Pottery, ceramics and glass crafts Books

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Book SynopsisA complete guide to fantastic special effects glazes for studio potters. From drippy and crackle to ash and lichen glazes, experienced ceramicist Linda Bloomfield guides you through the world of special effect glazes. Beautifully illustrated with pieces from both emerging and established potters that showcase stunning copper oxide-blues, metallic bronzes and manganese-pink crystal glazes, Special Effect Glazes is packed full of recipes to try out: from functional oilspot glazes using iron oxide, to explosive lava glazes. In this informative handbook discover how you can create these fantastic effects and learn the basic chemistry behind glazes in order to adjust and experiment with your unique pieces. Discussed are materials and stains, how to find them and how they affect the colour and texture of the glaze, alongside practical fixes to familiar glaze-making problems. Special Effect Glazes is essential if you are interested in creating eye-catching glazes and wanting to develop your knowledge of glaze-making, or experiment with your own formulas to achieve the perfect finish.Trade ReviewRight up there with the best of them ... Linda should be congratulated * London Potters *The knowledge of glazes is an evolutionary process ... Special Effect Glazes makes a valuable and desirable contribution to this lineage of knowledge ... I encourage you to embrace this delightful publication. -- Kevin Boyd * The Journal of Australian Ceramics *... there is a ton of information and a variety of recipes in this book [...] there are many useful clues and ideas of how to test and push the glazes in a direction that works for your studio. * The Studio Manager *Table of ContentsAcknowledgements Introduction Section 1: Glaze Principles and Application 1. Understanding Glazes 2. Glaze Materials and Minerals 3. Colouring Glazes 4. Impurities and Variation In Materials 5. Stability and Durability 6. Creating and Testing Glazes 7. Glaze Mixing and Application 8. Firing 9. Glaze ‘Defects’ Section 2: Special Effect Glazes 10. Special Effects: The Chemistry 11. Crackle Glazes 12. Ash Glazes 13. Celadon and Copper Red Glazes 14. Drippy Glazes and Chun Glazes 15. Crystalline Glazes 16. Shrink and Crawl: Lichen Glazes 17. Volcanic, Lava or Crater Glazes 18. Spotted Glazes 19. Metallic Glazes 20. Layering Glazes Conclusion References Bibliography Appendices 1. Glaze Materials UK:US Materials Substitutions 2. Orton Cone Temperatures 3. Ceramic Materials, Chemical Formula and Molecular Weight 4. Limits for Stable Glazes 5. Periodic Table of Elements 6. Materials Analysis for UK Frits, Clays and Feldspars 7. Materials Analysis for US Frits, Clays and Feldspars Suppliers Laboratories for Leach Testing of Glazes Health and Safety Index

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Book SynopsisFocusing on the pottery surface, Carve Your Clay covers a wide range of decorative carving techniques, from piercing, etching, inlaying to sgraffito, faceting, and fettling. The techniques are taught through 20 projects in Hilda’s signature style, with clear, step-by-step photography and easy-to-follow instructions to achieve beautiful results. With easy guides on how to create form as well as glazing and firing, this is a comprehensive guide suitable for new and practising potters alike.Trade ReviewFocusing on the pottery surface this book covers a wide range of decorative carving techniques, from incising, combing, inlaying to sgraffito, faceting and fettling. The techniques are taught through 16 projects with clear step-by-step photographs and easy-to-follow instructions. With easy guides on how to create form as well as information on glazing and firing, this is a comprehensive guide suitable for potters of all skill levels. * Emerging Potters *Table of ContentsContents Meet Hilda Chapter One: Introduction to Carving Chapter Two: Tools Chapter Three: Inspiration Chapter Four: The Projects 1. Serving plate – sgraffito 2. Sink tidy – Mishima inlay 3. Jug – faceting 4. Candle holder – piercing 5. Hanging planter – fettling 6. Utensil jar – carving agateware 7. Bottle vase – combing 8. Serving tray – carving and impressing 9. Wall tiles – geometric carving 10. Noodle bowl – carving during throwing 11. Mug – faceting 12. Mini cactus planter – sgraffito on glaze 13. Planter – carving 14. Cylinder vase – sgraffito 15. Serving bowl – organic carving 16. “Initial” coaster – sgraffito using printed template 17. Cup – multi-layered carving of a slip-cast form 18. Stem vase – etching 19. Salad bowl – relief carving 20. Pie dish – wire cutting Index

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Book SynopsisA comprehensive guide to the basic techniques and equipment: all you need to know, from tinning an edge, painting and etching to simple home cutting, delicate folk painting and frosted patterning. It features over 300 photographs of the finished projects so you can what you are aiming at.

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Book SynopsisQuite simply, everything you need to know about glazes. Glazes for the Contemporary Maker is an essential guide for all ceramic artists and potters looking to expand their knowledge and gain confidence in this dynamic area of ceramics practice. The book provides a holistic approach and serves as an introduction to glaze chemistry, materials knowledge and methods of application via detailed step-by-step guidance and informative text. Packed with over 200 illustrated glaze recipes, it is an indispensable reference, which covers everything from shiny, opaque, matt, crystalline to special effect glazes that span across the temperature ranges. Supported by impressive examples of work by leading practitioners, this book provides inspiration and a source of practical tips and advice, allowing you to learn and initiate your own creative path through this exciting subject.Trade ReviewAll ceramic makers are looking to expand their knowledge of glaze practice. The book gives a holistic approach and serves as an introduction to glaze chemistry, materials knowledge and methods of application via detailed step-by-step guidance. You will find many examples of work by leading practitioners, providing practical tips and advice. The focus of the book is to help demystify the many different aspects of glaze practice. It contains work by many leading makers working today, such as Anna Barlow, Tessa Eastman, Tanya Gomez and Anna Silverton – Packed with over 200 illustrated glaze recipes. It covers everything from shiny, opaque, matt, crystalline to special effect glazes. This is a must-reference book! -- Paul Bailey, Emerging Potters Magazine Oct-Dec 23 * Emerging Potters Magazine Oct-Dec 23 *

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Book SynopsisThis book offers creative ways to transform plain glass bowls, vases, mirrors, picture frames, plant pots and other home accessories. You can use the timeless craft skills of painting glass, stained-glass construction and glass mosaic to produce traditional and contemporary objects to decorate your home. You can paint small decorative motifs to champagne glasses, paint bold, abstract designs on an unusual window hanging, or 'etch' a design into a glass vase. You can make a trinket box or a decorative planter using easy-to-follow techniques of cutting glass and soldering, reproduce the effect of stained-glass windows with self-adhesive lead, or learn the art of mosaic using glass tesserae to decorate plant pots, lantems and a tabletop. Working creatively with glass is a skill that anyone can learn and the range of specialist craft materials and equipment available is increasing, helping to make light work of traditional crafts. This practical, highly illustrated book presents over 40 beautiful projects to create.Using the distinct techniques of painting glass, cutting and glass construction, stained-glass effects and glass mosaics, each chapter opens with material and equipment lists as well as pages of techniques that explain all you need to know to achieve success. From a Venetian perfume bottle and leaded picture frames to stylish glass window decorations these projects are sure to inspire.

