Individual photographers Books

Book SynopsisHelmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in—boxed and shrink-wrapped—at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications. Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000 for 620,000 German marks—about 317,000 euros. Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a booklet that takes us through the making-of this publishing venture—a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.Trade Review“Fashion photography is a competitive field, but there's one art book above all that remains incredibly monumental: Helmut Newton's SUMO.” * gq-magazine.co.uk *“Cool, controversial and classic.” * Amateur Photographer *“A collector’s item if ever there was one.” * Refinery29.com *“TASCHEN reminds us what all the fuss was about with an anniversary edition of SUMO, a collection of museum-sized prints bound and elegantly packaged in a monochrome casing with one of Newton’s Giant Nudes on the cover, a hint at the arresting selection of silver, pearl and shadow-toned captures within.” * LA Weekly *“Timeless. A reference work.” * Der Standard *

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Book SynopsisPublished as a collection for the first time, these arresting and poetic and images of Northern Ireland reveal a rarely examined facet of the oeuvre of a celebrated twentieth century war photographer.Akihiko Okamura became a renowned war photographer during the first years of the Vietnam war and later, as he documented wars in Biafra and the Middle East. In 1969, he moved from Southeast Asia to Dublin. From there, Okamura traveled frequently to Derry and other parts of Northern Ireland to document the country's Troubles. This beautifully produced book brings together for the first time Okamura's Irish work, which was almost entirely unpublished before now. Presented in full page plates without text, Okamura's images are imbued with soft, muted colors that contrast with the violence of the situation in which they were conceived. Brimming with feelings of fear, dread, anticipation, and resignation, these images reveal Okamura's humanity and curiosity, hi

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Book SynopsisA monograph on Fox Talbot, universally recognised as the father of modern photography.Table of ContentsEarly genius; Research on photography; Engines; Patents and problems; Photoglyphic Engraving; Last years; Principal events of Fox Talbot's life; Where to find out about Fox Talbot; Bibliography

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Book Synopsis“The people in these photographs had no walls up. They just accepted me and permitted me to take their photographs without any self-consciousness.” —Roy DeCaravaThe Sweet Flypaper of Life is a “poem” about ordinary people, about teenagers around a jukebox, about children at an open fire hydrant, about riding the subway alone at night, about picket lines and artist work spaces. This renowned, life-affirming collaboration between artist Roy DeCarava and writer Langston Hughes honors in words and pictures what the authors saw, knew, and felt deeply about life in their city. Hughes’s heart-warming description of Harlem in the late 1940s and early 1950s is seen through the eyes of one grandmother, Sister Mary Bradley. As she guides the reader through the lives of those around her, we imagine the babies born, families in struggle, children yet flourishing. We experience the sights and sounds of Harlem as seen through her

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Book SynopsisThe fifth book in the hugely popular series celebrates the captivating women who inspired Slim Aarons's greatest work

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Book SynopsisAlfred Palmer was a prolific home front photographer whose work was used by numerous federal propaganda agencies during WWII. A master of lighting and an early adopter of color film, Palmer brought a visual weapon to America's arsenal-one that portrayed the US as economically wealthy, socially coherent, and energetic.

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Book SynopsisThrough the words and photographs of celebrated photographer Sam Shaw, Dear Marliyn offers newly discovered correspondence and never-before-seen images of the most-famous woman Hollywood has ever created.Dear Marilyn offers a fresh insight into the life of the most-famous woman Hollywood has ever created. Through the stunning photography of Monroe’s close friend and confidant, the photographer, journalist and filmmaker Sam Shaw, this book brings Marilyn Monroe to life in a spectacular celebration of the centenary of her birth. In Shaw’s own voice, through his diary entries and intimate correspondences with Monroe, we learn of their close friendship and an insider-view that charts her rise to stardom, the challenges she faced and her quest to find artistic authenticity. For the first time, Shaw also tells the origin story of his iconic ‘blowing skirt’ series from The Seven Year Itch. Stunning digitally remastered photographs from the original 1940s-1960s archival material include some of the most famous images ever taken of Monroe: from behind the scenes of The Seven Year Itch to candid images of her on the streets of New York City and in love at the beach in Amagansett. Including never-before-seen images, Shaw’s work favors improvisation and shows Marilyn Monroe at her most spontaneous and radiant. “Marilyn was born out of time, still she became a superstar, a myth, and a legend.” —Sam Shaw

