Film scripts and screenplays Books
Inventory Press LLC Get out: The Complete Annotated Screenplay
Book SynopsisJordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents the Peele's Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventurra Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.Jordan Peele (born 1979) is an American actor, comedian, writer, producer and director. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies marginalized voices and cultivates artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the thriller Us (2019).Trade ReviewNamed 'Best Screenplay of the 21st Century (So Far!)' * Writer's Guild of America *This svelte, softcover, pocket-sized volume memorializes Peele’s Oscar-winning script for the first time in print. Proceeding from a new foreword by Peele, 150 gorgeous black-and-white stills thread through the screenplay and into an appendix rich with brand-new material, including cut dialogue, deleted scenes, and Peele’s annotations on the whole production. But the Annotated Screenplay’s most ingenious intervention into the dense critical discourse around Get Out was to tap Tananarive Due to author its proper introduction, an essay titled “Get Out and the Black Horror Aesthetic.” Due is a leading scholar in the emerging study of Black horror, and even teaches a course at UCLA on the subject called “The Sunken Place.” [...] This new framing unlocks a deeper level of engagement with the film... -- Ryan Coleman * Los Angeles Review of Books *Blending horror and dark humour, the director’s multi award-winning screenplay reveals the terrifying realities of racism in America. Famously, Peele has described his directorial debut as a “documentary”. Now, the annotated version gives fans the opportunity to learn more about Peele’s screenwriting process. -- Vivian Yeung * Crack *Peele’s 2017 thriller made the director’s name and won the Oscar for best original screenplay. Now the script is available in book form, illustrated with stills. -- Keith Bradsher * New York Times *Reading the notes, which are extracted from a thoughtful but very conversational interview Peele did for the book...makes you feel like you’re watching the movie with Peele himself. -- Naomi Elias * Film School Rejects *[In Get Out: the Annotated Screenplay,] Peele uncovers additional subtle clues and allusions in the flm that may not be essential knowledge but give insight on the construction of the characters, their psyches, and ultimately their interactions. -- Ina Archer * Film Comment *Dive deeper into the Sunken Place with this dissection of Jordan Peele’s Oscar-winning screenplay, including dialogue from deleted scenes and an essay on the black horror aesthetic. -- Mekado Murphy * New York Times: 2019 Holiday Gift Guide *
£15.75
Inventory Press LLC Us
Book SynopsisA colossal cinematic achievement Richard Brody, the New YorkerA masterpiece of identity horror and a dark reflection on America's past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out the uniquely American perceptions of xenophobia and othering. Critic Monica Castillo wrote of the film: Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he's given audiences the material to think, to feel our way through some of the darker sides of the human condition.Published in conjunction with the fifth anniversary of the critically acclaimed film's release, this companion paperback features Oscar-winning director Jordan Peele's screenplay, alternate endings and deleted scenes, and is richly illustrated with over 150 stills from the motion picture. Specially commissioned annotations by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond and Leila Taylor present a cosmology of images, definitions and inspirations that extend the themes of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde filmssuch as Kurosawa's Rashomon, Godard's Masculin Féminin and Antonioni's L'AvventuraUs is an indispensable guide to a deeper understanding of this important film.Jordan Peele (born 1979) is a writer, actor and filmmaker who rose to fame as half of the comedy duo Key & Peele. He has written and directed three feature films: Get Out (2017), Us (2019) and Nope (2022). He was the first Black screenwriter to win an Academy Award for Best Original Screenplay.
£15.30
Eris The Darkroom
Book Synopsis
£79.80
Simon & Schuster The Trial of the Chicago 7: The Screenplay
Book SynopsisThe brilliant screenplay of the forthcoming film The Trial of the Chicago 7 by Academy and Emmy Award–winning screenwriter and director Aaron Sorkin.Sorkin’s film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman—after Hoffman had ordered Seale bound and gagged in court. The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics. The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin’s screenplay, the first of his movie screenplays ever published.
£10.99
Dis Voir Cook, the Thief, His Wife and Her Lover
Book Synopsis
£15.00
DIS VOIR Joseph
Book Synopsis
£17.10
Springer Nature Switzerland AG Robert De Niro at Work: From Screenplay to Screen
Book SynopsisRobert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro. Table of ContentsIntroduction.- Chapter One: Literature Review & overview of De Niro’s Career.- Chapter Two: Research and Exegesis.- Chapter Three: Notation.- Chapter Four: Preparation.- Chapter Five: The Writer’s Voice.- Chapter Six: Case Studies.- Chapter Seven: Actor as Writer.- Conclusion.
