Film scripts and screenplays Books

Book SynopsisTrade ReviewLets James Baldwin's searing work soar . . . you will be astounded by the brilliance of his polemic -- Geoffrey Macnab * Independent *A striking work of storytelling . . . One of the best movies about the civil rights era ever made . . . This might be the only movie about race relations that adequately explains with sympathy the root causes * Guardian *Thrilling. . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, devastated my universe * New York Times *Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence * Variety *I Am Not Your Negro turns James Baldwin into a prophet * Rolling Stone *

Read more less

Book SynopsisBringing Jane Austen's "Sense and Sensibility" to the screen was a labor of love for writer/actress Emma Thompson. Featuring the complete award-winning script, "Sense and Sensibility: The Screenplay and Diaries" also showcases Thompson's unreserved, often hilarious diaries that capture the unique experience of making this film. Her rare and personal perspective makes this an irresistible book for students of film and Austen devotees, as well as for everyone who loved this extraordinary movie.

Read more less

Book SynopsisThe complete screenplay of Christopher Nolan''s space epicInterstellar, with over 200 pages of illustrated storyboards.In Interstellara group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.Written by Christopher Nolan and his frequent collaborator, Jonathan Nolan, the film stars Matthew McConaughey, Jessica Chastain, Anne Hathaway, and Michael Caine. This edition includes the entire screenplay, over 200 pages of storyboards and an introduction featuring a conversation about the film with Christopher Nolan and Jonathan Nolan.

Read more less

Book Synopsis From New York Times bestselling author and Lucasfilm Ltd.’s executive editor J. W. Rinzler, Star Wars Storyboards: The Original Trilogy is a behind-the-scenes look into the creative vision of the pop culture phenomenon that changed the art and craft of filmmaking  Foreword by Joe JohnstonIntroduction by Nilo Rodis-Jamero   For the first time, Lucasfilm has opened its archives to present the complete storyboards for the original Star Wars trilogy—the world-changing A New Hope and its operatic sequels, The Empire Strikes Back and Return of the Jedi—as well as never-before-published art from early conceptual and deleted scenes.   From the opening chase above Tatooine in A New Hope to the Battle of Endor in Jedi, this book presents the visual inspiration behind now-iconic moments. Readers can finally see a full set of storyboards by lTrade Review“Star Wars Storyboards: The Original Trilogy shows just how much pre-planning went into the original iconic trilogy.” * The Week Magazine online *“Star Wars fans, take note . . . the book offers a glimpse into the detailed planning and rounds of story revisions that went into the original films.” * Parade Online *Star Wars fans, rejoice — today is the big day that Lucasfilm opens up the archives and bestows upon you Star Wars Storyboards: The Original Trilogy. * Flavorwire *The book contains fantastic insight into how the films' stories and characters were conceived… * Esquire.com *Nerd out over how Star Wars might have been. * Wired *Every Star Wars fan should get this Star Wars Storyboards book. * Gizmodo *

Read more less

Book Synopsis''The best book on the subject I''ve read. Quite brilliant'' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers'' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.''Marvellous'' Julian Fellowes ''Terrifyingly clever ... Packed with intelligent argument'' Evening Standard ''The most important book about scriptwriting since William Goldman''s Adventures in the Screen Trade'' Peter Bowker, writer, Blackpool, Occupation, Eric Trade ReviewBrimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times *Terrifyingly clever ... Packed with intelligent argument * Evening Standard *So detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday *This is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer/creator of Downton AbbeyAnother book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The AccusedIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and HustleEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe TheatreThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric & ErniePart 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and ShamelessInto The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEndersTesting the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, MI5Books on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn FlettAll script-writers will want to read Into The Woods. All plots and archetypes BUSTED -- Caitlin MoranGot to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David EldridgeA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent *I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth'In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end * Sunday Times *The best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb * London Evening Standard *A mightily impressive opus, both hugely informative and highly educational. I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric giving a something-for-everyone feeling. A brilliant work -- Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEADYorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story * Stuff Magazine *I've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's Into The Woods: How Stories Work And Why We Tell Them is a genuine game-changer and has helped me put past bad habits to rest -- Christopher Fowler, Author of Bryant and MayInto The Woods is utterly brilliant -- Ed Cumming * Daily Telegraph *Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive -- Chris Chibnall, creator and writer of Broadchurch and The Great Train RobberyInto The Woods is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring -- Dominic Mitchell, creator and writer of In The FleshThere is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume * Financial Times *Its strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities * The Times *Terrific . . . It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge, writer of Festen and In BasildonIt's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that -- Lucy Gannon, writer/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of MenNot How 2 Write them but how stories work. John Yorke's Into the Woods: A 5 Act Journey into Story is brilliant, illuminates & explains -- Susan Hill, Author, The Woman In Black, I’m The King Of The CastleI'm only 70 pages into John Yorke's Into the Woods but it's already helped me crack two stories -- Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DCHighly recommended reading * Huffington Post *Yorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with Into the Woods, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. "A story is like a magnet dragged through randomness," Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to "jump the shark" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin * Guardian *I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good -- Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up -- David Quantick, Author of HOW TO WRITE EVERYTHINGProbably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent -- Tim Adler * Daily Telegraph *Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise -- John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'

Read more less

Book SynopsisGo deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue). NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.” Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusi

