Non-graphic and electronic art forms Books
Duke University Press Media Primitivism
Book SynopsisDelinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.Trade Review“Delinda Collier's Media Primitivism is a remarkable journey into the intellectual development of twentieth-century African art and how art objects themselves resist the categories accorded to them. Theoretically sophisticated and brilliantly argued, Media Primitivism poses a serious challenge to those who like their African art suspended in a primordial past.” -- Steven Nelson, author of * From Cameroon to Paris: Mousgoum Architecture In and Out of Africa *“Media Primitivism is an important book that will resituate both media history and the historiography of African art. Delinda Collier convincingly argues that, from electronic music to world cinema, African technologies are not additions to electricity-based media but function as the very basis of them. The historiography is thrilling, the aesthetic analyses compelling, and the theoretical synthesis at times breathtaking.” -- Laura U. Marks, author of * Hanan al-Cinema: Affections for the Moving Image *“Media Primitivism is a nuanced and singular intellectual project that stands to make an impact across the fields of African art, media studies, and art history. . . . Its most exciting contribution is that it breathes new life into the theoretical possibilities proposed by African art itself.” -- Allison K. Young * African Arts *“Media Primitivism is a compelling book that blends media theory, art history, and African art history in a masterful act of theoretical weaving on the part of its author. . . . Tracing deeper technological histories on the continent . . . proves that the question of Africa (as a place and idea) is not additive to media studies, but a foundational aspect of it.” -- Alexandra M. Thomas * Media-N *Table of ContentsAcknowledgments vii Introduction. African Art History and the Medium Concept 1 1. Film as Light, Film as Indigenous 31 2. Electronic Sound as Trance ad Resonance 61 3. The Song as Private Property 93 4. Artificial Blackness, or Extraction as Abstraction 119 5. "The Earth and the Substratum Are Not Enough" 153 6. The Seed and the Field 183 Afterword 211 Notes 215 Bibliography 237 Index
£28.80
Duke University Press Gods in the Time of Democracy
Book SynopsisKajri Jain examines how the monumental statues erected in India following its economic reforms in the 1990s became a favored religious and political form with which to assert cultural, political, religious, and caste power.Trade Review“Instead of lamenting the lack of a progressive secular spirit, Kajri Jain offers a rich, complex, and thoroughly fascinating account of how religiosity itself is being transformed in contemporary India into a public arena of democratic politics. Combining capitalist ambition with electoral competition, the proliferation of religious statuary brings together sacred texts, technology, automobility, and numerology into a new political aesthetic of monumentalism and spectacle. Jain argues persuasively that aesthetics is constitutive of politics, often in unexpected ways.” -- Partha Chatterjee, Columbia University“Kajri Jain's extraordinary book on monumental statuary cuts across art history and visual culture. Gods and leaders are together framed within what she startlingly calls ‘the aesthetics of democracy.’ Here aesthetics as a redistributive principle generates her premise of emergence: counter-positioning of the oppressed majority, their appropriation of image, material structures, and publics within India's severely stratified society increasingly subject to fascistic Hindutva. The rise of right-wing regimes worldwide will position Jain's brilliant discourse within complex contestations on what is the aesthetics of democracy today.” -- Geeta Kapur, author of * When Was Modernism: Essays on Contemporary Cultural Practice in India *“Gods in the Time of Democracy is a complex and challenging attempt at reframing the discussion around monumental iconography in India and its diaspora.... The book is a valuable contribution to contemporary art history and religious studies.” -- Manasvin Rajagopalan * Reading Religion *Table of ContentsAcknowledgments vii Introduction. Emergence 1 1. Statues and Sculptors 29 2. Democracy 81 3. Iconopraxis 120 4. Cars and Land 181 5. Scale 220 Notes 259 Bibliography 307 Index 323
£80.75
Protea Boekhuis Sculpting the land
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£17.99
University of Toronto Press Seeing Through Closed Eyelids
Book SynopsisCan a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist’s engagement of the body’s multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone’s five-decade career – from his emergence in the context of 1960s Arte povera to his position as a pre-eminent contemporary artist today – Mangini demonstrates how Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. Penone’s approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience.Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process
£20.69
University of Nebraska Press Race Experts
Book SynopsisCharles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race ExpertsLinda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in the Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrovic, she had no background in anthropology or museum exhibits. Nonetheless, the Field Museum commissioned her to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and lay ideaTrade Review"Kim's book, well researched and eloquently presented, is a necessary corrective and intervention on the interwar period, when scientists and cultural anthropologists were theorizing race in new, more complex ways."—K. P. Buick, Choice"Throughout her book, Kim’s analysis of the intersection of 1930s “race experts”—scientists, artists, and lay persons—is rich and insightful and it has relevance for understanding the processes through which race is constructed today. It is worth a close reading."—Dr. Mary Jo Arnoldi, New England Quarterly“Race Experts performs a great service to students of American race and racism, revealing in detail the way that twentieth-century race ideology was produced at the nexus of formal systems of thought, aesthetics, and entertainment culture. . . . Meticulously researched and brilliantly narrated, the story Kim tells of the history of race stubbornly asserts itself as contemporary critique. Along the way, Kim makes plain the significant role that world’s fairs and international expositions have played in the staging of race and making of modernity.”—Tracey Jean Boisseau, associate professor of women’s, gender, and sexuality studies at Purdue University and author of White Queen: The Imperial Origins of American Feminist Identity “Innovative and well-documented. . . . Kim deftly explores such important questions as the agency of the artist and her models, scientific ideas of race, and the viewing public’s racialism. It is an ambitious argument in the best sense.”—Alice L. Conklin, Distinguished University Scholar and professor of history at Ohio State University “The question of how and why scientific expertise fails to dislodge popular, antithetical views is very important. Linda Kim’s argument that art served as a mediator is an interesting and original approach to the issue of how scientific knowledge is represented to the public and the vexed relationship between the two. This interdisciplinary work will likely attract readers in many fields, including art history, anthropology, history, and museum studies.”—Julia E. Liss, professor of history at Scripps CollegeTable of ContentsList of Illustrations Series Editors’ Introduction Acknowledgments Introduction Chapter One. Racial Know-How: Expertise versus Common Sense Chapter Two. Mediations: Art in the Natural History Museum Chapter Three. Racial Portraiture: Between Typologies and Common Sense Chapter Four. Racial Homelands: Popular Geography and Local Races Chapter Five. Micro-Expertise: Passing for Indian, Passing for White Conclusion Notes Bibliography Index
£28.80
University of Minnesota Press Hard Bodies: Contemporary Japanese Lacquer
Book SynopsisSince the Neolithic era, artisans in East Asia have coated bowls, cups, boxes, baskets, and other utilitarian objects with a natural polymer distilled from the sap of the Rhus verniciflua, known as the lacquer tree. Lacquerware was, and still is, prized for its sheen—a lustrous beauty that artists learned to accentuate over the centuries with inlaid gold, silver, mother-of-pearl, and other precious materials.This tradition has undergone challenges over the past thirty years. A small but enterprising circle of lacquer artists has pushed the medium in entirely new and dynamic directions by creating large-scale sculptures—works that are both conceptually innovative and superbly exploitive of lacquer’s natural virtues. Featuring thirty works by sixteen artists, this handsome publication details the first-ever exhibition of contemporary Japanese lacquer sculpture in the United States, shown at the Minneapolis Institute of Art.