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Book SynopsisThe new edition of the classic Iconic New York surprises with an even larger format, and previously unpublished photographs of the world-famous metropolis on the Hudson River. Christopher Bliss, is a true New Yorker, and who else could depict this great city in a more authentic way? Because there is so much more to the probably most famous city on the U.S. East Coast than the Empire State Building, Times Square and the Statue of Liberty. It is the hidden squares and buildings in Manhattan, Brooklyn or Queens that reflect the city's culture, everyday life and attitude to life. Bliss knows them all and has photographed them all. The photo artist's work, compiled over many years, is exhibited in several galleries and is installed as a permanent exhibition at the Museum of New York City. For all USA lovers and fans of New York, this coffee-table book is a must-have in the bookcase. Discover the city's landmarks, get to know the people who live there, and get an idea of the turbulent life in the megacity. Text in English and German.

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Book SynopsisThere is an astonishing world just waiting to be photographed underwater. With marine biologist Dr Alexander Mustard as your guide you can learn all you need to know to explore the amazing creatures and landscapes that lie beneath the surface. From information about diving equipment and cameras, to crucial advice on understanding and controlling light underwater, this book provides all the background you need before you take the plunge. Topics covered include wide-angle light, macro lighting, ambient light and macro techniques. All this is illustrated, of course, with stunning images of the weird and wonderful animals and sights he has encountered beneath the waves.

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Book SynopsisHarry Gruyaert is a Belgian photographer known for his images of India, Morocco and Egypt as well as his innovative use of colour. He is a member of Magnum Photos. His work has been published in a number of books and exhibited widely, and has won the Kodak Prize.

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Book SynopsisThe definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UK's most important and influential post-war documentary photographers. I didn't set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing' Chris Killip, 2019 Grounded in sustained immersion and participation in the communities he photographed, Chris Killip's keenly observed work chronicled ordinary people's lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who had history done to them, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.' Published to coincide with the first full retrospective of Killip's life and work at the Photographers' Gallery, London,Table of ContentsForeword by Brett Rogers, Director of the Photographers’ Gallery 1. Essay by Ken Grant covering: Isle of Man Graveyard of the Ships / Early years / The Manx Peasant culture / The Sea / London-New York/ The Isle of Man Book Folio Section 1: Isle of Man TT Racers Huddersfield 2. Essay by Ken Grant covering: Huddersfield, Travels of England, the North, Amber-Side Gallery, Seacoal, Askam and Skinningrove Folio Section 2: Askam Skinningrove Seacoal The Station folio Folio Section 3: Here Comes Everybody Folio Section 4: Pirelli Factory 3. Essay by Ken Grant covering: The Page and the Wall: Another Country, The Miner's Strike, The Politics of Photography, The Station, In Flagrante, British Photography from the Thatcher Years (MoMA Exhibition) Folio Section 4: North East Photographs 2 4. Essay by Ken Grant covering: Chris Killip in America, Chris Killip in Ireland (Here Comes Everybody), Storytellers, Writer, Steidl books, Zines, Cafe Royal Books (The Seaside), The Portrait, Pirelli, Shipbuilding, Revisiting the Region, The Photography of Deindustrialisation, The Last Ships, Finish

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Book SynopsisThe perfect primer on American photographer, photojournalist and filmmaker Ruth Orkin. Ruth Orkin (192185) always dreamed of becoming a filmmaker, and although that ambition was thwarted until later in her career, she quickly found other ways of engaging with the world of images. She was given her first camera at the age of ten and by the age of seventeen, she was cycling across America from Los Angeles to New York, documenting her trip in albums of annotated photographs. In the early 1940s she settled in New York, joining the Photo League and making her name with photo stories for major magazines such as Life, Look and This Week. In images that range from celebrity portraits to bird's-eye views from her apartment window, from children at play to the experiences of a lone American tourist in Italy, Orkin's photography always retains a cinematic sense of the passage of time and allows the humanity and charisma of her subjects to shine through.

