Description

Book Synopsis
Antony Gormley occupies an unusual position as a highly popular sculptor known chiefly for his Angel of the North (1998), a national landmark in the UK who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley dis

Antony Gormley on Sculpture

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    A Paperback / softback by Antony Gormley, Mark Holborn

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      Book details

      Publisher Thames & Hudson Ltd
      Published 19 September 2019
      ISBN-13 9780500295229
      978-0500295229
      ISBN-10 0500295220
      Also in:
      Art & Photography Sculpture

      Description

      Book Synopsis
      Antony Gormley occupies an unusual position as a highly popular sculptor known chiefly for his Angel of the North (1998), a national landmark in the UK who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley dis

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