Pottery, ceramics and glass crafts Books

Book SynopsisChinese ceramics and their glazes have delighted and enthralled the world for centuries. In this book, Nigel Wood traces the development of Chinese glazes from the Bronze Age to the present day. He carefully describes how Chinese glazes were made, and how they evolved over some 3000 years of continuous production. He provides analyses and shows how their superb qualities can be reproduced with common Western raw materials. The book is lavishly illustrated with hundreds of colour plates of Chinese potters and Chinese kilns.Table of ContentsIntroduction Author’s Note Acknowledgements 1. Neolithic and Bronze Age Ceramics 2. South China’s Early Lime Glazes 3. The Porcelain Glazes of Southern China 4. Longquan, Guan and Ge 5. The Porcelains of North China 6. The Stonewares of North China 7. The Blackwares and Brownwares of China 8. Iron in Chinese Glazes 9. Copper in Chinese Glazes 10. Chinese Low-fired Glazes 11. Chinese Alkaline Glazes 12. Chinese Overglaze Enamels 13. Reconstruction of Chinese Glazes 14. Glaze Recipes Chronology Index

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Book SynopsisHandmade Tile is a contemporary guide for ceramic artists and anyone interested in custom tile installations—from making, designing, and decorating to designing your space and installation. No matter how many years of experience you have as a ceramic artist or how many home-improvement projects you’ve tackled, nothing prepares you for the unique world of ceramic tile. From concept and design, through firing and installation, ceramic tiling is one of the few places in a home where art is permanently installed as a feature of a room. In Handmade Tile, Forrest Lesch-Middelton shares everything he’s learned as the founder and owner of the custom tile business FLM Ceramics and Tile. From his years as a one-man operation to his current production facility, Forrest has seen it all and helps you every step of the way. Whether you want to make your own tile, or want to use artistic and custoTrade ReviewThis book is a must-have for anyone with an interest in handmade ceramic tile, either as a maker or a designer. Forrest generously shares his years of experience gained from both the art and design worlds and covers it all, from detailed making to installation, and all the considerations from start to finish. * Lesley Baker, associate professor, Rhode Island School of Art and Design *I couldn't be more excited about this book, a tell-all from the master tile maker. I have the privilege of calling Forrest a friend…now I can call him my teacher. In this book, he answered all my questions on how to make tiles. * Paul Blaise, host of The Potters Cast podcast *To see this process firsthand and understand how Forrest’s work as a potter informs the choices he makes in his tile -- from pattern to palette -- has introduced me to a new avenue for artistic collaboration. * Ginny Hautau, owner of Urban Cowgirl Art and Design, Corrales, NM *

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Book SynopsisCrafting Pottery for Daily Use“… a great reference book for pottery basics, particularly if you’ve started throwing on a wheel, or are thinking you might want to.” ―Jackie Keer, Splash Magazines#1 Bestseller in Pottery & Ceramics and Sculpture and #1 Most Wished for in Pottery & Ceramic CraftIt’s never too late to pick up a new hobby, especially when you have an introduction to pottery guide this simple to get you started.The joy of making pottery. You don’t have to know everything about the complicated chemistry behind making pottery to enjoy it! Potter and entrepreneur Jon Schmidt takes us back to the basics, offering an introduction to pottery and a guide to creating functional pieces, along with insights into the business side of creating and selling your art.Focus on functionality. While pottery pieces can be detailed and intricate, Schmidt finds the beauty in more practical pieces. From mugs to bowls, Schmidt shows us a host of functional pieces that we can create using our very own hands. Learn how you can craft beautiful pieces for daily use, and potentially profit from them.Ideas for beginners to experienced throwers. Beginner or accomplished thrower, you’ll find endless possibilities for making beautiful works of functioning art with your own hands.Inside find: A guide for getting started in pottery and ceramics that doesn’t require expensive equipment, clay, and glazes Numerous tips and tricks for creating functional pottery, such as mugs, bowls, plates, teapots, beer steins, and more! Projects that push you to craft functional art and turn your work into bonus income Readers of Amazing Glaze, Complete Pottery Techniques, or Potter’s Bible will love Jon Schmidt’s Practical Pottery.

