táíwò presents an iron-clad case for why colonialism's end must coincide with a reparative transformation in relations between the colonizer and colonized, in the Global North and South. It's required reading for anyone looking for the arguments to support a just, and healing, future. * Raj Patel, author of The Value of Nothing and co-author of Inflamed: Deep Medicine and the Anatomy of Injustice *Weaving together the long-held redistribution demands of revolutionary movements for racial justice and decolonization with the scientific imperative for immediate climate action, Olúf?´&mi Táíwò builds the irresistible case for decarbonization through reparation. Coursing with moral urgency and propelled by brilliant prose, this is more than argument. It's how we build the power needed to win. * Naomi Klein, Author of This Changes Everything: Capitalism vs. the Climate *An extremely welcome intervention into the contemporary debate about reparations. * Vanessa Wills, The George Washington University *In this forcefully argued book, Táíwò Olúfẹ̀mi grounds the case for reparations in a sweeping yet synthetic account of the historical origins of our starkly unequal world order. Weaving together multiple traditions of radical thought and attuned to the most pressing debates of our moment, Táíwò reveals reparations to be world-making in two potent senses of the term. As a means of dismantling and transforming Global Racial Empire--necessarily a project planetary in its spatial horizons and internationalist in the scope of its solidarities--reparations are in turn a requirement for saving the earth and human society from the climate crisis. * Thea Riofrancos, author of Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador *I give my highest recommendation to Táíwò's philosophically rich and important book. * Jennifer M. Page, Radical Philosophy Review *Reconsidering Reparations introduces new intuitions to the usually philosophically stagnant debates of reparations and climate justice. This book will be of interest to scholars and general readers interested in the philosophical justification of progressive politics. Specifically, it can be of great help for those who know that we need to consider the injustices of the past to build a just and livable future. * Josep Recasens, Erasmus Journal for Philosophy and Economics *Table of ContentsChapter 1: Introduction Chapter 2: Reconsidering World History Chapter 3: The Constructive View Chapter 4: What's Missing Chapter 5: What's Next Chapter 6: The Arc of the Moral Universe Appendix A: The Malê Revolt Appendix B: Colonialism and Climate Vulnerability References

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Book Synopsis''The degradations, the wrongs, the vices, that grow out of slavery, are more than I can describe.''Harriet Jacobs was born a slave in the American South and went on to write one of the most extraordinary slave narratives. First published pseudonymously in 1861, Incidents in the Life of a Slave Girl describes Jacobs''s treatment at the hands of her owners, her eventual escape to the North, and her perilous existence evading recapture as a fugitive slave. To save herself from sexual assault and protect her children she is forced to hide for seven years in a tiny attic space, suffering terrible psychological and physical pain.Written to expose the appalling treatment of slaves in the South and the racism of the free North, and to advance the abolitionist cause, Incidents is notable for its careful construction and literary effects. Jacobs''s story of self-emancipation and a growing feminist consciousness is the tale of an individual and a searing indictment of slavery''s inhumanity. This edition includes the short memoir by Jacobs''s brother, John S. Jacobs, ''A True Tale of Slavery''.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewFew accounts of American slavery are as memorable as Jacobs' harrowing memoir. Born a slave in North Carolina in 1813, Harriet was in her teens when her owner, Dr James Norcom, first started to proposition her. Harriet was forced to take refuge in her grandmother's tiny attic for nearly seven years, before finally escaping to the North. R J Ellis's introduction to this latest edition is an insightful overview of the slave narrative for a new generation of readers. * Lesley McDowell, Independent (Radar) *Jacob's story is so dramatic, so illustrative of the horrors of slavery - the sickening violence, the waste of potential, the unpredictability of lives lived according to slave owner's caprices - that is almost reads as a novel * Victoria Segal, The Guardian *It's easy to be appalled at the notion of slavery, but this astonishing account, published in 1861, by Harriet Jacobs, born a slave in the American South, emphasises the personal experience. She makes us feel the minutiae of daily life as a slave. * Lesly McDowell, The Sunday Herald *

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Book SynopsisThis Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike.Table of ContentsChapter 1. When the Negro Was In Vogue Chapter 2. Defining New Negro Identities Chapter 3. Harlem: City of Dream Chapter 4. What Is Africa to Me? Chapter 5. Strong Roots Sink Down Epilogue: Beyond Harlem Further reading Index

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Book Synopsis''A towering achievement. There is simply nothing like it in the history of Black radical thought'' Cornel West''Cedric Robinson''s brilliant analyses revealed new ways of thinking and acting'' Angela Davis''This work is about our people''s struggle, the historical Black struggle''Any struggle must be fought on a people''s own terms, argues Cedric Robinson''s landmark account of Black radicalism. Marxism is a western construction, and therefore inadequate to describe the significance of Black communities as agents of change against ''racial capitalism''. Tracing the emergence of European radicalism, the history of Black African resistance and the influence of these on such key thinkers as W. E. B. Du Bois, C. L. R. James and Richard Wright, Black Marxism reclaims the story of a movement.Trade ReviewA towering achievement. There is simply nothing like it in the history of Black radical thought -- Cornel WestCedric Robinson's brilliant analyses revealed new ways of thinking and acting -- Angela DavisI can say, without a trace of hyperbole, that this book changed my life. -- Robin KelleyBlack Marxism shattered the taken-for-granted of understanding the modern world, allowing us to see the racist nature of capitalism. There are very few books that transform how we have to approach the world and Black Marxism is one of them -- Kehinde AndrewsA handbook for a new generation of radicals and activists ... Robinson's work helpfully points to the tension in Marxism between the march towards progress and the spontaneous character of revolution... offers a sense of belonging and a means of imagining a common future -- Kevin Okoth * London Review of Books *

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Book SynopsisWinner of the 2018 Pulitzer Prize for General Non-FictionLonglisted for the National Book AwardOne of the New York Times Book Review''s 10 Best Books of 2017Former public defender James Forman, Jr. is a leading critic of mass incarceration and its disproportionate impact on people of colour. In Locking Up Our Own, he seeks to understand the war on crime that began in the 1970s and why it was supported by many African American leaders in the nation''s urban centres.Forman shows us that the first substantial cohort of black mayors, judges and police chiefs took office amid a surge in crime and drug addiction. Many prominent black officials, including Washington, DC mayor Marion Barry and federal prosecutor Eric Holder, feared that the gains of the civil rights movement were being undermined by lawlessness - and thus embraced tough-on-crime measures, including longer sentences and aggressive police tactics. In the face of sTrade ReviewThis superb, shattering book probably made a deeper impression on me than any other this year - New York TimesA beautiful book, written so well, that gives us the origins and consequences of where we are . . . I can see why [the Pulitzer prize] was awarded - The Daily ShowRemarkable . . . Forman's beautifully written narrative, enriched by firsthand knowledge of the cops and courts, neither condemns black leaders in hindsight nor exonerates the white-dominated institutions . . . He adds historical nuance to the story of 'mass incarceration' told in . . . The New Jim Crow - Washington PostEloquent . . . A gritty, often revelatory work of local history, interspersed with tales of Forman's experiences as a public defender . . . Locking Up Our Own is a sobering chronicle of how black people, in the hope of saving their communities, contributed to the rise of a system that has undone much of the progress of the civil rights era. But, as Forman knows, they could not have built it by themselves, and they are even less likely to be able to abolish it without influential white allies, and dramatic reforms in the structure of American society - London Review of Books

