Music industry Books

Book Synopsis''I WAS THERE WITH THESE TWO GIRLS ONCE; THEY WERE STRIPPERS. THEY SAID ''DAVE, WE''D LIKE YOU TO GO UPSTAIRS, THE TWO OF US, WITH YOU. '' SO I SAID, ''OKAY''. IT WAS ANGUS, AND IT WAS HOT AND SWEATY AND HUMID, AND WE COMMENCED TO DELIVER THE GROCERIES AT 138 BEATS PER MINUTE OR MORE. ONE OF THE GIRLS HAD $1500 IN SINGLES AND FIVES AND TENS, HER END-OF-THE-WEEK TIPS AND PAY AND EVERYTHING IN HER G-STRING. NOBODY NOTICED, YOU KNOW, WHEN THE G-STRING CAME UNDONE -- WELL, I NOTICED -- NOBODY NOTICED THE MONEY, LIKE, FLOATING AROUND. I WOKE UP AT SOME POINT AROUND DAWN, THE TWO OF THEM WERE ASLEEP, AND ALL THREE OF US WERE COVERED WITH MONEY, EVERY SQUARE INCH OF SKIN HAD A DOLLAR BILL PASTED TO IT -- THERE WAS NOTHING BUT. THE WHOLE BED WAS COVERED WITH BILLS. OUR BODIES WERE COVERED WITH BILLS. THERE WAS BILLS IN MY UNDERWEAR. TAKE A LITTLE PICTURE OF THAT. '' So begins perhaps the ultimate rock autobiography. Throughout the late-seventies and eighties Van Halen were the archetypal Ameri

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Book SynopsisThese sounds have become vessels for the marginalised, carrying Black and working-class stories into the light. Vividly depicted and compassionately told, Where We Come From weaves together intimate stories of resilience, courage and loss, as well as a shared music culture that gave refuge and purpose to those in search of belonging.

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Book SynopsisFrom Mark Ronson, one of the most distinguished musical influencers of our time, comes a memoir that captures the music, characters, escapades, and energy of his DJ days in ''90s New York. At the dawn of the ''90s, Mark Ronson was a New York city prep school kid playing guitar in a mediocre band, harbouring far-fetched dreams of rock n'' roll stardom. His stepdad, Mick Jones from Foreigner, was an actual rock star, and his mum, Ann Dexter-Jones, lived like a rock star. But Ronson was the least talented musician in his own teenage band. Then, one Friday night in December 1992, he went to an all-ages rave in a warehouse downtown, and his entire life changed. He would devote himself to deejaying.Today, Ronson is one of the most influential DJ-songwriter-record producer-record executives of our time. A seven-time Grammy winner, Ronson has worked with legendary performers like Lady Gaga, Amy Winehouse, Adele, Paul McCartney, Quincy Jones, Bruno Mars, and countless others. In Night People, Ronson looks back at his early days as an upstart teenage DJ in the ''90s, conjuring the undeniable magic of the city''s nightlife--a time when clubs were diverse, glamorous, and a little lawless, and each night brought a heady mix of music, ambition, danger, delight, and possibility.Organised around the venues and nights that defined his experience of the downtown scene, Night People evokes the specific rush of that decade and those spaces--where fashion folks and rappers on the rise danced alongside club kids and 9-to-5''ers--and invites us into the tribe of creatives and partiers who came alive when the sun went down. A heartfelt coming-of-age tale--Night People is the definitive account of ''90s New York nightlife, and the making of a musical genius.

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Book SynopsisHailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in a significantly revised and expanded third editionTrade Review"There is a great divide between what the young musician thinks being a rock star is and what actually working as a musician entails. Ari fills in the blanks with his light-hearted yet blunt demeanour. He's the informed older brother most of us never got in this crazy, confusing industry." -- Andy Grammer, chart-topping singer/songwriter"It's a fun and informative read for every artist out there looking to live off their creative craft. The book does a great job of explaining the process of generating royalties and crowdfunding goals, all while delivering important info in a witty and wise tone that’s comprehensive but never condescending." -- Joshua Kanter - Rolling Stone"An indispensable and comprehensive manual on how to navigate the modern music business." -- Forbes"The best ‘how to’ book of its kind. As a working artist himself, Herstand knows of what he speaks.... The book crackles with the actual experience of being a working artist. Highly recommended." -- Music Connection

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Book SynopsisAs the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer with Berry Gordy as his manager before partnering up with his brother Brian and Lamont Dozier, both talented arrangers and producers. When Holland Dozier Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

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Book SynopsisChosen as one of the Best Architecture and Design books Summer 2022 by the Financial Times. Why British record store carrier bags are graphic design icons: While they’ve never carried the kudos of sleeve designs and music posters, record shop bags offer a fascinating insight into 20th century British music culture, high-streets and more. – Creative Review Jonny Trunk’s extensive collection of record shop bags weaves together a less conventional history of British music, celebrating the shops where musicians and fans bought and sold their first LPs. This book is a love letter to these forgotten spaces, accompanied by a juicy selection of anecdotes and little known facts about the record shops and their bags. Readers, gear up for a “brilliant ride down the old British high streets and low streets too.” – It's Nice That Jonny Trunk and FUEL present A-Z of Record Shop Bags – a publication celebrating the humble record store bag. This exhaustive collection of the record shop bag provides a unique perspective of record shopping in the UK over the last century, bringing together over 500 incredible bags (some possibly the only surviving examples) to document the fascinating story of British high street record shopping. Bags from famous chains such as NEMS, Our Price and Virgin (the amazingly rare Roger Dean bags), sit alongside designs from local shops run by eccentric enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started the premier league, famous staff (David Bowie, Dusty Springfield, Morrissey, etc.) and equally infamous owners, these anecdotes of mythical vinyl entrepreneurs will entertain and delight. With vinyl record sales at their highest ever for decades (outselling CDs in the US), this publication acts as an amazing insight into the history, culture and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica – A-Z of Record Shop Bags: 1940s to 1990s is the next book in the series by Jonny Trunk and FUEL, examining overlooked aspects of our collective past.

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Book SynopsisA groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer.“This is a captivating look at both the nitty-gritty preparation and emotional energy that ‘it takes [for artists] to stand up to that mic... reach down into their guts, and give everything they’ve got for the sake of the song.’ Its star power and up-close, revelatory detail will keep readers riveted from start to finish.” —Publishers Weekly, starred review “For all of the conversations we have about music, there is precious little talk about the art of communicating emotion and meaning via the human voice. The Singer's Talk remedies this by reaching out to a wide range of different singers, who speak insightfully about both the skill and the magic required to change minds and break hearts.” —Steven Hyden, author of Twilight of the Gods and other books These revelatory, frequently funny, and deeply engrossing in-depth interviews provide fans and aspiring singers a backstage pass to the challenges every vocalist faces onstage and in the studio. Packed with never-before-heard stories, The Singers Talk reveals a truly intimate side to these iconic personalities while offering a master class on how the best in their field keep their vocal cords in shape and protect themselves on the road—along with countless other tricks, techniques, strategies, and philosophies to help vocalists at every level perfect the craft of singing. “This is the most geeked out I’ve ever talked about my voice!” —Thom Yorke This historic roster of artists includes: Bryan Adams, Tony Bennett, Nick Cave, Chuck D, Roger Daltrey, Joe Elliott, Emmylou Harris, Brittany Howard, Chrissie Hynde, Norah Jones, Simon Le Bon, Geddy Lee, Willie Nelson, Stevie Nicks, Ozzy Osbourne, Steve Perry, Lionel Richie, LeAnn Rimes, Smokey Robinson, Robert Smith, Bruce Springsteen, Mavis Staples, Rod Stewart, Paul Stanley, Michael Stipe, Jeff Tweedy, Roger Waters, Dionne Warwick, Ann Wilson, Thom Yorke, and many more. Additionally, the book features conversations about legendary voices no longer with us, such as Butch Vig on Kurt Cobain, Clive Davis on Whitney Houston, Nile Rodgers on David Bowie, and Jimmy Iovine on Tom Petty. “Singing is so much more than hitting the right note. It’s about connecting with the audience, connecting with something divine to a certain degree. It’s connecting to your most primitive and deepest intuition, and to your nature as a human on this planet.” —Karen O. More than just an indispensable guide for singers of any level, The Singers Talk is an unforgettable read for music fans everywhere. All royalties from The Singers Talk will benefit the kids and families at St. Jude Children’s Research Hospital through their Music Gives to St. Jude Kids campaign.Trade Review“This is a captivating look at both the nitty-gritty preparation and emotional energy that ‘it takes [for artists] to stand up to that mic... reach down into their guts, and give everything they’ve got for the sake of the song.’ Its star power and up-close, revelatory detail will keep readers riveted from start to finish.” -- Publishers Weekly, starred review“...a fascinating and often revelatory look at the art of singing…. By turns eloquent, funny, reflective, and technical, all these conversations enlighten and illuminate the art of being a vocalist.” -- Library Journal