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Book SynopsisGlass can add an unusual and ethereal quality to a piece of jewellery. Its transparency, colour and unpredictability make glass a unique material to work with, but it also presents its own challenges. This book introduces the techniques of working with glass to jewellers, and explains how to decide which is the most suitable approach for your design. It covers specific properties of glass, tips for design and ideas for assembling a piece. Hot forming - includes fusing, casting and pate de verre, as well as lampworking. Cold forming - explains how to shape a piece of glass and then bond pieces together Decorative - explains how to embellish your pieces, from painting to photography transfers and metal leaf inclusions. It is a practical guide but, with a wealth of stunning finished pieces, and also provides inspiration for jewellers of all experiences.Trade ReviewI would highly recommend Designing and Making Glass as a 'go to' reference book for beginner glass makers and jewellers. -- Nicky Lawrence * Findings Magazine of The Association of Contemporary Jewellery *

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Book SynopsisContemporary Raku is a complete guide to this exciting, dramatic and beautiful art form. It explains the making, glazing and firing methods employed for producing Raku-ware, and features contributions and insights from leading makers. Recognizing the deeper values of the practice, the book also considers the influences and sources of inspiration behind the work of these makers. It introduces the necessary tools and equipment, and advises on essential health and safety measures. It explains how to make vessels and forms with step-by-step photo sequences. Recipes for clay bodies and glazes for the beginner and the more experienced maker are included. Details are given on the Raku-firing process and the range of kilns used. Finally, it explores the practice of ‘Naked Raku’. With over 300 illustrations, it is a stunning and detailed account to this magical process.Trade ReviewA very welcome addition to the sources of information about Raku making and how it has influenced current makers is the book by Stephen Murfitt – Contemporary Raku. Not only does it give you an insight into the influences of makers but goes into some detail about the actual production methods. The book is well illustrated with examples of work. For too long Raku has been overlooked, but it is now experiencing a resurgence. A very good reference source for any studio. -- Paul Bailey - Emerging Potters * Emerging Potters Magazine *'I join my fellow ceramists in registering my appreciation of Stephen Murfitt's new book on Raku. Stephen's writing is clear and transparent and enjoys a nicely judged balance between aesthetics and practicality. I particularly like the way the personal accounts of featured artists provide insights into the creative process and give perspective to the technical content.' -- David Roberts, Raku Ceramics * Raku Ceramics *'Contemporary Raku' includes insightful information about both Raku and naked Raku, kilns, kiln building and firing techniques, clays and materials and a section devoted to Health and Safety. Glaze recipes and clay bodies for both the beginner and the experienced practitioner are also included in this lavishly illustrated, excellent book which is highly recommended. -- Peter Warren, Reviewer Anglian Potters * Anglian Potters Spring Newsletter *

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Book SynopsisWe all use ceramics on a daily basis without thinking much about it, except when it comes to a favourite mug or cup, for instance. Why is it a favourite? Is it that it holds just the right amount of tea or coffee? Is it that it sits comfortably in the hand with an ample handle that allows you to hold it safely? Is it the clay the cup is made from — a fine porcelain or robust stoneware? Is it the rustic shape or refined, delicate, traditional or contemporary design? Maybe you just like the pattern on the outside! Whatever the reason, someone will have been thinking about the ergonomics of the cup when they designed and made it and all the other ceramic items that you use, to ensure they work perfectly and give you pleasure to handle and serve your food and drink in. This book is a visual feast of ideas and advice to guide the maker through the process of designing and making successful functional ceramics that are practical and appealing in equal measure. It adopts a low-tech approach that is understandable and accessible for all and begins with the basic questions you will need to address before you begin. Each element of the process will be carefully considered, from deciding the function of the item to working out proportions and making basic drawings, to choosing the right clay, tools, and making method, and finally glazing and firing, including safety issues and the essential topic of suitability for food. Each chapter begins by presenting a varied range of basic shapes, be they thrown or hand built. The next section demonstrates a wide selection of handles, rims, feet, lids, knobs, spouts, lips, and other details that can be mixed and matched to form unique designs with personality and functionality. Working the whole process out in advance can reap tremendous rewards, ensuring the maker gets it right first time but also allowing the process to be repeated with minimum effort. From idea to finished item, this book will be the essential guide to all the techniques required to make functional ceramics that really work and give lasting pleasure to use.Trade ReviewThis practical and very elegant book concentrates on the actual making of everyday ceramics. Basic making methods of throwing, coiling and slabbing are explored, but does not look at surface decoration or slip casting and jigger/jolly have been omitted as they require a different level of technical skill. It is a project book aimed at the maker with a small studio or someone attending a studio. What the book does look at is the making. Chapters include health and safety, capturing ideas, the right clay, firing and basic glazes. Cups and mugs feature in chapter two followed by jugs and boats, plates and platters, bowls, dishes, casserole, teapots, and making methods. Each chapter has step-by-step photos of the process, together with different handle and spout making for each project. Throughout, the book is lavishly illustrated with photographs and copious amounts of notes and hints on how to best approach a project. For the beginner it is a must. * Emerging Potters *I am not a potter, but I do love pottery and would like to be able to make my own. This book provides a thorough insight into the process and includes a wide variety of projects from mugs, to jugs to teapots! Not all require a wheel - coiling and slabbing are covered too. I feel inspired to have a go! -- Myra ArmsonBeautiful book filled with lots of wonderful ideas and projects to make. I love how it gives you an overview of what's needed to make everything it gives you a really good idea of where to start. * Ella Eske *This book has got me very excited & enthusiastic about taking up Pottery. * Alan Snowbal *An interesting read, lots of illustrations, photos and guidance on different types of clay and styles of pottery to be made. As a non potter i feel i would be inclined to read a beginners guide to pottery and ceramics, by the same author first if i were going to delve into the pottery world to gain more basic knowledge. * Becca Blackwell *Ramp up your pottery skills with this specialized manual, as British ceramics professional and author Atkin offers design techniques to reduce errors in finished pieces. With projects including simple mugs and stylish teapots, tips and options are highlighted throughout, focusing on the construction rather than finishes. This polished book is a lovely addition to the field of pottery. The projects are attractive and well explained. It’s not a beginner’s manual, however—throwing technique is briefly covered, and explanations on the use of tools, materials, firing, and glazes are cursory. VERDICT Highly recommended for intermediate students still working through the fine details of potterymaking. * Library Journal USA *Table of ContentsIntroduction Chapter One - Before you begin Planning Getting your ideas down on paper Formers and templates The right choice of clay Glaze and other decorating mediums Chapter Two - Cups and mugs Design decisions Thrown mug Hand-built mug Pinched mug Handles for mugs Chapter Three - Teapots Design decisions Thrown teapot Coiled teapots Slabbed teapots The essential non-drip spout for teapots Handles for teapots Lids and knobs for teapots Chapter Four - Pitchers and Boats Design decisions Thrown pitchers Lips or snips Coiled pitchers Slabbed pitchers Pinched pitchers Handles for pitchers Chapter Five - Plates, saucers and platters Design decisions Thrown plates Slabbed plates Saucers Platters Chapter Six - Bowls, dishes and casseroles Design decisions Thrown bowls Coiled bowls and dishes Slabbed bowls and dishes Handles, lugs, feet and knobs for dishes Chapter Seven - Basic making methods Glossary, index and credits