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Book SynopsisBeginning in the East, with its Ice Age monsters, and ending in the West, where dinosaurs lived and died, this richly illustrated and elegantly written book examines the discoveries of enormous bones in North America and uses of fossils for medicine, hunting magic, and spells.Trade Review"Mayor’s book is a fascinating exploration of how Indigenous peoples across Turtle Island held, and still hold, knowledge of fossils. Indigenous peoples observed the remains of enormous creatures found embedded in our land—from dinosaurs to giant buffalo—and integrated these findings into our ways of knowing. Mayor’s coupling of Indigenous stories of legendary beings to specific fossils, bone beds, and species makes this a must-read for anyone who thinks that the wisdom held in Indigenous oral traditions is anything less than science."---Kent Monkman, award-winning Cree visual artist"Mayor the storyteller relishes the opportunity to provide fascinating insights, but she shines most in her ability to stitch together a rich and varied body of oral history grounded in natural history. . . . Mayor clearly thrives at the intersection of science and folklore."---Bryn Nelson, Newsday"Marshaling the array of evidence available from scholarly and popular works, and contributing her own research, Mayor shows that far from ignoring fossils, many Native American groups took great notice of them and developed elaborate myths to explain their origin. . . . Though Mayor is careful not to homogenize native myths, she does note that virtually all of them exhibit a sense of 'deep time,' as geologists call it: an awareness that the world has existed for far longer than humans have walked it."---Eric A. Powell, Archaeology"Fossil Legends of the First Americans presents an interesting, intriguing and informative text, written in a fun, accessible way that will appeal to a wide audience, without scaring off the scientific community. The manner in which fossils legends and Native American tales are dealt with, is as original. . . . Adrienne Mayor has based her book on a substantial amount of relevant, up-to-date and to-the-point research data, and as such commands the reader's indulgence."---C. van Kooten, PaleoArchaeology"Through remarkably wide-ranging research, Mayor has recovered the fascinating story of how various tribes encountered and interpreted dinosaur bones and other remains of early life. . . . [She] illuminates the surprisingly relevant views of early peoples confronting evidence of prehistoric life. . . . This pioneering work replaces cultural estrangement with belated understanding." * Booklist *"Few books have had such an influence on my thinking as Adrienne Mayor’s book on fossil legends of the New World. For one thing, it invites one to ask how anyone can make old stories about old bones both so interesting and so worthwhile. . . . What Mayor has done is astonishing. She has been so thorough that it’s difficult to imagine anyone ever writing a more definitive book on her subject. . . . A hundred years from now, this book will surely continue to be read, consulted, and mined for data. I would not want to be a piece of data seeking to escape her attention. . . . Mayor not only shows how these stories cast light on cultural history but also demonstrates repeatedly that they anticipated many of the views of modern scientists."---Paul Barber, Journal of American Folklore

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Book SynopsisFinancial TimesBook of the YearTelegraphTop 50 Books of the YearGuardianBook of the YearNew StatesmanBook of the YearRoundly debunks racism's core lie that inequality is to do with genetics, rather than political power' Reni Eddo-LodgeWhere did the idea of race come from, and what does it mean? In an age of identity politics, DNA ancestry testing and the rise of the far-right, a belief in biological differences between populations is experiencing a resurgence. The truth is: race is a social construct. Our problem is we find this hard to believe.In Superior, award-winning author Angela Saini investigates the concept of race, from its origins to the present day. Engaging with geneticists, anthropologists, historians and social scientists from across the globe, Superior is a rigorous, much needed examination of the insidious and destructive nature of the belief that race is real, and that some groups of people are superior to others.Trade Review‘In this essential book, Angela Saini deftly shows how science and racism have long been intertwined, why that pernicious history continues to this day, and why “race science” is so deeply flawed. Deeply researched, masterfully written, and sorely needed, Superior is an exceptional work by one of the world's best science writers’ Ed Yong ‘This is an essential book on an urgent topic by one of our most authoritative science writers’ Sathnam Sanghera ‘This is an urgent and important book. It contains a warning: you thought racism might be on its way out of science? … You thought wrong’ Observer ‘As in her previous book Inferior, about gender, Saini skilfully brings together interviews with historians, scientists and the objects of racial science themselves to paint a harrowing picture of the influence of race on science and vice versa’ Sunday Times ‘A very good book: informative and chilling … The history she uncovers is eye-opening and heart-breaking; it’s right to be wary of that history repeating’ The Times ‘The concept of “race” persists, even though it is biologically meaningless. This important book considers why … superb’ Guardian ‘…a brilliant and devastating book’ Telegraph

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Book SynopsisChallenging the legacy of slavery, colonization, and ongoing racism that portrays African-American people as unable to love, the author of 'All About Love' explores how the ethic of love has become the foundation of hope and survival.