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Book SynopsisThe perfect primer on American street photographer Bruce Gilden, best known for his candid close-up photographs of people on the streets of New York City. Bruce Gilden was born in 1946 and grew up in Brooklyn, New York. After taking photography classes at the School of Visual Arts, he embarked on his first major project: recording tourists and pleasure-seekers visiting Coney Island. Gilden is probably best known for his work on the streets of New York, focusing on the city's characters and outsiders, but he has also spent many years on projects in Haiti, Japan and Ireland. A member of Magnum Photos since 2001, Gilden has taken the genre of street photography and pushed it in new directions, documenting the essence of the people he sees and the social landscape through which they move.

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Book SynopsisA photographic record of daily life in Istanbul from the 1940s to the 1980s. It shows the city's melancholy aesthetic as it oscillates between tradition and modernity.Trade Review'Turkey’s greatest photographer … Güler’s work asks age-old questions about progress and innocence, and ultimately leaves it up to the viewer to decide which is more important to society' - Amateur Photographer

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Book Synopsis'The veteran war photographer [Don McCullin] has turned his lens to more peaceful scenes... for his latest book, The Landscape. The images carry a dramatic feel and a preference for stormy skies that reveal an intimacy with conflict and destruction.' Guardian After a career spanning sixty years, Sir Don McCullin, once a witness to conflict across the globe, has become one of the great landscape photographers of our time. McCullin’s pastoral view is far from idyllic. Though the woods and stream close to his house in Somerset have offered some respite, he has not sought out the quiet corners of rural England. He is drawn, instead, to the drama of approaching storms. He has an acute sense of how the emptiness of his immediate landscape echoes a wider tone of disquiet.McCullin is based in the geographical centre of southern England. The presence of sacred mounds, hill forts, ancient roads and the nearby monuments of the prehistoric era have shaped his sense of nationhood. But down on the Somerset Levels, he has tramped through the flooded lowlands. The imagery of his home county, ravaged by storms, inevitably projects the associations of a battlefield, or, at least, the views of one intimate with scenes of war.He is not alone in his preference for darkened clouds over clear skies. McCullin’s West Country is not far removed from the East Anglia of Constable’s Dedham Vale two centuries earlier. His knowledge of his historical predecessors places him deep in a Romantic tradition. His experience as a traveller reinforces the sense of a man on the edge of civilisation under siege. Nowhere is this more apparent than in his repeated views of the glories of Palmyra and of the destruction of this ancient Syrian city. The Landscape is the last in a long series of books published by Jonathan Cape, which encompasses the entirety of McCullin’s working life.Trade ReviewWherever they are shot, McCullin’s landscapes – handsomely reproduced on these pages – share an inky dark magnificence, and an unsettling sense of menace. * RPS Journal *[The Landscape] comes as a timely reminder of the photographer’s darkness of touch… the large-scale pictures take the reader with McCullin on a landscape journey both at home and abroad. * Outdoor Photography *The veteran war photographer [Don McCullin] has turned his lens to more peaceful scenes... for his latest book, The Landscape. The images carry a dramatic feel and a preference for stormy skies that reveal an intimacy with conflict and destruction. * Guardian *Don McCullin's spot in the pantheon of great photographers was assured decades ago, yet he still produces images that stop a dead person in their tracks. This new collection mixes recent with past work, showing how no one has ever been able to accuse McCullin of wielding a frivolous camera. * Strong Words *McCullin… succeeds in making the art of composition seem effortless on page after page. -- Roger Cox * The Scotsman *

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Book Synopsis"Terry was everywhere in the 60s - he knew everything and everyone that was happening" Keith Richards "Terry O'Neill rates rightly as one of the best photographers in the world. He captures something special" Sir Michael Caine "When it comes to photographic legends there can be few more prolific or revered than Terry O'Neill, the man who shot the greats." VOGUE "This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land" The Daily Mail "I've been repeatedly asked to write my autobiography - I have seen an awful lot of famous people at their best and worst - but I'm not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story." Terry O'Neill Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity. Terry O'Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honoured him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of 'outstanding contributions to the art and science of photography.'

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Book SynopsisFrom acclaimed photojournalist Hunter Barnes, an insightful, beautiful portrait of Native American tribe.

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Book SynopsisIt has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado’s own words, to temper our behaviors in a “new regimen of coexistence.”Trade Review“In the freakish hyper-reality of 2016, where tragedy upon tragedy dominate news cycles, a collection like Exodus adds historical context to the global story of humanity on the move.” * British Journal of Photography *

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Book SynopsisAn exploration of the nature of visibility through a series of camera obscuras paired with silver gelatin prints of the sun In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy. Leonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities.

