Textile arts and artworks Books

Book SynopsisA seasonal collection of quilts inspired by life in the countryside. With 20 new projects that are suitable for a range of skill levels and include 12 large quilts and 8 smaller items, which can be customized to suit your own décor.Highly Commended for Best Sewing Book in the Creative Book Awards 2025Selected for its warm, inviting approach to traditional quilting with a modern twist inspiring readers to create beautiful, heirloom-quality quilts with confidence and creativity.'A brand new collection of quilts and projects from one of the most recognizable and best-loved quilt designers in the UK. These inspiring designs, photographed in beautiful rural locations, reflect the changing seasons and beauty of the British countryside. Each of the four chapters features inspirational lifestyle photography showing the quilts in beautifully styled settings.For all skill levels from beginner to advanced, the book includes the guidance and practical knowledge you need to begin quilting successfully. The 12 large quilts and 8 smaller projects and accessories can also be made in alternative colours and fabrics to fit your own style, making them enormously versatile.This is the book for any quilter and lover of country style.

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Book SynopsisThe Victoria and Albert Museum in London has one of the most comprehensive and important collections of Chinese art outside East Asia. This calendar showcases the collection. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

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Book SynopsisA creative and practical guide on how to get in touch with your local natural world to create thoughtful works of textile art. Filled with projects and step-by-step techniques, this book is perfect for textile students and professionals alike. Renowned quilter and textile artist Helen Parrott explores the creative potential of your local surroundings and teaches you the processes and techniques used to create beautiful textile artworks. Drawing on the Slow Stitch movement, she explains how mark-making techniques can be used meditatively to record personal lives and surroundings influenced by seasonal changes of colour, energy and light. She encourages you to connect to your own locality, whether it be urban or rural, at home or on holiday, and its specific seasonal aspects in order to create a personal, working cycle of textile art. The book is divided into seasons; from learning how to spot the first signs of Spring to recording seasonal characteristics – equinox through to solstice – Helen teaches you how to be in tune with your environment. Each location will have different signs, so each artwork will truly be unique. Techniques and projects are also covered in this book: she first teaches you the basics of both hand and machine stitch techniques, working with free-form stitching, chain stitch, corded quilting and then moves onto appliqué, blackwork and dyeing. The techniques build in complexity ending with pieced textiles and collages. Helen also explores how to work with dot and line, repeating patterns, light and shadow, colour (and lack of colour), plant structures and people in landscapes. The last chapter consolidates techniques you've learnt in the book and showcases finished works from her exhibitions, as well as the Bradford Textile Archive, to help you better understand where inspiration leads.

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Book SynopsisSusan Kay-Williams is the Chief Executive of the Royal School of Needlework at Hampton Court. She has a long-term interest in textiles and was introduced to dyeing on a one-day workshop in the 1980s. Susan is constantly in demand as a speaker, especially for NADFAS in the UK, and internationally in the US and Japan. She is a fellow of the RSA.Trade ReviewThe Story of Colour in Textiles is an introduction to a broad, diverse and fascinating subject of how and why people dyed textiles. A fresh review of this topic, this book brings previous scholars' work to light again, alongside new discoveries and research. * Embroidery *A detailed and fascinating history of the dyeing of fabric and yarn, this is a great book for textiles students, history lovers and anybody interested in dyeing processes and history. Its subtitle is Imperial Purple to Denim Blue, which is a fabulously concise and intriguing description of the journey dyeing has taken over the centuries. The book looks at the symbolism of colour through the ages, the many natural dye sources and their origins and the impact of synthetic dyes on the textile industry. * Inside Crochet *The book covers an impressive range of material; The Arnolfini Marriage, the emergence of meanings in colour, The Plictho, selvedge colours and hierarchies of dyers are all clearly discussed... The Story of Colour in Textiles is well-researched and readable. It is engaging...has good colour reproduction, and satisfyingly extensive references at the end of each chapter. A great book for both the casual and the academic reader, it merits being kept for reference. I thoroughly recommend it. -- Lorna Lindfield, Avon Guild * Journal for Weavers, Spinners & Dyers *Aimed equally at textile student and the craft dyer, [The Story of Colour in Textiles] is full of fascinating information for anyone interested in the history of decorative arts . . . For anyone who works with fabric, this is a very interesting read and an ideal way to gain an overview of fabric dyeing and its lengthy history. * Creative Life Magazine *This beautifully presented book with its superb illustrations will be greatly enjoyed and appreciated by all those with an interest in textiles and embroidery. As we follow the history of colour and dyeing from pre-history to the present day it is interwoven with politics, religion, social standing, wealth, trade, fashion and the exciting developments and challenges that came with the arrival of synthetic dyestuffs. It is a fascinating story on a subject that is part of our everyday life. * NADFAS Review *Table of ContentsAcknowledgments Preface Introduction Chapter one: Fragments and glimpses - dyes from pre history Chapter two: The Dark Ages - surprising colour Chapter three: New skills, burgeoning trade - the Middle Ages Chapter four: Broadening horizons - the sixteenth century Chapter five: Mystery, art and science - the seventeenth century Chapter six: Analysis, understanding and invention - the eighteenth century Chapter seven: Ryots, rewards and handsome colours - the nineteenth century Chapter eight: A hundred yellows - the twentieth and twenty-first centuries References Photo credits Bibliography Index

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Book SynopsisThe brainchild of bestselling author Alexander McCall Smith, historian Alistair Moffat and artist Andrew Crummy, the Great Tapestry of Scotland is an outstanding celebration of thousands of years of Scottish history and achievement, from the end of the last Ice Age to Dolly the Sheep and Andy Murray’s Wimbledon victory in 2013. This book tells the story of this unique undertaking from its original conception and creation by teams of dedicated stitchers to its grand unveiling at the Scottish Parliament in 2013, its subsequent touring and the creation of its permanent home in the Scottish Borders.Trade Review'[T]his beautiful book follows the journey taken during the creation of this fascinating project' * The Lady *'the definitive book on this fascinating work of collective creativity' * Herald *

