Pottery, ceramics and glass crafts Books
Stackpole Books Stained Glass Making Basics
Book Synopsis
£15.19
Page Street Publishing Co. The Complete Guide to Handmade Stained Glass
Book SynopsisEverything You Need to Know to Start Your Stained Glass JourneyDive in to the captivating world of stained glass with this practical handbook for beginners and beyond. Rosie Linebaugh is an expert in making modern stained glass art easy and accessible. With her encouraging advice, step-by-step tutorials, lead-free approach and full-size perforated, fold-out templates at hand, you'll never want to leave your stained-glass studio.Begin by mastering foundational skills like cutting curves for a sunlit Five-Petaled Wildflower or learning how to use zinc came for a shining Glass Spider Web. Then, discover the ways that new materials and skills can elevate your pieces, like using copper foil overlay to make intricate wings on a Buzzing Bumblebee. Finally, graduate to making complex detailed panels like the radiant Sun & Moon Dreamscape with wire work details.Not only does Rosie guide you through each phase of your journey, she also addresses the most common
£17.09
Hinkler Books Craft Maker Classic Air Dry Clay Craft Kit
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£9.32
Schiffer Publishing Ltd Saggar Firing in an Electric Kiln
Book SynopsisLearn how to use an electric kiln to attain the natural earthy colors and spontaneous patterns of alternative firing methods.Trade Review“Guides the reader to generate sought-after atmospheric effects with the most accessible type of kiln. This book is a must-have for those looking to push past perceived limitations and expand their surface possibilities in electric firing.” -- Martina Lantin, Associate Professor of Ceramics, Alberta University of the Arts“Excellent . . . the author describes step by step, with thoughtful advice and many photos, how to obtain the effects that normally are reserved for raku or pit firings . . . An invitation to experiment in complete confidence.” -- Ceramics and Glass Journal (La Revue de la Ceramique et du Verre)“Numerous beautiful sample photos . . . detailed and very clear . . . a source of inspiration . . . Highly recommended.” -- Klei Keramiek magazine“A carefully researched book documenting a unique pottery firing method. The text and accompanying photography is informative and excellently executed.” -- Jeff Zamek, founder, Ceramics Consulting Services, author of The Ceramics Studio Guide: What Potters Should Know“Taking the ‘fear’ out of the atmosphere, [this] is an accessible how to guide for small scale studios looking for various combustible results within the controlled environment of electric kilns.” -- Ian McDonald, Artist-in-Residence and Area Head of Ceramics, Cranbrook Academy of ArtTable of ContentsIntroduction What Is Saggar Firing? Trying to understand the process — my 2016 jar project About this book Environmental and health issues 1. Making the saggar 2. Requirements your work must meet 2.1 Clay type and surface of the work 2.2 Using terra sigillata 2.3 Bisque firing temperatures 2.4 Glazing your work beforehand 3. Materials that give color to your work 3.1 Natural colorants 3.2 Metals 3.3 Oxides and carbonates 4. Attaching the coloring materials to your work 4.1 Natural colorants 4.2 Metals 4.3 Oxides and carbonates Results | before and after saggar firing 5. Loading and firing the saggar 5.1 Combustible materials 5.2 Loading the saggar 5.3 The amount of oxygen: reduction and oxidation 5.4 Firing the saggar 5.5 Results and finishing 6. Experimenting: looking for new possibilities 6.1 Experimenting with different types of saggars 6.2 Experimenting with clay and terra sigillata 6.3 Experimenting with combustible materials 6.4 Experimenting with coloring materials 6.5 Experimenting with firing methods 6.6 Experimenting with the finish 7. Something went wrong Gallery of work by workshop participants Conclusion Clays Glossary Media Acknowledgments
£23.79
Bloomsbury Publishing PLC Resist and Masking Techniques
Book SynopsisThe use of wax, paper, clay and other materials to prevent the effects of heat, fire, smoke, chemical reactions, colours and glazes from altering or contaminating the surfaces of work is very popular with ceramicists. However, learning to use these techniques can be a long and frustrating process, particularly when complicated by considerations of the state of the clay and which form of glazing is to be used. In this book, Peter Beard discusses the techniques of masking and resist and gives guidance as to how best to use various materials and firing method to achieve a wide range of finishes.Table of Contents1. History and overview of resists and masking 2. Water-based waxes 3. Oil-based waxes 4. Latex wax or latex rubber solutions 5. Spraying - ordinary and airbrush 6. Paper and adhesive tapes, papers and films 7. Exercises in using slips and resists 8. Colloidal slips 9. Acid etching 10. Lustre techniques 11. Masking resists and smoke 12. Grit blasting 13. Recipes
£14.39
Lark Books,U.S. The Essential Guide to Mold Making & Slip Casting
Book SynopsisFor potters, mold making is invaluable because it allows them to slip-cast identical multiples of their work—and this newly revised, now in color edition of Andrew Martin’s classic is the definitive guide to the craft. No other volume has shown the processes in such how-to detail. It’s overflowing with hundreds of photos, key techniques, projects, master artist profiles, and troubleshooting tips. A thorough introduction addresses materials and tools, and presents Martin’s simple, unique template method for making clay prototypes. Create easy one-piece molds to make tiles, bowls, and platters, or multi-piece molds for more complex forms. An extensive overview covers slip formulation, while offering highly desired slip recipes for low-, mid-, and high-fire clay bodies. This will be the standard reference in every ceramist’s library.