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Book SynopsisGathering some of Alex Webbs most iconic images, many of which were taken in the far corners of the earth, this title brings a fresh perspective to his extensive catalogue. It provides the examination to date of this modern masters prolific, thirty-year career.Trade Review'Colour-bright, intriguingly composed wonders, full of life and awe' - Harper’s Bazaar'The first book to truly explore Webb’s 30-year career in depth … a thorough exploration of Webb’s work and well worth its price tag' - Amateur Photographer'Shows how Webb’s images find humour, sadness, politics and beauty on every corner' - Metro'An extraordinary collection of images … Webb is a sympathetic observer whose work presents an entire world-view' - Time Out'Beautifully laid-out sequences with full-page reproductions of Webb’s remarkable, multi-layered and astutely composed photographs steeped in light and shadow and saturated with colour … a visual banquet' - The Art Newspaper'An epic and stunning picture book from one of the world's best photojournalists' - Traveller

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Book SynopsisCapture a reflection, play with layers, blatantly blur, or just try and ''shoot nothing''. The Street Photography Challenge is a boxed set of 50 cards, each giving keen photographers a simple prompt or idea for snapping great images in everyday environments. Flip the card over for an example image, and turn to the enclosed booklet when you need more detail. Also includes 10 bonus cards of inspirational quotes and key tips from some of the legends of street photography, from Daido Moriyama to Joel Meyerowitz. Forget about lenses, shutter speeds and apertures - just grab your camera or phone, pull a card, and get out there!