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Book Synopsis?Soulful, spirited, and often joyful, Black Earth Wisdom is sustained by a deep reverence for the Earth and its ?symbiotic living ecosystems.? The result is a potent look at the overlap between the environmental and racial justice movements.??Publishers WeeklyA soulful collection of illuminating essays and interviews that explore Black people?s spiritual and scientific connection to the land, waters, and climate, curated by the acclaimed author of Farming While BlackAuthor of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and understood the intrinsic value of nature.This thought-provoking anthology brings together today?s most respected and influential Black environmentalist voices ?leaders who have cultivated the skill of listening to the Earth ?to share the lessons they have learned. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. In Black Earth Wisdom, they address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, engendering racial violence, food apartheid, and climate injustice.Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that people put our planet first and defer to nature as our ultimate teacher.Contributors include:Alice Walker ?adrienne maree brown ? Dr. Ross Gay ? Dr. Ayana Elizabeth Johnson ? Rue Mapp ? Dr. Carolyn Finney ? Audrey Peterman ? Awise Agbaye Wande Abimbola ? Ibrahim Abdul-Matin ? Kendra Pierre-Louis ? Latria Graham ? Dr. Lauret Savoy ?Ira Wallace ? Savi Horne ? Dr. Claudia Ford ? Dr. J. Drew Lanham ? Dr. Leni Sorensen ? Queen Quet ? Toshi Reagon ? Yeye Luisah Teish ? Yonnette Fleming ? Naima Penniman ? Angelou Ezeilo ? James Edward Mills ? Teresa Baker ? Pandora Thomas ? Toi Scott ? Aleya Fraser ? Chris Bolden-Newsome ? Dr. Joshua Bennett ? B. Anderson ? Chris Hill ? Greg Watson ? T. Morgan Dixon ? Dr. Dorceta Taylor ? Colette Pichon Battle ? Dillon Bernard ? Sharon Lavigne ? Steve Curwood ? and Babalawo Enroue HalfkennyTrade Review“Penniman and the interviewees offer a staggering range of reparative projects, including farms and community agricultural projects rooted in traditional African farming practices, heirloom seed cooperatives, nature therapy programs for juvenile offenders, and hiking groups for Black women and teens. It’s clear that Penniman and her contributors view Black environmentalism as healing therapy not only for Black individuals but for the planet.” — Booklist (starred review) “Soulful, spirited, and often joyful, [Black Earth Wisdom] is sustained by a deep reverence for the Earth and its “symbiotic living ecosystems.” The result is a potent look at the overlap between the environmental and racial justice movements.” — Publishers Weekly "A powerful and passionate collection of instructive perspectives on nature.” — Kirkus Reviews "A moving and powerful how-to book for Black farmers to reclaim the occupation and the contributions of the BIPOC community that introduced sustainable agriculture." — Book Riot on Farming While Black "An extraordinary book...part agricultural guide, part revolutionary manifesto." — Vogue on Farming While Black “Provides practical tools along with a beautiful visionary template for practicing land development that is rooted in healing and transformation.” — Patrisse Khan-Cullors on Farming While Black "Leah Penniman is . . . opening the door for the next generation of farmers." — CBS This Morning on Farming While Black “Leah is truly changing our food system, one bite at a time.” — PBS on Farming While Black “Farming While Black offers a guide to reclaiming food systems from white supremacy.” — Bon Appetit on Farming While Black “A guidebook to dismantle systemic racism.” — Civil Eats on Farming While Black “Penniman is part of a growing movement to reclaim Black farmers’ hard-won place in our country’s agriculture.” — Mother Jones on Farming While Black “What I find so important about the work that [Penniman does] is that it’s reconnecting things that were torn asunder [and] challenging assumptions.” — Food & Wine on Farming While Black

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Book SynopsisA cruise along the streets of Chennai - or Silicon Valley - filled with professional young Indian men and women, reveals the new face of India. In this book, the authors examine one particularly striking group who have taken part in this development.Trade Review"Tamil Brahmans is a solid, original work that makes a major contribution to our understanding of a vitally important part of the world and of a unique group of people whose numbers in the United States are growing year by year and who are becoming increasingly influential at the highest professional levels in medicine, law, academia, business, and government." (Sylvia J. Vatuk, University of Illinois at Chicago)"

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Book SynopsisTackles the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space, the author envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics.Trade Review"In The Predicament of Blackness, Jemima Pierre makes an important intervention in Africanist anthropology, which is in dire need of analyses, such as Pierre offers, that illuminate the workings of race. This book is in a class by itself. It is not only a welcome addition to the field, but will in fact inspire a new generation of African studies scholarship that is more attentive to the cultural practices of race." (Bayo Holsey, Duke University)"

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Book SynopsisNewly revised, Ethnographic Fieldwork: An Anthropological Reader Second Edition provides readers with a picture of the breadth, variation, and complexity of fieldwork. The updated selections offer insight into the ethnographer's experience of gathering and analyzing data, and a richer understanding of the conflicts, hazards and ethical challenges of pursuing fieldwork around the globe. Offers an international collection of classic and contemporary readings to provide students with a broad understanding of historical, methodological, ethical, reflexive and stylistic issues in fieldwork Features 16 new articles and revised part introductions, with additional insights into the experience of conducting ethnographic fieldwork Explores the importance of fieldwork practice in achieving the core theoretical and methodological goals of anthropology Highlights the personal and professional challenges of field researchers, from issues of profeTrade Review"This final section serves to bring full circle many of the central issues about the relationship between ethnographers and their research subjects and, thus, is a fitting conclusion to an extraordinary collection." (Anthropos, 2 October 2013) Table of ContentsAbout the Editors x Editors’ Acknowledgments xi Acknowledgments to Sources xii Fieldwork in Cultural Anthropology: An Introduction 1 Jeffrey S. Sluka and Antonius C. G. M. Robben Part I Beginnings 49 Introduction 51 Antonius C. G. M. Robben 1 The Observation of Savage Peoples 56 Joseph-Marie Degérando 2 The Methods of Ethnology 63 Franz Boas 3 Method and Scope of Anthropological Fieldwork 69 Bronislaw Malinowski Part II Fieldwork Identity 83 Introduction 85 Antonius C. G. M. Robben 4 A Woman Going Native 92 Hortense Powdermaker 5 Fixing and Negotiating Identities in the Field: The Case of Lebanese Shiites 103 Roschanack Shaery-Eisenlohr 6 Being Gay and Doing Fieldwork 114 Walter L. Williams 7 Automythologies and the Reconstruction of Ageing 124 Paul Spencer Part III Fieldwork Relations and Rapport 135 Introduction 137 Jeffrey A. Sluka 8 Champukwi of the Village of the Tapirs 143 Charles Wagley 9 Behind Many Masks: Ethnography and Impression Management 153 Gerald D. Berreman 10 The Politics of Truth and Emotion among Victims and Perpetrators of Violence 175 Antonius C. G. M. Robben Part IV The “Other” Talks Back 191 Introduction 193 Jeffrey A. Sluka 11 Custer Died for Your Sins 199 Vine Deloria, Jr. 12 Here Come the Anthros 207 Cecil King 13 When They Read What the Papers Say We Wrote 210 Ofra Greenberg 14 Ire in Ireland 219 Nancy Scheper-Hughes Part V Fieldwork Confl icts, Hazards, and Dangers 235 Introduction 237 Jeffrey A. Sluka 15 Ethnology in a Revolutionary Setting 244 June Nash 16 The Ethnographer’s Tale 256 Neil L. Whitehead 17 Anthropology from the Bones: A Memoir of Fieldwork, Survival, and Commitment 274 Cynthia Keppley Mahmood 18 Reflections on Managing Danger in Fieldwork: Dangerous Anthropology in Belfast 283 Jeffrey A. Sluka Part VI Fieldwork Ethics 297 Introduction 299 Jeffrey A. Sluka 19 The Life and Death of Project Camelot 306 Irving Louis Horowitz 20 Confronting the Ethics of Ethnography: Lessons From Fieldwork in Central America 318 Philippe Bourgois 21 Ethics versus “Realism” in Anthropology 331 Gerald D. Berreman 22 Worms, Witchcraft and Wild Incantations: The Case of the Chicken Soup Cure 353 Jeffrey David Ehrenreich 23 Code of Ethics (2009) 359 American Anthropological Association Part VII Multi-Sited Fieldwork 365 Introduction 367 Antonius C. G. M. Robben 24 Beyond “Culture”: Space, Identity, and the Politics of Difference 374 Akhil Gupta and James Ferguson 25 Afghanistan, Ethnography, and the New World Order 387 David B. Edwards 26 Being There … and There … and There! Reflections on Multi-Site Ethnography 399 Ulf Hannerz 27 A New Form of Collaboration in Cultural Anthropology: Matsutake Worlds 409 Matsutake Worlds Research Group Part VIII Sensorial Fieldwork 441 Introduction 443 Antonius C. G. M. Robben 28 Balinese Character: A Photographic Analysis 450 Gregory Bateson and Margaret Mead 29 The Taste of Ethnographic Things 465 Paul Stoller and Cheryl Olkes 30 Dialogic Editing: Interpreting How Kaluli Read Sound and Sentiment 480 Steven Feld 31 On Rocks, Walks, and Talks in West Africa: Cultural Categories and an Anthropology of the Senses 496 Kathryn Linn Geurts Part IX Refl exive Ethnography 511 Introduction 513 Antonius C. G. M. Robben 32 Fieldwork and Friendship in Morocco 520 Paul Rabinow 33 The Way Things Are Said 528 Jeanne Favret-Saada 34 Transmutation of Sensibilities: Empathy, Intuition, Revelation 540 Thomas J. Csordas 35 “At the Heart of the Discipline”: Critical Reflections on Fieldwork 547 Vincent Crapanzano Part X Engaged Fieldwork 563 Introduction 565 Jeffrey A. Sluka 36 Introduction – 1942 573 Margaret Mead 37 Scholarship, Advocacy, and the Politics of Engagement in Burma (Myanmar) 579 Monique Skidmore 38 “Human Terrain”: Past, Present and Future Applications 593 Roberto J. González 39 The Gaza Freedom Flotilla: Ethnographic Notes on “Othering Violence” 605 Nikolas Kosmatopoulos Appendix 1: Key Ethnographic, Sociological, Qualitative, and Multidisciplinary Fieldwork Methods Texts 612 Appendix 2: Edited Cultural Anthropology Volumes on Fieldwork Experiences 615 Appendix 3: Reflexive Accounts of Fieldwork and Ethnographies Which Include Accounts of Fieldwork 618 Appendix 4: Leading Cultural Anthropology Fieldwork Methods Texts 620 Appendix 5: Early and Classic Anthropological Writings on Fieldwork, including Diaries and Letters 622 Index 623

