Non-graphic and electronic art forms Books

Book SynopsisScenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional spTrade ReviewThe editors of this provocative and stimulating collection of essays use the concepts of scenography and art history to mutually challenge and expand the analytic potential of each to provide important new strategies for exploring the increasingly complex world of contemporary art. * Marvin Carlson, Distinguished Professor, Theatre and Performance, CUNY, USA *The essays collected in the present volume shift the conversation with scenography away from definitions, and this opens terminology—scenography, scenographics—but also theoretical parameters. … The anthology seeks to give scenography its voice and in so doing, challenges easy boundaries between disciplines and forges new methodologies for thinking with and through scenographic agency. … Scenography and Art History opens its dialogue with art and its histories … at a time when reconceiving the material and imaginative encounters between times, spaces and bodies has never been more urgent and necessary. * Marsha Meskimmon, Professor of Transnational Art and Feminism, and Director of the Institute of Advanced Studies, Loughborough University, UK *A book devoted to the interfaces of scenography and art history is long overdue for numerous reasons. ... As the authors deftly argue, art history has been as ready to dismiss scenography on the same grounds that, until recently, allowed theatre and performance scholars to brush it off as purely decorative (as a practice) or vocational (as a form of thinking). The marriage of these subjects is, consequently, a welcome and exciting addition to the growing library of scenography scholarship and its many possible futures beyond theatre. * Rachel Hann, Senior Lecturer in Performance & Design, Northumbria University, UK *Scenography and Art History is a thrillingly multifaceted and innovative collection of cross-disciplinary case studies unlocking the potentials of scenography as an overlooked sphere, concept and phenomenon in relation to art history as well as to other aesthetic disciplines. * Andrea Kollnitz, Associate professor in Art History, Department of Culture and Aesthetics, Stockholm University, Sweden *Spatial, temporal, affective, critical, and embodied dimensions of scenographic perspectives inform this cross-disciplinary, multifaceted anthology. An unprecedented dialogue between art history and scenography, this volume is both urgent and necessary, exploring the multisensory workings that can shape culture through scenographic phenomena. * Donatella Barbieri, Senior Research Fellow and Principal Lecturer in design for performance, University of the Arts London, UK *This important study shifts our perceptions and understandings of what scenography is. It shows us how agential modes of creative practice can lead towards new theoretical frameworks and how the expanded relationality between objects, subjects, spaces, and ideas can help us forging new realities within and outside the world of art history. * Alda Terracciano, Participatory Design Consultant at The Sloane Lab (AHRC TaNC Programme), UCL Department of Information Studies, UK *The book is a very important contribution to current discussions on multisensory art historical and contemporary events by proposing scenography both as a theoretical concept and as a practical exercise in the field of art history and related disciplines. * Andrea Sommer-Mathis, Former Senior Research Asscociate at the Austrian Academy of Sciences, Austria *Bypassing conventional interdisciplinary anthologies, this collection illuminates the primacy of the physical body and the spatial and material allure it evinces on stage and in visual artistry. Contributions from diverse scholars, sometimes working in direct collaboration, illuminate the many ways in which the performative operates both in real time and in allusive visual form. * Sarah R Cohen, Professor and Chair, Department of Art and Art History, University at Albany, SUNY, USA *Table of ContentsList of Illustrations List of Contributors Two forewords Acknowledgements 1. Introduction: Re-imagining Scenography in Relation to Art History, Astrid von Rosen (University of Gothenburg, Sweden) and Viveka Kjellmer (University of Gothenburg, Sweden) 2. Black Goats and Broomsticks: Feminism and the Figure of the Witch in Leonor Fini’s Designs for Le Sabbat, Rachael Grew (Loughborough University, UK) 3. Scenographing the Dance Archive – Keep Crawling!, Astrid von Rosen (University of Gothenburg, Sweden) 4. Michael Chapman’s Rauschenberg: Mis-en-scène and Scenography in Taxi Driver, Gillian McIver (The University for the Creative Arts, UK) 5. A Dynamic Bipolarity: The Royal Holloway Chapel Project, Scenography and Art History, Greer Crawley (Buckinghamshire New University/Royal Holloway University of London, UK) and Harriet O’Neill (British School at Rome, Italy) 6. Killed by Drones: Embodying Live Performance Scenography, Olga Nikolaeva (Independent scholar, Sweden) 7. Evocations of the ‘sonore et voilé’: The Scenographic World of Der Ring in the Art of Henri Fantin-Latour, Corrinne Chong (Peel District School Board/Art Gallery of Ontario, Canada) 8. Visual Couture: Costume Agency in the Advertising Campaign Opera Papier, Viveka Kjellmer (University of Gothenburg, Sweden) 9. ‘Re-Dressing The Part:’ The Scenographic Strategies of Ellen Terry (1847-1928), Veronica Isaac (University of Brighton/New York University London, UK) 10. Scenographing Festival Books: Towards a Multisensory Archive, Carmen González-Román (University of Málaga, Spain) 11. Scenographic Events: Interfacing with Digital Fashion Stories, Christine Sjöberg (University of Gothenburg, Sweden) 12. Beyond Change: Archaeology of a Spook Play, Tamas Szalczer (Designer, USA) and Eszter Szalczer (University at Albany, State University of New York, USA) Index