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Book SynopsisThe hugely accomplished textile artist Jean Draper gives an invaluable guide to designing and working with pattern in textile art. Jean goes back to basics with simple dots and lines, demonstrating how even basic squares, circles and triangles can have a stunning impact in stitch and textiles. She provides practical and simple instructions for developing and experimenting with pattern, using grids, symmetry, rotation and repeats. Jean draws inspiration from patterns around the world, from West African Kente Cloth to the Gee’s Bend quilts of Alabama. There are instructions on creating bands and borders, strip patchwork and strip piecing, plus an extended study of Banjara stitched textiles. Natural patterns from plants and flowers also offer exciting opportunities for stitch, and Jean explores important design emblems such a the Tree of Life alongside other stitched flower forms. Finally, the ornamentation of the body provides many unique and striking ways to interpret the human form in stitch. Pattern is everywhere and can be used to stunning effect, taking your textile art to the next level. This fascinating and exciting guide brings together inspiration, design methods and stitching techniques to help you develop truly great textile art.Trade Review‘An enlightening read for crafters and non-crafters alike.' -- Sew * Book Review *‘A fantastic resource for people who love to get on with making, especially those with an interest in creating rich surfaces and taking their work into three-dimensions using textiles and mixed media.' -- Embroidery * Book Review *

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Book SynopsisExtensively illustrated, this is the first accessible publication on the history of tapestry in over two decades. Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK. This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the ‘revival’ of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust’s collection, this book offers a fresh perspective on the history of tapestry across Europe. Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.Trade ReviewExamines the subject in technical and art historical terms and is profusely illustrated with images that convey the diversity and appeal of these remarkable - and sometimes undervalued - works of art. * Country Life *The book will be enlightening for any country-house buff and decorator who wants to know more about the historic tapestries they encounter in English country houses. It will also be an essential reference for historians of English visual culture, providing a fascinating account of the rise and fall and rise again of tapestry as an art form in its own right and as a medium of traditional splendour. -- Tom Campbell, Director of the Fine Art Museum of San FranciscoThis beautifully illustrated book looks at how tapestries were made, how they were used as political tools and how they came into and out of fashion. [...] it’s a fascinating look at an art form that doesn’t get the same attention as paintings. -- Tabish Khan * FAD Magazine *Table of ContentsAcknowledgements Introduction Tapestry Technique I: Art and Industry II: Ritual and Presence III: The Woven Image IV: Tapestry and History Appendix: Makers' Marks Notes Bibliography Picture Credits Index

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Book SynopsisThe first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design Trade Review“Sumptuous. . . . Showcasing Kaffe’s incredible use of colour in his knitting, quilting and textile designs, the book is a feast for the eye, while interviews and essays explore his life and legacy.”—The Knitter“The craftsman and designer, whose distinct sense of pattern, style and the universe’s many hues has earned him a spot in the pantheon of fantastic artists and artisans—and a brilliant anthology of his work in the book Kaffe Fassett: The Artist’s Eye.”—Antonia Bentel, House & Garden

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Book SynopsisThe first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s careerTrade Review“A new exhibition at the Fashion and Textile Museum in London, together with a book by the curators, . . . showcase for the first time Warhol’s lost and virtually undocumented designs for dress fabric, which the artist produced in New York during the booming postwar years.”—Helen Barrett, Financial Times“To see [Warhol’s] pre-Pop creations helps to contextualise him in a new, illuminating way.”—Kathryn Reilly, World of Interiors“Beautifully printed, this is a book of real quality that allows the work room to sing.”—World of Interiors

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Book SynopsisArtist and photographer Rudi Molacek has assembled, with an artist's eye, an idiosyncratic collection of more than 300 Tibetan carpets, rugs, mats, seat-, bench- and saddle-covers. Between the 15th and the 20th centuries they were woven for both sacred and secular purposes by Tibetan nomads and villagers, and in the shadow of monastic centres across the Tibetan Plateau. The first volume presents Tibetan rugs intended for sitting, sleeping, meditation and horse riding, as well as those made to furnish the region's prestigious temples and monasteries an expression of the relative wealth and status of their owners. The second volume focuses on a group of so-called Wangden' rural rugs, characterised by a unique weaving technique, some of which have been the subject of an illuminating exercise in radiocarbon dating to establish the antiquity of the tradition.

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Book SynopsisThe events of your life, from local walks to exotic trips, can provide endless inspiration for textile art. This inspiring book shows you how to record your experiences, using sketchbooks, journals and photography, to create personal narratives that can form a starting point for more finished stitched-textile pieces. Acclaimed textile artist and teacher Cas Holmes, whose work is often inspired by her life and the journeys she makes, helps you find inspiration through your own life and explains how to record what you see in sketchbooks and journals, which can often become beautiful objects in themselves. She explains how you can use photography, both as documentation and as inspiration, and sometimes incorporate it into the work itself, along with found objects and ephemera. Throughout the book are useful techniques that can be harnessed to add extra interest to your work, such as methods for making layered collages, how to 'sketch' with stitch, and advice on design and colour. If you want to create beautiful, unique work inspired by your life and travels, this is the perfect book for you.

