Ethnic studies / Ethnicity Books

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Book SynopsisHere is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love.

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Book SynopsisIn Reckoning with Slavery Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth and seventeenth centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic. From capture to transport to sale to childbirth, these women were demographically counted as commodities during the Middle Passage, vulnerable to rape, separated from their kin at slave markets, and subject to laws that enslaved their children upon birth. In this way, they were central to the binding of reproductive labor with kinship, racial hierarchy, and the economics of slavery. Throughout this groundbreaking study, Morgan demonstrates that the development of Western notions of value and race occurred simultaneously. In so doing, she illustrates how racial capitalism denied the enslaved their kinship and affective ties while simultaneously relying on kinship to reproduce and enforce slavery through enslaved female bodies.Trade Review“Jennifer L. Morgan examines the transition to racialized slavery in the early modern Atlantic world with innovative research methods and original analysis. She brilliantly accounts for the emergence of an unholy alliance between a novel proficiency with numbers and the hierarchical classification of human difference, which helped to make kinship into a commodity. This is essential reading for anyone who wonders how Black humanity ceased to matter to some, and why centuries later we must still proclaim the worth of Black lives.” -- Vincent Brown, author of * Tacky’s Revolt: The Story of an Atlantic Slave War *“Jennifer L. Morgan makes an original, innovative, and creative intervention in the study of race and gender that establishes the groundwork necessary for revising our knowledge of the systems of trade and the commodification of peoples in the nineteenth century. Reckoning with Slavery is essential reading for anyone in the social sciences and the humanities who wants to understand the formation of the modern world. A major work.” -- Hazel V. Carby, author of * Imperial Intimacies: A Tale of Two Islands *"Reckoning with Slavery challenges historians who have reckoned with slavery in the numerical sense without reckoning in the intellectual and moral sense with the subjectivity and intellectual work of enslaved people. . . . The threads of this rich and powerful work will generate new scholarship for years to come." -- Diana Paton * Black Perspectives *"There is much about this book that's deeply impressive. The depth and breadth of the research give a solidity to the argument that belies the difficult and fragmentary sources." -- Tim Lockley * Ethnic and Racial Studies *"One of the most illuminating aspects of Morgan’s work is how it invites us to reconsider the data we have about the slave trade. . . . Many of the stories of enslaved women might never be recovered, but Reckoning with Slavery shows how their stories might still be told by reading their silences creatively. The absence of women from the history of slave revolts, for instance, might not necessarily mean that they failed to participate in these uprisings or that they only participated in tiny, quotidian ways. It might also mean that their deeds were erased because women were so foundational to these uprisings that they inspired unease. Such a creative methodology paves the way for new, provocative historical narratives to be written." -- Li Qi Peh * Critical Inquiry *"As Black women lead worldwide movements to affirm the worth of Black lives in the face of white-supremacist violence today, Reckoning with Slavery illuminates some of the roots of this radical tradition of imagining Black futurity and making the world anew against the seemingly all-powerful forces of the state and the market." -- Eduarda Lira Araujo * E3W Review of Books *"Jennifer L. Morgan’s second book is one that will change the way scholars of slavery and the Black Atlantic think about the archives, enslaved women, and Black women’s theoretical and methodological offerings then and now. . . . It should become essential reading for academic audiences, college students, and any organization interested in reparations." -- Deirdre Cooper Owens * Studies in Romanticism *"[Reckoning with Slavery] sets a new bar for historians of the early modern era and of Western modernity. Morgan helps us see capitalism as racial capitalism, the radicalism of the Enlightenment as Black radicalism, and African women as central to both – and now that we see, there is no unseeing." -- Mariana L. R. Dantas * Journal of Early American History *"Morgan’s book will be welcomed by scholars who study the history of slavery and women’s history. She concentrates on women, their bodies, their experiences, their feelings, and their decisions. The book should be required reading in graduate courses on the history of slavery, economic history, the history of the body, and women’s history. Finally, it should be included in historical methodology classes due to its excellent incorporation of theory and its outstanding analysis of primary sources." -- Karol K. Weaver * H-Slavery, H-Net Reviews *"Reckoning with Slavery is a valuable addition to the studies of enslaved women, slavery, slavery and capitalism, and the violence of the archive. It is a wonderful example of the importance of centering the lives and experiences of enslaved women and their own understanding of the connections between kinship, slavery, and capitalism." -- Allison Madar * H-Early-America, H-Net Reviews *"For slavery’s early history, especially the role that gender, kinship, and capitalism played in the rise and perpetuation of human bondage throughout the Atlantic World, this is a book to be reckoned with, one that is sure to be required reading. I predict that it will remain that way for a long time to come." -- Eliga Gould * The Americas *"Through her whole career, Jennifer Morgan has blazed the trail for scholars seeking to understand the foundational dynamics of reproduction in the Atlantic World. In Reckoning with Slavery, she has crafted yet more theoretical considerations by which to comprehend the intersection of gender and capitalism, and this book will undoubtedly stimulate yet more rounds of discussion and debate. It is a text that will reach and impact many scholarly communities: those studying slavery, gender, family, the economy, and relations of power. It will also serve as a critical guide to face the new reality of reproduction in the United States going forward." -- Daniel Livesay * Journal of Family History *"Reckoning with Slavery is, simply put, a brilliant and important work. I am in awe of Morgan’s achievement." -- Carla Gardina Pestana * New West Indian Guide/Niewe West-Indische Gids *Table of ContentsPreface ix Acknowledgments xi Introduction. Refusing Demography 1 1. Producing Numbers: Reckoning with the Sex Ratio in the Transatlantic Slave Trade, 1500–1700 29 2. "Unfit Subjects of Trade": Demographic Logics and Colonial Encounters 55 3. "To Their Great Commoditie": Numeracy and the Production of African Difference 110 4. Accounting for the "Most Excruciating Torment": Transatlantic Passages 141 5. "The Division of the Captives": Commerce and Kinship in the English Americas 170 6. "Treacherous Rogues": Locating Women in Resistance and Revolt 207 Conclusion. Madness 245 Bibliography 257 Index 283

