Non-graphic and electronic art forms Books

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisTrade ReviewIt would not be entirely amiss to describe Yanagi's position in Japan as comparable to that of Ruskin and Morris in England ... He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world -- Bernard LeachWhat impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind -- Shoji HamadaRadical and inspiring ... Yanagi's vision puts the connection between heart and hand before the transient and commercial -- Edmund de WaalSoetsu Yanagi's unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world -- Jasper Morrison

Read more less

Book Synopsis**AS SEEN ON BBC2's BETWEEN THE COVERS**A Guardian Book of the YearMaggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia LaingBluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief.Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.Trade ReviewTranscendent.... very inspiring. She’s an amazing writer. -- Lorde * Irish Times *Maggie Nelson... She's so much better than anything I've read for a long, long time. -- Karl Ove KnausgaardThe book that changed my life... it's just brilliant. -- Sophie Mackintosh * Guardian *I remember where I was when I read each of Maggie Nelson's books in the same way I remember a place where I heard important news. Her words come, as though from a great distance, and strike incredibly close. I did not actually read Bluets, I think - I just let it hit me. -- Anne EnrightMaggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation. -- Olivia Laing[Nelson's] candour, also evident in The Argonauts, gives Bluets a turbo-charged vitality, precision and authenticity that frees her to reflect on the way female desire is too often sidelined or ignored.... In her dark excavation of grief, she has collected messages of great wisdom and powerful beauty. -- Gavin Francis * Guardian *A gorgeous, eddying read. -- Claire-Louise BennettNelson… looks sideways at her heartbreak, allowing for moments of piercing clarity as feelings come into focus. There is wisdom and beauty in this short work. -- Fiona Wilson * The Times *A luminous meditation on the author’s love for a single colour that displaces itself onto the grief prompted by the end of a relationship and the serious injury of a friend. -- Jenny Hendrix * Times Literary Supplement *Arty, smart and gorgeous meditation on the color blue. * Time Out *Bluets is a slim but intense volume dedicated to the colour blue, and to feeling blue. Nelson takes a Wittgensteinian form and fills it with feeling. In 240 loosely linked fragments she moves between memoir and analysis, from spiritual inquiry to erotic obsession… Beautiful. -- Tom Graham * Financial Times *A real short-sharp punch in the heart. Truly sad and beautiful, it’s a raw meditation on falling passionately in love with a colour. * Big Issue *What could be more invented than a life story that reads like a novel? Bluets doesn’t invent that way: its inventions are wilder, wiser (and more true) than that… each proposition is breathtaking. * Brick *A syncopated arrangement of 240 prose poems collected across three years of slowly dwindling grief and heartbreak, it centres around the colour blue and how it helped to heal Nelson’s pain. -- Isobel Thompson * A-List *This discussion of the colour blue is a gorgeous read, almost religious in the way it defaults to the beautiful and the sublime. -- Anne Enright * Guardian *When I want a sprawling, consuming book about love and loss, I turn to Maggie Nelson’s Bluets. The compact hybrid book of literature, memoir, and poetry at only 99 pages in length lingers long after the cover is turned over. -- Sarah MacDonald * Vice *I can’t stop thinking about [Bluets]. -- Darci PhenixAlways beguiling, her writing is powerful, incisive and so singular that it defies categorization … raw, honest and urgent… [Nelson] always prompt me to see some aspect of life very differently. -- Alice Rawsthorn * Observer *Last year, while recovering from a break up with a long-term partner, I carried the book with me everywhere... The way that she renders her experiences and thoughts in such vivid, aching and raw detail served as a shelter for me, and a way to articulate feelings I didn't yet have the distance or strength to put words to. -- Zaina Arafat * Good Housekeeping *Bluets is an expansive, intensely poetic text about Nelson's life-long infatuation with the colour blue... in Nelson's most visceral moments of divulgence, we see a testament to love in all its inexpressibility. -- Martha French * Varsity *