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Book SynopsisThe history of men's needlework has long been considered a taboo subject. This is the first book ever published to document and critically interrogate a range of needlework made by men. It reveals that since medieval times men have threaded their own needles, stitched and knitted, woven lace, handmade clothes, as well as other kinds of textiles, and generally delighted in the pleasures and possibilities offered by all sorts of needlework. Only since the dawn of the modern age, in the eighteenth and the nineteenth centuries, did needlework become closely aligned with new ideologies of the feminine. Since then men's needlework has been read not just as feminising but as queer. In this groundbreaking study Joseph McBrinn argues that needlework by male artists as well as anonymous tailors, sailors, soldiers, convalescents, paupers, prisoners, hobbyists and a multitude of other men and boys deserves to be looked at again. Drawing on a wealth of examples of men's needlework, as well asTrade ReviewThis book pricks your creative imagination. It will enable you to unpick and weave the history of men’s needlework and it will encourage you to pay a little more attention to those queer and subversive stitches. * Textile: Cloth and Culture *A comprehensive study of men who turned to needlework ... [McBrinn's] present-day analyses are the liveliest, unpicking long-held notions of femininity and masculinity within the field of cultural production. * Elephant Magazine *An insightful, humorous, yet poignant and empathetic exploration of the history of men in the field of embroidery. * Book Threads *McBrinn’s book marks an urgent intervention in the field of craft studies and it will be an essential text for those interested in the history of needlework and masculinity ... it will also become an important starting point for scholars looking to explore much wider, more diverse and inclusive approaches to investigations of queerness and craft in the future. * Art History *I devoured this in one sitting ... McBrinn has drawn together such a readable history of this hitherto overlooked subject, which not only demands to be recognised alongside Rozsika Parker’s, but prompts fresh discourse on men’s history in needlework. * Embroidery *[A] thoughtfully fluid theorization of masculinity, homosexuality and subcultures, as well as class and race, into a nuanced analysis grounded in fascinating textual and visual primary sources. * Journal of Design History *Joseph McBrinn adds immeasurably to [needlework] literature through an unprecedented focus on men who sew. His richly researched and engagingly written narrative shows how various formations of modern masculinity have found expression through this medium. Queering the Subversive Stitch is at once a major scholarly contribution and a moving story about men’s lives. * Glenn Adamson, Yale Center for British Art, USA *But for the fact I couldn’t put this book down, I would have taken up a needle and thread and started sewing. McBrinn takes us on an astonishing journey through the needlepoint and embroidery of nineteenth century sailors, Hollywood film idols, trade unionists and those in mourning at the height of the AIDS pandemic. Over 80 images show us men at work with their needles on deck, at home, in groups and in public; they illustrate the gamut of that work – from the floral and religious to the activist and tenderly homoerotic. This is very far from a niche history – it stiches together countercultures and elites, histories of masculinity and sexuality, and queer and gender theory. And McBrinn does this deftly – developing sophisticated, incisive arguments about the history, status and meaning of men sewing with wit and an enviable light touch. * Matt Cook, Birkbeck, University of London, UK *Table of ContentsList of Illustrations Preface Acknowledgements 1. “Only sissies and women sew”: an introduction 2. Needlework and the creation of masculinities: “the prick” of patriarchy 3. “Killing the angel in the house”: Victorian manliness, domestic handicrafts and homosexual panic 4. “The mesh canvas”: amateur needlecrafts, masculinity and modernism 5. Masculinity and “the politics of cloth”: from the “bad boys” of postmodern art to the “the boys that sew club” of the new millennium 6. Conclusion: “Men who Embroider” Notes Select Bibliography Index

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Book SynopsisA definitive survey on the Dada participant and pioneer of abstraction between art and craft, spanning her textiles, marionettes, stained glass, paintings and moreA New York Times critics'' pick Best Art Books 2021Accompanying the first retrospective of Taeuber-Arp?s work in the United States in 40 years, Sophie Taeuber-Arp: Living Abstraction is a comprehensive survey of this multifaceted abstract artist?s innovative and wide-ranging body of work. Her background in the applied arts and dance, her involvement in the Zurich Dada movement and her projects for architectural spaces were essential to her development of a uniquely versatile and vibrant abstract vocabulary. Through her artistic output and various professional alliances, Taeuber-Arp consistently challenged the historically constructed boundaries separating fine art from craft and design.This richly illustrated catalog explores the artist?s interdisciplinary and cross-pollinating approach to abstraction through some 400 works, including textiles, beadwork, polychrome marionettes, architectural and interior designs, stained glass windows, works on paper, paintings and relief sculptures. It also features 15 essays that examine the full sweep of Taeuber-Arp?s career. Arranged into six chapters that follow the exhibition?s sections, these essays trace the progression of Taeuber-Arp?s creative production both chronologically and thematically. A comprehensive illustrated chronology, the first essay on Taeuber-Arp?s materials and techniques, and an exhibition checklist based on new research and analysis detail the expansive nature of Taeuber-Arp?s production.Sophie Taeuber-Arp was born in 1889 in Davos, Switzerland, and trained at the interdisciplinary Debschitz School in Munich. In 1914, she began a successful applied arts practice in Zurich, where she also taught textile design and participated in the Dada movement. Starting in the late 1920s, Taeuber-Arp completed several architectural and interior design projects, most significantly the Aubette entertainment complex in Strasbourg. When she moved to Paris in 1929, she turned her attention to abstract paintings and painted wood reliefs. During the Nazi occupation, Taeuber-Arp spent her final years in the South of France, and died of accidental carbon monoxide poisoning in 1943.

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Book SynopsisA groundbreaking, informative, and thought-provoking exploration of fur’s fashionable and controversial historyTrade Review“Comprehensively and sensitively researched...An invaluable resource for those interested in materials of all kinds and fascinated by fashion’s ever-shifting transformations.”—Sarah E. Braddock Clarke, Selvedge“Fur: A Sensitive History is an exceptionally successful book in that it takes on an incredibly complicated material and provides readers with a solid understanding of the complex history of fur when no other book exists on the topic.”—Carson Poplin, Journal of Dress History“The volume lives up to the sensory nature of the subject and is attractively designed and illustrated with extensive colour and black and white photographs...This makes the book a pleasure to look at and read, while the juxtaposition of images from different time periods and disciplines inspires reflection and comparisons.”—Danielle Sprecher, Journal of Design History

