Description

Book Synopsis

Urban Cinematics surveys the mechanisms by which cinema contributes to our understanding of cities to address two key issues: How do filmmakers make use of urban spaces, and how do urban spaces make use of cinema? Merging the disciplines of architecture, landscape design, and urban planning with film studies, this book explores the potential of cinema as a tool to investigate the communal narratives of cities. A series of dialogues with filmmakers rounds out this insightful and methodologically innovative volume.



Table of Contents

Introduction – François Penz and Andong Lu

Part I: City symphonies: Montaged urban cinematic landscapes

Chapter 1: Ciné-City strolls: Imagery, form, language and meaning of the city film – Helmut Weihsmann

Chapter 2: I am here, or, the art of getting lost: Patrick Keiller and the new city symphony – Patrik Sjöberg

Chapter 3: Get out of the car: A commentary – Thom Andersen

Part II: Cinematic urban archaeology

Chapter 4: Aids to objectivity? Photography, film and the new ‘science’ of urbanism – Nicholas Bullock

Chapter 5: Which role for the cinema in a working-class city: The case of Saint-Etienne – Roger Odin

Chapter 6: A film of two cities: Sean Connery’s Edinburgh – Murray Grigor

Chapter 7: Film as re-imaging the modern space – Mark Lewis

Part III: Geographies of the urban cinematic landscape

Chapter 8: Mobility and global complexity in the work of Van der Keuken – Hing Tsang

Chapter 9: From maps of ‘progress’ to crime maps (and back again?): The plasticity of the aerial shot in Mexican urban film – Celia Dunne

Chapter 10: Night on Earth, urban wayfinding and everyday life – Andrew Otway

Part IV: The cinematic in the urban

Chapter 11: Sleepwalking from New York to Miami – Alison Butler

Chapter 12: Film in our midst: City as cinematic archive – Rachel Moore

Chapter 13: Parkour vision – Layla Curtis

Part V: Cinematic urban design practice

Chapter 14: Urban anagram: A bio-political reflection on cinema and city life – Maria Hellström Reimer

Chapter 15: Reconsidering cinematic mapping: Halfway between collected subjectivity and projective mapping – Marc Boumeester

Chapter 16: Mapping urban space: Moving image as a research tool – Wowo Ding

Chapter 17: The moving image of the city: Expressive space/inhabitation/narrativity: Intensive studio workshop on 'Continuity of Action in Space' – Maureen Thomas

Urban Cinematics: Understanding Urban Phenomena

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    A Paperback / softback by Francois Penz, Andong Lu

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      View other formats and editions of Urban Cinematics: Understanding Urban Phenomena by Francois Penz

      Publisher: Intellect Books
      Publication Date: 15/10/2011
      ISBN13: 9781841504285, 978-1841504285
      ISBN10: 1841504289

      Description

      Book Synopsis

      Urban Cinematics surveys the mechanisms by which cinema contributes to our understanding of cities to address two key issues: How do filmmakers make use of urban spaces, and how do urban spaces make use of cinema? Merging the disciplines of architecture, landscape design, and urban planning with film studies, this book explores the potential of cinema as a tool to investigate the communal narratives of cities. A series of dialogues with filmmakers rounds out this insightful and methodologically innovative volume.



      Table of Contents

      Introduction – François Penz and Andong Lu

      Part I: City symphonies: Montaged urban cinematic landscapes

      Chapter 1: Ciné-City strolls: Imagery, form, language and meaning of the city film – Helmut Weihsmann

      Chapter 2: I am here, or, the art of getting lost: Patrick Keiller and the new city symphony – Patrik Sjöberg

      Chapter 3: Get out of the car: A commentary – Thom Andersen

      Part II: Cinematic urban archaeology

      Chapter 4: Aids to objectivity? Photography, film and the new ‘science’ of urbanism – Nicholas Bullock

      Chapter 5: Which role for the cinema in a working-class city: The case of Saint-Etienne – Roger Odin

      Chapter 6: A film of two cities: Sean Connery’s Edinburgh – Murray Grigor

      Chapter 7: Film as re-imaging the modern space – Mark Lewis

      Part III: Geographies of the urban cinematic landscape

      Chapter 8: Mobility and global complexity in the work of Van der Keuken – Hing Tsang

      Chapter 9: From maps of ‘progress’ to crime maps (and back again?): The plasticity of the aerial shot in Mexican urban film – Celia Dunne

      Chapter 10: Night on Earth, urban wayfinding and everyday life – Andrew Otway

      Part IV: The cinematic in the urban

      Chapter 11: Sleepwalking from New York to Miami – Alison Butler

      Chapter 12: Film in our midst: City as cinematic archive – Rachel Moore

      Chapter 13: Parkour vision – Layla Curtis

      Part V: Cinematic urban design practice

      Chapter 14: Urban anagram: A bio-political reflection on cinema and city life – Maria Hellström Reimer

      Chapter 15: Reconsidering cinematic mapping: Halfway between collected subjectivity and projective mapping – Marc Boumeester

      Chapter 16: Mapping urban space: Moving image as a research tool – Wowo Ding

      Chapter 17: The moving image of the city: Expressive space/inhabitation/narrativity: Intensive studio workshop on 'Continuity of Action in Space' – Maureen Thomas

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