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisTransform foraged and found materials into vibrant, sustainable drawing media, from richly pigmented pastels and smoke-black charcoal to deep, lightfast inks.?If you love culture, but know in your bones you are also part of nature, like me, you?ll want to make your art practice more ecologically sound and sustainable.? - Caroline RossThis stunning, practical book, sequel to the best-selling Found and Ground, contains both ancient and modern techniques for ?rewilding? your art practice. With hands-on advice and simple, step-by-step instruction, artist and author Caroline Ross shows you how to create beautiful, useful art supplies from wild and ancient materials ? whether those materials are foraged, natural, discarded or repurposed.Inside the book you?ll discover:? Advice on how to forage safely and ethically, as well as tips on scavenging in the urban environment and rewilding your art practice gradually? Practical, step-by-step instructions for using lump media, preparing pigments, and creating hard and soft pastels? A complete guide to creating charcoal, from assessing different wood types, refining your sticks and then a guide to burning? A guide to creating tannin, iron gall and botanical inks, plus instructions for making your own quill pen and brush? Surfaces on which to work, from found paper, leather and bark, to making your own sewn sketchbook? A final section on more permanent and long-lasting materials, such as metalpointExpansive, inclusive and ethically-aware, Caroline illustrates the book with her own inspirational artwork alongside that of other artistic contributors from different cultures and different parts of the world, with their own distinctive materials, approaches and uses of the same core techniques.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book Synopsis

Read more less

Book SynopsisOverview of the work of leading Dutch art duo Atelier Les Deux Garçons. An intriguing mix of taxidermy, art, and found objects.

Read more less

Book SynopsisA haptic, funky body of ceramic works from the artist shaping the future of ceramics The San Francisco–based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic—tables, chairs, television remotes, telephone receivers, lamps and air purifiers—are anthropomorphized in glazed ceramic, bronze, wood and glass. The result is often tubular, drooping and coated in vibrant reds, purples and magnetic blacks, imbued with the subterranean futurity of jazz. Fittingly, this catalog, published following the eponymous solo exhibition in New York, is titled after jazz musician Grant Green’s 1971 tune. The new body of ceramic works in Maybe Tomorrow brim with spiritual charge; the domestic objects are treated as repositories of psychic significance. The catalog explores this thematic wellspring, along with other topics, in an essay by Jason R. Young, as well as in two conversations with the artist.

Read more less

Book SynopsisA complete retrospective of the paper engineer and artist Matthew Shlian, documenting a decade of unrivalled and unexpected creativity. Paper engineer and artist Matthew Shlian has always recognized the materialâs potential for experimentation. Folded, tessellated, compressed, extrapolated, two-dimensional paper becomes three-dimensional sculpture in beautiful and unexpected ways. âMy process is extremely varied from piece to piece. Often I start without a clear goal in mind, working within a series of limitations. For example on one piece Iâll only use curved folds, or make my lines this length or that angle, etc. Other times I begin with an idea for movement and try to achieve that shape or form somehow.â Unfolding is Shlianâs first comprehensive monograph. A journey into the new possibilities of folding technology, the intricate complexities of Islamic patterns, and the sheer potential offered by a sheet of white paper, it celebrates a humble material, on the edge of its exiTrade Review'Intriguing' - Aesthetica

Read more less

Book Synopsis

Read more less

Book SynopsisSculptures-as-meditations: Brush rearticulates Monet's magnificent lightwork in palm-sized objectsEarly in life, American painter, sculptor and jeweler Daniel Brush (born 1947) discounted Monet's work wholesalethat is, until the pivotal day he saw an 8-by-10 transparency that a collector and friend was considering acquiring. This encounter sparked an obsession with the light Monet so masterfully captured through oil paint. Thinking about Monet contains 60 of the more than 100 steel sculptures Brush createdall of which are meditations on light. The artist hand-carved the same steel for all of his palm-sized pieces, but each one articulates distinct properties of color and light. Mesmerizing in the intricacy and daring of their fabrication, Brush''s objects bear comparison with the work of historical masters.This small, jewel-like book is covered in printed silk cloth, and all the sculptures are reproduced at their original size. Nicolas Bos, preside