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Book SynopsisMastering Sculpture: The Figure in Clay is a comprehensive workshop on sculpting the human form from head to toe for ceramic artists. Trade Review“Readers of this book will discover that Cristina is an alchemist, mixing accuracy and instinct in perfect measure to bring clay, slip, and glaze to life. As an artist, she translates the human form with sensitivity and expression. As an instructor, she articulates complex information clearly and deliberately for sculptors at any level of experience. Cristina’s fascination with the human form is infectious; her commitment and attention to detail are constants throughout the book.” * Leslie Noell, creative director, Penland School of Craft *“A wonderful resource for anyone who wants to gain a deeper understanding of figurative sculpture. It is hard to imagine anyone better suited than Cristina to offer this expertise and experience as she is a gifted artist and generous educator. I highly recommend this book for artists or enthusiasts of any skill level.” * Steven Young Lee, resident artist director, Archie Bray Foundation *“This is an exceptional book by an exceptional artist. Cristina Córdova has delivered a rare document that reveals highly useful information in a refreshingly smart, concise, and elegantly organized way. In so doing, she has also captured a deeply felt regard for the poetry and beauty of the human figure and the power of clay to render emotional depth.” * Wayne Higby, professor of ceramic art, director and chief curator, Alfred Ceramic Art Museum, Alfred University *“Cristina Córdova’s unique multicultural education and perspective has given her an unmatched combination of academic rigor and unfettered creativity in her approach to sculpting the human figure. This book is a road map to acquiring a skill set that is rarely taught in art schools anymore… and an incredible gift to those on a quest to master figural sculpture.” * Garth Johnson, Paul Phillips and Sharon Sullivan Curator of Ceramics, Everson Museum of Art *“Creating figures and narratives that spring from her ongoing exploration of the human psyche and existential pathos, Cristina Córdova is a super talent whose sculptures, full body or fragmented, single figure or installation, contain the whole history of art in every pose and gesture, at once strikingly contemporary and timeless. Her imagination is matched by her skill and by her generosity in sharing her craft.” * Annie Carlano, senior curator of craft, design, and fashion, The Mint Museum *“This book is a testament to Cristina’s beautiful work as well as the clarity of instruction on how she makes it. She is a wealth of talent and integrity. She makes figuration look so seamless and easy. I might try coiling the figure now!” * Tip Toland, acclaimed ceramics artist *“Cristina Córdova is unquestionably one of the most talented, rigorous, and artistically ambitious artists working with the figure today—period.” * Tony Marsh, professor emeritus, California State University Long Beach *"Exceptionally well organized and presented making it an ideal DIY instruction guide and manual, Mastering Sculpture: The Figure in Clay is an especially and unreservedly recommended as a textbook for art class curriculums on sculpture, and an essential, core addition to personal, professional, community, college, university, and art school Sculpting Art & Techniques collections." * Midwest Book Review *"Whether you're a beginner or an experienced artist, this book is a valuable resource for enhancing your sculpting skills. The author's expertise and generosity shine through in her writing, making this book a must-have for any artist's collection." * CitizenSide *Table of ContentsForeword Introduction 1 PREPARATION Studio Setup Finding Inspiration Simple Armature Construction External Supports 2 GETTING STARTED How to Make a Slab Using Patterns 3 ASSEMBLING LOWER BODY PARTS ON ARMATURE Preparing Your Armature Joinery Footprint and Lower Leg The Foot Upper Leg Pelvis 4 ASSEMBLING THE UPPER BODY Getting Started Attaching Torso to Pelvis The Neck Breasts Arms 5 THE HEAD Using a Pattern to Create a Head Shape Adding Facial Features Refining Features Fleshing: Creating Flow and Continuity Hair Attaching Head to Neck 6 HANDS Forming the Hands Attaching the Hands 7 FLESHING OUT CORE FORMS Venting Reading Contours with Additional Photographic Views to Achieve Accuracy The Process Artistic Considerations 8 SURFACE DEVELOPMENT, DRYING, AND FIRING Surface Development Drying and Firing Appendix A: Four Cardinal Views Appendix B: Model Reference Photos Appendix C: Illustrative References Appendix D: Templates Acknowledgments Resources About the Author Index

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Book Synopsis'During downtime on the pottery throwdown Keith made my hair curl with some of his tales - he's a great raconteur and recounts his story in this book as he does in real life - with joy, charm & mischief.' - Sara Cox'Fans of Throw Down will enjoy this warm autobiography.' - Daily Mail'An engaging read by an endearing, unassuming man who has always stayed true to his passions.' - Daily MirrorBallet dancer. Front man in an almost famous band. Judge on The Great Pottery Throwdown. How did all that happen?By accident mostly. But I always say we make our own luck. What if an art teacher hadn't given me a lump of clay? What if the band had been really successful? What if I hadn't taken a photograph of a bowl to the buyer at Heals in London? What if she'd hated it? Or hadn't seen it... What if I hadn't agreed to dress up as Adele to make a crazy YouTube video? Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just a trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video.Sifting through half-forgotten memories, trying to pick out the golden nuggets from the stuff that is definitely dross has been a curious, and at times hilarious, sometimes sad, but definitely enlightening process. So here it is - my pottery life with some very loud music and some pretty good dancing. And a lot of throwing, fettling and firing. Oh ...and a good dose of anxiety.

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Book SynopsisA beginner friendly guide to making stained glass art using the most popular and accessible method, copper foil. The traditional art form of stained glass has become extremely popular again and this collection has everything you need to know to get started on this exciting craft.