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Book SynopsisA detailed examination of the last 15 years of Crowley’s life• Reveals Crowley’s sex magick relations in London and his contacts with important figures, including Dion Fortune, Gerald Gardner, Jack Parsons, Dylan Thomas, and black equality activist Nancy Cunard • Explores Crowley’s nick-of-time escape from the Nazi takeover in Germany and offers extensive confirmation of Crowley’s work for British intelligence • Examines the development of Crowley’s later publications and his articles in reaction to the Nazi Gestapo actively persecuting his followers in Germany After an extraordinary life of magical workings, occult fame, and artistic pursuits around the globe, Aleister Crowley was forced to spend the last fifteen years of his life in his native England, nearly penniless. Much less examined than his early years, this final period of the Beast’s life was just as filled with sex magick, espionage, romance, transatlantic conflict, and extreme behavior. Drawing on previously unpublished diaries and letters, Tobias Churton provides the first detailed treatment of the final years of Crowley’s life, from 1932 to 1947. He opens with Crowley’s nick-of-time escape from the Nazi takeover in Germany and his return home to England, flat broke. Churton offers extensive confirmation of Crowley’s work as a secret operative for MI5 and explores how Crowley saw World War II as the turning point for the “New Aeon.” He examines Crowley’s notorious 1934 London trial, which resulted in his bankruptcy, and shares inside stories of Crowley’s relations with Californian O.T.O. followers, including rocket-fuel specialist Jack Parsons, and his attempt to take over H. Spencer Lewis’s Rosicrucian Order. The author reveals Crowley’s sex magick relations in London and his contacts with spiritual leaders of the time, including Dion Fortune and Wicca founder Gerald Gardner. He examines Crowley’s dealings with artists such as Dylan Thomas, Alfred Hitchcock, Augustus John, Peter Warlock, and Peter Brooks and dispels the accusations that Crowley was racist, exploring his work with lifelong friend, black equality activist Nancy Cunard. Churton also examines the development of Crowley’s later publications such as Magick without Tears as well as his articles in reaction to the Nazi Gestapo who was actively persecuting his remaining followers in Germany. Presenting an intimate and compelling study of Crowley in middle and old age, Churton shows how the Beast still wields a wand-like power to delight and astonish.Trade Review“Aleister Crowley has found the biographer he could have wished for. By staying close to the original sources, Tobias Churton has managed to dive deeply into the emotional life of an unparalleled religious thinker who celebrated life. Aleister Crowley in England is like the man himself--profound, witty, imaginative, and joyous.” * Frank van Lamoen, assistant curator and researcher, Stedelijk Museum, Amsterdam *“Tobias Churton’s masterful survey of the Beast’s declining years battling ill-health and poverty in England, records not only matters Magickal with the author’s usual scrupulous attention to accuracy and detail but also reveals other aspects of Crowley’s perverse personality, like the luxurious meals he prepared for guests even following bankruptcy, his priapic adventures, seemingly undiminished by chronic asthma, and more. All this is dished up with Churton’s customary eloquence and panache, a triumphant addition to the definitive multivolume biography.” * Patrick Robertson O.B.E., Historian *“Tobias Churton gives the deluxe treatment to Aleister Crowley’s often-overlooked final years: As a life of magick, romance, controversy, and intrigue draws to a close, the Beast crystallizes his incredible experiences into his most mature works, does his part for the war effort, reinvents the Tarot, and forges relationships that will carry his legacy well beyond his lifetime. Crowley beguiles and endures to the very end.” * Richard Kaczynski, author of Perdurabo: The Life of Aleister Crowley *“Tobias Churton’s excellent series of books exploring the different phases of Aleister Crowley’s life and work continues here, revealing much of the deeper details often overlooked in the Beast’s later years. Churton has a true gift for finding and correlating the different connections Crowley made with people who were first drawn by his reputation, only to be bewitched by his personal magnetism into staying when they had every reason to shun him.” * Toby Chappell, author of Infernal Geometry and the Left-Hand Path *“Resettled in the UK, neither financial problems nor failing health could stop the ‘Great Beast’ from creating The Book of Thoth and a multitude of occult classics. Churton’s masterful study of these final decades of Crowley’s life is as revealing as it is entertaining.” * Carl Abrahamsson, magico-anthropologist, filmmaker, and author of Occulture *“With delightful prose and his ever-present understanding of Aleister Crowley’s humor and humanity, Tobias Churton expertly separates the man, the myth, and the legend, revealing the clearest picture available of the world’s most famous occultist.” * Tamra Lucid, founding member of the experimental rock band Lucid Nation and author of Making the Ord *“Aleister Crowley in England, by scholar Tobias Churton, is a very precious and fascinating work, covering the last fifteen years of the Beast in his native England. It throws considerable light on his final period, not well known and as full of crazy events as his early days. A must-have.” * Philippe Pissier, French translator of Aleister Crowley *Table of ContentsAcknowledgments INTRODUCTIONHe Never Sold Out PART ONE Pre-War 1932-1939 ONE Never Dull Where Crowley Is TWOPotted Sex Appeal THREEJustice Swift The Trial FOURUnbelievable Terror A.M.O.R.C. Round One FIVE Bar 666 SIX Living in a Turkish Bath A.M.O.R.C. AgainSEVEN Seriously on the Path Hitler and Germany According to Protective Prisoner No. 303 Cornwall--August 1938EIGHT Khing Kang King Return of the Goetic Gourmet Qingjing Jing PART TWO WAR NINE Happy Dust TEN What Crowley Does this Year, England Does Next Torquay--Great Magical Retirement?ELEVENRobed as a Warrior Rudolf Hess TWELVE In the Hour of Battle Winston Plus Cigar “Defeatist Activities of Really Serious Groups” Cambridge SpyTHIRTEEN I Dreamed Time FOURTEENMonstrous Worlds The Duke Street-King Street Bomb The Bell A New Gnostic Church--Almost The Book of Thoth Nancy Cunard PART THREERETIREMENT FIFTEEN Death Is King Netherwood The Chinese Ambassadress SIXTEEN Eddies of Obsidian Babalon Now! SEVENTEEN The Universe Chronology 1875 to 1932: Crowley’s Life before He Returned to England Notes Bibliography Index

