Textile arts and artworks Books

Book SynopsisFresh ideas and techniques for the rapidly evolving area of three-dimensional textiles. Leading textile artist Ann Goddard takes three-dimensional textiles to a new level in this practical book. Drawing inspiration from natural landscapes, organic material and a concern for the environment, Ann's work combines textile and non/textile elements with construction. Linen, loose fibres, paper and yarn are complemented by seemingly unlikely materials including concrete, wood, lead and bark. Fragile is juxtaposed with hard, natural with man-made, beauty with imperfection. The techniques range from stitching, wrapping, couching, and knotting to sawing, drilling, and casting. In this book, previously separate art media are combined to create eclectic works; boundaries are crossed, expectations challenged and categorisation rejected. Mixed Media Textile Art in Three Dimensions takes a linear look at the creative process from themes, research and experimentation through to preparing elements, conveying meaning and constructing three-dimensional forms, encouraging you to broaden your horizons in textile work. Brimming with beautiful artwork from the author and featuring the work of some inspiring and exciting artists creating three-dimensional constructions.Trade Review‘Ann Goddard takes three-dimensional textiles to a new level… there’s a wealth of interesting new ideas to try’ Stitch ‘A useful resource if you are looking for ideas on using or incorporating non-fabric elements in your work … an absorbing and inspiring read’ The Quilter ‘Practical yet stimulating… Embroiderers will find much to inspire them’ The Journal for Weavers, Spinners & Dyers ‘Goddard’s approach is fresh and the book challenges the maker to the open to new ideas and inventio in their textile art’ Embroidery Cas HolmesTable of Contents Introduction Exploring themes Conducting research Experimenting with materials Conveying meaning Preparing the elements Constructing a three-dimensional form Conclusion

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Book SynopsisWilliam Morris Textiles was the first comprehensive survey of the many hundreds of original, colourful textiles produced by William Morris and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten and expanded with beautiful new photography. Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris's working methods.

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Book SynopsisThis beautiful and inspirational book written by a doyenne of British textile design explores the art of painting and making patterns on cloth. Fabrics bring colour and vibrance to our lives, adding inventiveness and charm to both our clothes and our domestic interiors. In this book, lifelong textile designer Sarah Campbell takes you through her world of pattern and colour to uncover the joys of design from dots, stripes and checks to more surprising decorative solutions. Painting straight onto fabric is a very different experience to designing for digital production. Everything is unique, the placing of the patterns and colours is in your hands. The beauty is that the pattern doesn’t have to repeat - there can be just one bird or just one square, if it’s in the right place. Beautifully illustrated with Sarah’s colourful and internationally acclaimed work, her fabric designs show the comforting rhythm and universal language of pattern. - Learn how to create your own unique designs using a range of tools and techniques including brushes and potato-cuts, stencils and simple ‘kitchen cupboard’ resists. - Explore the delights of painting on different fabrics such as cotton, linen, silk and calico/muslin. - Develop your understanding of scale, colour, tonality and the organisation of pattern ideas, alongside suggestions on how to use your finished fabrics.Trade ReviewI cannot think of a better artist than Sarah Campbell to introduce would-be designers to produce hand-painted textiles. Sarah has made a career focusing on the delights of pattern in simple, but deliciously varied, directions. Anyone who notices pattern will have spotted her witty designs on so many furnishing items. Here she stimulates her readers to play with basic brushstrokes, creating bold geometry, and arming them with techniques to create endless personal flights of fancy. My fingers itch to play with all the possibilities that dance in my head each time I thumb through this delightful book. * Kaffe Fassett MBE, Artist & Author *Hand-painted Textiles by Sarah Campbell is just the sort of book I’ve wanted. Jam-packed with Sarah’s signature hand-painted style, giving all her techniques and inspiration to inspire anyone to have a go. My eye is dancing with possibility. * Brandon Mably, Designer & Author *This book is the perfect result of Sarah’s ability to create uplifting and joyful patterns combined with her passion for sharing her enthusiasm for making them. Sarah embraces hand painting and printing, guiding the reader through wide ranging techniques and considerations for design projects. Visually rich and highly accessible, the pages are full of flowers, geometrics, birds & beasts to inspire the reader. With an impressive back catalogue of highly successful textile designs for industry some of which are included, Sarah helps you to be brave and playful, sharing in her joy of colour, rhythm and motif on cloth. * Kate Farley, Designer & Academic *with brush, paint and fabric [Sarah] shows us how to get hands-on with joyful and playful pattern * UPPERCASE Magazine *Flicking through the pages of this book makes you want to grab your brushes and get painting. * Handprinted *Table of ContentsIntroduction The Tools of My Trade 1. Making a Start with Making a Mark 2. Potatoes 3. Masking Tapes 4. Stencils 5. Freezer Paper Stencils 6. Stencils and Paste Resist 7. Silks 8. Pattern and Colour Placement 9. A Pattern to Match a Pattern 10. Painting with Bleach 11. Painting a T-shirt 12. Freehand Painting 13. Pieced and Patched 14. Painted Fabric as a Base for Decorative Stitching 15. In the Theatre of Pattern Conclusion Sources & Materials