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Book SynopsisA general introduction for artists and makers looking to incorporate textiles and textiles techniques into their work. This book introduces you to basic textile techniques and encourages you to experiment with your chosen medium to create your own piece of work. Works by featured artists and designers give you plenty of inspiration, with tips to achieve similar styles and effects. Each section also includes many stimulating ideas for source and reference material. Through colourful images and detail instructions, learn techniques such as transferring images onto fabric, creating fabrics, wireframe construction, 3D wire construction, using a heat tool, materials manipulation, adapting traditional techniques as well as joining, seaming, bonding, layering, mould-making, casting and forming.Trade ReviewThe projects are amazing and huge fun ... It's an ideal book if you're new to creative textiles, but more experienced stitchers will also a got a lot out of it - and the photos are very inspirational * Workshop on the Web *A range of projects that offer a general introduction to textile techniques that can realise impressive results * Embroidery *Table of ContentsAcknowledgements Foreword 1. Brooch 2. Necklace 3. Flowers 4. Boil-away flowers 5. Casting latex shapes 6. Mixed media panel 7. Bird 8. Heads 9. Story boxes 10. Dead cosy Illustrated glossary Index

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Book SynopsisA leading embroiderer with a lifelong love and understanding of African culture and landscape translates the many striking images of Africa into textile art, using embroidery, dyeing and quilting. From the dusky colours of the savannah to the traditional beadwork and pottery of African tribes, the author has used a variety of sources and techniques to produce stunning textiles. The book covers the original source material, the design process and the various techniques necessary to produce stunning final pieces, including dyeing with flour paste resist, seminole patchwork, piecing, patching, stitching, applique, roulleaux, drawn thread surface embellishment and mixed media. Beautifully illustrated with over 90 colour images, the book covers: • The design process • Colour, from natural earth colours to the bright colours of African jewellery and body paint • Pattern, from stripes and zigzags to circles and triangles • Texture and surface, including ridges, raised surface, edges and surface additions • An exercise project to get you startedTable of ContentsInspirational pieces demonstrate how to translate African motifs into stunning textiles Guides you through every aspect of the design process from page to product Expert advice on all arts and skills makes even advanced techniques easy Illustrations and case studies by leading artists both instruct and inspire

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Book SynopsisMeticulously woven by hand with wool, silk, and gilt-metal thread, the tapestry collection of the Sun King, Louis XIV of France, represents the highest achievements of the art form. Intended to enhance the king's reputation by visualizing his manifest glory and to promote the kingdom's nascent mercantile economy, the royal collection of tapestries included antique and contemporary sets that followed the designs of the greatest artists of the Renaissance and Baroque periods, including Raphael, Giulio Romano, Rubens, Vouet, and Le Brun. Ranging in date from about 1540 to 1715 and coming from weaving workshops across northern Europe, these remarkable works portray scenes from the bible, history, and mythology. As treasured textiles, the works were traditionally displayed in the royal palaces when the court was in residence and in public on special occasions and feast days. They are still little known, even in France, as they are mostly reserved for the decoration of elite state residences and ministerial offices. This catalogue accompanies an exhibition of fourteen marvelous examples of the former royal collection that will be displayed exclusively at the J. Paul Getty Museum at the Getty Center from December 15, 2015, to May 1, 2016. Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field.Trade Review"Clear, distinct, and lucid in the extreme, Woven Gold is positively Cartesian. . . . The reproductions of the exhibited tapestries, their accompanying images and superb selection of details--even the woven gold cloth of the hard cover, makes for a beautiful book, as well as a great Franco-American collaborative achievement."--Burlington Magazine "Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field."--Apollo Magazine

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Book SynopsisStart crocheting your own colorful granny squares with this all-in-one kit—includes a project book, a hook, a needle, and two colors of yarn. Granny squares are to crochet what pieced squares are to quilting. Originating with pioneer women using up precious scraps of yarn to make blankets for their families, granny square patterns have been handed down from one generation to the next—and now’s your chance to take part in a little bit of that history. The Granny Square Kit offers crocheters of all skill levels more to love about granny squares. Author and designer Margaret Hubert shows you the amazing versatility and variety of this portable and convenient technique of crocheting square by square. Kit includes:   32-page project book Yarn (2 colors) Crochet hook Plastic needle With the fully illustrated project book, you’ll learn:

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Book SynopsisAn examination of the origins and history of kilim textiles. The core of the book is devoted to the specific characteristics of region, tribe and kilim type. It also includes an account of techniques, embracing materials, dyes and dyeing, tools, kilim structures and weaving.Trade Review'An essential guide' - Antique Collector'Anyone embarking on even the simplest purchase would do well to buy this book first' - Financial TimesTable of Contents1. Introduction • 2. Making Kilims • 3. Motifs and Symbolism • 4. North Africa 5. Anatolia • 6. Persia and the Caucasus • 7. Afghanistan and Central Asia • 8. A Kilim Miscellany • 9. New Kilims • 10. Collecting Kilims • 11. Caring for Kilims • Glossary; Bibliography; Dealers, Sources and Services; International Auction Houses; Sources

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Book SynopsisFrom the V&A's enthralling collection of distinctive William Morris wallpapers. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

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Book SynopsisArtistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.Trade Review'A wonderful and consistently fascinating study … especially revealing about the interplay between the indigenous artist and the colonial audience' - Scotland on Sunday

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Book SynopsisThe Royal School of Needlework is the international centre of excellence for the art of hand embroidery. This stunning calendar showcases some impressive pieces from the school's collection. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

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Book SynopsisCombine the art of macramé with the practice of mindfulness in this stunning gift book. Each of the 17 projects contains breathing exercises, questions to reflect on and guided journal prompts so that you can center yourself while crafting something beautiful.Written by acclaimed macramé artist Isabella Strambio, this book offers a unique combination of practical and personal, inviting you to embrace a mindful and meditative experience through knotting. Each knot tied is a chance to slow down and experience the satisfaction of making something beautiful with your hands while nourishing your soul in the process.Choose from quick 30-minute creations (jewelry, belts, keyrings), those that take less than an hour (coasters, placemats, plant hangers) to more intricate designs that invite a few hours of you-time (wall hangings, baskets).Each one is customizable in color and size, offering opportunities to decorate your home with meaningful pieces or make thoughtful gifts.Included : 17 simple-but-stunning beginner-friendly projects including wall hangings, jewelry, plant hangers, placemats, coasters and keyrings, ordered by the time needed Breathing exercises and guided journal pages with space to note down your thoughts and reflections for every project Easy-to-follow step-by-step photography for all the knots, patterns and projects Whether you?re dipping your toes into the waters of mindfulness and crafting for the first time or seeking fresh inspiration and support, this beautifully illustrated gift book welcomes you with open arms.