Read more less

Book SynopsisFeaturing decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met’s compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900–700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323–31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Read more less

Book SynopsisA critical reexamination of Carpeaux’s bust Why Born Enslaved! and other nineteenth-century antislavery images—this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux’s iconic bust Why Born Enslaved! unpacks the sculpture’s complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux’s contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10, 2022–March 5, 2023)

Read more less

Book SynopsisA unique book embracing the verticality of Sheila Hicks' workFor decades, Sheila Hicks has engaged with color, texture and verticality, using textiles as her medium of choice. Her unique approach is informed by her interest in architecture, space, historical weaving traditions and innovations in fiber technology. This new bilingual publication (English and French) focuses on her cascading multicolored columns. Building on her earlier work and occupation with verticality, the columns have extended to new and spectacular settings, notably outdoors, refusing any traditional limitations, adapting to various environments, from the Art Gallery of New South Wales to the rocky hills of the French countryside and medieval castles.Hicks' work has always been published in innovative formats, a result of her creative collaborations with designers. The book reflects the verticality that is crucial to Hicks' towering fiber structures. It features stunning reproductions

Read more less

Book Synopsis

Read more less

Book SynopsisAluquerque's expressive sculptural self-portraits are freighted with eroticism, mythology and posthumanism This volume documents a new series of sculptures by Los Angeles–based artist Isabelle Albuquerque (born 1981), presented as a complete set of 10 for the first time in an exhibition at Jeffrey Deitch in 2022–23. These works, an expressive and erotic form of self-portraiture based on the artist’s own body, rendered in materials ranging from fur, bronze and walnut to resin and rubber (with found materials such as a candle or a saxophone), combine intimate memories with history, mythology and posthumanist and feminist theories. Each chapter of Orgy for Ten People in One Body corresponds to one of the 10 sculptures with a palimpsest of reference images, process photos and installation views. The publication includes two conversations with Albuquerque, with Arthur Jafa and with Miranda July.