Read more less

Book SynopsisDIALOGUE is the follow-up title to Robert McKee's hugely successful STORY.Trade Review"'Writing dialogue is a challenging art. McKee's book DIALOGUE is a great tool for writers.' John Lassater, Chief Creative Officer, Pixar & Walt Disney Animation Studios * 'McKee's DIALOGUE is a mother lode of insight and inspiration for any writer. His teachings have changed my career and changed my life. Robert McKee is in a category of one.' Steven Pressfield, bestselling author of The Legend of Bagger Vance, The War of Art, and Gates of Fire * 'McKee teaches what is not yet taught. He shines his unwavering analytical light on the structure and invisible substructure of dialogue. He takes a craft that is often considered instinctual or magical and reveals its chemical secrets.' Terry Johnson, writer/director, winner of the Tony Award, Olivier Award, Critics' Circle Theatre Award, and Writers' Guild Award * 'DIALOGUE is a masterwork. There's nothing harder to teach. Now this book exists. McKee has written an essential book akin to The Elements of Style for all writers.' Margaret Nagle, writer/producer of Golden Globe-winning TV Series Boardwalk Empire, winner of the Writers Guild Award, Emmy, NAACP, Golden Globe, and PEN * 'A rich and useful companion for practicing writers.' Kirkus Reviews * 'I used to think great dialogue couldn't be taught. You either had an ear for it or you didn't. That was before I read McKee's DIALOGUE. He's a wizard at explaining the unexplainable.' Sarah Treem, writer/producer, co-creator and showrunner of Golden Globe-winning TV Series The Affair, winner of the Writers Guild of America Award and Emmy Award nominee"

Read more less

Book SynopsisThe screenplay and lyrics from Disney Tim Burton's The Nightmare Before Christmas - along with hundreds of behind-the-scenes facts, illustrations, and historical details from the Walt Disney Animation Research Library - are all collected in these pages.Experience your favourite stop-motion animated film in a new way with this special edition of Disney Tim Burton's The Nightmare Before Christmas!This hardcover book includes both the full film script and the complete song lyrics, along with hundreds of behind-the-scenes facts about the production and development of the film, including details about how the puppets were constructed and animated. All this is brought to life with photographs, original sketches, final frames and historical images from the Walt Disney Animation Research Library.Readers will enjoy an in-depth experience of this beloved classic and gain a deeper appreciation for the animators, musicians, and

Read more less

Book SynopsisWildly charismatic, impossibly brilliant, totally rebellious - Will Hunting is a mathematical genius who lives on the fringes of society, refusing to accept the talent that he has for maths and taking, instead, a job as a cleaner in a university. A psychologist takes him under his wing and tries to help Hunting resolve the traumas that beset him.Matt Damon and Ben Affleck - lifelong friends and two of the best actors of their generation - have written a film that is funny, ironic and profoundly moving; one that is filled with empathy for society''s outsiders and their struggle to fight their way through life.

Read more less

Book SynopsisChristian Bale and Hugh Jackman play rival magicians in turn-of-the-century London who battle each other for trade secrets, a rivalry so intense that it turns them into murderers.

Read more less

Book SynopsisA re-issue of John O'Brien's debut novel, a masterpiece of modern realism about the perils of addiction and love in a city of loneliness.Leaving Las Vegas, the first novel by John O'Brien, is the disturbing and emotionally wrenching story of a woman who embraces life and a man who rejects it. Sera is a prostitute, content with the independence and routine she has carved out for herself in a city defined by recklessness. But she is haunted by a spectre in a yellow Mercedes, a man from her past who is committed to taking control of her life again. Ben is an alcoholic intent on drinking his way towards an early death. Newly arrived from Los Angeles, he survived the four-hour intoxicated drive across the desert with his entire savings in his wallet and nothing else left to lose. Looking to satisfy hungers both material and existential, Ben and Sera stumble together on the strip and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls - an overlooked American classic.Trade ReviewA brutal and unflinching portrait of the low life in the city of high rollers, Leaving Las Vegas is both shocking and curiously exhilarating. John O'Brien was a stunningly talented writer who created poetry from the most squalid materials. This is a beautiful and horrifying novel. -- Jay McInerneyThere is not a false note in the novel . . . [O'Brien] achieves real power in his writing. You seldom encounter it anymore, but when you do you know you've been properly whacked by a real talent. * New York Daily News *[An] immense writing talent . . . John O'Brien's life ended with a gunshot. Leaving Las Vegas, for its intensity, its bravado, and its legacy - an American tragedy that would pave the way for many more - only begins to understand why. * Esquire *The book's unique power resides in this awareness; and it allows O'Brien to breathe new life into two of the most familiar and overused archetypes of popular fiction: the drunk and the whore . . . Ben's impulse to destroy himself is so psychologically unspecific as to be sublime. * Boston Review *This book is not only dark and dire, it is crushing. How can a novel so absolutely devoid of hope be so gripping? The portrait of Sera and Ben is a tour de force - masterful and relentless. Leaving Las Vegas is the strongest and most extreme look at alcohol I've ever read. This book moved and bothered me and weeks later it is still in my mind. I think O'Brien is simply terrific. -- Ron CarlsonHere is that rarest jewel, a really fine novel. It's a magical piece of work, one of the best I've seen in a long time. John O'Brien has a very great talent. * Larry Brown *