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Book SynopsisThis sumptuous and inspiring book, written by needlework expert Trish Burr and created in association with The Royal Botanic Gardens, Kew, is a stunning, contemporary guide to embroidering flowers. All the reusable iron-on transfers needed are kept safely together with the book in an attractive hardback folder. Focusing mainly on long-and-short stitch and Trish's delicate, considered use of silk shading, the book contains all the clearly-illustrated stitches needed, and gives thorough advice on preparation and choosing fabrics and threads – including a handy thread conversion chart. The embroideries are reworkings of botanical artworks from Kew's Art Collection. There is one 'starter' project to encourage readers to try out the techniques, one large sampler containing 18 small elements that can be worked individually or as a group, and nine further projects – including a striking spider chrysanthemum, an elegant waterlily and an opulent magnolia. All the projects are shown step-by-step, with an order of work diagram given where appropriate. The enclosed reusable iron-on transfer papers offer embroiderers a fast and accurate method of transferring the designs - the transfers simply need ironing on to fabric so that the reader can start embroidering straight away. The templates are also included at full size at the back of the book. This stunning yet practical book is a must-have for anyone interested in capturing flowers in thread.Trade ReviewTake inspiration from the natural world with needlework expert Trish Burr's embroidery guide, made in association with The Royal Botanic Gardens, Kew. Learn new stitching methods while creating intricate spider chrysanthemums, striking magnolias and much more. The book also comes with reusable iron-on transfer papers so you can get started straight away. * Sew Magazine *Another fantastic Search Press craft book. The photos are beautiful and detailed and the instructions are clear to follow. The author has given step-by-step instructions for beginners but the projects will appeal to more experienced embroiders too. A gorgeous book with lovely projects to make. -- Louise Coyle * Amazon *This is a beautifully written and illustrated book, very clear instructions for beginners and improvers! Lots of information about threads and stitches before you start on a new project, can’t wait for my new threads to come to start on a simple project, as I have only done a little hand embroidery in the past I look forward to accomplishing some more intricate projects in the future. -- Sandra Wood * Amazon *We have to admit, we will never get enough of Trish’s exquisite needlepainting, and this book doesn’t disappoint. This time, she’s combined her prodigious talent with the Royal Botanic Gardens in Kew, England, to bring you 11 gorgeous floral projects rendered in her easy-to-follow yet photographically perfect way. For the Kew Book of Embroidered Flowers, Trish has chosen a range of unusual designs which can be worked individually or as one spectacular botanical study, packed with colour and life. Trish’s books are known for their uncomplicated instructions and the gentle progression from simple to complex, and this book is no different. You can begin with the starter project – a vivid purple Japanese Anemone, then work, step-by-step through the book, mastering flowers, plants and insects until you reach the magnificent Magnolia and intricate Poppy sampler at the end. Beautifully presented in a hardcover folder, the book also comes with a set of reusable iron-on transfers tucked into the elegant cover slip, so you don’t have to hand draw your patterns on to your fabric. Naturally, if you prefer, all of the patterns are also provided for you in the back of the book so you are really spoilt for choice. It is difficult to decide which of these striking botanical studies is our favourite, so taken are we by each and every piece. This is a must for any Trish Burr lover, as well as any lover of floral and botanical imagery. Make sure to secure your copy now. * Inspirations *The Kew Book of Embroidered Flowers is a beautiful book exploring botanical textile art through needle painting (a form of surface embroidery). The Royal Botanic Gardens, Kew have a special place in my heart (after I got engaged there) so I had high expectations of this book to do justice to such a beautiful setting with a vast collection of botanicals and botanical illustrations. The botanical illustrations within Kew’s Library, Art and Archives collection have offered inspiration for many makers, crafters and artists since it was established in the mid-19th century. Trish Burr offers a new and inspiring insight into Kew’s botanical illustrations through her 11 embroidery projects. The book starts off with a beautifully detailed section explaining terminologies, materials, tools, and preparation activities. Trish then begins to explain the different stitches. I found these pages not only visually stunning, but clear and accessible. Each stitch is explained with clear tips, methods, diagrams, and photos both how-to for the stitch and for the finished flower using that stitch. Once all these areas have been covered, Trish then starts to guide you through the projects! These projects are grouped according to their difficulty and range from “simple projects” through to “advanced projects”. Each project is so sumptuously presented with beautiful stitching, a clear information list (about materials, project size), information about the illustration that inspired Trish’s textile interpretation and a step-by-step guide for stitching the botanical for yourself. I love how each project also has an accompanying, reusable transfer sheet (with information about how to use the transfer sheet) so that you don’t have to worry about getting the botanical shape correct… you can just start stitching! This really is a breath-taking book and the photography, the information, the projects, and the overall feel of the book is absolutely flawless! A true 5* book which is going to be a beautiful book for anyone interested in art, making, botanicals, Kew, sewing and creating! -- Naomi Clarke * naomialice.com *As well as sewing and quilting, I am very interested in botanical painting and I often indulge myself in painting flowers and botanical subjects. I also love flowers and gardening, so I was very excited to see Trish's interpretation of the Kew collection of fine art botanical subjects in embroidery. When the book arrived, I was struck by the luxury of it - a sumptuous edition with the book wrapped in a practical hard-backed folder to store all the embroidery transfers you need for the projects in the book. There is an elastic closure on the folder to hold the book and transfers neatly in place. Beautiful it certainly is, but it's also a highly practical source book, packed with techniques for you to re-create Trish's stunning embroideries in stitch. As well as sewing and quilting, I am very interested in botanical painting and I often indulge myself in painting flowers and botanical subjects. I also love flowers and gardening, so I was very excited to see Trish's interpretation of the Kew collection of fine art botanical subjects in embroidery. When the book arrived, I was struck by the luxury of it - a sumptuous edition with the book wrapped in a practical hard-backed folder to store all the embroidery transfers you need for the projects in the book. There is an elastic closure on the folder to hold the book and transfers neatly in place. Beautiful it certainly is, but it's also a highly practical source book, packed with techniques for you to re-create Trish's stunning embroideries in stitch. The book includes eleven wonderful projects for beginners and beyond, including embroideries of a camellia, waterlily, and magnolia. I particularly love the Flower Sampler that consists of eighteen small elements in a stunning completed project, or that can be stitched individually. I decided I'm going to have a go at stitching the blackberry. For a small design, it uses twelve colours of thread to build up a stunning design and richness of colour. The folder edition of the book includes all the iron-on transfers you need plus outlines of each design. The iron-on transfers are on thick paper and can be stored in the cellophane envelope that comes with the book. I used the iron-on transfer to get the blackberry design onto a piece of fabric I had actually dyed with real blackberry juice! I will be using this in a special book about the hedgerows that I am making. The instructions for using the transfers are at the end of the book and were very clear to follow. The iron-on design is useable more than once as I prepared a second blackberry for my project. Each design in the book is photographed in excellent detail with step-by-step images to guide you through each stage. The final project in the book is a poppy sampler in the style of a botanical plate and is exquisite. You can achieve this yourself with the comprehensive instructions in the book. I am in awe of this book - it is stunning to look at in itself for anyone with a love of flowers and gardening, but the designs within are so well illustrated and explained that, with some practice, anyone who loves to embroider will be able to achieve them. -- Julie Briggs * The Sewing Directory *In association with The Royal Botanic Gardens at Kew, here's the ultimate guide to embroidering flowers. The reusable iron-on transfers are in a hardback folder, ready to use. Full size templates are also included. This stunning, practical book is a must-have for anyone interested in capturing flowers in thread. * Machine Knitting Monthly *Trish Burr reinterprets botanical artworks from the archives at Kew Gardens through her delicate and detailed needle paintings; bringing out their colours and giving them a three dimensional quality. A must-have for anyone interested in capturing flowers in thread. * Stitch *Every once in a while a book arrives that you cannot wait to open – The Kew Book of Embroidered Flowers by Trish Burr is such a book, this is a beautiful book, everything from the actual production and presentation of the book, to the illustrations inside, is truly inspiring. Kew’s Library, Art & Archives was established in the 1850’s and now forms one of the greatest collections of botanical information found anywhere.As well as supporting the work of Kew’s scientists and horticulturalists it is also accessed by thousands of researchers, garden enthusiasts, historians and the general public around the world. It is from this collection that Trish Burr’s beautiful embroideries have taken their inspiration. The illustrations are exquisite and the detailed instructions contain everything to encourage any embroiderer to want to create their own examples. The contents include a Foreword by Kew detailing their work. An Introduction from Trish explaining her own journey and encouraging everyone from beginner to advanced to become involved in creating their own work. Trish uses a technique called needle painting, this is a technique of surface embroidery like painting a picture on fabric with a needle and thread, this is also known as silk shading, long-and-short shading, or thread painting. She also includes very comprehensive details including everything you need to know to enable you to get started; including tools and materials, preparation, stitch instructions, how to practise the stitches, outlines, raised embroidery, anatomy of a flower, and useful advice before you start. The projects are then divided into: Simple projects including: Japanese anemone, Flower sampler, Clematis, Camellia Intermediate projects including: Rhododendron, Waterlily, Iris, Spider chrysanthemum Advanced projects including: Rose, Magnolia, Poppy Finally there are details on thread substitutes, the collection of templates and how to use the iron-on transfers. The detail is so helpful, the step-by-step instructions take you through each stage of creating the pieces and the illustrations themselves are outstanding. Embroidery is such a satisfying and wonderful activity and this gorgeous book is destined to become a beautiful heirloom providing inspiration for many generations to come, we absolutely adored it! Highly Recommended! * Beautiful Heirloom Home *Trish Burr is a needlework designer in South Africa, and she has written many, many books, most notably about needlepainting, which is her specialty. With her vast experience, her ever-developing style and approach, and her exquisite sense of colour combinations for shading, it is no wonder that Trish would be the needle artist to delve into the Kew Archives (from the Royal Botanic Gardens), in order to reproduce some of their botanical illustrations in needle and thread. The resulting book, published by Search Press as part of their 50th Anniversary line-up of stellar art and craft books, is a wonderful collection of floral and garden-related cameos for the embroiderer to stitch. The book is extra-special, thanks to a few nuances and extras that we don’t often find in this type of embroidery book. So, let’s take a look at it! First, let’s talk about what’s different. The physical properties of the folio edition of the book are different. Most of us, if we are getting the book now, are most likely going to go for this folio edition, which is the one that’s available for pre-order. The other edition – it’s a straightforward hardbound edition for libraries – lacks this outer folder that holds both the soft-bound version of the book and a packet of iron-on transfers, to make your journey into the projects much easier! The hard-board folio cover protects the book and the transfers and closes with an elastic band. It’s a lot like a moleskin notebook… a very large moleskin notebook. The folio cover and the presence of iron-on transfers are probably the greatest differences you’ll notice right away with this book, but there are other nuances within the book itself that are slightly different from Trish’s previous books. You might not notice it right off the bat, because many art and craft books these days have morphed into this approach, but some of the photos in here are larger than life. They are big, making it easy to see the details of the embroidery. The little berry element, for example, which is part of the Floral Sampler found under Simple Projects, is about 1.5″ high from the tip of the stem to the base of the berry when transferred at the given size. In the book, the photo of the berry is around 5.5 – 6″ from tip of stem to base of berry. So, it’s super enlarged, and you can’t miss the details! This is a good thing, I think. Seeing details is helpful when it comes to exploring a technique, especially as a beginner. But it can give you a sense of discombobulation when you set about embroidering. You don’t necessarily realize that the item you’re about to embroider is significantly smaller than the image of it, until you transfer it. This is one of the problems I run into with blogging, too. Close-up photos of embroidery shown on a website tend to give the sense that the piece is much larger than it actually is, and when you sit down to stitch it, there’s a period of adjustment while you get used to the difference in the real size versus the perceived size. Still, I’d rather have too much detail than too little, especially when I’m learning something new! Ok, let’s look at what’s in the book! The Kew book is both an instructional book and a project book. The projects range from simple to advanced. If you are a beginner in needlepainting, you can start at the beginning of the book to get your feet wet, and then move into deeper waters. If you are experienced, you can jump in anywhere. At the beginning of the book, you’ll find introductions to Kew, to Trish and the book’s contents, and to needlepainting in general. Before getting into the projects, you’ll find the background information for getting started, from fabrics, threads, tools, and basic techniques. Much of the preliminary instruction is offered via diagrams and via close-up photos that demonstrate the techniques. It’s all very clear, as you would expect. Trish goes into detail demonstrating approaches to shading, to colour combinations, stitch direction, and so forth. There are ‘11 inspiring projects’ within the book… technically. Really, there are 28. There are two projects in the book that really excite me the most, although they are all beautiful in their own way. The first is under ‘Simple Projects’, and it’s called the ‘Flower Sampler’. It encompasses 18 embroidered elements (20, if you count each individual embroidered element), each of which can be taken out of sampler context and used as its own little practice project. I love this sampler. I love the idea of it. I love the beauty of the finished, whole sampler. And I love the fact that each element could really stand on its own as a mini project. For each element in the sampler – some of which are not necessarily flowers – you get a materials list, the design, and step-by-step instructions on how to stitch it. You’ll also get a larger-than-life photo with clear details of the embroidery, which will serve well to help you successfully stitch your version. There’s a magnificent bee, by the way… Now, this is where Trish’s artistry really shines. I mean, it shines everywhere, but I’m especially besotted with the bee. Check out the bee wing. It’s solidly embroidered. There’s no translucent anything there – the threads are solid colours. But it is a wonder to behold. It looks translucent, thanks to her subtle shading, drawing in the colours behind the wing and bringing them to the forefront while stitching it. It’s fabulous! There are many simple projects in the book, then, if you consider the sampler as individual projects, too. Then, there are intermediate projects that build on the knowledge and skills you’ve gleaned from the first section of the book. There are four intermediate projects, including studies of the rhododendron, the waterlily, the iris, and the spider chrysanthemum which graces the cover of the book. For those of you who have followed Trish for years, you’ll probably notice some slight adjustments in her style and approach here and there throughout the book. The rhododendron, for example, has a definite contemporary and somewhat trendy look to it. So, you can expect to see some variation in Trish’s interpretations – they are not necessarily all sketchy-botanical looking. Some pieces are very boldly contemporary. There are three advanced projects: a rose, a magnolia, and a poppy sampler. The poppy sampler is my second favourite in the book! It’s just lovely. And it would be a wonderful study in long and short shading. I think I have A Thing for things called samplers. The poppy sampler can also be broken down into at least two – if not more – projects. In the more advanced projects, you’ll see that Au Ver a Soie silks enter the materials lists. Yay! I’m a huge fan of needlepainting with silk. I know there is a school of thought out there that favours stranded cotton for needlepainting (also called “silk shading”) but I’ve always thought that there’s nothing quite as beautiful as silk shading worked with silk! In the back of the book, Trish offers a list of thread substitutions for those who wish to work some of the projects in silk. This is handy! Thread substitutions are never absolutely exact, but it’s a nice springboard for those who like to adjust their own colour palettes and thread types. Finally, of course, there’s the pattern section. If you have the folio edition of the book, though, thankfully, you won’t have to go through a meticulous transfer process! Wow! Heaven! I’m not going to pro and con this book. If you love needlepainting, if you want to explore needlepainting fully, if you love botanicals, you’re going to love this book. You’re going to want the special folio edition. And you’ll find it a treasure. -- Mary Corbet * Needle 'n' Thread *Sometimes Search Press really goes the whole nine yards and produces a book with extra wow factor. From its larger format, sturdy colourful covers, and elastic to keep it closed like a box you know that something special hides within, and you won’t be disappointed. Inside is a pocket full of transfers for stitching eleven stunning studies of flowers from Kew Garden’s botanical illustration collection. The lush colours and elegant layouts of 18th and 19th century botanical art are just made to be captured in embroidery, especially the thread painting style worked mostly in long and short stitch. The author promises that this is not too difficult for even a beginner to master, and there are not many stitches to learn. Mostly it is a case of practising getting the shading right and there are quite a few staged photographs to show the right way. You won’t need many tools and materials; a slate frame or hoop, six stranded cotton floss and fabric is most of what you will require. You can learn how to work the various stitches as well as prepare a hoop, use transfers, choose materials and care for your finished work. To limber you up for the actual projects there are several simple pieces, all with captioned photographs as well as a diagram showing the order of work, list of threads and anything else you need. All sizes are given in both imperial and metric, and after the first project there is an option of working a sampler featuring another 18 small studies plus two simpler larger projects. Following this are two more chapters containing the intermediate and advanced projects, the latter of which concludes with another sampler. Full projects typically have photographic stages with arrows indicating what colour floss, essential when working on complex, variegated flowers with a lot of different shades. Each finished piece is shown in a large format, often over two pages so you can appreciate its beauty and see what you are working to achieve. At the back is a handy table of thread substitutes so you can opt for DMC instead of the more costly and harder to source (at least in the UK) Au Ver A Soie thread. When your transfers have worn out, or you want to work on a dark background there are also full-sized outlines for tracing, showing that the author has thought of everything! This is one of my top choices for this year and a book to treasure. -- Rachel A Hyde * myshelf.com *I was delighted to be asked to review this book. Having grown up less than seven miles from Kew gardens I have happy memories of family visits to Kew. I have been aware of Trish’s books for a while. I was always a bit daunted by the pictures I had seen. How could I possibly even think about starting one of her projects and achieve such amazing results? With this book think that it might just be possible! The book itself starts with hints and tips for stitching, predominantly using silk shading (also known as needle painting). The most beautiful flower projects are given, all inspired by the library of art and archives at Kew Gardens, the largest collection of its type. Trish begins with good explanation of the types of fabrics you could use for your project, setting out the pros and cons of each. She goes on to explain the threads used and how to use them. Also covered is the types of frames, needles, and other accessories to use as well as tips for when you have finished such as how to wash, block and mount your completed work. There are detailed instructions, photos and line drawings explaining the stitches used, with tips for those perhaps new silk shading – starting with simple leaves and petals, showing direction of stitch and colour changes. This then builds to introduce additional stitches to enhance your embroidery – French knots, satin stitch, padding and outlining. Next on to the set projects – starting with a lovely Japanese anemone. It is so well photographed at every stage, that a flower could otherwise appear daunting, is achievable. The projects then build as you work through the book. There is a sampler with 18 separate elements including some insects as wells as flowers that could be stitched individually or as the intended sampler. Trish then moves onto the intermediate projects which begin to use silks rather than stranded cottons but could be completed with stranded cotton if wished. Finally, we have advanced projects, rose, magnolia, and poppy all with comprehensive shading instructions and photos including very detailed close up pictures. Everything is so clearly illustrated with instructions and pictures, even the advanced projects seem achievable. In the winter when I personally find stitching more difficult with lack of natural light, I can see myself just sitting down and turning its pages. It is beautiful, inspiring, well put together and every purchase supports the work of Kew saving plants and fungi around the world. -- Alison Cross * The SEW Region Magazine - Book Threads *A beautifully illustrated book that will inspire all embroiderers, this book is the result of an invitation to Trish Burr from the Royal Botanic Gardens to examine their extensive collection of botanical illustrations and to reproduce a selection of the illustrations as embroideries. While principally a book on thread painting, the author has used other stitches where appropriate to bring the subjects to life. The details found in the botanical illustrations have been faithfully reproduced in the embroidered works. Rather than being too prescriptive with respect to the materials required to complete the projects, the author provides a good discussion on the pros and cons on background fabric, thread and hoop/frame options. This book has been designed for use by embroiderers of all skill levels. There is an excellent tutorial at the beginning of the book covering the stitches required to complete the projects. The illustrations are excellent and there are examples of petal shapes that can be used to practise shading and colour blending before starting a project. There are 11 projects divided into beginner, intermediate and advanced sections. The photos of the finished projects leap off the page. They are all well presented with easy to follow step-by-step directions and beautiful macro photos of each of the steps, providing excellent guidance on stitch and colour placement. Trish has used the silk threads of Au Ver à Soie in a number of the projects and the subtle colour movement across the embroidered petals gives the smooth, lush appearance of newly unfurled petals just before they are damaged by weathering and insects. The intricate details recorded in the original botanical illustrations have been superbly translated into stitch and the choice of colours and subtle blending of colour throughout the projects is true to nature. There is one particularly good illustration of this in the selection of colours for the bee wings. By selecting a lighter shade of the same tones as the rest of the abdomen of the bee and then outlining the edges and veins of the wings with straight stitch, the wings appear to be transparent. It looks amazing. Each project references the botanical illustration and artist, but I love botanical and zoological drawings as they help you focus on the details in the original subject material and would have loved to see the original illustration beside the embroidered reproduction. (Editor: To see these visit Kew’s website). For anyone who wants to learn or further develop their thread painting skills, this book will help give you the confidence to develop your own projects. -- Sue Swann * Threads *Table of ContentsForeword by Kew 6 Introduction 8 What is needle painting? 10 Tools and materials 10 Preparation 16 Stitch instructions 20 Securing your thread Long-and-short stitch Split stitch Satin stitch French knots Bullion stitch Practise the stitches Outlines 30 Raised embroidery 32 Anatomy of a flower 34 Useful advice before you start 35 Simple projects 36 Japanese anemone 38 Flower sampler 44 Clematis 94 Camellia 100 Intermediate projects 106 Rhododendron 108 Waterlily 116 Iris 122 Spider chrysanthemum 128 Advanced projects 134 Rose 136 Magnolia 144 Poppy 154 Thread substitutes 163 The templates 164 Using the iron-on transfers 176

