Description

Book Synopsis

Urban Cinematics surveys the mechanisms by which cinema contributes to our understanding of cities to address two key issues: How do filmmakers make use of urban spaces, and how do urban spaces make use of cinema? Merging the disciplines of architecture, landscape design, and urban planning with film studies, this book explores the potential of cinema as a tool to investigate the communal narratives of cities. A series of dialogues with filmmakers rounds out this insightful and methodologically innovative volume.



Table of Contents

Introduction – François Penz and Andong Lu

Part I: City symphonies: Montaged urban cinematic landscapes

Chapter 1: Ciné-City strolls: Imagery, form, language and meaning of the city film – Helmut Weihsmann

Chapter 2: I am here, or, the art of getting lost: Patrick Keiller and the new city symphony – Patrik Sjöberg

Chapter 3: Get out of the car: A commentary – Thom Andersen

Part II: Cinematic urban archaeology

Chapter 4: Aids to objectivity? Photography, film and the new ‘science’ of urbanism – Nicholas Bullock

Chapter 5: Which role for the cinema in a working-class city: The case of Saint-Etienne – Roger Odin

Chapter 6: A film of two cities: Sean Connery’s Edinburgh – Murray Grigor

Chapter 7: Film as re-imaging the modern space – Mark Lewis

Part III: Geographies of the urban cinematic landscape

Chapter 8: Mobility and global complexity in the work of Van der Keuken – Hing Tsang

Chapter 9: From maps of ‘progress’ to crime maps (and back again?): The plasticity of the aerial shot in Mexican urban film – Celia Dunne

Chapter 10: Night on Earth, urban wayfinding and everyday life – Andrew Otway

Part IV: The cinematic in the urban

Chapter 11: Sleepwalking from New York to Miami – Alison Butler

Chapter 12: Film in our midst: City as cinematic archive – Rachel Moore

Chapter 13: Parkour vision – Layla Curtis

Part V: Cinematic urban design practice

Chapter 14: Urban anagram: A bio-political reflection on cinema and city life – Maria Hellström Reimer

Chapter 15: Reconsidering cinematic mapping: Halfway between collected subjectivity and projective mapping – Marc Boumeester

Chapter 16: Mapping urban space: Moving image as a research tool – Wowo Ding

Chapter 17: The moving image of the city: Expressive space/inhabitation/narrativity: Intensive studio workshop on 'Continuity of Action in Space' – Maureen Thomas

Urban Cinematics: Understanding Urban Phenomena

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A Paperback / softback by Francois Penz, Andong Lu

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    View other formats and editions of Urban Cinematics: Understanding Urban Phenomena by Francois Penz

    Publisher: Intellect Books
    Publication Date: 15/10/2011
    ISBN13: 9781841504285, 978-1841504285
    ISBN10: 1841504289

    Description

    Book Synopsis

    Urban Cinematics surveys the mechanisms by which cinema contributes to our understanding of cities to address two key issues: How do filmmakers make use of urban spaces, and how do urban spaces make use of cinema? Merging the disciplines of architecture, landscape design, and urban planning with film studies, this book explores the potential of cinema as a tool to investigate the communal narratives of cities. A series of dialogues with filmmakers rounds out this insightful and methodologically innovative volume.



    Table of Contents

    Introduction – François Penz and Andong Lu

    Part I: City symphonies: Montaged urban cinematic landscapes

    Chapter 1: Ciné-City strolls: Imagery, form, language and meaning of the city film – Helmut Weihsmann

    Chapter 2: I am here, or, the art of getting lost: Patrick Keiller and the new city symphony – Patrik Sjöberg

    Chapter 3: Get out of the car: A commentary – Thom Andersen

    Part II: Cinematic urban archaeology

    Chapter 4: Aids to objectivity? Photography, film and the new ‘science’ of urbanism – Nicholas Bullock

    Chapter 5: Which role for the cinema in a working-class city: The case of Saint-Etienne – Roger Odin

    Chapter 6: A film of two cities: Sean Connery’s Edinburgh – Murray Grigor

    Chapter 7: Film as re-imaging the modern space – Mark Lewis

    Part III: Geographies of the urban cinematic landscape

    Chapter 8: Mobility and global complexity in the work of Van der Keuken – Hing Tsang

    Chapter 9: From maps of ‘progress’ to crime maps (and back again?): The plasticity of the aerial shot in Mexican urban film – Celia Dunne

    Chapter 10: Night on Earth, urban wayfinding and everyday life – Andrew Otway

    Part IV: The cinematic in the urban

    Chapter 11: Sleepwalking from New York to Miami – Alison Butler

    Chapter 12: Film in our midst: City as cinematic archive – Rachel Moore

    Chapter 13: Parkour vision – Layla Curtis

    Part V: Cinematic urban design practice

    Chapter 14: Urban anagram: A bio-political reflection on cinema and city life – Maria Hellström Reimer

    Chapter 15: Reconsidering cinematic mapping: Halfway between collected subjectivity and projective mapping – Marc Boumeester

    Chapter 16: Mapping urban space: Moving image as a research tool – Wowo Ding

    Chapter 17: The moving image of the city: Expressive space/inhabitation/narrativity: Intensive studio workshop on 'Continuity of Action in Space' – Maureen Thomas

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