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Book SynopsisThe perfect companion for anyone who wants to work pottery with their hands from home. Inside, author Daniela Schmidt-Kohl, will help "mold" you from a beginner to someone who can fashion wonderfully creative pots, trays, jars, and plant holders. Including tips for materials and tools and aids.

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Book SynopsisThis book is the new gold standard for potters who use a potter's wheel. It's the first book in years that goes beyond the basics, offering next-level techniques for throwing.Trade Review"Ben Carter's 'Mastering the Potter's Wheel'...takes readers through all of the basics, from centering to mastering the basic forms. What pushes this book beyond the competition, however, are the techniques offered in the chapters that follow. From a variety of methods for throwing large objects out of clay, such as pitchers and platters to alterations, darting, and paddling, this book offers potters a world of possibilities. With inspirational guest features from today's top working artists, this book is the new gold standard for potters and pottery studios everywhere." * Alan Petrucelli, Examiner.com *"If I had a book like Mastering the Potter's Wheel when I was a student, I might have had a shot at becoming a passable potter rather than a curator and writer." * Garth Johnson, Curator of Ceramics, Arizona State University Art Museum Ceramics Research Center *"Ben Carter's varied experiences working as an independent studio potter, educator, podcast host, arts administrator, artist in residence, and production potter in several countries have given him a unique perspective on different approaches to wheel throwing. In this book he enthusiastically shares the knowledge and tips that he has gathered over the years, providing readers with a wide range of approaches to learn basic skills and then to build on them to create a strong, individual style." * Jessica Knapp, Editor,Ceramics Monthly; Associate Editor, Pottery Making Illustrated *"The ultimate 'how to pot' book, this is a must read for anyone pursuing his or her craft through a mindful and holistic approach. Gorgeously photographed process steps, paired with examples of wares by emerging and distinguished makers, contextualize the various processes of potting and set this book apart." * Sarah Millfelt, Director, Northern Clay Center *"Mastering the Potter's Wheel is a valuable resource for anyone interested in learning more about handmade pottery. The book provides clear instructions, thoughtful insights, and includes beautiful images of work from some of the best potters in the field." * Steve Lee, Director, Archie Bray Foundation for the Ceramic Arts *"Ben's thorough knowledge and extensive experience in ceramics comes to the fore in this comprehensive book - helpful advice for beginners with loads of tutorials, well-considered guidance for those with more experience, and galleries of examples to inspire into the future. This book deserves a place on the bookshelf in every ceramics studio." * Vicki Grima, Editor, the Journal of Australian Ceramics *

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Book SynopsisGlass casting is an exciting and versatile process involving chunks of molten glass melted into a mould, where it solidifies. This practical book explains the glass casting process, from the initial search for inspiration through to simple and then more complex casting. With step-by-step instructions and supporting photographs, it is an accessible and thorough account of this challenging and beautiful process. Topics covered include: advice on kilns and studio equipment; step-by-step projects in open casting, lost-wax casting, part-mould making, burn-out moulds and core casting; ideas for experimentation to increase the scale of your work, explore surface pattern and use other materials; instruction on de-moulding and finishing, and further tips on reusing materials in the studio.