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Book SynopsisStories From the Kitchen Dresser, A Memoir.Trade ReviewIn these 'stories', Emma shares her passions and with them comes a satisfying feeling of wellbeing. * The Good Book Guide *Emma Bridgewater, queen of kitchenware, proves herself queen of the memoir too. As attractive, comforting and encouraging as her products, this book is similarly innocent of tweeness or cloying cosiness. The crunch of good toast and the bitter sweetness of good marmalade in fact. * Stephen Fry *Emma Bridgewater's captivating recipe for a happy family life: food, passion, work, love. * Meg Rosoff *In these 'stories', Emma shares her passions and with them comes a satisfying feeling of wellbeing. * The Good Book Guide *What a great read - a true British inspiration story - I loved it! * Cath Kidston *

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Book SynopsisCreate a collection of 23 stylish homewares with this modern guide to working with clay. Covering the oldest and most traditional ways to make pots, Handbuilt is a beginner's guide to hand building with clay – no pottery wheel required. This book will teach you the building blocks to working with clay and how to apply a professional finish to your pots including decoration, glazing and firing techniques. Learn how to create a collection of 22 stylish homeware designs using the three core techniques: coiling, pinching and slab building. Beginning with the basics to get you started, discover how to wedge clay, add texture and work with moulds, then put your new skills to the test through the projects that include coffee cups, a tea pot, vase, dinner plates, candle holders and more. Packed with stunning lifestyle photography to help inspire your own handmade journey alongside clear step-by-steps and Lilly's expert tips will lead you through the process, Handbuilt is the ultimate modern guide this popular, tactile and ancient craft.

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Book SynopsisThe ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material’s best use, so the authors’ tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay’s characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.Trade ReviewThis beautifully illustrated guide is the ideal starting point for those wanting to forge a closer bond between their art and their natural surroundings. * Ceramics Now *Finding your own clay—especially for use as a glaze material or to augment a commercial clay body—is increasingly popular and this book is a guide to finding, testing, and using wild clay. * The Studio Manager *A fascinating guide to finding your own clay and creating your own glazes. Billed as ideal starting point for novices, experts, and everyone in between, this is an excellent addition to the experienced ceramicist’s library, but also to those new to the art. * Book Riot *Table of ContentsForeword: Wild Clay Introduction: Why Wild Clay? 1. A Personal Journey Through Wild Clay 2. Soil Ecology and Geology 3. Finding Clay 4. Processing and Testing Wild Clay 5. Making Clay Bodies 6. Glazes, Slips, and Alternative Practices 7. Artist Spotlights Bibliography Glossary of Terms Index

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Book SynopsisAccording to Ceramics Monthly, approximately 75 per cent of potters glaze their pieces at mid-range temperatures. This is a complete studio guide to successful glazing at mid-range temperature. It explores all the fundamental techniques, as well as offering artisan tips for specialist glazing.

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Book SynopsisThis is the black and white paperback edition of Pattern, published in hardback in 2016 by Saltyard Books.If you would like the original colour illustrated version of Pattern it is available in hardback ISBN 9781444734942. Creativity, collaboration, inspirationEmma Bridgewater''s patterns are as quintessentially British as marmalade on toast - and they have made her distinctive homewares best sellers across the world.Her inspiration is often deeply personal - a plate of her mother''s, a favourite children''s book - and as she tells the stories of each pattern''s creation, she reveals the intricate processes of research and collaboration behind the familiar designs she has stamped on our kitchenware - and our hearts - for the past thirty years.Both an entrancing trip down memory lane and a behind-the-scenes look at a thriving creative business, Emma Bridgewater''s PATTERN is essential reading for anyone who has ever turnTrade ReviewEmma's recollections about the geneses of her iconic spongeware patterns - from multi-coloured polka dots to leaping rabbits - are well written, revealing and charming... the patterns in this book are largely Emma's own, hence her meandering reveries, which elevate this book from a mere catalogue of designs to something of a memoir. * House & Garden *Beautiful... Emma would modestly describe herself, not as a master potter, but as a 'grubby industrialist with a factory making useful everyday ware'. But really, that self-effacing description fails to capture the delight and charm of the uniquely British brand celebrated in Pattern, and the simple joy her designs have brought to millions. * The Lady *No one understands pattern and design quite like Emma. This gem of a book celebrates her passion for British ceramics, her beautiful design and joyful pattern. * Kirstie Allsopp *

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Book SynopsisA stunning book on kintsugi, the Japanese art of repairing broken pottery with precious metals to highlight its history beautifully. A broken pot is made whole again, and within its golden repair we see a world of meaning. Kintsugi is the art of embracing imperfection. In Western cultures, the aim of repair has been to make the broken item ‘as good as new’. Kintsugi on the other hand, is a Japanese art that leaves an obvious repair – one that may appear fragile, but which actually makes the restored ceramic piece stronger, more beautiful, and more valuable than before. Leaving clear, bold, visible lines with the appearance of solid gold, it never hides the story of the object’s damage. Kintsugi traces memory, bringing together the moment of destruction and the gold seams of repair through finely-honed skills and painstaking, time-consuming labour in the creation of a new pot from the old. There is a story to be told with every crack, every chip. This story inevitably leads to kintsugi’s greatest strength. an intimate metaphoric narrative of loss and recovery, breakage and restoration, tragedy and the ability to overcome it. A kintsugi repair speaks of individuality and uniqueness, fortitude and resilience, and the beauty to be found in survival. Kintsugi leads us to a respectful and appreciative acceptance of hardship and ageing. Author Bonnie Kemske explores kintsugi's metaphorical power as well as exploring the technical and practical aspects of the art, meeting with artists and ceramists in Japan and the US to discuss their personal connection to this intricate technique. With the inclusion of diary entries, personal stories, and in-depth exploration of its origin and symbolism, this book shows kintsugi's metaphoric strength as well as its striking aesthetic, making it a unique and powerful art form that can touch our lives.Trade ReviewThoughtfully written and splendidly illustrated. * The Economist *You’re given the opportunity to travel to Japan through its pages and absorb more of this brilliant philosophy on objects and life. * Stylist *Bonnie Kemske traces the history of the art form in this lavishly illustrated book. * The i *Kintsugi: The Poetic Mend is a beautifully illustrated book where artist, Japanese tea ceremony student and author Bonnie Kemske guides us through the origins and techniques of kintsugi . . . It is visually gorgeous, its selection of pictures exquisite and it taught me a great deal of kintsugi. . . . The book is a testament of a narrative of loss and recovery, breakage and restoration, tragedy and ability to overcome it in respectful acceptance of loss and hardships. -- Eleonora Faina * The Japan Society *Kintsugi reveals how much more varied and exciting the practice of ceramic joining is than the iconic version now known internationally. * The Los Angeles Review of Books *Kemske’s rich and comprehensive survey, which also takes in the ritual of the tea ceremony, the contemporary art scene of kintsugi, and the framing of the techniques as a metaphor for overcoming tragedy and as a model of sustainability, illuminates a complex cultural sensibility with a long pedigree. * World of Interiors *Table of ContentsPrologue 1. Cracks made whole in a golden repair… and Nekowaride 2. Beautiful joins… and kintsugi in Arizona 3. Four historic elements… and a famous temper 4. Materials and techniques… and a collaboration 5. Cracks, breaks and reconstructions: kintsugi in contemporary use… and a visit to Goro 6. A metaphoric world… and a kintsugi repair List of illustrations Endnotes Bibliography Glossary Acknowledgements Index

