Historical Books
Orion Publishing Co Written in My Own Hearts Blood
Book SynopsisTHE CAPTIVATING EIGHT NOVEL IN THE MULTI-MILLION BESTSELLING OUTLANDER SERIES - NOW ON AMAZON PRIME!''A series that will keep you turning the pages long into the night'' Rebecca Yarros***** ''Jamie & Claire fans should not be disappointed''''Epic, magical, and deeply romantic. A true gift to all readers'' Ali Hazelwood***** ''Of course I loved it! Did you have any doubt? I mean, it''s Diana mad skillz Gabaldon and it''s an OUTLANDER book! Could it be anything less than magical?''''Adventure. Drama. History. Time travel. Romance. An epic story that grabs you by the throat and doesn''t let go'' Kristin Hannah***** ''Diana Gabaldon poured her heart along with some of her own blood into this book!!''''Outlander remains a treasure to be enjoyed and shared'' Ian Rankin____________It is June 1778, and the world seems to be turning upside-down.The British Army is withdrawing from Philadelphia, with George Washington in pursuit, and for the first time, it looks as if the rebels might actually win. But for Claire Fraser and her family, there are even more tumultuous revolutions that have to be accommodated.Her former husband, Jamie, has returned from the dead, demanding to know why in his absence she married his best friend, Lord John Grey. Lord John''s son, the ninth Earl of Ellesmere, is no less shocked to discover that his real father is actually the newly resurrected Jamie Fraser, and Jamie''s nephew Ian Murray discovers that his new-found cousin has an eye for the woman who has just agreed to marry him.And while Claire is terrified that one of her husbands may be about to murder the other, in the 20th century her descendants face even more desperate turns of events. Her daughter Brianna is trying to protect her son from a vicious criminal with murder on his mind, while her husband Roger has disappeared into the past . . .____________''An utter delight to experience. Open the pages and prepare to be swept away.'' Rebecca Ross''A stone-cold classic'' Katherine Arden''An unforgettable, unparalleled love story that will leave you craving more.'' Olivie Blake''An enchanting escape for new readers and destined for countless rereads.'' Jennifer L. ArmentroutTrade ReviewHistory comes deliciously alive on the page - NEW YORK DAILY NEWSA grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across ten generations - CNNA blockbuster hit - WALL STREET JOURNALRiveting. Gabaldon has a true storyteller's voice - GLOBE AND MAILGabaldon is a born storyteller - LOS ANGELES DAILY NEWS
£11.24
HarperCollins Publishers Inc Rebels on the Backlot
Book SynopsisFollows six top-level film directors, from the origins of their careers through the making and release of their signature films. This book uses the development, writing, shooting, editing, and release of each director's major film, and also explores the lives and struggles each of them faced.Trade Review"Admirably reported ... Waxman unearths juicy anecdotes that'll keep film fans cackling and turning the pages." -- Salon.com "Riveting tales of Hollywood hubris ... a fun read." -- Entertainment Weekly "Vivid ... fascinating ... delightful ... [Waxman's] background as a hard news reporter serves her well." -- New York Times Book Review "A behind-the-cameras fireball of wicked insider revelations ... Love it!" -- Liz Smith, syndicated columnist "[Waxman's] thorough reporting results in a compulsively readable chronicle of the decade's auteurs and their work." -- Premiere "Enjoyably dishy." -- Variety "Addictively readable ... fascinating" -- Miami Herald "A lively book with gossipy and readable stories about some obsessive guys who are as much rascals as rebels." -- Los Angeles Times Book Review "Terrific ... wildly informative and readable about the plight of the biggest young talents in modern movies" -- Buffalo News "[Rebels on the Backlot] makes a case for creating a new film canon of this late '90s renaissance." -- Pittsburgh Tribune "Waxman perceptively depicts the vocabulary of the new Hollywood ... well-written ... recommended." -- Library Journal "Hums along on detail and gossip, adding up to a template for making it in contemporary Hollywood." -- men.style.com "Up-close, often gossipy" -- The Hollywood Reporter "Fascinatingly candid" -- Minneapolis Star Tribune