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Book Synopsis'You never knew what you were going to be confronted with when you went on Later' Nick CaveLater is a voyage of discovery for us as well as the viewers' Dave GrohlDave Grohl and Alicia Keys loved it, Björk treasured it, Ed Sheeran's life was changed by it, Kano felt at home while Nick Cave was horrified but inspired, and they all kept coming back.This first-hand account of the BBC's Later with Jools Holland takes you behind the scenes of one of the world's great musical meeting places. Legends including Sir Paul McCartney, Mary J. Blige and David Bowie found a regular welcome, alongside the next generation of superstars including Adele, Ed Sheeran and Amy Winehouse. Part of what has made the show so special is the format all those bands, singers, stars and newbies brought together to listen as well as to perform in Jools' circle of dreams. But there's always been plenty of mayhem alongside the magic of convening a room full of musicians hosted by one of their own.Written by the show's co-creator and 26-year showrunner, music journalist Mark Cooper, this is the story of how Later grew into a musical and TV institution. It was Mark who had to explain to Jay-Z why he couldn't just do his numbers and split, who told Seasick Steve why he had to play Dog House Boogie' on the Hootenanny and persuaded Johnny Cash that he simply had to come in, even when The Man in Black wasn't feeling well.From Stormzy to Björk, from Smokey Robinson to Norah Jones, from Britpop to trip hop, here is the word on how Later began, evolved and has endured, accompanied by exclusive interviews with some of the show's regular stars as well as the unique pictorial record of Andre Csillag who photographed the show for over 20 years. A must-read for music fans everywhere, Later with Jools Hollandpulls back the curtain on classic performances to reveal that the show is just as magical, if even more chaotic, than you imagined.Trade Review‘Excellent’ Jools Holland

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Book SynopsisMick Wall penetrates the closed world of Aussie rock legends AC/DC. 'We're a rock group - we're noisy, rowdy, sensational and weird' Angus Young

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Book SynopsisWhen a musician dies, it is rarely the end of their story. While death can propel megastars to even further success, artists overlooked in their lifetime might also find a new type of fame. But a badly timed move or the wrong deal can see the artist die all over again. Colonel Tom Parker, the former carnival huckster, understood this high-wire act implicitly and the posthumous career of Elvis Presley has provided a template for everyone else. Estates have two jobs: keeping the artist's name alive and ensuring they continue to make money. These can sometimes be compatible goals, but often they spark a tension that is unique in the music business. Drawing on interviews with those running music estates as well as music lawyers, record company executives and archivists, Leaving the Building reveals how the music industry is constantly striving to perfect the business of death.

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Book Synopsis'One of the most rewarding pieces of hip-hop criticism ever written' Jeff Chang 'Brilliant' Giles Peterson 'Will Ashon's dazzling study gets to the heart of hip hop, pop culture and the history of contemporary America. Essential' Matt Thorne 'Each of these chambers contains wonders of history, destiny and mythology' Margo Jefferson Will Ashon tells, in 36 interlinked 'chambers', the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualise, reveal and honour this singularly composite work of art. From the FBI's war on drugs to the porn theatres of 42nd street, from the history of jazz to the future of politics, Chamber Music is an explosive and revelatory new way of writing about music and culture.

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Book SynopsisFeaturing a foreword from Annie MacIn Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends.One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women.Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.Trade Review‘Imagine the DJ is taking notes while everyone in the club is dancing. Welcome to the club is exactly that, notes of a DJ – the irrepressible sunlight of DJ Paulette. A fascinating insight into the music business by a northern Black woman.’Lemn Sissay, author of My Name Is Why'Icon. Trailblazer. Activist. Warrior. DJ Paulette has led the way for Black women and women everywhere in a global music industry riddled with racism and misogyny. She has blown apart the myths. This is a magnificent book. A manifesto for our times and a rallying call for the future.'Maxine Peake, actress and activist'Paulette continues to light the way for others, building in relevance and significance, wowing crowds, annihilating dancefloors. I would recommend Welcome to the club as an essential read for anyone and everyone. I thoroughly enjoyed it.'Craig Charles, actor, comedian, DJ, television and radio presenter ‘Paulette is someone I’ve always respected, admired and been inspired by. This book is beautifully written, incisive, dry, witty and real – true Mancunian honesty. What an adventure and a truly fascinating life.’Rowetta, member of the Happy Mondays'Paulette is a pioneer, a ground-breaker, a trailblazer and never afraid to hold a mirror up to the world to show that there is still so much more to do. A self-assured shimmy of a book that instantly transports you to the dancefloor and beyond. I love it!'Arielle Free, BBC Radio 1 presenter‘DJ Paulette's Welcome to the club is a testament to her ability to witness the dancefloor while blending memorable anecdotes that bring new life to the UK underground music scene. More than her fabulous landing in Paris, where she built a new world of listeners around her name and sound, it's the fact that Paulette turns notable moments in her thirty-year career into a close listening experience. There's a musical quality to this book that sounds like what Black women DJs have tried to tell the world – our unique experiences turn any party into a lively classroom. Paulette leaves curious students waiting for the next chapter so they can hear it like a song.’Lynnée Denise, DJ, writer and interdisciplinary artist‘When I first met Paulette, back in that pivotal space of early 1990s Manchester, I don’t think any of us really understood what we were getting out of nightlife beyond raw enjoyment. Now we've had a chance to re-evaluate those codes, to understand how much they meant in forming us as people. This book explains why nightlife matters, beamed in directly from a vanguard position behind the DJ booth. Paulette understands the philosophy of the nightclub because she was there when it was at its very best.’Paul Flynn, author of Good As You: 30 Years of Gay Britain ‘I arrived in 1990s Manchester, found a place to live and a job then got dragged up, went clubbing and there was DJ Paulette on the decks. She made being an outsider look hot, and I wanted in. Her energy and music were the soundtrack to my queer gender-bending dance floor years. Decades on I still want to be in her club. If music and clubbing played an important part in your life, then so will this book.’Kate O'Donnell, Artistic Director of Trans Creative'I now realise the weight of the obstacles and challenges Paulette overcame, her fortitude to compete in male-dominated arenas, the racism she undoubtedly encountered. Her mettle and contribution have clearly opened doors for the diversity and equality we strive for today.'Simon Dunmore, DJ and Founder of Defected Records & Glitterbox'With fierce resilience and passion, DJ Paulette’s travels through clubland reveal her personal triumphs over life’s adversities. A book filled with music and love, positivity and enthusiasm. 'Princess Julia, DJ, model and music writer‘Any list of the pioneers of the Manchester club scene, and the international scene it so heavily influenced, is not complete without the name of DJ Paulette. Ours is a city that celebrates those who challenge elites, break down barriers and open doors for others to walk through. Paulette has done all of those things and more and that is why we are so proud of her.’Andy Burnham, Mayor of Greater Manchester‘A thrilling ride around the world through the lens of a Black female DJ. Covering the good, the bad and the ugly, DJ Paulette tells it like it is. There are few visible Black female role models in the music industry and DJ Paulette is a passionate advocate for racial, gender and LGBTQ+ equality, but most of all she’s a legendary DJ. If you want a fresh, original voice on electronic dance music, culture, politics and more, this is the book for you!’John Shortell, Head of Equality, Diversity and Inclusion, The Musicians’ Union‘A refreshingly honest and positive queer voice. DJ Paulette’s memoirs are everything that club culture needs at the moment: Written with warmth and passion, this book continues the trend of female professionals telling their stories – the good and the bad ones – so that we learn how clubs can once again become the places of Peace, Love, Unity and Respect.’Dr Beate Peter, The Lapsed Clubber Project'A true original of the UK club scene, Paulette has experienced the highs and lows of dance music culture, and this heartfelt and insightful book tells the story of what she saw and learned with her distinctive style, warmth and wicked wit.'Matthew Collin, author of Rave On and Altered State'DJ Paulette has written a story that needed to be told, and as only she could tell it. Rich with experience and careful research, Welcome to the club is a must-read for anyone interested in house music, DJing and the power of life narrative.'Audrey Golden, author of I Thought I Heard You Speak'Welcome to the club is joyful, funny and furious. DJ Paulette’s essential read doubles up as an alternative history of dance music, told from the middle of the dancefloor. It’s a sparkling and generous ride through international high times and low moments, documenting music industry racism, sexism and homophobia with fabulous clarity. This pioneering DJ and musical instigator has written a full-bodied celebration of the myriad ways music can save your life – and can also make your life. 'Emma Warren, author of Dance Your Way Home'This book made me dizzy in a good way! Paulette is a great story teller who brings her musical journey to life in a way which entertains and inspires, much like her DJ sets and radio shows.'Mr. Scruff, record producer and DJ'This is one of those books whose absence from the canon of musical history goes largely unnoticed until it is written.'Louis Cammell, The Skinny‘This book is a timely reminder that history or herstory is not written yet and never over. It gives a valuable and personal account of the development of DJing as a professional music career and its beginnings in the LGBTQ community in Manchester at the start of the 1990s. At moments it is a disturbing and hard read, but read it one must. This is a much needed and powerful account for anybody interested in the music business and the development of dance music internationally.’Sally Anne Gross, music industry practitioner and academic'Paulette’s rollicking memoir takes you through unmarked doors vibrating with bass to celebrate a life lived to the full in dance music.'Frank Broughton, DJ History -- .Table of ContentsForeword by Annie MacIntroduction: welcome to the club (Belleville or bust)1 Finders keepers: in the beginning2 London to Paris: Eurostar3 Bad behaviour: shit shags and crap hotels4 FAQs (female asked questions)5 How to kill a DJ6 Sane as it ever was7 Lifetime VIP: a manifestoIndex