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Book SynopsisLong held as one of the most spiritually charged Zulu art forms, Zulu ceramics have entered the 21st century as a diversifying and vital art. From independent artists to craft cooperatives, Zulu Pottery examines the techniques and individuals continuing this great tradition.Table of ContentsSocial history, cultural context, and pot types; preparation, construction, and decoration; firing and finishing; foundational pieces and foundational potters; evaluating Zulu pottery: creating and selling in contemporary markets; future generations of Zulu ceramics; historical collections and sources for Zulu pottery.

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Book SynopsisMoche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San Jose de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San Jose de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.

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Book SynopsisTrade ReviewSea Glass Hunter's Handbook The perfect gift and guide for both novice and seasoned collectors. Inside you'll find information on the best ways to search for sea glass, explanations of sea glass origins, a sea glass dictionary, personal stories from experts about their favorite finds, and a list of some of the best beaches around the globe. -Curt Ebbesmeyer, www.westcoastseaglass.comWhen C.S. Lambert talks about sea glass, enthusiasts stop seaglunking (that's hunting for sea glass to the uninitiated) and listen intently. Her previous books, A Passion for Sea Glass and Sea Glass Chronicles, continue to be best sellers for Down East Books. And her latest work, The Sea Glass Hunter's Handbook, is packed with gems of advice (including a sea glass dictionary!) about searching for gems of the sea-tossed variety. Now Lambert graciously shares a few more shards of her sea glass wisdom. . . . -Catherine Owsianiecki, Examiner.com, Balitimore, MD 11/2/2010

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Book SynopsisThe indispensable compendium of essential knowledge and troubleshooting tips for potters. Just like having an expert on call 24 hours a day – here are the answers to any ceramic questions or dilemmas you might have. Step-by-step photographs, diagrams and clear instructions will guide you through each stage of your work, or you can dip in for help with a particular problem. Discover how to improvise tools using kitchen implements, find a shortcut to rolling faultless coils, build the perfect spout and learn a foolproof method for removing a vessel from the wheel without it distorting. Every section features ‘try it’ and ‘fix it’ panels, suggesting ways of developing skills and avoiding common errors.Trade ReviewAn ideal book for someone starting out with clay, and even the most seasoned potter will find something useful. * The Kent Potters Newsletter *This book is filled with a wealth of basic technical knowledge... The book has handy timesaving tips and is presented in easy-to-follow articles. * London Potters *I know I shall dip into this handy reference frequently. * www.karenplatt.co.uk *An invaluable reference from a professional studio ceramicist, ideal for more experienced potters as well as beginners. * Craft and Design Magazine (July/August 2009) *Table of ContentsForeword About this book 1. Materials, Tools and Equipment 2. Design 3. Making Techniques Slabbing Pinching Coiling Throwing Mould Making 4. Useful Information

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Book SynopsisThe essential guide to raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes. Over the last thirty years interest in the raku pottery technique has grown hugely – the excitement, immediacy and unpredictability of the raku process catching and firing the imagination of professional and amateur potters alike. Despite its association with amateur pottery classes, when practised at a higher level, it is an unforgiving, demanding medium which tests pots and potters to the limit. The famous Japanese potter Hamada said that he wanted to wait until the end of his life before making raku pots as it was the most difficult and important technique to master. A growing number of potters have turned to this medium however, as a serious expression of their work, finding new (or perhaps old) and varied techniques to explore, and thriving on the opportunities provided by the raku process to transform accidents and mistakes into new techniques or innovative pieces. This new edition of Raku has new text and is beautifully illustrated in full colour throughout with an almost totally new selection of images from the work of the many highly-regarded raku potters featured. As in the previous edition, an important focus of the book is the exploration of the work, inspiration and influences of some sixty-five artists. The gallery of artists featured has been greatly updated and expanded to reflect new techniques by established raku potters and also the work of more recent converts to the medium. New entries include Toshio Ohi, Maika Korfmacher, Yasuo Terada, Marvin Sweet, John Wheeldon, Maila Klementinnen, Ashraf and Sue Hanna and Justin Novak to name but a few. This also remains a highly practical book for the practicing potter, providing a fresh and comprehensive overview of raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes. It also provides recipes for clays and glazes used by the potters featured. A history of raku is also included following its inception in Japan at the end of the 16th century to its introduction to the West by Bernard Leach up until the present day. Those exciting early years are vividly brought to life with anecdotes from David Leach. Raku provides all the essential practical information you need to start raku firing. It is also a great source of inspiration for potters and of delight for those interested in contemporary ceramics.Table of ContentsForeword by David Leach Acknowledgements Preface 1. Raku – It’s Meaning and History 2. Materials and Techniques Contemporary Approaches 3. Form and Vessel 4. Glaze and Surface Treatment 5. Colour and Decoration 6. Figurative Responses to Raku 7. A Sculptural Approach A Sculptural Approach – Ceremonial Pieces 8. Clay, Smoke and Sawdust 9. Large Scale/Installation Work Conclusion Clay and Slip Recipes Raku Glaze Recipes Materials – UK/US Equivalents Temperature Conversion Bibliography Suppliers and Manufacturers Index