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Book SynopsisFrom Clay to Kiln is a must-have guide for anyone working with ceramics, from absolute beginners, weekend crafters and students, through to practising ceramicists. In this book, Stuart Carey invigorates and encourages you through all stages of the pottery process. Covering all the information you need about tools and materials, he takes you through preparation and hand building, throwing and finishing your vessel, to glazing and firing. You will gain an in-depth knowledge of how clay works and how to apply your skills to the wheel and beyond. With simple step-by-step tutorials, clear visuals and Stuart’s helpful hints and tips, you can jump straight in with confidence and create a piece of pottery that marries beauty, form and function. Including stunningly beautiful photography throughout, this is a book to inspire.Trade ReviewI’m very new to pottery, and have found it a relaxing and rewarding pastime. I haven’t braved the wheel yet and I found glazing to be a frustrating process. This book has really helped me understand the processes and has made me feel much more comfortable in trying out more processes. It’s clearly set out and has great photos, I’m ready to try that wheel now! Would highly recommend. -- Jane Mackenzie * Customer review *My mum loved this, being an ex-pottery teacher, she loved how simple and easy it was to follow. The pictures she thought were glorious, this book bought us back a lot of good memories and now we have a hard copy to treasure... Perfect book thank you. -- Vivian Allman-Neal * Customer review *Haven't done any ceramics before but this book has given me the encouragement and confidence to have a go. The pictures are great and explain things easily, especially for a visual learner. The text is equally as good. Each chapter moves you slowly from task to task, to end up with a completely finished piece of work. The glossary at the back is useful as is the fault-finding section. -- Jan Hudson * Customer review *Table of ContentsMeet Stuart 6 Chapter 1: Preparing and Hand Building 8 Meet the Materials 10 Wedging 12 Weighing and Balling 18 Hand Building 20 Chapter 2: Throwing 36 Body Position 38 Glossary of Hand Positions 40 Tools 46 Using a Bat 50 Planning a Project 52 Centering 54 Cylinder 58 Bowl 72 Plate 84 Chapter 3: Finishing your Vessel 90 Turning 92 Finishes 104 Handles 106 Chapter 4: Decoration: Glazing and Firing 120 Surface Finishes 122 Colour 128 Glaze and Glaze Making 130 Mixing and Sieving 136 Application 140 Firing 144 Faults and Flaws 148 Glossary 154 Index 157 Credits 160

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Book SynopsisHow to create your own beautiful ceramics, with practical step-by-step instructions. Explains all the basic pottery techniques, such as pinching, hollowing, coiling, slab building, extrusion and clay relief.

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Book Synopsis**Named a "Best of Ceramic Books" by Book Riot**Old, broken objects can become more beautiful than ever!The thought of throwing away a cherished dish or mug can be heartbreaking. If you've ever wanted to repair a treasured piece rather than tossing it in the trash—but didn't know how—the traditional Japanese art of Kintsugi ("gold repair") offers the perfect solution!A Beginner's Guide to Kintsugi teaches you the traditional Japanese techniques of pottery and glass repair based on the ancient Wabi Sabi idea that imperfections are beautiful, and visible repairs are part of the "life story" of an object.Author Michihiro Hori provides simple, safe, and inexpensive methods that you can do at home using tools and materials that are readily available online. Hori guides you through the entire process—from assembling and mixing the materials to reconstructing replacements for hopelessly shattered shards.With this book, you'll learn how to: Reinforce cracks, rebuild shattered areas, and apply the time-honored staple technique Fix broken handles so they are fully functional again Safely work with lacquer and metallic powders to achieve beautiful, visible repairs Work with a variety of repair materials from gold leaf to washi paper Repair pottery and glass using traditional techniques for stunning results As you take the time to prepare your materials and work closely with the pieces, you'll find yourself becoming attuned to the mindful philosophy at the heart of Kintsugi and the Wabi Sabi principle of appreciating old and imperfect objects. Most of all, the meditative process of Kintsugi will help you look at broken objects in a new way.Trade Review"Based on the concept of wabi-sabi (or the beauty of imperfection), kintsugi is the Japanese art of fixing broken pottery. Author, craftsman, and manga artist Michihiro Hori offers guidance on repairing handles, reinforcing cracks, and using lacquer and metallic powders." —Library Journal"One of the first things a new ceramicist learns is that ceramics break, and break often. Kintsugi is the famed Japanese art of repairing pottery with gold to make a broken thing both whole and more precious than the original." —Book Riot

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Book SynopsisEverything You Need to Get Started with Pottery If you ever daydream about delving into pottery but aren't sure where to begin, this is your book. Professional potter Kara Leigh Ford will be your personal pottery guide, helping you to overcome any doubts about your abilities. All you need are curiosity and a few simple tools to mold stunning stoneware with confidence. Inspiring projects and primers on equipment, technique, clay types and setting up a workspace make pottery approachable for complete newcomers, as well as budding potters who want to hone their skills. Plus, gorgeous photos from Kara's studio offer visual guidance every step of the way. Enter the wonderful world of ceramics with hand building, the meditative method behind your next mug, spoon set or soap dish. When you're ready for the wheel, easy-to-follow instructions cover the foundations of throwing bowls, plates, vases and other beginner-friendly kitchenware like a pro. Each stand-alone piece builds upon a skill introduced in the previous project: Craft all ten and you've learned pottery's fundamentals! Tutorials on glazing and decorative techniques will help you discover your own unique style and understand the basics of the firing process-whether in your own kiln or at a community studio-ensuring beautifully finished pieces. Kara's can-do approach brings handmade ceramic creations fully within reach. Whether you want to make charming home decor or thoughtful gifts for loved ones, you'll find all you need to embark on your pottery journey.