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Book Synopsis

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Book SynopsisDiscover 65 beautiful Japanese-style fabric flowers to make from French artist Sylvie Blondeau. Projects include clear instructions with stunning accompanying photography. 'Japanese Fabric Flowers is one of those books that is just a joy to look at. The beautiful designs are stunning and really amazing', Tracy Shephard Postcard Reviews The Japanese word 'kanzashi' originally referred to decorative pins as part of the traditional female hairstyles. These pins were often works of art in themselves, holding in place elaborate floral arrangements made with natural or silk flowers. Today, kanzashi encompasses flowers made from regular fabrics. Sylvie Blondeau shows you how to make 65 of these simply stunning designs. The projects are so easy and fun to make that you will soon be making them for every occasion! They are perfect as accessories on clothing, jewellery, home decorations or table adornments for special occasions.Trade ReviewKanzashi flowers are a traditional Japanese craft originally used as a hair ornament. In this collection, French costume designer Blondeau presents the basics of kanzashi making, including designs ranging from simple to complex. Basic kanzashi flowers require simple supplies that most sewists will have on hand—fabric scraps (medium-weight fabrics such as cotton poplin or raw silk are ideal), fabric glue, and a hand sewing kit. As the flowers become more complex, kanzashi flower makers, which are plastic templates in five different shapes corresponding to a specific petal type, are used. Flowers can be finished with beads or buttons and incorporated into numerous projects, including jewelry or handbags, or used as an embellishment or an accessory. Step-by-step directions for sewing 16 different kanzashi are provided; 12 projects supply ideas for using the finished flowers as well as further variations. VERDICT Crafters with an interest in embellishment or in traditional Japanese crafts will enjoy this collection. * Library Journal USA *I adore fabric flowers and I am always amazed by the very effective and beautiful results achieved by the manipulation of small pieces of fabric. Kanzashi is the Japanese art of making these divine creations, and even though they look intricate and difficult to make they really are quite simple. Use them to adorn your bags, hats and home decor, you can even make earrings and necklaces which could be given as gifts to your favourite friends. Japanese Fabric Flowers is one of those books that is just a joy to look at. The beautiful designs are stunning and really amazing. Each design has a pattern, including tools needed and extra advice on cutting your fabric and even using embellishments. Templates are included and with simple visual diagrams there is no reason for you not to create something wonderful. This is a beautiful craft and well worth the effort as the final results are just stunning. -- Tracy Shephard * Postcard Reviews *Wow 65 different flowers to decorate things with. Sylvie brings together her skills to show you how to make beautiful flowers that can be easily be made with regular fabric. Not only does Sylvie share her step by step instructions to make beautiful flowers you also get step-by-step instructions for making different projects to add your flowers to. Sylvie explains the history behind these beautiful flowers and talks you through creating and using templates. Some of the flowers use the clover kanzashi (the name of the beautiful flowers) flower makers. These templates make it easier for you to make matching flowers all the time. In the book clear instructions are given so that you can make the flowers very easily. Each of the 65 designs have their own look Some look like specific types of flower and others are unique. Sylvie also takes you through using other materials to finish off your designs. You can use everything from buttons to chain. The book makes the flowers in multiple colours to create different designs. Plain fabric is used and then on others patterned fabric is used to create a completely different look. The flowers are fantastic to make with scraps of fabric and can be easily altered to match your decor or outfit. With so many flowers to make and so many projects to use them on this book offers so much. The book is full of amazing colours! For the full review and images please visit: www.crochetaddictuk.com * Crochet Addict UK *Kanzashi flowers are those beautiful fabric flowers associated with traditional Japanese hairstyles, especially those of geishas. They are not hard to make, and can be used to adorn more than hair decorations; they are also a great way of using up oddments of fabric. This book, translated from the French shows you how to make both the styles with just fabric, and those using the plastic Clover Flower Makers. There are sixteen different flowers to choose from, plus the more Western yoyo (aka Suffolk puff), rosette and padded “pumpkin” shape reminiscent of pincushions. Each flower has a series of captioned diagrams that are well laid out on the page but would be even better if they were all in a dark line color rather than red, pink or orange. There is a handy gallery of all the finished types, and then it is on with the projects. All these are illustrated with large photographs, often giving more than one view of the finished piece and separate parts. The print is quite small, and instructions don’t always feature staged diagrams so some sewing experience is essential for the more challenging projects. You won’t find any Japanese style hair decorations in here and the hanging “falls” are omitted, but instead there are many ingenious ways of using the flowers to decorate all kinds of other things. These are beautiful and unusual – waterlily table decorations, lots of jewelry, Christmas decorations, Peter Pan collar with flower and a crafter’s bag to name some. If you have always wanted to make your own kanzashi this is the place to discover how, and also how they fit into modern Western life. * Rachel Hyde - Myshelf.com *Great value book with full colour photos and instructions to make 65 fabulous flowers. Some you can make with card, for others it recommends a template maker. Love the ideas and end results in this book. Use your fabric stash and scraps, you need 3 inch diameter circles. You learn the basics first - rounded petals, pointed petals and so on and then specific flowers. I love them all. Easy to make flowers that match your handmade outfits. * Karen Platt- yarnsandfabrics.co.uk *

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Book SynopsisMartina Mondadori is the founder and editor of limited-edition design magazine Cabana. She grew up in Milan, where her father was chairman of one of Italy's biggest publishing houses. After an early career in publishing and luxury branding, she launched Cabana in 2014 to great acclaim. She lives in Milan. Aerin Lauder is the style and image director for Estee Lauder Companies and founder of the global luxury lifestyle brand Aerin, which develops curated collections in the worlds of beauty, fashion accessories, and home decor.

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Book SynopsisA general introduction for artists and makers looking to incorporate textiles and textiles techniques into their work. This book introduces you to basic textile techniques and encourages you to experiment with your chosen medium to create your own piece of work. Works by featured artists and designers give you plenty of inspiration, with tips to achieve similar styles and effects. Each section also includes many stimulating ideas for source and reference material. Through colourful images and detail instructions, learn techniques such as transferring images onto fabric, creating fabrics, wireframe construction, 3D wire construction, using a heat tool, materials manipulation, adapting traditional techniques as well as joining, seaming, bonding, layering, mould-making, casting and forming.Trade ReviewThe projects are amazing and huge fun ... It's an ideal book if you're new to creative textiles, but more experienced stitchers will also a got a lot out of it - and the photos are very inspirational * Workshop on the Web *A range of projects that offer a general introduction to textile techniques that can realise impressive results * Embroidery *Table of ContentsAcknowledgements Foreword 1. Brooch 2. Necklace 3. Flowers 4. Boil-away flowers 5. Casting latex shapes 6. Mixed media panel 7. Bird 8. Heads 9. Story boxes 10. Dead cosy Illustrated glossary Index

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Book SynopsisA detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste.Trade Review“The book shines the most when it presents new and exciting research into surviving pieces such as the Bacton Altar Cloth. Non-specialist readers will find the material they encounter very thorough and will leave with a better understanding of the role of textiles in the Tudor courts, and those who are specialists will still find this a useful guide to the major topics in this area of study.”—Sarah A. Bendall, Parergon (Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies)“Altogether there is so much to recommend this book: Eleri Lynn has carved an immensely enjoyable read out of her impressive, holistic survey of the Tudor period and its love affair with textiles.”—Embroidery magazine“If you’re a history lover, an enthusiast for historical textiles, if you are curious about the Tudor period and the royalty and palaces from that era, if you’re into art history—you’ll love this book!”—Mary Corbet, Needle ’n Thread magazine“[F]ull of detail and evidence that may not have been drawn together in a book before.”—HALI magazine“Deftly told [and] nicely illustrated.”—Fisun Güner, Art Quarterly“Dress expert Eleri Lynn’s lavishly illustrated volume Tudor Textiles shines a light on the dazzling beauty and extravagance of court fashion and decor. In raiding the sumptuous Tudor royal wardrobe, Lynn has uncovered some real gems.”—Tracy Borman, BBC History Magazine, “Best Books of 2020”“Eleri Lynn’s sumptuous new book and her careful and wide-ranging research offer the reader a glimpse of this vibrant, colourful world.”—Maria Hayward, Burlington Magazine

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Book SynopsisNow back in print, this seminal publication offers an unexpected discussion of cutting-edge fashion in the 1990s and its relation to deep cultural anxietiesTrade Review“Magnificent . . . Evans takes fashion very seriously, and writes in serious depth about it . . . sophisticated and seductive.”—Suzanne Moore, New Statesman“Outstandingly researched, beautifully illustrated, and thrillingly authoritative, Fashion at the Edge may prove to be the definitive book on the generation of designers from London and Antwerp who came to prominence in the 1990s.”—Roger Tredre, WGSN“Caroline Evans makes bold claims . . . by the end of the book I was gripped.”—Madeleine Bunting, Guardian“A benchmark publication that sets into print the preoccupations of a generation of like-minded scholars, curators, theorists, practitioners and critics. Handsomely designed, with a selection of arresting images that will convince future historians of fashion imagery that the turn of the twenty-first century was truly an extraordinary and haunted epoch, Fashion at the Edge is a complex synthesis . . . Evans has authored an influential classic.”—Christopher Breward, Costume“I cannot be alone in having longed for just this type of book, a detailed study of cutting edge fashion, by someone who really understands its complexities as a discipline in its own right.”—Nicola Donovan, Selvedge“A complex and provocative text, one that displays both the substantial intellect and practical curiosity of its author.”—Publishers Weekly“Evans grapples with extremely interesting issues, such as why fashion imagery has become so dark and decadent. Her choice of contemporary fashion imagery—and her juxtaposition of these images with similar themes in art—is brilliant.”—Valerie Steele, Director of The Museum at the Fashion Institute of Technology