£13.95
University of California Press New Arctic Cinemas
Book SynopsisFor centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reveal a global media system of intertwined production contexts, circulation opportunities, and imaginariesall centering the Arctic North.Table of ContentsContents List of Figures Acknowledgments 1 • Twenty-First-Century Arctic Cinemas and Global Media Studies, Media Sovereignty, the Anthropocene, and Interventionist Historiography 2 • New Arctic Explorers and Twenty-First-Century Ice Imaginaries: From Metrical Documentary to IMAX Spectacle 3 • Isuma and Indigenous Media Sovereignty 4 • The Arnait Collective, Feminist Practice, and Inuit Self-Determination 5 • Sámi Media Sovereignty and Interventionist Historiography:Environmental, Experimental, and Archival Politics 6 • Sámi Feminist First-Person Documentary and Women’s Activism 7 • Global Greenland and Postcolonial Cinema 8 • Greenlandic Reconciliation Cinema, Self-Determination, and Interventionist Historiography 9 • Russia’s Contemporary Arctic Cinema as Geopolitics 10 • From the Cold War to the Climate Crisis: The Russian North and Utopian Svalbard 11 • Looking Ahead: Global Arctic Cinemas in the Twenty-First Century References Index
£64.00
University of California Press New Arctic Cinemas
Book SynopsisFor centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reTable of ContentsContents List of Figures Acknowledgments 1 • Twenty-First-Century Arctic Cinemas and Global Media Studies, Media Sovereignty, the Anthropocene, and Interventionist Historiography 2 • New Arctic Explorers and Twenty-First-Century Ice Imaginaries: From Metrical Documentary to IMAX Spectacle 3 • Isuma and Indigenous Media Sovereignty 4 • The Arnait Collective, Feminist Practice, and Inuit Self-Determination 5 • Sámi Media Sovereignty and Interventionist Historiography:Environmental, Experimental, and Archival Politics 6 • Sámi Feminist First-Person Documentary and Women’s Activism 7 • Global Greenland and Postcolonial Cinema 8 • Greenlandic Reconciliation Cinema, Self-Determination, and Interventionist Historiography 9 • Russia’s Contemporary Arctic Cinema as Geopolitics 10 • From the Cold War to the Climate Crisis: The Russian North and Utopian Svalbard 11 • Looking Ahead: Global Arctic Cinemas in the Twenty-First Century References Index
£21.25
The University Press of Kentucky History by HBO
Book SynopsisThe television industry is changing, and with it, the small screen''s potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the post-network era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thriv
£30.40
Bloomsbury Publishing PLC Screening Love and War in Troy Fall of a City
Book SynopsisThis is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race Trade ReviewScreening Love and War in Troy: Fall of a City helps orient viewers to the series’ many points of reference in ancient Greek and Roman mythology, literature, and art, including the lost Epic Cycle, traditions of tragic drama, and Virgil’s Aeneid alongside the foundational Homeric Iliad. The chapters offer a range of approaches to topics in the story, in the series as an example of television and cinema, and in how both have been received by audiences. This volume is a thought-provoking study of Troy: Fall of a City and is likely to be of interest to fans as well as other students of classical receptions on screen. -- Benjamin Eldon Stevens, Visiting Assistant Professor of Classical Studies, Trinity