£23.74
Springer Nature Switzerland AG The Protagonist's Journey: An Introduction to
Book SynopsisCharacter drives plot. Based on this principle, this book walks aspiring writers through the fascinating world of character-driven screenwriting. When a writer engages their characters, they start a process which naturally leads to the story’s structure and everything else that makes for a well-written narrative. Exploring the protagonist’s journey and their “unity arc,” Myers explains how a family of characters surrounds the protagonist and influences their transformation process. This easy-to-follow guide features activities that will help writers of any level develop their stories from concept to scene-by-scene outline. Based upon a popular workshop Myers has led with over a thousand writers at all levels of experience, this book is a must-have for screenwriting students, both undergraduate and graduate, and those looking at advanced story development.Table of ContentsPart I: The Protagonist’s Journey as Narrative Imperative.- Chapter One: The Protagonist’s Journey – Due to their central role, engaging the Protagonist is the most important aspect of the story-crafting process.- Chapter Two: Character Arc – In movies, there exists a recurring variety of character arcs including the most popular: positive transformation.- Chapter Three: Disunity – The Protagonist needs to change as reflected in their initial state of disunity.- Chapter Four: Deconstruction – Entering the New World, a series of challenges and trials deconstructs the Protagonist’s old ways of being.- Chapter Five: Reconstruction – Freed from their old ways of being, the Protagonist is reconstructed by embracing heretofore untapped inner potential.-Chapter Six: Unity – The Protagonist brings together all they have learned in the story’s final struggle and in doing so achieves unity.- Chapter Seven: The Protagonist’s Place Within the Screenplay Universe – The Protagonist’s journey interweaves between the External World and the Internal World.- Part II: The Protagonist’s Journey as Family of Characters.- Chapter Eight: Primary Character Archetypes – Five narrative dynamics common to movies represented by these archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster.- Chapter Nine: Nemesis – By providing opposition to the Protagonist, the Nemesis generates sustained conflict which creates the central drama of the story.- Chapter Ten: Attractor – During their journey, the Protagonist intersects with Attractor characters who connect with the Protagonist’s emotional development.- Chapter Eleven: Mentor – The Protagonist meets another type of ally, the Mentor who provides wisdom and contributes to the Protagonist’s intellectual growth.- Chapter Twelve: Trickster – A shapeshifter tests the will of the Protagonist by switching from ally to enemy, enemy to ally, and generating complications.- Chapter Thirteen: Subplots – Each Protagonist relationship with key characters is a mini-story with its own arc, theme, and contribution to the overall narrative.- Chapter Fourteen: Character Map – There is a structure to the Protagonist’s relationships with the story’s major characters.- Part III: The Protagonist’s Journey as Screenplay.- Chapter Fifteen: Breaking the Story I – Begin the story-crafting process by engaging the story’s central character with a Protagonist Character Treatment.- Chapter Sixteen: Breaking the Story II – Use a series of brainstorming exercises to explore the story universe and develop its characters.- Chapter Seventeen: Breaking the Story III – A first pass at wrangling the plot by working with Four Primary Plotline Points.- Chapter Eighteen: Breaking the Story IV – Track the Protagonist’s transformation arc through Four Themeline Movements.- Chapter Nineteen: Breaking the Story V – Expand the framework of the plot by identifying Ten Major Plotline Points.- Chapter Twenty: Breaking the Story VI – Construct the final story structure, both Plotline and Themeline into a Narrative Throughline.- Chapter Twenty-One: Writing the First Draft – Break down the writing process into sets of scenes from one Plotline Point to another all the way through the Denouement.
£19.99
Springer International Publishing AG Screenwriting from the Inside Out: Think and
Book SynopsisThis book provides aspiring screenwriters with a practical and informed way to learn how to think and write like a “creative”. It stands apart from, yet complements, other screenwriting “how to” books by connecting the transdisciplinary academic fields of screenwriting, film studies and cognitive psychology and neuroscience. Using a stepped approach, it shows the writer how to understand that how we think, shapes what we write, so that we may write better. Table of ContentsChapter 1: Screenwriting and Creativity: From the Inside Out.- Chapter 2: How do Creatives Think?.- Chapter 3 Creative Mind. Creative Writer.- Chapter 4 Finding Flow. Just do it!.- Chapter 5 It Could Be More!.- Chapter 6 Be Bold!.
£33.24
Springer International Publishing AG Writing and Producing for Children and Young Audiences
Book SynopsisThis book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption.