£752.31
University of Minnesota Press Inside the Spiral: The Passions of Robert
Book SynopsisAn expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp.While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family’s history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ’s passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene.Featuring copious illustrations never before published of early work that eluded Smithson’s destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water.Trade Review "Only someone who has immersed themselves in the life and art of Robert Smithson for forty years could have written a biography as deep and engaging as Inside the Spiral. Suzaan Boettger illuminates the artist’s religious thought, examines the complexities of his gender identity, and takes a psychoanalytic lens to his sources and esoteric symbolism, bringing coherence to our understanding of this remarkably complicated artist, his body of work, and his writings. A monumental achievement."—Jonathan Fineberg, University of the Arts, author of Modern Art at the Border of Mind and Brain "Suzaan Boettger’s long-awaited Inside the Spiral: The Passions of Robert Smithson is the first biography of this 'enantiomorphic' artist, whose oeuvre encompassed geological and sacred time alongside the moment of the snapshot, the 'dematerialized' theorizing and mapping of the non-site alongside the absolute site-specificity—viewable from outer space—of the Great Salt Lake. Boettger reveals fascinating and hitherto unexplored aspects of Smithson’s earliest formation, including his status as a 'replacement child' for a dead older brother, while her fearless exploration of the artist’s Christological bent, his hermeticism, and his difficult navigation of sexuality yields nuanced psychological insight. Unburdened by academic jargon, the work is supported by extensive reference to Smithson’s writings, notes, interviews, library, and other records, of which Boettger has long been recognized as the foremost scholar."—Judith Rodenbeck, University of California, Riverside "This book sheds important new light on Robert Smithson. Meticulously researched and wide-ranging in scope, it explores the intricate connections between Smithson’s personal history and his art. While revealing a great deal of new information about Smithson’s life and psychology, Suzaan Boettger also engages with his art in a focused and detailed way and writes about individual works with great perceptiveness. Readers will come away from this book with a fresh and enlarged understanding of Smithson’s life and art."—Jack Flam, editor of Robert Smithson: The Collected Writings"[An] extensive biography of an artist I have stood by for some fifty years which is impossible not to consider definitive, particularly in its investigation of the artist’s unconscious as well as conscious motives."—Joseph Masheck, The Brooklyn Rail "That his art appears larger after reading Inside the Spiral is as much credit to his own capacious imagination as it is to Boettger’s ingenious attempts to contain it."—Artforum"Inside the Spiral is one of the most informative and well written biographies I have ever had the pleasure of reading. To use the American vernacular, Suzaan Boettger can write like 'hot-damn'!" —Robert Maddox-Harle, Leonardo Reviews
£26.99
Manchester University Press Grown but Not Made: British Modernist Sculpture
Book SynopsisWhat does it mean for a sculpture to be described as ‘organic’ or a diagram of ‘morphological forces’? These were questions that preoccupied Modernist sculptors and critics in Britain as they wrestled with the artistic implications of biological discovery during the 1930s. In this lucid and thought-provoking book, Edward Juler provides the first detailed critical history of British Modernist sculpture’s interaction with modern biology. Discussing the significant influence of biologists and scientific philosophers such as D’Arcy Wentworth Thompson, Julian Huxley, J. S. Haldane and Alfred North Whitehead on interwar Modernist practice, this book provides radical new interpretations of the work of key British Modernist artists and critics, including Henry Moore, Barbara Hepworth, Paul Nash and Herbert Read. Innovative and interdisciplinary, this pioneering book will appeal to students of art history and the history of science as well as anyone interested in the complex, interweaving histories of art and science in the twentieth century.Trade Review‘This thought-provoking and original study reveals the ways in which scientific discussions in biology informed conceptions of sculptural form in 1930s Britain. It enables us to see the organic and nature-inspired configurations of modern sculpture with fresh eyes, as life forces played out in space and time. Analysing in detail the broader cultural context of the production of form in nature in this period, Juler provides close readings of key concepts in biological thinking and practice, such as morphology, embryology, organicism and microphotography, showing their crucial impact on artistic and cultural discourse.’ Julia Kelly, Loughborough University‘In Grown But Not Made: British Modernist Sculpture and the New Biology, Juler […] truly captures the exciting cultural crosspollination at work in 1930s Great Britain, connecting, for example, the extraordinarily talented creator and editor of the avant-garde journal Axis Myfanwy Piper, Neo-Constructivism, and the biologistic mindset cultivated in H. G. Wells and Julian Huxley’s collaboratively written book of 1938, The Science of Life—a nexus of forces which materialized in the beautiful garden suburb of London that is Hampstead […] Juler’s book is all about loving science, at least in the popular realm, and its coexistence and mixing with art during the 1930s. His is what Bloom called “a profound act of reading that is a kind of falling in love with a literary work.’Charissa N. Terranova, Athenaeum Review, Issue 1 (Fall 2018)‘The sinuous organic forms in the sculpture of Barbara Hepworth, Henry Moore and others are often tied to vague conceptions of Biology; however, few have embarked on the subject with the level of scienti?c speci?city that Edward Juler does in his book Grown But Not Made […] Through the author’s con?dent explanations of the scienti?c factions at play – something of a rarity in art historical accounts of bio-centricity – he weaves a comprehensive picture of the biological foundations that underpin the conceptual frameworks of artists and critics in the interwar period.’Rachel Stratton, Sculpture Journal, Vol. 27, No. 3 (2018) -- .Table of ContentsIntroduction1. Bridging the two cultures: relations between art and science in the 1930s2. Metamorphosis3. Organismal composition4. The morphology of art5. Worlds beneath the microscopeBibliographyIndex
£20.99
University of Massachusetts Press The Dance of the Comedians: The People, the
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£31.55
Fox Chapel Publishing Carving the Caricature Carvers of America Circus:
Book SynopsisHave fun, practice your skills, and create your own colorful and bright circus from wood with the advice from the Caricature Carvers of American (CCA). A must-own for anyone who loves woodcarving, here is a unique collaboration from some of the biggest names in artistic caricature woodcarving. CCA is a community of artists who want to promote caricature carving as an artform. The group wants to inspire others and encourage people to craft their own stunning, carved caricatures. Here are useful carving tips right from the experts. The stars of the CCA give you an inside look into the creation of their favorite works, taking you through the projects from start to finish. You'll see how these top artists created beautiful, circus-themed carvings such as comedic clowns, agile acrobats, tremendous tigers, and more. Woodcarvers of all skill levels can try their hand at replicating the gorgeous artistry here by following the detailed patterns included in the pages. Patterns are easy to follow with all the instructions you need to make fabulous, cartoon-like designs. Beginners can nurture their passion for the hobby and gain lots of inspiration while experienced woodworkers are sure to benefit from the ideas and advice provided by well-known carvers. Regardless of your current carving level, you will certainly be amazed by the talents and skills detailed here.