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Book SynopsisA collection of essays critiquing ethnography as literature. It explores the ways in which writing culture has changed the face of ethnography over the years.Trade Review"The ethical concerns expressed in Writing Culture are important ones." * American Ethnologist *"Writing Culture is an invaluable book for anyone concerned about anthropology's future." * Oceania *Table of ContentsForeword to the Twenty-fifth Anniversary Edition Preface JAMES CLIFFORD Introduction: Partial Truths MARY LOUISE PRATT Fieldwork in Common Places VINCENT CRAPANZANO Hermes' Dilemma: The Masking of Subversion in Ethnographic Description REN ATO ROSALDO From the Door of His Tent: The Fieldworker and the Inquisitor JAMES CLIFFORD On Ethnographic Allegory STEPHEN A. TYLER Post-Modern Ethnography: From Document of the Occult to Occult Document TALAL ASAD The Concept of Cultural Translation in British Social Anthropology GEORGE E. MARCUS Contemporary Problems of Ethnography in the Modern World System MICHAEL M. J. FISCHER Ethnicity and the Post-Modern Arts of Memory PAUL RABINOW Representations Are Social Facts: Modernity and Post-Modernity in Anthropology GEORGE E. MARCUS Afterword: Ethnographic Writing and Anthropological Careers Bibliography Notes on Contributors Index

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Book SynopsisUses the work of contemporary American artist Kara Walker to investigate a range of storytelling traditions with roots in the nineteenth century and ramifications in the present. This book also explores a significant yet neglected aspect of Walker's production: her commitment to examining narrative depictions of race, gender, power, and desire.Trade Review“Peabody asserts that narrative is a necessary interpretative scheme with which to approach Walker’s art, and the author gives deep histories to some of the most interesting moments in Walker’s narrative engagement. . . . [A] remarkable book which spans Walker’s nearly twenty-year long career to date…” * Oxford Art Journal *"This excellent book contributes greatly to the plethora of existing scholarship on Kara Walker." * Panorama *“Rebecca Peabody’s lyrically written, provocative, and smart new take on Kara Walker suggests that there is, in fact, much more to say about this artist. . . . Peabody has set the bar high. Not only does she rigorously review the copious literature on Walker, but she has taken considerable trouble to familiarize herself with Walker’s own words and ideas in order to present as thorough a critique of this enigmatic artist. Brava.” * Woman’s Art Journal *Table of ContentsAcknowledgments Introduction: Kara Walker, Storyteller 1. The End of Uncle Tom 2. The Pop of Racial Violence 3. American Romance in Black and White 4. The International Appeal of Race 5. Storytelling in Film and Video Conclusion Notes Selected Bibliography Illustration Credits Index

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Book SynopsisThe Moving City is a rich and intimate account of urban transformation told through the story of Delhi's Metro, a massive infrastructure project that is reshaping the city's social and urban landscapes. Ethnographic vignettes introduce the feel and form of the Metro and let readers experience the city, scene by scene, stop by stop, as if they, too, have come along for the ride. Laying bare the radical possibilities and concretized inequalities of the Metro, andhow people live with and through its built environment, this is a story of women and men on the move, the nature of Indian aspiration, and what it takes morally and materially to sustain urban life. Through exquisite prose, Rashmi Sadana transports the reader to a city shaped by both its Metro and those who depend on it, revealing a perspective on Delhi unlike any other.Trade Review"The Moving City is an important contribution to the growing literature on urban infrastructure. It is evocative and shows us the variegated ways in which mobility is mediated by aspirations, fears, exclusions and political negotiations." * Contributions to Indian Sociology *"The vignettes captured by the author, constituting in effect a collection of ukiyo-e, ‘pictures of the floating world,’ is a delightful and interesting twist on ethnographic writing and representation. . . Sadana’s book offers a very special approach to the study of urban infrastructure and demonstrates how these little floating scenes of everyday life can tell us something about big and complex social issues." * Asian Anthropology *"The strength of this book lies in what it has to offer as a method of encountering urban spaces. . . .This ethnography would be a welcome addition to courses in urban anthropology, anthropologies of gender, class, South Asia, and ethnographic method." * Anthropological Quarterly *"Vivid and rich with detail. . . .Sadana…emphasizes the uniqueness of the Delhi Metro by centering the voices of the many people who make up its daily life." * Metropolitics *"[A] beautifully crafted account of how life in Delhi becomes narrated through the Metro as it joins and cuts across disparate urban spaces." * Journal of the Royal Anthropological Institute *"A radical work that throws open established modes of Indian anthropological writing." * Biblio: A Review of Books *Table of ContentsIntroduction Part I Crowded The Train to Dwarka Mandi House Vanita The Image of the City Metro Bhawan Space and Matter Red Line Resident Welfare Okhla Station Naipaul on the Metro Nukkad Natak Mumbai Urban Hazards Ramlila Maidan From Badarpur Yellow Line Drishti A Developed Country Social Space Seelampur Station Pressure Cooker Blue Line Delhi-6 Bus Rapid Transit The Bicycle Fixer Part II Expanding A Road's Geography The Gangway Spontaneous Urbanism Nehru Place Rupali Chief Minister City of Malls Violet Line Metal and Plastic Appropriate Architecture Chawri Bazar Ajay and Gita Ring Road Grievance and Governance Morning Commute Orange Line The Play about the Metro Aspirational Planning Renu and Shiv Layers and Sediment Green Line Cycle Rickshaw-wala Metro Mob The Techno-cosmopolitan The Politics of Speed Part III Visible World Class Strike Bus Infrastructure by Example Magenta Line Radhika Posture Integration The Photo That Went Viral Voids and Solids Beauty Salon Suicide Multiple Choice Jahnavi Café Coffee Day Looks Street Survey Aasif E-rickshaws Love Marriage and a Head Injury Fare Hike At Home in Dakshinpuri Dilli Haat Pink Line City Park Epilogue Acknowledgments Notes Bibliography Index