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Book SynopsisThis is the epic story of how African-Americans, in the six decades following slavery, transformed themselves into a political people—an embryonic black nation. As Hahn demonstrates, rural African-Americans were central political actors in the great events of disunion, emancipation, and nation-building.Trade ReviewSteven Hahn’s A Nation under Our Feet is the most comprehensive account yet of black politics in the rural South before, during and after the Civil War. Whereas most previous work has focused either on the slave experience or on post-Emancipation struggles, Hahn’s book encompasses both and shows the continuities between how blacks fought for self-determination in the two periods… Based on prodigious research in primary sources, A Nation under Our Feet is one of the most important works in American social history to appear in recent years… This book [is] a major achievement and a landmark in African-American history. -- George M. Frederickson * The Nation *In this magisterial new book, University of Pennsylvania historian Steven Hahn gives us the history of the South from the eve of the Civil War through the dawn of the Great Migration from the perspective of rural blacks. It is an awesome and audacious undertaking. Not since W. E. B. Du Bois’ monumental Black Reconstruction in America, 1860–1880 (1935) has a historian ventured to structure a political history of the entire post-emancipation South around black politics. -- Jane Dailey * Chicago Tribune *Steven Hahn’s meticulously researched, richly detailed history of the black political tradition is a book of the first importance, for the author demonstrates how recently freed slaves drew on their experiences under the peculiar institution to create political communities. He explains how they responded to black nationalism, formed alliances across geographical and cultural divisions, and eventually gained rights previously denied them. This outstanding book should win more than one prize. -- Lee Milazzo * Dallas Morning News *Hahn argues, in this ambitious and fascinating book, that associations of slaves—centered on kinship, work, and religion—were far more intricate, enduring, and politicized than has been realized… One of the most striking theses here is that black rural laborers, rather than urban, educated freeborn leaders, radicalized Reconstruction. * New Yorker *Drawing synthetically but fruitfully on a vast scholarship on slavery, emancipation, and the New South, it will likely become required reading, if not for the general public, then at least for students of American history. Those readers will encounter an elegantly written, deeply moving, powerful statement of black humanity and black agency in the momentous struggles to end slavery and to define freedom. -- Eric Arnesen * The Nation *A compact but challenging volume… Hahn looks at the complex way the African-American struggle for emancipation took shape both under slavery and in the wake of its abolition… Only the most small-minded conception of American life would assume that these are matters of interest only to black readers. In a healthy culture, this little book would be a best-seller. -- Scott McLemee * Inside Higher Ed *Hahn’s book demonstrates that from slavery to the Great Migration of the last century, African Americans were astute politicians, using alliances with the good and bad to ensure socioeconomic and political success. But first and foremost the author reveals for his readers how blacks dealt with the dynamics of change in the post-Civil War South as it impacted their daily lives. -- A. J. Williams-Myers * MultiCultural Review *Hahn’s work links periods normally considered distinct and even autonomous in scholarly studies of African-American life… Along the way he introduces us to a cast of remarkable characters who labored relatively anonymously but heroically to give meaning to black Americans’ visions for freedom… Hahn’s compelling narrative shows how black workers and their political and social leaders ‘energized the meaning of democracy’ and forced the nation to confront ‘deep historical problems’ that have resided at the heart of the American polity. This majestic and impassioned narrative is perhaps the deepest and most penetrating exploration we have of the long prehistory of the twentieth-century civil rights movement. -- Paul Harvey * New York Journal of American History *In Steven Hahn’s Pulitzer Prize–winning A Nation under Our Feet, the aims and organization of black political agency from the final years of slavery into the early twentieth century receive a sweeping reassessment… The Great Migration of African Americans from the rural South to towns and then to the North had its roots in the 1890s and progressed sharply during World War One… Both those who moved to other regions and those who remained in the South maintained a collective identity, but they also held on to the promise that American democracy was meant to cross racial boundaries. With a wealth of evidentiary detail and lucid prose, Hahn confronts the challenges made to that promise in an engaging and cohesive work. -- Scott Taylor Morris * Southern Historian *Hahn examines how disenfranchised African Americans in the rural South exercised grassroots strategies to gain political power—albeit limited—after emancipation until the migration to the North. Hahn asserts that southern rural blacks were much more active and assertive in gaining political rights than is typically portrayed and explores the connection between labor and political rights… Readers interested in the history of the struggle for racial justice will appreciate this new perspective on the period that preceded the modern civil rights movement. -- Vanessa Bush * Booklist *The broad scope of this study and Hahn’s ability to articulate the complex characteristics of African American political origins and growth supersedes Eric Foner’s seminal work or any other more specialized study on the era. -- B. A. Wineman * Choice *Original and deeply informed, the book does an excellent job of rendering those devoted ‘to the making of a new political nation while they made themselves into a new people.’ * Publishers Weekly *A Nation under Our Feet is the best study of working class politics published in a generation. By unraveling the riddle of black politics in slavery and tracing the growth of black political activism through Reconstruction into the twentieth century, Hahn forces us to think differently about the American polity and what he calls ‘the inspiring and dispiriting history of American democracy.’ An extraordinary achievement. -- Ira Berlin, author of Generations of Captivity: A History of African-American SlavesAn original book about what it means to be political in America. With stunning research and sparkling narrative, Steven Hahn has written a moving story about political behavior among the slavery and freedom generations of rural, southern blacks. He demonstrates how a people with roots in slavery converted freedom into integrationist and separatist ends all at once. Blacks practiced the craft of bending wills as they bent their backs in labor. This book will take its place among a handful of classics on southern black life and politics. -- David W. Blight, author of Race and Reunion: The Civil War in American MemoryIn this sweeping account of black political culture in the rural south, Steven Hahn reveals a century of black community mobilization from slave resistance before the Civil War to the rise of Garveyism in the Deep South of the 1920s. Hahn’s breathtaking research and his focus on public activism return to the subject of black rural life a political currency that can only grow in interest. -- Evelyn Higginbotham, Editor-in-Chief, The Harvard Guide to African-American HistoryImagine a world in which slaves were thoughtful, purposeful political beings before the Northern ‘liberators’ showed up at the gates of Southern plantations. Steven Hahn identifies the constituent elements of slave politics and uncloaks the relationship between public acts of politics and the less visible world of African-American institutions, practices, obligations, communities, and understandings that enabled them. This is a wonderful book which dramatically revises our assumptions about the formidable role of rural working-class people in remaking the nation after slavery. -- Tera Hunter, author of To ’Joy My Freedom: Southern Black Women’s Lives and Labors after the Civil WarTable of ContentsPrologue: Looking Out from Slavery Part I: "The Jacobins of the Country" 1. Of Chains and Threads 2. "The Choked Voice of a Race at Last Unloosed" 3. Of Rumors and Revelations Part II: To Build a New Jerusalem 4. Reconstructing the Body Politic 5. "A Society Turned Bottomside Up" 6. Of Paramilitary Politics Part III: The Unvanquished 7. The Education of Henry Adams 8. Of Ballots and Biracialism 9. The Valley and the Shadows Epilogue: "Up, You Mighty Race" Appendix: Black Leaders Data Set Notes Acknowledgments Index

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Book Synopsis''These essays ... live and grow in the mind'' James Campbell, IndependentBeing a writer, says James Baldwin in this searing collection of essays, requires ''every ounce of stamina he can summon to attempt to look on himself and the world as they are''. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to ''the Old Country'' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris.''Brilliant...accomplished...strong...vivid...honest...masterly'' The New York Times''A bright and alive book, full of grief, love and anger'' Chicago Tribune

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Book SynopsisAll-Black institutions and local community groups have been at the forefront of the freedom struggle since the beginning.Lifting the Chains is a history of the Black experience in America since the Civil War, told by one of our mostdistinguished historians of modern America, William H. Chafe. He argues that, despite the wishes and arguments of many whites to the contrary, the struggle for freedom has been carried out primarily by Black Americans, with only occasional assistance from whites. Chafe highlights the role of all-black institutions--especially the churches, lodges, local gangs, neighborhood women''s groups, and the Black college clubs that gathered at local pool halls--that talked up the issues, examined different courses of action, and then put their lives on the line to make change happen.The book draws heavily on the tremendous oral history archives at Duke that Chafe founded and nurtured, much of which is previously unpublished. The the archives are now a collection of moTrade ReviewBill Chafe's Lifting the Chains tells the powerful story of men, women, and children who wrote themselves into history, battled the contradictions of slavery and freedom, strove to end the hurts of racism, and in the process made the nation better. A fitting addition to a long and distinguished career. * Earl Lewis, Thomas C. Holt Distinguished University Professor of History, Afroamerican and African Studies and Public Policy, University of Michigan *Written by one of the nation's most distinguished scholars, Lifting the Chains is a vivid, highly readable yet also well researched survey of African American history in the post-slavery era. * Clayborne Carson, Martin Luther King Jr., Centennial Professor of History, Emeritus, Stanford University *The distinguished historian William Chafe has offered another gem to the growing body of knowledge on Black-led freedom campaigns, and the importance of Black leadership in establishing liberatory institutions. By making unrelenting demands on an often unresponsive government, and by building and creating independent projects, Black historical actors have been in the forefront of the fight to make 'freedom' real and tangible for all. Lifting the Chains eloquently reminds us of these important truths, and their relevance to contemporary struggles for Black freedom. * Barbara Ransby, John D. MacArthur University Chair and Distinguished Professor of Black Studies and History, University of Illinois at Chicago, author of Ella Baker and the Black Freedom Movement and Making All Black Lives Matter *Table of ContentsChapter One: Present at the Creation: 1863-1877 Chapter Two: The Twilight Years, 1877-1898 Chapter Three: Family, Church and Community Chapter Four: Education and Work Chapter Five: Politics and Resistance: From 1900 to World War I Chapter Six: World War I Chapter Seven: The 1920s and 30s Chapter Eight: The Persistence of Struggle, the Beginning of Hope: African-Americans and World War II Chapter Nine: Postwar Protest Chapter Ten: A New Language of Protest, a New Generation of Activists Chapter Eleven: Winning the Right to Vote, Coming Apart in the Process Chapter Twelve: Triumph and Division Chapter Thirteen: The Struggle Continues Chapter Fourteen: Conclusion

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Book Synopsis''The problem of the twentieth-century is the problem of the color-line.''Originally published in 1903, The Souls of Black Folk is a classic study of race, culture, and education at the turn of the twentieth century. With its singular combination of essays, memoir, and fiction, this book vaulted W. E. B. Du Bois to the forefront of American political commentary and civil rights activism. The Souls of Black Folk is an impassioned, at times searing account of the situation of African Americans in the United States. Du Bois makes a forceful case for the access of African Americans to higher education, memorably extols the achievements of black culture (above all the spirituals or ''sorrow songs''), and advances the provocative and influential argument that due to the inequalities and pressures of the ''race problem'', African American identity is characterized by ''double consciousness''.This edition includes a valuable appendix of other writing by Du Bois, which sheds light on his attitu

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Book SynopsisAn immersive multigenerational memoir that recounts the hopes, injustices, and triumphs of a Black family fighting for access to the American dream in the twentieth century.Trade Review"If his story comes off unremarkable, that’s because he presented himself as unremarkable. Which is an odd thing to write. To say Nesbitt was ordinary is to suggest guts, humility and decency are ordinary." * Chicago Tribune *"Being Somebody and Black Besides is a treasure trove for understanding twentieth-century Black American life, told in direct prose that will appeal to a wide audience. Nesbitt is not a well-known historical figure; rather, he is a member of the rank and file, but his nearly unerring ability to capture the everyday experiences of living while Black is extraordinary, and makes this a must-read book for all readers, both within and beyond academia. In Ralph Ellison’s great novel Invisible Man (1952), the protagonist ends up living underground; Nesbitt refused that route, defying his very invisibility by leaving readers the great gift of this autobiography." * Choice *“A part of a remarkable and accomplished family of Black educators, organizers, and crusaders, Nesbitt led an amazing life as a World War II veteran, civil rights lawyer, Harvard graduate, and official in the Kennedy administration. The story of his life offers a powerful glimpse into the issues of race, politics, and public policy over the course of the twentieth century. A compelling and thought-provoking life story and a wonderful addition to the growing genre of Black biography.” * Barbara Ransby, author of 'Making All Black Lives Matter: Reimagining Freedom in the Twenty-First Century' *“A fascinating memoir on par with Richard Wright’s Black Boy/American Hunger. Through Nesbitt’s engaging storytelling and revealing narrative, Being Somebody and Black Besides will remind people of the rich complexity of life in Black America during Nesbitt’s formative years that is seldom told or imagined today.” * Robert Stepto, Yale University *“This is a searing portrait of an ordinary, yet extraordinary, middle-class Black man forced to endure the indignity of having to fight for fair play from people far less ‘civilized’ than he. A keen observer of the ‘ways of white folks,’ Nesbitt was a brilliant, sarcastic, insightful analyst of the color line, even as he willed himself to believe in his country and its ideals. This memoir reminds us how much we owe the early fighters for civil rights, who endured so many insults and injuries as they fought to widen opportunities for Black people and dismantle northern style Jim Crow. Nesbitt’s accounts of racism are unforgettable in their detail, anger, sheer absurdity, and casual cruelty.” * Martha Biondi, Northwestern University *Table of ContentsList of Illustrations Foreword Imani Perry A Note on St. Clair Drake’s “Foreword” Sandra Drake Foreword to the George Nesbitt Manuscript St. Clair Drake A Note on the Manuscript Prexy Nesbitt Preface 1. Our Family’s Great Migration: Growing Up Black in the Shadow of the University 2. A Family Which Stayed Together 3. Learning to Be Somebody 4. The Comfort of My Negroness 5. Going to University: Labor and Learning 6. Town and Gown: The Difficulty of Navigating Two Worlds 7. Lawyer by Day, Redcap at Night: Union Organizing and Rabble Rousing 8. The Army and Its Apartheid: The Racial System in the War Years 9. The Ugly Specter of Race Discrimination 10. Poking at the Good, White Liberals: Discrimination Veiled and Rationalized 11. An Exceptional Family in the Lawndale Ghetto 12. The Future of Our People Postscript Acknowledgments