£16.96
Fox Chapel Publishing Carving Deer: Patterns and Reference for
Book SynopsisJoin award-winning woodcarver Desiree Hajny as she reveals her artistic approach to carving majestic white-tailed deer. Desiree is well known for her lifelike, richly detailed animal carvings. Now she shares her knowledge and carving secrets with you in this handy reference guide.Celebrate the natural beauty of wild deer as you create your own magnificent woodcarvings. Inside you’ll find ready-to-use carving patterns for making beautifully realistic bucks, does, and fawns. Clear reference photos provide inspiring views of deer from all angles, and color-coded anatomy sketches help you to understand how they move. The author offers expert tips for carving challenging details like eyes, nose, and mouth, along with texturing, painting, and finishing techniques.
£8.99
The Monacelli Press Midnight Moment
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£31.96
Metropolitan Museum of Art Hector Zamora: Lattice Detour: The Roof Garden
Book SynopsisFeatures new analysis of Héctor Zamora’s oeuvre alongside a discussion of his topical, site-specific work created for the 2020 Roof Garden Commission at The Met The work of Mexican artist Héctor Zamora engages with urban or built environments, both disrupting and rearticulating the viewer’s interaction with the site. Lattice Detour, his most recent intervention, commissioned by The Met for its Iris and B. Gerald Cantor Roof Garden, is fabricated from terracotta bricks produced in Mexico and transported to New York. This compact volume, the first book in English on Zamora, presents images and analysis of the new artwork, setting its creation in the context of his past work. An interview with Zamora sheds further light on his formation as an artist, his process, and his inspirations.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (August 29–December 7, 2020)
£9.43
Metropolitan Museum of Art How to Read Greek Sculpture
Book SynopsisFeaturing decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met’s compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900–700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323–31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization.Published by The Metropolitan Museum of Art/Distributed by Yale University Press
£18.95
Metropolitan Museum of Art Charles Ray: Figure Ground
Book SynopsisThis career-spanning publication features conceptual, political, formal, and technical perspectives on the work of contemporary sculptor Charles Ray For Charles Ray (born 1953), sculpture is a way of thinking that informs his work across a wide range of media—from gelatin silver prints to porcelain, fiberglass, wood, and steel. Charles Ray: Figure Ground spans the whole of the artist’s fifty-year career, from his early photographs and performances through his intriguing, often unsettling sculptures, some of which are published here for the first time. The essays foreground Ray’s engagement with preexisting traditions, as well as charged issues around race, gender, and sexuality (notably expressed through his explorations of Mark Twain’s 1884 novel Adventures of Huckleberry Finn) and investigate the modalities of touch that run through his work. In addition, a reflection by Ray himself and a conversation between the artist and Hal Foster offer further insights into his multifaceted practice. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (January 31–June 5, 2022)Trade Review“The exhibition catalog contains useful essays by the show’s two main curators, Kelly Baum and Brinda Kumar, and a lively conversation between Ray and the critic Hal Foster that shows off the artist’s intelligence and sense of humor.”—David Salle, New York Review of Books
£19.00
Metropolitan Museum of Art Fictions of Emancipation: Carpeaux's Why Born
Book SynopsisA critical reexamination of Carpeaux’s bust Why Born Enslaved! and other nineteenth-century antislavery images—this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux’s iconic bust Why Born Enslaved! unpacks the sculpture’s complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux’s contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10, 2022–March 5, 2023)
£19.00
Cambria Press Ritual and Representation in Chinese Buddhism:
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£75.04
Getty Trust Publications Making Art Concrete - Works from Argentina and
Book SynopsisIn the years after World War II, artists in Argentinaand Brazil experimented with geo- metric abstractionand engaged in lively debates about the role of theartwork in society. Some of these artists used novelsynthetic materials, creating objects that offered analternative to established traditions in painting-proposing that these objects become part ofeveryday, concrete reality. Combining art historicaland scientific analysis, experts from the GettyConservation Institute and Getty Research Instituteare collaborating with the Coleccio n Patricia Phelpsde Cisneros, a world-renowned collection of LatinAmerican art, to research the formal strategies andmaterial decisions of these artists working in theconcrete and neo-concrete vein.Making Art Concrete presents works by Lygia Clark,Willys de Castro, Judith Lauand, Rau l Lozza, Toma sMaldonado, He lio Oiticica, and Rhod Rothfuss, amongothers with new spectacular photography. Thephotographs, along with information about the now-invisible processes that determine the appearance ofthese works, are key to interpreting the artists' technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.
£16.99
Getty Trust Publications The Conservation of Medieval Polychrome Wood
Book SynopsisMedieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself-the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
£54.00
Brown Books Publishing Group My Silver Lining: Healing Through Art
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£42.46
Museum of Modern Art Robert Rauschenberg
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£46.75
Distributed Art Publishers Sarah Oppenheimer: Sensitive Machine
Book SynopsisHow Oppenheimer’s complex artworks break down barriers between art, audience and architecture This publication documents the four interactive artworks by New York–based artist Sarah Oppenheimer (born 1972) created for the Wellin Museum of Art at Hamilton College in the context of her greater artistic oeuvre. Printed in five color with foil stamping, with striking reproductions and contributions by Tracy L. Adler, Suzanne Keen, Sarah Oppenheimer and Seph Rodney, the book explores the artist’s multifaceted approach to empathy, agency, audience and cocreation, among many other themes in her work. Oppenheimer considers the space of the museum as a site of experimentation, where visitors experience the curiosity and joy of transforming the artworks themselves. In Oppenheimer’s words, “You have to enter the temporal network in order for the work to exist.”