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Book SynopsisWe all use ceramics on a daily basis without thinking much about it, except when it comes to a favourite mug or cup, for instance. Why is it a favourite? Is it that it holds just the right amount of tea or coffee? Is it that it sits comfortably in the hand with an ample handle that allows you to hold it safely? Is it the clay the cup is made from — a fine porcelain or robust stoneware? Is it the rustic shape or refined, delicate, traditional or contemporary design? Maybe you just like the pattern on the outside! Whatever the reason, someone will have been thinking about the ergonomics of the cup when they designed and made it and all the other ceramic items that you use, to ensure they work perfectly and give you pleasure to handle and serve your food and drink in. This book is a visual feast of ideas and advice to guide the maker through the process of designing and making successful functional ceramics that are practical and appealing in equal measure. It adopts a low-tech approach that is understandable and accessible for all and begins with the basic questions you will need to address before you begin. Each element of the process will be carefully considered, from deciding the function of the item to working out proportions and making basic drawings, to choosing the right clay, tools, and making method, and finally glazing and firing, including safety issues and the essential topic of suitability for food. Each chapter begins by presenting a varied range of basic shapes, be they thrown or hand built. The next section demonstrates a wide selection of handles, rims, feet, lids, knobs, spouts, lips, and other details that can be mixed and matched to form unique designs with personality and functionality. Working the whole process out in advance can reap tremendous rewards, ensuring the maker gets it right first time but also allowing the process to be repeated with minimum effort. From idea to finished item, this book will be the essential guide to all the techniques required to make functional ceramics that really work and give lasting pleasure to use.Trade ReviewThis practical and very elegant book concentrates on the actual making of everyday ceramics. Basic making methods of throwing, coiling and slabbing are explored, but does not look at surface decoration or slip casting and jigger/jolly have been omitted as they require a different level of technical skill. It is a project book aimed at the maker with a small studio or someone attending a studio. What the book does look at is the making. Chapters include health and safety, capturing ideas, the right clay, firing and basic glazes. Cups and mugs feature in chapter two followed by jugs and boats, plates and platters, bowls, dishes, casserole, teapots, and making methods. Each chapter has step-by-step photos of the process, together with different handle and spout making for each project. Throughout, the book is lavishly illustrated with photographs and copious amounts of notes and hints on how to best approach a project. For the beginner it is a must. * Emerging Potters *I am not a potter, but I do love pottery and would like to be able to make my own. This book provides a thorough insight into the process and includes a wide variety of projects from mugs, to jugs to teapots! Not all require a wheel - coiling and slabbing are covered too. I feel inspired to have a go! -- Myra ArmsonBeautiful book filled with lots of wonderful ideas and projects to make. I love how it gives you an overview of what's needed to make everything it gives you a really good idea of where to start. * Ella Eske *This book has got me very excited & enthusiastic about taking up Pottery. * Alan Snowbal *An interesting read, lots of illustrations, photos and guidance on different types of clay and styles of pottery to be made. As a non potter i feel i would be inclined to read a beginners guide to pottery and ceramics, by the same author first if i were going to delve into the pottery world to gain more basic knowledge. * Becca Blackwell *Ramp up your pottery skills with this specialized manual, as British ceramics professional and author Atkin offers design techniques to reduce errors in finished pieces. With projects including simple mugs and stylish teapots, tips and options are highlighted throughout, focusing on the construction rather than finishes. This polished book is a lovely addition to the field of pottery. The projects are attractive and well explained. It’s not a beginner’s manual, however—throwing technique is briefly covered, and explanations on the use of tools, materials, firing, and glazes are cursory. VERDICT Highly recommended for intermediate students still working through the fine details of potterymaking. * Library Journal USA *Table of ContentsIntroduction Chapter One - Before you begin Planning Getting your ideas down on paper Formers and templates The right choice of clay Glaze and other decorating mediums Chapter Two - Cups and mugs Design decisions Thrown mug Hand-built mug Pinched mug Handles for mugs Chapter Three - Teapots Design decisions Thrown teapot Coiled teapots Slabbed teapots The essential non-drip spout for teapots Handles for teapots Lids and knobs for teapots Chapter Four - Pitchers and Boats Design decisions Thrown pitchers Lips or snips Coiled pitchers Slabbed pitchers Pinched pitchers Handles for pitchers Chapter Five - Plates, saucers and platters Design decisions Thrown plates Slabbed plates Saucers Platters Chapter Six - Bowls, dishes and casseroles Design decisions Thrown bowls Coiled bowls and dishes Slabbed bowls and dishes Handles, lugs, feet and knobs for dishes Chapter Seven - Basic making methods Glossary, index and credits

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Book SynopsisA fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece’s design, and you are creating nerikomi. There are many techniques – stacking, stretching, slicing – but with nerikomi, the decoration is built and fired into the work’s very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: – A brief history of the origins and international styles of colored clay – A section dedicated to the most honored Japanese Masters of nerikomi – Stunning examples of work from the world’s leading experts – Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.Table of ContentsPreface A Colorful History Early Chinese and Korean Colored Clay Ceramics Agateware Twentieth-century Japan Japanese Masters Matsui Kosei – Ito Sekisui V – Ogata Kamio – Kondo Takahiro – Nishi Koichi The Nerikomi Technique: One Artist's Approach Colored Clay Worldwide Hans Munck Andersen – Janny Baek – Curtis Benzle – Angela Burkhardt-Guallini – Mandy Cheng – Ben Davies – Mieke Everaet – Dorothy Feibleman – Barbara Gittings – Robert Hessler – Cody Hoyt – Narumi Ii – Francoise Joris – Maria ten Kortenaar – Judy McKenzie – Anne Mossman – Aya Murata – Jongjin Park – David Pottinger – Kanako Sahashi – Lorraine Shemesh – Tsuneharu Tanaka – Larissa Warren – Dorothee Wenz – Lotte Westphael – Henk Wolvers Conclusion Acknowledgments Bibliography Glossary Thomas Hoadley: Resume and Publications Index