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Book SynopsisUsing a remarkable cache of scrapbooks kept by Albert Haskell, Jr. through his lifetime, Martin A. Sweeny narrates a fascinating story of unwavering dedication to the public good. As a lawyer, politician, civic organizer, and economic developer, Haskell never turned away from an opportunity to do something beneficial for others. Trade ReviewThe Remarkable Life of Albert Haskell, Jr. adds much to our understanding of how the City of Cortland, NY developed in the 20th century​‌. Readers will learn much about this time period and the crucial role Albert Haskell, Jr. played. -- Kate O’Connel, City of Cortland HistorianMartin Sweeney’s biography of Albert Haskell, Jr. brings the past to life through his detailed use of scrapbooks compiled by the subject, correspondences, interviews, and other primary sources. Haskell was an important contributor to his community, and Sweeney gets to the heart of the story and builds a compelling narrative that will keep you engaged. -- Tabitha Scoville, executive director, Cortland County Historical Society,Once again Martin Sweeney has put to great use his creative writing and investigative skills. The culmination of which is this entertaining and interesting biography about my grandfather, Albert Haskell, Jr. Not only is this volume interesting to me from a personal perspective, as I am Albert’s youngest grandchild, but the book captures the story of Central New York’s proud past as well. It has often been relayed to me that Grandpa Haskell deeply cared about the people of Cortland County, and I believe readers will agree that Martin has captured that affinity very well through his storytelling. -- William Sweeney, grandson of Albert Haskell, Jr.Albert Haskell, Jr. was my grandfather. I remember him as a humble and stoic man. As an 11-year-old kid, I never knew the scope of his law career. This biography was a real eye opener for me. It is a story that all readers will enjoy. -- Joseph Haskell, Jr., grandson of Albert Haskell, Jr.The name Albert Haskell, Jr. was known by all in Cortland County for a large part of the 20th century. As a lawyer, elected official, businessman and a public citizen, he always had the interests of his community foremost in his mind. My first employment as an attorney was in the law firm of Haskell, Foley, Meldrim and Shay. I was fortunate to be associated with the Haskell name. Albert Haskell, Jr. lived a fascinating life, and his story will be enjoyed by all. -- Marty Mack, colleague of Albert Haskell, Jr.Table of ContentsList of Figures PrologueAcknowledgementsIntroductionChapter 1: The Formative YearsChapter 2: The Years of Arts and LettersChapter 3: A Young, Aspiring LawyerChapter 4: The Great Cortland Rotary Hijinks Chapter 5: The New D.A. Goes After Bootleggers with Izzy and Moe Chapter 6: Bathtub Gin, Bootleggers, and the Black Hand Chapter 7: The People vs White Slavers, Faith Healers and a Murderer Chapter 8: Haskell Takes on the Klan Chapter 9: The Tragic Demise of Alton Howe Chapter 10: Tubercular Cattle Scandal Chapter 11: Another Murder Case and RetirementChapter 12: A Continued Career in the LawChapter 13: The Political ArenaChapter 14: The Milk StrikesChapter 15: Civic EngagementChapter 16: Promotion of Economic Expansion in the 1950sChapter 17: “Elder Statesman” of Cortland’s Industrial GrowthChapter 18: A Man of FaithEpilogueChapter NotesSourcesIndex

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Book SynopsisThe inspirational story of an American woman who moved mountains to secure medical treatments—and eventually a home—for a young Iraqi girl severely burned in a roadside terror attack. This is a story of the astonishing power of self-sacrificial love.On a typical Sunday morning in 2006, Barbara Marlowe saw a photo that changed her life: a photo of four-year-old Teeba Furat Fadhil, whose face, head, and hands had been severely burned during a roadside bombing in the Diyala Province of Iraq. Teeba’s eyes captivated Barbara, and she yearned to help this child who had already endured more pain and suffering than anyone should bear.Because surgeons were fleeing the war-torn country, Teeba would be unable to receive much-needed treatments if she stayed in Iraq. With powerful faith and determination, Barbara overcame obstacle after obstacle to bring Teeba from Iraq to the United States for medical treatments.A Brave Face 

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Book SynopsisThe Rebirth of Antisemitism in the 21st Century is about the rise of antizionism and antisemitism in the first two decades of the 21st century, with a focus on the UK.It is written by the activist-intellectuals, both Jewish and not, who led the opposition to the campaign for an academic boycott of Israel. Their experiences convinced them that the boycott movement, and the antizionism upon which it was based, was fuelled by, and in turn fuelled, antisemitism. The book shows how the level of hostility towards Israel exceeded the hostility which is levelled against other states. And it shows how the quality of that hostility tended to resonate with antisemitic tropes, images and emotions. Antizionism positioned Israel as symbolic of everything that good people oppose, it made Palestinians into an abstract symbol of the oppressed, and it positioned most Jews as saboteurs of social âprogressâ. The book shows how antisemitism broke into mainstream politics and how it contamiTrade Review"The contributors to this book, in their political beliefs, their lived experiences and their academic rigour, give key intellectual insights into the antisemitic impacts, heritage and resonances of so-called ‘antizionism’."Mark Gardner MBE, Chief Executive, Community Security Trust (CST), UK"Far from being a fringe phenomenon, antisemitism is today an increasingly troubling presence in mainstream British society, especially in its often stri- dent anti-Zionist manifestations. In this timely and insightful book, David Hirsch and his colleagues address the pertinent issues head-on and offer valuable explanations for the nature of this hostility and the threats it poses. The latter are serious and warrant the detailed scrutiny readers will find in this clarifying volume."Alvin H. Rosenfeld, Professor of English and Jewish Studies, Director of the Institute for the Study of Contemporary Antisemitism, Indiana University, USA"Tracking Jew-hatred through its labyrinths of lies is not thought to make easy reading, but this unmasking of anti-Zionism’s falsity and dishonour is so exhilaratingly assured and eagle-eyed you cannot put it down. An indispensable work."Howard Jacobson, novelist and essayist"Few relationships are as bitterly contested on the left as that between antizionism and antisemitism. No one has done more to clarify that relationship, and what is at stake in seeing it plain, than David Hirsh and the writers, mostly from the democratic and ‘two-state’ left, whose work is collected in this volume. It should be required reading for anyone seeking to enter the debate in the future."Alan Johnson, Founder and Editor of Fathom"These are thoughtful essays by scholars, Jewish and non-Jewish, who were first connected by their opposition to the academic boycott of Israeli academics. They are connected anew in this publication by a bold central argument – that hostility towards the state of Israel exceeds that towards other states and does so in ways that bristle with tropes and feelings that are familiar from older forms of antisemitic hate and violence. Many will disagree, but the real freshness of this book is the connection it proposes between certain political construals of Israel and the real and awful reality of antisemitism, as it is increasingly lived every day. In this it is an important book, the very writing of which is an act of courage – and potentially, of hope."Frances Corner, Warden, Goldsmiths, University of London, UK"This compelling book shows definitively how an ancient, abiding and often murderous hatred, antisemitism, has found, in recent decades, a new and politically-acceptable, even fashionable, way to attack Jews--antizionism."Walter Reich, Yitzhak Rabin Memorial Professor of International Affairs, Ethics and Human Behavior, The George Washington University, USA"David Hirsh, a leading sociologist of contemporary antisemitism, and eleven other authors at the forefront of the struggle against it show how Jews pay the price for redemption when Israel becomes the symbol of ultimate evil. Their book is indispensable for understanding the startling revival of antisemitism in our time."Chad Alan Goldberg, Martindale-Bascom Professor of Sociology, University of Wisconsin–Madison, USA; award-winning author of Citizens and Paupers: Relief, Rights, Race, from the Freedmen’s Bureau to Workfare (2008) and Modernity and the Jews in Western Social Thought (2017)Table of Contents(i) First Preface: Esprit d’escalier: reminiscences of a silent observer of the UCU conference (ii) Second Preface: I guess it doesn't matter any more (iii) Introduction 1. Demonization Blueprints: Soviet Conspiracist Antizionism in Contemporary Leftwing Discourse 2. Turning Full Circle: From the Anti-Nazi League to Corbynism - how so much of the radical left in the UK abandoned Jews and embraced antisemitism 3. Durban antizionism 4. Demystifying Antisemitism: A Return to Critical Theory 5. Is Palestine a Feminist Issue? Intersectionality and Its Discontents 6. Cancelling Israel and Displacing Palestine: Narratives of a Boycott 7. The legal construction of Jewish identity as a ‘protected characteristic’ through an examination of Fraser v UCU (2013), Parker v Sheffield Hallam University 2016, and the Report of the EHRC into Antisemitism in the Labour Party 2020 8. Seven Jewish Children and Definitions of Antisemitism 9. Learning and teaching about antisemitism 10. Climate Catastrophe, the ‘Zionist Entity’ and ‘The German guy’: an Anatomy of the Malm-Jappe Dispute 11. Wither Liberal Zionism?