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Book SynopsisRice was a major plantation crop during the first 300 years of settlement in the Americas. It accompanied slaves across the Middle Passage throughout the New World to Brazil, the Caribbean, and the southern U.S. Carney reveals how racism has shaped our historical memory and neglected this critical African contribution to the making of the Americas.Trade ReviewExploring crops, landscapes and agricultural practices in Africa and America, [Carney] demonstrates the critical role Africans played in the creation of the system of rice production that provided the foundation of Carolina’s wealth… This detailed study of historical botany, technological adaptation and agricultural diffusion adds depth to our understanding of slavery and makes a compelling case for ‘the agency of slaves’ in the creation of the South’s economy and culture. -- Drew Gilpin Faust * New York Times Book Review *Judith A. Carney’s Black Rice: The African Origins of Rice Cultivation in the Americas…describes how the South Carolina rice industry was built not only on slave labor but on the agricultural and technological knowledge brought over by the Africans… [It] changes our understanding of the black contribution to American life. -- Barry Gewen * New York Times Book Review *Black Rice sets out to discredit for good an old Southern recipe for history that depicts slaves as mere laborers who dumbly performed work their masters conceived. Carney tells it the other way around. After years visiting West African rice fields, then digging in archives on both sides of the Atlantic, she has emerged with evidence that early slave traders sought and seized Africans who had the abilities to grow a specific African rice… Black Rice might be called an agricultural detective story. The historical crime—and that’s clearly how Carney sees it—is the relative lack of attention given to African rice. -- Allan M. Jalon * Los Angeles Times *Contrary to common belief, [Carney] explains, rice was not brought by Europeans to the Americas by way of Asia, but rather was introduced here by Africans and cultivated by African-American slaves, particularly in South Carolina, where rice crops proved to be one of the most profitable plantation-based economies. Though this is a scholarly work, Carney’s clear, uncluttered prose invites a wider readership. * Publishers Weekly *Black Rice is an original, knowledgeable, exciting, and important addition to the literature of the making and remaking of the Atlantic world. Judith Carney demonstrates how the trans-Atlantic transfer of rice cultivation marked not simply the movement of an important crop across the Atlantic, but also the relocation of an entire culture. -- Ira Berlin, author of Many Thousands Gone: The First Two Centuries of Slavery in North AmericaAmong the very finest examples of what African Diaspora Studies should be: multidisciplinary, multilingual, broad in geographic scope, and focused on Africa and Africans as vital, active contributors to the technology and culture of the Americas. -- Gwendolyn Midlo Hall, author of Africans in Colonial Louisiana: The Development of Afro-Creole Culture in the Eighteenth CenturyIf there were a field of ‘Trans-Atlantic Subaltern Studies,’ Black Rice would represent both a foundation stone of the edifice and one of its most impressive achievements. -- James C. Scott, Yale UniversityBlack Rice is a luminous, brilliant account of innovation, resistance, and identity linking Old and New Worlds. Carney has unearthed a compelling, and hitherto neglected, aspect of Africa’s contribution to the agrarian history of the Americas. A magisterial geographical history of the Black Atlantic. -- Michael Watts, University of California, BerkeleyAn intrepid and observant researcher who links African rice to North and South America in fresh and convincing ways, Judith Carney’s work is wide-ranging, provocative, and clear. Black Rice is a wonderfully rich and creative book about an amazing crop and the people who labored to grow it. You will never look at a bowl of rice—or the entire Atlantic basin—in quite the same way again. -- Peter H. Wood, author of Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono RebellionWith a fusion of highly original geographic, ethnographic, and historical analysis, Carney powerfully traces the provenance and provisioning of rice in the Americas, the profound role that it played in defining gender roles, and the myriad ways that slave labor altered the once hidden political ecology of rice landscapes. -- Karl Zimmerer, author of Changing Fortunes: Biodiversity and Peasant Livelihood in the Peruvian AndesTable of ContentsPreface Introduction 1. Encounters 2. Rice Origins and Indigenous Knowledge 3. Out of Africa: Rice Culture and African Continuities 4. This Was "Woman's Wuck" 5. African Rice and the Atlantic World 6. Legacies Notes References Index

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Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *Harvard is known to be reluctant to publish art books but if this is anything to go by, it should do so more often. -- Jaynie Anderson * Australian Literary Review *This volume is breathtaking in its scope and scholarship. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *

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Book SynopsisA comparative political sociology of anti-racism in Europe, showing the various discourses within this movementTrade Review'A remarkable book. It is a major contribution to our understanding and handling of one of the crucial contemporary issues that acquires more import and gravity by the day' -- Zygmunt Bauman'An excellent book, which enriches the tradition of political sociology conceptually, methodologically and substantively' -- Peter Wagner, Professor of Social and Political Sciences, European University Institute - FlorenceTable of ContentsAcknowledgements List of Interviews Introduction. Anti-Racism, Sociology and the Political 1. ‘Race’ & State: European modernity and the political idea of ‘race’ 2. Explaining Racism: Anti-racist discourse between culture and the state 3. Anti-Racist Orientations: France, Britain, Ireland, Italy 4. Anti-Racism as Public Political Culture 5. Who Says What For Whom and From Where? Anti-racism and political representation Conclusion. Anti-Racist Futures: A sense of déjà vu or a journey into the unknown? Bibliography Index

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Book SynopsisUnderstanding a people and their culture through code words and language.