Read more less

Book Synopsis

Read more less

Book SynopsisIn Scotland's Outer Hebrides on the rugged Isle of Lewis, five powerful award-winning monuments commemorate the island's Land Heroes. Their courageous struggle for Land Law Reform resulted in the thriving Gaelic speaking community that Lewis encompasses today.The intention of this book is twofold: through the photography of Robin Gillanders, the design, setting and materials of these sentinels in stone' are brought together for all to enjoy, while essays by distinguished Scottish art historians, and Gaelic speaking island historian Dr Joni Buchannan, tell a vivid story of the events commemorated by each monument, examining their iconography, and exploring each work within the context of a wider cultural rebellion against the hegemony of imposed values.Compelled by Memory also pays tribute to the artist Will Maclean. He oversaw all five memorials installed between 1994 and 2019, initially designing those at Balallan, Aignish and Gress River, and then with fellow artist Marian Leven designed An Sùileachan on the west coast. They were joined by the sculptor Arthur Watson in undertaking the meditational site to mark the centenary of the tragic loss of HMV Iolaire, wrecked in a terrible storm on New Year's Day 1919, just outside Stornoway Harbour.In each case the projects grew from wide consultation. Maclean took no fee, working in cooperation with a team of Lewis men archaeologists, historians and the stone mason James Crawford to fulfil the brief honouring their ancestors through these narratives in stone, to create a group of the finest examples of land art in the British Isles.

Read more less

Book Synopsis

Read more less

Book SynopsisStars as minimalist and maximalist motif in the art of Frank Stella, from his earliest paintings to his most recent sculptures As a painter, sculptor and printmaker, Frank Stella (born 1936) has always paid great attention to geometric lines and patterns in his work, creating pieces that are arrestingly kaleidoscopic in both their form and content with bold lines and shaped canvases. This catalog, published for his 2020 exhibition at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, focuses in particular on the enduring use of star shapes in Stella’s oeuvre. Stella’s depictions of stars range from the minimalism of his early career, with lithograph prints of brightly colored polygonal patterns, to the maximalism of his more recent work seen in his towering angular sculptures made from stainless steel. Although he is well aware that his last name is the Latin word for star, Stella maintains that his fixation on the shape is inspired by its form and the endless possibilities that accompany the star, rather than its etymology. Both instantly recognizable and infinitely abstract, stars seem like an obvious choice for an artist who has dedicated his life to experimenting with form. In addition to a plates section of the 60 pieces included in the Aldrich show, this book presents installation shots throughout the museum’s interiors and outdoor gardens, and photographs of the artist’s studio. The curators of the exhibition, Richard Klein and Amy Smith-Stewart, worked closely with Stella on the exhibition installation and contribute major essays that add new dimensions to our understanding of a widely celebrated and influential artist.Trade ReviewFrank Stella’s name means star in Italian, and for decades that was the problem, the reason he stopped making them... But then, computer design technology came along, and 3-D printing. Suddenly the star had possibilities. -- Sara Kugel * CBS: News *Frank Stella’s Stars is a testimony to an artist, now 84, in perpetual evolution. Its focus on the star motif ends up reaffirming the restlessness of this painter’s progress and his underappreciated engagement with new technologies of design, fabrication and display. -- Jason Farago * New York Times *

Read more less

Book SynopsisSensual and psychedelic sculpture affirming the primacy of the handmade object, from a leading New York sculptor The vibrant, small-scale wooden sculptures of New York–based artist Matthew Ronay (born 1976) cull from the vocabularies of organic things—flora and fauna from land and sea, human anatomy, and water systems. Fantastical architectures find form, too—gateways and towers—in the artist’s technicolor array of soft-curved and intricately honed formations. Melding vocabularies of modernist abstraction and ritualistic objects, Ronay's sculptures and enigmatic installations express the primacy of the handmade object. His inspirations constitute a zigzagging thread of artists and scientists from the 18th century to the present whose works reflect natural phenomena consciously or unconsciously. Ronay also proposes the possibility that inherited memories of the genesis and evolution of life recapitulate themselves in abstract works of sculpture and painting. Produced in conjunction with the artist’s exhibition at the Nasher Sculpture Center, this monograph presents Ronay's sensual and psychedelic sculptures in extensive detail through photographs and installation views.