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Book SynopsisLet Jamie Beck transport you to the South of France with An American in Provence: part art book, part travelogue, part memoir, and part cookbook, and perfect for art lovers, Francophiles, and armchair travelers alike. An American in Provence is a beautiful collection of exquisite portrait, scenic, and still-life photography from wildly popular and award-winning photographer Jamie Beck. Looking to slow down from her fast-paced life in New York City, Beck moved to the French countryside documenting her life as “An American in Provence.” What started as a one-year getaway became five as she continues to chronicle her life there through her photography on Instagram @JamieBeck.co, including the birth of her daughter, Eloise, all in the most breathtaking way. In An American in Provence, Beck shares her tips and techniques for creating incredible photos and details her transformational journey as an artist and woman. Beck also includes farm-to-table recipes she's learned along the way, including Braised Beef Stew, Spring Chicken with Herbs de Provence, Fresh Tagliatelle Pasta with Spring Asparagus, and Lemon Meringue Tart. This stunning visual journey is sure to delight anyone who wishes to escape reality and immerse themselves in life in Provence.Trade Review“For the bon-vivant who loves food, art, France, and wine. A gorgeous coffee table book that will immediately transport you to the hills of Provence.”–Amazon Book Review“For Francophiles, on-the-go and armchair travelers, as well as anyone who fantasizes about touching down on a new horizon for an extended stay, An American in Provence: Art, Life and Photography by Jamie Beck is an enticing portal… brimming with intoxicating images and inviting words. A feast for the eyes and spirit. (And a holiday gift idea.)” —Forbes“Jamie’s transporting book brings back all the wonderful memories of my first trip to France in my twenties, when I fell in love with the beauty of the country, and especially the vibrant flavors of the Provençal table.” —Alice Waters“Jamie Beck is the Peter Mayle of our time. Her alluring and sensual portraits bring us one step closer to understanding the ineffable magic of the South of France. From flower markets to aioli recipes, her keen photographic eye and gentle soul bring back vivid memories of my childhood in Aix-en-Provence and invite us all to slow down and indulge our senses in the warm glow of the Provençal sun.” —Frédéric Fekkai“Jamie’s work is a visual feast of food, flowers, and family. Her book takes you on a trip to Provence and allows you to linger and luxuriate there with her as she basks in nature and the best that life has to offer—simple, wholesome goodness.” —Lauren Bush Lauren“Jamie captures the charm and romance of Provence in her stunning book, filled with lush photos of food, wine, and other glories of la France. An American in Provence is a woman’s journey of immersion in the country and culture of France, from the fragrant fields of lavender to the crusty bounty of her local boulangerie.” —David Lebovitz

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Book SynopsisUnsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.