Read more less

Book SynopsisSorcerer is a book in the form of a script/novel/manual about the pleasures of being with others and of being alone. Three friends hang out and share a long and unremarkable conversation about getting dressed, headaches, ticks, compression fantasies, surgery, and their aspirations, among other things. The characters find contentment in each other's company, conversing in the placid, eerie rhythms of a sitcom in which conflict never arises. When two of the friends go home for the night, the remaining one watches TV, dances, and takes apart his face in front of a giant mirror.Trade Review'Atkins and Zultanski's play redesigns the contemporary home as a machine for comedy, sadness, and anxiety. Sorcerer is a unique work of theatre and literature, beautiful and unsettling.' - Dan Fox; 'With Sorcerer, Ed Atkins and Steve Zultanski invite us 'round for an evening of conversational bricolage, word games, and mild social debarment (with grapes). We are privy to the trivial crosscut with the vital; we submit to compression fetish and sulphuric mythology; we ruminate on the merits of facial deconstruction, and most crucially of all, we are reminded once again about the awful sad joy of humanness and what it means to be alone.' - Graham Lambkin; 'Vivid on the page, Sorcerer is a surprising and compelling hallucinatory theatre text for a cast of three. In it a set of hyper-naturalistic micro-conversations are laid out in an unblinking deadpan; crisp dialogues that focus in on the body, mapping the detail of daily actions and experiences from the removal of clothing, to the acquisition of new skills, and the precise interior feeling of headaches. Atkins & Zultanski have made the score for a complex, haunting event.' - Tim Etchells; 'Sorcerer is the emphatic magic of lived-time actions. This is a dialogue between the object body and other objects, so distended and loud as to be near silent. Where each action held might also begin to corrupt, or stain, pulling too hard, tuning in and tearing out. A politics of who we are in how we are, learnt, programmed, actioned and acted.' - Ghislaine Leung; 'In this ingenious work, Zultanski and Atkins innovatively deploy both material and human gesture to paint a sad yet almost comic scenario of contemporaneity. A group of friends conduct inane conversation about subjects like how to take off your pants (with accompanying gestures), yet these people raise serious compassion in us, for they are us. Atkins and Zultanski's brand of drolly underwrought utterance show us once more that innovative device is the sine qua non of really good art.' - Gail Scott

Read more less

Book Synopsis

Read more less

Book SynopsisFrom the master of Story, Dialogue, and Character, ACTION offers writers the keys to propulsive storytelling.  ACTION explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of The Story Toolkit, Bassim El-Wakil, legendary story lecturer Robert McKee guides writers to award-winning originality by deconstructing the action genre, illuminating the challenges, and, more importantly, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity.Topics include:  Understanding the Four Core Elements of Action Creating the Action Cast Hook, Hold, Pay Off: Design in Action The Action Macguffin Action Set Pieces The Sixteen Action Subgenres A must-add to the McKee storytelling library, ACTION illustrates the principles of narrative drive with precision and clarity by referencing the most popular action movies of our time including: Die Hard, The Star Wars Saga, Dark Knight, The Matrix, and Avengers: Endgame.

Read more less

Book SynopsisDeath is always the issuein life, and in the Western. Joel and Ethan Coen's The Ballad of Buster Scruggs is a movie of six Western stories. In each, our common destination is approached by a different road. Through each, diverse characters hurry for their final appointment: Oregon Trail-travelers, a gold prospector, a motley crew of stagecoach passengers, a high-plains drifting bank robber, even a singing cowboy. These six stories escort them with a care that either respects, or mocks, the dignity of all.The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is shot with the harsh grandeur of the classic John Ford westerns.

Read more less

Book Synopsis

Read more less

Book SynopsisAlan Bennett''s beloved, best-known play, with a beautiful typographic cover. The best moments in reading are when you come across something a thought, a feeling, a way of looking at things that you'd thought special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead.As an unruly bunch of bright, funny sixth-form boys pursue sex, sport and a place at university, adolescent anarchy and staffroom rivalry provoke insistent questions about history and education.The History Boys premiered at the National Theatre, London, 2004, winning Evening Standard, Critics' Circle, Olivier and South Bank Awards. On Broadway, it received numerous awards, including six Tonys.

Read more less

Book SynopsisAdapted for the screen by the author from his celebrated memoir, Alan Bennett''s The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ''temporarily'' parked her van in Bennett''s London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film

Read more less

Book SynopsisOnly 23-years-old when he directed his extraordinary début feature Gummo, Harmony Korine has since continued to serve notice that he is the riskiest, most radical young talent in independent US film. This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

Read more less

Book SynopsisBefore the turn of the twentieth century, before the nickelodeon, even before the first cinemas, Georges Méliès began making movies.. Directing, editing, producing, designing, and starring in over 500 films between 1896 to 1912, Méliès was also the first cinematic auteur.. This is the first study of Méliès''s films to appear in English in over twenty years and the only book to interpret his work using the tools of modern film analysis.. Locates the roots of modern narrative cinema in Méliès''s work, identifying techniques of editing and mise-en-scène previously thought to have originated with D. W. Griffith.Table of ContentsIntroduction - Narrative Attractions1. Méliès does tricks2. Fantastic realism3. The amazinf flying woman4. Imaginary voyagesConclusion