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Book SynopsisKarin Amimoto Ingersoll uses her concept of seascape epistemology to articulate an indigenous Hawaiian way of knowing founded on a sensorial, intellectual, and embodied literacy of the ocean that can provide the means for generating an alternative indigenous politics and ethics.Trade Review"Conveying the beauty and meaning of hee nalu to Hawaiians past and present, with water photos by her husband, Russell J. Amimoto, Waves of Knowing is an impassioned and informative call to surfers to be responsible to ourselves, our community and our shared, beloved sea." -- Mindy Pennybacker * Honolulu Star-Advertiser *"Despite the limitations of writing in the English language, Waves of Knowing is an elegant way of articulating an indigenous Hawaiian epistemology.... This book is a valuable contribution to the literature on indigenous methodology, and will also contribute to the growing literature in critical surf studies." -- Dina Gilio-Whitaker * Fourth World Journal *"Waves of Knowing is an intimate discussion of both external and internal realities found both in the politics of Hawaiʻi and within the author’s perception. Ingersoll eschews a colonial-variety, empirical world (knowledge without the nuance of dreams or intuition) and instead explores a dynamic, place-based, historic memory empowerment which becomes its own living archive. . . . Ingersoll works to re-code this fluid sensibility back into our thinking so feeling and emotion can respectfully re-enter our cognitive reality." -- Manulani Aluli Meyer * Indigenous Knowledge *“This beautifully written book makes a valuable contribution to articulating indigenous epistemologies, and offers concrete suggestions for how Kanaka Maoli ways of knowing can be translated into practices which empower indigenous and local knowledge and skills, affirm cultural identity, and care for both the land and seascapes.” -- Tui Nicola Clery * Pacific Affairs *"Waves of Knowing is an important contribution. . . . It helps us understand what has been lost but which is being recovered; it gives us insight into surfing and how new hybrid forms exist in the present but respect the past; and, most importantly, it helps give understanding of, and momentum to, ways of knowing our environment that provide critical alternatives to dominant epistemologies and the unsustainable and capricious economies they inform." -- John Overton * Asia Pacific Viewpoint *"As a methodological exploration into the ways in which personal history, cultural connectivity, imperial history, and commercialization of recreation can be woven through a story of encounters with (and in) a specific space, Waves of Knowing is a fascinating book." -- Philip Steinberg * Singapore Journal of Tropical Geography *"Although emphasized for practice-based or place-based education, the fields of philosophy, English, and history may also benefit from Ingersoll’s work, which is a brilliant example of an Indigenous way of knowing that is shaped from the epistemological complexity of the movement of the ocean through which insight into an ontologically formed Hawaiian identity is also provided." -- Amy Farrell-Morneau * Native American and Indigenous Studies *Table of ContentsAcknowledgments ix Introduction 1 1. He'e Nalu: Reclaiming Ke Kai 41 2. Oceanic Literacy: A Politics and an Ethics 79 3. Seascape Epistemology: Ke Kino and Movement 103 4. Ho'okele: Seascape Epistemology as an Embodied Voyage 127 5. Hālau O Ke Kai: Potential Applications of Seascape Epitemology 155 Epilogue 183 Notes 185 References 189 Index 197

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Book SynopsisShowing how feminist theory is generated from everyday life and the ordinary experiences of being a feminist, Sara Ahmed highlights the ties between feminist theory and living a life that sustains it by building on legacies of feminist of color scholarship and discussing the figure of the feminist killjoy.Trade Review"Fans of bell hooks and Audre Lorde will find Ahmed's frequent homages and references familiar and assuring in a work that goes far beyond Betty Friedan's The Feminine Mystique, capturing the intersection so critical in modern feminism." -- Abby Hargreaves * Library Journal *"Living a Feminist Life is perhaps the most accessible and important of Ahmed’s works to date. . . . [A] quite dazzlingly lively, angry and urgent call to arms. . . In short, everybody should read Ahmed’s book precisely because not everybody will." -- Emma Rees * Times Higher Education *"Living a Feminist Life is a work of embodied political theory that defies the conventions of feminist memoir and self-help alike. . . . Living a Feminist Life makes visible the continuous work of feminism, whether it takes place on the streets, in the home, or in the office. Playful yet methodical, the book tries to construct a living feminism that is neither essentialist nor universalist." -- Melissa Gira Grant * Bookforum *"Undeniably, Ahmed’s book is a highly crafted work, both scholarly and lyrically, that builds upon itself and delivers concrete, adaptable conclusions; it is a gorgeous argument, crackling with kind wit and an invitation to the community of feminist killjoys." -- Theodosia Henney * Lambda Literary Review *"Beautifully written and persuasively argued, Living a Feminist Life is not just an instant classic, but an essential read for inter­sectional feminists." -- Ann A. Hamilton * Bitch *"This book is about a wriggling out, a speaking out. And it teaches me to write, to think, like this — word twists word, and body to thought. Because for Ahmed, words make worlds and her book — the first after she left academia in feminist revolt — is full of bluesy world-play." -- Caren Beilin * Full Stop *"Living a Feminist Life is the perfect introduction to Ahmed’s academic work, if a general reader is unfamiliar with her. . . . For me, her lack of despair is the book’s strongest point. Ahmed’s work is as cutting and critical as it is joyful. There is a distinct hope and optimism for the future of diversity work – but still a demand for better." -- Evelyn Deshane * The F-Word *"Ahmed gifts us words that we may have difficulty finding for ourselves.... [R]eading her book provides a tentative vision for a feminist ethics for radical politics that is applicable far beyond what is traditionally considered the domain of feminism." -- Mahvish Ahmad * The New Inquiry *"Anyone at odds with this world—and we all ought to be—owes it to themselves, and to the goal of a better tomorrow, to read this book." -- Mariam Rahmani * Los Angeles Review of Books *"Living a Feminist Life offers something halfway between the immediacy and punch of the blog and the multi-layered considerations of a scholarly essay; the result is one of the most politically engaged, complex and personal books on gender politics we have seen in a while." -- Bidisha * TLS *"Especially compelling is Ahmed’s insistence that living as a feminist is not a sudden, euphoric escape from patriarchy and other structures of domination. Instead, it’s a lifelong project of chipping away at regimes that continue to exert considerable force. To practice feminism is therefore to encounter both frustration and widespread disapproval. It means, Ahmed warns, being seen as selfish, mean, and chronically dissatisfied—the bringer of discord to family dinners and professional meetings alike. For those of us willing to pay the price, Living a Feminist Life assures us we’re in good company." -- Susan Fraiman * Critical Inquiry *"Ahmed ... writes theory like nobody else.... Ahmed’s book is a feminist gift for its readers. You are invited to enjoy it, the rhythm and all." -- Leena-Maija Rossi * European Journal of Women's Studies *"It’s not easy being a feminist and Sara Ahmed has written a powerful, thought provoking and moving account of just what that means. But more than that, she provides us with a survival guide, some coping strategies combined with wisdom and inspiration. To read this book is to feel the warmth and strength of a sister(hood) wrapped around you." -- Heather Savigny * European Journal of Women's Studies *"Ahmed does for her readers what Audre Lorde did for her – document a way to live differently." -- Katherine Parker-Hay * Textual Practice *"[Ahmed's] prose style . . . is incantatory and quizzical, probing and playful. . . . Ahmed holds particular words up to the light and lets their unsuspected facets gleam, polishing their queer potential." -- Catherine Keyser * Public Books *"Living a Feminist Life hopes we can survive doing feminist theory, and energises us to do so." -- Clare Croft * Feminist Theory *“I live in south London, not far from where Sara used to lecture, so her work has always felt close, with an ability to touch and grasp—a quality academic feminist discourse often lacks. This book allows everyone to grasp, wrestle, and digest it, proving yet again that making theory accessible does not have to compromise quality. If anything, it’s quite the opposite.” -- Travis Alabanza * Out *Table of ContentsAcknowledgments ix Introduction. Bringing Feminist Theory Home 1 Part I. Becoming Feminist 19 1. Feminism Is Sensational 21 2. On Being Directed 43 3. Willfulness and Feminist Subjectivity 65 Part II. Diversity Work 4. Trying to Transform 93 5. Being in Question 115 6. Brick Walls 135 Part III. Living the Consequences 7. Fragile Connections 163 8. Feminist Snap 187 9. Lesbian Feminism 213 Conclusion 1. A Killjoy Survival Kit 235 Conclusion 2. A Killjoy Manifesto 251 Notes 269 References 281 Index 291