University, USATo conclude, on a personal level, I willingly admit that this well-rounded volume helped me better understand and appreciate the series. * Bryn Mawr Classical Review *Table of ContentsList of Illustrations Notes on Contributors Foreword by Derek Wax, Executive Producer, Troy: Fall of a City Editors’ Acknowledgments List of Episodes Introduction: Screening Love and War in Troy: Fall of a City (Monica S. Cyrino, University of New Mexico, USA and Antony Augoustakis, University of Illinois, Urbana-Champaign, USA) PART I. Epic Narrative 1. Binge for Me, O Muse: Episodes, Books, and Cycles (Dan Curley, Skidmore College, USA) 2. Delineating the Divine: Gods and Religion at Troy (Lisa Maurice, Bar-Ilan University, Israel) 3. From Judgment to Fall: Aphrodite and Paris (Monica S. Cyrino, University of New Mexico, USA) 4. Sympathy for Troy’s Jezebel: Helen as Antihero (Meredith E. Safran, Trinity College, USA) 5. The Curse of Troy: Odysseus’ Story (Emma Stafford, University of Leeds, UK) PART II. Cast and Character 6. Racist Reactions to Black Achilles (Rebecca Futo Kennedy, Denison University, USA) 7. Pussy Politics: Women and Power in the Homeric Patriarchy (Kirsten Day, Augustana College, USA) 8. Queering Troy: Freedom and Sexuality (Thomas E. Jenkins, Trinity University, USA) 9. Heroic Hairstyles and Manless Amazons at Troy (Walter D. Penrose, San Diego State University, USA) 10. Costume Changes: Dressing Helen of Sparta and Troy (Stacie Raucci, Union College, USA) PART III. Tragic Resonances 11. Fallen Heroes: Recasting Ajax and the Greeks on Screen (Anastasia Bakogianni, Massey University, New Zealand) 12. Family vs. Compassion: Odysseus and the Ethics of War (Meredith Prince, Auburn University, USA) 13. Bloody Brides: Iphigenia, Helena, and Ritual Exchange (Amy L. Norgard, Truman State University, USA) 14. Kings of Men and Sacrificial Daughters (Krishni Burns, University of Illinois at Chicago, USA) 15. Lessons for Leaders: Destiny, Devotion, and Self-Deception (Brian Cooke, independent scholar, USA) Epilogue: Troy: Fall of a City and its Ancient Sources (Diana Burton, Victoria University of Wellington, New Zealand) Bibliography Filmography Index
£33.62
Orion Publishing Co Call the Midwife A Labour of Love
Book SynopsisAn intimate and engrossing celebration of the first ten years of the beloved TV series Call the Midwife.Learn the up-close and personal story of Call the Midwife as told by the cast and crew. Call the Midwife: A Labour of Love is a moving journey through the iconic series and features personal reflections, photos of fan-favourite moments, and anecdotes and insights from co-stars, producers, technical crew, and guests.Each chapter, spanning each of the ten years of Call the Midwife - set from 1957-1966 - takes a deep dive into the themes, locations, fun times and technical challenges from each season. Author Stephen McGann, who plays the indefatigable Dr Turner, intersperses personal interviews with key cast and crew about their feelings, thoughts, and memories of filming key moments of the drama.MUST-HAVE FOR ALL FANS: From Trixie''s mod outfits to the Buckle''s courtship to Sister Monica Julienne''s wise words, fans
£17.00
McFarland & Co Inc Profane Angel
Book Synopsis When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.Table of Contents Table of Contents Preface The Biography The Films (in Order of Release) A Perfect Crime Gold Heels Dick Turpin Gold and the Girl Marriage in Transit Hearts and Spurs Durand of the Badlands The Road to Glory The Johnstown Flood The Fighting Eagle Smith's Pony A Gold Digger of Weepah The Girl from Everywhere Run, Girl, Run The Beach Club Smith's Army Life The Best Man The Swim Princess The Bicycle Flirt Half a Bride The Divine Sinner The Girl from Nowhere His Unlucky Night Smith's Restaurant Power The Campus Vamp Motorboat Mamas Me, Gangster Show Folks Hubby's Weekend Trip