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Book SynopsisThe Beatles, the Bible and Bodega Bay presents two portraits: the young man in London on top of the Apple building (and on top of the world!) as he watches the Beatles perform for the last time, and the older man on a remote Sonoma beach on his knees looking out to sea and into the heart of his Creator.#1 Best Selling Beatles Book – Amazon.com #2 “Books About the Beatles” – Senior Editor, Rock, Amazon.com (Beatles Anthology listed as #1) MAJOR PRESS REVIEWS Barnes&Noble.com (Kevin Giordano) “There is something quite Lennonesque about Mansfield’s soul-searching—his tales are astonishingly clear and vivid.” Amazon.com (Gail Hudson) “It is his writing talent and depth of personal story that makes this spiritual memoir rock.” Fox News Channel “A fabulous book about the Fab Four. It’s historical and a must-have.” Publishers Weekly, June 2000 “Eschewing the usual druggy histories of musicians, Mansfield delivers a book that is more philosophical than tell-all. There are enough tidbits to satiate any Beatle maniac, Library Journal, August 2000 “This is a ruminative and ultimately very personal journey through a man’s life and his personal relationships with each member of the Fab Four. Washington Post, October 2000 “This account is a warm-hearted look at an exciting period, related by an observer who was often at the right place at the right time.” ********************************** *Because of Ken’s personal relationship, respect and loyalty to Apple and the Beatles he sought all necessary official and personal approvals from Capitol, Apple, and each of the Beatles including Yoko on John’s behalf. At the time of the original release of The Beatles, The Bible and Bodega Bay he was informed that outside of their own Anthology that this was the only book approved by them. Once again, out of that same respect there have been no changes or updates—the content before you is exactly the same as the original book. These are the thoughts and events exactly as they were happening then…a unique insider’s look at a time that will never exist again.

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Book Synopsis''The greatest book ever written on British independent music'' Guardian''One of the best British music books of the last ten years'' MojoFounded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label''s influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records - and of British music since the 1980s.

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Book SynopsisRiverdance exploded across the stage at Dublin’s Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton’s Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan’s self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the ‘Best Musical Show Album.’ Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.Trade ReviewHOT PRESS BOOK OF THE YEARIRISH TIMES BEST BOOK OF 2023‘Bill Whelan’s memoir is an entertaining account of the seismic changes in Irish society during the second half of the 20th century and a colourful testament to an extraordinary life that helped shape and soundtrack it.’ Éamon Sweeney, Irish Times‘Tells the story of a life in music and the path that led to one of Ireland’s most significant cultural exports.’ Irish Independent‘Makes for marvellous, revealing and very powerful reading. A brilliant edition to the canon, it offers a remarkable picture of a musical life lived to the full. Hats off to its maker’ Niall Stokes, Hot Press‘What an incredible talent he is’ Marty Whelan‘Filled with Limerick humour’ Limerick Leader‘Bill Whelan dances down memory lane with new memoir’ Galway Advertiser‘Paints an unforgettable picture of how one man navigated the rapids of music in Ireland – and came up trumps in the long run … an essential read for anyone who loves Irish music.’ Hot Press‘From [Whelan's] central position involved in taking traditional Irish dance into a modern orbit of choreographed bliss, the book charts the artistic and business marriage that built the Riverdance machine - the nuts, bolts and good fortune that together conspired to fashion an extravaganza that would go on play to millions around the globe … After twenty-seven years of live performances to over 22 million people, it remains an Irish export up there with the best.’ Irish ExaminerIRISH EXAMINER BEST BOOK‘[Whelan's] humour is dry, winking, and pivots between sharp and deadpan, developed in the early days of “pre-ghettoisation” Limerick, somewhere between Frank McCourt and the Rolling Stones … As one might expect, Whelan’s writing is rhythmic and punchy, never shying away from difficult topics … His anecdotes are rich and giving.’ Sunday Business Post

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Book SynopsisThe Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory.

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Book SynopsisThe once-in-a-generation memoir of a rock legend - the No. 1 Sunday Times bestseller.''Electrifying'' New York Times''A masterpiece'' The Word''Funny, poignant, brutally honest'' Sunday Telegraph''Densely packed with incident... immensely readable'' Sunday Times''Once you begin this, wild, wild horses couldn''t drag you away''Independent''Life is pretty faultless as the quintessential depiction of the man in full and his extraordinary life and times to date'' The Times''I was hooked from the start''Harper''s BazaarAs a member of the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock and roll life: taking the chances he wanted, speakiTrade ReviewA masterpiece, the most sustained, colourful and rambunctious rampage through his [Keith's] 67 years imaginable * THE WORD MAGAZINE *Funny, poignant, brutally honest, engagingly colloquial, Life is pure Keith Richards, as good a rock memoir as you are likely to read. * SUNDAY TELEGRAPH *Densely packed with incident ... immensely readable * SUNDAY TIMES *This is a good, gossipy read. But the best stuff is Keith on music. Check out his wonderful passage on Charlie Watt's drumming * EVENING STANDARD *Dark, honest and gleefully indiscreet from the first page to the last, it puts some of today's painfully dull musicians to shame * SHORTLIST *Once you begin this, wild, wild horses couldn't drag you away * INDEPENDENT *A hilarious, ribald and often shocking tale told elegantly and with much candidness * CATHOLIC HERALD *I was hooked from the start * HARPER'S BAZAAR *LIFE may be the best rock star autobiography ever * CLASSIC ROCK *A memoir so full of incident it feels like the author's lived three lives, not one * SUNDAY TIMES *The fact that Keith is still alive to tell the story is incredible * SUNDAY EXPRESS S MAGAZINE *LIFE is pretty faultless as the quintessential depiction of the man in full and his extraordinary life and times to date * THE TIMES *Electrifying... the intimate and moving story of one man's long strange trip over the decades, told in dead-on, visceral prose without any of the pretence, caution or self-consciousness that usually attend great artists sitting for their self-portraits * NEW YORK TIMES *Keith comes across as a thoroughly decent man, with just a hint of the devil. His relationship with Jagger is complex and fascinating * EVENING STANDARD *a masterpiece, the most sustained, colourful and rambunctious rampage through his [Keith's] 67 years imaginable -- Mark Ellen * THE WORD *densely packed with incident ... immensely readable -- Lynn Barber * SUNDAY TIMES *Funny, poignant, brutally honest, engagingly colloquial, Life is pure Keith Richards, as good a rock memoir as you are likely to read. -- Sally Cousins * SUNDAY TELEGRAPH *This is a good, gossipy read. But the best stuff is Keith on music. Check out his wonderful passage on Charlie Watt's drumming. -- William Leith * LONDON EVENING STANDARD *Dark, honest and gleefully indiscreet from the first page to the last, it puts some of today's painfully dull musicians to shame. * SHORTLIST *Once you begin this, wild, wild horses couldn't drag you away. -- Boyd Tonkin * INDEPENDENT *A hilarious, ribald and often shocking tale told elegantly and with much candidness. * CATHOLIC HERALD *I was hooked from the start -- Giles Deacon * HARPER'S BAZAAR *Life may be the best rock star autobiography ever. * CLASSIC ROCK *A memoir so full of incident it feels like the author's lived three lives, not one. * SUNDAY TIMES *The fact that Keith is still alive to tell the story is incredible. -- Chris Tarrant * THE SUNDAY EXPRESS S MAGAZINE *