Read more less

Book SynopsisCultivation is just another word for commitment. You think you are just pulling weeds, but what you are really doing is writing a love letter to your patch of earth. Thomas RainierThis quote opens Bedrock: The Making of a Public Garden, a book that is a love letter from a woman to the garden she spent 40 years creating. Jill Nooney, a psychotherapist and graduate of the Radcliffe Seminars Program in Landscape Design, and her husband Bob Munger, a physician, developed their 30 acres in Lee, New Hampshire into an unforgettable garden. Featuring more than 300 photographs of the garden and Jill's artful sculptures, water features, and built structures that provide places throughout Bedrock Garden from which to contemplate the complete landscape, the book takes us from the garden's origins as a private space to its present life as a public garden. The garden has slowly evolved through its creators' deep love for the land and an indominable urge to experiment. Rich with entertaining anecdotes of realizing improbable, visionary concepts that involved moving boulders, carrying trees and rocks on planes, ferreting out rare plant material, operating all manner of equipment, and managing thousands of visitors, this is a story of love, loss and generosity. The book takes the reader into a landscape that is green and wild, but also filled with a deep sense of peace. Just like visitors to the garden, readers will fall in love with Bedrock.

Read more less

Book SynopsisA definitive resource on California’s Light and Space and Finish Fetish movements of the 1960s and ’70s This volume explores the art of Light and Space and related “finish fetish” pieces with highly polished surfaces. In the 1960s and 1970s, various artists in Southern California began to create works that investigate perceptual phenomena: how we come to understand form, volume, presence and absence through light, whether seen directly through other materials, reflected, or refracted. Many artists used newly developed industrial materials—including sheet acrylic, fiberglass and polyester resin—in their work. Light, Space, Surface draws on the Los Angeles County Museum of Art’s deep holdings of this material, revealing the vibrancy and diversity of this slice of American art history. Artists include: Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Gisela Colón, Ron Cooper, Mary Corse, Ronald Davis, Guy Dill, Laddie John Dill, Fred Eversley, Robert Irwin, Craig Kauffman, John McCracken, Bruce Nauman, Helen Pashgian, Roland Reiss, Roy Thurston, James Turrell, De Wain Valentine, Doug Wheeler and Norman Zammitt.