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Book SynopsisA unique insight into high-end 20th-century fashion explored through sumptuous detail photography of some of the most luxurious garments in the V&A's collections, alongside precise line drawings and an authoritative text.Table of ContentsIntroduction • List of Designers • 1. Seams • 2. Gathers, Tucks and Pleats • 3. Collars, Cuffs and Pockets • 4. Fastenings • 5. Bows • 6. Beads and Sequins • 7. Applied Decoration

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Book SynopsisRepeating patterns can soothe or energize us, bringing joy and harmony to everyday life. Repeat Printed Pattern for Interiors explores the power repeat patterns hold over us and what goes into creating original, effective printed designs. Beginning with the history of patterns in interior design, Kate Farley uncovers lessons from the work of Owen Jones, William Morris, Collier Campbell and Josef Frank.There are also interviews with some of the best contemporary pattern designers working today: Angie Lewin, Deborah Bowness, Eley Kishimoto, Emma J. Shipley, Galbraith & Paul, Neisha Crosland, Orla Kiely OBE, Sarah Campbell and Timorous Beasties. Each interview covers the designer''s practice and ethos and includes a deconstruction of one design, with discussion of initial sketches, details of design development, manufacturing insights and images of final products.Covering hand-drawn techniques through to digital manipulation, you'll also be guided through the implications of visualTrade ReviewExtremely well researched… The designer interviews are excellent. -- Shirley Mclauchlan, Edinburgh University, UKThis book offers so much across its 232 pages - insights into the author’s creative process and design inspirations which reveal an inspirational eye for pattern and colour. The case studies of designers working across the past 50 years in the interior textile industry detail the recipes for their success and emphasise the need for budding designers to develop their own aesthetic and authentic vision. The rest of the book offers design context and some history alongside tools and tips on how to develop your design ideas - giving you the visual and verbal language to develop and articulate your design ideas. A valuable publication for anyone with an interest in pattern. - Amanda Briggs-Goode, Nottingham Trent University, UKTable of ContentsAbout the Author Introduction 1. Patterns in History Baroque Bold Neoclassical formality Trading with pattern (Chintz & Paisley) Arts and Crafts and the Aesthetic agenda 1860s–1890s Art Nouveau and the Decorative style 1890–1930s ARTISAN APPROACH 1900 – 1930s Modern mode 1920s–1940s Post-war 1945–1960s Upbeat Escapism and Calm retreats late 1960s–1980s Post-modern magic and digital design 1980–2020 2. The Basics – making patterns Introduction Pattern language and process Choosing the look, making motifs Repeat and rhythm Colour in design Digital design: an introduction Printing: traditionally or digitally? Application and context 3. Design Process: Interviews Emma J. Shipley Angie Lewin Orla Kiely OBE Sarah Campbell Neisha Crosland Timorous Beasties Galbraith and Paul Deborah Bowness Eley Kishimoto Conclusion

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Book SynopsisAn exploration of fashion designer Gaby Aghion’s life, career, and legacy at the French fashion house Chloé

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Book SynopsisLine is an essential component of textile art. When used effectively, it can convey texture, tone, form, movement and mood. Drawn to Stitch is a practical guide to the uses of line in embroidery and textile art, presented as a structured series of exercises designed to help the reader explore line’s potential and develop their own creativity. It covers line and mark-making tools, materials and processes – including printing and mixed-media techniques – and then moves into stitch, explaining how to interpret different line qualities from crisp and sharp to soft and diffused, from raised and overlaid to recessed and inlaid. Full of inspiring ideas, the book is illustrated with stunning examples of stitched-textile work.

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Book SynopsisArtist and photographer Rudi Molacek has assembled, with an artist's eye, an idiosyncratic collection of more than 300 Tibetan carpets, rugs, mats, seat-, bench- and saddle-covers. Between the 15th and the 20th centuries they were woven for both sacred and secular purposes by Tibetan nomads and villagers, and in the shadow of monastic centres across the Tibetan Plateau. The first volume presents Tibetan rugs intended for sitting, sleeping, meditation and horse riding, as well as those made to furnish the region's prestigious temples and monasteries an expression of the relative wealth and status of their owners. The second volume focuses on a group of so-called Wangden' rural rugs, characterised by a unique weaving technique, some of which have been the subject of an illuminating exercise in radiocarbon dating to establish the antiquity of the tradition.

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Book SynopsisStart crocheting your own colorful granny squares with this all-in-one kit—includes a project book, a hook, a needle, and two colors of yarn. Granny squares are to crochet what pieced squares are to quilting. Originating with pioneer women using up precious scraps of yarn to make blankets for their families, granny square patterns have been handed down from one generation to the next—and now’s your chance to take part in a little bit of that history. The Granny Square Kit offers crocheters of all skill levels more to love about granny squares. Author and designer Margaret Hubert shows you the amazing versatility and variety of this portable and convenient technique of crocheting square by square. Kit includes:   32-page project book Yarn (2 colors) Crochet hook Plastic needle With the fully illustrated project book, you’ll learn:

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Book SynopsisA lavish show case of fine art featuring 51 celebrated fibre artists from around the world.

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Book SynopsisFind a wealth of instruction and inspiration on how to incorporate naturally foraged materials into your artwork. In the process, discover a range of textile techniques – suitable for all levels and abilities – to complement your design. These include hand and machine stitching, solar dyeing, felting, hapa-zome and more. Using natural materials in textile art is way of connecting a place directly with its artistic representation, but it also makes the artist tap into and observe the true rhythms of the natural world: the seasons, the weather and time. Incorporating consciously foraged goods in art gently forces you to slow down, to take note of each season's bounty, and kindle – or rekindle – an awareness that we are all part of one big eco-system. Each technique forms one of many pillars of Caroline's large body of work, and she has carefully created eight projects, each introduced after a technique, so you can put your new skills into practice. Throughout, Caroline stresses the importance of taking your time and working organically, letting your foraged goods guide your design. This is an approach that not only encourages an intuitive creative process, but develops a more mindful, positive experience for the artist too. Interwoven with practical guidance and projects are Caroline's stunning gallery of works, offering inspirational examples of how to take your work farther, and simultaneously demonstrating nature's abundance and variety. This is an enriching book on textile and natural art that celebrates the maker's relationship with art and the natural world. Trade Review‘Nature is my safe space’ - Caroline Hyde-Brown The above opening words of this book drew me to its author immediately. As a fellow artist, I too have tasted the healing power that a walk in the outside world can provide. This artist has chosen a niche area to really hone in on, the idea of exploring…..with a point. Forage - to seek, to wander to search out supplies of some form. In this titles case, the subject matter within, chases us through many techniques which relate to the initial subject. When I use the word chase in this context, I am not suggesting that the author rushes the learning process, rather reading the books pages excited me enough to want to get on and begin experimenting myself - so it is a positive push via text and image. There are eight techniques with projects for each one; so effectively we can see what use learning a certain method can be for our own artistic practice. Imagine learning through clear instruction how to solar dye, felt, use foraged finds to naturally dye fabrics which can then be used for textile art projects…the one which really confused me in title is ‘Hapa-zone’ (with flowers and leaves). What is it?! I ask. Well, you too can glean your answer if you buy a copy! There is something very soothing about having a purpose on a walk, you become grounded in that moment, distracted from whatever life is nothing you with and suddenly all you are thinking about is location, where you are, what you and trying to find. What does the season say? With a stunning gallery of works to showcase Caroline’s beautiful life of embracing all that she loves and lacing it together via her art in this book, I personally found it one I would really use in my own practice. It fed my mind kindly, not too much to take in, not too arduous a method to trial. What is your nature relationship? Can you connect to it further via using the instructions Caroline vocalises to us through her pages? She classifies herself as a textiles research artist, so this has more body to it than the visual. She has traveled into other counties such as Japan to really experience various forms of life and art. In her words, art and healing can come together to be ‘one big creative adventure’. -- Ailish Henderson * ailishhenderson.com *Combine the power of the natural world with renowned textile artist Caroline Hyde-Brown's suggestions to stitch beautiful textiles creations. Using natural materials is a way to rekindle your connection to the outdoors and tap into the rhythms of the seasons, enabling you to be mindful and create at the same time. Caroline offers expert guidance on a range of techniques from hand and machine stitching, to solar dyeing, felting and Hapa-Some, with eight projects to try. -- Stitch Magazine * Issue 145 *The first time I saw this book I knew that I would love it, and I'm not disappointed. It's not only an instructional book but also a wonderful read. Just browsing through the pages makes me want to go foraging and try yet another technique. Caroline's instructions are clear and cover everything – particular items to look for in each season, how to prepare and store the items, natural dyeing and creating lovely artwork. Her love of both nature and stitching is clear to see on every page and I think anyone with similar interests will love this book as much as I do. -- Val Hatton * Customer Review *Have a few books on textiles, but there aren't so many that directly cover how to use nature in your work in this way. Had seen artist Caroline Hyde-Brown's beautiful work on Pinterest so decided to take a chance on this book - very glad I did. One of her strong points is that she shows you how to sew botanical material directly onto your work. This is quite a comprehensive book, it talks about how she relates to the landscape in Norfolk where she lives, how she goes out to forage, what she collects, processing and storing what is gathered, her work in notebooks, projects to try and then lots of very informative pictures of her fantastic work. I only had to get a few supplies (eg silk tulle, 100% Acetone, chiffon) the rest are things you would have in your stash (eg soluble backing). There is a section on dyeing small bits of fabric, free motion embroidery, image transfer, but also quite a few other techniques she uses like Hapa-zome. I think this book is a very nice balance between showing you her wonderful artwork and 'how to' techniques. She is generous with her knowledge because the book tells you exactly how to do it. So far I have tried the image transfers of trees from my own photographs (have to give it a few more goes to get it how I want). Can't wait to try the dried flower wall hanging and sewing fallen lichen onto work. So glad to have this book to work through over the coming months. Highly recommended if you want to use the natural world around you to incorporate into your work. -- Customer ReviewThis is the book for anyone who enjoys craft work and who cannot go for a walk in the countryside without coming home with a pocket full of ‘treasures’; acorns, interesting wood, leaves, and flowers, the author will help you find a use for them all. I have tried some of the dying methods and all have worked very well. The book is beautifully illustrated through and the instructions are easy to follow. -- Barbara Allan * Customer Review *Learn to incorporate naturally foraged materials into your artwork. Suitable for all levels and abilities, techniques include hand and machine stitching, solar dyeing, felting and hapa-zome. Stunning photos offer inspirational examples of textile and natural art. -- Machine Knitting Monthly * Issue 132 *Table of ContentsIntroduction Foraging Colour the seasons Interconnecting, inspiration & ideas Materials & threads Tools & notions Seek and you shall find... Foraging techniques & projects Technique: Natural dyeing Project 1: Bojagi Patchwork Scented Pillow Gallery Technique: Wet felting Project 2: Forage & Felt Gallery Techniques: Acetone-transfer fabric printing and Free-machining on soluble fabric Project 4: The Brecks Gallery Technique: Nature-inspired hand embroidery Project 5: Natural Shadows & Repeat Patterns Gallery Technique: Pressing plants Project 6: Pressed-flower Wall Hanging Gallery Technique: Decorative free- machine stitching Project 3: Memories & Place Gallery Technique: Hapa-zome Project 7: Hapa-zome Drawstring Bag Gallery Technique: Silk & wool-top backgrounds Project 8: Ancient Woodland Gallery Presentation & framing Gathering my thoughts Templates Index

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Book SynopsisAn exploration of the corset as a motif for textile artists, with practical tips and examples. Used for the last 400 years to contort the female body into a variety of fashionable silhouettes, the corset has become a fascinating and hugely popular motif for modern textile artists who wish to represent the female body using the largely feminine traditions of textile and stitch. Beginning with a step-by-step guide to constructing a simple fabric corset, the book goes on to explore more contemporary and experimental approaches to construction, from using unusual materials such as lace, metal, paper and found fibres to up-cycling or repurposing existing garments to make a statement. This practical guide is full of exercises for creating intimate garments and wearable art in two- and three-dimensions and is packed with inspiring work and installations by other contemporary artists.