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Book SynopsisThis book introduces the beginner to working with colored glass without the need for soldering tools and a dedicated studio. With just a cutter, grout, and glue, you can make gorgeous stained glass pieces, from small pieces such as votive candle holders and flowerpots to windows, tables, and more.

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Book SynopsisLearn the exciting and incredibly easy craft of glass painting! Super fun and simple, glass painting doesn't require any artistic skills or experience, making this craft perfect for everyone of all ages. A relaxing creative outlet, this guide includes helpful introductory overviews on how to glass paint and all the basic painting techniques, tools, and supplies from paints and glitter powders to resin and more followed by 15 step-by-step projects with full-size templates that start small and simple and slowly progress in difficulty. From vibrant animals and charming manga designs to beautiful florals and faces, plus 10 additional bonus templates of stunning line art designs for continued inspiration! Perfect for easily painting unique framed artwork, vases, gifts, and décor, this is a modern, must-have guide to this exciting, accessible, and affordable craft.

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Book SynopsisMastering Sculpture: The Figure in Clay is a comprehensive workshop on sculpting the human form from head to toe for ceramic artists. Trade Review“Readers of this book will discover that Cristina is an alchemist, mixing accuracy and instinct in perfect measure to bring clay, slip, and glaze to life. As an artist, she translates the human form with sensitivity and expression. As an instructor, she articulates complex information clearly and deliberately for sculptors at any level of experience. Cristina’s fascination with the human form is infectious; her commitment and attention to detail are constants throughout the book.” * Leslie Noell, creative director, Penland School of Craft *“A wonderful resource for anyone who wants to gain a deeper understanding of figurative sculpture. It is hard to imagine anyone better suited than Cristina to offer this expertise and experience as she is a gifted artist and generous educator. I highly recommend this book for artists or enthusiasts of any skill level.” * Steven Young Lee, resident artist director, Archie Bray Foundation *“This is an exceptional book by an exceptional artist. Cristina Córdova has delivered a rare document that reveals highly useful information in a refreshingly smart, concise, and elegantly organized way. In so doing, she has also captured a deeply felt regard for the poetry and beauty of the human figure and the power of clay to render emotional depth.” * Wayne Higby, professor of ceramic art, director and chief curator, Alfred Ceramic Art Museum, Alfred University *“Cristina Córdova’s unique multicultural education and perspective has given her an unmatched combination of academic rigor and unfettered creativity in her approach to sculpting the human figure. This book is a road map to acquiring a skill set that is rarely taught in art schools anymore… and an incredible gift to those on a quest to master figural sculpture.” * Garth Johnson, Paul Phillips and Sharon Sullivan Curator of Ceramics, Everson Museum of Art *“Creating figures and narratives that spring from her ongoing exploration of the human psyche and existential pathos, Cristina Córdova is a super talent whose sculptures, full body or fragmented, single figure or installation, contain the whole history of art in every pose and gesture, at once strikingly contemporary and timeless. Her imagination is matched by her skill and by her generosity in sharing her craft.” * Annie Carlano, senior curator of craft, design, and fashion, The Mint Museum *“This book is a testament to Cristina’s beautiful work as well as the clarity of instruction on how she makes it. She is a wealth of talent and integrity. She makes figuration look so seamless and easy. I might try coiling the figure now!” * Tip Toland, acclaimed ceramics artist *“Cristina Córdova is unquestionably one of the most talented, rigorous, and artistically ambitious artists working with the figure today—period.” * Tony Marsh, professor emeritus, California State University Long Beach *"Exceptionally well organized and presented making it an ideal DIY instruction guide and manual, Mastering Sculpture: The Figure in Clay is an especially and unreservedly recommended as a textbook for art class curriculums on sculpture, and an essential, core addition to personal, professional, community, college, university, and art school Sculpting Art & Techniques collections." * Midwest Book Review *"Whether you're a beginner or an experienced artist, this book is a valuable resource for enhancing your sculpting skills. The author's expertise and generosity shine through in her writing, making this book a must-have for any artist's collection." * CitizenSide *Table of ContentsForeword Introduction 1 PREPARATION Studio Setup Finding Inspiration Simple Armature Construction External Supports 2 GETTING STARTED How to Make a Slab Using Patterns 3 ASSEMBLING LOWER BODY PARTS ON ARMATURE Preparing Your Armature Joinery Footprint and Lower Leg The Foot Upper Leg Pelvis 4 ASSEMBLING THE UPPER BODY Getting Started Attaching Torso to Pelvis The Neck Breasts Arms 5 THE HEAD Using a Pattern to Create a Head Shape Adding Facial Features Refining Features Fleshing: Creating Flow and Continuity Hair Attaching Head to Neck 6 HANDS Forming the Hands Attaching the Hands 7 FLESHING OUT CORE FORMS Venting Reading Contours with Additional Photographic Views to Achieve Accuracy The Process Artistic Considerations 8 SURFACE DEVELOPMENT, DRYING, AND FIRING Surface Development Drying and Firing Appendix A: Four Cardinal Views Appendix B: Model Reference Photos Appendix C: Illustrative References Appendix D: Templates Acknowledgments Resources About the Author Index