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Book SynopsisWhite Folks explores the experiences and stories of eight white people from a small farming community in northern Wisconsin. Drawing on in-depth interviews with Delores, Frank, William, Erin, Robert, Libby, and Stan, as well as on his own experiences growing up in this same rural community, Lensmire creates a portrait of white people that highlights the profound ambivalence that has characterized white thinking and feeling in relation to people of color for at least the last two hundred years. White people's relations to people of color and their cultures are characterized not just by fear, rejection, and violence, but also by attraction, envy, and desire. There is nothing smooth about the souls of white folks.This second edition of White Folks features a new forewordby renowned critical whiteness studies scholar David Roedigerthat places the book in historical and political context. It also includes an expanded discussion by Lensmire on doing resea

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Book SynopsisWinner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all.But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved.As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say.In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?

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Book SynopsisFor more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lTrade Review“Beneath the Surface is nothing short of a tour de force. Lynn M. Thomas's ‘layered history’ does justice to the immensely difficult subject of skin lighteners. Carefully attending to the complex politics of race and color that are grounded in skin, Thomas at once provides a vibrant history of South Africa and a global history of commodity, beauty, and the body. This landmark study sets a new standard in the field.” -- Julie Livingston, author of * Self-Devouring Growth: A Planetary Parable as Told from Southern Africa *“Allowing for a comparative analysis over a period of time when the global relationships and meanings of skin color became tied to class, race, and racism, Beneath the Surface helps us understand the intense and long-standing interest whites and blacks have had in lightening the color of their skin despite the potential for severe health risks. There is simply no other book like it.” -- Noliwe M. Rooks, author of * Hair Raising: Beauty, Culture, and African American Women *"Beneath the Surface makes a necessary contribution to [a] small pool of work on beauty and geography as Thomas' analysis integrates these subjects in considering the (trans)national politics and racial inequalities that uphold skin lightening.… This book would appeal to both undergraduate and graduate students as well as scholars interested in beauty, geopolitics, race, and colonialism." -- Meena Pyatt * Gender, Place & Culture *“Thomas resourcefully assembles and interweaves sources connecting popular, business, medical and political culture. …. Beneath the Surface would be an engaging key text for students to study a history of race and gender within everyday global beauty cultures.” -- Fabiola Creed * Metascience *"Beneath the Surface is the most comprehensive book regarding skin lighteners available to date and it is both interesting and innovative.… The book has value as a postgraduate textbook relevant to the fields of history, social science, geopolitics, gender studies, geography, psychology, dermatology, and others. The layered, integrated history presented by Thomas in Beneath the Surface is indeed 'a landmark study' of skin colour and skin lighteners that interrogates every influencing factor from slavery and segregation to consumer capitalism, political protests and reinforced social inequities, and beyond." -- Caradee White * South African Journal of Science *"Lynn Thomas’s Beneath the Surface constructs a history of skin lighteners that is simultaneously rigorous in its historical evidence base and virtuosic in its lucid articulation of the technologies as they are mobilised in complex contexts in and beyond South Africa. . . . Its biopolitical argument is convincingly made and compelling." -- Vivette Garcia-Deister * BioSocieties *"This is an impressive book that will surely be a classic for scholars interested in aesthetics, beauty politics, and gender. It is an especially welcome addition to the literature as it centers on African history from a transnational perspective. It also has much to offer those with specialization in the history of science, medicine, and technology." -- Oluwakemi M. Balogun * Journal of African History *Table of ContentsAcknowledgments ix A Layered History 1 1. Cosmetic Practices and Colonial Crucibles 22 2. Modern Girls and Racial Respectability 47 3. Local Manufacturing and Color Consciousness 75 4. Beauty Queens and Consumer Capitalism 98 5. Active Ingredients and Growing Criticism 150 6. Black Consciousness and Biomedical Opposition 190 Sedimented Meanings and Compounded Politics 221 Notes 237 Bibliography 293 Index

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Book SynopsisWinner, 2024 Global Sociology Book Award, given by the Canadian Sociological Association Winner of the 2024 Silver Medal for the Canada West Non-Fiction category, given by The Independent Publisher Book AwardWinner of the ASA Section on Asia and Asian America's Book Award on Asian AmericaHonorable Mention, 2024 Social Science Category Book Awards, given by the Association for Asian American StudiesHonorable Mention, 2022 Betty and McClung Lee Book Award, given by the Association for Humanist SociologyUnravels how US visa laws fail Indian professional workers and their legally dependent spouses and familiesThe Opportunity Trap is the first book to look at the impact of the H-4 dependent visa programs on women and men visa holders in Indian families in America. Comparing two distinct groups of Indian immigrant families families of male high-tech workers and female nursesPallavi Banerjee reveals how visa policies that are legally gender and race neutral in fact have gendered and racializeTrade Review"Powerful and vivid, The Opportunity Trap tells us of the pains wrought by legal dependency on temporary visa workers and their spouses. Both are suspended and indentured by law. This gender comparative study of hi-tech workers and nurses is a must read as it advances our understanding of immigration, the family, and law in the United States. " -- Rhacel Salazar Parreñas, author of Unfree: Migrant Domestic Work in Arab States"Through her insightful analyses of how dependent visas reflect a gendered and racialized regime that controls immigrant families, Banerjee brilliantly identifies the many contradictions faced by Indian migrant workers and their families in the U.S. The Opportunity Trap beautifully captures how the visa regime devalues and makes invisible those on dependent visas, reworks gender relations and parenting within the household, while also making families excessively beholden to migrant workers' employers. This is an important book that should be widely read. " -- Joya Misra, co-author of Walking Mannequins: How Race and Gender Inequalities Shape Retail Clothing Work"Pallavi Banerjee’s The Opportunity Trap offers a fascinating window into the intimate relationship between migration visas and the work/family lives of skilled migrants and their spousal dependents." * Social Forces *"The Opportunity Trap presents a meticulous sketch of the poignant and constrained lives of high-skilled Indian migrants and their families in the United States. Banerjee skillfully illustrates how forced dependency intersects with the social, cultural, and economic perceptions of masculinity. [The Opportunity Trap] opens several new directions for policymakers, scholars, and activists working on gender, labor, and migration." * Gender & Society *"Coherent and persuasive. The Opportunity Trap contributes heavily to the scholarship of intersectionality entailing gender, race, ethnicity, class, immigration, and work, as well as to the study of work and family issues. I highly recommend this book for any undergraduate or graduate course on gender or work, or anyone interested in teaching immigration and work from an intersectional perspective." * Work and Occupations *"A thoughtful, compassionate, and richly detailed study of the lived experiences of racialized, high-skilled migrant families in the United States. Banerjee vividly describes everyday people’s struggles and failures to affirm their personal dignity and build a good life under such conditions. Rigorous, heartfelt, and intersectional, The Opportunity Trap is an important contribution." -- Neda Maghbouleh * Labour / Le Travail *

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Book SynopsisThe criminalization and penalization of poverty through increased surveillance and control of welfare recipients in recent years has led many poverty advocates to claim that "a war against the poor" is currently in progress. The authors argue that people of colour are most often the casualties in the governments' desire to roll back the welfare state. Relying on myths and stereotypes about racial difference, the enforcement and policing of welfare fraud policies constructs people of colour as potential "cheaters" and "abusers" of the system. This has allowed for the stigmatizing and discriminatory treatment of people of colour to persist unchallenged within the welfare system.Table of ContentsWelfare Fraud Legislation in BC and Ontario * Theoretical and Methodological Framework * Constructing the Problem of Welfare Fraud in the Media * The Effects of Welfare Fraud Enforcement on People of Colour * Racism, Neoliberalism and the Canadian State * Conclusion issues and theoretical debates relevant to contemporary Canada