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Book Synopsis A textile artist's guide to creating exquisite, intimate and nostalgic work inspired by the home. Ali Ferguson's work takes inspiration from domestic life and the objects that surround and comfort us in our homes. Vintage fabric and hand-embroidered text are beautifully paired to create evocative pieces that are imbued with the magic of everyday existence. In this wonderful book Ali reveals the secrets of her work and shares her ingenious methods for finding inspiration at home to create stunning work that uses embroidery, quilting, collage and found objects. Chapter One explains how to create ''threads of thought'' that stem from the tiniest details within the rooms of your home, resulting in extensive mind maps you can use to inspire your finished work. Chapter Two shows how to translate these ideas into stitch and select the perfect materials for the mood you want to convey in your work. The rest of the chapters take you through the different rooms in a typical home, from kitchen to bedroom, giving a wealth of ideas for finding inspiration from each of these spaces in your own household, accessing memories, stories and emotions to help you create intensely personal and meaningful textile art pieces. Beautifully illustrated with the author''s own work and that of other leading textile artists who draw inspiration from home life, this book revels in cloth and the joy that it brings to every textile artist. It is the ideal book for any artist or embroiderer who wants to explore new sources of inspiration on their very doorstep.

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Book SynopsisA charming and witty history of the quirky - but surprisingly widespread - craft of embroidering kneeler cushions. The perfect gift book this Christmas, for those who love kneelers and those who don't!'A lovely look at a not-quite-vanishing craft that lies, literally, below our knees ... Inventive and interesting' The Oldie, 'Best Reads for All Ages This Christmas''A treasure of a collection' Amber Butchart, of BBC's The Great British Sewing Bee'I think I may already have discovered the best non fiction book of 2023' Reverend Richard Coles, author of A Murder Before EvensongKneelers is a celebration of the most widely practised - but often overlooked - folk art in England and Wales over the past ninety years: the design and craft of church kneelers. Featuring charming stories and enchanting designs from churches across the country, the book traces the history of kneelers; from their spectacular beginnings at Winchester in the 1930s to their booming popularity after Queen Elizabeth II's coronation and the present-day congregations who are keeping the tradition alive.In their range and diversity, the kneelers collected here form a fascinating social record of the concerns and interests that occupied their makers - including local fauna and flora, cricket, dragons, post-war tributes and the thrills of high-speed travel.Filled to the brim with beautiful full-colour images, Kneelers displays the quirky artistry and widely varied (and often surprising) motifs which have characterised church kneelers in the twentieth century. It rejoices in the personal stories of some of the people who have practised and advanced the art form, and is a wonderful commemoration of what happens when communities come together to celebrate their history and their environment.'A glorious and delightful salute' Tracy Chevalier, author of A Single Thread'This book is a Godsend!' Alan Titchmarsh, author of The Gardener's AlmanacTrade Review'I think I may already have discovered the best non fiction book of 2023' * Reverend Richard Coles, author of A Murder Before Evensong *'A glorious and delightful salute to some of the UK's most neglected folk art and its makers' * Tracy Chevalier, author of A Single Thread *'For anyone who has been grateful for a kneeler, and found solace in them during a challenging sermon, this book is a Godsend!' * Alan Titchmarsh, author of The Gardener's Almanac *'A treasure of a collection' * Amber Butchart, of BBC's The Great British Sewing Bee *Gives praise at last to an overlooked form of British folk art * Sunday Times *

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Book SynopsisThis glorious book is a modern guide to weaving, an ancient craft that is reaching new heights of popularity, from acclaimed contemporary weaver and textile artist Rachna Garodia. It contains a wealth of practical advice and tons of inspiration for every aspect of this endlessly adaptable craft, from gathering materials to making and exhibiting ambitious woven masterpieces, bringing in a wide selection of mixed media. Meditative and calming, a session at the loom is a great way to relax, and create something beautiful in the process. And you don’t need expensive equipment: you can start your weaving journey on a small wooden frame or even a piece of cardboard, and it’s now easy to book time on larger looms outside the home. The book includes: • Setting up and using your loom, from the simplest small frames to sophisticated table and floor looms. • Design and planning: taking inspiration from the natural world, sketching, photographing, making moodboards and exploring colour. • Gathering materials: from natural straw, grass, flowers, feathers, bark and seedpods to more traditional yarns and threads and even paper and photographs. • Personalising your work by incorporating well-loved old fabrics and precious sentimental items. • Unusual techniques: weaving with photographs or directly onto handmade paper, three-dimensional sculptural weaving, non-loom techniques such as looping and netting. • Gorgeously illustrated with work from the author and other artists from around the world, this book is an engaging and beautiful introduction to weaving for established textile artists or those coming to the craft for the first time.Table of ContentsIntroduction 6 Woodland Walk 8 River Walk 28 Walk Through the Seasons 50 Daily Commute 70 A Walk Down Memory Lane 88 Walk With a Poem in Your Heart 106 Weaving Basics 122 Resources 126 Acknowledgements 127 Index 128

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Book Synopsis"In association with The Josef and Anni Albers Foundation."Trade Review"[A] pioneering compendium."---Leslie Camhi, T Magazine"The chief argument of the book—that the hand-made and mechanically reproduced can happily co-exist—is told visually as well as verbally. . . . [Anni Albers] emerges from the new On Weaving as both a historical figure and a living one."---Charles Darwent, Burlington Magazine"It is over 50 years since On Weaving was first published in 1965, but in this new edition it is as fresh and inspiring as ever. Indeed, the colour plates alone . . . could furnish hours of contemplation."---Cally Brooker, Journal of Weavers, Spinners and Dyers"This new edition of On Weaving [is] achingly timely. In an age in which millennials are desperately searching for 'mindfulness' to counter the relentless, bleak news cycle, downloading breathing apps to their phones, and seeking peace in coloring books and knitting, Albers’s celebration of weaving, which forces the weaver to practice a patient and rhythmic meditation, sings to a new generation. . . . The transcultural modernist values and designs of both Anni and Josef Albers still seem fresh and vibrant. . . . By bringing their works to new audiences, making explicit their wide-ranging inspirations, and highlighting the historicity of their seemingly abstract forms [recent exhibitions] and the republication of On Weaving ensure that the Alberses’ legacies will continue to resonate."---Sophie Pitman, West 86th: A Journal of Decorative Arts, Design, History, and Material Culture"[On Weaving] has luminous simplicity and clarity. . . . [B]y illustrating images that most weavers would regard as quotidian in On Weaving, such as the chequer-board graphics of weave notations, she gave the art world space to make links with other forms of abstraction. By writing with no assumption of a craft audience, Albers was able to announce that weaving was ‘the event of a thread’ and ‘a method of forming a pliable plane of threads by interlacing them rectangularly’, thus allowing all of us to look at the discipline anew."---Tanya Harrod, Apollo

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Book SynopsisThe vivid scenes on the Bayeux Tapestry depict the events leading up to the Battle of Hastings in 1066. Hicks shows us this world and the miracle of the tapestry's making: the stitches, dyes and strange details in the margins.Trade ReviewHick's enchantment with the tapestry is compelling, and her style confident and writerly -- Kate Colquhoun * Daily Telegraph *Hicks tells her fascinating tale with the deftest of touches -- Helen Castor * Guardian *I was bowled over... it is a book full of page-turning vignettes -- Simon Young * Sunday Telegraph *A fittingly meticulous tribute to the world's fiddliest masterpiece -- Ned Denny * Daily Mail *Well written, well documented, quite often serious but not too grave, allergic to over -imaginative fantasy but not immune to romantic pull of those colourful worsted threads on plain linen. Carola Hicks's book weaves its own spell -- Peter Mandler * Times Literary Supplement *

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Book SynopsisCreate your own one-of-a-kind kicks with painting, drawing, stenciling, and marbleizing techniques from celebrated sneaker customizer Xavier Kickz (aka Xavier Crews).*Winner of the 2023 Silver Foreword INDIE Book Award*In Art of Custom Sneakers, Xavier shares his innovative ideas and techniques for prepping, designing, and finishing custom sneakers for everyone.The book begins with the basics—including tools and materials, workspace setup, prep, finishing, and design planning—then moves on to dozens of incredible customizing projects. Whatever your level of artistic experience, Xavier’s in-depth, step-by-step instructions ensure your success as you start making your own custom kicks. Twenty-eight QR codes to supplemental video instruction offer additional step-by-step guidance.As you go, gather inspiration from amazing custom sneakers throughout history.Start with any cleaTrade Review"[Xavier Kickz] encourages readers by telling them that they don’t have to be an artist or student of the craft to create a pair of sneakers or two (or several); all one needs is the desire and willingness to learn and to practice different techniques. ... A sure hit." * Library Journal STARRED Review *"[A] vibrant debut...The creative designs wow, especially the “cut paper collage” made by gluing on cutout comic book panels, as well as the marbled effect achieved by dipping shoes in a mixture of leather dye and shaving cream." * Publishers Weekly *Table of ContentsIntroduction SNEAKERS IN HISTORY: Definitive Moments in Sneaker Style Q&A: Xavier’s Frequently Answered Questions Workspace, Materials, and Tools: Workspace, Materials Prep and Finishing Basics: Laces, Surface Cleaning, Taping, Finishing Planning Your Design: Designing, Practicing Your Brushwork and Pen Work 1 Customizing with Paint Sprinkle Drip Kicks Cartoon Kicks Tiger Stripes Dragon Kicks Painted Plaid Freestyle High-Tops Toothpick Painting 2 Paint Pen Color Paint Pen Camo Fine-Line Quickie Paint Pen Doodling Paint Pen on Dark Color SNEAKERS IN CULTURE AND COMMUNITY: Sneakers, Sports, and Getting That Look 3 Crazy Color Shaving Cream Color Sharpie Tie-Dye Cool Color Drip Hydro-Dipped Marbelizing Galactic Splatter 4 Airbrush and Stencil Airbrushing Basics Airbrushing Black Leather Mix It Up Handmade Stencil Hot Stuff Color Waves Team Spirit 5 Paper, Cloth, Glitter, and Shine Fabrication Transformation Bedazzled Flash Brushed-on Glitter Cut-Paper Collage SNEAKERS IN POP CULTURE: A Timeline of Kicks in Music and Movies About Xavier Acknowledgments Index