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Book SynopsisIn this rare window into Zulu mysticism, Vusamazulu Credo Mutwa breaks the bonds of traditional silence to share his personal experiences as a sangoma-a Zulu shaman. Set against the backdrop of post-colonial South Africa, Zulu Shamanrelays the first-person accounts of an African healer and reveals the cosmology of the Zulu. Mutwa begins with the compelling story of his personal journey as an English-trained Christian schoolteacher who receives a calling to follow in his grandfather''s footsteps as a shaman and keeper of folklore. He then tells the stories of his ancestors, including creation myths; how evil came to the world; the adventures of the trickster god Kintu; and Zulu relations with the fiery visitors, whom he likens to extraterrestrials. In an attempt to preserve the knowledge of his ancestors and encourage his vision of a world united in peace and harmony, Mutwa also shares previously guarded secrets of Zulu healing and spiritual practices: including the curing power of the sangomaand the psychic powers of his people.Trade Review“There is medicine for the soul here. One feels Credo Mutwa’s wonderful humanity and the genius of his people in these stories.” * Luisah Teish, author of Jambalaya and Carnival of the Spirit *“V. Credo Mutwa paints a stunning picture of the complex world of Zulu cosmology and traditions. The colorful array of stories and the science of healing he offers with humility take us into the heart of African ancestral wisdom. His courage in revealing to the world what would otherwise remain hidden commands respect and reverence.” * Malidoma Somé, author of The Healing Wisdom of Africa and Of Water and the Spirit *"Zulu Shaman is a special and fascinating glimpse into an all but vanished world." * SirReadaLot.org, February 2004 *"He weaves a rich tableau of mother godesses and tricksters amidst a climate of discrimination, urbanization and violence." * Eric Lerner, Ashe!, February 2004 *"Mutwa's friendly, personal writing is accesible, making the book suitable for general readers." * David Paulsen, New Age Retailer, May/June 2004, Vol.18 No.3 *". . . the rich amount of folklore and spiritual stories found throughout the book creates a very inviting atmosphere for the reader." * The Cauldron Brasil, October 2006 *"This book is a good addition to the knowledge of African spirituality as well as being a personal account that for sure will benefit the spiritual journeyman from all edges of the compass." * The Cauldron Brasil, Oct 2006 *“I cannot recommend this book enough and tell you to get it as soon as you can and delve into its depths to learn the ways of the Zulu shaman. It is unforgettable and I could easily read it over and probably will in the future.” * Jeffery Pritchett, The Church of Mabus *Table of ContentsZulu ShamanDreams, Prophecies, and MysteriesContents ACKNOWLEDGMENTS FOREWORD BY LUISAH TEISHEDITOR'S INTRODUCTION 1. The Way of the Witch Doctor The Illness Beginning the Cure The Sangoma's ApprenticeThe Lore of the Soul How a Sangoma Cures The Bone Oracle The Sangoma's Creative and Psychic Powers2. The Great Goddess The Tree of Life How Evil Came into the World Amarava and the Second People The Childhood of the Second People3. Of Goddesses and Gods The Four Winds of the Goddess How the Birds Saved the Earth Ngungi, the Crippled Smith of the Gods The Gift of the Magic Flower 4. Tales of the Trickster The Theft of Fire Kintu and the Cattle of the Sun Kintu and the Star Goddess The Trickster's Revenge 5. The Song of the Stars The Song of the StarsFire Visitors Extraterrestrial Beings Communion 6. The Common Origin of All HumanityCommonalities of Myth, Ritual, and CustomRoots and Commonalities of Language On the Family On Banishing Fear7. Dreams, Prophecies, and Mysteries On Sleep and Dreaming Prophecies On the Sacred Rock CarvingsScience and Religion A Path to Wisdom The Boundaries of Human LifeNOTES INDEX

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Book Synopsis The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerabilTrade Review"Tommy Curry has written a cool, brilliant defense of the men who are the pariahs of American society: the ones who, regardless of class, find themselves at the bottom of every hierarchy; the ones whose demographics and statistics in terms of the criminal justice, health care, and other systems are abysmal. Countless billions have been made from the portrayal of Black males as Boogeymen. The Man-Not is heavy work, but the general reader will find its arguments well worth the time and effort. This book is controversial. Those who've dogged and stalked Black men in the academy and popular culture for the past few decades are sure to have their critical knives out. I know. But it's rare for an American intellectual to step up, regardless of the fallout. This book is the one that I've been waiting for. Curry has taken a bullet for the brothers."—Ishmael Reed, Professor Emeritus at the University of California, Berkeley, and Visiting Scholar at the California College of the Arts"In a bold—indeed, fearless—intervention in the ongoing race/gender/sexual orientation debates, Tommy Curry challenges the cozy consensus among self-conceived progressives in the humanities. The oppression of black men has been conceptually erased, he argues, by theoretical frameworks indifferent to the social science data that refute them. Sure to ignite a firestorm of controversy, The Man-Not is an impassioned protest against orthodoxies, both mainstream and radical, white and black. It is required reading for anyone interested in understanding oppression or having unquestioned assumptions put to the test." —Charles W. Mills, Distinguished Professor at the City University of New York Graduate Center "The Man-Not introduces a progressive black male studies that is decidedly nonfeminist, and the book demands a radical rethinking of the category of 'gender' itself.... It is impressive to watch Curry build arguments and the seamless manner in which the philosopher moves between sources across disciplines.... (It is) refreshing to read a book that has little time for academic pleasantries and is so eager to transcend the boundaries of traditional gender theorizing.... (R)eaders from diverse academic backgrounds can still learn much in its pages." —Men and Masculinities"This book reads as a spiritual successor to W.E.B. Dubois's 1906 keynote speech delivered during the second annual Niagara Movement Conference.... Curry echoes the same sentiment that Black men have been subjugated due to systemic violence, denial of rights, and oppression. The author is open and candid that this is as much an emotional book as an academic one.... It is an impassioned plea for justice and legitimation that is often read in books but rarely felt.... The book is an incredible piece of scholarship for Black Male Studies and completely convincing in its claim that there is not only a need for Black Male Studies but a need to study it across multiple disciplines, particularly at the intersection of race, masculinity, law, politics, and class. His ability to deliver scholarship that is part literature review, part critique, part analysis, and part biography makes this book an important piece of work set to help steer Black Male Studies into a new, exciting direction."—Sociology of Race and Ethnicity"Curry offers a provocative discussion of black masculinity by critiquing both the social and academic treatment of killings of black men and boys in the US. The author forces readers to reevaluate the interpretations and stereotypes the media uses. He argues that gender studies has disadvantaged black men by imposing and supporting negative historical stereotypes and ignoring the diversity of black boys and men and by falsely aligning black masculinity with white masculinity.... The present book is an attempt to fill the gap by presenting a philosophical theory on black masculinity that Curry claims is nonexistent in philosophy.... (A)n excellent basis for discussions of the academic constructs of legitimacy in research. Many readers may find this book an uncomfortable read, and that is the very reason it should be read....Summing Up: Highly recommended." —Choice"The Man-Not is an impressive book, sure to upset scholars invested in static gender theory based on racial myths reproduced in the academy in lieu of empirical debates addressing the impossibility of Black patriarchy amid anti-Black achievement policies that disproportionately affect Black males.... The Man-Not exemplifies the deep, risky criticism that all scholars should aspire to, particularly as Curry’s call for the institutionalization of Black male studies is compelling.... Curry’s argument is contentious yet indispensable amid the oftentimes deadly systemic oppressions that Black males encounter."--Women's Studies in Communication