The Campus Carmen Ned McCobb's Daughter Matchmaking Mamas High Voltage Don't Get Jealous Big News The Racketeer Dynamite The Arizona Kid Safety in Numbers Fast and Loose It Pays to Advertise Man of the World Ladies' Man Up Pops the Devil I Take This Woman The House That Shadows Built No One Man Sinners in the Sun Virtue No More Orchids No Man of Her Own From Hell to Heaven Supernatural The Eagle and the Hawk Brief Moment White Woman Bolero We're Not Dressing Twentieth Century Now and Forever Lady by Choice The Gay Bride Rumba Hands Across the Table Love Before Breakfast The Princess Comes Across My Man Godfrey Swing High, Swing Low Nothing Sacred True Confession Fools for Scandal Made for Each Other In Name Only Vigil in the Night They Knew What They Wanted Mr. & Mrs. Smith To Be or Not to Be Carole Lombard on Radio Bibliography Index
£27.54
Rowman & Littlefield Ancient Rome on the Silver Screen: Myth versus
Book SynopsisAn unparalleled exploration of films set in Ancient Rome, from the silent Cleopatra to the modern rendition of Ben-Hur.No sooner had the dazzling new technology of cinema been invented near the end of the 19th century than filmmakers immediately turned to ancient history for inspiration. Nero, Cleopatra, Caesar, and more all found their way to the silver screen and would return again and again in the decades that followed. But just how accurate were these depictions of Ancient Rome?In Ancient Rome on the Silver Screen: Myth versus Reality, Gregory S. Aldrete and Graham Sumner provide a fascinating examination of 50 films set in Ancient Rome, analyzing each for its historical accuracy of plot, characters, costumes and sets. They also divulge insights into the process of making each movie and the challenges the filmmakers faced in bringing the Roman world to vivid cinematic life. Beginning with the classics from the dawn of cinema, through the great golden age of sword-and-sandals flicks in the 1950s, to the dramatic epics of the modern day, Aldrete and Sumner test the authenticity of Hollywood’s version of history. Featuring remarkable custom-made paintings depicting characters as they appeared in film and how they should have appeared if they were historically correct, Ancient Rome on the Silver Screen delivers an invaluable perspective of film and history. This unique collaboration between professional illustrator and award-winning Roman historian offers a deeper understanding of modern cinema and brings Roman history to life.
£27.00
Bloomsbury Publishing USA The Searchers: The Making of an American Legend
Book Synopsis
£11.69
Troubador Publishing Bovril & Sherry: The Blood, Toil, Tears and Sweat
Book SynopsisEver watched a war film made in the 1940’s or 50’s and asked, did this really happen or is it a fictional action story made to entertain? Every one of these classic British war films had a vital purpose in telling the narrative of the conflict; providing honesty, advice and consolation, these films helped a nation through the uncertain years before the outbreak of the war; supporting them in the darkest days of the blitz when invasion and defeat by Nazi Germany was a real possibility; celebrating their victories and consoling them through the trauma of surviving an unwanted war, leaving their once prosperous country bankrupt and in ruins. British war films are the unsung heroes of the world conflict. How many people know of the British Army Film and Photographic Unit? Who acknowledges the unit that captured live footage of the war for the world, with the highest casualty rates of any regiment at the time? Your Sunday afternoon war film has much more to it than you may have thought. Bovril & Sherry: The Blood, Toil, Tears and Sweat of British War Films highlights the deep feelings and purpose held by the film makers who made them and the bold, insightful thinking of the Ministry of Information who green lit these productions.