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Book SynopsisWho gets pockets, and why?It's a subject that stirs up plenty of passion: Why do men's clothes have so many pockets and women's so few? And why are the pockets on women's clothes often too small to fit phones, if they even open at all? In her captivating book, Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, reveals the issues of gender politics, security, sexuality, power, and privilege tucked inside our pockets.Throughout the medieval era in Europe, the purse was an almost universal dress feature. But when tailors stitched the first pockets into men's trousers five hundred years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality. See: #GiveMePocketsOrGiveMeDeath.Filled with incredible images, this microhistory of the humble pocket uncovers what pockets tell us about ourselves: How is it that putting your hands in your pockets can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman's author photograph, hand in pocket, for Leaves of Grass seemed like an affront to middle-class respectability. When W.E.B. Du Bois posed for a portrait, his pocketed hands signalled defiant coolness.And what else might be hiding in the history of our pockets? (There's a reason that the contents of Abraham Lincoln's pockets are the most popular exhibit at the Library of Congress.) Thinking about the future, Carlson asks whether we will still want pockets when our clothes contain "smart" textiles that incorporate our IDs and credit cards.Pockets is for the legions of people obsessed with pockets and their absence, and for anyone interested in how our clothes influence the way we navigate the world.Trade Review“Who knew the humble pocket could hold so much history? In this enthralling and always surprising account, Hannah Carlson turns the pocket inside out and out tumble pocket watches, coins, pistols, and a riveting centuries-long social and political history.” —Jill Lepore, author of These Truths: A History of the United State“Who knew the humble pocket could hold so much history? In this enthralling and always surprising account, Hannah Carlson turns the pocket inside out and out tumble pocket watches, coins, pistols, and a riveting centuries-long social and political history.” —Jill Lepore, author of These Truths: A History of the United StatesIn her nifty “Intimate History of How We Keep Things Close,” Hannah Carlson unbuttons the politics behind who gets to hide their belongings, and where.—New York Times Book Review“If you’re a man, you might wonder why someone would write an entire book about pockets…if you’re a woman, the story of Pockets pretty much illuminates all of human history. Either way, once you pick up Pockets, you’ll never forget its weird and wonderful lessons of power and possession.” —Faith Salie, contributor to CBS News Sunday Morning and regular panelist on NPR’s Wait Wait…Don’t Tell Me!“Rarely is such a feat of scholarship also such a delight. Carlson’s comprehensive history is among the best fashion books I’ve ever read. This deceptively simple premise contains surprising stories of the ways that politics, law, and technology manifest themselves in the clothes we wear. But the best part is that this book is full of so much assorted delightful useful miscellany—just like the pocket itself.” —Avery Trufelman, host and creator of “Articles of Interest” podcast"Delightfully wide-ranging."—The New Yorker“Delightfully wide-ranging... Carlson’s winning book depicts the range and relevance of the pocket, which can be a metaphor for abundance or perversion, possession or secrecy—and a way of managing the efficiencies of life.”—The New Yorker“From feminine codes of secrecy to the fascinating culture of smart textiles, Carlson’s book is that rare thing: an exhaustive social history that’s also un-put-downable. Pockets reminds us that what we hold close says everything about who we are, what we value, and why it matters.” —Jessica Helfand, Design Observer“Pockets is absolutely fascinating and beautifully written.” —Dr. Valerie Steele, director and chief curator, The Museum at the Fashion Institute of Technology“Fascinating. Drawing from literary and artistic sources; media commentary; behavioral studies; and object histories, Carlson offers an enlightening and engaging account of the sexual politics underlying the uneven use of pockets in the design of men’s and women’s dress.”——Andrew Bolton, the Wendy Yu Curator in Charge, The Costume Institute, The Metropolitan Museum of Art“Witty, wise, and totally mind-bending, this deeply researched, beautifully written book not only recovers the hidden history of pockets, but also reveals the ways those familiar but often ignored pouches reflected (and sometimes reshaped) cultural understandings of objects and the persons that carry them.” —Bruce J. Schulman, William E. Huntington Professor of History, Boston University, and author of Making the American Century“Carlson’s fascinating book—a historical who, what, where, why and when with the pocket as its central character—is as delightfully gripping as a spy novel.”—Linda O’Keeffe, author Shoes: A Celebration of Pumps, Sandals, Slippers More“Stuffed with illuminating illustrations and fresh insights, Pockets will make you reconsider an overlooked but indispensable manifestation of our designed lives. Carlson keeps ferreting out discoveries we didn’t even know we were looking for." —Rob Walker, The Art of Noticing“Sweeping gracefully over half a millennium of Western culture... Carlson’s study showcases the best features of cultural history… As sumptuously illustrated as it is learned… this highly inventive and original book demands a pocket sequel.”—Wall Street Journal"Fascinating insight as to how something as simple as a pocket can influence culture, gender, and society as a whole. Full color images and photos are abundant throughout the text, wonderfully illustrating that which is being discussed. Perfect for readers interested in history and textiles as well as culture, sociology, and gender."—Booklist"An entertaining, slightly academic look at how attitudes toward pockets have changed over the course of the past several centuries... juicy anecdotes."—Minneapolis Star-Tribune"Carlson’s detailed and roving examination of the pocket, a substantial and fascinating book filled with lavish color illustrations, is definitely worth a read — even if it likely won’t fit in anyone’s, well, you know."—Washington Independent Review of BooksNamed a Best/Most Recommended Book by The New Yorker and Publishers Weekly"Fascinating first book… richly illustrated… This erudite, enjoyable book about pockets delivers."—Library Journal“[A] colorful look at an everyday piece of fashion that has been routinely underappreciated but never deeply explored.”—Inc., "The 15 Best Business Books of 2023"

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Book SynopsisStumpwork embroidery, also called raised embroidery, takes hand embroidery to another dimension and lifts it off the surface of the fabric with strikingly realistic results. This technique uses all the usual embroidery stitches you would expect and includes padding, wiring and slips to achieve its raised effect. Stumpwork Inspirations highlights the very best stumpwork has to offer in both design and technique. Featuring talented embroidery designers Susan O’Connor, Wendy Innes, Susan Casson, Anna Scott, Lesley Turpin-Delport and Jane Nicholas, this special collection, including lovely framed pictures and a pot lid, have been curated into one publication. With 8 stunning stumpwork projects to make, there are clear step-by-step instructions, pullout patterns, a stitch guide and all the information you need to stitch them. Discover the origins, stitches, techniques and designs that are uniquely stumpwork, and learn how to make your own beautiful works of art.Trade ReviewAustralian needlecraft magazine Inspirations has been inspiring (and wowing) people for over thirty years. This book is part of a new series of books, each containing eight projects which will challenge and delight embroiderers. Stumpwork is notorious for being one of the more advanced styles of embroidery, and like just about everything produced by this magazine, I would recommend this book for intermediate level and up. If this is you, then rejoice, because this book manages to update stumpwork for the 21st Century while retaining its lush appearance and celebration of nature. The eight projects depict flowers and fruits, and they have all been previously featured in issues of Inspirations magazine. There are violas, a coneflower and butterfly, windflowers, tansy, raspberries and crab-apples, strawberries and my own favourite, the very Jacobean partridge in a pear tree. The book opens with a two-page history of stumpwork, and the rest of the book contains the projects. Each one is several pages long and has everything you need to complete the piece, including a pattern on the sheet at the back tucked neatly into a pocket. Along with many large and colourful photographs (so useful due to the level of detail in each one), there are staged photographs for stitches plus coloured diagrams. What you need is broken down into fabric, supplies, needles, and threads with DMC stranded floss being the main choice, but also Madeira metallic, Anchor floss, perlé cottons, ribbon, and various types of silk threads. Each thread is assigned a number and is referred to by it in the instructions, which apart from the stitches are mostly in written form. At the back is a glossary of all the stitches and techniques, each shown in a good number of staged photographs. I think my favourite must be the piece on how to utilise a real snail shell together with wire, thread, and glue to make a snail! This is a method the original Jacobean embroiderer would have recognized. A beautiful and inspiring book for the keeper shelf. -- Rachel A Hyde * myshelf.com *Table of Contents2 Introduction 4 Contents 6 Stumpwork History 8 Stumpwork Projects 10 Summer Harvest 20 Anise 28 Viola Tricolor 36 Summer Dancer 44 Sweet Violets 52 Windflower 58 First Day 72 Belle Fraise 80 Stitch Guide

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Book SynopsisWhitework embroidery traditionally features beautifully intricate designs using white thread on white background fabric, examples of which can be found in many cultures across the world. Without the addition of colour, the fabric surface is ornamented with high-relief stitching, cutting, pulling or withdrawing threads with some styles utilizing all these techniques. Whitework Inspirations highlights the very best whitework has to offer in both design and technique. Featuring talented embroidery designers Kim Beamish, Deborah Love, Judy Stephenson, Christine P Bishop, Susan O'Connor, Patricia Girolami and Luzine Happel, this special collection – including a tablecloth, table mats and sachets – has been curated into one publication. With 8 stunning whitework projects to make, there are clear step-by-step instructions, pullout patterns, a stitch guide and all the information you need to create them. Discover the origins, stitches, techniques and designs that are uniquely whitework, and learn how to make your own beautiful works of art.Trade ReviewAustralian publisher Inspiration Studios has distilled the best of the best from its issues of Inspirations embroidery magazine for new volumes on crewel embroidery and whitework (a third volume, on Stumpwork, is also being released). Each book begins with an abbreviated historical overview. Crewel, aka wool on linen, began around the seventeenth century and gained popularity during Elizabeth I’s reign. Whitework, with any number of variations on its white-onwhite concept, was first practiced by the ancient Egyptians; since then, Scandinavian and other European needleworkers have contributed their own interpretations—Dresden, Hebedo (Danish), Hardanger (Norwegian), Madeira, and Mountmellick (Irish). Each text then leads into eight patterns. Well thought-out instructions, along with clear color photographs, document every step, with specific stitch how-tos included after the pattern directions. Hints and tips are scattered throughout, like suggestions on needleweaving and the fundamentals of blocking embroidery. The book ends with a perfect “show us” glossary of some 60 stitches, complete with step-bysteps and photographs. Design templates, unfortunately, are stuffed in the book’s back flap, not as accessible to those working on patterns. All designs are geared to the more experienced needleworker, but any enthusiast will admire "mandala musings," "garden of earthly delights," "a fine romance," and "tulip." Each book is appended with a stitch guide. — Booklist, May 2020. Barbara Jacobs Table of Contents2 Introduction 4 Contents 6 Whitework History 10 The Whitework Projects 10 Affair of the Heart 18 Heart’s Delight 28 Bianca 38 Tulip 52 Vintage 62 A Fine Romance 70 Sweet Strawberry 80 Sense of Place 98 Stitch Guide

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Book SynopsisThis gorgeous book will show you how to create breathtaking works of wall art and statement home décor – all made using simple macramé knots, natural dyes and 100 per cent recycled materials. Start by learning 18 key knots and 8 beautiful patterns, all shown clearly using step-by-step photography. Learn how to use natural dyes and how to pre-treat and dye your string. Key safety advice is given, as well as helpful tips for working with large pieces of macramé, knotting from an irregular-shaped support and keeping an even tension. The 16 projects are divided into 4 chapters: Macramé on the wall, Macramé to hang, Macramé for indoors & outdoors, and Macramé to decorate. The projects range from reworked classics such as the wall hanging and the plant hanger, which have been given a fresh, Insta-ready twist, to a wreath, bunting, hanging bedside table, mirror hanger, rug and tassels. Each project clearly explains which knots to use, the difficulty level, how long the project will take, plus photographs of the steps are provided as necessary. The projects are easy to follow, genuinely desirable and, best of all, really simple to make!Trade ReviewThe book is well illustrated with easy to follow diagrams. There are 16 projects for varying proficiencies. The advanced rug making one I particularly liked but as a beginner I would try the curtain tieback and the tassel first. Items are given an approximate time it would take to make ranging from 1 hour to 8 hours and I found this useful to know. There is an interesting article on natural dyeing too which may be of interest for people wanting a different effect. A very enjoyable book and one I will look forward to using in the future. -- Suan Watts * Amazon *This is a book to appeal to anyone looking to try macramé. At the beginning there is a section looking at tools, yarns and knots required to create the projects. These are illustrated using photos, not diagrams, and are much easier to follow. The author encourages the use of recycled and natural materials and there is even a section on creating your own simple dyes to add an individual touch to your work. Advice is offered for caring for your body as you craft. Each project is graded from beginner to advanced. In addition to a comprehensive list of materials and tools required, there is an estimate of time needed to complete the project and a list of the knots used, useful if some may be new and require practice first. The instructions alongside are set out in short steps with photographs of completed sections for comparison. The use of photographs throughout and clear steps makes this a great book for the beginner whilst more experienced crafters can enjoy the challenge of using more found natural materials and creating dyes for individuality. -- Ann Williams * Amazon *I really liked all the projects but the lampshade is my absolute favourite. I am awaiting delivery of some material to make one for my garden room. I did a little Macrame in the 70’s so I found the book easy to understand and would recommend a plant hanger to a beginner. I’ve never done any dying but am certainly going to give it a go and dip dye my lampshade when I have made it -- Sue Gaunt * Amazon *This is such a delightful book, there are a number of inspiring projects, we particularly like the Macramé Wall Hangings which can be used in so many creative ways. There are also instructions on how to make useful plant hangers, macramé table runners, lampshades, curtain tiebacks and even a stunning rug. If you have always wanted to learn Macramé, this is a delightful place to start. Highly Recommended! * Hot Brands Cool Places *Learn how to create wall art and home decor using simple knots, natural dyes and 100% recycled materials. Each project has photos, clear steps and explains which knots to use. Suitable for all levels, the 16 projects are easy to follow and simple to make. * Machine Knitting Monthly *The book is well illustrated with easy to follow diagrams. There are 16 projects for varying proficiencies. The advanced rug making one I particularly liked but as a beginner I would try the curtain tieback and the tassel first. Items are given an approximate time it would take to make ranging from one to eight hours and I found this useful to know. There is an interesting article on natural dyeing too which may be of interest for people wanting a different effect. A very enjoyable book and one I will look forward to using in the future. -- Suan Watts * Amazon *This gorgeous book will show you how to create breathtaking works of wall art and statement home décor all made using simple macramé knots, natural dyes and 100 per cent recycled materials. Start by learning 18 key knots and 8 beautiful patterns, all shown clearly using step-by-step photography. Learn how to use natural dyes and how to pre-treat and dye your string. Key safety advice is given, as well as helpful tips for working with large pieces of macramé, knotting from an irregular-shaped support and keeping an even tension. The 16 projects are divided into 4 chapters: Macramé on the wall, Macramé to hang, Macramé for indoors & outdoors, and Macramé to decorate. The projects range from reworked classics such as the wall hanging and the plant hanger, which have been given a fresh, Insta-ready twist, to a wreath, bunting, hanging bedside table, mirror hanger, rug and tassels. Each project clearly explains which knots to use, the difficulty level, how long the project will take, plus photographs of the steps are provided as necessary. The projects are easy to follow, genuinely desirable and, best of all, really simple to make! This is such a delightful book, there are a number of inspiring projects, we particularly like the Macramé Wall Hangings which can be used in so many creative ways. There are also instructions on how to make useful plant hangers, macramé table runners, lampshades, curtain tiebacks and even a stunning rug. If you have always wanted to learn Macramé, this is a delightful place to start. Highly Recommended! * mycreativenotebook.co.uk *Table of ContentsIntroduction 6 How to use this book 8 Tools 10 Materials 12 Looking after your body 13 Knots 14 Patterns 22 Macramé tips 28 Dyeing equipment & ingredients 34 Natural dyeing techniques 36 Macramé on the wall Wreath 42 Bunting 48 Wall hanging 52 Diamond wall hanging 58 Curtain 64 Macramé to hang Plant hanger 72 Wall plant hanger 76 Mirror hanger 80 Bedside table 86 Macramé for indoors & outdoors Table runner 92 Tealight cover 98 Lampshade 104 Macramé to decorate Pillow cover 108 Curtain tieback 114 Rug 118 Tassels 124 Acknowledgements 128