Read more less

Book Synopsis

Read more less

Book SynopsisThe classic humorous novel about an alcohol-loving clergyman who thinks he is the reincarnation of a dog. Complete with the award-winning film screenplay that expands upon the tale.Dean Spanley is affable, conventional and prudent the very archetype of a bland churchman. Only his keen interest in the transmigration of souls and his obsession with dogs betray any shadow of eccentricity.But then, richly primed with a few glasses of Imperial Tokay, he begins to speak vividly of the joys of rabbiting, of rolling in fresh dung and of baying at the moon. Are these canine memories a drunken fancy? Or can it be that Dean Spanley must once have been a dog?This special edition includes Lord Dunsany's witty and inventive novel, My Talks With Dean Spanley, together with Alan Sharp's award-winning screenplay for the film starring Peter O'Toole and Sam Neill, which faithfully adapts and expands upon the events in the story.Trade Review‘A challengingly tall tale, but becomes as easy to swallow as a glass of fine wine.’ Daily Mail ‘There has been no more memorable tribute to the relationship between man and dog.’ Daily Mail

Read more less

Book SynopsisThis is the screenplay for the acclaimed film, directed by Wes Anderson. There were three extraordinary children in the Tenenbaum family; Chas Tenenbaum (Ben Stiller) was a financial expert and started buying real estate in his early teens; Margot Tenenbaum (Gwyneth Paltrow) was an acclaimed playwright and won a Pulitzer Prize in the 9th grade; Richie Tenenbaum (Luke Wilson) was a champion tennis player ranked 2nd in the world by the age 17. They were brilliant. They were famous. They were unlucky enough to be the children of a man named Royal Tenenbaum (Gene Hackman). Now for the first time in 25 years, they''re all living together under the same roof. After having largely gone their separate ways they''re looking to mend fencesand themselves in the process.Trade Review'The film of the year... The Royal Tenenbaums speaks in its own singular voice: at once tender and probing, mindful of New York and its special mixture of grit and glory but confident enough to mould it into a big, faded magic playhouse.' Film Comment 'Wes Anderson's first unqualified masterpiece.' Los Angeles Daily News 'A terrific film that has to be seen twice: first to be dazzled, then to be moved.' Premiere"

Read more less

Book SynopsisA loner, Travis Bickle, takes up driving a taxi in search of an escape from his sleeplessness and his disgust with the corruption he finds around him. His pent-up rage, fuelled by his doomed relationship with a political campaign worker, leads to an inevitable descent into psychosis and violence.

Read more less

Book SynopsisWhen Reservoir Dogs burst upon the screen in 1992, it announced the arrival of one of the most charismatic and audacious voices in cinema today.Reservoir Dogs is the story of a heist gone wrong, and how the group of outlaws concerned are subsequently undone in the course of their search for the enemy within.Quentin Tarantino uses words like bullets and writes with a propulsive energy that is compellingly readable. As always with Tarantino, the style of the storytelling is restlessly inventive, showcasing not only his fine ear for frank and foul-mouthed dialogue but also his grasp of formal structure, comparable to that of the smartest crime novelists.

Read more less

Book Synopsis*THE SIDE-SPLITTING NEW COMIC SHORT FROM ONE OF BRITAIN''S BEST-LOVED WRITERS, NOW A MAJOR BBC TV SERIES*______________________________ ''It is as honest and multi-faceted an examination and appreciation of marriage as you could hope to find'' The Guardian on Hornby''s script adaptationEach week, Tom and Louise meet for a quick drink in the pub before they go to meet their marriage counsellor. Married for years and with two children, a recent incident has exposed the fault lines in their relationship in a way that Tom, for one, does not wish to think about.In the ten minutes in the pub they talk about the agenda for the session, what they talked about last week, what they will definitely not talk about with the counsellor, and how much better off they are than the couple whose counselling slot immediately precedes their own. Over the ten weeks that follow Tom and Louise begin to wonder: what if marriage is like a computer? When you take it apart to see how it works you might just be left with a million pieces you can''t put back together . . .

Read more less

Book SynopsisBreak out your favourite pencil and roll up your sleeves! The Save the Cat! (R) Beat Sheet Workbook provides key writing prompts and asks all the important questions-but you bring the story, filling out the pages that walk you step-by-step through the Save the Cat! process.

Read more less

Book SynopsisFilm novels are short, and take about as long to read as a feature film takes to watch. This is a primer on writing film novels - whether you are a beginning novelist, a seasoned writer wanting to cross over into script/novel writing, or a creative writing teacher looking for proven ways to launch new writers.Trade ReviewThe Film Novelist is a must read for teachers, students and anyone else who loves films and novels. Packard has written a uniquely informative, surprisingly deep yet practical handbook on how to multi-task the creative writing process. -- Jane Kagon is an international media/education consultant and Senior Fellow at the USC Annenberg School's Center for the Digital Future, former Director of UCLA's continuing education division for entertainment professionalsExcerpts included in Gotham Writer's Workshop monthly e-newsletter for screenwriters. http://www.writingclasses.com/mailing.php?id=2419Rather than Balkanizing, categorizing, and compartmentalizing among the various formats and media, Packard's book offers more of a synthesizing, rather than an analytical, orientation. Professor Richard Walter, UCLA Screenwriting ChairmanClear, concise and instructive. If in trouble, go back to the basics. This book's clarifying points will help more than you may think. --Anne Perry, International bestselling historical fiction novelistPackard has, miraculously enough, come up with something that is truly new—a practical, pragmatic guide in getting scripts and novels on the page that can be marketed to both communities—literature and film—at the same time, with a sale in one market enhancing and expanding the opportunities in the other. -- Prof. Richard Walter UCLA Screenwriting ChairmanTable of ContentsIntroduction; Stage One: Warming Up; Chapter 1: Sentences - Week One; Chapter 2: Scenes - Week Two; Chapter 3: Subtext - Week Three; Stage Two: Summarizing; Chapter 4: Pitch - Week Four; Chapter 5: Synopsis - Week Five; Chapter 6: Scenario - Weeks Six and Seven; Stage Three: Expanding; Chapter 7: Script - Weeks Eight to Ten; Chapter 8: Novel - Weeks Eleven to Thirteen; Chapter 9: Film - Weeks Fourteen to Fifteen; Conclusion; Appendix; Suggested Readings; The Possibility of Film Novels; Acknowledgements; Bibliography; Endnotes.