Read more less

Book SynopsisCurtis Cuffie (19552002) was an artist who lived and worked in and around the East Village from the mid-1980s until his untimely death in the early 2000s. He moved to New York from Hartsville, South Carolina, as a teenager and lived unhoused for long stretches of his adult life. Cuffie found local notoriety for the way he adorned the streets of downtown New York, collecting what the city provided, often sifting trash to stage on-the-spot sculptures along the Bowery and Cooper Square. His arrangements took the form of impossibly balanced towers, delicate shrines, and unwieldy processions up to thirty-feet in length installed along the walls, fences, and sidewalks of the Lower East Side. Nearly without fail they were removed by the police, inclement weather, the department of sanitation, or the grounds team at Cooper Union, which would later employ him. An enduring presence in the East Village, Cuffie staged sprawling tableaux outside the Village Voice offices that were admired by students and venerable artists alike. He was profiled by scene reporters, political writers, and folk-art journalists, all the while exhibiting in the neighborhood's famed alternative art spaces. While few of his sculptures remain today, a trove of photographs from the 1990s taken by Cuffie and his companion Katy Abel preserve the work he made in the city. This photobook, the first publication about Cuffie, seeks to honor the artist by collecting the efforts of two of his partners: Carol Thompson, who lived with Cuffie from 1996 to 2001 and archived a great number of his 35mm photographs, and Abel, a Cooper Square resident who took hundreds of snapshots of his art. Curtis Cuffie is designed by Julie Peeters, edited by Scott Portnoy and Robert Snowden with Ciarán Finlayson, and additionally includes writing by the artist, Finlayson, and critic Alan Moore, and images taken by Tom Warren and Margaret Morton. CURTIS CUFFIE (19552002) was an artist based in New York City's East Village. Originally from Hartsville, South Carolina, he moved to Brooklyn at fifteen and eventually settled in Manhattan, first near Bryant Park and later around the Bowery. Homeless for long stretches of time, Cuffie became well-known in the 1990s for the sculptures he made using found materials, which he installed in public spaces downtown. Artforum, the New York Times, and the Village Voice all profiled and reviewed his work. and he held solo exhibitions at Flamingo East, Tribes, and 4th Street Photo Gallery, all in the Lower East Side. In his lifetime, Cuffie was featured in nearly a dozen group shows across the US at venues including Exit Art, American Primitive, and the Jamaica Art Center in New York, and the American Visionary Art Museum in Baltimore. Most recently his work was included in Souls Grown Diaspora, curated by Sam Gordon, at Apexart in 2020 and Greater New York at MoMA PS1 in 202122, both in New York. New York City's East Village. Originally from Hartsville, South Carolina, he moved to Brooklyn at fifteen and eventually settled in Manhattan, first near Bryant Park and later around the Bowery. Homeless for long stretches of time, Cuffie became well-known in the 1990s for the sculptures he made using found materials, which he installed in public spaces downtown. Artforum, the New York Times, and the Village Voice all profiled and reviewed his work. and he held solo exhibitions at Flamingo East, Tribes, and 4th Street Photo Gallery, all in the Lower East Side. In his lifetime, Cuffie was featured in nearly a dozen group shows across the US at venues including Exit Art, American Primitive, and the Jamaica Art Center in New York, and the American Visionary Art Museum in Baltimore. Most recently his work was included in Souls Grown Diaspora, curated by Sam Gordon, at Apexart in 2020 and Greater New York at MoMA PS1 in 202122, both in New York. KATY ABEL is a New York City native. She became friends with Curtis Cuffie in 1994 and photographed his artwork for the next several years. CIARA?N FINLAYSON is a writer and editor from Houston, Texas. He is the managing editor of Blank Forms Editions and his long-form essay Perpetual Slavery is forthcoming from Floating Opera Press. ALAN WILLARD MOORE lived in New York City for thirty years. He worked with the artists' groups Colab and the cultural center ABC No Rio, and ran the MWF Video Club distribution project. He received a PhD in art history from the City University of New York in 2000 and has lived in Madrid since 2009. Moore is the author of Art Gangs: Protest and Counterculture in New York City (Autonomedia, 2011), Occupation Culture: Art & Squatting in the City from Below (Minor Compositions/Autonomedia, 2015), and the memoir Art Worker: Doing Time in the New York Artworld (JoAAP, 2022), and a coeditor of Making Room: Cultural Production in Occupied Spaces (JoAAP/Other Forms, 2015). He blogs at Art Gangs and Occupations & Properties. MARGARET MORTON (19482020) was a professor of photography and design at the Cooper Union School of Art in New York. In 1989, she began to document the lives of homeless people in New York. Her photos are the subjects of multiple books including The Tunnel: The Underground Homeless of New York City (Yale University Press, 1995) and Fragile Dwelling (Aperture, 2000). CAROL THOMPSON is a Harlem-based curator and historian of the ancient and contemporary art of Africa and the African diaspora. She has authored numerous publications and taught at Vassar, City College in Harlem, New York University, the Fashion Institute of Technology, and other institutions. From 198796, she was an integral member of staff at New York's Center for African Art, and from 2001 to 2019 she served as the Fred and Rita Richman Curator of African Art at the High Museum in Atlanta. Since July of 2019 Thompson has been an art adviser to the executor and curator of the Thomas G. B. Wheelock Collection of Art of Burkina Faso. TOM WARREN is a photographer from Lakewood, Ohio, who has lived in New York City since 1979. In the 1980s he became a portraitist of the downtown art scene, known for his contributions to the East Village Eye and artistic interventions into the neighborhood's vacant spaces. Warren is the author of The 1980s Art Scene in New York (Hatje Cantz Verlag, 2022)