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Book SynopsisTapestries have been an enigmatic form of artwork for hundreds of years, with the intricate symbolism of their woven narratives still fascinating viewers today. Unicorns and fantastic beasts rub shoulders with well-heeled aristocrats; famous biblical and saintly stories are played out; allegorical figures, gods and goddesses recline in classical landscapes; and the arms and military achievements of wealthy patrons are depicted in sparkling glory. However, far from being an outdated craft, tapestries continue to be woven to this day, both by talented amateurs in their homes and by highly skilled artisans in studios and workshops around the world. In this beautiful illustrated introduction to the history of tapestries, Rosita Sheen reveals the fascinating story of these masterpieces, exploring their conception, manufacture, and symbolism right up to the present day.Table of ContentsWhat is a Tapestry? Ancient and Medieval Tapestries Patrons and Creations Renaissance Heyday and Decline The Modern Rebirth of Tapestry Glossary Further Reading Places to Visit Index

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Book SynopsisDescription and discussion of over two thousand brooches, rings, buckles, pendants, buttons, purses and other accessories found in archaeological digs in London, and dating from the period 1150-1450. Brooches, rings, buckles, pendants, buttons, purses and other accessories were part of everyday dress in the middle ages. Over two thousand such items dating from the period 1150-1450 are described and discussed here, all found inrecent archaeological excavations in London - then as now one of western Europe's most cosmopolitan cities, its social and economic activity compounded by the waterside bustle of the Thames. These finds constitute the mostextensive and varied group of such accessories yet recovered in Britain, and their close dating and the scientific analysis carried out on them have been highly revealing. Important results published here for the first time show,for example, the popularity of shoddy, mass-produced items in base metals during the high middle ages and enable researchers to identify the varied products of rival traditions of manufacture mentioned in historical sources.Anyone needing accurate information on period costume will welcome this book, which will appeal to the general reader interested in costume and design, as well as to archaeologists and historians. THE AUTHORS are members of staff of the Museum of London.

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Book SynopsisBethan Ash's rich, colourful quilts are created using improvisational collage techniques. Working instinctively, she simply layers fabric shapes onto a prepared background and fuses them down, then adds stitching later. Each quilt is cut freehand, without the use of rulers or templates. In this groundbreaking book, she reveals the secrets of how she works, from basic dyeing and fusing techniques to design- and colour-awareness exercises and mixed-media experiments. In clear, easy-to-follow text, she gives the reader invaluable information on method, materials, technique and composition, and shows that improvisational quiltmaking is not merely 'messing about with fabric', but instead can form the basis of working freely and is the optimal way of broadening the reader's artistic talent. Illustrated with the best examples of fused quilts from around the world, this book is a visual feast of colour and pattern, and allows the reader to discover how the boundaries of traditional quiltmaking can be expanded through the use of imagination, inspiration and fusion.

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Book SynopsisFollowing on from her bestselling first book 'Contemporary Quilts', award-winning contemporary quilt artist Sandra Meech explains how to harness your own creativity to add innovation and depth to your quilt and embroidery work. In 'Creative Quilts', she shows you how to take inspiration from a wealth of sources, including art, textiles and architecture, and gives special emphasis to journals and sketchbooks. The book contains full instructions for a range of exciting techniques, including surface embellishment, mixed-media techniques, and taking quilt work into three dimensions, plus practical advice on exhibiting work. Special 'Creativity Plus' and 'Design Workshop' exercises help you to develop confidence in your own creativity. Illustrated with work from the world's leading quilt and textile artists, this book is both a practical workbook and a precious source of inspiration.

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Book SynopsisA visual history of tea towel design, from the 1950s to today. Both practical and beautiful, the tea towel has over the last century established itself firmly as an essential piece of domestic design. This lavishly illustrated book explores 100 of the best tea towel designs from the 1950s to today. Featured are tea towels from well-known textile designers such as Lucienne Day, Emma Bridgewater, Pat Albeck, Cath Kidston, Orla Kiely and Angela Harding, as well as collectable tea towels from key retail stores such as Heal's and Selfridges. Together they showcase a rich visual history of textiles and homeware design of the last century. With full-page images and close-up details, The Art of The Tea Towel will appeal to those interested in both textile design and homeware.

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Book Synopsis A modern, stylish and practical exploration of the traditional craft of block printing. For self-taught textile designer Molly Mahon, there is something special about block printing that has stood the test of time. From the initial design process, through to the carving of the block, the mixing of the colour and the actual printing process, Molly has always found printing to be meditative. This book enables readers to explore this ancient craft through Molly's contemporary designs and the influences that inspire her use of pattern and colour, before teaching them practical skills and potential ways to transform their creations into beautiful homeware. The book is divided into three main sections:A Modern Block Printer: An introduction to Molly and how she found and nurtured her love of block printing. Also, Molly gives a brief history of the tradition of block printing. Design Journeys: Molly sees pattern everywhere she looks and this is what creates the basis of her blocks. When Molly is designing, it’s as if she goes on a journey, whether it be a walk in the forest or a work trip to India. She is constantly inspired by her surroundings in all that she sees and feels. Here the reader is taken on some of her favourite journeys with an inspirational sourcebook filled with beautiful images. Discover a brief history of block printing, design ideas and stories focusing on how India’s artisan craftspeople and traditional block printing techniques, nature and the Bloomsbury Group have all inspired Molly's designs. Practical Printing: This chapter focuses on how to block print, including information on key tools, step-by-step techniques for printing on paper and fabric, and pattern design advice. Follow instructions to make five simple homeware projects with your newly printed creations and find exclusive block templates drawn by Molly for you to copy and recreate at home. House of Print is a celebration of both the art of block printing and the joy of design.Trade Review'We loved how the book seamlessly marries old and new, giving us insight into the ancient craft, and then encouraging us to create contemporary, funky homewares of our own – quite literally putting our stamp on them.' * Independent, '13 Best Interior Design Books' *'The how-to section will get you printing in no time and the projects could readily be adapted to use as a base for further embellishment' * Stitch *'For a complete guide to block printing, including inspiration and step-by-step techniques, look for Molly Mahon’s House of Print.' * Your Home *'There’s insightful information on key tools, step-by-step techniques for printing on paper and fabric as well as pattern design advice' * Craft Focus *'Molly shares her secrets for stunning contemporary designs as well as some fabulous ideas for totally me made homewares.' * Sew *'A modern, stylish, and practical exploration of the traditional craft of block printing' * Simply Sewing *Molly Mahon has a magical, modern eye for block printing. I have long been a fan of her work. This book is both inspiring and practical and a must-have for anyone interested in creating their own pattern and print. * Cath Kidston MBE *'A gorgeous gift for any interiors or craft addict' * Irish Examiner *

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Book SynopsisLearn the satisfying, on-trend craft of macrame with this accessible reference featuring guides to fibers, supplies, and knots, as well as 12 step-by-step projects. Whether you’re a beginner to soft crafts, looking to try a new craft, hoping to improve upon your existing macrame techniques, a DIYer, or just in search of a beautiful coffee table book, Sweet Home Macrame: A Beginner's Guide to Macrame offers the instruction and inspiration you need to succeed, as well as gorgeous eye candy!Top Etsy seller Casey Alberti is the founder of Sweet Home Alberti, a small business selling macrame items and knotting lessons. In this complete guide to working with macrame, Alberti shares her techniques and showcases her fresh, vibrant macrame art.Learn about:   The supplies you’ll need for macrame, including cord and rope How to make the most common knots,

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Book SynopsisUncovers the extraordinary breadth of designer Mariano Fortuny, including and beyond his fashion output, alongside the personal and political catalysts that inspired himTrade Review“This biography teases out the common themes in his many endeavours.”—Apollo

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Book SynopsisA thoughtful, meditative guide to the ways creative textile art can soothe and comfort us during challenging times.Renowned British textile artists Cas Holmes and Deena Beverley, each well known for their richly textured, deeply evocative work in stitch, collaborate for the first time in this important and timely book. Beautifully illustrated with a wealth of work from both artists along with other embroiderers and textile artists from around the world, Soulful Stitch documents a wide range of stitched responses to crisis, both personal and global.Both authors have recent lived experience of having to navigate new paths through big life challenges, making this book particularly heartfelt. It truly demonstrates how even in the toughest times, creativity in textile art can keep you afloat.