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Book SynopsisA lavish show case of fine art featuring 51 celebrated fibre artists from around the world.

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Book SynopsisThis illustrious guide to modern print design is, first and foremost, an art book, but serious designers will find it to be a useful reference as well. The editors of this collection provide a straightforward account of the development of the most influential print styles in high fashion around the world today. Advice, instruction, and hundreds of vibrant examples will inspire designers with an open mind. Serigraphy and its various manifestations, digital printing, a wide range of embroidery combinations, and thermotransference are just some of the proven, popular print techniques described in detail. If you''re just getting started, find tips on purchasing the right equipment and keeping a print design notebook. Use the glossary of nearly 40 different fabric types to your advantage. A substantive selection of motifs and patterns, such as sports themes, geometric designs, and fairy tale prints, should ignite any fashionista''s imagination.

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Book SynopsisA close study of clothes worn by aristocratic families and their households at the time of the Black Prince - and of Chaucer - showing Europe-wide influences.1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture andmanuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into thesocial history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century. STELLA MARY NEWTON's lifelong interest in costume has been the mainspring of her work, from early days as a stage and costume designer (including designing the costumes for the first production of T.S. Eliot's Murder in the Cathedral) to her later work at the National Gallery advising on the implications ofcostume for the purpose of dating, and at the Courtauld Institute where she set up the department for the study of the history of dress.Trade ReviewSomething of a landmark in the history of dress... the period is notably rich in its documentation, and by carefully analysing both the manuscript sources and published accounts [the author] is able to produce an abundantly detailed narrative of the changes in fashion... Tighter clothes outraged moralists, incensed monastic chroniclers and stirred poets... in the last chapter the author discuss[es] the relationship of the garments she has meticulously reconstructed with their possible representations in manuscript illumination, sculpture and painting... Of lasting value... a pioneering book which will be of enduring value to historians of dress and art alike. * APOLLO *The evidence for this scholarly and detailed study is drawn in the first instance from documentary sources... contemporary illustrations reinforce the written evidence... The book contains much that is of wider interest than the subject matter suggests: the various mottoes used by Edward III are discussed, and the problem of his expanding waistline is revealed; there are interesting sidelights on the new orders of chivalry. -- Michael Prestwich * ENGLISH HISTORICAL REVIEW *

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Book SynopsisInspiration and practical tips on incorporating the everyday into textile art. In Embroidering the Everyday, acclaimed textile artist Cas Holmes explores the ‘everyday’ and the ‘domestic’, generating a wealth of inspiration and raw material to create textile work that resonates with time and place. Cas invites us to re-examine the world and use the limitations sometimes imposed by geographic area or individual circumstances as a rich resource to develop ideas for mixed media textiles in a more thoughtful way. With techniques and projects throughout, the book explores: How to be more resourceful with what we have to hand, including working with vintage scraps, homemade dyes and papers, and even teabags and biscuits. Rediscovering family history and how photographs and objects can provide inspiration, including Cas’s own exploration of her Romani heritage. Drawing inspiration from our local landscape and how it changes through the seasons. How to transform materials with mark-making, printing, image transfer, collage and stitch. Packed with inspirational work from the author, and other leading practitioners who place the everyday at the heart of their work, this treasure trove of ideas, techniques and practical projects is an essential guide for our times.Trade Review‘If you’re feeling a bit short on inspiration, this book from Cas Holmes is just the thing to get you finding the wonderful in everyday items’ -- Simply Sewing‘A plethora of ideas and techniques’ -- The Quilter‘There is so much inspiration here, from the ideas themselves to the many ways of developing them into textiles. … Much wisdom is tucked away in this book.’ -- Maggie Grey * WOW Book Looks Newlsetter *‘The book is full of ideas and small exercises that may not take long in themselves but will fire off other ideas and send you in new directions’ -- Alex Messenger * Book Treads *

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Book SynopsisA compelling look at the aesthetic and historical significance of Lagerfeld’s work—from his elegantly tailored pieces for Chanel to the witty, playful ensembles that came to define the Lagerfeld brand “The Met’s latest tome expertly narrates the journey that earned Lagerfeld his seat at the hallowed throne of modern high fashion.”—V Magazine Unparalleled in its luxurious presentation, this publication celebrates the virtuoso artistry of Karl Lagerfeld (1933–2019). Designed to evoke an elegant parchment-and-cloth artist’s portfolio, it boasts a pageant of stunning fashion photography alongside Lagerfeld’s original sketches, offering a behind-the-scenes window into his process as well as his sartorial brilliance. Silver inks and select gold pages punctuate the book’s stylish packaging and recall the designer’s signature accessories. An illustrated timeline, unfurling from the back of the volume, chronicles the designer’s long and illustrious career. Lagerfeld produced over 10,000 pieces of clothing across his extraordinary 65 years as a powerhouse fashion designer, from his time at Chloé and Fendi in the 1960s and 1970s to his celebrated leadership in the 1980s and beyond at Chanel and with his own label. His voracious curiosity and boundless imagination yielded beautiful, evocative garments, more than 200 of which are showcased here. These are accompanied by personal reflections from Lagerfeld’s premières d’ateliers—the seamstresses behind his extraordinary creations—as well as by Anna Wintour, Patrick Hourcade, Amanda Harlech, and Tadao Ando. A lavish work of art in its own right, this book is also an essential resource on Lagerfeld and how his designs transformed the entire fashion industry. Published by The Metropolitan Museum of Art/Distributed by Yale University PressTrade Review“Karl Lagerfeld: A Line of Beauty can be seen as a kind of dream work as well as a piece of art and scholarship.”—Vogue“Andrew Bolton masterfully displays Lagerfeld’s iconic journey through fashion and design with stunning photographs and intelligent prose. . . . The book itself is a work of art––crafted with a variety of textural papers and adorned with rich gold colour. A must-experience for anyone seeking to understand the profound artistry that defined [Lagerfeld’s] legendary 65-year career.”—RGD Book Club (Association of Registered Graphic Designers), Design Books Gift Guide“This catalogue is a guide to the man and his work, a guide that Karl—even Karl—would have loved.”—Anna Wintour“The intersection of a serpentine line with a straight line . . . cross, overlap, and crush against each other, creating tension and expansion . . . offering a glimpse into the introspective world of Karl Lagerfeld.”—Tadao Ando“[Karl Lagerfeld: A Line of Beauty] sheds light on the work of a designer of genius who marked the history of fashion . . . forever.”—Chanel“Karl Lagerfeld: A Line of Beauty invites the public into Karl’s world and reveals the dualities within his work.”—Fendi