Read more less

Book SynopsisA reassessment of self-taught artist William Edmondson, exploring the enduring relevance of his work

Read more less

Book SynopsisClaes Oldenburg's commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg's profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York's changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg's innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.Trade Review"Smith's book will be valuable for those interested in urban art, multidisciplinary urbanism, or the history of ideas." * CHOICE *Table of ContentsAcknowledgments Introduction 1. Streets 2. Stores 3. Holes 4. Plugs 5. Binoculars Epilogue Notes Bibliography List of Illustrations Index

Read more less

Book SynopsisThe Sketchbook of Loish offers readers a unique look into Loish’s creative processes and idea generation, providing an insight into the role her sketches play in her extremely popular work. Peek inside Loish’s sketchbook and discover how she explores gesture, stylization, and sketching for animation. Learn the different techniques she uses when sketching with traditional and digital tools, and follow the book’s two detailed tutorials on character construction and sketching digitally to improve your own processes. The book also features handy quick tips for capturing movement, using different line weights, shading, and using textured brushes. Including an insight into Loish’s character sketching, development sketches, landscape, and reference studies this book will show you how Loish captures the spirit of her finished artworks in her exquisite preliminary work. In addition to showcasing a comprehensive collection of Loish’s sketches, this book features exclusive artwork, and a special chapter exploring Loish’s personal concepts to give an in-depth look at how her initial ideas evolve through sketches to culminate in her accomplished concept designs. A truly inspiring and informative book with a high-quality finish and slipcase, The Sketchbook of Loish will have you itching to get sketching!

Read more less

Book SynopsisThe extraordinary journey of an “impossible” sculpture made from the negative form of an ancient Korean gate In 2006, London-based Korean artist Do Ho Suh (born 1962) began work on a seemingly impossible project—to “make something out of nothing,” casting the negative form of a traditional Korean gate in solid acrylic resin. Portal would take nearly a decade to complete, and would provide the site for fundamental developments in Suh’s thinking on the role of both artist and museum in the 21st century, as well as the relationship between East and West. This volume tells the epic story of that process through those who made it possible. Through color illustrations and texts, it provides unique access to the typically veiled fabrication process: the process of scanning, modelling and constructing a nine-ton sculpture that would appear as if it was not there, a “living ghost image” cast from negative space.Trade ReviewReally nice balance of stunningly sequenced imagery and process/development drawings created an immersive, unforgettable experience with great support from the spare, methodical design. * AIGA *

Read more less

Book SynopsisThis tapestry of primary sources is an essential primer on sculpture and its makers. Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture's transformationfrom object to action, concept to phenomenonover the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisChoi's monumental public sculptures revitalize the environment through discarded man-made waste and natural materialsKorean environmental artist Choi Ok Yeung (born 1959) captivates viewers with his large-scale installations, from a bamboo forest of metal pipes to a sculpture of Zeus made with 200 tons of stacked wood. This monograph is a broad representation of his work, which continues to regenerate over time.

Read more less

Book SynopsisWhat to do with the fragments of a love affair?A postcard from a childhood sweetheart. A wedding dress in a jar. Barbed wire. Silicone breast implants. Red stilettos, never worn. These objects and many others make up the inspiring, whimsical, sometimes bizarre, and always unforgettable population of the real-life Museum of Broken Relationships.A decade ago, two lovers were struggling through their own painful breakup, desperate to heal their heartbreak without destroying the memory of the love they had shared. Then, an idea struck: they would create a communal space, a kind of refuge for - and cathartic celebration of - the everyday objects that had outlasted love. These items, along with the anonymous, intimate stories each piece represented, quickly captured hearts and imaginations across the globe. As word spread, the tiny museum became a worldwide sensation.Collected here are 203 of the best, funniest, most heartwarming and thought-provoking piecesTrade ReviewEach photograph in this poignant collection is labelled with a note about the relationship it represents - from the flippant, to the sweetly melancholy to the downright savage - and hint at how that relationships came undone. Compelling and addictive. -- Eithne Farry * THE SIMPLE THINGS *