£38.69
Distributed Art Publishers Sarah Sze: Fallen Sky
Book SynopsisCommemorating Sarah Sze’s new permanent site-specific commission at Storm King Art Center Published to contextualize Sarah Sze’s (born 1969) outdoor work Fallen Sky and the accompanying installation Fifth Season at Storm King Art Center, this book includes an overview of the work in relation to Sze's larger practice. Also included is a discussion between Sze and artist Katharina Grosse to discuss Fallen Sky and thematic parallels in their respective work. Eight contributing authors from across disciplines of fiction, poetry, art history and cultural criticism contribute creative pieces in response to Sze’s work. The publication also includes photographs of Fallen Sky taken over the course of a full year, capturing the dynamic seasonality of the artwork and the context of Storm King’s environment. Installation photography illustrates Fallen Sky’s ability to reflect movement and to depict how the landscape behaves and changes over time, the work’s appearance shifting continuously depending on the season, time of day and weather.Trade ReviewBrings together voices of poets, writers, and artists to muse on Sarah Sze’s enchanting sculpture comprising what appear as droplets of mirrored glass. I was struck by the informative reflections on Sze’s work and this particular sculpture. -- Lakshmi Amin * Hyperallergic *
£35.69
Distributed Art Publishers Brian Jungen: Couch Monster: Sadzěʔ yaaghehch’ill
Book SynopsisEveryday objects transformed into an extraordinary elephant sculpture Over the past two decades, British Columbia–based Indigenous artist Brian Jungen (born 1970) has become internationally recognized for his imaginative body of sculpture using repurposed material. This book takes a deep dive into his process and influences in the creation of a monumental elephant sculpture made out of couches—the first-ever public art commission at the Art Gallery of Ontario. Generously illustrated, the book offers a significant visual record from early sketches and ideas through to production, transportation and installation. It details Jungen’s deep material explorations which highlight a long history of inequality, a concern for the environment and a profound commitment to Indigenous ways of knowing and making. A timeline from Henry Moore's public sculpture The Archer to Couch Monster sets Jungen’s career in context, and an interview between AGO Chief Curator Julian Cox and Jungen looks at the development of the project.
£25.50
Distributed Art Publishers Sheila Hicks Radical Vertical Inquiries
Book SynopsisA unique book embracing the verticality of Sheila Hicks' workFor decades, Sheila Hicks has engaged with color, texture and verticality, using textiles as her medium of choice. Her unique approach is informed by her interest in architecture, space, historical weaving traditions and innovations in fiber technology. This new bilingual publication (English and French) focuses on her cascading multicolored columns. Building on her earlier work and occupation with verticality, the columns have extended to new and spectacular settings, notably outdoors, refusing any traditional limitations, adapting to various environments, from the Art Gallery of New South Wales to the rocky hills of the French countryside and medieval castles.Hicks' work has always been published in innovative formats, a result of her creative collaborations with designers. The book reflects the verticality that is crucial to Hicks' towering fiber structures. It features stunning reproductions
£36.00
David Zwirner Kandis Williams
Book SynopsisWilliams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond. Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the choreographer Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. — About Clarion Series The Clarion series of illustrated publications is positioned as an extension of each exhibition at the groundbreaking gallery space 52 Walker, curated by Ebony L. Haynes. The program focuses on showcasing conceptual and research-based artists from a range of backgrounds and at various stages in their careers. The series title is derived from the Clarion Science Fiction and Fantasy Writers’ Workshop, the oldest of its kind, at the University of California, San Diego. Octavia Butler attended this workshop in the 1970s. Both she and her work have been extremely influential in many cadres of Black culture and subculture. With a sleek design influenced by encyclopedias, each publication will feature color reproductions of the works on view, alongside an introduction by Haynes, commissioned essays, artist texts, archival material, and more.
£20.00
David Zwirner Nate Lowman
Book SynopsisA stunning, focused document of Nate Lowman’s work from the past four years. ---------- "Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber." - BOMB Magazine ----------- With an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter. Spotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for The Brooklyn Rail, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.
£48.75
Rare Bird Books Shadows of Love, Shadows of Loneliness: Volume
Book SynopsisIn this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing.The celebrated author of over twenty-five books (among them the National Book Award-wining novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann’s career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann’s equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist’s deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms.Shadows of Love, Shadows of Loneliness includes Kodachrome slides of Afghan Mujahideen from 1982; a handmade watercolor sketchbook from Subarctic Canada, complete with inscriptions to Vollmann from local Inuit teenagers; gum bichromate prints of American landscapes from Maui to Mount Desert Island; silver gelatin portfolios of insurgents, refugees, prostitutes, police, and criminals all over the world; photogenic drawings of Tahitian women; transgender self-portraits of “Dolores”; Bible woodblock prints in which God and everyone else is female; acrylic paintings of California landscapes; cyanotypes, platinotypes, salt prints, and gold-toned Vandykes, to name just a few.Complementing these selections is a series of essays commissioned especially for this book to lay out Vollmann’s views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.Trade Review"He is the maximalist’s maximalist, a PEZ dispenser of career-capping megavolumes. His books are less straight novels or stories or histories than genre-obliterating monuments to his obsessions: sex, love, violence, justice, gonzo travel, and (most notoriously) prostitution. (‘We’re a culture of prostitutes,’ he once told an interviewer.) He is both outlandishly bookish and hellaciously worldly: a haunter of archives but also a one-man literary Peace Corps."—Sam Anderson, NY Magazine"And the suggestion that he could win the Nobel Prize is not at all outlandish, for Vollmann may be the most ambitious, audacious writer working in America today."—Alex Nazaryan, Newsweek"Vollmann is a writer of considerable talent, with an encyclopedic urge to document overheard conversations, bar-stool autobiographies, lumpen manifestoes and mad soliloquies, and an itch to tell the story of the world and its people in unprecedented ways."—Laura Miller, The New York Times"Bill is such a unique and interesting writer that it’s always fascinating to have a look at something he’s done...his enormous range, his intellect, his deep hunger for fully researching a story and telling it from many different sides."—Paul Slovak, Vulture"It has always seemed that Vollmann is a writer not of this time or place. So mysterious are his motivations, so sweeping are his interests, so prodigious is his production, so vastly different is the thing he does from the thing everyone else does that he may actually be a visitor from another dimension come to report comprehensively back to his home planet."—Mark Warren, Esquire"An uncompromising visionary drawn to equally uncompromising material...though he has mellowed as a man, his subject matter has, if anything, grown even more confrontational."—Tom Bissell, The New Republic
£35.69
Bellwether Media Christ the Redeemer
Book Synopsis
£12.34
Marquand Books Inc Collidoscope de la Torre Brothers
Book SynopsisThe prismatic work of the famed Mexican-American brothers merges religious iconography and German Expressionism with Mexican vernacular arts and pre-Columbian artThis zestful publication showcases the Mexican de la Torre brothers'Einar (born 1963) and Jamex (born 1960)particular vision of the Latino experience and American culture. Wielding a combination of humor and critical earnestness, the brothers continuously explore this vision through their mixed media works in a chameleonic-kaleidoscopic process that culminates in a palimpsest of images and meanings.Published in conjunction with the traveling exhibition, Collidoscope advances the scholarship concerning Chicana/o/x and Latina/o/x artists in an effort to challenge the art historical record, asserting that Chicano art is American art.