£18.33
The Crowood Press Ltd Slab-built Ceramics
Book SynopsisSlab-built Ceramics introduces a method of constructing clay forms that have been in use through the history of ceramics. This book demonstrates the versatility of slab-building and the scope for personal expression which is possible using variations of this technique. It features... Slab-built sculptures and vessels; The working methods of sixteen international ceramists and the inspiration for their work; A gallery of work by a further fourteen international ceramists and includes examples of several historical slab-built pieces. Reveals the versatility of slab-building techniques which is one of the basic techniques to be used by potters and ceramic artists worldwide in creative and innovative ways. Superbly illustrated with 121 colour photographs. Coll Minogue has been a professional ceramist for over twenty-five years and frequently conducts workshops internationally.
£14.24
Bloomsbury Publishing PLC Salt Glazing
Book SynopsisA guide to the historical and technical side of salt glazing with work from leading international salt glazing artists. Salt-glazing has a long history, from its early use in German storage jars, then in Victorian industrial sewage pipes to its current position as one of the most exciting areas of studio ceramics. In this book, Phil Rogers teaches you all aspects of this very special glazing technique. Starting with a brief overview of the history of salt glazing, he then discusses the technical considerations that set this form of glazing apart from all others. Given particular consideration are kilns, which are such an important factor in this technique. Finally, discover the work of the world's leading artists using this particular medium. Salt glazing, with its distinctive 'orange peel' surface, has long attracted both makers and collectors. Beautifully illustrated throughout, this book is a must on the reference shelves of all ceramicists and collectors or studio ceramics, but it should particularly appeal to all those who enjoy the wonderful surface textures that this medium provides.Table of ContentsAcknowledgements 1. Introduction 2. Clay Bodies Suitable for Salt Glazing 3. Slips and Glazes for the Salt Kiln 4. Decoration 5. The Salt Kiln 6. Stacking a Salt Kiln 7. Firing a Salt Kiln 8. Environmental Concerns over Salt Firing 9. Profiles Appendix Bibliography Index
£27.00
Schiffer Publishing Ltd The Big Book of Vaseline Glass
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£33.29
Schiffer Publishing Ltd Christmas Plates
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£41.39
Schiffer Publishing Ltd Glass Beads From Europe
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£25.19
Schiffer Publishing Ltd BLENKO 19721983 CATALOGS Schiffer Book for
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£28.79
Schiffer Publishing Ltd Spongeware 18351935
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£46.74
Schiffer Publishing Ltd Handbook for American Cut Engraved Glass
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£23.79
Schiffer Publishing Ltd Chinese Export Porcelain Standard Patterns and
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£33.29
Potter/Ten Speed/Harmony/Rodale By My Hands: A Potter's Apprenticeship (A Memoir)
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£29.75
Cotsen Institute of Archaeology at UCLA Moche Fineline Painting From San Jose De Moro
Book SynopsisMoche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San Jose de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San Jose de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.