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Book SynopsisFully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes. Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources. Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots. This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.Trade ReviewThe most useful and definitive guide to the various uses of wood ashes in glaze application. -- Mike Dodd, internationally acclaimed potterPotters, young and old, will delight in the updates, and our continuing experiments and revelations will be fitting tributes to all that Phil and Hajeong have contributed to our field. -- Mark Hewitt, author of 'The Potter's Eye'For those seeking a single reference work which both introduces the topic but also gives you the tools, knowledge and encouragement to experiment in your own environment this is undoubtedly the definitive choice. * Westcountry Potters *Table of ContentsIntroduction Preface to the Third Edition Foreword Author Preface A Brief History of Wood Ash Glazes The Growing Plant What is Wood Ash? Collecting and Preparing Wood Ash What are Glazes and How do they Work? Making Glazes Ash-like Glazes without Ash Potters' profiles Katherine Pleydell-Bouverie Terry Bell-Hughes Mike Dodd Lis Ehrenreich John Jelfs Dick Lehman Jim Malone Eric James Mellon Jim Robison John Thies Tom Turner Phil Rogers Showcase Ash Glaze Recipes Ash Analyses & Molecular Weights Glossary Bibliography Index Afterword

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Book SynopsisContemporary Raku is a complete guide to this exciting, dramatic and beautiful art form. It explains the making, glazing and firing methods employed for producing Raku-ware, and features contributions and insights from leading makers. Recognizing the deeper values of the practice, the book also considers the influences and sources of inspiration behind the work of these makers. It introduces the necessary tools and equipment, and advises on essential health and safety measures. It explains how to make vessels and forms with step-by-step photo sequences. Recipes for clay bodies and glazes for the beginner and the more experienced maker are included. Details are given on the Raku-firing process and the range of kilns used. Finally, it explores the practice of ‘Naked Raku’. With over 300 illustrations, it is a stunning and detailed account to this magical process.Trade ReviewA very welcome addition to the sources of information about Raku making and how it has influenced current makers is the book by Stephen Murfitt – Contemporary Raku. Not only does it give you an insight into the influences of makers but goes into some detail about the actual production methods. The book is well illustrated with examples of work. For too long Raku has been overlooked, but it is now experiencing a resurgence. A very good reference source for any studio. -- Paul Bailey - Emerging Potters * Emerging Potters Magazine *'I join my fellow ceramists in registering my appreciation of Stephen Murfitt's new book on Raku. Stephen's writing is clear and transparent and enjoys a nicely judged balance between aesthetics and practicality. I particularly like the way the personal accounts of featured artists provide insights into the creative process and give perspective to the technical content.' -- David Roberts, Raku Ceramics * Raku Ceramics *'Contemporary Raku' includes insightful information about both Raku and naked Raku, kilns, kiln building and firing techniques, clays and materials and a section devoted to Health and Safety. Glaze recipes and clay bodies for both the beginner and the experienced practitioner are also included in this lavishly illustrated, excellent book which is highly recommended. -- Peter Warren, Reviewer Anglian Potters * Anglian Potters Spring Newsletter *

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Book SynopsisThe classic art updated for the contemporary crafter with clear techniques and projects, and 300 photographs.

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Book SynopsisSculpting the human face presents a unique artistic challenge. This richly illustrated guide thoroughly demystifies the process. It goes step-by-step, explaining everything from creating basic, rough outlines to surface refinements to finely detailed replicas, accompanied by photographs and sketches.

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Book SynopsisAimee McCulloch, an accomplished modern glass artist, goes beyond traditional stained-glass techniques and makes glass into modern and contemporary works of art.Table of Contents Introduction 7 Tools and Equipment 21 Core Skills 27 Leaded Glass 60 Leaded Glass Projects 62 Project 1: Repeat Pattern 63 Lettering 70 Project 2: Anaglyph Letters 71 Project 3: Mirror 76 Example Cartoons 82 Surface Manipulation 84 Sandblasting 88 Project 4: Frosting Glass 89 Sandblasting Flashed Glass Technique 93 Tracing Paint, Enamel, and Silver Stain 97 Tracing Paint Technique 100 Enamel Technique 108 Silver Stain Technique 112 Project 5: Painting Exercises 116 Frit 118 Project 6: Frit Moons 122 Project 7: Mica 128 Project 8: Decals 132 Project 9: Stringers 136 Copper Foil 138 Project 10: Hanging Panel 142 Project 11: 3D Structures 148 Project 12: Slumping Bottles 152 Conclusion 158 About the Author 160

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Book SynopsisA creative guide to making abstract mosaic designs inspired by nature, using the beauty and texture of slate and stone.The shapes, patterns and structures found in the natural world can provide a source of wonder and inspiration for mosaic artists. Mosaics do not have to be made from tiles and then grouted, but instead they can be full of texture, incorporating a whole array of materials which hold connections to nature and to particular places. The subtle beauty of stone surfaces gives the work an organic feel, creating beautiful abstract designs. Not only are these materials attractive but preparing them is an enjoyable task in itself. In this book, experienced artist Rachel Davies shares the methods she uses in her mosaic practice. Starting with tools, materials and cutting techniques, discover adhesive and substrate options, and get to know the various materials and how to use them creatively. Supported by step-by-step photos, follow a serie

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Book SynopsisAn essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.Trade ReviewReviewing this book was a delight . . . A pleasure to read, beginning with a brief but engaging history of this amazing material, right back to the first proto-porcelains of 1700-1027 BC . . . [and featuring] an articulate analysis of the chemical constituents of porcelain . . . [and] a simple analysis of how the different components contribute to the workability of this material. ... The author's tips on taming the temperamental beauty generously proliferate throughout the book. Vivienne is so obviously 'in tune' with her material. ... Beautifully illustrated throughout . . . A 'must read' for all those who have an interest in working with porcelain, from student through to knowledge-seeking, established practitioner -- Liz Lawrence * Shards, South Wales Potters Newsletter *Table of ContentsIntroduction Acknowledgements 1. A Brief History of Porcelain 2. What is Porcelain? 3. Producing a Workable Porcelain Body 4. Working with Porcelain 5. Forming and Finishing Porcelain 6. Glazes for Porcelain 7. Firing Porcelain 8. Faults and their Remedies Where to See Historic and Contemporary Porcelain Bibliography Featured Artists Main Suppliers Orton Cone Charts Index

