Historical Books
Orion Publishing Co Written in My Own Hearts Blood
Book SynopsisTHE CAPTIVATING EIGHT NOVEL IN THE MULTI-MILLION BESTSELLING OUTLANDER SERIES - NOW ON AMAZON PRIME!''A series that will keep you turning the pages long into the night'' Rebecca Yarros***** ''Jamie & Claire fans should not be disappointed''''Epic, magical, and deeply romantic. A true gift to all readers'' Ali Hazelwood***** ''Of course I loved it! Did you have any doubt? I mean, it''s Diana mad skillz Gabaldon and it''s an OUTLANDER book! Could it be anything less than magical?''''Adventure. Drama. History. Time travel. Romance. An epic story that grabs you by the throat and doesn''t let go'' Kristin Hannah***** ''Diana Gabaldon poured her heart along with some of her own blood into this book!!''''Outlander remains a treasure to be enjoyed and shared'' Ian Rankin____________It is June 1778, and the world seems to be turning upside-down.The British Army is withdrawing from Philadelphia, with George Washington in pursuit, and for the first time, it looks as if the rebels might actually win. But for Claire Fraser and her family, there are even more tumultuous revolutions that have to be accommodated.Her former husband, Jamie, has returned from the dead, demanding to know why in his absence she married his best friend, Lord John Grey. Lord John''s son, the ninth Earl of Ellesmere, is no less shocked to discover that his real father is actually the newly resurrected Jamie Fraser, and Jamie''s nephew Ian Murray discovers that his new-found cousin has an eye for the woman who has just agreed to marry him.And while Claire is terrified that one of her husbands may be about to murder the other, in the 20th century her descendants face even more desperate turns of events. Her daughter Brianna is trying to protect her son from a vicious criminal with murder on his mind, while her husband Roger has disappeared into the past . . .____________''An utter delight to experience. Open the pages and prepare to be swept away.'' Rebecca Ross''A stone-cold classic'' Katherine Arden''An unforgettable, unparalleled love story that will leave you craving more.'' Olivie Blake''An enchanting escape for new readers and destined for countless rereads.'' Jennifer L. ArmentroutTrade ReviewHistory comes deliciously alive on the page - NEW YORK DAILY NEWSA grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across ten generations - CNNA blockbuster hit - WALL STREET JOURNALRiveting. Gabaldon has a true storyteller's voice - GLOBE AND MAILGabaldon is a born storyteller - LOS ANGELES DAILY NEWS
£14.24
Batsford Ltd Bridgerton's England: Discover the elegance and
Book SynopsisBridgerton's England is a location guide to all the key filming sites in the hit Netflix series with author Antonia Hicks linking each fictional location to its real-life counterpart. Winston Churchill's former gentleman's retreat, The Reform Club, becomes 'Whites Club' where Anthony Bridgerton and Simon Basset meet to discuss infidelities and smoke cigars, and 18th-century dress shop 'Modiste' is a deli in Bath's Abbey Street. Readers can learn about the locations used for the Bridgertons, Featheringtons, Lady Danbury, the Duke of Hastings, Queen Charlotte, Whites, Vauxhall Pleasure Gardens, Somerset House, Primrose Hill, and Cliveden Castle. Sites include Stowe and Painshill Park, Henry VIII's Hampton Court, Castle Howard, Bath's Royal Crescent, Holburne Art Museum, Wilton House, Lancaster House and the most upmarket Air Force officer's mess in the world! This is the perfect book for fans of the show but also of grand stately homes and sweeping classical landscapes that producers Chris Van Dusen and Shonda Rhimes picked to bring Julia Quinn's novels to life on the screen. Almost all the stately homes, houses, parks and gardens used in Bridgerton are open to the public and the book examines their history, linking important scenes to each location and giving details of where and when you can visit them to relive the drama.Trade Review‘Sumptuous new book’ -- Tatler‘insightful descriptions and stunning pictures’ -- Mail Online
£6.99
Bloomsbury Publishing USA The Searchers: The Making of an American Legend
Book Synopsis
£11.69
Orion Publishing Co Call the Midwife A Labour of Love
Book SynopsisAn intimate and engrossing celebration of the first ten years of the beloved TV series Call the Midwife.Learn the up-close and personal story of Call the Midwife as told by the cast and crew. Call the Midwife: A Labour of Love is a moving journey through the iconic series and features personal reflections, photos of fan-favourite moments, and anecdotes and insights from co-stars, producers, technical crew, and guests.Each chapter, spanning each of the ten years of Call the Midwife - set from 1957-1966 - takes a deep dive into the themes, locations, fun times and technical challenges from each season. Author Stephen McGann, who plays the indefatigable Dr Turner, intersperses personal interviews with key cast and crew about their feelings, thoughts, and memories of filming key moments of the drama.MUST-HAVE FOR ALL FANS: From Trixie''s mod outfits to the Buckle''s courtship to Sister Monica Julienne''s wise words, fans
£17.00
HarperCollins Publishers Inc Rebels on the Backlot