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Book Synopsis''At last, Sinatra has the biography he deserves'' - The Irish TimesFrank Sinatra was the best-known entertainer of his century - infinitely charismatic, more legendary and notorious than any other public personality of his era. But no matter what you think, you don''t know him.In this critically acclaimed biography, James Kaplan reveals how Sinatra made listening to pop music a more personal experience than it had ever been. We relive the years 1915 to 1954 in vibrant detail, experiencing as if for the first time Sinatra''s journey from the streets of Hoboken, his fall from the summit of celebrity, and his Oscar-winning return in From Here to Eternity. Here is the book that, finally, gets under his skin.Trade ReviewKaplan writes with an addictive wiliness, vigour and feeling that suit his subject...to a tee * Daily Telegraph *Authoritative and enjoyable...important too * Sunday Times *A wealth of entertaining detail about the singer's career, gnawing personal insecurity, lavish sexual indulgence, and obsessive musical virtuosity * Observer *Evokes a sense of period with crackling energy * Daily Express *Very few writers can write coherently about what makes music work. Fewer still can tell what makes it profound. Kaplan can * The Age *At last, Sinatra has the biography he deserves * The Irish Times *

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Book SynopsisDubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends.For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music. The “industry bible” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business. So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisFULLY UPDATED AND REVISED, INCLUDING TWO NEW CHAPTERS TO BRING THE STORY UP TO DATESomeone called and said Kurt died. I just f*****g lost it.'He has sold over 50 million albums. He's been in bands that have changed popular music forever. He saw his best friend commit suicide. He starts supergroups. He's the nicest guy in rock.From Nirvana to Foo Fighters, from brotherhood to bitter rivalry, from breathless highs to lifeless lows, Paul Brannigan gives an unparalleled, intimate and extraordinary account of the life and times of Dave Grohl.In 1990, little-known punk-metal upstarts Nirvana added a new drummer to the band. They were soon to become a global phenomenon but as we all know, things went wrong. Dave''s friend Kurt, frontman of Nirvana, took his own life, plunging the band and their future into chaos. His friends' grief was mirrored by worldwide sorrow to an unprecedented degree.Defying expectations, a knack that was soon to become his trademark, Grohl refused to see it as the enTrade Review‘Grohl and his groups dissected with gumption.’ **** Mojo ‘Brannigan draws on his own interviews with Grohl, among others, to plot a compelling journey… ending with Foo Fighters headlining stadia. A big-hearted, fascinating read.’ Q ‘A rich history of recent pop music as it moves from punk and hard-core to grunge to indie bands’ New York Times ‘Impeccably-researched, thoroughly entertaining, and packed with rich new insights, This is a Call will enjoy a place among the absolute best music biographies of the past twenty years.’ LitReactor.com ‘A fascinating read… doesn’t skimp on entertaining anecdotes, juicy gossip or evidence of Grohl’s immense songwriting talent.’ Alternative Press ‘Brannigan not only offers a penetrating portrait of Grohl the man but also presents an indelible portrait of the American underground-rock scene.’ Booklist ‘Brannigan salutes a musician who’s surfaced, prosperous and sane, from the perils of an extended punk-rock adolescence that not all of his friends survived. Reverent and informative.’ Kirkus Reviews ‘Dave Grohl’s tale covers so many bases after 30 or so years in the business that it takes a biographer of consummate skill to get it all down on paper without missing anything out. Fortunately, ex-Kerrang! editor Paul Brannigan has what it takes…What lingers most is the expert way in which so many disparate slices of history are interlaced. After reading This Is a Call, you’ll know much more than you did before about the way that US hardcore merged into Seattle grunge, and how rock shed its skin in the 90s…It’s info such as that which makes this book essential.’ Record Collector

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Book SynopsisLive music events are synonymous with fun but seldom associated with international trade. This book serves to transform this mindset, through describing the economic value of live music and analysing the factors affecting international trade in Caribbean live music services.Race and ethnicity, unachieved regionalism within the Caribbean, and perceived biases in international trade agreements are assessed in relation to their impact on this trade. Several topics presented in this book are based on empirical findings from a previous microeconomic study, dedicated entirely to international trade in live music. Moreover, this book is unique because it compares the Caribbean and South Korea to assess the effectiveness of strategies aimed at developing international trade in live music services. This comparison should inspire robust policy initiatives for advancing international trade in Caribbean live music, given that South Korea is presently a heavyweight in the export of its en

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Book Synopsis''A hot-rod joy ride through mid-20th-century American history'' (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar''s amplified sound''Leo Fender and Les Paul''and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.In the years after World War II, music was evolving from big-band jazz into rock ''n'' roll''and these louder styles demanded revolutionary instruments. When Leo Fender''s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an ''axe'' that would make Fender''s Esquire look cheap and convinced Les Paul''whose endorsement Leo Fender had sought''to put his name on it. Thus was born the guitar world''s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s''including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton''adopted one maker''s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In ''an excellent dual portrait'' (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering ''spot-on human characterizations, and erotic paeans to the bodies of guitars'' (The Atlantic). ''the story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new'' (The Washington Post).Trade ReviewNew York Times Book Review Editors' Choice “In The Birth of Loud, Ian S. Port has sorted out the facts of the electric guitar’s much-mythologized genesis and cultural conquest. He turns them into a hot-rod joy ride through mid-20th-century American history. With appropriately flashy prose, he dismantles some misconceptions and credits some nearly forgotten but key figures. He also summons, exuberantly and perceptively, the look, sound, and sometimes smell of pivotal scenes and songs. The Birth of Loud rightfully celebrates an earlier time, when wood, steel, copper wire, microphones and loudspeakers could redefine reality. Tracing material choices that echoed through generations, the book captures the quirks of human inventiveness and the power of sound.” —Jon Pareles, New York Times Book Review“Fascinating . . . one of Port’s true strengths [is] his ability to marry an agreeably anecdotal writing style to a musician’s ear. The way a Telecaster snaps and sizzles, the way a Les Paul purrs with liquid, violin-like tones; he just gets it. . . The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new.” —Washington Post“[An] excellent dual portrait . . . In the second half of the book, Mr. Port, a veteran music journalist, touches on the work of every major guitar player of rock’s golden age, from Muddy Waters to Buddy Holly—whose appearance on “The Ed Sullivan Show” electrified (the pun is unavoidable) Eric Clapton and Paul McCartney and John Lennon—and continuing through Jimi Hendrix, Jimmy Page and, of course, Bob Dylan, whose notorious switch from acoustic to electric at the 1965 Newport Folk Festival scandalized his fans. Not everyone played a Fender or a Les Paul—the Beatles were Rickenbacker fans, and Gretsch guitars had a significant market share—but, as Mr. Port says, the wildfire popularity of those two guitars fueled a world-changing demand for electric guitars of every type.” —Wall Street Journal“Rich in description . . . full of imagist sound-summonings, spot-on human characterizations, and erotic paeans to the bodies of guitars . . . Port can write lovingly, such as when he describes an early, solid-wood model that belonged to the country twanger Merle Travis. . . And he can write with technical lyricism . . . He even made me like Eric Clapton for a minute. And from the fumbled genesis of the electric guitar to its expressive climax, he draws us a beautiful, educational arc.” —The Atlantic“Ian S. Port’s The Birth of Loud reframes the standard history of rock ’n’ roll around the dual creators of the modern electric guitar. . . . Instead of a parade of frontmen and songwriters dueling it out in the charts, Port presents a ground-up account of an at-times begrudging friendship between two Angelenos who created the sound of what we instinctively understand as ‘rock.’ . . . Port’s research is thorough and his prose is lucid. If the evanescence of the internet and the machine-like qualities of synthpop make you want to put words to that vague cultural hunger for something more tactile, more connected to physical reality, this is your book. . . . The Birth of Loud is a compelling addition to the misremembered history of the time.” —SF Weekly“[Tells] the story of the development of the electric guitar through the lives of its two most famous names….Port deftly toggles between their parallel paths, as if swiveling from one effects pedal to another.” —James Sullivan, San Francisco Chronicle“Ian S. Port knows a thing or two about guitar heroes. . . . [With] lyrical, evocative prose, The Birth of Loud includes vivid scenes of Muddy Waters inventing Chicago blues, the Rolling Stones' sex-drenched appearance on The T.A.M.I. Show, Buddy Holly's TV debut with Ed Sullivan, Bob Dylan going electric at Newport and more. Along the way, Fender and Paul hone their inventions to perfection, vie for endorsements from the hottest players, and engage in that age-old driver of American innovation: cutthroat competition.” —KQED “Arts”“A rip-roaring journey through the early days of rock 'n' roll, told through the lives of the men whose innovative guitars helped usher it into existence . . . A lively, difficult-to-put-down portrait of an important era of American art that enhances readers' appreciation for the music it depicts.” —Kirkus Reviews (Starred Review)“A page-turning look at two central players [Leo Fender and Les Paul] in the sonic evolution of popular music. Port explores their trials and tribulations with an expert hand. This is a long-overdue cultural biography of music innovation. VERDICT: Thoroughly entertaining and deeply informative, this love letter to American creativity and rock and roll belongs in every library and should be read by all rock fans.” —Library Journal (Starred Review)“This smartly written and genuinely exciting book walks us through the bitter rivalry between Fender and Gibson and, since there is no way to tell this story without telling the story of rock ’n’ roll itself, also provides a jaunty if necessarily abbreviated history of rock. For music buffs, this one is special." —Booklist“[The] definitive history of the electric guitar and its two foundational personalities [Leo Fender and Les Paul]. Theirs is a fascinating and compelling story, especially in the hands of a writer as committed to lively narrative . . . Port can spin out evocative, succinct rock ’n’ roll writing with the best of them.” —The New York Journal of Books“Lushly descriptive and detailed…[the book] is richly illustrative in bringing these rock giants and the tools of their trade to life in a squall of beautiful feedback.” —Publishers Weekly“More than an essential, colorful, and gripping history of the electric guitar, The Birth of Loud introduces Ian Port, the best new non-fiction writer of the past twenty years.” —Daniel J. Levitin, author of This Is Your Brain on Music“Ian Port’s found a way to tell the story of the birth of rock ‘n’ roll—for some of us, among the postwar American stories, those that help define who we feel ourselves to be—in beautifully-evoked dual portraits of the men who made the instruments. In doing so, he re-situates this story in its context so neatly it is as if it had never been told before at all.” —Jonathan Lethem, author of Motherless Brooklyn and The Fortress of Solitude"Ian Port has created a perfect blend of popular history, social commentary, and enough guitar details to satisfy the most rabid six-string geek. This is a fascinating book." —Jonathan Kellerman, bestselling novelist and author of With Strings Attached: The Art and Beauty of Vintage Guitars"Guitar players are partly born, partly made, and every one has a story. So, too, are guitars, including the electric guitars that changed the world more than half a century ago. This is their story, and the story of their makers, well-told." —Gary Marcus, author of Guitar Zero“Long before Les Paul and Leo Fender were brand names who revolutionized music and changed culture, they were two guys—obsessively tinkering to recreate sounds in their heads. In The Birth of Loud Ian S. Port vividly captures the compulsion and competition that drove these fascinating oddballs to rock the world.” —Alan Light, former editor-in-chief of Vibe and Spin and author of The Holy or the Broken: Leonard Cohen, Jeff Buckley and the Unlikely Ascent of “Hallelujah” “It’s hard for me to think of an invention more crucial to my interior life than the electric guitar, so in a way The Birth of Loud, Ian Port’s moving, riveting account of the instrument’s development and rise to ubiquity, feels like a sacred text—the story of how I came to be. It’s also a rich and fascinating tale of obsession, ingenuity, and American abandon. Thank heavens for Les Paul, thank heavens for Leo Fender, and thank heavens for Ian Port.” —Amanda Petrusich, author Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records“The Birth of Loud is more than history, journalism or criticism—it’s a killer rock ’n’ roll story, complete with money, egos, star power and, yes, electric guitars.” —Steve Knopper, author of MJ: The Genius of Michael Jackson and Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age“The Birth of Loud channels trickles of intriguing new information into a confluence of big ideas about the history of the electric guitar. This book is essential reading for guitar history maniacs!” —Deke Dickerson, guitar historian, bandleader, and author of The Strat in the Attic