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Book SynopsisFind a wealth of instruction and inspiration on how to incorporate naturally foraged materials into your artwork. In the process, discover a range of textile techniques – suitable for all levels and abilities – to complement your design. These include hand and machine stitching, solar dyeing, felting, hapa-zome and more. Using natural materials in textile art is way of connecting a place directly with its artistic representation, but it also makes the artist tap into and observe the true rhythms of the natural world: the seasons, the weather and time. Incorporating consciously foraged goods in art gently forces you to slow down, to take note of each season's bounty, and kindle – or rekindle – an awareness that we are all part of one big eco-system. Each technique forms one of many pillars of Caroline's large body of work, and she has carefully created eight projects, each introduced after a technique, so you can put your new skills into practice. Throughout, Caroline stresses the importance of taking your time and working organically, letting your foraged goods guide your design. This is an approach that not only encourages an intuitive creative process, but develops a more mindful, positive experience for the artist too. Interwoven with practical guidance and projects are Caroline's stunning gallery of works, offering inspirational examples of how to take your work farther, and simultaneously demonstrating nature's abundance and variety. This is an enriching book on textile and natural art that celebrates the maker's relationship with art and the natural world. Trade Review‘Nature is my safe space’ - Caroline Hyde-Brown The above opening words of this book drew me to its author immediately. As a fellow artist, I too have tasted the healing power that a walk in the outside world can provide. This artist has chosen a niche area to really hone in on, the idea of exploring…..with a point. Forage - to seek, to wander to search out supplies of some form. In this titles case, the subject matter within, chases us through many techniques which relate to the initial subject. When I use the word chase in this context, I am not suggesting that the author rushes the learning process, rather reading the books pages excited me enough to want to get on and begin experimenting myself - so it is a positive push via text and image. There are eight techniques with projects for each one; so effectively we can see what use learning a certain method can be for our own artistic practice. Imagine learning through clear instruction how to solar dye, felt, use foraged finds to naturally dye fabrics which can then be used for textile art projects…the one which really confused me in title is ‘Hapa-zone’ (with flowers and leaves). What is it?! I ask. Well, you too can glean your answer if you buy a copy! There is something very soothing about having a purpose on a walk, you become grounded in that moment, distracted from whatever life is nothing you with and suddenly all you are thinking about is location, where you are, what you and trying to find. What does the season say? With a stunning gallery of works to showcase Caroline’s beautiful life of embracing all that she loves and lacing it together via her art in this book, I personally found it one I would really use in my own practice. It fed my mind kindly, not too much to take in, not too arduous a method to trial. What is your nature relationship? Can you connect to it further via using the instructions Caroline vocalises to us through her pages? She classifies herself as a textiles research artist, so this has more body to it than the visual. She has traveled into other counties such as Japan to really experience various forms of life and art. In her words, art and healing can come together to be ‘one big creative adventure’. -- Ailish Henderson * ailishhenderson.com *Combine the power of the natural world with renowned textile artist Caroline Hyde-Brown's suggestions to stitch beautiful textiles creations. Using natural materials is a way to rekindle your connection to the outdoors and tap into the rhythms of the seasons, enabling you to be mindful and create at the same time. Caroline offers expert guidance on a range of techniques from hand and machine stitching, to solar dyeing, felting and Hapa-Some, with eight projects to try. -- Stitch Magazine * Issue 145 *The first time I saw this book I knew that I would love it, and I'm not disappointed. It's not only an instructional book but also a wonderful read. Just browsing through the pages makes me want to go foraging and try yet another technique. Caroline's instructions are clear and cover everything – particular items to look for in each season, how to prepare and store the items, natural dyeing and creating lovely artwork. Her love of both nature and stitching is clear to see on every page and I think anyone with similar interests will love this book as much as I do. -- Val Hatton * Customer Review *Have a few books on textiles, but there aren't so many that directly cover how to use nature in your work in this way. Had seen artist Caroline Hyde-Brown's beautiful work on Pinterest so decided to take a chance on this book - very glad I did. One of her strong points is that she shows you how to sew botanical material directly onto your work. This is quite a comprehensive book, it talks about how she relates to the landscape in Norfolk where she lives, how she goes out to forage, what she collects, processing and storing what is gathered, her work in notebooks, projects to try and then lots of very informative pictures of her fantastic work. I only had to get a few supplies (eg silk tulle, 100% Acetone, chiffon) the rest are things you would have in your stash (eg soluble backing). There is a section on dyeing small bits of fabric, free motion embroidery, image transfer, but also quite a few other techniques she uses like Hapa-zome. I think this book is a very nice balance between showing you her wonderful artwork and 'how to' techniques. She is generous with her knowledge because the book tells you exactly how to do it. So far I have tried the image transfers of trees from my own photographs (have to give it a few more goes to get it how I want). Can't wait to try the dried flower wall hanging and sewing fallen lichen onto work. So glad to have this book to work through over the coming months. Highly recommended if you want to use the natural world around you to incorporate into your work. -- Customer ReviewThis is the book for anyone who enjoys craft work and who cannot go for a walk in the countryside without coming home with a pocket full of ‘treasures’; acorns, interesting wood, leaves, and flowers, the author will help you find a use for them all. I have tried some of the dying methods and all have worked very well. The book is beautifully illustrated through and the instructions are easy to follow. -- Barbara Allan * Customer Review *Learn to incorporate naturally foraged materials into your artwork. Suitable for all levels and abilities, techniques include hand and machine stitching, solar dyeing, felting and hapa-zome. Stunning photos offer inspirational examples of textile and natural art. -- Machine Knitting Monthly * Issue 132 *Table of ContentsIntroduction Foraging Colour the seasons Interconnecting, inspiration & ideas Materials & threads Tools & notions Seek and you shall find... Foraging techniques & projects Technique: Natural dyeing Project 1: Bojagi Patchwork Scented Pillow Gallery Technique: Wet felting Project 2: Forage & Felt Gallery Techniques: Acetone-transfer fabric printing and Free-machining on soluble fabric Project 4: The Brecks Gallery Technique: Nature-inspired hand embroidery Project 5: Natural Shadows & Repeat Patterns Gallery Technique: Pressing plants Project 6: Pressed-flower Wall Hanging Gallery Technique: Decorative free- machine stitching Project 3: Memories & Place Gallery Technique: Hapa-zome Project 7: Hapa-zome Drawstring Bag Gallery Technique: Silk & wool-top backgrounds Project 8: Ancient Woodland Gallery Presentation & framing Gathering my thoughts Templates Index