Read more less

Book SynopsisThis publication documents a series of ambitious, large-scale projects produced by Christian Moeller within the public sphere between 2004 and 2023. During these years, the artist's practice underwent a considerable shift in focus. Renouncing his former self-designation as media architect, Moeller began to downplay the role of information technology within his work to instead emphasize its pictorial and sculptural qualities. The works in this volume are based on a keen observation of social processes, often with a view to their playful disruption. At once fitting into and standing out fromtheir surroundings, they present the public with a welcome reprieve from the routines of workaday life. Open Encounters offers an exhaustive, lavishly illustrated overview of a highly productive period in Moeller's practice. The book features a career-spanning essay and running commentary on individual works by Jan Tumlir as well as texts by Harriet F. Senie, Cath Brunner, Tim Griffin and Christian Mo

Read more less

Book SynopsisStarting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists redefined norms and challenged tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. From the Impressionists to the Surrealists, Cubists to Pop artists-readers will find a wealth of information as well as hours of enjoyment learning about one of the most popular and prolific periods in art history.Trade Review"This meticulous reference is 160 pages of gorgeous." --Arts & Activities"Teachers from middle schools through higher learning institutions will find this book to be an invaluable resource." --Arts & Activities

Read more less

Book Synopsis

Read more less

Book SynopsisDiscover the fascinating world of fine taxidermy in Packshots, where animals are captured in masterful compositions that blur the line between nature and art, between life and death.

Read more less

Book Synopsis

Read more less

Book SynopsisA comprehensive overview of renowned Belgian artist Berlinde De Bruyckere’s work since 2014, inspired by the figure of the angel

Read more less

Book SynopsisAn in-depth exploration of how the iconic artist created his works over the course of his full career

Read more less

Book SynopsisThe first book-length examination of the clay models and creative process of the preeminent neoclassical sculptor Antonio CanovaTrade Review“A comprehensive, beautifully illustrated catalog.”—Karen Wilkin, Wall Street Journal“This beautiful catalogue combines up-to-date scholarship and scientific analysis, stunning photography by Luigi Spina (close-ups reveal Canova’s fingerprints) with an elegantly understated design.”—Art Newspaper, “Top Art Books of 2023”

Read more less

Book SynopsisReading African art's impact on modernism as an international phenomenon, The Black Art Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde discovery of African sculptureknown then as art nègre, or black arteventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, black art evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture's influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history's alleged centers and margins must be conceived as interconnected and mutually informing. The Black Art Renaissance reveals just how much modern art has owed to African art on a global scale.Table of ContentsPrologue Acknowledgments Note on Terms Introduction 1. Rethinking Fauve “Primitivism” 2. Picasso’s African Infl uences 3. Harlem Renaissance and Diaspora 4. Mancoba between Paradigms 5. Art Nègre and the École de Dakar Epilogue: Was Picasso “Black”? Archive Abbreviations Notes Selected Bibliography List of Illustrations Index

Read more less

Book Synopsis

Read more less

Book Synopsis50 years of hard-hitting protest art from Britain’s foremost political artistTrade Review'These images refuse to be forgotten ... they remind us of the need to speak out in protest, the protests of the dead and the living' -- John Berger'This art is a a jolt of electricity. A shot in the arm. A kick up the backside. You know what? It’s a wake-up call' -- Jarvis Cocker'Britain's most important political artist' -- The Guardian'I take my hat off to you Sir' -- Banksy'Art cannot change the world but while Kennard is still working, there is at least hope' -- Laura Cumming, The Observer'Kennard sees the skull beneath the skin all right: an area dominated by greed, indifference, ruthlessness, naked force against the powerless; the holy grail of the Big Buck' -- Harold Pinter'In its form and power, Peter Kennard's art ranks among the most important in the late 20th and early 21st centuries. His pictures brilliantly evoke the faces that cry out from the silent war' -- John Pilger, The Guardian'Peter Kennard's work is a harrowing x-ray of the shadow side of the world. He perfectly captures the brutal asymmetries of our age: heavy weaponry trained on broken people, all-seeing technologies and disappearing identities, perpetually exhaling industry and an asphyxiating planet' -- Naomi Klein'Peter Kennard's work is redolent of the best anti-war imagery of Goya, it is iconic in our movement and beyond' -- Kate Hudson, General Secretary of the Campaign for Nuclear Disarmament (CND)Table of ContentsSeries Preface Preface 1. Feminist Futures: A Conditional Paeon for the Anything-Digital 2. Scale, Subject and Stories: Unreal Objects 3. Bland Ambition? Automation's Missing Visions 4. Driving at the Anthropocene, or, Let's Get Out of Here: How? 5. Technological Feminism and Digital Futures Bibliography