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Book SynopsisAn Uncut Magazine Book of the Year A Telegraph Book of the Year A Financial Times Book of the Year'An adventurer, an entrepreneur, a buccaneer, a visionary' - BONOAs the founder of Island Records, renowned music producer Chris Blackwell has discovered and worked with some of the most legendary artists of the second half of the twentieth century - from Steve Winwood to Cat Stevens, Bob Marley to Grace Jones, U2 to Roxy Music, via Nick Drake, the B-52's and Robert Palmer. A maverick free spirit himself, Blackwell turned Island into a home for groundbreaking musicians and their wildly divergent music styles, playing an instrumental role in bringing reggae to the world stage.Now, as he turns eighty-five, the great raconteur takes us back to the island where it all began: Jamaica - the paradise where his family once partied with the likes of Noël Coward, Ian Fleming and Errol Flynn and where, as local Jamaican sounds began to adopt contemporary American trends, Blackwell's burgeoning musical instincts flourished. It was also the birthplace of the cutting-edge Island Records, founded by Blackwell in 1959. But that was just the start of a truly remarkable career...Winding through the music industry, this fascinating memoir makes for a giddy ride, encountering Island's many esteemed collaborators over the years and unpacking the initiatives, decisions and risks that ultimately brought such enduring success to Blackwell, both in music and beyond.Trade Review'As you're about to find out through the pages in this book, Chris Blackwell - who looms large in U2's life and was in fact our lifeline into the music world - is an adventurer, an entrepreneur, a buccaneer, a visionary and a gentleman. I'm proud to know him.' -- Bono'C.B. had this way of throwing me in the deep end knowing that I would thrive on being challenged. As you'll read in The Islander, he knows how to get the very best out of people - he's a mover and a shaker and a mischief-maker.' -- Grace Jones'I read Chris Blackwell's autobiography in one sitting, unable to tear myself away. From "My Boy Lollipop" and Bob Marley, via Swinging London and punk, all the way to Talking Heads and U2, I felt like I was reading the inside story of the music of my life.' -- Salman Rushdie'A thoroughly quotable autobiography, a book that's hard to put down. 4/5' -- Mojo'Fascinating. 8/10' -- Uncut'Highly readable.' -- The Guardian'A compelling autobiography.' -- The Observer'A story told with disciplined coherence that plunges deep beneath the surface.' -- Daily Telegraph'Highly recommended.' -- Kirkus'If you're even a minor fan of music books ... buy this autobiography. Fascinating.' -- Variety'A page-turner of an autobiography.' -- Record Collector'Fascinating autobiography of the Island Records founder. The Islander is a treasure.' -- Prog'A rip-roaring yarn, the ultimate behind-the-scenes insider look at the coolest label ever on the planet.' -- The Quietus'A compelling, juicy book.' -- Irish Times'An absorbing read.' -- Echoes'An extraordinary story and a wonderful book. It couldn't be more enthusiastically recommended.' -- Mark Ellen'Highly entertaining, rapid-fire, hard-to-put-down memoir.' -- Air Mail'There are amazing insights. If you want to know how it was ... read The Islander.' -- Bob Lefsetz

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Book SynopsisA Financial Times, Irish Times, Mojo and Uncut Book of the YearI doubt I'll ever read a better account of the history and sociology of popular music than this one.'' Brian Eno''Boyd's book is the Proust of music history à la recherche of much music lost, here regained and affirmed in our present.'' ObserverLegendary producer and record label boss Joe Boyd has spent a lifetime travelling the globe and immersing himself in music. He has witnessed first-hand the growing popularity of music from Africa, India, Latin America, the Caribbean and Eastern Europe since the 1960s and was one of the protagonists of the world music' movement of the 1980s. In this sweeping history, Boyd sets out to explore the fascinating backstories to these sounds and documents a decade of encounters with the most extraordinary musicians and producers who have altered the course of music for us all. And the Roots of Rhythm Remain shows how personalities, events and politics in places such as Havana, Lagos, Budapest, Kingston and Rio are as colourful and momentous as anything that took place in New Orleans, Harlem, Laurel Canyon or Liverpool. And, moreover, how jazz, rhythm and blues and rock n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon.

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Book SynopsisA Leap Into The Void is the ballad of The Creeping Bent Organisation, a label established in Glasgow in 1994 specialising in music, art, design and performance. Creeping Bent founder and conceptualist Douglas MacIntyre tells the story from his perspective, highlighting the trials and tribulations of successfully operating an independent business over a 30 year period. Featuring apperances from Fire Engines, Vic Godard, Jazzateers and The Secret Goldfish to name a few, this book chronologically details the creativity and vibrancy of Scotland's underground cultural pioneers.