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Book Synopsis** LONGLISTED FOR THE JAMES CROPPER WAINWRIGHT PRIZE LONGLIST 2022 ** 'Really packs a punch' Aja Barber, author of Consumed: The Need for Collective Change: Colonialism, Climate Change, and Consumerism'Will open the minds of even the most ardent denier of climate change and/or systemic racism. If there's one book that will help you to be an effective activist for climate justice, it's this one' Dr Shola Mos-Shogbamimu'Accessible. Poignant. Challenging' Nnimmo Bassey, environmentalist and author of To Cook a Continent: Destructive Extraction and the Climate Crisis in AfricaWhen we talk about racism, we often mean personal prejudice or institutional biases. Climate change doesn't work that way. It is structurally racist, disproportionately caused by majority White people in majority White countries, with the damage unleashed overwhelmingly on people of colour. The climate crisis reflects and reinforces racial injustices.In this eye-opening book, writer and environmental activist Jeremy Williams takes us on a short, urgent journey across the globe - from Kenya to India, the USA to Australia - to understand how White privilege and climate change overlap. We'll look at the environmental facts, hear the experiences of the people most affected on our planet and learn from the activists leading the change.It's time for each of us to find our place in the global struggle for justice.'Climate Change Is Racist is a significant intervention in climate change studies and activism. Jeremy Williams crafts an accessible, intersectional analysis that is essential reading for those seeking to diversify climate change activism and confront historical, structural racism(s).' Professor Robert Beckford, Director of the Institute for Climate and Social Justice, University of WinchesterTrade Review'Accessible. Poignant. Challenging.' * Nnimmo Bassey, environmentalist and author of To Cook a Continent: Destructive Extraction and the Climate Crisis in Africa *Really packs a punch' * Aja Barber, author of Consumed: The Need for Collective Change: Colonialism, Climate Change, and Consumerism *Will open the minds of even the most ardent denier of climate change and/or systemic racism. If there's one book that will help you to be an effective activist for climate justice, it's this one * Dr Shola Mos-Shogbamimu *Climate Change Is Racist is a significant intervention in climate change studies and activism. Jeremy Williams crafts an accessible, intersectional analysis that is essential reading for those seeking to diversify climate change activism and confront historical, structural racism(s). * Professor Robert Beckford, Director of the Institute for Climate and Social Justice, University of Winchester *

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Book SynopsisOswald Augustus Grey was a Jamaican immigrant. He was 20 years old when he was executed and 19 when the crime for which he was convicted took place. To talk to people who lived in the city at the time, or to scour the nostalgia forums that proliferate online, is to discover an episode that has almost entirely disappeared in terms of public remembrance. This book unearths something of a place and a society that allowed a young life to become expendable and forgotten. The Birmingham in which this happened is both alien yet familiar.

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Book SynopsisRacism Without Racists examines in detail how Whites talk, think, and account for the existence of racial inequality. The main argument of the book is that color-blind racism, a new racial ideology that emerged in the post-Civil Rights era, has emerged as the fountain of frames, stylistic components, and racial stories Whites rely on to articulate their views on racial affairs. Relying on systematically-gathered interview data, Bonilla-Silva not only de constructs the main elements of this ideology, but also explains how the ways most Whites live their lives (the “white habitus”) is central to the reproduction of this ideology, why a specific segment of the White community is more racially progressive, and accounts for how Blacks are effected by the ideology. In this edition, the author has added a very didactic chapter discussing what makes “systemic racism” systemic and another examining how color-blind racism framed many issues during the pandemic. Table of Contents(Fifth Edition)1 The Strange Enigma of Race in Contemporary America2 The New Racism: The U.S. Racial Structure Since the 1960s3 The Central Frames of Color-Blind Racism4 The Style of Color Blindness: How to Talk Nasty about Minorities without Sounding Racist5 “I Didn’t Get That Job Because of a Black Man”: Color-Blind Racism’s Racial Stories6 Peeking Inside the (White) House of Color Blindness: The Significance of Whites’ Segregation7 Are All Whites Refined Archie Bunkers? An Examination of White Racial Progressives8 Are Blacks Color Blind, Too? 9 E Pluribus Unum, or the Same Old Perfume in a New Bottle? On the Future of Racial Stratification in the United States10 From Obamerica to Trumpamerica: The Continuing Significance of Color-Blind Racism11 Conclusion: What is to Be Done? Talking with YOU about How to Fight Color Blind Racism in America

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Book SynopsisA scathing critique of the Left from an indigenous anti-colonial perspective.Why am I writing this book? Because I share Gramsci''s anxiety: “The old are dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.” The fascist monster, born in the entrails of Western modernity. Of course, the West is not what it used to be. Hence my question: what can we offer white people in exchange for their decline and for the wars that will ensue? There is only one answer: peace. There is only one way: revolutionary love.—from Whites, Jews, and UsWith Whites, Jews, and Us, Houria Bouteldja launches a scathing critique of the European Left from an indigenous anti-colonial perspective, reflecting on Frantz Fanon''s political legacy, the republican pact, the Shoah, the creation of Israel, feminism, and the fate of postcolonial immigration in the West in the age of rising anti-immigrant populism. Drawing upon such prominent voices as James Baldwin, Malcolm X, and Jean Genet, she issues a polemical call for a militant anti-racism grounded in the concept of revolutionary love.Such love will not come without significant discomfort for whites, and without necessary provocation. Bouteldja challenges widespread assumptions among the Left in the United States and Europe—that anti-Semitism plays any role in Arab-Israeli conflicts, for example, or that philo-Semitism doesn''t in itself embody an oppressive position; that feminism or postcolonialist theory is free of colonialism; that integrationalism is a solution rather than a problem; that humanism can be against racism when its very function is to support the political-ideological apparatus that Bouteldja names the “white immune system.”At this transitional moment in the history of the West—which is to say, at the moment of its decline—Bouteldja offers a call for political unity that demands the recognition that whiteness is not a genetic question: it is a matter of power, and it is high time to dismantle it.This Semiotext(e)/Intervention series English-language edition includes a foreword by Cornel West.

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Book SynopsisAn impassioned defence of Black excellence in the arts.When Kadiatu Kanneh-Mason?s eldest daughter, Isata, made her solo debut at the BBC Proms in 2023, she could not have been prouder. Watching years of hard work transform into a transcendent performance was profoundly moving, both as music-lover and parent. All fractured when her younger daughter came to her in tears a few days later, having read online abuse about her sister. Isata, it was declared, did not deserve to be there. How do you prepare your child for the fact that no matter their talent, technique or dedication, they will be told they do not belong? Through conversations with her extraordinarily gifted family, Kanneh-Mason explores what it?s like to come of age in these turbulent times, when Black artistic self-expression is so often met with disparagement and abuse online ? and offers a hopeful, powerful way through.

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Book SynopsisJohn Coltrane was a key figure in jazz, a pioneer in world music, and an intensely emotional force. This biography presents interviews with Coltrane, photos, genealogical documents, and musical analysis that offers a fresh view of Coltrane's genius. It explores the events of Coltrane's life and offers an insightful look into his musical practices.

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Book SynopsisIn Jezebel Unhinged Tamura Lomax traces the use of the jezebel trope in the black church and in black popular culture, showing how it is pivotal to reinforcing men''s cultural and institutional power to discipline and define black girlhood and womanhood. Drawing on writing by medieval thinkers and travelers, Enlightenment theories of race, the commodification of women''s bodies under slavery, and the work of Tyler Perry and Bishop T. D. Jakes, Lomax shows how black women are written into religious and cultural history as sites of sexual deviation. She identifies a contemporary black church culture where figures such as Jakes use the jezebel stereotype to suggest a divine approval of the “lady” while condemning girls and women seen as 'hos.' The stereotype preserves gender hierarchy, black patriarchy, and heteronormativity in black communities, cultures, and institutions. In response, black women and girls resist, appropriate, and play with the stereotype''s meanTrade Review"An amazing pick for book clubs, reading discussion groups, or faith study groups, Jezebel Unhinged offers a fresh, exciting perspective on blackness, black female bodies, African American culture, and contemporary Christian teachings." -- Claire Foster * Foreword Reviews *"A book for black women who want freedom." -- Mariam Williams * Women's Review of Books *"Jezebel Unhinged is an insightful text that not only bridges the gap between Black feminist studies, Black pop culture studies, and womanist thought in religion, but also brings fresh and innovative analyses to longstanding discourses about black womanhood." -- Ahmad Greene-Hayes * Reading Religion *"Lomax has written a thoughtful, passionate piece, one deeply concerned about the well-being of black women and girls and, by extension, the well-being of a larger social fabric." -- Nan Kathy Lin * Studies in Religion *“Jezebel Unhinged is an exciting and provocative scholarly work. … For those interested in a thorough and systematic study of black women and girls and their relationship with the Black Church and black popular culture, this book is one that must be read.” -- Angela M. Nelson * Asian Journal of Social Science *“A passionate, closely argued, energetically written and illuminating text….” -- John Clammer * Ethnic and Racial Studies *“The arrow of Dr. Lomax’s words bullseyed into my soul…. Lomax brilliantly argues for critical black feminist religious engagement with how Black womanhood and girlhood are constructed and disseminated in connection with Black religion and Black popular culture. She focuses on the Black Church as a physical and psychic site of particular interest because it holds messy grey spaces outside of the social binaries we’ve been conditioned to accept.” -- B. J. McDaniel * The Lion and the Unicorn *Table of ContentsProlegomenon. "Hoeism or Whatever": Black Girls and the Sable Letter "B" vii Acknowledgments xix Introduction. "A Thousand Details, Anecdotes, Stories": Mining the Discourse on Black Womanhood 1 1. Black Venus and Jezebel Sluts: Writing Race, Sex, and Gender in Religion and Culture 13 2. "These Hos Ain't Loyal": White Perversions, Black Possessions 34 3. Theologizing Jezebel: Womanist Central Criticism, a Divine Intervention 59 4. "Changing the Letter": Toward a Black Feminist Study of Religion 82 5. The Black Church, the Black Lady, and Jezebel: The Cultural Production of Feminine-ism 108 6. Whose "Woman" Is This?: Reading Bishop T. D. Jakes's Woman, Thou Art Loosed! 130 7. Tyler Perry's New Revival: Black Sexual Politics, Black Popular Religion, and an American Icon 169 Epilogue. Dangerous Machinations: Black Feminists Taught Us 201 Notes 211 Bibliography 243 Index 251