Read more less

Book Synopsis

Read more less

Book SynopsisThis volume investigates the dialogue between the newly-invigorated European theatre of the late 16th and 17th centuries, and the plastic arts. The interactions between the spectator and the spectacle, social performance and the staging of the individual are discussed.

Read more less

Book SynopsisRecent works by the great exponent of hard-edged architectural abstractionThis publication highlights a selection of works by Cuban American artist Carmen Herrera (born 1915) from the past decade. At 105 years old, Herrera has developed her signature geometric style over the course of decades spent in New York City and postwar Paris, as well as her hometown of Havana; however, it was only in the early 2000s that she began to receive acclaim for her work. The origins of her process trace back to her early studies in architecture at the Universidad de La Habana in Cuba from 1938 to 1939. She often credits this training as where she learned to draw and to think abstractly, stating, I wouldn't paint the way I do if I hadn't gone to architecture school. While Herrera's process is often characterized by meticulous constraint and distillation of color and shape, it is perhaps best described as a perfect synergy of artistic and scientific creativity.

Read more less

Book SynopsisIn collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson (born 1967) conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles'' history of filmmaking and the gallery''s former function as a theater.

Read more less

Book SynopsisThis career-spanning publication features conceptual, political, formal, and technical perspectives on the work of contemporary sculptor Charles Ray For Charles Ray (born 1953), sculpture is a way of thinking that informs his work across a wide range of media—from gelatin silver prints to porcelain, fiberglass, wood, and steel. Charles Ray: Figure Ground spans the whole of the artist’s fifty-year career, from his early photographs and performances through his intriguing, often unsettling sculptures, some of which are published here for the first time. The essays foreground Ray’s engagement with preexisting traditions, as well as charged issues around race, gender, and sexuality (notably expressed through his explorations of Mark Twain’s 1884 novel Adventures of Huckleberry Finn) and investigate the modalities of touch that run through his work. In addition, a reflection by Ray himself and a conversation between the artist and Hal Foster offer further insights into his multifaceted practice. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (January 31–June 5, 2022)Trade Review“The exhibition catalog contains useful essays by the show’s two main curators, Kelly Baum and Brinda Kumar, and a lively conversation between Ray and the critic Hal Foster that shows off the artist’s intelligence and sense of humor.”—David Salle, New York Review of Books

Read more less

Book SynopsisWilliams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond. Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the choreographer Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. — About Clarion Series The Clarion series of illustrated publications is positioned as an extension of each exhibition at the groundbreaking gallery space 52 Walker, curated by Ebony L. Haynes. The program focuses on showcasing conceptual and research-based artists from a range of backgrounds and at various stages in their careers. The series title is derived from the Clarion Science Fiction and Fantasy Writers’ Workshop, the oldest of its kind, at the University of California, San Diego. Octavia Butler attended this workshop in the 1970s. Both she and her work have been extremely influential in many cadres of Black culture and subculture. With a sleek design influenced by encyclopedias, each publication will feature color reproductions of the works on view, alongside an introduction by Haynes, commissioned essays, artist texts, archival material, and more.