Read more less

Book SynopsisFrom the legendary Cormac McCarthy, author of Blood Meridian and winner of the Pulitzer Prize, The Gardener's Son is the tale of two families: one, owners of the local cotton mill, the other a family of mill workers beset by misfortune.'[A] memorable portrait of another place in another time' – New York TimesTwo years ago, Robert McEvoy was involved in an accident that led to the amputation of his leg. Consumed by bitterness and anger, he quit his job at the mill and fled. Now, news of his mother's terminal illness brings Robert home. What he finds on his return stokes the slow-burning rage he carries within him – a fury that may consume him . . .This taut, riveting drama was Cormac McCarthy's first written screenplay. Directed by Richard Pearce, it was produced as a two-hour film in 1976 for the PBS series Visions.Praise for Cormac McCarthy:‘McCarthy worked close to some

Read more less

Book SynopsisPractical Screenwriting is a structured guide for the novice screenwriter that provides exercises in writing as well as practical guides to analyzing major films in ways that will provide insight into the screenwriting process. It aids the screenwriting in writing clean, crisp, clear scripts that will get read in the crowded contemporary marketplace.

Read more less

Book SynopsisThe Monty Python team's first feature film is a mock-heroic tale set in Medieval Britain with lots of silly things going on. King Arthur, Launcelot, Galahad, Robin and the rest all appear in this screenplay edition, which contains just the script, supplemented by stills from the film.Trade Review* 'It's impossible to explain the plot, which will ensure that Camelot will never be the same again ... Something in such ferociously bad taste, carried through with such blatant indelicacy, made me, I confess, quite upset - with laughter ... It should be on the National Health' The Sunday Telegraph * 'Monty Python and the Holy Grail is a marvellously particular kind of lunatic endeavour ... it manages to send up the legend of the Grail, courtly love, fidelity, bravery, costume movies, movie violence and ornithology' The New York Times * 'Watch out for the knights that say 'Ni', the anarcho-syndicalist peasants, the killer rabbits and Gilliam's graphics' Time Out * 'Sheer comic brilliance ... leave your sense of reason at home, wave a white flag and surrender to the inspired idiocy of the Monty Python team' The Daily Express*

Read more less

Book SynopsisStarring Samuel L. Jackson, John Travolta and Uma Thurman, Pulp Fiction exploded on to the screen in 1994 and transformed the direction of contemporary cinema. Nominated for seven Oscars and winner of the BAFTA award, this triplet of masterfully interwoven crime stories is witty, gritty and shamelessly violent, displaying Tarantino''s visceral approach to character and plot. Tarantino has spawned a whole host of wannabes in the wake of this, the defining movie of the 1990s. But none has demonstrated the elegant style and compassion that make Tarantino''s screenplays so compellingly readable. Nominated for seven Oscars, Pulp Fiction starred John Travolta, Samuel L. Jackson, Bruce Willis and Uma Thurman and won the US Oscar for Best Screenplay, the BAFTA and the prestigious Palme d''Or at the Cannes Film Festival. Quentin Tarantino''s other films include Reservoir Dogs, Jackie Brown, From Dusk Till Dawn and most recently, Inglorious Basterds

Read more less

Book SynopsisMark Renton is an unrepentant drug abuser, doing his level best to elude the claims and responsibilities Life throws up to him. His pals - Spud, Sick Boy, Tommy and Begbie - are devoted to much the same heroically seedy existence. Both harrowing and hilarious, Trainspotting charts the disintegration of this unlikely gang, as their appetites for intoxication and mayhem lead them unerringly into the worst kinds of trouble.Adapted by Shallow Grave screenwriter John Hodge from the novel by Irvine Welsh, Trainspotting was an international hit in 1996, directed by Danny Boyle and starring Ewan McGregor, Ewen Bremner and Robert Carlyle.