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Book SynopsisThis exquisite book, a follow-up to the hugely successful Kew Book of Embroidered Flowers, is written by needlework expert Trish Burr in association with The Royal Botanic Gardens, Kew. It features a starter project that introduces the reader to the most commonly used stitches, including long-and-short stitch, split stitch, satin stitch, bullions and French knots, then nine full sampler projects. The samplers feature a vast array of fauna and flora, including butterflies, bugs, birds, a rabbit and a hedgehog; lotuses, foxgloves, poppies, toadstools, and numerous wildflowers. The book explains all the stitches needed, and gives thorough advice on preparation and choosing fabrics and threads. All the projects are shown step-by-step, with an order of work diagram given where appropriate. All the reusable iron-on transfers needed are kept safely together with the book in an attractive hardback folder. The enclosed reusable iron-on transfer papers offer embroiderers a fast and accurate method of transferring the designs – the transfers simply need ironing on to fabric so that the reader can start embroidering straight away. The templates are also included at full size at the back of both editions of the book. This stunning yet practical book is a must-have for anyone interested in capturing the intricacy of nature in thread. Trade ReviewWhether you are a beginner or experienced embroiderer, this book will guide you through the various stages of creating beautiful samplers. It has certainly encouraged me to take up embroidery again after many years. Not only are there photos of the various stages to creating a beautiful piece of work, but also samplers to trace and there are also iron-on samplers included. What a treat for anyone who loves to embroider. -- Sally Bunyan * Customer Review *This book is absolutely stunning and bigger and much more extensive than I was expecting. I have a number of embroidery books now and although some are really good, I’ve never found one that had everything in that a beginner needs to know. I think my search for that is over as I’m yet to think of a single thing that Trish hasn’t covered in this amazing book. It really is a one-stop-shop and while it assumes you know nothing, it’s also not patronising or over detailed and so I’m sure it would suit any skill or experience level because there’s always something new you can learn. The book itself is a hardback folder design with an elastic strap closure which keeps the whole thing together or can be used as a make-shift bookmark to mark your place. On opening the folder the left sleeve contains the iron-on transfers. I’ve not yet had a chance to use the iron-on transfers but having used them in the previous title in this series, there’s a bit of an art to using them but they work really well if you follow the included instructions and don’t move the iron whilst pressing them as this causes blurring. There are detailed instructions in the book and on Trish’s website which explain two different methods to get a good transfer. These aren’t single-use and Trish says that they can be used 2 or 3 times each which is ideal when practising. The back of the paperback book is tucked into the sleeve on the right side of the folder so it can either remain where it is or be removed to use loose. The book contains absolutely heaps of photos, information, tutorials, tips and so much more. It covers everything from how to naturally dye fabric, what fabrics and threads to use, to step-by-step stitch instructions, how to mount, frame and display your pieces as well as loads of information about what to do and not to do and crucially, why. Often in techniques books it feels like a lot of rules and they’re not really explained and I’ve been left feeling silly wondering why it has to be done that specific way. Trish has explained a lot of these things as well as showing where things are preference rather than a better or worse way of doing something. It contains such a wealth of information, experience and knowledge, it’s just jam-packed and so well curated! The designs themselves are absolute works of art. They look so real and lifelike and while they look very overwhelming to attempt, the step-by-step instructions accompanied by thread lists, stitching details and loads of in progress colour photos of the work, mean that you can’t go wrong stitching along. The book contains 10 projects which doesn’t sound like a great deal but one of them actually consists of 11 different elements. The patterns include lots of different flowers and seed pods, a bee, some butterflies, an owl, a hedgehog, a rabbit, a wren and some insects so individually it’s actually more like 54 projects (plus 9 aspects of the stitch sampler to practice) when you break it down. They’re arranged into 3 different difficulty levels and they range from simpler projects to large, advanced samplers that are packed with detail and technique. It would be an amazing project to work your way through all of the tutorials and I’m sure it would massively improve your technique. Overall, I can’t speak highly enough of this book. If you only want one book on the subject, this is most definitely the one to get as it tells you everything you could possibly need to know, I love it! -- Lucy Fyles * Customer Review *This stunning book is for anyone interested in capturing nature in thread. The starter project introduces all commonly used stitches. Reusable iron-on transfers are in a hardback folder, along with full-size templates. * Machine Knitting Monthly, October 2023 *Table of ContentsForeword 6 Introduction 8 What is needle painting? 10 Tools and materials 10 Preparation 16 Mounting your embroidery in a wooden hoop 20 Stitch instructions 22 Outlines 32 Raised embroidery 34 Natural dyeing 36 Stitching the projects 40 Useful advice before you start 40 SIMPLE PROJECTS 42 Starter stitch sampler 44, Poppy sampler 54, Wildflower Sampler 60, Sacred lotus flower sampler 68, Breadseed poppy sampler 76 INTERMEDIATE PROJECTS 88 Barn owl sampler 90, Bunny sampler 104, Butterfly sampler 118 ADVANCED PROJECTS 134 Pelargonium sampler 136, Dragonfly sampler 152 The templates 168 Using iron-on transfers 176

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Book SynopsisWith his unerring eye, Kaffe has succeeded in finding the perfect location for his exquisite new collection of quilts, featuring both his scintillating new fabric designs and his classics, all in his unique colour palette. This time he has chosen the medieval English village of Lavenham in Suffolk, where the 19 quilts in this book are set off against the ancient half-timbered Tudor houses. They are displayed in all their glory in a sumptuous eye-catching quilt gallery. Included in this set of new designs are many very special ones by Kaffe, and several by his long-time friend and co-designer, Liza Prior Lucy. Kaffe's Starry Night, featured on the cover, fussy cuts some of his brilliant floral fabrics in deep rich colours to great effect, setting them off by surrounding stars in his Shot Cottons. Shards translates the traditional Broken Dishes design into deliciously soft and subtle blends of pastel fabrics, shown off to perfection against the pale plaster and weathered timbers of the Lavenham houses. In a quite different vein, the boldly contrasting background stripes in black and white fabric in Blooming Columns make a dramatic contrast to the huge fussy-cut flowers appliquéd onto it. This book - the 23rd in the series - includes a range of quilts for all skill levels, from beginners to advanced. Shaded Squares is one such lovely quilt for first timers, with its cleverly shaded squares each made up from two large triangles, one plain and one striped in Kaffe's Shot Cotton and Wide Stripe fabrics. Flat shots, a practical know-how section and glossary, back up the fully illustrated, step-by-step instructions for each quilt. AUTHOR: San Francisco-born artist Kaffe Fassett is a name every quilter knows. His work has been commissioned by the British monarchy, American fashion designers, and the Royal Shakespeare Company. He has written numerous best-sellers including Kaffe Fassett's Quilts in Italy, Kaffe Fassett's Quilts in Morocco, and Kaffe Fassett's Quilts in the Cotswold's. SELLING POINTS: . Kaffe Fassett is a world-renowned texture artist whose work has been commissioned by British royalty, American fashion designers as well as the Royal Shakespeare Company. His works have been exhibited in museums around the world and have drawn record-breaking attendances . This is the 23rd book in Kaffe Fassett's P&Q book collections

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Book SynopsisA quirky and engaging book about creating stories in stitch, from an up-and-coming young textile artist.Bring your personal story to life in colorful, vibrant textile art.In this gorgeous book, Ailish Henderson explains her working methods and how you can harness them in your own work to create unique, deeply personal textile art pieces. She encourages you to draw on your own personal memorabilia to create work that is meaningful to you?the intention is to capture a moment in time, a memory to treasure, a look on a face, a glance of love from a pet.Along with work from the author, the book also showcases work from textile artists such as Mandy Pattullo, Bridget Harvey, Jenni Dutton, and the hugely popular Mr. X Stitch (Jamie Chalmers). It includes: Materials: where to source cloth, using found and recycled materials, curating vintage fabric, incorporating precious family pieces in your work. Processes: finding inspiration, creating mood boards, keeping sketchbooks, developing work from drawings, capturing character. Techniques: Screen printing, hand and machine stitching, appliqué, mixed-media collage. Subject matter: the narrative line, self-portraits, family snapshots, history, identity, travel, favorite animals, even famous faces.

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Book SynopsisA compelling look at the aesthetic and historical significance of Lagerfeld’s work—from his elegantly tailored pieces for Chanel to the witty, playful ensembles that came to define the Lagerfeld brand “The Met’s latest tome expertly narrates the journey that earned Lagerfeld his seat at the hallowed throne of modern high fashion.”—V Magazine Unparalleled in its luxurious presentation, this publication celebrates the virtuoso artistry of Karl Lagerfeld (1933–2019). Designed to evoke an elegant parchment-and-cloth artist’s portfolio, it boasts a pageant of stunning fashion photography alongside Lagerfeld’s original sketches, offering a behind-the-scenes window into his process as well as his sartorial brilliance. Silver inks and select gold pages punctuate the book’s stylish packaging and recall the designer’s signature accessories. An illustrated timeline, unfurling from the back of the volume, chronicles the designer’s long and illustrious career. Lagerfeld produced over 10,000 pieces of clothing across his extraordinary 65 years as a powerhouse fashion designer, from his time at Chloé and Fendi in the 1960s and 1970s to his celebrated leadership in the 1980s and beyond at Chanel and with his own label. His voracious curiosity and boundless imagination yielded beautiful, evocative garments, more than 200 of which are showcased here. These are accompanied by personal reflections from Lagerfeld’s premières d’ateliers—the seamstresses behind his extraordinary creations—as well as by Anna Wintour, Patrick Hourcade, Amanda Harlech, and Tadao Ando. A lavish work of art in its own right, this book is also an essential resource on Lagerfeld and how his designs transformed the entire fashion industry. Published by The Metropolitan Museum of Art/Distributed by Yale University PressTrade Review“Karl Lagerfeld: A Line of Beauty can be seen as a kind of dream work as well as a piece of art and scholarship.”—Vogue“Andrew Bolton masterfully displays Lagerfeld’s iconic journey through fashion and design with stunning photographs and intelligent prose. . . . The book itself is a work of art––crafted with a variety of textural papers and adorned with rich gold colour. A must-experience for anyone seeking to understand the profound artistry that defined [Lagerfeld’s] legendary 65-year career.”—RGD Book Club (Association of Registered Graphic Designers), Design Books Gift Guide“This catalogue is a guide to the man and his work, a guide that Karl—even Karl—would have loved.”—Anna Wintour“The intersection of a serpentine line with a straight line . . . cross, overlap, and crush against each other, creating tension and expansion . . . offering a glimpse into the introspective world of Karl Lagerfeld.”—Tadao Ando“[Karl Lagerfeld: A Line of Beauty] sheds light on the work of a designer of genius who marked the history of fashion . . . forever.”—Chanel“Karl Lagerfeld: A Line of Beauty invites the public into Karl’s world and reveals the dualities within his work.”—Fendi

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Book SynopsisReading the Thread brings together artists, theorists and designers to explore the nature and use of cloth as a means of record and communication. Cloth is constructed from threads and, in acknowledging its qualities of recording or communicating a story, we are reading the threads the read thread. There is also, however, an East Asian myth that when you are born you are linked by an invisible red thread to your soul mate; no matter what you do, this red thread connects you to your fate and, although the thread may become tangled or infinitely long, it will never break. Exploring histories of making and cultural practices, a multidisciplinary team of international scholars use the metaphorical thread to link the experiences of cloth production, lineage practices, contemporary challenges and sustainable futures, and to explore, through imagery and ideas, the agency of cloth to shape and communicate the sensations and emotions connected with human experience.Divided into f

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Book SynopsisCraft adorable, trendy felt miniatures with this book of step-by-step tutorials and projects, featuring beautiful photos that illustrate easy felting techniques.From self-taught artist Delilah Iris, Sew Cute!: Tiny Felt Cuties & Creatures includes more than a dozen patterns for making tiny animals, dolls, dollhouses, props, adorable gifts, and miniature play sets. The projects can be created as stand-alone finished works, but they can also be used to complement each other in a complete set for use in a tiny miniature world!If you have been looking for new crafting techniques to learn at home and don’t want to buy a lot of tools and materials, creating felt miniatures is the perfect choice. Felting does not require a sewing machine and can be done using simple hand stitches and embroidery, all of which are demonstrated in the book along with stylized photo tutorials. Also included are detailed doll patterns, suggestions for Trade Review“Delilah Iris proves that good things come in small packages with her winning debut…The cute designs are hard to resist.” * Publishers Weekly *"A master class in the machine free art of crafting animals, dolls, fairy houses, and so much more." * Midwest Book Review *"Full of adorable projects that are perfect for gifts." * Library Journal *Table of ContentsTable of Contents Introduction CHAPTER 1: Tools & Materials CHAPTER 2: Basics of Hand Sewing CHAPTER 3: Teeny-Tiny Critters & Their Accessories Fox Cat Dog Doghouse Pet Bed Skunk Frog Mushroom Mushroom Frog CHAPTER 4: Tiny Dolls & Dollhouses Doll Teddy Bear Mushroom Dollhouse Tree Stump House CHAPTER 5: Patterns About the Author

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Book Synopsis

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