Read more less

Book SynopsisDocumenting the internationally acclaimed collective craft project by the Wertheim sisters that brilliantly merges ecology, knitting, science and installation artAustralian-born, California-based sister artists Margaret and Christine Wertheim draw on a unique fusion of mathematics, marine biology, traditional handicraft methods and collective art practice to create large-scale coralline landscapes both beautiful and blighted. Responding to anthropogenic crisis, their soft sculptures and wall-mounted reliefs simulate living reefs using crochet techniques to mimic in yarn the curling, crenelated forms of actual marine organisms. Initiated in 2005, the Crochet Coral Reef project has been exhibited internationally. In addition to their own reefs, the Wertheims have collaborated with communities in 50 cities and countries to create local Satellite Reefs, to which more than 20,000 people have contributed, constituting one of the largest, longest running part

Read more less

Book Synopsis

Read more less

Book SynopsisThe third installment commemorating Charles Ray''s rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of G

Read more less

Book SynopsisStacy Klein is Founder, Vision Strategist and Artistic Director Emerita of Double Edge Theatre. Founded in 1982 in Boston, Massachusetts, the ensemble moved in 1994 to a former dairy farm in Ashfield, MA, to create a sustainable artistic home which became the theatre's Center of Art, Living Culture, and Art Justice. Klein has created six performance cycles and holds a PhD in Theatre History and Criticism from Tufts University, US. She received the Doris Duke Performing Artist Award in 2013 and is a member of the Doris Duke Artists Council. Jonathan P. Eburne is Professor of Comparative Literature, English and French and Francophone Studies at Penn State University, USA. His recent books include Exploded Views: Speculative Form and the Labor of Inquiry (2025) and Outsider Theory: Intellectual Histories of Unorthodox Ideas (2018), which received the 2020 James Russell Lowell Prize from the Modern Language Association.

Read more less

Book SynopsisNorman Ough is considered by many as simply the greatest ship modeller of the twentieth century and his exquisite drawings and meticulous models have come to be regarded as masterpieces of draughtsmanship, workmanship and realism; more than technically accomplished ship models, they are truly works of art.This new book is both a tribute to his lonely genius and a practical treatise for model shipwrights. Ough lived most of his adult life far from the sea in a flat high above the Charing Cross Road in London, where his frugal existence and total absorption in his work led to hospitalisation on at least two occasions; he was an eccentric in the truest sense but he also became one of the most sought-after masters of his craft. Earl Mountbatten had him model the ships he had served on; his model of HMS Queen Elizabeth was presented to Earl Beatty; film production companies commissioned models for effects in several films. Incorporating many of his original articles from Model Maker Magazin

Read more less

Book SynopsisHow Oppenheimer’s complex artworks break down barriers between art, audience and architecture This publication documents the four interactive artworks by New York–based artist Sarah Oppenheimer (born 1972) created for the Wellin Museum of Art at Hamilton College in the context of her greater artistic oeuvre. Printed in five color with foil stamping, with striking reproductions and contributions by Tracy L. Adler, Suzanne Keen, Sarah Oppenheimer and Seph Rodney, the book explores the artist’s multifaceted approach to empathy, agency, audience and cocreation, among many other themes in her work. Oppenheimer considers the space of the museum as a site of experimentation, where visitors experience the curiosity and joy of transforming the artworks themselves. In Oppenheimer’s words, “You have to enter the temporal network in order for the work to exist.”