£42.40
University of Arkansas Press The Sculpture of Robyn Horn
Book SynopsisIn Robyn Horn's thirty years as a wood sculptor, her work has evolved from small, lathe-turned objects to ten-foot-high redwood compositions like her Already Set in Motion #1170, which graces a garden at the Crystal Bridges Museum of American Art. In creating these forms that rise from the earth at improbable angles, Horn's primary tool is the chainsaw, and yet a tenderness for her medium reveals itself in the delicate balance of planes that allows her sculptures to both loom and flow, visually indicating that they are precarious when in fact they are sturdy. The essays and images in The Sculpture of Robyn Horn sketch the industrious career of this Little Rock, Arkansas-based sculptor, illuminating her attention to geometry, physics, and the philosophy of design, and exploring the context and origin of the various series—Geodes, Millstones, Standing Stones, and Slipping Stones, among others—that characterize her body of work.Trade ReviewSurely, it's a testament to our time that a lady hefting a chainsaw now feels like a very natural thing, and in fact somehow does not seem out of harmony with a strangely sensitive side to these works their attention to the organic and to the properties of natural life and growth. But,whether it's the cutting that goes against the grain or with the grain, in both cases we feel we're attuned not to something weak and demure, but to a powerful force-a force to be reckoned with." - Henry Adams, Case Western Reserve University, in Defiance of Gravity
£52.50
Bucknell University Press,U.S. Screen Time: Photography and Video Art in the
Book SynopsisPublished on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices—art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan. Published by Bucknell University Press for the Samek Art Museum. Distributed worldwide by Rutgers University Press. Table of ContentsCollectors’ Statement Curating Screen Time Richard Rinehart Flipping the Script Phillip Prodger Screen Time: Photography and Video Art in the Internet Age Further Reading About the Curators
£17.99
Brandeis University Press Ducks on Parade!
Book SynopsisInspired by Robert McCloskey‘s beloved children’s book of the same name, the iconic bronze Make Way for Ducklings sculpture in Boston’s Public Garden has come to serve as something of a record of the recent decades of life in the city itself. In a series of delightful photographs taken by members of the public, Ducks on Parade! chronicles many of the original, moving, humorous, and startling outfits that artistic Bostonians have dressed the ducks in. From summer hats to winter scarves, from the Women’s March to Black Lives Matter, the ducks reflect the life of the city and our country. Featuring a text by sculptor Nancy Schön, this book is a tribute to all Bostonians whose creativity and generosity have made this constant collaborative art possible. More than this, it is a revealing look at the lasting power of public art and how viewers can also be participants. Ducks on Parade! is perfect for whimsical readers of any age. Trade Review“Few works of art hold such a special place in so many hearts as Schön’s Make Way for Ducklings sculpture in Boston’s Public Garden. This tribute to one of the greatest American children’s books has become one of our city’s most iconic landmarks. Soon after Mrs. Mallard and her eight ducklings made their home there in 1987 they took on lives of their own. The people of Boston didn’t just admire the new sculpture, they embraced it with open arms. People started adorning the ducks with holiday decorations and symbols of Boston pride. A new Boston tradition took off, and it’s here to stay.” -- Martin J. Walsh, Mayor of Boston"Over the years, the iconic “Make Way for Ducklings” sculpture in the Public Garden, with its ever-changing array of topical attire, has come to represent an evolving Boston through the lens of current events, and [Ducks on Parade!] explores this local phenomenon using images of the Ducks donning some of their most memorable costumes." * Beacon Hill Times *"The simplicity and beauty of this book belie its importance. The photographs are a testament to the power of public art. Public art can connect, it can touch and sometimes maybe influence. Perhaps the ducklings help us look at the world differently." * MetroWest Daily News *"At age 92, Schön put together her own book. . . . it's a photographic journey of the ducks dressed in uniforms of Boston's sports teams when they are in the playoffs, COVID-19 face masks, and lace collars to honor the late Supreme Court Justice Ruth Bader Ginsburg." * AAA Explorer *Table of ContentsForeword, Introduction, Four Seasons of Ducks, Ducks with a Message, About the Public Gardens, Acknowledgments
£12.00
Lerner Publishing Group Washed Ashore: Making Art from Ocean Plastic
Book Synopsis
£17.99
Artisan Ideas Antler Knife: Making a Sami-Style Knife Handle
Book Synopsis
£18.99
Dancing Foxes Press Jeanine Oleson: Conduct Matters
Book SynopsisBrooklyn-based interdisciplinary artist Jeanine Oleson (born 1974) created a 2017 exhibition at the Hammer Museum in Los Angeles, presenting her ongoing sharply absurdist response to research on the ways copper is produced and used in 21st-century capitalism.Through a video installation, objects and a performance including a copper-based instrument that reacted to human touch and a handwoven rug based on perspectives visible in three-dimensional modeling the exhibition focused on the confused entwinement of the human into contemporary material, as well as the relation with representation and art when these activities are now, more often than not, mediated through the digital for which copper is an essential material component. With humor, pathos and intellectual rigor, Oleson explores issues of labor, the environment, craft and performance.Conduct Matters features an introduction by Connie Butler, chief curator at the Hammer Museum, and texts by cultural historian Jaleh Mansoor and legal scholar K-Sue Park, along with the full script of Oleson's video.