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Book SynopsisHandbuilt Ceramics is a practical guide to all aspects of technique, but goes further by exploring the studio practices of ten exciting contemporary makers. Advice is given on how to get started and information on tools and equipment, types of clay and a safe workspace set-up. Handbuilding methods, such as pinching, coiling, slabbing and press moulding, are explained in detail with step-by-step sequences. Techniques for creating surface interest, pre and post firing, are included using coloured slip, glaze or paint. Ideas for combining techniques and ways to experiment are explored and encouraged, as well as tips to avoid common problems and to achieve successful outcomes. With over 350 lavish photos, this book will provide inspiration through a unique understanding of current work. It is written both for the novice and for the experienced maker looking for a new direction.Trade ReviewI would certainly recommend this book to all potters and especially to those interested in current sculptural ceramic techniques. -- Gail Altschuler, review London Potters * London Potters magazine *

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Book SynopsisAndrew Livingstone is Reader in Ceramics at the University of Sunderland, UK.Kevin Petrie is Head of Glass and Ceramics at the University of Sunderland, UK.Trade ReviewThe Ceramics Reader is a triumph. I do not doubt that it will be recognised as the most influential ceramics title of our decade. * Crafts *This book is absolutely recommended, and fortunately it is fitted with an index so it can also be used as a reference work. * Keramiske noter (Bloomsbury translation) *I have been reading sections of this superb and fascinating book in no particular order, such is the arrangement of this presentation of articles, essays and conference papers. * Anglian Potters Newsletter *The Ceramics Reader is part seed bank, bedrock, reagent, and compass. Livingstone and Petrie have assembled an invaluable reference that so elegantly represents and agitates both historic and contemporary discourse in the field of Ceramic Art * Brian Gillis, Associate Professor of Art at the University of Oregon, USA *Bringing together a rich collection of critical texts, from ceramic luminaries such as Philip Rawson and Garth Clark to the provocative writing of a younger generation of practitioners, The Ceramic Reader is the book we have been waiting for. * Stephen Dixon, Crafts Research Group Leader at Manchester School of Art, UK *The persistent echo of the art / craft debate and a long dismissal of ceramics as fine art has caused an identity crisis. This is a remarkably full and timely account to start a dialogue of inclusion and diversity in the art world. * Salvador Jiménez-Flores, Artist in Residence at the Ceramics Program Office at Harvard University, USA *An inspirational book that brings together informative and thought provoking texts that explore ceramics from different perspectives and viewpoints. Invaluable for research, it will make a significant contribution to the discourse, encouraging dialogue and debate between students and academics alike. * Felicity Aylieff, Head of the Ceramics and Glass programme at the Royal College of Art, UK *There is something in this book to inform anyone interested in ceramics, be they student, collector, academic or practitioner who work with or are interested in fired clay. * Shards: South Wales Potters Newsletter *Table of ContentsGeneral Introduction - Livingstone and Petrie Pen and Kiln: a brief overview of modern ceramics and critical writing - Garth Clark Section One: Ceramics: Materiality and Metaphor Section Introduction - Livingstone and Petrie 1.1 Why are ceramics important? Introductory summary - Livingstone and Petrie 1. Clay as elemental wholeness - Kenneth R. Beittel 2. The existential base - Philip Rawson 3. Appreciating ceramics or so much more than just an egg cup or a milk jug - Ian Wilson 4. Containers of Life: Pottery and Social Relations in the Grassfields (Cameroon) - Silvia Forni 5. Ceramics and art criticism - Janet Koplos 6. Death and Clay: Cultural and personal Interpretations in ceramics - Christopher Garcia and Tomaru Haruna 1.2 Ceramics and metaphor Introductory summary Livingstone and Petrie 7. Heart like a wheel: What is Hollywood telling us about working with clay? - Sarah Archer 8. Analogy and metaphor in ceramic art - Philip Rawson 9. Metaphors, Myths and Making Pots - Laurel Birch Aguilar 10.Sculptural Vessels across the great divide: Tony Cragg’s Laibe and the metaphors of clay Imogen Racz Section Two: Ceramics in Context Section Introduction Livingstone and Petrie 2.1 Historical Precedents Introductory summary Livingstone and Petrie 11.The function of decoration: Wedgwood Herbert Read - 12.The