Read more less

Book SynopsisThis new edition brings together all of Beckett''s dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium ''for voices not bodies'', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage.My father, back from the dead, to be with me. (Pause.) As if he hadn''t died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn''t answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn''t see what it was you would

Read more less

Book SynopsisDesigned for philosophers as well as readers with no particular philosophical background, the essays in this lively book are grouped into four amusing acts. Act One looks at the four Seinfeld characters through a philosophical lens and includes Jerry and Socrates: The Examined Life? Act Two examines historical philosophers from a Seinfeldian standpoint and offers Plato or Nietzsche? Time, Essence, and Eternal Recurrence in Seinfeld. Act Three, Untimely Meditations by the Water Cooler, explores philosophical issues raised by the show, such as, Is it rational for George to do the opposite? And Act Four, Is There Anything Wrong with That?, discusses ethical problems of everyday life using Seinfeld as a basis. Seinfeld and Philosophy also provides a guide to Seinfeld episodes and a chronological list of the philosophers cited in this book.Table of ContentsMonologue - Seinfeld, the Field of Being, William Irwin. Act One - The Characters, AKA the New York Four: Jerry and Socrates - the Examined Life?, William Irwin; George's Failed Quest for Happiness - an Aristotelian Analysis, Daniel Barwick; Elaine - Feminist Icon or Just One of the Boys?, Sarah Worth; Kramer and Kierkegaard - Stages on Life's Way, William Irwin. Act Two - Seinfeld and the Philosophers: Making Something Out of Nothing - Seinfeld, Sophistry, and the Tao, Eric Bronson; Plato or Nietzsche? Time, Essence, and Eternal Recurrence in Seinfeld, Mark Conard; Seinfeld, Subjectivity, and Sartre, Jennifer McMahon; Seinfeld and Wittgenstein on the Commonplace, Kelly Dean Jolley. Act Three - Untimely Meditations by the Water Cooler: The Costanza Manoeuvre - Is it Rational for George to "Do the Opposite"?, Jason Holt; Peterman and the Ideological Mind - Paradoxes of Subjectivity, Norah Martin; Comedy and the Insignificant, Jorge J.E. Gracia. Act Four - Is There Anything Wrong With That?: Seinfeld and the Moral Life, Robert Epperson; Virtue Ethics and TV's Seinfeld, Aeon J. Skoble; Ethics in the Final Episode - Is Doing Nothing Something?, Theodore J. Schick Jr. Appendices: Episode Guide; A Chronology of Philosophers.

Read more less

Book SynopsisFollowing on from the success of his thriller, Ex Machina, Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer''s cult novel -a tale of a biologist attempting to uncover the mystery of her husband''s disappearance into a restricted zone.What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death.Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.

Read more less

Book SynopsisTales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio's franchises of the 30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and Trade ReviewThe truth is that the screenplay is a bastard form of literature. It is not a play nor book nor movie, and not just simply a blueprint for a film. All movies, regardless of genre, depend on the screenplay. However it is the director who makes the movie by realizing the printed words of the script on film. I have seen mediocre screenplays made into very good films. And I have seen excellent screenplays made into bad movies by incompetent directors. Again, it's important for people to understand that the screenplays essential role in film making is the same regardless of the genre of the film. --John Landis, 2012Writing the Horror Movie is written in particular for anyone interested in writing a screenplay for a horror film, and in seeing that screenplay turned into reality. But it's also full of fascinating nuggets of analysis and useful information more generally for scholars, students and fans of the genre - whether this is musing on the aesthetics of disgust, offering nifty psychological profiles of major horror monsters, or advice on how to exploit your film and turn it into a lucrative franchise. Two dismembered thumbs up for Marc Blake and Sara Bailey! -- Darryl Jones, Professor, School of English, Trinity College Dublin, IrelandA lucid, well-structured and thought-provoking introduction that ranges widely across the genre. Intelligent and perceptive throughout. Recommended for aspiring writers and critics. -- George Green, Senior Lecturer, Department of English and Creative Writing, Lancaster University, UKCo-authors Marc Blake and Sara Bailey have penned a magnum opus entitled Writing The Horror Movie, which aims to do exactly what it says on the tin. Every little piece of useful advice can be found in this book, from analysing the history of on-screen horror to defining the types of sub-genres to what tropes can usually be found in any scary movie....They seem to have put their utmost into making this book for the casual film lover and have come out shining with a witty, knowledgeable book to call their own. Quite simply, Writing The Horror Movie as written by Marc Blake and Sara Bailey is a must-read for any hardcore horror fans, and definitely worth checking out for many film fans in general. -- Jack Martin * Film Feeder *There are hundreds of books about screenwriting, but precious few aimed at the would-be horror film author; this volume is a noteworthy addition to the literature. Both Blake and Bailey have written horror films and teach the process at Southampton Solent University, UK. This volume covers horror films from the world over and is packed with examples. The breadth of the films noted makes this book almost a course in horror history. Through each chapter on structuring the screenplay, the reader is led through the succession of tropes: unease, dread, terror, horror, and finally disgust. The style is engaging, but the authors make no bones about the effort involved in all aspects of filmmaking – a fact reiterated in the appendix of interviews with writers, directors, and a producer. There are chapters on the international market; the ins and outs of the prequel, sequel, and franchise; and the trick of blending or crossing genre lines. The writing exercises are comprehensive, but beginners might profit from sharing their attmepts with a trusted reader. The volume includes a 425-item filmography and a tightly focused bibliography. A solid resource for film buffs and budding screenwriters. Summing Up: recommended. Lower- and upper-division undergraduates; two-year program students; general readers. -- D. A. Schmitt, St. Louis Community College at Meramec * CHOICE *Table of ContentsIntroduction: Welcome to the Nightmare 1. Why do we like to be scared? On the Abject and the Unknown 2. Horror history and literary/film background 3. Subgenres. The Undead. Monsters. Demons and possession. Serial Killers, Slashers, Werewolves, Bad science and Body Horror 4. Staging horror. Five tropes. Unease, dread, terror, horror & disgust 5. On creating the Nemesis: Norman, Hannibal, Freddie and Jigsaw 6. Forming the idea. Writing exercises. Fears and phobias. Notes on the screenplay. Short, visual and credible 7. The First Act: Unease and dread. Character and milieu 8. The Second Act: Modulating fear, terror and horror 9. Third Act. Resolutions. Tragic and redemptive endings 10. Writing the horror sequel/franchise 11. Adaptations. From page to screen. Short stories and novels 12. On Cross-genre. Where can you bleed into other genres? Zom-Com, Thriller/Horror, Vampire romance, Horror and comedy 13. World markets. Horror in the US, the UK and European Horror. Asian, Thai and Hong Kong horror 14. Lo-budget Horror. How Blair Witch, Colin and Paranormal Activity became box office gold 15. Case studies. Selling the scare. Interviews with Writer/directors Chris Smith (Creep, Severance), James Watkins (Eden Lake). Neil Marshall (Dog Soldiers, Descent, Doom), Adam Gierasch (Autopsy, Night of the Demons) Mark Ezra and more.... 16. Producer Interviews. What producers are looking for? 17. Marketing. Frightest and Sitges. Interviews with directors of the world's leading Horror festivals and conventions 18. Fifty Essential Horror movies. Synopses and analysis of each subgenre.