£18.00
Dancing Foxes Press Liz Larner: Don’t Put It Back Like It Was
Book SynopsisA long-overdue appreciation of the influential sculpture of Liz Larner and its radically adventurous formal and conceptual vocabulary Los Angeles–based sculptor and installation artist Liz Larner (born 1960) was originally a photographer: in some of her earliest projects, she documented the volatility of bacterial cultures in petri dishes. However, she soon realized that she was more compelled by the dishes themselves and how they presented questions about what an art object can entail. Since then, she has continued to pursue her interest in formal unpredictability through a focus on sculpture and architectural space. Composed of a diverse variety of materials, her sculptures frequently function as optical illusions that seem to bend the space around them. Sometimes rigidly technical in their geometry and at other times soft-edged and amorphous, Larner’s sculptures are striking both for their fluctuation of form and for their representation of spatial politics. Repositioning her enduring formal and material concerns alongside her relationship to a feminist sculptural position, this monograph offers an opportunity to consider Larner’s artistic project within today’s expanded discourses of embodiment, gender and posthumanism, and to recalibrate our understanding of it in relation to male-dominated Postminimalism and installation art, which have often underpinned Larner’s critical reception. Poet Ariana Reines, cultural critic and theorist Catherine Liu, and curators Connie Butler and Mary Ceruti consider the physical properties and sociopolitical implications of the materials present in Larner’s work, which range from ceramic to steel chain to surgical gauze to human hair.
£23.80
Pacific Isabelle Albuquerque: Orgy for Ten People in One
Book SynopsisAluquerque's expressive sculptural self-portraits are freighted with eroticism, mythology and posthumanism This volume documents a new series of sculptures by Los Angeles–based artist Isabelle Albuquerque (born 1981), presented as a complete set of 10 for the first time in an exhibition at Jeffrey Deitch in 2022–23. These works, an expressive and erotic form of self-portraiture based on the artist’s own body, rendered in materials ranging from fur, bronze and walnut to resin and rubber (with found materials such as a candle or a saxophone), combine intimate memories with history, mythology and posthumanist and feminist theories. Each chapter of Orgy for Ten People in One Body corresponds to one of the 10 sculptures with a palimpsest of reference images, process photos and installation views. The publication includes two conversations with Albuquerque, with Arthur Jafa and with Miranda July.
£50.40
NewSouth Publishing Running the City: Why public art matters
Book SynopsisLeading Australian curator Felicity Fenner profiles activity-based and pop-up contemporary public art projects from Australia and around the globe. Running the City explores art projects that bring together diverse disciplines and cultures – including running, cycling, architecture and guerilla gardening.From runners taking to the streets of Sydney’s CBD in Runscape to Work No. 850 where athletes sprinted through the corridors of Tate Britain, the book surveys recent art projects that utilise the city both as subject matter and a site for art. Participatory, temporary and permanent community-driven art projects reveal how public space can be activated in ways that are original, subversive, fun and unexpected. The theme of running – both in the context of athleticism and agency – underscores the artworks here. More than just site-specific public art, the art projects examined in Running the City change the way we think about and inhabit our cities.Sales Points The popularity of events such as Vivid and the Biennale show how much public art and participatory art is enjoyed by the community. It is an engaging account that will appeal to the art and design community as well as anyone interested in how our urban spaces are planned. Felicity Fenner is a well-respected and high-profile Australian curator. Foreword from City of Sydney Lord Mayor, Clover Moore.
£25.16
Douglas & McIntyre Sculpture in Canada: A History
Book SynopsisFound in public spaces and parks, art galleries and university buildings, along riverbanks as well as in city squares, private gardens and even underwater, Canadian sculpture encompasses a range of materials and styles from traditional bone and bronze to postmodern multimedia installations. As this book demonstrates, artistic intentions among the nation''s sculptors, whether political, social, theoretical or aesthetic, are as diverse as Canada itself. The distinguished cultural historian Maria Tippett begins this richly illustrated study of Canadian sculpture in 13,000 BCE by examining a handcrafted shard found in the Bluefish Caves of the Yukon and proceeds to consider Inuit and First Nations sculptural practices alongside those of Euro-Canadians. Dr. Tippett begins with traditional forms such as totem poles and liturgical carvings before moving along to the landmark EXPO 67 exhibition and other significant events, concluding with the postmodern artists who, with "a relentless striving for the new" work within new technological realms such as 3D modelling and virtual reality spaces. Dr. Tippett''s survey evinces an avid interest in the logistics of sculpture, exploring the ways in which the medium demands more space, time, money and material to produce and exhibit than disciplines like drawing and painting. The result is that in Canadian sculpture, more than in other artistic practices, complex social, economic and cultural forces have interacted with the pure inspiration of artists in their studios.Sculpture in Canada is a groundbreaking work that will have a profound impact in introducing readers to the underappreciated wealth of this most public of Canadian arts.