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Book SynopsisThis comprehensive manual will help musicians and those working in live music to identify and cope with the various physical and psychological difficulties that can occur during, or as a result of, touring. It covers topics including mental health, peak performance and performance anxiety, addiction, group dynamics, relationship problems, dealing with the media, physical health, diversity and inclusion, crisis management and post-tour recovery. Written by health and performance professionals, this timely and essential book provides robust clinical advice, cutting edge research, practical strategies, resources and detailed illustrations. Each chapter is underpinned with personal recollections from musicians and prominent touring personnel, including Nile Rodgers, Justin Hawkins, Philip Selway, Charles Thompson, Katie Melua , Kieran Hebden, Jake Berry, Tina Farris, Taylor Hanson, Trevor Williams, Lauren Mayberry, Pharoahe Monch, Jim Digby, Will Young, Angie Warner, Dale 'Opie' Skjerseth and many more. Touring and Mental Health is designed to be picked up, put down, read at length and passed around the tour bus.

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Book SynopsisGeorge is the story of two extraordinary lives the private man and the public legend.Georgios Panayiotou was just eighteen when he decided to adopt the stage name of George Michael. Sometimes his two worlds would collide with shattering consequences.Bestselling biographer Sean Smith has gone back to the neighbourhoods of North London to trace the astonishing journey of a sensitive but determined boy who grew up to be one of the biggest British pop stars of all time.Along the way, he talks to those close to George, revealing the real man funny, articulate, intelligent and generous spirited who hid behind the powerful image he created.He reveals the complex relationship with his high-achieving Greek-Cypriot father; the unconditional love of his mother; his teenage relationships with girls; and his first tragic love affair with another man.George's career began falteringly with a schoolboy band, exploded with Wham! before he became a solo phenomenon. But at the height of his fame, theTrade ReviewPraise for George: ‘A celebration of his life, as well as his music. Brill.’ Closer ‘Incredibly moving insight into a man who is without doubt part of the soundtrack to my childhood’ – Shelley Fallows at Lovereading Praise for Adele: ‘Fans will be engrossed’ OK Magazine Praise for Kim: “A kind but astute biography. Four stars.” Mail on Sunday “An honest account offering a unique insight on the Krazy world of the Kardashians." The Sun Praise for Tom Jones: “Jaunty and well-researched … the most complete and entertaining portrait of the Welsh superstar to date” – The Mail on Sunday (Event Magazine) “A lavishly appointed, no-holds-barred biography.” – MailOnline

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Book SynopsisThis monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success.In particular, this book deeply explores the mental health of musicians and creative destruction during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era. Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest.This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music.

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Book SynopsisA DAILY TELEGRAPH and IRISH TIMES BOOK OF THE YEARThe must-read music book of the year, now with a brand new chapter covering the death of Taylor Hawkins and his massive Wembley memorial concert.In Bodies, author Ian Winwood explores the music industry's many failures, from addiction and mental health issues to its ongoing exploitation of artists. Much more than a touchline reporter, Winwood also tells the story of his own mental health collapse, following the shocking death of his father, in which extinction-level behaviour was given perfect cover by a reckless industry. This is such a shrewd, funny, psychologically perceptive, frank, well-written, jawdropping book Absolutely buy and read the hell out of this.' DAVID STUBBSWinwood makes a compelling argument and overturns some long-held notions about rock and roll excess by deftly tying together a vast amount of information . . . and liberally lacingTrade Review'Winwood is a witty writer as well as a wise one and his book, which skilfully weaves in his own story of mental health issues, should be required reading for music fans and music makers.' - Irish Times'This is the ugly truth. And It's an essential read.' - Classic Rock

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Book SynopsisAn ethnography about local working musicians in Brazil's most African city.

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Book SynopsisAn unorthodox autobiography detailing a 50 year career in the music, entertainment and film industry.Trade ReviewA few years ago I was at a North East Film Festival of which I'm the patron. We discussed a post-screening interview with a visiting guest."Who will moderate?" I asked, and was told - Chris Phipps. ;I then asked who Chris Phipps was and was told - "Oh, he's very good." They were right, Chris is not just a very good moderator, he is exceptional, as was proved again this year when he chaired a discussion with myself, my partner Dick Clement and director David Batty following a showing of our latest film My Generation. ;He's exceptional, not just because he does his homework, which is easier these days if you plunder Wikipedia, but because he cares so much about his subject, especially if it involves film or music. ;Those twin passions are certainly the glue that fortifies our friendship. We usually end up after a couple of drinks in intense discussions, especially involving music trivia. I won't try to compete with Chris on this, he's just too clued in. ;Yes, I could name the first Kinks' single but Chris could name every track on their debut album. Yes, I know the Proclaimers were the Scottish Everly Brothers but he probably knows where their births are registered. After all he was a producer of the seminal, coolest of cool rock shows The Tube. Apart from that show he has always had a great respect and affection for North Eastern culture and heritage.; A true Northern soul - it always surprises me that he has a Brummie accent. ;Chris's book is suffused with his customary wit, wisdom and humour. ;And if Chris Phipps is dropping names, these are names really worth dropping. ;Ian La Frenais

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Book SynopsisAnyone managing an artistâs career needs to be well versed and have a savvy understanding of the moving parts of the music business. Learn how and why those moving parts move, as well as how to manage and navigate a music-based career.Artist Management for the Music Business gives a comprehensive view of how to generate income through music and how to strategically plan for future growth. The book is full of valuable practical insights. It includes interviews and case studies with examples of real-world management issues and outcomes.Updates to this new edition include a new chapter for independent, self-managing artists, expanded and updated sections on networking, social media, and streaming, and a basic introduction to data analytics for the music business.This book gives access to resources about artist management and the music business at its companion website, www.artistmanagementonline.com.Table of ContentsList of FiguresList of TablesChapter 1 – Artist Management PrinciplesChapter 2 – Preparing to ManageChapter 3 – EntrepreneurshipChapter 4 – The Artist Prepares to be ManagedChapter 5 – Lessons in Artist ManagementChapter 6 – The Indie ArtistChapter 7 – The Artist Management ContractChapter 8 – A Planning Primer for the Artist ManagerChapter 9 – The Artist as a Business and a BrandChapter 10 – Income from Live PerformanceChapter 11 – Income from Songwriting Chapter 12 – Income from RecordingChapter 13 – Conducting Business for the ArtistChapter 14 – Mentors, Coaches and LeadersAppendix AAppendix BAppendix CAppendix DAppendix EAppendix FEpilogueIndex