Read more less

Book SynopsisA stunning, focused document of Nate Lowman’s work from the past four years. ---------- "Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber." - BOMB Magazine ----------- With an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter. Spotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for The Brooklyn Rail, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisFor seven years, photographer and artist Lena Herzog followed the evolution of a new kinetic species. Intricate as insects but with bursts of equine energy, the “Strandbeests,” or “beach creatures,” are the creation of Dutch artist Theo Jansen, who has been working for nearly two decades to generate these new life-forms that move, and even survive, on their own. Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement. Coinciding with a traveling exhibition, Herzog’s photographic tribute captures Jansen’s menagerie in a meditative black and white, showcasing Jansen’s imaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence.Trade Review“They really do appear to be alive. Purposeful, resolute. They don’t fall into the uncanny valley that afflicts so many other robotic assaults on the absolutely lifelike… they almost seem to evince a soul.” * The New York Times Magazine *“Spectacular, mechanical, philosophical beauty all rolled up in the talents of a man who is both artist and artisan in the broader sense of both words.” * Forbes *

Read more less

Book SynopsisA comprehensive survey of the work of the legendary Swiss artist, this book illustrates and examines more than 100 of his sculptures, paintings, drawings, and prints

Read more less

Book Synopsis

Read more less

Book Synopsis

Read more less

Book SynopsisOver four decades of atmospheric installation worksSince the late 1970s, Belgian artist Ann Veronica Janssens (born 1956) has been using ephemeral elements such as light to investigate the sensory perception of reality. Her works create situations that disorient viewers, breaking down their conventional perceptive mechanisms. This catalog, accompanying an exhibition at Pirelli HangarBicocca in Milan, retraces the artist's entire career across sculpture, video and installation.

Read more less

Book SynopsisPublished annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.Trade Review“An indispensable tool for collectors: names are named, designs praised and accusations made.” * San Francisco Examiner Magazine *

Read more less

Book SynopsisMichelangelo's Sculpture is the first in a series of volumes of Steinberg's selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz.

Read more less

Book SynopsisThe first publication on the Yorùbá master sculptor Moshood Olúṣọmọ Bámigbóyè