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Book SynopsisPan-European research on medieval clothing and textiles, drawing from a range of disciplines. This volume continues the series' tradition of bringing together work on clothing and textiles from across Europe. It has a strong focus on gold: subjects include sixth-century German burials containing sumptuous jewellery and bands brocaded with gold; the textual evidence for recycling such gold borders and bands in the later Anglo-Saxon period; and a semantic classification of words relating to gold in multi-lingual medieval Britain. It also rescues significant archaeological textiles from obscurity: there is a discussion of early medieval headdresses from The Netherlands, and an examination of a fifteenth-century Italian cushion, an early example of piecework. Finally, uses of dress and textiles in literature are explored in a survey of the Welsh Mabinogion and Jean Renart's Roman de la Rose. Robin Netherton is a professional editor and a researcher/lecturer on the interpretationof medieval European dress; Gale R. Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Brigitte Haas-Gebhard, Britt Nowak-Böck, Maren Clegg Hyer, Louise Sylvester, ChrystelBrandenburgh, Lisa Evans, Patricia Williams, Katherine Talarico.Trade Review[M]akes several valuable contributions to the fields of textile studies, art history, and archaeology. * STUDIES IN MEDIEVAL AND RENAISSANCE TEACHING *A rewarding combination of archaeological, documentary, literary and representational evidence...which remains essential reading for anyone interested in this field of study. * TEXT *This series is an excellent forum for new research around the world in medieval textiles and dress and the papers merit wider reading. * MEDIEVAL ARCHAEOLOGY *A book to be recommended. * COSTUME *Table of ContentsPreface The Unterhaching Grave Finds: Richly Dressed Burials from Sixth-Century Bavaria - Brigitte Haas-Gebhard and Britt Nowak-Böck Old Finds Rediscovered: Two Early Medieval Headdresses from the National Museum of Antiquities, Leiden, the Netherlands - Chyrstel Brandenburgh Reduce, Reuse, Recycle: Imagined and Reimagined Textiles in Anglo-Saxon England - Maren Clegg Hyer Mining for Gold: Investigating a Semantic Classification in the Lexis of Cloth and Clothing Project - Louise Sylvester Dress and Dignity in the Mabinogion - Patricia Williams Dressing for Success: How the Heroine's Clothing [Un]Makes the Man in Jean Renart's Roman de la Rose - Kathryn Marie Talarico Anomaly or Sole Survivor? The Impruneta Cushion and Early Italian "Patchwork" - Lisa Evans Recent Books of Interest Contents of Previous Volumes

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Book SynopsisThe pleasures to be had from slowing down can be many, with connections to sustainability, simplicity, reflection, and tuning into traditional and other multicultural textile traditions. Slow Stitch is a much-needed guide to adopting a less-is-more approach, valuing quality over quantity, and bringing a meaningful and thoughtful approach to textile practice. Claire Wellesley-Smith introduces a range of ways in which you can slow your textile work down, including: Using simple techniques inspired by traditional practice (including hand-stitch rhythms) Reusing and re-inventing materials (reuse even old textile projects) Limiting your equipment Mending revisited (practical and decorative techniques) Project ideas and resources that help towards making a more sustainable textile practice Richly illustrated throughout, and showcasing work from the best textile artists who work in this way, this is a truly inspirational book for those looking to reconnect with their craft and to find a new way of working.Trade Review‘Slow Stitch offers inspiration—not only for our stitching but also for our minds.’ Spin Off (US)

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Book SynopsisComprises more than 1,000 images that highlight the beauty, subtlety, simplicity or complexity of textiles created around the world. This title illuminates the ways in which structure or surface decoration or embellishment enhance this most tactile of arts.Trade Review'As good as it gets … a wonderful resource and reference book … this wonderfully illustrated book is a rich visual feast … clear and thought-provoking' - Selvedge'Can be picked up often as a reference, an inspiration, or for personal refreshment … an extraordinary accomplishment that pays tribute to this field and its practitioners' - Surface Design Journal'The writer’s knowledge of the field and her practical experience of making are evident throughout … a sumptuous - and well-writtendesign resource aimed at inspiring textile art and design of the future' - Textile History'With its sumptuous cloth cover and more than 1,000 colour images of historical and contemporary textiles, this fascinating journey through the history and meanings of textiles cannot fail to impress' - EmbroideryTable of ContentsI. Impact • II. Ingredients • III. Structure: Non-tensioned Techniques; Looping & Twisting; Weaving • IV. Surface: Insertions; Embroidery; Painting & Printing • V. Added Dimensions: Pleating & Folding; Cutting & Stitching; Elaborations • VI. Imagery: Content; Identity; Narrative • Resources • Further Reading

