Description

Book Synopsis
Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices—art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan.
Published by Bucknell University Press for the Samek Art Museum.
Distributed worldwide by Rutgers University Press.


Table of Contents
Collectors’ Statement
Curating Screen Time
Richard Rinehart
Flipping the Script
Phillip Prodger
Screen Time: Photography and Video Art in the Internet Age
Further Reading
About the Curators

Screen Time: Photography and Video Art in the

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A Paperback / softback by Richard Rinehart, Phillip Prodger

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    View other formats and editions of Screen Time: Photography and Video Art in the by Richard Rinehart

    Publisher: Bucknell University Press,U.S.
    Publication Date: 21/01/2022
    ISBN13: 9781684484140, 978-1684484140
    ISBN10: 1684484146

    Description

    Book Synopsis
    Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices—art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan.
    Published by Bucknell University Press for the Samek Art Museum.
    Distributed worldwide by Rutgers University Press.


    Table of Contents
    Collectors’ Statement
    Curating Screen Time
    Richard Rinehart
    Flipping the Script
    Phillip Prodger
    Screen Time: Photography and Video Art in the Internet Age
    Further Reading
    About the Curators

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