£17.08
Rowman & Littlefield The Sea Glass Hunters Handbook
Book SynopsisTrade ReviewSea Glass Hunter's Handbook The perfect gift and guide for both novice and seasoned collectors. Inside you'll find information on the best ways to search for sea glass, explanations of sea glass origins, a sea glass dictionary, personal stories from experts about their favorite finds, and a list of some of the best beaches around the globe. -Curt Ebbesmeyer, www.westcoastseaglass.comWhen C.S. Lambert talks about sea glass, enthusiasts stop seaglunking (that's hunting for sea glass to the uninitiated) and listen intently. Her previous books, A Passion for Sea Glass and Sea Glass Chronicles, continue to be best sellers for Down East Books. And her latest work, The Sea Glass Hunter's Handbook, is packed with gems of advice (including a sea glass dictionary!) about searching for gems of the sea-tossed variety. Now Lambert graciously shares a few more shards of her sea glass wisdom. . . . -Catherine Owsianiecki, Examiner.com, Balitimore, MD 11/2/2010
£11.39
Fox Chapel Publishing Beginners Guide to Glass Painting
Book SynopsisLearn the exciting and incredibly easy craft of glass painting! Super fun and simple, glass painting doesn't require any artistic skills or experience, making this craft perfect for everyone of all ages. A relaxing creative outlet, this guide includes helpful introductory overviews on how to glass paint and all the basic painting techniques, tools, and supplies from paints and glitter powders to resin and more followed by 15 step-by-step projects with full-size templates that start small and simple and slowly progress in difficulty. From vibrant animals and charming manga designs to beautiful florals and faces, plus 10 additional bonus templates of stunning line art designs for continued inspiration! Perfect for easily painting unique framed artwork, vases, gifts, and décor, this is a modern, must-have guide to this exciting, accessible, and affordable craft.
£13.29
American Traveler Treasures Of Time Fully Illustrated Guide To
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£14.39
Bloomsbury Publishing PLC The Ceramics Reader
Book SynopsisAndrew Livingstone is Reader in Ceramics at the University of Sunderland, UK.Kevin Petrie is Head of Glass and Ceramics at the University of Sunderland, UK.Trade ReviewThe Ceramics Reader is a triumph. I do not doubt that it will be recognised as the most influential ceramics title of our decade. * Crafts *This book is absolutely recommended, and fortunately it is fitted with an index so it can also be used as a reference work. * Keramiske noter (Bloomsbury translation) *I have been reading sections of this superb and fascinating book in no particular order, such is the arrangement of this presentation of articles, essays and conference papers. * Anglian Potters Newsletter *The Ceramics Reader is part seed bank, bedrock, reagent, and compass. Livingstone and Petrie have assembled an invaluable reference that so elegantly represents and agitates both historic and contemporary discourse in the field of Ceramic Art * Brian Gillis, Associate Professor of Art at the University of Oregon, USA *Bringing together a rich collection of critical texts, from ceramic luminaries such as Philip Rawson and Garth Clark to the provocative writing of a younger generation of practitioners, The Ceramic Reader is the book we have been waiting for. * Stephen Dixon, Crafts Research Group Leader at Manchester School of Art, UK *The persistent echo of the art / craft debate and a long dismissal of ceramics as fine art has caused an identity crisis. This is a remarkably full and timely account to start a dialogue of inclusion and diversity in the art world. * Salvador Jiménez-Flores, Artist in Residence at the Ceramics Program Office at Harvard University, USA *An inspirational book that brings together informative and thought provoking texts that explore ceramics from different perspectives and viewpoints. Invaluable for research, it will make a significant contribution to the discourse, encouraging dialogue and debate between students and academics alike. * Felicity Aylieff, Head of the Ceramics and Glass programme at the Royal College of Art, UK *There is something in this book to inform anyone interested in ceramics, be they student, collector, academic or practitioner who work with or are interested in fired clay. * Shards: South Wales Potters Newsletter *Table of ContentsGeneral Introduction - Livingstone and Petrie Pen and Kiln: a brief overview of modern ceramics and critical writing - Garth Clark Section One: Ceramics: Materiality and Metaphor Section Introduction - Livingstone and Petrie 1.1 Why are ceramics important? Introductory summary - Livingstone and Petrie 1. Clay as elemental wholeness - Kenneth R. Beittel 2. The existential base - Philip Rawson 3. Appreciating ceramics or so much more than just an egg cup or a milk jug - Ian Wilson 4. Containers of Life: Pottery and Social Relations in the Grassfields (Cameroon) - Silvia Forni 5. Ceramics and art criticism - Janet Koplos 6. Death and Clay: Cultural and personal Interpretations in ceramics - Christopher Garcia and Tomaru Haruna 1.2 Ceramics and metaphor Introductory summary Livingstone and Petrie 7. Heart like a wheel: What is Hollywood telling us about working with clay? - Sarah Archer 8. Analogy and metaphor in ceramic art - Philip Rawson 9. Metaphors, Myths and Making Pots - Laurel Birch Aguilar 10.Sculptural Vessels across the great divide: Tony Cragg’s Laibe and the metaphors of clay Imogen Racz Section Two: Ceramics in Context Section Introduction Livingstone and Petrie 2.1 Historical Precedents Introductory summary Livingstone and Petrie 11.The function of decoration: Wedgwood Herbert Read - 12.The Arts and Crafts Movement. GB, USA, Germany and Austria, Scandinavia, The Netherlands, Hungary and Italy Emmanuel Cooper 13.A Matter of Tradition: A Debate Between Maguerite Wildenhain and Bernard Leach Brent Johnson 14.Contemporary design of the 1950’s Rie and Coper in context Lesley Jackson 2.2 Studio Ceramics Introductory summary Livingstone and Petrie 15.Studio Pottery - Tanya Harrod 16.Towards a standard - Bernard Leach 17.Towards a Double Standard? - Edmund De Waal 18.Re-inventing the wheel – the origins of studio pottery - Julian Stair 19.The Archie Bray Foundation: A Legacy Reframed - Patricia Failing 20.Studio Ceramics: The end of the story? - Jeffrey Jones 2.3 Sculptural Ceramics Introductory summary Livingstone and Petrie 21.A Rough Equivalent: Sculpture and Pottery in the post war period - Jeffrey Jones 22.California (Funk) - Scott, A, Shields 23.Cooled Matter: Ceramic Sculpture in the expanded field - Mitchell Merback 24.The New Ceramic Presence - Rose Slivka 25.Metamorphosis: the culture of ceramics - Martina Margetts 26.Antony Gormley in conversation with James Putnam – James Putnam 2.4. Ceramics and Installation Introductory summary - Livingstone and Petrie 27.Ceramics and Installation - Emma Shaw 28.Ceramic Installation Towards a self-definition - Ruth Chambers 29.Multiplicity, Ambivalence and ceramic installation art - Glenn R Brown 2.5 Theoretical Perspectives 31.Reconsidering ‘The Pissoir Problem’ - Bruce Metcalf 32. The Modern Pot - Glenn Adamson 33. Social Complexity and the historiography of ceramic - Paul Greenhalgh 34. Speak for yourself - Edmund De Waal 35. Object Theory - Paul Mathieu 36. Between a toilet and a hard place - Garth Clark 2.6 Conceptual and post studio practice Introductory summary - Livingstone and Petrie 37. Manufacturing Validity; the ceramic work in the age of conceptual production - Lizzie Zucker Saltz 38. On Dirt - Ingrid Schaffner 39. Contemporary Clay - Clare Twomey 40. Elastic/Expanding; Contemporary Conceptual Ceramics - Jo Dahn 41. Extending Vocabularies: Distorting the ceramic familiar – clay and the performative ‘other’ - Andrew Livingstone 42. And into the Fire post studio ceramics in Britain - Glenn Adamson Section Three: Key Themes Section Introduction - Livingstone and Petrie 3.1 Gender, Sexuality and Ceramics Introductory summary - Livingstone and Petrie 43. Gender, Identity and studio ceramics - Moira Vincentelli 44. Queering the Museum - Matt Smith 45. The Personal Political Pots of Grayson Perry - Louisa Buck & Marjan Boot 3.2 Identity and Ceramics Introductory summary - Livingstone and Petrie 46. Body language: ceramics to challenge the white world - Ruth Park 47. Rubber and Clay: South African material ‘aftermodern’ - Elisabeth Perrill 48. Plunder Me Baby – Kukuli Velarde and the ceramics of Taiwan’s first nations: Virtual Ventriloquism as articulated in the 2014 Taiwan Ceramics Biennale - Wendy Gers 3.3 Image Introductory summary - Livingstone and Petrie 50. Ceramics and painting – an expanded field of enquiry - Veronika Horlik 51. Paul Scott’s Confected landscapes and Contemporary Vignettes - Amy Gogarty 3.4 The body Introductory summary - Livingstone and Petrie 52. Embracing Sculptural Ceramics: a lived experience of touch in art - Bonnie Kemske 53. Vicious Figurines: Penny Byrne’s Ceramic Advocacy - Inga Walton 54. The Figurative Impulse in Contemporary Ceramics - Peter Selz 3.5 Ceramics in education Introductory summary - Livingstone and Petrie 55. The influence of educational institutions on contemporary ceramics - Andrea Gill 56. The Digital Future: Reimagining Ceramic Education in the 21st Century - Holly Hanessian 3.6 Ceramics, industry and new technologies Introductory summary - Livingstone and Petrie 57.Transitions: A brief history of Modern Ceramics - Marek Cecula 58. National Identity and the problem of style in the post-war British ceramics Industry - Graham McLaren 59. Continuity or Collapse: Ceramics in a post-industrial era - Jorunn Veiteberg 60. The UK marketing strategy in response to globalization c1990-2010 - Neil Ewins 61. Meta-making and me - Ingrid Murphy 3.7 Museum, site and display Introductory summary - Livingstone and Petrie 62. Museums and the interstices of domestic life; Re-articulating domestic space in contemporary ceramics practice - Laura Gray 63. The museum as medium specific muse - Ezra Shales 64. Environment, art, ceramics, and site specificity - Brad Evan Taylor 65. When forms become attitude – A consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape - Mike Tooby 66. Why Clay? - James Beighton and Emily Hesse 67. Civic ceramics: shifting the centre of meaning - Natasha Mayo and Melania Warwick 68. Ceramics as an archaeology of the contemporary past - Christopher McHugh 69. Re-defining ceramics through exhibitionary practice - Laura Breen Index
£999.99
The Crowood Press Ltd Contemporary British Studio Pottery
Book SynopsisTrade ReviewThis book takes on the debate around what makes ceramics an art form and how it has developed. The ‘vessel’, it seems, is a contentious word in ceramics. The book has noted, debates surrounding the validity of the term reveal ‘tensions about the relative value of the pot, the vessel and the object, and the status between the useful and the useless in the art world. The debate as to whether ceramics should be regarded as ‘art’ or ‘craft’ . A very thoughtful read. -- Paul Bailey, Emerging Potters Magazine Oct-Dec 23 * Emerging Potters Magazine Oct-Dec 23 *
£31.50
Quarto Publishing PLC Conscious Crafts Pottery 20 mindful makes to
Book SynopsisIn Conscious Crafts: Pottery, maker Lucy Davidson reveals the meditative nature of working with clay and its wellbeing benefits for slowing down, creativity and mindfulness. Making is mindfulness made practical, and pottery is a popular meditative craft. Drawing on the traditions of hand making, Lucy has created 20 modern makes with air dry and polymer clay – all without the need for a wheel or kiln: imperfect pots; coasters; necklace beads; abstract earrings; terrazzo-style bracelets; bird brooches; pinch pot tea holders; light pull; incense holder; botanical & feather wall hangings; festive decorations; potted herb markers; clay 'leaf' bowls; plant hanger pots; indoor planters; miniature bunting; serving dishes; and seaside vases. She shares the basic techniques to pottery and shows how these can be explored and personaliTrade Review“Plans for creating pots, coasters, jewelry, containers for plants, delightful decorations and much more fill this wonderful, easy-to-use treasury of hands-on projects for clay shapers of all skill and experience levels.” * Midwest Book Review *Table of ContentsCONTENTSIntroduction 6Tools and materials 10Useful techniques 14How to make your own clay 18 The Projects 20-139Imperfection is pretty perfect1. Imperfect pots2. Nonna’s vintage lace coasters3. Psychedelic jewellery dish 4. Necklace beads 5. Abstract earrings6. Modern terrazzo-style bracelets7. Beautiful bird broochesFinding enchantment8. Pinch pot tea light holders9. Light pull10. Matisse-inspired incense holderBotanical beauty11. Botanical wall hanging 12. Potted herb markers 13. Clay ‘leaf’ bowls 14. Plant hanger pots 15. Indoor planter Celebrating creativity16. Botanical festive decorations17. Ditzy miniature bunting18. Feather wall hanging19. Serving dishes20. Seaside vase Endmatter 140-144
£12.34
Stackpole Books Beautiful Leaves Stained Glass Patterns
Book SynopsisA great selection of 25 patterns for making beautiful stained glass panels of leaf shapes.