£111.99
Springer International Publishing AG Screen Production Research: Creative Practice as
Book SynopsisAimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.Trade Review“The collection of essays is comprehensive and, maybe even more importantly, it provides a starting point from which creative and academic discourse can take place. … encourages students and scholars to be open-minded about the possibilities of screen production research.” (Ashley R. Spillane, Film Matters, Vol. 09 (3), 2018)Table of Contents
£33.24
Suhrkamp Verlag Das Leben der anderen
Book Synopsis
£11.88
Peter Lang AG Robert Musil und Amos Gitaï: Die Ethik des
Book SynopsisDie literaturwissenschaftliche Studie widmet sich den Werken des österreichischen Schriftstellers Robert Musil (18801942) und des israelischen Filmemachers Amos Gitaï (*1950). Die Analyse erbringt erstmalig den Nachweis, dass sich Gitaï in seinen Filmen mit dem berühmten Musilschen Möglichkeitsdenken auseinandersetzt. Vor dem aktuellen Hintergrund des Israel-Palästina-Konfliktes wird der Möglichkeitssinn dabei als innovatives und visionäres Modell erkennbar, das sich sowohl in ethischer, in medienphilosophischer und letztlich auch in aktuell-politischer Hinsicht als Transmedium einer beweglichen kritischen Praxis auszeichnet.
£66.38
ibidem-Verlag, Jessica Haunschild u Christian Schon Filming the Unfilmable: Casper Wrede's 'One Day
Book SynopsisIn this amply illustrated book, Hellman and Rogachevskii tell the fascinating story behind the screen adaptation of one of the most impactful novels of all times. Despite its huge global success, Aleksandr Solzhenitsyn refused all offers to have his One Day in the Life of Ivan Denisovich turned into a movie for many years for artistic reasons. It took the full resolve and commitment of the Finnish director Caspar Wrede to bring this challenging project to fruition, eight years after the novel had been published. This second, expanded edition offers an all-encompassing account of the movie's production, reception and impact. Filled with little-known facts, it also gives unique and valuable insights into Solzhenitsyn's complex relationship with the art of film-making.Trade Review"This study is a labour of love for Russian literature scholars Ben Hellman and Andrei Rogachevskii. Chock-full of fascinating and often witty footnotes, the main text provides a thorough account of the film`s production." -- Scotland-Russia Forum Review"Wrede`s film is important -- for a long time the only film adaptation of Solzhenitsyn`s work and often moving. Hellman and Rogachevskii`s book is a valuable reminder and hopefully will encourage more interest." -- Society for Co-operation in Russian & Soviet Studies Information Digest
£27.19
Prodinnova Un chapeau de paille d'Italie
Book Synopsis
£11.35
A-BA-BA-HA-LA-MA-HA Fantastic Beasts and Where to Find Them: The
Book SynopsisAn approved textbook at Hogwarts School of Witchcraft and Wizardry since publication, Newt Scamander’s masterpiece has entertained wizarding families through the generations. Fantastic Beasts & Where to Find Them is an indispensable introduction to the magical beasts of the wizarding world.
£33.12
Tulika Nagarik – The Screenplays, Volume 1
Book Synopsis
£12.34
Ma Non Troppo Cómo Escribir El Guión Que Necesitas: Cine -
Book Synopsis
£16.98
Anagrama Lacombe Lucien
Book Synopsis
£18.59
Double 9 Books Little Foxes
Book Synopsis
£15.91
The American University in Cairo Press The Dream: A Diary of the Film
Book SynopsisIn 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.Trade Review"A rare, intimate glimpse into the working methods of one of the most accomplished filmmakers from the Arab world."—Nadia Yaqub, Review of Middle East StudiesTable of Contents1. Investigation2. Shooting3. Investigation4. Shooting5. Development and Production6. Turning on the Lights in the Movie Theater
£16.14
Hong Kong University Press Cross and Dragon Matteo Ricci and China
Book Synopsis
£19.80
Amazon Digital Services LLC - Kdp All We Imagine as Light
Book Synopsis
£12.34
Amazon Digital Services LLC - Kdp Transformers One
£9.93
Bloomsbury Publishing (UK) Short Film Screenwriting
Book SynopsisAustin Bunn is Associate Professor in the Department of Performing and Media Arts at Cornell University, USA. He is the author of The Brink: Stories and co-author of A Killer Life: How an Independent Producer Survives Deals and Disasters Far From Hollywood, one of the Hollywood Reporter Top 100 Greatest Film Books of All Time. He wrote the screenplay for Kill Your Darlings and has written scripts and pilots for Lionsgate, Participant Media, Fox2000, and Tomorrow Studios. His award-winning short films have screened nationally and internationally.
£85.50
Bloomsbury Publishing (UK) Short Film Screenwriting
Book SynopsisAustin Bunn is Associate Professor in the Department of Performing and Media Arts at Cornell University, USA. He is the author of The Brink: Stories and co-author of A Killer Life: How an Independent Producer Survives Deals and Disasters Far From Hollywood, one of the Hollywood Reporter Top 100 Greatest Film Books of All Time. He wrote the screenplay for Kill Your Darlings and has written scripts and pilots for Lionsgate, Participant Media, Fox2000, and Tomorrow Studios. His award-winning short films have screened nationally and internationally.
£21.99
Insight Editions Jurassic Park: The Official Script Book
Book Synopsis
£17.09
Upriver Press Writing the Biographical Drama
Book Synopsis
£24.30