£27.54
Birlinn General Little Sparta: A Guide to the Garden of Ian
Book SynopsisIan Hamilton Finlay's garden in the Pentland Hills near Edinburgh is widely regarded as one of the most significant gardens in Britain. In addition to being a spectacular example of garden design, it also features almost 300 artworks by Finlay and others which form an integral part of the garden scheme. This new companion to Little Sparta tells the story of Ian Hamilton Finlay's extraordinary creation, exploring the underlying themes, and introducing and explaining the significance of the main elements and artworks in each part of the garden. Featuring new photography, as well as archive material, it also shows how the garden has matured and developed over the last 50 years.Trade Review'The only really original garden made in this country since 1945' Sir Roy Strong 'One of the wonders of twentieth-century art' -- James Campbell * Guardian *‘Of note is the classy design and layout of the entire book. One cannot help thinking that had Hamilton Finlay been here, he would have been very proud of the end result. A book to treasure indeed, and I cannot imagine anyone who sets eyes on it being able to resist a visit to Little Sparta' -- Polly Pullar * Scots Magazine *'Jessie Sheeler's new guidebook, illustrated with Robin Gillanders' atmospheric photographs, does a lucid and erudite job of breaking all this down; an essential companion for anyone planning to visit one of Scotland’s greatest art treasures' – -- Roger Cox * Scotsman *
£18.00
Bloomsbury Publishing PLC Touching and Imagining: An Introduction to
Book SynopsisJan Svankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after repeated censorship by the communist governmnent of Czechoslovakia. Illustrated with over 100 imges, this book is organised around many reproductions of Svanmajker's wondrous tactile art objects, tactile poems, experiments and games. It includes dialogues with, and artworks by, other collaborating artists from the Group of Czech and Slovak Surrealists. Svankmajer also gathers together as contributors such notable exponents of tactical experience as Edgar Allan Poe, Guillaume Appollinaire, Salvador Dali, Marcel Duchamp, Meret Oppenheim, Edith Clifford Williams, Ay-O, Valie Export, F.T. Marinetti and Karel Teige.Trade Review'It is typically vankmajer: erudite and very consequential. Sometimes also very funny and erotic. Totally unique and a brilliant example of how Czech intellectuals and artists were capable despite total isolation and censorship under Communism of discovering cosmopolitan islands of knowledge where you would least expect them.' Michael Havas, Czech documentary film producer/directorTable of ContentsList of Illustrations Acknowledgements Translator's Note Editor's Preface Introduction to the English Language Edition Tactilism Touch 1. Introduction 2. Between Utilitarianism and Imagination 3. Restorer 4. Sources of Tactile Imagination 5. Short Anthology of Tactile Art 6. Inside Afterword: Tactilism Reviewed Notes Bibliography Index
£22.99
Rowman & Littlefield International The Spatial Politics of the Sculptural: Art,
Book SynopsisSpace is a formative factor in the production of sculpture. Phenomenological thought interprets sculptural work in relation to the immersive experience of the viewer, situating it within its environment. But what possibilities lie beyond this unitary position? What is the political potential of a sculptural object? How can its spatial relations and movements be reconfigured beyond its immediate environment? Spatial Politics of the Sculptural investigates the concept of space and its role in the production of the sculptural form from a multidimensional perspective. Engaging with the work of Krauss, Fried, Merleau-Pony, Deleuze and Guattari, and using case studies of urban development in Paris, New York and Seoul it reinterprets and dislocates the sculptural form in terms of the political dynamism of space proposing a new methodology for reading, producing and expanding sculptural practice. Drawing on David Harvey’s theory of capital, it scrutinizes the idea of the spatial in the process of urbanization. It examines the interrelationship between capital flow and accumulation, and explores the production and destruction of space in relation to the creation of three-dimensional works of art. In doing so, it expands the idea of the sculptural object in relation to the urban environment.Trade ReviewSpanning from Henri Lefebvre's critique of capitalist urbanism to the post-1970s redevelopment of Seoul, and a sample of major projects for art in urban spaces since then, this book offers a useful extension of the literature on art's function in, and potential challenge to, urban change today. It will be of relevance equally to debates in the West as to those in East Asia. -- Malcolm Miles, Professor of Cultural Theory, Plymouth UniversityTable of ContentsIntroduction / 1. Situating the Sculptural /2. The Political Dynamism of Space / 3. Installation and Spatial Politics / 4. Reshaping Urban Space: The Production of Space and the Logic of Capital / 5. Thinking Sculpturally through Urban Transformation / Conclusion / Bibliography / Index
£112.50
Rowman & Littlefield International The Spatial Politics of the Sculptural: Art,
Book SynopsisSpace is a formative factor in the production of sculpture. Phenomenological thought interprets sculptural work in relation to the immersive experience of the viewer, situating it within its environment. But what possibilities lie beyond this unitary position? What is the political potential of a sculptural object? How can its spatial relations and movements be reconfigured beyond its immediate environment? Spatial Politics of the Sculptural investigates the concept of space and its role in the production of the sculptural form from a multidimensional perspective. Engaging with the work of Krauss, Fried, Merleau-Pony, Deleuze and Guattari, and using case studies of urban development in Paris, New York and Seoul it reinterprets and dislocates the sculptural form in terms of the political dynamism of space proposing a new methodology for reading, producing and expanding sculptural practice. Drawing on David Harvey’s theory of capital, it scrutinizes the idea of the spatial in the process of urbanization. It examines the interrelationship between capital flow and accumulation, and explores the production and destruction of space in relation to the creation of three-dimensional works of art. In doing so, it expands the idea of the sculptural object in relation to the urban environment.Trade ReviewSpanning from Henri Lefebvre's critique of capitalist urbanism to the post-1970s redevelopment of Seoul, and a sample of major projects for art in urban spaces since then, this book offers a useful extension of the literature on art's function in, and potential challenge to, urban change today. It will be of relevance equally to debates in the West as to those in East Asia. -- Malcolm Miles, Professor of Cultural Theory, Plymouth UniversityTable of ContentsIntroduction / 1. Situating the Sculptural /2. The Political Dynamism of Space / 3. Installation and Spatial Politics / 4. Reshaping Urban Space: The Production of Space and the Logic of Capital / 5. Thinking Sculpturally through Urban Transformation / Conclusion / Bibliography / Index
£39.90
Anthem Press Artists Activating Sustainability: The Oregon