Read more less

Book SynopsisThe BAFTA and Academy Award-winning screenplay, “a drama of surpassing beauty” (Wall Street Journal)

Read more less

Book SynopsisTrade Review"One must be cravenly grateful for these tasty packages of Bazin that Dudley Andrew is so thoughtfully arranging for us." * Cineaste *Table of ContentsContents Preface Acknowledgments Introduction: André Bazin’s Position in Cinema’s Literary Imagination PART ONE. ADAPTATION IN THEORY 1. Preview: A Postwar Renewal of Novel and Cinema 2. André Malraux, Espoir, or Style in Cinema 3. Cinema as Digest 4. Critical Stance: Defense of Adaptation 5. Cinema and Novel 6. Literature, is it a Trap for Cinema? 7. A Question on the Baccalaureate Exam: The Film-Novel Problem 8. Lamartine, Jocelyn: Should you Scrupulously Adapt such a Poem? 9. Roger Leenhardt has Filmed a Novel he never Wrote 106 10. Alexandre Astruc’s Les Mauvaises Rencontres (Bad Liaisons): Better than a Novel 11. Colette, Le Blé en herbe: Uncertain Fidelity 12. Rereading Stendhal’s Le Rouge et le Noir (The Red and the Black) through a Camera Lens 13. Of Novels and Films: M. Ripois with or without Nemesis 14. Stendhal’s Mina de Vanghel, Captured beyond Fidelity 15. Mina de Vanghel: More Stendhalian than Stendhal PART TWO. ADAPTING CONTEMPORARY FICTION A. Best Sellers from Abroad 16. On William Saroyan’s The Human Comedy 17. Billy Wilder, The Lost Weekend 18. Hollywood Can Translate Faulkner, Hemingway, and Caldwell 19. John Ford, How Green Was My Valley 20. John Ford, The Grapes of Wrath, from Steinbeck 21. John Ford, Tobacco Road, from Erskine Caldwell 22. Theodore Dreiser’s An American Tragedy becomes A Place in the Sun 23. D. H. Lawrence, Lady Chatterley’s Lover 24. Has Hemingway influenced Cinema? 25. Ernest Hemingway, The Snows of Kilimanjaro 26. Ernest Hemingway, A Farewell to Arms 27. Graham Greene’s The Power and the Glory becomes John Ford’s The Fugitive 28. Graham Greene, Brighton Rock 29. Graham Greene and Carol Reed, The Fallen Idol 30. Graham Greene, The Heart of the Matter 31. Joseph Conrad, Outcast of the Islands, filmed by Carol Reed 32. Arthur Miller’s The Crucible and Nikos Kazantzakis’ He Who Must Die are now Two Great French Films 33. Franz Kafka on Screen: Clouzot’s Les Espions (The Spies) B. Fiction from France 34. Avec André Gide, by Marc Allégret 35. The Universe of Marcel Aymé on Screen: La Belle Image 36. Colette, Le Blé en herbe: The Ripening Seed . . . has Matured 37. Marguerite Duras, Barrage contre la Pacifique, adapted by René Clément 38. Françoise Sagan, Bonjour Tristesse, adapted by Otto Preminger PART THREE: ADAPTING TO THE CLASSICS A. The Nineteenth-Century Novel from Abroad 39. Charlotte Brontë, Jane Eyre 40. Charles Dickens, Oliver Twist 41. Nikolai Gogol, The Overcoat 42. Herman Melville, Moby Dick 43. Stephen Crane, The Red Badge of Courage 44. Leo Tolstoy, Anna Karenina 45. Fyodor Dostoevsky, The Brothers Karamazov 46. Dostoevsky, Crime and Punishment, alongside Tolstoy, War and Peace B. French Classics on the French Screen 47. Abbé Prévost, Manon Lescaut, adapted by Clouzot 48. Honoré de Balzac, Eugénie Grandet 49. Stendhal, Le Chartreuse de Parme (The Charterhouse of Parma) 50. Stendhal, Le Rouge et le Noir (The Red and the Black): Tastes and Colors 51. Victor Hugo, Les Misérables 52. Victor Hugo, Notre-Dame de Paris, alongside Jules Verne, Michel Strogoff 53. Zola and Cinema: Pour une nuit d’amour (For a Night of Love) 54. Émile Zola, Thérèse Raquin, adapted by Marcel Carné 55. Émile Zola’s La Bête humaine becomes Fritz Lang’s Human Desire 56. Émile Zola’s L’Assommoir becomes René Clément’s Gervaise 57. Guy de Maupassant, Une vie (A Life), adapted by Alexandre Astruc 58. Maupassant Stories adapted by Max Ophüls: Le Plaisir 59. Maupassant Stories adapted by André Michel: Trois femmes 60. French Cinema faces Literature addendum. two long essays on adaptation, translated by hugh gray 61. Journal d’un curé de campagne and the Stylistics of Robert Bresson 62. In Defense of Mixed Cinema Appendix: Chronological List of Articles Index of Films Index of Proper Names Index of Topics and Concepts