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Book SynopsisTrade Review“[Smith’s] photos of the city offer a rare glimpse into a neighborhood being itself when it thought no one was watching. This will be an essential book for jazz fans, photography lovers and those interested in the history of New York.” * Publishers Weekly, on the original edition *“The samples from the tapes that Stephenson had transcribed work with the photos to bring a moment in jazz to life as perhaps no work in any other medium, including documentary cinema, ever has. Absolutely magnificent.” -- Ray Olson * Booklist, on the original edition *“Every obsessive deserves his own obsessive Boswell, and W. Eugene Smith has his in Stephenson.” -- Fred Kaplan * New York Magazine, on the original edition *“The most chaotic and soulful gift book this year… an elegiac stew of sight and sound, and a singularly weird, vital and thrumming American document.” -- Dwight Garner * The New York Times, on the original edition *“A stunning cross of scholarly history and Smith's haunted photography.” -- Jesse Jarnow * The Village Voice, on the original edition *“[The Jazz Loft Project] is a riveting work of social archaeology, and extraordinary testament to artists whose music caught all the tumult and excitement of a fast-changing America. It is also a glimpse inside the frenetic mind of a photographic pioneer; an obsessive, maverick genius, who died, poor and relatively unsung, in 1978, leaving behind some twenty-two tons of archive material, including his unfinished and ultimately unfinishable jazz project.” -- Sean O'Hagan * The Guardian, on the original edition *“A book whose pages convey, beautifully, the strange cultural moment when a rat-infested hulk of a building hosted a perfect storm of creativity.” -- Mike Hobart * Financial Times, on the original edition *“Smith was galvanized by the musicians’ passion. . . . He seems to have likewise inspired by their sound; the photographs frequently suggest a kind of rhythm. . . . The photographs are also patently theatrical.” -- Nicole Rudick * Aperture, on the original edition *“[Smith’s photos] are less focused on expressive acts than on a general scene—where a glass of beer on a piano is more important than the music going on fuzzily behind it, or the whole exhausting flow of an all-night session is summarized in a pair of shoes hovering over a dozen cigarette butts on the floor. . . . The loft photos are part of a larger attempt to capture the asymmetrical constellations that form and unform all around us, all the time: inside and outside the building are equally fascinating to Smith.” -- Jonathan Elmer * American Literary History, on the original edition *“Smith was a driven, supremely talented man who wanted his photography to change the world—and it did. . . . After Smith’s 1979 death, some 4,000 hours of tape reposed, with his splendid photos, at the University of Arizona. What was on them was unsubstantiated legend. Enter Sam Stephenson, who tended their digitization and over painstaking years collated them with oral histories and other documentation. The result captures American culture in creative flux from the ground-eye level.” -- Gene Santoro * American History, on the original edition *“The Jazz Loft Project’s unique source material gives readers a perspective on musicians involved in the bebop that could not be gleaned from their depiction in magazines or even the music they created.” -- Chris Teal * ARSC Journal, on the original edition *“Smith left a magnificent mess, and Stephenson, in his second decade of research on the man, maintains the same simultaneous eye both for detail and the bigger picture.” -- Patrick Hinely * Jazz Journalists Association (JJA) News, on the original edition *“Intriguing and memorable.” -- Ron Wynn * BookPage, on the original edition *“An extraordinary book.” -- Peter Margasak * Chicago Reader, on the original edition *“The highlight of the book is the photographs of musicians in the passions of playing. In one photo, [Thelonious] Monk is leaning back—cigarette dangling from his mouth—just as he lifts his right hand off the keyboard. He is drenched in shadow, but the light catches his face creating the stark contrast that distinguishes Smith's work.” -- Elizabeth Hoover * Pittsburgh Post-Gazette, on the original edition *“Working with photographs and audiotapes made by photojournalist W. Eugene Smith, Stephenson relates the history of an active jazz musicians’ loft in New York City in a pivotal era.” -- Virginia Schaefer * Internet Review of Books, on the original edition *"There are many terrific photos in The Jazz Loft Project of musicians playing, chatting, or resting among Smith’s archive. But these photos read quite differently from famous photos by such photographers as Carol Reiff, William Gottlieb, or William Claxton. They are stranger productions altogether—often fragmented, framing hands or feet alone, or featuring unplayed instruments with no musicians in sight. . . . Stephenson has undertaken a massive task, involving extensive archival and field research, as well as innumerable editorial decisions, and he has produced a stunning book that winds its argument less along the wire of discourse than across a complex web of images in juxtaposition. Unlike his gargantuan Pittsburgh project, this book is not something Smith imagined, or had in view. But Stephenson has done something Smith found very hard to do, and has done it, moreover, in a way that is true to Smith’s extraordinary vision of the world." -- Jonathan Elmer * American Literary History *

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Book SynopsisTrade Review'Hazy reflections make each image feel like a shot from Ridley Scott’s 'Bladerunner'' - Daily Telegraph'[Liam Wong is] a gifted image-maker and art director whose masterful reinvention of reality elevates midnight street scenes to cyberpunk dreamscapes' - Deco Punk Magazine'An off-world vision of the city' - BBC Online'Hallucinatory dreamscapes' - I Newspaper'[Presents] the world’s biggest city as it’s rarely seen' - Creative Boom'Wong's grasp of story illustrated as a "place to be" is remarkable' - Syd Mead'Seductive … Wong’s Tokyo is a dreamscape' - The Herald'Take one look at Liam Wong's night-time images of the city of Tokyo and you're transported to […] a nocturnal sci-fi playground that dazzles the eye and imprints itself on your brain' - Amateur Photographer

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Book SynopsisThe definitive biography of the greatest photographer of modern times - a vital addition to the library of everyone with an interest in photography. Henri Cartier-Bresson was the eye of the 20th century. His lens chronicled the decisive moments of his time from Chinese communist victories to the Spanish Civil War and the Liberation of Paris. A co-founder of Magnum Photos, Cartier-Bresson produced unparalleled portraits of his contemporaries, capturing the spirit of Albert Camus, Jean-Paul Sartre and William Faulkner. Cartier-Bresson took Pierre Assouline into his confidence over a number of years, detailing his youthful devotion to surrealism, lifelong passion for drawing, and experiences of war and prison camps. This sensitive biography emerges from a meeting of two minds, revealed with the same truth as one of Cartier Bresson's photographs.

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Book SynopsisThe latest addition to Thames & Hudson's acclaimed Photofile' series surveys William Klein, best known for The Americans and New York.