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Book SynopsisA highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.Trade ReviewThis book is a go to book for the art of creating tableware. Not only is it beautifully illustrated with wonderful examples of work. It explains in simple easy to understand terms of how to get started. The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader. * Keith Brymer Jones, Master Potter and judge on 'The Great Pottery Throw Down' *Owning the book is like having a master craftsman in your studio. * Anthony Quinn, Course Leader BA Ceramic Design at Central Saint Martins *visually appealing… This is best suited for experienced ceramicists looking to elevate their craft. * Publishers Weekly *This is a book to inspire anyone to enter a studio, get hands on and create their own stylish wares for the table. * The Arts Society Magazine *This step-by-step guide is a great source of inspiration for those wanting to further their tableware ambitions. * Ceramic Review *Call this the apex of simplicity. Pryke and Bloomfield, commercial potters who design for powerhouses like IKEA, join forces to explain the how-tos of contemporary tableware… Color photographs showcase not only step-by-step details but also an incredible range of professional ceramics in the authors' understated aesthetic. * Booklist *Packed full of inspiration for those wishing to further their tableware ambitions, the book provides ideas for potters at any level of practice. * London Potters Magazine *A useful one-stop guide to the end to end process of making tableware. * Scottish Potters *This book is beautifully produced and superbly illustrated * Anglian Potters Magazine *Table of ContentsIntroduction Inspiration Design: How to Make a Coherent Tableware Collection Materials: Types of Clay Clay Preparation and Recycling Health and Safety Making Methods Glazing Firing Finishing Conclusion

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Book SynopsisCreative and practical, Kicking Glass is a step-by-step guide for those wanting to practice the popular craft of stained glass. From simple suncatchers and boho lamps to exquisite 3D constructions and delicately-poised glass butterflies, experienced artist Neile Cooper guides you through the magical world of stained glass with a creative handbook for both the novice and more experienced crafter alike. Beautifully illustrated with photographs of Neile’s own work including her glorious glass cabin in the woods as well as pieces from some of today’s most stylish designers, Kicking Glass is packed with ideas to guide and inspire. This book provides comprehensive technical instruction in the copper foil method, covering everything from tools and supplies to exploratory techniques such as including foraged and found objects into your work. Skills are demonstrated through tutorials with photos, instructional drawings and 16 stunning patterns. Whether you’re looking to decorate your windows, create lovely gifts for friends and family or design your own epic masterpiece, Kicking Glass is the essential modern guide to stained glass making.Trade ReviewA thorough, enthusiastic guide to the art, full of beautiful projects, helpful advice, and inspiring thoughts from working stained glass artists * Foreword *Novices can expect all the familiar faces of how-to books: tools and supplies, an examination of materials, and clear directions on finishing, all well illustrated with quality color photographs. * Booklist *Neile’s warm and supportive approach comes across as she shares the vision behind the creation of her own sanctuary – a cabin in her garden that she is lovingly decorating with reclaimed window frames and stained glass designs based on her love of the natural world. [...] Kicking Glass offers comprehensive training and a liberal helping of motivation through beautiful imagery and practical designs to try. * Contemporary Glass Society *When I’m ready to dip my toes, Kicking Glass by Neile Cooper is where I’ll begin exploring this gorgeous hobby. Cooper’s thorough tome walks beginners through setting up a space, picking out supplies, and basic techniques required for creating stained glass. * The Mercury *The photography is stellar with lushly colorful clear pictures and tutorial explanations. The author provides project lists with tools and supplies and step by step instructions. The book feels like a small, well organized workshop with a well spoken and competent teacher. The projects are varied and attractive and are a mix of more traditional looking and modern. -- Nonstop ReaderThe book is full of beautiful, full colour illustrations, and instructions are easy to follow, if not easy to master. This is great guide for anyone considering starting in the hobby. -- Novel ObsessionTable of ContentsAcknowledgments Introduction Studio setup & safety Tools & supplies Glass Cutting glass Using patterns Foiling Layout Soldering Finishing Clean, patina, & polish Designing patterns Suncatchers 3D construction Reclaimed windows Patterns Suppliers

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Book SynopsisGlass casting is an exciting and versatile process involving chunks of molten glass melted into a mould, where it solidifies. This practical book explains the glass casting process, from the initial search for inspiration through to simple and then more complex casting. With step-by-step instructions and supporting photographs, it is an accessible and thorough account of this challenging and beautiful process. Topics covered include: advice on kilns and studio equipment; step-by-step projects in open casting, lost-wax casting, part-mould making, burn-out moulds and core casting; ideas for experimentation to increase the scale of your work, explore surface pattern and use other materials; instruction on de-moulding and finishing, and further tips on reusing materials in the studio.

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Book SynopsisHandbuilt Ceramics is a practical guide to all aspects of technique, but goes further by exploring the studio practices of ten exciting contemporary makers. Advice is given on how to get started and information on tools and equipment, types of clay and a safe workspace set-up. Handbuilding methods, such as pinching, coiling, slabbing and press moulding, are explained in detail with step-by-step sequences. Techniques for creating surface interest, pre and post firing, are included using coloured slip, glaze or paint. Ideas for combining techniques and ways to experiment are explored and encouraged, as well as tips to avoid common problems and to achieve successful outcomes. With over 350 lavish photos, this book will provide inspiration through a unique understanding of current work. It is written both for the novice and for the experienced maker looking for a new direction.Trade ReviewI would certainly recommend this book to all potters and especially to those interested in current sculptural ceramic techniques. -- Gail Altschuler, review London Potters * London Potters magazine *

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Book SynopsisA comprehensive introduction to the use of additions in clay bodies, from stones and glass to fibre, metals and colour. Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen advises you on a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice. Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world. Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for anyone wishing to expand their practice.Trade ReviewStanden was a science teacher in her earlier career. This gives her the perfect background to pen a book of this nature. Her experience is evident in the text which has a clear and comprehensive voice in the step-by-step instructions on how to implement the techniques... Standen uses a warm narrative that softens the technical writing of the book. -- Tina Darb O'Sullivan * Irish Examiner *A very practical book for ideas with which to spend many hours in the workshop. -- Wladimir Vivas * InfoCeramica *The clay used at Aylesford Pottery comes prepared for use. But that can be just the starting point. Too often students are concentrating on how to make shapes and decorate them. This book takes you to a new experimental level by encouraging you to think about the actual texture of the clay itself. And what a revelation that can be. This book will take your creativity to a whole new level. -- Billy Byles, Aylesford Pottery * Aylesford School of Ceramics Newsletter *Table of ContentsAcknowledgements Introduction 1. Clays 2. Hard materials 3. Combustible materials 4. Impressions, imprints and dipping 5. Fibres 6. Metal 7. Colour Glossary Suppliers Bibliography Index