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisFrom Joss Whedon, the creator of Buffy the Vampire Slayer, and Drew Goddard, writer of the monster movie phenomenon Cloverfield, comes the horror film to end all horror films! The details of the plot are a closely guarded secret, though Joss himself has described it as “a straight-up, balls-out, really terrifying horror movie,” adding,it is not just a slasher in the woods. It''s a little more complicated than that... All will be revealed in the Official Visual Companion, featuring in-depth interviews, the full screenplay by Whedon and Goddard, stunning production art, and hundreds of color photos!

Read more less

Book SynopsisScript Readers play a crucial role in the film industry, often responsible for determining whether a script is even looked at by a producer or development executive; yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly 'how-to' guide written by one of the UK's leading script analysis specialists, lays bare the process of analysing film scripts. This is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. An essential reference tool, the book includes information on: How to write a brilliant script report Storytelling and screen genres Treatments and other short documents Writing clear and detailed analysis of the craft of storytelling for film Best practice in reading and reporting on scripts It also includes a full Resource Section listing useful print and online publications, organisations and associations.Trade Reviewit is such a worthwhile read -- Lucy V Hay * bang2write *Lucy Scher seeks to explain the skills needed to take on the vital role of script reader in the film industry -- Leo White * Kamera Film Salon *an ideal reference tool for anyone considering a career as a script reader or in film development * Moviescope *

Read more less

Book SynopsisIn OPPENHEIMER Christopher Nolan has fashioned a story of discovery bathed in the light of a thousand suns - but one that is darkened by govrrnment surveillance and the travesty of a trial to which Oppenheimer was subjected.

Read more less

Book SynopsisThe complete Fleabag. Every Word. Every Side-eye. Every Fox.Fleabag: The Scriptures includes the filming scripts and the never-before-seen stage directions from the Golden Globe, Emmy and BAFTA winning series.'Perfect' Guardian'Perfect' Daily Telegraph'Perfect' Stylist'Perfect' Independent'Perfect' Evening Standard'Perfect' Metro'Perfect' Irish Times'Perfect' RTE'Perfect' Spectator'Perfect' Refinery29'Perfect' Catholic Herald'Perfection' Financial Times***HAIRDRESSERNO.(pointing to Claire)That is EXACTLY what she asked for.FLEABAGNo it's not. We want compensation.HAIRDRESSERClaire?CLAIREI've got two important meetings and I look like a pencil.HAIRDRESSERNO. Don't blame me for your bad choices. Hair isn't everything.FLEABAGWow.HAIRDRESSERWhat?FLEABAGHair. Is. Everything. We wish it wasn't so we could actually think about something else occasionally. But it is. It's the difference between a good day and a bad day. We're meant to think that it is a symbol of power, a symbol of fertility, some people are exploited for it and it pays your fucking bills. Hair is everything, Anthony.Trade ReviewOh, Fleabag. The hot priest. The pencil haircut. The closing scene. I don't think there has ever been a show that dominated the pop culture conversation and captured the nation's hearts quite like Fleabag. When it was confirmed that the second season would be the final one, a collective mourning was palpable on Twitter and in offices alike. Fortunately, creator Phoebe Waller-Bridge keeps giving us a little more...And now we have a book to clutch: Fleabag: The Scriptures is filled with the filming scripts, stage directions and new writing from PWB herself. It's a sacred text, if ever there was one. * Red Magazine *Featuring an insight into the show's delightfully funny stage directions and a number of previously unheard set secrets, this collection of scripts and behind-the-scenes notes from Phoebe Waller-Bridge is a must read for fans * The I *There's a good reason television screenplays aren't often sold as mainstream books - "Man enters room, looks around" isn't necessarily soul-capturing stuff. But it's worth making an exception for Phoebe Waller-Bridge's Fleabag: The Scriptures, naughtily bound to look like an old Bible. The show confirmed her skills as a comic actress, but seeing the words in black and white crystallises her brilliance as a writer who can so expertly build the comedy of a scene to bursting point. It's often very moving, too * Evening Standard *It was with scepticism that I picked up this volume . . . Then I read it. Bliss. The scripts are written with such precise technical skill that it is a pleasure and an education to see their workings . . . It's a fun exercise to overlap in your mind the sound, the rhythm of the edit and the performances as you read these scripts, highly controlled though they are . . . Occasionally mumblings can be deciphered, script in hand, and ad-libs that aren't in the script identified. A good study of the moments of genius . . . Perhaps Fleabag is best left to speak for itself. Scripts as Scriptures. Amen * Spectator *

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less