Arts and Crafts Movement. GB, USA, Germany and Austria, Scandinavia, The Netherlands, Hungary and Italy Emmanuel Cooper 13.A Matter of Tradition: A Debate Between Maguerite Wildenhain and Bernard Leach Brent Johnson 14.Contemporary design of the 1950’s Rie and Coper in context Lesley Jackson 2.2 Studio Ceramics Introductory summary Livingstone and Petrie 15.Studio Pottery - Tanya Harrod 16.Towards a standard - Bernard Leach 17.Towards a Double Standard? - Edmund De Waal 18.Re-inventing the wheel – the origins of studio pottery - Julian Stair 19.The Archie Bray Foundation: A Legacy Reframed - Patricia Failing 20.Studio Ceramics: The end of the story? - Jeffrey Jones 2.3 Sculptural Ceramics Introductory summary Livingstone and Petrie 21.A Rough Equivalent: Sculpture and Pottery in the post war period - Jeffrey Jones 22.California (Funk) - Scott, A, Shields 23.Cooled Matter: Ceramic Sculpture in the expanded field - Mitchell Merback 24.The New Ceramic Presence - Rose Slivka 25.Metamorphosis: the culture of ceramics - Martina Margetts 26.Antony Gormley in conversation with James Putnam – James Putnam 2.4. Ceramics and Installation Introductory summary - Livingstone and Petrie 27.Ceramics and Installation - Emma Shaw 28.Ceramic Installation Towards a self-definition - Ruth Chambers 29.Multiplicity, Ambivalence and ceramic installation art - Glenn R Brown 2.5 Theoretical Perspectives 31.Reconsidering ‘The Pissoir Problem’ - Bruce Metcalf 32. The Modern Pot - Glenn Adamson 33. Social Complexity and the historiography of ceramic - Paul Greenhalgh 34. Speak for yourself - Edmund De Waal 35. Object Theory - Paul Mathieu 36. Between a toilet and a hard place - Garth Clark 2.6 Conceptual and post studio practice Introductory summary - Livingstone and Petrie 37. Manufacturing Validity; the ceramic work in the age of conceptual production - Lizzie Zucker Saltz 38. On Dirt - Ingrid Schaffner 39. Contemporary Clay - Clare Twomey 40. Elastic/Expanding; Contemporary Conceptual Ceramics - Jo Dahn 41. Extending Vocabularies: Distorting the ceramic familiar – clay and the performative ‘other’ - Andrew Livingstone 42. And into the Fire post studio ceramics in Britain - Glenn Adamson Section Three: Key Themes Section Introduction - Livingstone and Petrie 3.1 Gender, Sexuality and Ceramics Introductory summary - Livingstone and Petrie 43. Gender, Identity and studio ceramics - Moira Vincentelli 44. Queering the Museum - Matt Smith 45. The Personal Political Pots of Grayson Perry - Louisa Buck & Marjan Boot 3.2 Identity and Ceramics Introductory summary - Livingstone and Petrie 46. Body language: ceramics to challenge the white world - Ruth Park 47. Rubber and Clay: South African material ‘aftermodern’ - Elisabeth Perrill 48. Plunder Me Baby – Kukuli Velarde and the ceramics of Taiwan’s first nations: Virtual Ventriloquism as articulated in the 2014 Taiwan Ceramics Biennale - Wendy Gers 3.3 Image Introductory summary - Livingstone and Petrie 50. Ceramics and painting – an expanded field of enquiry - Veronika Horlik 51. Paul Scott’s Confected landscapes and Contemporary Vignettes - Amy Gogarty 3.4 The body Introductory summary - Livingstone and Petrie 52. Embracing Sculptural Ceramics: a lived experience of touch in art - Bonnie Kemske 53. Vicious Figurines: Penny Byrne’s Ceramic Advocacy - Inga Walton 54. The Figurative Impulse in Contemporary Ceramics - Peter Selz 3.5 Ceramics in education Introductory summary - Livingstone and Petrie 55. The influence of educational institutions on contemporary ceramics - Andrea Gill 56. The Digital Future: Reimagining Ceramic Education in the 21st Century - Holly Hanessian 3.6 Ceramics, industry and new technologies Introductory summary - Livingstone and Petrie 57.Transitions: A brief history of Modern Ceramics - Marek Cecula 58. National Identity and the problem of style in the post-war British ceramics Industry - Graham McLaren 59. Continuity or Collapse: Ceramics in a post-industrial era - Jorunn Veiteberg 60. The UK marketing strategy in response to globalization c1990-2010 - Neil Ewins 61. Meta-making and me - Ingrid Murphy 3.7 Museum, site and display Introductory summary - Livingstone and Petrie 62. Museums and the interstices of domestic life; Re-articulating domestic space in contemporary ceramics practice - Laura Gray 63. The museum as medium specific muse - Ezra Shales 64. Environment, art, ceramics, and site specificity - Brad Evan Taylor 65. When forms become attitude – A consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape - Mike Tooby 66. Why Clay? - James Beighton and Emily Hesse 67. Civic ceramics: shifting the centre of meaning - Natasha Mayo and Melania Warwick 68. Ceramics as an archaeology of the contemporary past - Christopher McHugh 69. Re-defining ceramics through exhibitionary practice - Laura Breen Index