Book SynopsisArtists Activating Sustainability: the Oregon Story examines the way in which the artists within specific communities, against the background of landscape and history, reveal concepts of sustainability that help us broaden our knowledge of what is needed to create a sustainable world.Trade ReviewSellers-Young has provided an insightful text into the specific relationships between places and practices. By looking into the deep history of how the bioregions of Oregon developed geologically, in relationship to human cultures which have called them home, and up to the present-day work of contemporary arts engaged with the strata of these histories, this book highlights how these specific entanglements shape the way artists work and the way art works on society —Ian Garrett, Associate Professor, Department of Theatre and Performance, School of the Arts, Media, Performance & DesignYork University, Canada.Barbara Sellers-Young’s timely, elegant and detailed portrait of the artistic soul of the place we now call Oregon attests to the generative, sustaining power of artistic practice in diverse communities. Like the waterways that nourish the rich ecological diversity of the region, Artists Activating Sustainability maps the artistic creativity, collaboration and activism that have shaped and influenced the wider Pacific Northwest. Artists become catalysts of a just and sustainable future, the book argues, as they celebrate, document, provoke and help heal communities — Theresa J. May, Artistic Director, Earth Matters on Stage/ Professor, University of Oregon, USA.Artists Activating Sustainability focuses on the embodied relationship between the landscape, the artists, and their artistic practice as well as how the artists’ engagement activates sustainability in the state of Oregon. By investigating arts and sustainability through the ethos of communities in Oregon —– the landscape, community identity, and the artists’ experiences in forming that identity —– it becomes possible to reflect on and recognize the broader issues that make life sustainable and re-engage a purposeful, environmentally conscious relationship with our community and our world— Kin-Yan Szeto, Professor of Theatre and Dance, Appalachian State University, USA. Table of ContentsAcknowledgments; List of Figures xi Introduction: Art, Environment and Metaphor ;1. Environmental Activism, Arts and the Land of Eden,Landscape One: High Desert Basin and Range; 2. The Murals of Vale: Gateway to Oregon; 3. Ontario: The Legacy of Kanriye Fujima 61 Landscape Two: Columbia Gorge and Plateau; 4. James Lavadour and Crow’s Shadow Institute of the Arts, Landscape Three: Cascade Range; 5. Hunter Noack: In a Landscape, Landscape Four: The Willamette Valley; 6. Portland’s Elisabeth Jones Art Center and Signal Fire; 7. Willamette Valley’s Sanctuary Stage; 8. Salem’s Gaiety Hollow: Lord and Schryver Landscape Architects and the Conservancy; 9. Eugene and the Oregon Country Fair; Landscape Five: Rogue River Valley; 10. Ashland: Angus Bowmer and the Oregon Shakespeare Festival, Landscape Six: Oregon Coast and Coast Range 185 11. Astoria’s Fisher Poets; 12. Sitka Center for Art and Ecology; 13. Bandon’s Washed Ashore: Art to Save the Sea; 14. Climate Change, Sustainability and Artists in the Land of Eden; Index
£72.00
Peter Lang International Academic Publishers Entender El Artivismo
Book SynopsisEn todas las áreas, las personas con voluntad de cambio y desarrollo social utilizan las formas artísticas y la creatividad para conmover la esfera pública, atraer la atención, tomar poder sobre los espacios urbanos y generar nuevos lenguajes y voces sociales. El activismo artístico involucra a personalidades creadoras de todas las culturas, se enraíza en ideas políticas esenciales, moviliza ideas de cambio e igualdad social e interesa a las generaciones más jóvenes, en un espíritu que rompe las barreras académicas y las distinciones profesionales. La creatividad activista con frecuencia ha sido percibida como próxima a la categoría del outsider art que engloba el arte producido por no artistas donde el contexto específico sería la protesta política y/o la experimentación social. El artivismo tiene sus raíces en las vanguardias artísticas (dada, futurismo, surrealismo, etc.) y el posterior desarrollo y auge en la década de los años sesenta y setenta del pasado siglo (performance, happening, body art, land art, video art o arte conceptual), que, muchas veces, nace de una especie de desmaterialización del objeto artístico. Este libro se centra en prácticas de creatividad activista de España, Chile, Perú, Reino Unido, Colombia, etc. que tienen que ver con los actuales fenómenos de crisis discursiva, ideológica, política, económica, financiera. Entender el artivismo, un concepto que, nada más pronunciarlo, despierta un amplio abanico de sensaciones.
£43.56
ACC Art Books Mr Percy: Portrait Modeller in Coloured Wax: The
Book Synopsis"Erudite, while still being fun to read." — Professor Tim Neild, physiologist and medical educator "A triumph of Social History in the Georgian period." — Dr Nigel Cooke FRCP, physician and ceramic historian This is the first biography and reference book dedicated to Samuel Percy, a modeller who produced an impressive oeuvre of wax portraits and tableaux in the mid-to-late eighteenth and early nineteenth century. Based in part on the author's own substantial collection of Percy waxes, this book follows Percy from his beginnings in Dublin, at the Dublin Society Drawing Schools, working with the famed statuary John Van Nost; to England, where he journeyed from town to town, putting advertisements in regional newspapers. These revealing advertisements have been gathered here for the first time, in order to track his travels. Whether taking the likeness of Princess Charlotte of Wales, or falling victim to a highway robber in Birmingham, these fragments of Percy's history paint a fascinating picture of his life as a wandering artisan. As well as a chronological narrative of Percy's life, this book commits an entire chapter to an area of his work that has never been studied before: his miniature tableaux. These portray various subjects, both religious and secular, from Christ on the Cross to playing children. They are catalogued in an appendix, and almost thirty are illustrated. Based entirely on original research, Mr. Percy: Portrait Modeller in Coloured Wax features over a hundred illustrations, celebrating both Percy's accomplishments and the works of other modellers for comparison.Trade Review"Erudite, while still being fun to read." - Professor Tim Neild, Physiologist and medical educator"A triumph of Social History in the Georgian period." - Dr Nigel Cooke FRCP, Physician and ceramic historian
£36.00
Peter Lang International Academic Publishers Dancing with Time: The Garden as Art
Book SynopsisGardens provoke thought and engagement in ways that are often overlooked. This book shines new light on long-held assumptions about gardens and proposes novel ways in which we might reconsider them. The author challenges traditional views of how we experience gardens, how we might think of gardens as works of art, and how the everyday materials of gardens – plants, light, water, earth – may become artful. The author provides a detailed analysis of Tupare, a garden in New Zealand, and uses it as source material for his analysis of the philosophical issues art gardens raise. His new account of gardens highlights the polymodal, multi-sensual, and improvisatory character of the garden experience, it offers an ontological comparison between gardens and humans and other animals, and it explains how identical plants, and arrangements of plants, may be mundane when encountered beyond the garden but artful, meaningful, and aesthetically valuable when experienced within it.Trade Review«Powell’s stimulating and rigorously argued book offers new insights into the ways in which we experience and understand gardens, how we conceptualise their ontology, and how we appreciate their temporality and material beauty. A timely and highly engaging account that reintroduces gardens’ distinctive qualities, features, processes, aesthetic possibilities, and arthood as sites of joy and celebration.» (Professor Samer Akkach, Founding Director, CAMEA, University of Adelaide) «Dancing with Time offers a novel account of gardens that returns them to a prized position in the artworld. Highlighting their distinctive, four-dimensional nature, this important work explains how temporality enriches our experience of gardens. The rich examination of gardens’ status as art will delight aestheticians, landscape design theorists, and garden lovers alike.» (Professor Sondra Bacharach, Professor of Philosophy, Victoria University of Wellington) «A welcome addition to the growing interest in philosophical writing about gardens. ... Powell’s search for answers as to whether or not gardens can (again) be an art form and the nature of their ontological status is careful and exacting ... » (Isis Brook, «British Journal of Aesthetics», 2019)Table of ContentsCONTENTS: «But Is It Art?»: Case Study of a New Zealand Garden – Changing Views: Philosophical Aesthetics (1700–2017) – Changing Places: Gardens and Philosophical Aesthetics (1700–2017) – Up the Garden Path: Some Recent Writing – Enjoying Time(s) in the Garden – What Sort of Artwork Are Gardens? – A Philosophical Detour: Definitions, Theories, and Ontologies – A New View of the Garden.
£49.00