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Book SynopsisIntroducing the business models, organisational structures, and fundamentals of orchestras, this book takes readers on a journey through the evolution of orchestra management.The author explores the dynamics between artistic excellence and financial sustainability. Key aspects of orchestra management are examined in detail, including artistic programming, strategic planning, financial and compliance/legal matters, audience development, resilience and adaptability, governance and board relations, diversity and inclusion, partnerships, and the role of technology and innovation.With actionable resources, such as checklists, templates, and frameworks, for current and future orchestra leaders and managers, this comprehensive guide empowers readers in education and practice to navigate the complexities of orchestra management confidently and effectively.Trade Review"I have no doubt that this companion is an unprecedented contribution to comprehending the 'business' of orchestra management, an essential foundation for supporting these remarkable institutions in navigating the present and preparing for the future." Christopher Brenner, University of Music & Conservatorio della Svizzera italiana, Switzerland"As First Concertmaster of the Tonhalle Zürich Orchestra, I am actively engaged in both strategic and day-to-day artistic decisions for the ensemble. In this role, I find that Dr Salvaggio's book is proving to be an invaluable resource. Had this book been available a decade ago, it would have significantly increased my capacity to make well-informed decisions, not just artistically but also at the management level within the orchestral field."Klaidi Sahatchi, First Concertmaster, Tonhalle Zürich Orchestra"During my 6-year term as Qatar Foundations’s Vice President for Research, Development, and Innovation, Salvino served as my Chief of Staff, effectively managing a team of over 500 and diverse research projects. His new book is a synthesis of his love for classical music and his managerial expertise. It stands as a pivotal resource, offering transformative approaches to orchestral management in a rapidly changing, multicultural world. For those committed to best management practices and innovation within the orchestral field, this book is not just beneficial—it's essential."Dr Richard O'Kennedy, Former VP for Research, Development and Innovation, Qatar Foundation"Over my 30-year career devoted to playing, conducting and cultivating youth orchestras and choirs in Europe, North and South America, Asia, Oceania, and the Middle East, I could see firsthand the inner workings of orchestra management from the stage across diverse cultural landscapes. Dr. Salvaggio's insightful book peels back the curtain to reveal the complexities involved in running a successful orchestra in today's competitive cultural landscape. His research and framework provide an invaluable guide for current and aspiring orchestra managers and artistic directors striving for excellence across a variety of cultures and business backgrounds. Actually, to my knowledge, this is the first book that pays such a deep attention to the classical orchestra industry globally. An absolute must-read!” Giovanni Pasini, Principal Viola & Resident Freelance Conductor, Qatar Philharmonic Orchestra - Qatar Youth Orchestra - Qatar Concert Choir; Guest Principal of BBC Philharmonic and BBC Wales Orchestras, Australian Chamber Orchestra, La Monnaie (Bruxelles), Opéra de Lyon, RAI Italian Radio Orchestra, Toscanini Philharmonic Parma, Les Violons du Roi (Quebec), among others."As a freshly graduated master’s student in management, I found Dr. Salvaggio's new book to be hugely insightful to understand the business of arts & culture institutions. His in-depth global research on orchestras is remarkably unique and valuable. The book's detailed comparative analysis gives readers a panoramic understanding of orchestra management best practices across diverse continents and cultures. This will be an indispensable manual for any management student, also because, among other benefits, the practical resources provided at the end of the book are a goldmine to solve case studies, applicable not just for orchestras but for all arts and culture institutions and even beyond. Well-written, clear, and accessible, without jargon, the book is structured in a reader-friendly manner comprising separate boxes and tables that provide illuminating examples and case studies. In a nutshell: a manual second to none!"Patrick Billiottet, Former student at ESC La Rochelle and EM Lyon (France) business school"Dr. Salvaggio has undertaken a monumental task - rigorously analysing and comparing business and management models of classical orchestras across diverse global settings. His findings provide powerful insights into optimising these arts organisations amidst different cultural environments. Salvaggio makes an invaluable contribution, illuminating effective management strategies and best practices in finance, operations, marketing, artistic directions and more. Importantly, he also explores how arts and culture organisations can leverage the latest disruptive technologies to drive efficiency, expand reach and catalyse innovation. His book is essential reading for students and managers applying the latest thinking in applied economics and management to run a world-class musical institution."Dr Marco Delogu, Professor, Applied Economics, DISEA - State University of Sassari (Italy)Table of Contents1. Introduction 2. A Concise History of Orchestra Management 3. A Typical Orchestra Organisation and Functions 4. The Business Models of Classical Orchestras 5. The Fundamentals of Orchestra Management 6. Contemporary Issues in Orchestra Management 7. Tech Innovation in Modern Orchestra Management 8. The Ideal Profile of the CEO 9. Conclusion 10. Key Resources

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Book SynopsisIn the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to: Translate musical ideas into scores utilizing music theory and composition techniques Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing Table of Contents Acknowledgments Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation I. Fundamentals of Music and Audio Ia: Fundamentals of Music Chapter 1: Introduction to Pitch Chapter 2: Introduction to Rhythm Chapter 3: Introduction to Harmony Chapter 4: Melody and Counterpoint Ib: Fundamentals of Audio Engineering and Sequencing Chapter 5: Introduction to Audio and MIDI Chapter 6: Manipulating Rhythm in the DAW Environment Chapter 7: Introduction to Acoustics Chapter 8: Melodic Sequencing II. Music Production Essentials IIa. Composition Essentials Chapter 9: Functional Diatonic Harmony Chapter 10: Expanding Your Harmonic Vocabulary Chapter 11: Form and Development Chapter 12: Basic Orchestration IIb. Audio Engineering Essentials Chapter 13: Introduction to Mixing Chapter 14: Recording and Editing Live Instruments Chapter 15: Mixing and Processing Chapter 16: Final Mix Considerations III. Producing Music for Media Chapter 17: The Client/Composer Relationship Chapter 18: Scoring for Short-Form Media Chapter 19: Scoring for Longer-Form Media IV. The Business of Music Composition Chapter 20: The Business of Music Composition Appendix A: List of CC Messages and Their Associated Functions Appendix B: Glossary Permission Acknowledgments Index

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Book Synopsis''The book is f***ing BRILLIANT! Just arrived NYC and wanked myself laughing. Literally tears. Irritated looks all around. What a great writer you are. It''s a classic. You absolutely got the whole shite early 70s thing down precisely as it was. Names, smells, sounds, looks, the food, drink, girls, boys! Mega! Well done.'' - Bob GeldofIn a sodden tent at a ''70s festival, the teenage Mark Ellen had a dream. He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME, Radio One, The Old Grey Whistle Test and Live aid, he has been at the molten core of pop''s evolution, and watched its key figures from a unique perspective. This funny and touching personal memoir maps out his eventful journey in rock and roll.It tells stories and settles scores. It charts the peaks and disappointments. It flTrade ReviewFull of engaging asides and deft, sometimes unsparing pen-portraits, this autobiographical souffle ends with three passages of unexpectedly disturbing power, in which Ellen glimpses the fate of a form of entertainment that has lost the sense of purpose and proportion it possessed during the years when his own tastes were being formed...It is a tribute to Ellen's resilience that not even this sensory assault can erode the powers of humour and observation that make his book so enjoyable. * The Guardian *There's a misty-eyed reverence for the past in Ellen's entertaining memoir of five decades surrounded by music. * The Observer *Thumbs Aloft! For men of several generations, the most eagerly anticipated memoir of the year is Mark Ellen's Rock Stars Stole My Life! and it doesn't disappoint. Subtitled 'A Big Bad Love Affair With Music', Ellen's book describes in beautifully crafted gambols his time working for the music press, from the NME in the Seventies right through to The Word in the noughties, via Smash Hits, Q, Mojo, Select and all places in between. Ellen has been at the coalface of rock hackdom for 40 years, yet unlike many of his contemporaries, he has always viewed his relationship with the music industry - and the preposterous entertainers it throws up - as a ridiculous pleasure rather than a burden. Ellen is not only one of the nicest men in the industry, he's also one of its funniest writers, and this books picks away at the hand that has fed him for all these years with such humour, and such delicacy, that it becomes impossible to put down. Here is a man who presented Live Aid, who presided over the most popular music magazine in the world, and who unwittingly became one of the last people to interview Michael Jackson in print. And it is never less than hilarious. This book will make you laugh, make you cry with joy, and send you scuttling over to what is left of your record collection to look for an Elvis Costello album you probably have not played since it was released. -- Dylan Jones * GQ *So Ellen's book is a riotous, wildly enthusiastic look back over a constantly changing industry and the larger-than-life characters who have dominated it. As the image of today's stars becomes ever more tightly controlled, Ellen's experiences make him one of the few who can pull back the curtain to expose the smoke and mirrors of this most glamorous, exciting and tawdry of industries. * Express *Hilariously indiscreet * The Times *The must read book * Red *Hang on to the shirt-tails of this book and it leads you right the way through --breathlessly. It's terrific! -- Danny BakerRiotous, entrancing and wildly enthusiastic. Exposes the smoke and mirrors of this most glamorous and tawdry of industries. * Sunday Express *Hectic, quietly perceptive and in a writing style best described as Acid Wodehouse. * New Statesman *The unteachable in pursuit of the unquotable. Knowingly ridiculous and very funny. * Independent on Sunday *Immensely readable. A series of golden ages witnessed first-hand. * The Observer *A cultural history of music fandom in a period of fascinating flux. * MOJO *Mark Ellen: the man with the best job ever! * Elle *A fantastic read -- Simon Mayo * BBC Radio 2 *Ellen not only has a tremendous eye for the glorious absurdity of the music industry, but a treasure chest of funny and occasionally touching anecdotes . . . he balances a fan's enthusiasm with sparkling reverence . . . Rock Stars Stole My Life! Is an upbeat and immensely readable account of a joyous addiction. * Mail on Sunday *The collection of people who cross Ellen's path - Blair, old housemate Anton Corbijn, Ellen's girlfriend Anji Hunter, Neil Tennant (who worked on Smash Hits), John Peel, Geldof - is enough to keep you turning the page. Having such a funny, charming guide doesn't hurt either. * The Independent *(a) wry, funny book * The Sun *Mark Ellen had us laughing all the way through. * Stylist *Your book is a joy. -- Jeremy Vine * BBC Radio 2 Arts Show *The book is f***ing BRILLIANT! Just arrived NYC and wanked myself laughing. Literally tears. Irritated looks all around. What a great writer you are. It's a classic. You absolutely got the whole shite early 70s thing down precisely as it was. Names, smells, sounds, looks, the food, drink, girls, boys! Mega! Well done. -- Bob GeldofMade me laugh out loud. -- Adam Boulton * New Statesman *Rock Stars Stole My Life reminds us that [pop music] can also be joyously ridiculous...Ellen relates a blessed life...with playful wit and indefatigable good humour. * Guardian *This year's most breezily entertaining pop memoir.... Ellen sails through pop history with an infectious joie de vivre that sends laughter tumbling from every page. * Daily Mail *entertaining... describes his past encounters with comic candour. * The Times *There's a misty-eyed reverence for the past in Ellen's entertaining memoir of five decades surrounded by music. -- Ben East * The Observer *