£11.39
Stackpole Books Stained Glass Painting Create the Look of Stained
Book SynopsisStained glass painting is a technique for painting on glass to simulate the look of stained glassno cutting or assembly required.Trade ReviewMay 2015 Always admired stained glass but thought it looked too challenging and expensive to do? Why not cheat a little and paint on the glass instead! You don’t have to invest in lots of tools to create the look of stained glass and you can do it to bring more surfaces to life than just windows. As the author says in the foreword this is a book full of ideas. You just need to buy paints, brushes and something to paint on plus something to prepare the surface. Chapters in the book cover the basics as well as more interesting techniques such as adding glitter, mixing colors and achieving all those fancy textures that you see on glass such as frosting, waves, stencilled patterns and pictures etc. The pictures show remarkably professional work that would make me think it was bought from a glazier. There are twenty five projects in here to make once you know the basics; all shown on a two page selector with thumb nail images. These vary from windows to trays, boxes, ornaments, mirrors and greetings cards. Each project features a large photo of the finished piece plus staged photos and drawings, a list of materials and techniques used (the latter particularly handy). This all makes for some pretty foolproof work and the end results look impressive. Designs include flowers, abstracts, comical, seasonal and even the ubiquitous cupcake. At the back are the full sized patterns as well as lists of Pebeo paints, mixing charts, troubleshooting and even a few blank pages for your own designs. Stackpole also produces a range of pattern books and one of these is Birds of the Beach (ISBN 9780811714716). This book has patterns for twenty birds you are likely to find on a beach, particularly if you live in the US although there are quite a few here also found in the UK. Choose from herring gull, snadpiper, dunlin, sanderling, puffin and more. Each project features a line drawing plus full sized picture of what you hope it is going to look like. There are no other instructions, these are all in the main book. Other titles include other birds, leaves and flowers. * Myshelf.com *Table of ContentsStained glass painting is a technique for painting on glass to simulate the look of stained glass - no cutting or assembly required. This book features all the information you need to make a piece of beautiful faux stained glass and also contains projects for working on less common surfaces, such as a mirror, a sheet of acetate, or a block of wood.
£15.29
Stackpole Books Stained Glass Patterns Butterflies and
Book SynopsisThe latest in Stackpole's popular Stained Glass Patterns series, this book contains 20 full-size, realistic patterns for common North American butterflies and dragonflies.Includes a color sample for each patternSpecies include monarch, queen butterfly, giant swallowtail, Diana fritillary, banded peacock, silvery blue, and red skimmer
£11.39
Stackpole Books Basic Pottery Making
Book SynopsisStep-by-step instructions complete with color photographs. Includes a chapter on bisque firing, waxing, and glazing. 4 basic pottery projects for the beginning potter.
£17.09
Goose Lane Editions Fragile and Fanciful The Story of Nova Scotia
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£16.19
Coloring Bandit The Mandala Mammal Mandala Coloring Book Animals Edition
£11.39
British Archaeological Reports The Dal Pozzo Copies of the Palestrina Mosaic
£28.00
British Archaeological Reports Roman Pottery Studies in Britain and Beyond
£73.15
Scottish Radiance Publications Waterford Crystal Irish Brilliance
£24.83
Psylon Press Learn How to Blow Glass
£15.93
LEGARE STREET PR Curiosities of Glass Making
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£23.70
LEGARE STREET PR Curiosities of Glass Making
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£13.95
LEGARE STREET PR Histoire De La Céramique
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£29.40
LEGARE STREET PR History of Ancient Pottery
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£24.65
LEGARE STREET PR Marvels Of Glassmaking In All Ages
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£25.60
LEGARE STREET PR Marvels Of Glassmaking In All Ages
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£17.95
LEGARE STREET PR A Guide to Porcelain Painting
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£22.75
LEGARE STREET PR Porcelain Painting
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£21.80
LEGARE STREET PR The The Art of Glass
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Legare Street Press Nouveau Manuel Complet Du Porcelainier Du Faïencier Du Potier De Terre Du Briquetier Du Tuilier Contenant Des Notions Pratiques Sur La Fabrication Des Porcelaines ......
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£25.60
Legare Street Press The Art of Transparent Painting On Glass
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£22.75
Legare Street Press How to Make Pottery
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Legare Street Press A Cheap Enamel for Stoneware
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Legare Street Press The Clayworkers HandBook
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Legare Street Press Studies in Glazes. Part I. Fritted Glazes Volume No. 2 part 2 of 2
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