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Book SynopsisAchille Mbembe theorizes the genealogy of the contemporary world—one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces—and calls for a radical revision of humanism a the means to create a more just society.Trade Review"The appearance of Achille Mbembe's Necropolitics will change the terms of debate within the English-speaking world. Trenchant in his critique of racism and its relation to the precepts of liberal democracy, Mbembe continues where Foucault left off, tracking the lethal afterlife of sovereign power as it subjects whole populations to what Fanon called ‘the zone of non-being.’ Mbembe not only engages with biopolitics, the politics of enmity, and the state of exception; he also opens up the possibility of a global ethic, one that relies less on sovereign power than on the transnational resistance to the spread of the death-world." -- Judith Butler“This book establishes Achille Mbembe as the leading humanistic voice in the study of sovereignty, democracy, migration, and war in the contemporary world. Mbembe accomplishes the nearly impossible task of finding a radical path through the darkness of our times and seizes hope from the jaws of what he calls ‘the deadlocks of humanism.’ It is not a comforting book to read, but it is an impossible book to put down.” -- Arjun Appadurai“Mbembe refreshes the debate in a Europe consumed by the ‘desire of apartheid.’ This is a man who is not afraid to throw national history, identities, and borders out the window. French universalism? ‘Conceited,’ asserts Mbembe. . . . In the style of Edouard Glissant . . . he doesn’t limit his geography to the level of the nation but expands it to the ‘Whole-World.’ He dreams of writing a common history of humanity that would deflate all the flashy national heroism and redraw new relations between the self and the other. In a France and a Europe which are even afraid of their own shadows, one can clearly see the subversive potential of Mbembe’s thought. His latest book Necropolitics, draws the unpleasant portrait of a continent eaten up by the desire of ‘apartheid,’ moved by the obsessive search for an enemy, and with war as its favorite game.” -- Cécile Daumas, * Libération *“[Mbembe’s] new book . . . is a precious tool to understand what occurs in the North as well as in the South. The analyses of this faithful reader of Franz Fanon are irrevocable: war has become not an exception but a permanent state, ‘the sacrament of our era’. . . . One of the biggest challenges we have to face, Mbembe warns us, is to defend our democracies while including this ‘other’ whom we don’t want if we are to build our common future.” -- Séverine Kodjo-Grandvaux and Michael Pauron * Jeune Afrique *"[Mbembe's] latest and eminently readable offering . . . speaks to the spirit of our times with such clarity and profundity that it bears all the hallmarks of an instant classic of anti-racist literature." -- Ashish Ghadiali * Red Pepper *"[Necropolitics] is a book that is in places rather complex to read but it is definitely worth persevering with, since it is filled with interesting insights into such issues as racism, the role of borders and separation, terrorism and its political expression and the mundane and everyday forms of enmity and hatred that shape the contemporary world around us." -- John Solomos * Ethnic and Racial Studies *“Hardly a single longform essay, Necropolitics is a portal of intricate thoughts on the state of the planet. … Mbembe’s latest work is a significant contribution to political and critical theory. Necropolitics is the book of this stifling hour, Mbembe its chronicler.” -- Eric Otieno * Postcolonial Studies *“Necropolitics pursues the themes of race and sovereign power as they relate to borders, prisons, war, and policing in the wake of decolonization and the aftermath of the U.S. civil rights struggle…. Mbembe’s commitment to articulating a common humanity as praxis, or as a humanity in creation, when institutions of life-making, care, and social reproduction are subjugated to the overwhelming power of death-making institutions, is what sets Necropolitics apart from other literatures that take up these questions.” -- Anuja Bose * Contemporary Political Theory *"Necropolitics would be a relevant supplementary text for graduate courses in theory political sociology and international relations.… The book provides the reader with fundamental perspectives on race, that align with common critiques of democracy and Foucault's concept of bioppower while drawing on Fanon's work." -- Kendall L. Gilliam * International Social Science Review *"Before Covid-19, Mbembe’s picture of a world enchanted by its own practice of mass murder-suicide in the name of democracy and liberal values seemed accurate enough. After, or during, or whenever we are, Mbembe’s prescience is horrifying, comforting, and absolutely necessary." -- Aria Dean * Artforum *"Some of Mbembe’s most penetrating and sustained meditations on democracy, race, colonialism, and his continued theorization of biopolitics. . . . Corcoran’s translation of Mbembe’s dense philosophical rhetoric manages to communicate its poetic character and vital pulse." -- Patrick Lyons * French Studies *"Mbembe’s work on necropolitics demonstrates how contemporary societies have exited democracy, renewing the camp and other colonial practices to create death worlds and a society of separation. Necropolitics makes an important contribution through outlining the conditions of hatred and separation that constitute contemporary death worlds." -- Patrick Dwyer * Canadian Review of Law and Society *"Necropolitics enriches African Studies while staying away from conventional tropes and stereotypes of identity politics. . . . In relation to African studies, the contribution of Mbembe’s Necropolitics lies in repositioning Africans as a divergent ‘minor’ process committed to actualizing futurity as a site of production of novel ethics, an ethics of connecting with the African past not as something dead and gone, but as emblematic of ‘a living labor’ that might produce the new Earth." -- Saswat Samay Das, Dibyendu Sahana * Africa Spectrum *Table of ContentsAcknowledgments vii Introduction. The Ordeal of the World 1 1. Exit from Democracy 9 2. The Society of Enmity 42 3. Necropolitics 66 4. Viscerality 93 5. Fanon's Pharmacy 117 6. This Stifling Noonday 156 Conclusion. Ethics of the Passerby 184 Notes 191 Index 211

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