Book SynopsisFollows six top-level film directors, from the origins of their careers through the making and release of their signature films. This book uses the development, writing, shooting, editing, and release of each director's major film, and also explores the lives and struggles each of them faced.Trade Review"Admirably reported ... Waxman unearths juicy anecdotes that'll keep film fans cackling and turning the pages." -- Salon.com "Riveting tales of Hollywood hubris ... a fun read." -- Entertainment Weekly "Vivid ... fascinating ... delightful ... [Waxman's] background as a hard news reporter serves her well." -- New York Times Book Review "A behind-the-cameras fireball of wicked insider revelations ... Love it!" -- Liz Smith, syndicated columnist "[Waxman's] thorough reporting results in a compulsively readable chronicle of the decade's auteurs and their work." -- Premiere "Enjoyably dishy." -- Variety "Addictively readable ... fascinating" -- Miami Herald "A lively book with gossipy and readable stories about some obsessive guys who are as much rascals as rebels." -- Los Angeles Times Book Review "Terrific ... wildly informative and readable about the plight of the biggest young talents in modern movies" -- Buffalo News "[Rebels on the Backlot] makes a case for creating a new film canon of this late '90s renaissance." -- Pittsburgh Tribune "Waxman perceptively depicts the vocabulary of the new Hollywood ... well-written ... recommended." -- Library Journal "Hums along on detail and gossip, adding up to a template for making it in contemporary Hollywood." -- men.style.com "Up-close, often gossipy" -- The Hollywood Reporter "Fascinatingly candid" -- Minneapolis Star Tribune
£999.99
Equinox Publishing Ltd Representations of Antiquity in Film: From Griffith to Grindhouse
Book SynopsisRepresentations of Antiquity in Film offers an introduction to how the ancient world is represented in film and especially Hollywood cinema. McGeough considers the potential that movies have for helping us think about antiquity and their relationship to more traditional academic historical work. The book shows how contemporary issues are drawn out through the cinematic presentations of the past and how modern values are naturalized through their presentation in ancient settings. Through discussion of films from the silent film era to the present, McGeough traces the formative role that films of various genres have had in shaping our perceptions of Egypt, Mesopotamia, the Holy Land, Greece, Rome, barbarian Europe, and the Maya. Not ignoring the traditional historical epic film, the book also presents detailed analyses of comedies, action films, art house fare, exploitation flicks and any type of movie in which audiences experience depictions of the past. By considering cinematic narrative as well as various elements of film design, McGeough presents a comprehensive overview of the topic designed for students and scholars with varying backgrounds in media studies, archaeology, religious studies, and ancient history.Table of ContentsIntroduction. The Importance of Popular Culture Chapter 1. Film as History and History as Hyperreality Chapter 2. Epic Egyptian Kitsch: Historical Thinking and Statecraft in the Cinematic Ancient World Chapter 3. Nero the Nazi and Akhenaten the Lutheran: The Presentism of the Ancient World on Film Chapter 4. Evil Seductresses, Feisty Housewives, and the Temptation of Victor Mature Chapter 5. The Judean People’s Front and Jesus’s Mod Tour Bus: Musicals and Comedies Set in the Ancient World Chapter 6. From the Arthouse to the Grindhouse: The Ancient Epic Subverted Chapter 7. Gods, Monsters, and Musclemen Chapter 8. Cavegirls and the Upper Paleolithic Fur Bikini Chapter 9. The New Epic: Ultraviolence, Comic Books, and CGI Chapter 10. Conclusions
£999.99
University of California Press New Arctic Cinemas
Book SynopsisFor centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reveal a global media system of intertwined production contexts, circulation opportunities, and imaginariesall centering the Arctic North.Table of ContentsContents List of Figures Acknowledgments 1 • Twenty-First-Century Arctic Cinemas and Global Media Studies, Media Sovereignty, the Anthropocene, and Interventionist Historiography 2 • New Arctic Explorers and Twenty-First-Century Ice Imaginaries: From Metrical Documentary to IMAX Spectacle 3 • Isuma and Indigenous Media Sovereignty 4 • The Arnait Collective, Feminist Practice, and Inuit Self-Determination 5 • Sámi Media Sovereignty and Interventionist Historiography:Environmental, Experimental, and Archival Politics 6 • Sámi Feminist First-Person Documentary and Women’s Activism 7 • Global Greenland and Postcolonial Cinema 8 • Greenlandic Reconciliation Cinema, Self-Determination, and Interventionist Historiography 9 • Russia’s Contemporary Arctic Cinema as Geopolitics 10 • From the Cold War to the Climate Crisis: The Russian North and Utopian Svalbard 11 • Looking Ahead: Global Arctic Cinemas in the Twenty-First Century References Index
£64.00
University of California Press New Arctic Cinemas
Book SynopsisFor centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reTable of ContentsContents List of Figures Acknowledgments 1 • Twenty-First-Century Arctic Cinemas and Global Media Studies, Media Sovereignty, the Anthropocene, and Interventionist Historiography 2 • New Arctic Explorers and Twenty-First-Century Ice Imaginaries: From Metrical Documentary to IMAX Spectacle 3 • Isuma and Indigenous Media Sovereignty 4 • The Arnait Collective, Feminist Practice, and Inuit Self-Determination 5 • Sámi Media Sovereignty and Interventionist Historiography:Environmental, Experimental, and Archival Politics 6 • Sámi Feminist First-Person Documentary and Women’s Activism 7 • Global Greenland and Postcolonial Cinema 8 • Greenlandic Reconciliation Cinema, Self-Determination, and Interventionist Historiography 9 • Russia’s Contemporary Arctic Cinema as Geopolitics 10 • From the Cold War to the Climate Crisis: The Russian North and Utopian Svalbard 11 • Looking Ahead: Global Arctic Cinemas in the Twenty-First Century References Index
£22.50
The University Press of Kentucky History by HBO
Book SynopsisThe television industry is changing, and with it, the small screen''s potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the post-network era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thriv
£30.40