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Book SynopsisIn The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions bTrade Review"Tiffany Lethabo King's concept of the shoal breaks new ground for thinking through the relationships between Indigenous peoples and African Americans and genocide and slavery as well as how they have formed our contemporary politics. Her rigorous engagement with Black and Indigenous studies will create a better dialogue between the two fields." -- Mishauna Goeman, author of * Mark My Words: Native Women Mapping Our Nations *“In this innovative contribution to both Black and Native studies, Tiffany Lethabo King dares to think the simultaneously distinct yet edgeless relationship between Blackness and Indigeneity. It's the geological formation of the shoal—that zone just offshore, neither land (often reductively linked to the Native) nor sea (often reductively linked to the Black)—that allows King to pull off this ethical project. Indeed, The Black Shoals is Black ethics, where the ethical emerges as that distinct, ever-developing gathering of Black and Native life under shared conditions of settler terror.” -- J. Kameron Carter, Professor of Religious Studies, Indiana University“King’s scholarship represents a masterful mix of precision and sensitivity in describing the historical Native anti-blackness, as well as the historical cooperation between Africans and the European settlers King identifies as ‘conquistador humans,’ in dispossessing Natives of their land.” -- Darryl Barthé * Ethnic and Racial Studies *“King’s book is an important participant in a small but growing scholarly movement seeking to understand and unravel the logics of settler colonialism and conquest by breaking down scholarly silos between groups that frequently interacted and interact. Moreover, what King has so well begun can be built on by other scholars.” -- Laura Goldblatt * Lateral *“Tiffany King’s poetic and theoretically compelling text is both an invitation and disturbance, or a provocation to be unmoored, to be thrown into chaos and to place one’s feet at the shoal of something other than traditional (normative) notions of sovereignty, nation, and citizenship.” -- Shanya Cordis * GLQ *“A multivocal, wide-ranging, inter-disciplinary project, . . . Tiffany Lethabo King’s book is both timely and prescient. . . . For those who would like to explore Black and Indigenous thought, especially the conceptual and methodological overlaps between the two fields, this book is an exceptional primer.” -- Michael J. Kennedy * The Black Scholar *“The Black Shoals offers a rich analysis of how scholars, activists, and art­ists have contended with conquest, conquistador-settler epistemologies, and Black-Native relations. . . . King’s ‘shoal’ offers an analytic through which to theorize what ethical and sus­tained exchanges between Black studies and Native studies might look like.” -- Mary McNeil * Native American and Indigenous Studies *Table of ContentsPreface ix Acknowledgments xvii Introduction: The Black Shoals 1 1. Errant Grammars: Defacing the Ceremony 36 2. The Map (Settlement) and the Territory (The Incompleteness of Conquest) 74 3. At the Pores of the Plantation 111 4. Our Cherokee Uncles: Black and Native Erotics 141 5. A Ceremony for Sycorax 175 Epilogue: Of Water and Land 207 Notes 211 Bibliography 263 Index 277

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Book SynopsisIn Intersectionality as Critical Social Theory Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality''s capability to theorize social inequality in ways that would facilitate social change. While intersectionality helps shed light on contemporary social issues, Collins notes that it has yet to reach its full potential as a critical social theory. She contends that for intersectionality to fully realize its power, its practitioners must critically reflect on its assumptions, epistemologies, and methods. She places intersectionality in dialog with several theoretical traditions—from the Frankfurt school to black feminist thought—to sharpen its definition and foreground its singular critical purchase, thereby providing a capacious interrogation into intersectionality''s potential to reshape the world.Trade Review“With remarkable brilliance and breadth, Patricia Hill Collins examines the theoretical dimensions of intersectionality in new ways and in dialogue with other influential social theories and resistant knowledges. Intersectionality as Critical Social Theory explains why critical social theory matters in the real world and how intersectionality can achieve its potential as a tool for social action needed to transform the world for the better. Once again, Patricia Hill Collins shines as a masterful scholar of critical inquiry, politics, and social change.” -- Dorothy Roberts, author of * Killing the Black Body: Race, Reproduction, and the Meaning of Liberty *“Anyone who claims the mantle of Black feminist theorist is standing in the house Patricia Hill Collins built. She is one of our most important intellectual architects. Here she continues to be at her very best, asking the thorny questions that those of us who are scholars and practitioners of intersectionality often avoid. Collins reminds us what it looks like to use ideas in service of freedom projects, demanding at every turn that we do it with integrity, rigor, and a critical attention to the high stakes nature of social justice work. This book resets our freedom compass, reminding us both of what our work is and for whom we do it.” -- Brittney Cooper, author of * Eloquent Rage: A Black Feminist Discovers Her Superpower *"This remarkable monograph expresses the most important facets of the critical lens. . . [and] gives hope that collective social action has the potential to affect democratic change even under conditions of multiple oppressions." -- Anna Amelina & Jana Schäfer * Ethnic and Racial Studies *"Highly recommended. Upper-division undergraduates through faculty; professionals." -- I. Ken * Choice *“This book constitutes an extremely valuable resource for students, activists, and scholars who, while having already engaged with foundational texts on the topic, seek to deepen their understanding of intersectionality. Further, Intersectionality as Critical Social Theory also opens a door for those who wish to continue the intellectual journey of theorizing intersectionality that Collins eloquently embarks on. -- Miriam Yosef * KULT_online *“This book is more than a mere investigation of the theoretical of methodological aspects of intersectionality.... Intersectionality as Critical Social Theory is a book that cannot be missed by scholars, activists, and students of all disciplines.” -- C. Laura Lovin * Feminist Encounters *“Intersectionality as Critical SocialTheory is required reading for academics, activists and educators working across and between disciplines including feminist studies, philosophy, critical race theory, sociology, and education. Now more than ever, Professor Hill Collins is essential.” -- Adina Giannelli * Gender and Education *“Intersectionality as Critical Social Theory is a dense and exceedingly thoughtful book. Collins is careful and focused, asking hard questions about the nature of social theory and theorizing.” -- Rose M. Brewer * American Journal of Sociology *Table of ContentsAcknowledgments ix Introduction 1 Part I. Framing the Issues: Intersectionality and Critical Social Theory 1. Intersectionality as Critical Inquiry 21 2. What's Critical about Critical Social Theory? 54 Part II. How Power Matters: Intersectionality and Intellectual Resistance 3. Intersectionality and Resistant Knowledge Projects 87 4. Intersectionality and Epistemic Resistance 121 Part III. Theorizing Intersectionality: Social Action as a Way of Knowing 5. Intersectionality, Experience, and Community 157 6. Intersectionality and the Question of Freedom 189 Part IV. Sharpening Intersectionality's Critical Edge 7. Relationality within Intersectionality 225 8. Intersectionality without Social Justice? 253 Epilogue. Intersectionality and Social Change 286 Appendix 291 Notes 295 References 331 Notes 353