£11.69
Berghahn Books Edges of Noir: Extreme Filmmaking in the 1960s
Book Synopsis Edges of Noir challenges the notion that noir film nearly vanished after 1958 until its subsequent “neo-noir” revival between 1973 and 1981. The 1960s, regardless of critical neglect, include some of the most provocative films of the post-World War II decades. Often formally disruptive and experimental, films including Shock Corridor (1963), Mirage (1965), The 3rd Voice (1960), and Point Blank (1967) evoke controversial issues of the era, deriving dynamic influences amongst exploitation cinema, sensationalistic American B movies, and the European New Wave movement. Whether the focus is on nuclear destruction, mind control, or surveillance, late noir films, above all else, vividly portray the collective fears from the time.Table of Contents List of Illustrations Acknowledgements Introduction Chapter 1. Noir Confidential! Exposure and Panic in the Preceding Decade Chapter 2. Beyond Suspicion: The Transitional Moment of Late Noir Chapter 3. Clinical-Carceral: Cold War Surveillance and Confinement in Three Entrapment Narratives Chapter 4. From Noir to Pulp: The Perverse Case of The Naked Kiss Chapter 5. Late Noir and the Bomb: Mirage as Intertextual Reflection on Catastrophic Time Chapter 6. (Un)Containment Strategies: A Hyperbolics of Sex Chapter 7. Shattered Mirror: Multiple Fragments of Late Noir Conclusion Selected Filmography Bibliography
£89.10
Liverpool University Press I Walked With a Zombie
Book SynopsisI Walked with a Zombie (1943), Val Lewton's second feature for RKO Radio Pictures, was described by critic Robin Wood as 'perhaps the most delicate poetic fantasy in the American Cinema.' Following immediately in the wake of the groundbreaking Cat People (1942), Zombie pioneered an even more radical narrative approach yet proved to be the critical and commercial equal of its predecessor, cementing the reputation of both Lewton and his director, Jacques Tourneur. Despite the lurid, studio-imposed title, I Walked with a Zombie is a subtle and ambiguous visual poem that advanced a daring condemnation of slavery and colonialism at a time when such themes were being actively suppressed by government censors. Clive Dawson charts the complex development and production of the project, essential to understanding the concerns of the filmmakers in the context of wartime Hollywood, then analyses the film in detail, referencing a broad range of academic studies of the audio-visual text and distilling new insight into its layers of meaning. Finally, he explores the film's reception, and the influence it exerted on the horror genre and beyond. Extensive primary research has uncovered a wealth of previously unpublished new material that solves many unanswered questions and dispels various myths about this utterly unique film.Trade Review‘There’s been an explosion of short monographs on individual films over the past years… Among the most recent releases is Clive Dawson’s excellent history and analysis of the Val Lewton/Jacques Tourneur masterpiece I Walked with a Zombie (1943)… The book can be considered definitive as the most detailed discussion of the film to date.’ Gary Morris, Bright Lights Film Journal‘Dawson has tapped into the film’s stylistics, analyzing it for the reader as if we’re in Lewton’s cinema psyche, lovingly plotting each set-up, characterization, and seductively frightening shadow. It’s a fast-paced yet remarkably in-depth tour of the contributions of Lewton, the director (Jacques Tourneur), and the scenarist (Ardel Wray).’ Gregory Mank, What Sleeps Beneath‘An impressive volume that cleverly tap dances along that fine line between entertainment and academia.’ The Dark Side Horror NewsTable of ContentsIntroduction Chapter One: The Snake Pit Chapter Two: ‘Jane Eyre in the West Indies’ Chapter Three: I Walked with a Zombie Chapter Four: ‘Most Smashing Sleeper of the Season’ Chapter Five: Legacy Bibliography
£71.25
Batsford Ltd Bridgerton's England: Discover the elegance and
Book SynopsisBridgerton's England is a location guide to all the key filming sites in the hit Netflix series with author Antonia Hicks linking each fictional location to its real-life counterpart. Winston Churchill's former gentleman's retreat, The Reform Club, becomes 'Whites Club' where Anthony Bridgerton and Simon Basset meet to discuss infidelities and smoke cigars, and 18th-century dress shop 'Modiste' is a deli in Bath's Abbey Street. Readers can learn about the locations used for the Bridgertons, Featheringtons, Lady Danbury, the Duke of Hastings, Queen Charlotte, Whites, Vauxhall Pleasure Gardens, Somerset House, Primrose Hill, and Cliveden Castle. Sites include Stowe and Painshill Park, Henry VIII's Hampton Court, Castle Howard, Bath's Royal Crescent, Holburne Art Museum, Wilton House, Lancaster House and the most upmarket Air Force officer's mess in the world! This is the perfect book for fans of the show but also of grand stately homes and sweeping classical landscapes that producers Chris Van Dusen and Shonda Rhimes picked to bring Julia Quinn's novels to life on the screen. Almost all the stately homes, houses, parks and gardens used in Bridgerton are open to the public and the book examines their history, linking important scenes to each location and giving details of where and when you can visit them to relive the drama.Trade Review‘Sumptuous new book’ -- Tatler‘insightful descriptions and stunning pictures’ -- Mail Online
£6.99