Read more less

Book Synopsis

Read more less

Book SynopsisScenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional spTrade ReviewThe editors of this provocative and stimulating collection of essays use the concepts of scenography and art history to mutually challenge and expand the analytic potential of each to provide important new strategies for exploring the increasingly complex world of contemporary art. * Marvin Carlson, Distinguished Professor, Theatre and Performance, CUNY, USA *The essays collected in the present volume shift the conversation with scenography away from definitions, and this opens terminology—scenography, scenographics—but also theoretical parameters. … The anthology seeks to give scenography its voice and in so doing, challenges easy boundaries between disciplines and forges new methodologies for thinking with and through scenographic agency. … Scenography and Art History opens its dialogue with art and its histories … at a time when reconceiving the material and imaginative encounters between times, spaces and bodies has never been more urgent and necessary. * Marsha Meskimmon, Professor of Transnational Art and Feminism, and Director of the Institute of Advanced Studies, Loughborough University, UK *A book devoted to the interfaces of scenography and art history is long overdue for numerous reasons. ... As the authors deftly argue, art history has been as ready to dismiss scenography on the same grounds that, until recently, allowed theatre and performance scholars to brush it off as purely decorative (as a practice) or vocational (as a form of thinking). The marriage of these subjects is, consequently, a welcome and exciting addition to the growing library of scenography scholarship and its many possible futures beyond theatre. * Rachel Hann, Senior Lecturer in Performance & Design, Northumbria University, UK *Scenography and Art History is a thrillingly multifaceted and innovative collection of cross-disciplinary case studies unlocking the potentials of scenography as an overlooked sphere, concept and phenomenon in relation to art history as well as to other aesthetic disciplines. * Andrea Kollnitz, Associate professor in Art History, Department of Culture and Aesthetics, Stockholm University, Sweden *Spatial, temporal, affective, critical, and embodied dimensions of scenographic perspectives inform this cross-disciplinary, multifaceted anthology. An unprecedented dialogue between art history and scenography, this volume is both urgent and necessary, exploring the multisensory workings that can shape culture through scenographic phenomena. * Donatella Barbieri, Senior Research Fellow and Principal Lecturer in design for performance, University of the Arts London, UK *This important study shifts our perceptions and understandings of what scenography is. It shows us how agential modes of creative practice can lead towards new theoretical frameworks and how the expanded relationality between objects, subjects, spaces, and ideas can help us forging new realities within and outside the world of art history. * Alda Terracciano, Participatory Design Consultant at The Sloane Lab (AHRC TaNC Programme), UCL Department of Information Studies, UK *The book is a very important contribution to current discussions on multisensory art historical and contemporary events by proposing scenography both as a theoretical concept and as a practical exercise in the field of art history and related disciplines. * Andrea Sommer-Mathis, Former Senior Research Asscociate at the Austrian Academy of Sciences, Austria *Bypassing conventional interdisciplinary anthologies, this collection illuminates the primacy of the physical body and the spatial and material allure it evinces on stage and in visual artistry. Contributions from diverse scholars, sometimes working in direct collaboration, illuminate the many ways in which the performative operates both in real time and in allusive visual form. * Sarah R Cohen, Professor and Chair, Department of Art and Art History, University at Albany, SUNY, USA *Table of ContentsList of Illustrations List of Contributors Two forewords Acknowledgements 1. Introduction: Re-imagining Scenography in Relation to Art History, Astrid von Rosen (University of Gothenburg, Sweden) and Viveka Kjellmer (University of Gothenburg, Sweden) 2. Black Goats and Broomsticks: Feminism and the Figure of the Witch in Leonor Fini’s Designs for Le Sabbat, Rachael Grew (Loughborough University, UK) 3. Scenographing the Dance Archive – Keep Crawling!, Astrid von Rosen (University of Gothenburg, Sweden) 4. Michael Chapman’s Rauschenberg: Mis-en-scène and Scenography in Taxi Driver, Gillian McIver (The University for the Creative Arts, UK) 5. A Dynamic Bipolarity: The Royal Holloway Chapel Project, Scenography and Art History, Greer Crawley (Buckinghamshire New University/Royal Holloway University of London, UK) and Harriet O’Neill (British School at Rome, Italy) 6. Killed by Drones: Embodying Live Performance Scenography, Olga Nikolaeva (Independent scholar, Sweden) 7. Evocations of the ‘sonore et voilé’: The Scenographic World of Der Ring in the Art of Henri Fantin-Latour, Corrinne Chong (Peel District School Board/Art Gallery of Ontario, Canada) 8. Visual Couture: Costume Agency in the Advertising Campaign Opera Papier, Viveka Kjellmer (University of Gothenburg, Sweden) 9. ‘Re-Dressing The Part:’ The Scenographic Strategies of Ellen Terry (1847-1928), Veronica Isaac (University of Brighton/New York University London, UK) 10. Scenographing Festival Books: Towards a Multisensory Archive, Carmen González-Román (University of Málaga, Spain) 11. Scenographic Events: Interfacing with Digital Fashion Stories, Christine Sjöberg (University of Gothenburg, Sweden) 12. Beyond Change: Archaeology of a Spook Play, Tamas Szalczer (Designer, USA) and Eszter Szalczer (University at Albany, State University of New York, USA) Index

Read more less

Book SynopsisFeaturing decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met’s compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900–700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323–31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Read more less

Book SynopsisA critical reexamination of Carpeaux’s bust Why Born Enslaved! and other nineteenth-century antislavery images—this book interrogates the treatment of the Black figure as a malleable political symbol and locus of exoticized beauty This critical reexamination of Jean-Baptiste Carpeaux’s iconic bust Why Born Enslaved! unpacks the sculpture’s complex and sometimes contradictory engagement with an antislavery discourse. Noted art historians and writers discuss how categories of racial difference grew in popularity in the nineteenth century alongside a crescendo in cultural production in France during the Second Empire. By focusing on Why Born Enslaved! and comparing it to works by Carpeaux’s contemporaries on both sides of the Atlantic, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley, this volume explores such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 10, 2022–March 5, 2023)

Read more less