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Book SynopsisA gloriously colourful, dynamic new body of work in glass

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Book SynopsisAn exploration of the artistic process, methodology and techniques of 100 great ceramic artists, offering both practical advice and inspiration.Trade Review'A fascinating read for those interested in the art form, as well as a useful sourcebook for practitioners' - House & GardenTable of ContentsIntroduction • 1. Vessel • 2. Batch Production • 3. Sculpture • 4. Figurative • 5. Installation • 6. Expanded Field

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Book SynopsisBeautifully illustrated, this guide for both beginners and advanced painters shows step-by-step that anyone can paint if they really want to, and provides guidance every step of the way. The author covers all spheres of porcelain decoration, whether it''s flowers or fruit, cats or landscapes, portraits or designs. She shows clearly how to work with many materials and techniques, including mineral oxides, gold and silver, raised paste, lusters, grounding, and the kiln. Porcelain painting since 1970, her vast knowledge and practical experience is packed within the pages, making gorgeous ceramics something even amateurs can enjoy creating.

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Book SynopsisIn Conscious Crafts: Pottery, maker Lucy Davidson reveals the meditative nature of working with clay and its wellbeing benefits for slowing down, creativity and mindfulness. Making is mindfulness made practical, and pottery is a popular meditative craft. Drawing on the traditions of hand making, Lucy has created 20 modern makes with air dry and polymer clay – all without the need for a wheel or kiln: imperfect pots; coasters; necklace beads; abstract earrings; terrazzo-style bracelets; bird brooches; pinch pot tea holders; light pull; incense holder; botanical & feather wall hangings; festive decorations; potted herb markers; clay 'leaf' bowls; plant hanger pots; indoor planters; miniature bunting; serving dishes; and seaside vases. She shares the basic techniques to pottery and shows how these can be explored and personaliTrade Review“Plans for creating pots, coasters, jewelry, containers for plants, delightful decorations and much more fill this wonderful, easy-to-use treasury of hands-on projects for clay shapers of all skill and experience levels.” * Midwest Book Review *Table of ContentsCONTENTSIntroduction 6Tools and materials 10Useful techniques 14How to make your own clay 18 The Projects 20-139Imperfection is pretty perfect1. Imperfect pots2. Nonna’s vintage lace coasters3. Psychedelic jewellery dish 4. Necklace beads 5. Abstract earrings6. Modern terrazzo-style bracelets7. Beautiful bird broochesFinding enchantment8. Pinch pot tea light holders9. Light pull10. Matisse-inspired incense holderBotanical beauty11. Botanical wall hanging 12. Potted herb markers 13. Clay ‘leaf’ bowls 14. Plant hanger pots 15. Indoor planter Celebrating creativity16. Botanical festive decorations17. Ditzy miniature bunting18. Feather wall hanging19. Serving dishes20. Seaside vase Endmatter 140-144

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Book SynopsisTrade ReviewThis book takes on the debate around what makes ceramics an art form and how it has developed. The ‘vessel’, it seems, is a contentious word in ceramics. The book has noted, debates surrounding the validity of the term reveal ‘tensions about the relative value of the pot, the vessel and the object, and the status between the useful and the useless in the art world. The debate as to whether ceramics should be regarded as ‘art’ or ‘craft’ . A very thoughtful read. -- Paul Bailey, Emerging Potters Magazine Oct-Dec 23 * Emerging Potters Magazine Oct-Dec 23 *

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Book SynopsisA comprehensive guide to the basic techniques and equipment: all you need to know, from tinning an edge, painting and etching to simple home cutting, delicate folk painting and frosted patterning. It features over 300 photographs of the finished projects so you can what you are aiming at.

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Book SynopsisThe classic art updated for the contemporary crafter with clear techniques and projects, and 300 photographs.

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