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Book SynopsisThis book is about taking an image- a drawing, painting, digital photograph, computer design or photocopy- and, using simple methods, turning it into a piece of textile art. The author takes you through a variety of techniques for creating the image, such as scanning mixed-media artwork and digital photographs, or using imaging software to create exciting patterns and effects. No technical knowledge is required to use this book, as it offers easy-to-follow instructions, and the materials, technology and equipment are all readily available. But at the centre of the book lies the use of stitch. Having produced the image and transferred it to fabric, the next step is to enhance it with hand or machine embroidery. Innovative methods, both in the image transfer and the stitch, are simplified and broken down into the easy stages. Throughout the book, inspirational ideas are offered to get your creativity going. From books to bangles, panels, bags and vessels, the book offers all textile artists ideas to expand their creative work. Table of ContentsLatest book from bestselling textile author Maggie Grey How to design in textile art without any formal design and drawing skills Designing with computer programs, digital cameras and photocopiers Step-by-step instructions on how to go from image to stitch

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Book SynopsisThis Maclean of Duart genuine tartan cloth large notebook is made with genuine British tartan cloth. It measures 21cm x 13cm, and has 192 pages of 80gsm cream paper, with left page plain, right page ruled. Cloth supplied by tailors and kilt makers Kinloch Anderson. With a ribbon marker, inner note pocket, elastic enclosure, history of tartan leaflet, and colourful bookmark with a brief history of the Maclean of Duart tartan. Presented in a clear acetate bag. The Maclean of Duart tartan is red with black, and touches of yellow, white and blue. The Macleans claim descent from Gillean of the Battleaxe, a kinsman of Fergus Mor, the sixth-century-ruler of the ancient kingdom of Dalriada. Lands given to the clan chief included the isle of Mull, off the west coast of Scotland. During the 16th century the Campbells emerged as the most powerful clan in the West Highlands. Several marriages took place between the Macleans and the Campbells. Septs of the Maclean clan include Beaton, Black, Dowart, Dowie, Duart, Garvie, Gillan, Lane, Lean, Leith, MacBeth, MacCormick, MacFadyen, Macgeachan, MacVey, Patten and Rankin. Scientists, thinkers and writers in the Scottish Enlightenment used 'commonplace notebooks' to record thoughts and ideas. Many British writers such as Virginia Woolf and Arthur Conan Doyle continued to use them. Tartan belongs to Scottish heritage and culture, and thrives today both at home and overseas. There are now over 7,000 tartans officially recorded in the Scottish Register of Tartans located within the National Archive of Scotland. Waverley Books (Waverley Scotland) are delighted to innovate on the commonplace notebook idea with the Waverley tartan notebooks bound in genuine tartan cloth supplied by kilt makers and tailors Kinloch Anderson, Edinburgh.

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Book SynopsisThis title will present an overview of the core textiles techniques; the cheapest and easiest methods for each technique will be explained, and wherever possible the author will cover methods for working on textiles at home, without expensive equipment.

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Book SynopsisA notecard set celebrating the extraordinary post-war textile artist Ayako Miyawaki. This all-occasion notecard set contains twelve of her most stunning applique works inspired by cooking and gardening. This captivating notecard set features the work of Japanese applique artist Ayako Miyawaki, who emerged after WWII determined to make art. Using scraps of handwoven cloth from around her house, she elevated everyday objects—just pulled garlic, a crab to be cooked for dinner—into stunning stunning textile art.

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Book SynopsisThis large MacRae Modern Red genuine tartan cloth notebook has 192pp of 80gsm cream paper, with left page plain, right page ruled. Cloth supplied by kilt makers Kinloch Anderson. With a ribbon marker, inner note pocket, elastic enclosure, history of tartan leaflet, and bookmark with a brief history of the MacRae Modern Red tartan. The MacRaes are a Highland clan whose historic seat is Eilean Donan Castle. For generations, the MacRaes were constables of the castle for the Mackenzie family. Offical variant spellings and septs of the name include: Crae, Cree, Macrae, Macraw, Macree, Macrath, Macgrath, Macgraw, Machray, Macraith, Rae, Raith and Reath.

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Book SynopsisThe Great Tapestry of Scotland is an outstanding celebration of thousands of years of Scottish history and achievement, from the end of the last Ice Age to Dolly the Sheep and Andy Murry’s Wimbledon victory of 2013. More than 1000 stitchers spent a total of 55,000 sewing hours on the 160 panels that make up this extraordinary work of art. This book shows in full colour all the finished panels of the tapestry – one of the biggest community arts projects ever to take place in Scotland – together with descriptive and explanatory material on each panel and lists of all the stitchers involved.Trade Review'A real people’s history that has humour and pathos, erudition and wit, and where in every panel you feel the presence and the engagement of the makers' * BBC Radio 4, ‘Museums That Make Us’ *'This remarkable teamwork has made Andrew Crummy's artistic vision a reality, and The Great Tapestry of Scotland is now a gift to the nation' * Edinburgh Life *'[T]he most ambitious attempt to capture the past in needle and thread since the Bayeux Tapestry ... The result is not just visually stunning but intensely moving and occasionally very funny' * The Times *'The beauty of this book lies in the ample space devoted to illustrating each panel of the tapestry, allowing the reader to study the detail in the crafting of each story at their leisure' * Scottish Field *'This sumptuous book details every single panel in rich detail, giving a real sense of the scale of the project [. . .] perfect as an introduction to this wonderful work of art, or as a reminder for anyone who has seen the exhibition' * National Association of Decorative & Fine Arts Societies *'If you are unable to see the Tapestry in all its glory, this wonderful book will take you through the country’s history from the Ice Age to the present day as told in the stitches of 160 panels' * New Stitches *

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