Read more less

Book SynopsisJan Svankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after repeated censorship by the communist governmnent of Czechoslovakia. Illustrated with over 100 imges, this book is organised around many reproductions of Svanmajker's wondrous tactile art objects, tactile poems, experiments and games. It includes dialogues with, and artworks by, other collaborating artists from the Group of Czech and Slovak Surrealists. Svankmajer also gathers together as contributors such notable exponents of tactical experience as Edgar Allan Poe, Guillaume Appollinaire, Salvador Dali, Marcel Duchamp, Meret Oppenheim, Edith Clifford Williams, Ay-O, Valie Export, F.T. Marinetti and Karel Teige.Trade Review'It is typically vankmajer: erudite and very consequential. Sometimes also very funny and erotic. Totally unique and a brilliant example of how Czech intellectuals and artists were capable despite total isolation and censorship under Communism of discovering cosmopolitan islands of knowledge where you would least expect them.' Michael Havas, Czech documentary film producer/directorTable of ContentsList of Illustrations Acknowledgements Translator's Note Editor's Preface Introduction to the English Language Edition Tactilism Touch 1. Introduction 2. Between Utilitarianism and Imagination 3. Restorer 4. Sources of Tactile Imagination 5. Short Anthology of Tactile Art 6. Inside Afterword: Tactilism Reviewed Notes Bibliography Index

Read more less

Book SynopsisA book about the biography of projects andobjects. Where projects serve as book ends to adetailed account of objects with the homes of thenot so rich. By silencing the designer, the bookallows accounts of objects to emerge as periodicirruptions that serve as evidence of a hiddenmaelstrom of passion, ideas and failed projects. 61 b&w illus.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisNo less versatile in his writing than in his installations, films, architecture and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical and political intervention. He reveals himself here as a witness of and major actor in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten H?ller, Angela Bulloch, Douglas Gordon and Rirkrit Tiravanija. A key publication of discussions, references, and artistic engagements of the 1990s, the book also allows an examination of the renewed importance at this time of Felix Gonzalez-Torres, John Baldessari and Allen Ruppersberg.

Read more less

Book SynopsisA clothbound appraisal of the Swiss artist's enigmatic architecture-sculptures, driven by his longstanding impulse to construct sheltersThis stylishly produced book documents the architecture-sculptures of Swiss artist Not Vital's (b. 1948) vast oeuvre. Throughout the world, Vital has worked on a series of grand works that skirt the boundary between sculpture and architecture. Driven by an impulse to build shelters that he traces back to childhood, Vital has traveled to Niger, Chile, Belgium, Brazil, Indonesia and the Philippines to construct responsive habitats that integrate themselves into the communities in which they are built. For example, his House to Watch the Sunset, a tower-like structure that is at once ancient and futuristic, is built out of local materials sourced in Brazil, Niger and Switzerland. In addition to these projects, Not Vital: Scarch contains sketches for structures, srudio shots, concepts for future works and sculptures related to the projects.

Read more less

Book SynopsisSince the nineties, Walter Van Beirendonck has been fascinated with masks. They change your identity, invoke a certain atmosphere and have an instant impact. Many artists, among whom are Andre Breton, Pablo Picasso and even Brueghel, have been influenced by them. Power Mask - The Power of Masks elaborates on the many different aspects of masks: the link between Western art and African masks, the supernatural aspect, rituals about masks, masks in fashion or as a fetish...Walter Van Beirendonck is "a truly engaged visionary and a passionate designer, artist and teacher." - Jurgi Persoons, fashion designer. "Walter Van Beirendonck succeeded where I have failed; he turned me into a muscle-man instantly. He is a true artist and there's not many of them around." - Bono, lead singer of U2. "Come along and take a ride into the crazy helter-skelter, inside-out, upside-down world of Walter Van Beirendonck. Colours and shapes reach psychedelic dimensions to charm and astound you." - Stephen Jones, milliner. This book accompanies an expo in the Wereldmuseum (World Museum) Rotterdam, from 1 September 2017 until 7 January 2018.

Read more less

Book Synopsis

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book Synopsis

Read more less

Book SynopsisAn exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis

Read more less

Book SynopsisThe extraordinary sculptures of Belgian artist Jean-Michel Folon

Read more less

Book SynopsisA monumental new work of scholarship on a luminary of twentieth-century art

Read more less