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Book SynopsisThe Sense of Brownis José Esteban Muñoz''s treatise on brownness and being as well as his most direct address to queer Latinx studies. In this book, which he was completing at the time of his death, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons—a lifeworld, queer ecology, and form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being inTrade Review“The final work of José Esteban Muñoz—scholar, mentor, and precious node in an intergenerational and transnational web of intellectual and social relations—will be received with eager enthusiasm and a box of tissues.” -- Juana María Rodríguez, author of * Sexual Futures, Queer Gestures, and Other Latina Longings *“In The Sense of Brown, José Esteban Muñoz maps and grapples with an evolving theory and method of feeling and being in the world that he names brown. In this work, brownness 'is already here, . . . vast, present, and vital.’ Muñoz gives his theory ‘historically specific affective particularity,’ rejecting the abjective. Read on their own and in tandem with Muñoz's earlier works, these thirteen essays written with care and a sense of urgency outlive his too-soon passing. Lovingly edited, they are a gift.” -- Christina Sharpe, author of * In the Wake: On Blackness and Being *"Conceptualizing Latinx studies within the terms Muñoz offers, those of affect, aesthetics, and performance, gives way for more room in which to construct a Latinx studies that seeks to counter anti-blackness and anti-indigeneity, assimilationism, settler nation-state borders and boundaries, language essentialisms, and other settler colonial logics which merely reify the power structures perpetuating global precarity, exploitation, violence, and death." -- Marcos Gonsalez * ASAP/Journal *"The Sense of Brown is a classic academic work, so it has a density that requires effort to parse through, but it’s well worth the read. In this book, Muñoz examines how brownness, particularly for queer Latinx people, becomes a 'lifeworld' that reveals itself through performance of all kinds, including plays, films, and albums. If you loved his prior work, then The Sense of Brown serves as a perfect ending—both putting a bow on his scholarship and creating pathways for those who want to further it." -- Evette Dionne * Bitch Magazine *"The book is his most pointed intervention into Latinx studies and the contradictions of Latinx racializations, and it represents the work of nearly two decades, done alongside and around two books and over a dozen essays and lectures. . . . As students, friends, and readers, we meet The Sense of Brown, finally, as a consolation in the midst of a global crisis that’s paradoxically lonely and chaotically social." -- Roy Pérez * Los Angeles Review of Books *"Offers ... startling moments of insight and ... profound intellectual generosity." -- Jane Hu * Bookforum *"Expertly edited after his passing by Joshua Chambers-Letson and Tavia Nyong’o, The Sense of Brown is Muñoz’s final work, and it’s a true testament to an intersectional project that suggests that 'queerness is in the horizon, forward dawning and not-yet-here. Brownness diverges from my definition of queerness. Brownness is already here.'” -- Maximilíano Durón * ARTnews *"With The Sense of Brown, José Esteban Muñoz left a love-letter to brownness that acts as a dream for its desire. Extending to the minerals of the soil, to the animals, and to the people who bare its shade, it is an ode to a brown of rapturous multiplicity. . . [T]his book and Muñoz’s thoughts remain an arsenal full for any minoritarian subject who desires to understand and even love themselves, and their sense of being, more–a radical proposition." -- Jess Saldaña * Lambda Literary Review *"The Sense of Brown is more than a sketch of brownness as an ontology of relations; it is an opportunity to sit inside Muñoz’s writing and thinking space, an almost wistful feeling of being in his thoughts as they formed, as they firmed. Reading Muñoz’s essays invokes a meditative feeling; one gets a sense that Muñoz was reflecting on his ideas, the drafty in/coherence of this ensemble reveal the essay as process. The essays are inviting, soft and melancholic." -- Moon Charania * Society and Space *"The Sense of Brown . . . provides theoretical concepts in performance studies, Latinx studies, queer theory, and other studies of race, gender, and sexuality that are invaluable to expanding our notions of performance and racial hegemony." -- kt shorb * E3W Review of Books *"Chambers-Letson and Nyong’o provide a beautiful genealogy of Muñoz’s scholarship in queer studies, Latinx studies, and performance studies. . . . [T]he book provides readers with myriad understandings of brownness, feeling/sensing brown, and the brown commons." -- James Huynh * GLQ *"Muñoz offers a different way of being found in art and world making." -- Patricia Ybarra * Performance Research *Table of ContentsAcknowledgments vii Editors' Introduction. The Aesthetic Resonance of Brown / Joshua Chambers-Letson and Tavia Nyong'o ix 1. The Browns Commons 1 2. Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs) 8 3. The Onus of Seeing Cuba: Nilo Cruz's Cubanía 24 4. Meandering South: Isaac Julien and The Long Road to Mazatlán 29 5. "Chico, What Does It Feel Like to Be a Problem?": The Transmission of Brownness 36 6. The Vulnerability Artist: Nao Bustamante and the Sad Beauty of Reparation 47 7. Queer Theater, Queer Theory: Luis Alfaro's Cuerpo Polizado 59 8. Performing the Bestiary: Carmelita Tropicana's With What Ass Does the Cockroach Sit?/ Con Que Culo se Sienta la Cucaracha? 78 9. Performing Greater Cuba: Tania Bruguera and the Burden of Guilt 86 10. Wise Latinas 100 11. Brown Worldings: José Rodríguez-Soltero, Tania Bruguera, and María Irene Fornés 118 12. The Sense of Wildness: The Brown Commons after Paris Burned 128 13. Vitalism's Afterburn: The Sense of Ana Mendieta 141 Notes 151 Bibliography 167 Index 175

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Book SynopsisIn Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.Trade Review"Anteaesthetics is the study of black aesthetics I didn't know I sorely needed. Bradley offers a razor-sharp and sumptuous meditation on black aesthetics in, through, and vestibular to an anti-black world."—Alexander Ghedi Weheliye, Brown University"Rizvana Bradley's searching theory of black aesthesis traces black art's recursions through the violent origins of the aesthetic. Anteaesthetics opens a mode of reading for black art's non-instrumental exploration of abyssal descent. An incisive and energizing book through and through."—Rei Terada, University of California, Irvine"In this brilliantly conceived and exquisitely rendered study, Bradley offers a path-breaking analysis that will revolutionize how we approach, contest, and undo the Western visual field. Anteaesthetics offers an indispensable and undisciplined new frame for black feminist theorizing."—Huey Copeland, University of Pennsylvania"Incisive and compelling, Bradley's Anteaesthetics restores to thought and feeling a capacious sense of the aesthetic, revealing its tremendous and violent power as nothing less than foundational to a racially typified modern world."—Shane Denson, Stanford University"Anteaesthetics limns the depths of aesthetic and semiotic violence, refocusing our theoretical vision. This is an indispensable text—a tour de force."—Calvin Warren, Emory UniversityTable of ContentsIntroduction 1. Toward a Theory of Anteaesthetics 2. The Corporeal Division of the World, or Aesthetic Ruination 3. Before the Nude, or Exorbitant Figuration 4. The Black Residuum, or That Which Remains 5. Unworlding, or the Involution of Value

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Book SynopsisTrade Review"The staying power of this book is how it models a way to think outside accumulated disasters as discrete events, how to use ethnography to render life under a constant state of precarity and violence. Khayyat’s approach, ethnographic sensitivity, and relentless focus on “living with” rather than “living despite” scale up and apply broadly to accumulated crisis in both other locales and on a planetary scale." * International Journal of Middle East Studies *"A Landscape of War is a rich and daring ethnography. Ethically and politically committed to honoring the terms through which her interlocutors understand their vital and lethal environments, Khayyat conceptualizes war as a place of life and reclaims resistance as political action, highlighting its ordinary and relational nature. . . . a powerful and necessary meditation on the domesticity of war: war as something that is managed and that can be (to a certain extent) tamed, as well as a space that is inhabited, that bitterly becomes home." * Current Anthropology *Table of ContentsContents List of Illustrations Prelude: Warlight Acknowledgments Note on Language and the Text Introduction: War, from the South 1. A Brief History of War in South Lebanon 2. Battle/field 3. The Bitter Crop 4. How to Live (and Die) in an Explosive Landscape 5. Maskun, or Nature’s Resistance 6. The Gray Zone Conclusion: Life as War Coda: A Marriage in Galilee Notes Bibliography Index

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Book SynopsisTrade ReviewMills radically challenges us to reevaluate how we think about social contract theory, the concept of race, and the structure of our political systems. This is a very important book indeed. * teaching philosophy *Mills contends that the ground zero of Western democratic societies is not the mythical social contract that has prevailed among political philosophers but a 'racial contract.' * THE NATION *This book is a testament to Mills's expertise as a philosopher, a scholar, and a downright intelligent writer. * Small Axe *An important and timely reminder of the ways in which a philosophy which ignores race is bound up with the privileging of whiteness. * Women's Philosophy Review *Table of ContentsINTRODUCTION 1. OVERVIEW The Racial Contract is political, moral, and epistemological The Racial Contract is a historical actuality The Racial Contract is an exploitation contract 2. DETAILS The Racial Contract norms (and races) space The Racial Contract norms (and races) the individual The Racial Contract underwrites the modernsocial contract The Racial Contract has to be enforced throughviolence and ideological conditioning 3. "NATURALIZED" MERITS The Racial Contract historically tracks the actual moral/political consciousness of (most) white moral agents The Racial Contract has always been recognized by nonwhites as the real moral/political agreement to be challenged The "Racial Contract" as a theory is explanatorily superior to the raceless social contract

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Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *A sumptuous new edition with much additional material and copious color pictures....The books are a wonderful resource: a glitteringly decorated window into the Du Bois Institute's unrivalled archive of relevant images. The accompanying essays, which are models of erudition, are inescapable reading for anyone interested in the subject. -- Felipe Fernández-Armesto * The Art Newspaper *In his fresh introduction for volume 1, Jeremy Tanner, Greek and Roman art/archaeology specialist, recontextualizes the text and images in the original volume of this work in light of the explosion of scholarship examining the notions of race and identity as constructed historically and in the present. Tanner's well-researched, critical essay offers a rich bibliography of the literature on the subject of race and representation in ancient art...The high-quality color images that have replaced black-and-white images, and the more richly textured black-and-white images, all printed on good quality art stock paper, help to reinforce arguments where color symbolism is deemed critically important. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *

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Book SynopsisA rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.Trade ReviewA great book…A story that needs to be told! — Sonny Rollins Vivid and beautiful... — Los Angeles Times Unprecedented...explores a seminal period in jazz culture, including how [jazz clubs] broke racial barriers...an incredible trove of unseen photos and memorabilia as well as exclusive interviews with Sonny Rollins, Quincy Jones and Dan Morgenstern, among others. — JAZZIZ Magazine Sending big-time props to my brother, Jeff Gold, on the release of his new book, Sittin' In—the first book exclusively dedicated to the story of America’s jazz clubs...This book covers the incredibly important role jazz played in integration, as jazz clubs were among some of the first places that allowed integration during the Jim Crow era, on stages & in the audiences. It was never about the color of your skin...jazz was & is simply about, “Can you play, sucka!” & that’s exactly what this book is about! — Quincy Jones A vibrant history of jazz clubs...beautifully designed...meticulously laid out and researched. — AllMusic/The Year’s Best Music Books Sittin’ In is fabulous: well thought out, beautifully put together, and artfully done with superb taste. A treasure. — Herb Alpert A beautiful book...highly, highly recommended. — Tell Me Everything with John Fugelsang/SiriusXM Absolutely fascinating...a thoroughly entertaining, coherent, visually enticing package. — Analog Planet Sittin’ In is in a word—exquisite. Meticulously laid out and extensively researched, it’s a deep dive into this amazing period of American cultural history. These venues and this amazing music were among the best vehicles for integration the country ever had. This was an America really making a go of bringing people together. It wasn’t legislation. It was Jazz. And it worked. We are incredibly lucky to have Sittin’ In. The musicians in these pages made some of the most sublime music you will ever hear. Seek it out if you have not already. — Henry Rollins Without a doubt a MAJOR contribution to jazz history in so many ways. An explosion of never-before-seen images, an expert history of the music it celebrates, and lengthy and superb interviews with a killer-row of musicians and scholars. Truly a must-have for anyone for whom swing is the thing. — Loren Schoenberg, Former Executive Director/Current Senior Scholar of the National Jazz Museum in Harlem Any research project of this depth and breadth deserves celebration, especially when it focuses on places and ideas that are usually dismissed in most jazz histories and studies. So valuable, and so browsable—to use a book industry term, one I have affection for, that basically says, "jump in anywhere and carry on from there..." That's this book. With inspired, insightful interviews with Quincy Jones, Sonny Rollins, Jason Moran, and others. — Ashley Kahn, author of Kind of Blue: The Making of the Miles Davis Masterpiece, A Love Supreme: The Story of John Coltrane's Signature Album, and The House That Trane Built: The Story of Impulse Records This book is a revelation. In these unique images of mid-century jazz clubs, the camera is turned on the audience—showing the hidden history of racial integration. — Jon Savage, author of England's Dreaming: Sex Pistols and Punk Rock; The Searing Light, the Sun and Everything Else: Joy Division, 1966: The Year the Decade Exploded; and Teenage: The Creation of Youth Culture You definitely feel like you’re back in the era when looking at these photos...just fascinating. — Press Play with Madeline Brand/KCRW Los Angeles This marvelous book is a must tor anyone interested not only in the history of jazz and American city culture but also tor it's wondrous design...Take the trip! It just might blow your mind... — Nels Cline/Wilco and The Nels Cline Singers Book of the year! Easily! — Johan Kugelberg, author of The Velvet Underground: New York Art and Punk: An Aesthetic Sittin' In is a book that has a lot to say, with or without words…It champions and shines a long overdue light on a golden era of our society. Jazz is the backdrop and, as it still does today, feeds the very soul. But here we take a closer look and see that the jazz culture was, and is, a powerful spirit of our humanity. — All About Jazz This wondrous book is most appreciated...The real joy here is just looking at all of the photos of “regular” jazz fans sitting in booths, just hanging out and enjoying themselves in clubs. Souvenir photos of people gathering in booths, as well musicians on stage reveal a culture and worldview of life’s simpler pleasures. The writings, as well as the wonderful photos and illustrations all seem to shout out “this is what you are missing in life” and makes me pray for a return of people putting the real meaning into the term “jazz club”. — Jazz Weekly Serious jazz fans should have this book…A sharp, clear explanation of a long-gone era of musical and social exploration. — The Arts Fuse ...a swinging book, with amazing interviews and pictures about jazz clubs. You really might want to check it out. — Penn Jillette This handsome book looks back not only to the distant years of clubs long gone, but to a seemingly equally distant time...when we could gather freely with one another, relax, and enjoy the best live music in the land. — Wall Street Journal ...offers an unprecedented look inside the jazz clubs from this era across the United States. Drawing on an incredible trove of never-before-seen photos and memorabilia, [Gold] gives us a glimpse at a world that was rich in culture, music, dining, fashion, and more. — LA Weekly ...serves as a welcome escape for those yearning to see live music again. — Jewish Insider This is a terrific book about the history of jazz clubs and the great artists who played them. Highly recommend! — Billy Crystal Jeff Gold's Sittin' In is a terrific new book documenting the jazz clubs of the 1940s & 1950s...the photographs are a treasure, and the text is fascinating. Even if you aren't an aficionado of the jazz of this era, or of jazz in general, the stories of the time and of this culture (let alone the lasting impact on music) make this one well worth owning. — Benmont Tench What a great book—I’m staggered by the archival material that’s been researched. — Bill Wyman The images testify not just to jazz’s popular peak but to a now-distant optimistic moment of promise in American life...These images bequeath a rarely published view of Black American middle-class life at mid-century: relaxed, elegant, and urbane...You also come away struck by how singular this postwar moment was. Finally, though, you come away refreshed by the spirit of what once was, a spirit that rebukes and shames where we seem to be today. — The New York Review of Books Excellent. — The Daily Beast

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Book SynopsisAfrican American Religion offers a provocative historical and philosophical treatment of the religious life of African Americans. Glaude argues that the phrase, African American religion, is meaningful only insofar as it singles out the distinctive ways religion has been leveraged by African Americans to respond to different racial regimes in the United States.Table of ContentsChapter One: ; The Category of "African American Religion" ; Chapter Two: ; Conjure and African American Religion ; Chapter Three ; African American Christianity and Its Early Phase (1760-1863) ; Chapter Four ; African American Christianity: The Modern Phase (1863-1980) ; Chapter Five ; African American Christianity: The Contemporary Phase (1980-present) ; Chapter Six ; African American Islam

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Book SynopsisTrade Review"In a crowded field of studies on higher education, Broke distinguishes itself by presenting a truly unique, multifaceted, and critical portrait of the 'new university' as a racial project. Hamilton and Nielsen convincingly demonstrate how processes of 'postsecondary racial neoliberalism' concentrate underrepresented students of color in the least resourced public universities. In these institutional settings, diversity policies and practices are shaped not by only colorblind ideology, but austerity as well."--Michael Omi and Howard Winant, coauthors of Racial Formation in the United States "Broke has the makings of a classic for the sociology of higher education, race, and class stratification. Hamilton and Nielsen document the evolution of the 'new university' in race- and class-stratified society during what they coin as the 'postsecondary racial neoliberal' era. Bolstered by strong empirical analyses and captivating, incisive writing, this book draws the reader in and beckons us to shatter both the realities and ironies of segregated university education as conduits of economic mobility in a wealthy society." --Prudence L. Carter, author of Stubborn Roots: Race, Culture, and Inequality in U.S. and South African SchoolsTable of ContentsIntroductionThe Changing Face of the UC 1. Battle with the Rankings 2. P3 Paradise 3. Running Political CoverResponses to Underfunding 4. Austerity Administration 5. Tolerable SuboptimizationDealing in Diversity 6. Student Labor and Centers of Support with Veronica Lerma 7. Marketing DiversityBreaking the Cycle Acknowledgments Methodological Appendix: On Being White and Studying Race Notes References Index

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Book SynopsisDescribes author's boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.Trade Review"America came to him in a public ward in the Los Angeles County Hospital while around him men died gasping for their last bit of air, and he learned that while America could be cruel it could also be immeasurably kind. . . . For Carlos Bulosan no lifetime could be long enough in which to explain to America that no man could destroy his faith in it again. He wanted to contribute something toward the final fulfillment of America. So he wrote this book that holds the bitterness of his own blood." -- Carlos P. Romulo * New York Times *"Bulosan’s gripping memoir-novel of a young Filipino immigrant long ago secured its place in Asian American literature. . . . An outstanding introductory essay extends the historical discussion (and in some ways brings it full circle) in this third edition. . . . [Bulosan’s] call to action resonates with the same urgency today as it did seven decades ago." -- Greg Lewis * Pacific Northwest Quarterly *"To resist the call to heartlessness, let’s heed the call to idealism expressed by Bulosan in America Is in the Heart." -- Tyron Beason * Seattle Times *

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Book SynopsisAn alternatingly funny and poignant memoir from our finest living example of [the American civic poet] (The New York Times)Trade Review"In his powerful and gripping memoir, Robert Pinsky chronicles his Jewish American upbringing in New Jersey and shows how it led him to poetry, vividly illuminating a disappearing time and place in America, and shining a light on what it means to be a poet. At once expansive and lyrical, historically significant and deeply intimate, Jersey Breaks tells an unforgettable story." -- Meghan O’Rourke, author of The Invisible Kingdom"What makes a great poet? Robert Pinsky provides some of the ingredients to his becoming an American original. We know that a language obsession will feed itself in unlikely places. But what places, exactly? Poetry craves particulars. Pinsky gives us Izzy Ash’s junkyard, the Tally-Ho Tavern, the magazines in the waiting room of his father’s optical shop, the library at Stanford University. He’s too wise to force cohesion. The result is a lyrical coming-of-age story centered around lyricism itself." -- Russell Shorto, author of Smalltime"Robert Pinsky pays attention. That’s how he became an American poet: by hearing music even in the syllables of the conductor’s voice calling out, ‘Passengers going to Hoboken, change trains at Summit.’ Only such a poet, so attuned to the melody of language, could see the formidable feat of translating Dante as a matter of ‘metrical engineering.’ The other half of that phrase is important, too, since engineering is a question of work, and this is a chronicle of the working class, the memoir of an optician’s son who understands that real work is essential to the creation and appreciation of poetry. (He was a distracted student, producing as hilarious proof here a report card only a future poet could generate.) This poet knows well that he owes his life as a poet to others—his recollections of teachers like Paul Fussell are particularly vivid—and so he was a generous poet laureate committed to the principle of service, listening to the voices of others. In that spirit, we should listen to the voice of Robert Pinsky, the intelligence and grace of his prose, his poetry, his song." -- Martín Espada, National Book Award-winning author of Floaters

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