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Book SynopsisAn essential resource for ceramicists, studios or schools looking for inspiration to reclaim, reuse and recycle in their studio or work. Producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible is now more important than ever. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present you with a range of practical possibilities. This book presents you all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle your waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of your ceramic art, and draws on interviews and examples by practitioners who reclaim, reuse and recycle in their studio or work.Trade ReviewArtists are increasingly interested in producing work which is not only beautiful but also environmentally friendly. The book covers over four decades of making and a wealth of experiences. -- Billy Byles * Aylesford School of Ceramics *Robert Harrison, sets out to convince the reader to do something positive. And he does it well ... I found the book fascinating. I would encourage all potters to read it. Either buy the book or borrow mine; I've read my copy and I daren't let it end up as landfill. -- Frank Hamer * Shards *Table of ContentsForeword by Janet Mansfield Introduction 1. Your carbon footprint 2. Sustainable ceramic practices for the maker 3. Ceramic artists working sustainably 4. Working with industry 5. Sustainable endeavours: education and networks 6. Journal leaders: personal approaches Practical advice – top tips Websites Bibliography Index

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Book SynopsisLively, informative and full of original tips and techniques Simon’s YouTube videos have lit the ceramics world on fire, becoming a must-see supplement to most potters’ educations. But therein lies the hitch; most potters don’t want to take a laptop into a ceramics studio. This is where Simon Leach's Pottery Handbook comes in, encapsulating all of Simon’s basic techniques in one easy to carry book, from studio design and set up, to basic throwing techniques, adding appendages, trimming, glazing and firing. Simon Leach’s Pottery Handbook is perfectly suited for the studio, as it is portable and the concealed wire-o binding will help the book lay flat and stand up. For each technique, detailed step by step photography captures the subtle, intricate movements that typically fly by too fast to be noticed in a video. Plus the book includes a DVD with many of Simon’s YouTube videos; callouts throughout the book tell readers which video goes with each section. Gorgeous photos throughout the book show pots in various stages of production and finished results; something that is currently missing from the YouTube videos, so that an aspiring potter can see how the work will look once it has been fired.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisWhen your favorite cup is broken, kitsugi can bring new life. Instead of lamenting the breakage embrace and love the opportunity to create something new and beautiful through mending. This is the appeal of kintsugi.Kintsugi is the mindful Japanese art of repairing broken ceramics and glassware by appreciating the cracks and chips as design elements—bringing new life to cherished items. Kintsugi:The Wabi Sabi Art of Japanese Ceramic Repair shares traditional methods you can practice in your own home. Step-by-step lessons in repairs suited to every level of experiences—filling cracks to completely rebuilding and finishing a broken piece—fill the pages of this in-depth yet unintimidating guide.Ceramics and lacquer guru Kaori Mochinaga offers a complete course in using urushi lacquer and metallic powder in the traditional Japanese way. Your broken piece soon becomes whole again, and more meaningful than ever before.From assessing the damages and selecting the repair methods, to applying the finishing touches, you'll learn all the essential kintsugi techniques, including: How to seal a fine crack or repair a chipped rim Techniques for rebuilding a shard, restoring a handle, even reconstructing a multi-shard piece And much more—and all of it with the use of non-toxic lacquers and powders There's something here for every type of repair—from clean, simple breaks to more challenging reconstructions as you learn the techniques. Assemble your tools, set up your workspace, and let this book guide you through the mindful art of kintsugi!Trade Review"From the appeal of kintsugi to the finished repairs, the author takes readers on a journey through the loving restoration of pottery both antique and modern." --Library Journal

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Book SynopsisThe essential studio companion for any potter with a broad range of glaze recipes and clay bodies. The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also introduces you to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults and includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based on meticulously recorded tests and research from a large assortment of established ceramic artists, this book is a must-have resource if you wish to experiment or expand your glazes and clay bodies.Trade ReviewThis is a book which I know I'm going to use. Her satin glazes are particularly appealing, and there are sections on the more experimental aspects ... I feel inspired by this book and I hope others will too. -- Mary Cousins * Shards *If there is a classic among the publications on ceramic techniques, it is undoubtedly this recipe book -- Wladimir Vivas * Infoceramica (Bloomsbury translation) *Table of ContentsIntroduction Glaze materials Glaze temperatures Mixing and applying glazes Adjusting glazes and correcting glaze faults Low-fire glaze recipes Mid-fire glaze recipes High-fire glaze recipes Special glaze recipes Clay body recipes Appendices

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Book SynopsisAn introduction to all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. All glass makers - unless they are blowing glass - need moulds which can go in the kiln, as part of the process of creating new pieces. This book is your complete and essential reference to all mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. Mould Making for Glass helps you to find out which methods are appropriate for different types of work, and covers all the basics of how to make your mould. Discover practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. Finally, learn where to start with writing programmes for kiln firings including annealing and cooling and explore the work of well-known artists working in cast glass through beautiful photographs.Trade ReviewA solid introduction to, and a survey of, the subject it covers * Art Book Review *Table of ContentsIntroduction 1. Kiln-casting Glass 2. What is Refractory Mould-making? 3. Understanding Ingredients 4. Types of Glass 5. Model and Master Mould-making 6. Mould-making Methods 7. Handbuilding 8. Core Casting 9. Mould-drying, Kiln-packing and Firing 10. List of Mould-mix Recipes 11. Developing Your Own Recipes and Methods 12. Fusing, Slumping and Pâte de Verre 13. Surfaces and Finishes 14. Recycling Further Reading Glossary Suppliers Index

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Book SynopsisImprove your firings and become a better potter with this must-have notebook. Kara Leigh Ford, author of Pottery for Beginners, has created the ultimate studio tool so you can keep track of all the variables that go into creating masterful pottery. This all-in-one resource includes fill-in templates for sketching your designs, writing your glaze recipes and recording more than 100 kiln firings. You'll also find a quick refresh on important information for firing your kiln accurately, such as how to use and read cones, how to maximize the efficiency of your kiln and quick-reference guides for cone temperatures and kiln schedules.With this notebook by your side, you'll have everything you need in one convenient place to become more confident and in control of your kiln.

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