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Book SynopsisPhotographer Scott Mead showcases the poignant black-and-white photographs from his archive for the first time, documenting his early adulthood in New England, USA, from 1971 to 1976. Photographer Scott Mead (b. 1954) revisits his formative years spent documenting New England, USA, in Rites of Passage for the first time. Shot over a five-year period between 1971 and 1976, we follow Mead through early adulthood and explore scenes of discovery, ritual, rural beauty and urban metropolis. At a junction between an American road trip and a personal visual diary, Mead's images depict a world as it was then, shaped by political upheaval, profound civil changes and the Cold War. The cloth-bound hardback book features a hundred large-format prints of Mead's poignant photographs to be considered in a new context. Rites of Passage shows Mead with a camera always at hand and presents his delicate, often amusing and sometimes uneasy portraits alongside cityscapes, landscapes and snapshots of the lives of friends and strangers. All of the artist's proceeds from Rites of Passage benefit Great Ormond Street Hospital for Children in London.

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Book SynopsisWhere I Find Myself is the first major single book retrospective of one of America's leading photographers. It is organized in inverse chronological order and spans the photographer's whole career to date: from Joel Meyerowitz's most recent picture all the way back to the first photograph he ever took. The book covers all of Joel Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing color and black and white pictures, and of course his iconic street photography work. Joel Meyerovitz is incredibly eloquent and candid about how photography works or doesn't, and this should be an inspiration to anyone interested in photography.

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Book Synopsis"Skins by Gavin Watson has been argued as being 'the single most important record' of 1970s skinhead culture in Britain, who have possibly been one of the most reviled yet misunderstood of the nation's youth subcultures." — Daily Mail "Gavin Watson documented his friends as they came of age at the heart of a misunderstood community." — i-D "Gavin Watson’s cult documentary photo book Skins chronicles the radical and inclusive spirit which originally animated the emerging skinhead culture of 70s Britain." — Dazed Skins by Gavin Watson is arguably the single most important record of '70s skinhead culture in Britain. Rightly celebrated as a true classic of photobook publishing, the book is now reissued in a high-quality new edition under close supervision from the photographer. The scores of black and white shots offer a fascinating glimpse into a skinhead community that was multi-cultural, tightly knit and, above all else, fiercely proud of its look. These are classic photographs of historical value. “What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.” - Shane Meadows (Director of award-winning film This Is England). The book, described by The Times as “a modern classic”, forms an important visual record of its time and has attained cult status in the genre, alongside works by other eminent photographers such as Derek Ridgers and Nick Knight. “Arguably one of the best and most important books about youth fashion and culture ever published.” – Vice Magazine Trade Review"Skins by Gavin Watson has been argued as being 'the single most important record' of 1970s skinhead culture in Britain, who have possibly been one of the most reviled yet misunderstood of the nation's youth subcultures." - Daily MailInterview with Gavin Watson: "This book is a remarkable document of a group of kids...working class boys and girls growing up out in the suburbs—with a style, and a music, and a look, and an anger and a joy to call their own—It's called Skins and it's the photography of Gavin Watson" - BBC Robert Elms Radio Show"Gavin Watson documented his friends as they came of age at the heart of a misunderstood community." - i-D"Gavin Watson’s cult documentary photo book Skins chronicles the radical and inclusive spirit which originally animated the emerging skinhead culture of 70s Britain." - Dazed"Watson's work is especially important for a number of reasons: it is, first of all, one look at the scene from inside, and therefore for sure documentary interest; also, looking at his clicks, you can examine the evolution of interests of the crew, from the punk and skinhead era up to the years of raves. " [Google translate from Italian] - Garageland

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a huge range and FREE tracked UK delivery on ALL orders.

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Book Synopsis

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Book Synopsis

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Book SynopsisA definitive new monograph on Ray K. Metzker, showcasing his innovative approach to urban photography and mastery of light and form Going against the grain of conventional street photography or humanist photographyboth too traditional for his bold creative visionRay K. Metzker (19312014) uniquely appropriated urban space through its vertical and horizontal lines, with complete mastery of light. Long underrated, his work has previously only been featured in about a handful publications, all of which are now out of print. This new monograph, bringing together approximately 150 photographs, offers a fresh perspective on Metzker's work as well as a (re)discovery of the American photographer, who developed an emotional affinity early on with the cities of Chicago and Philadelphia. His photography broke free from narrative aesthetic conventions, elevating monochrome photography to new heights.

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