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Book Synopsis''The thought behind this book is not just me wanting to tell my story in the standard autobiographical fashion but to create a kind of self-help book that includes my story. There are many things people don''t know about me and maybe when they read about those things they will have an understanding of the journey I have been on, why I''ve made the mistakes I have and hopefully help other people overcome their adversities.''Life has presented its fair share of setbacks for James Arthur, from his disrupted childhood - during which he felt like a stray and a misfit, entering the care system in his teens - to a very public fall from favour just at the point when all his dreams should have been coming true. With an extraordinary comeback in 2016, starting with No. 1 single ''Say You Won''t Let Go'' and his Platinum album Back From The Edge, Back To The Boy shows the British singer and songwriter reflecting not only on his past but also on his retu

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Book SynopsisIrish Independent Music Book of the YearGuardian Book of the WeekAfter discovering a derelict record plant on the edge of a northern English city, and hearing that it was once visited by David Bowie, Karl Whitney embarks upon a journey to explore the industrial cities of British pop music.Manchester, Liverpool, Newcastle, Leeds, Sheffield, Hull, Glasgow, Belfast, Birmingham, Coventry, Bristol: at various points in the past these cities have all had distinctive and highly identifiable sounds. But how did this happen? What circumstances enabled those sounds to emerge? How did each particular city - its history, its physical form, its accent - influence its music? How were these cities and their music different from each other? And what did they have in common?Hit Factories tells the story of British pop through the cities that shaped it, tracking down the places where music was performed, recorded and sold, and the peoTrade ReviewThe book's a joy. I wanted to move to Hull while reading that chapter and - almost - wanted to listen to Black Sabbath for the first time since 1974 . . . I love the way Whitney makes such creative use of a good walk and I admire the way he makes the people who created the music we love seem like such nice, bright men and womenBook of the Week * Guardian *An extremely important addition to modern music writing * The Irish Times *A fine document of a golden era for music in the UK's regions * Financial Times *An interesting, sharp, swift overview of the UK's pop music history * Times Literary Supplement *Insightful and provocative * What Hi-Fi? Magazine *There are sounds here for everyone * MOJO *[Whitney's] curious compass leads this book on numerous worthwhile diversions. A trip * Q *

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Book SynopsisAndrew Lauder is one of British record business''s most significant and highly influential figures but outside the music industry few people will probably know his name. He''s always retained a fan''s perspective which, combined with an exceptional knowledge of music, meant he was at ease around musicians and never happier than spending time with them. During the later ''60s and throughout the ''70s in particular (working at the legendary United Artists), he had a knack of being one step ahead of the next trend. In hindsight it''s easy to identify the changing eras in music but underground music, pub rock and punk in Britain, for example, evolved quite seamlessly and it was visionaries like Andrew who, instinctively, saw what was coming and helped bring about those transitions. He was ahead of the game in other ways too; pioneering a more creative way of marketing and promoting records and revolutionising the way catalogue was organised and presented. This is his story.Trade ReviewMany people who love music - or think they do - aspire to the A&R role. Some are chosen. Very few succeed. Hardly any succeed as significantly and consistently as Andrew Lauder. For 40 years, Andrew was an A&R man on whom those rivals kept the closest of eyes (I know that for certain because for a while I was one of them, and saw how good he was). Without making a fuss, without bothering - unlike so many -- about raising his own public profile, he applied his knowledge and enthusiasm to the business of identifying interesting musicians and helping them to reach an audience. * Richard Williams *Oh, so that's what happened...a crisp and more-ish read. Among the many qualities admired by us musicians who worked with Andrew was his modesty and self-effacement. It's remarkable how, in a book which documents his many successes and accomplishments, that lovely voice and manner is still unmistakable. * Nick Lowe *Lauder was co-founder of the labels Radar, F-Beat, Demon and Silvertone; this came after a decade in United Artists corporate trenches backing such unlikely nags as Can, Hawkwind, Dr Feelgood, and The Stranglers, as well as fading memories like the Groundhogs and Man. Characteristically discreet, his fascinating inside track on what went wrong with the Stones Roses exemplifies the collision of enthusiasm, licenced creativity, sharp practice and turf wars that made the music biz much more than just another office job. * Mojo *Warm and detailed, this is a great lid-lifter from a reliable, affable narrator...his enthusiasm and passion for pop is overwhelming. * Record Collector *Happy Trails is full of such quirks of good fortune that it's tempting to describe Andrew Lauder's career in A&R terms of luck, rather than his ability to detect and nourish talent. His good humour only cracks when discussing the contractual wrangles between his label, Silvertone, and the Stone Roses (not his fault - the dodgy contract pre-dated his involvement.) * Uncut *Happy Trails gives the reader a window into a charmed life that most of us can only dream of. * Shindig *A must read for fans of the seventies British underground. It was Lauder who created the environment within which Hawkwind could rise from the dishevelled jam band he signed in 1969, to become one of the most inventive acts of the early seventies. Lauder's far-sighted recruitment of Amon Düül II and Can lit the fuse for the 'krautrock' explosion of the early 1970s (a term, incidentally, that he loathed); and Lauder effectively god-parented the pub rock boom a couple of years later. * Goldmine *This welcome account (is) a joy to read * Caught By The River *Happy Trails is a book for music historians and crate diggers, particularly lovers of the blues from the '60s through to the '00s.Andrew Lauder's tale is a classic one: young and naïve country boy who came to the big city, fell into a random, entry-level but opportune position at the publishing company Southern Music, and went on to make his mark in the industry for half a century. During his tenure at various music companies in the UK Lauder released key albums from Elvis Costello, the Stranglers, Buzzcocks, Hawkwind, Can, Neu! and the Stone Roses. * Spin Magazine *Lauder is a solid writer, and presents his story with an authentically humble tone that really makes you want to sit down with him for a beer and chat. Can there be a better recommendation than that? * The Wire *Happy Trails is one of the most absorbing and relatable behind-the-scenes music business memoirs you'll ever read * Ugly Things *

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Book SynopsisSongwriters/composers/producers Tracey and Vance Marino have been wildly successful placing their more than three thousand music compositions in various media. They are signed with over sixty different production music libraries and music publishers, and their music is heard daily across the globe.This guide brings togetherin one bookall you need to know about writing, recording, marketing, and monetizing your music. Getting placements in film, TV, and media is not only about writing good music, it''s about writing placeable music. And, after you have written placeable music, what do you do with it? Where do you find the decision-makers? How do you get all the money to which you are entitled? This book delivers the answers. You will discover The most important quality a piece of music should have to be licensed Tips about crafting music specifically for sync The tools and knowledge needed to create broadcast-quality recordings Where to find

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Book SynopsisThis book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright. Other topics include: Managing contracts and assembling teams. Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all. Working with venues, promoters, booking agents, and tour managers. Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK.Table of ContentsIntroduction: Industry Overview and Theoretical Approaches Getting Started: Building Teams and Understanding Management Functions Artist Development Strategies Creating a Buzz Music Marketing Public Relations and Promotion Online Music: Media Platforms, Music Streaming and Music Recommendation Concerts and Festivals Branding and Sponsorship Copyright, Funding and Revenue Streams Beyond the Music: Well-Being and Equality Conclusion

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Book SynopsisLiving in Toronto has its challenges, especially when duct tape-wielding landlords and ever-encroaching developers are involved. For Lenny, the antidote to the chaos at home is the realization of a dream: opening a used record store with a carefully curated selection. He works hard, sneaking bites of cold noodles between customers, and politely tolerating even the most ridiculous requests. Unfortunately, Lenny's store isn't much more stable than his home life. Rent is sky-high, and sales are sporadic. Some days, he's run off his feet while other days, smashing unwanted records is the only way to pass the time. Hope arrives in the form of an old press release tucked away in the sleeve of a record. The discovery launches Lenny into his next quest: to track down the long-lost record collection of Hot Walter, an elusive and aging disco DJ. But will it be enough to save Lenny's Vinyl Boutique? On Vinyl is a love letter to vinyl and an exploration of the role nostalgia plays in the decisions we make.

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