Music industry Books
Business Expert Press The Business of Music Management: How To Survive and Thrive in Today's Music Industry
Book SynopsisThe book’s focus is on successful music entrepreneurship and career development in the global music and entertainment industry. The list of specialized occupations filled by musicians is lengthy, e.g. performer, producer, arranger, composer, songwriter, lyricist, music editor, publicist, recording engineer, conductor, sound technician, manager, entertainment lawyer, promoter, booking agent, tour manager, music educator, vocal coach, private instructor, music supervisor, music programmer, electronic DJ, etc. There are also careers ancillary to music, such as event organizer, music therapist, radio station director, or entertainment director. Music plays an important role in advertising, marketing, video games, film, and digital media as well, and there are tie-ins to tourism, restaurant, and the hospitality industry. Music as an industry is multifaceted, and is a subset of the broader entertainment industry which includes sports, cinema, broadcasting, and creative digital media. The entertainment industry in aggregate is viewed as a potential growth area by governments and by commercial concerns, and often targeted and supported as a tool for sustainable international economic, social, and cultural development. There is even such a thing as music diplomacy, as a component of cultural or “soft power” diplomacy. As with many professions, the set of skills, knowledge, and strategies required to become successfully employed in the music and entertainment-related fields are not the same set of skills needed to do the actual jobs. Young musicians and others with the ambition to work in the music industry are often baffled by the many options available, conflicting information, and the lack of a clear path to success. They are thirsty for balanced and reliable knowledge about and clear direction on how to prepare for a career in the industry. Universities, colleges, and specialty training schools offer programs designed to help individuals prepare for careers in music, leading to certificates, diplomas, or degrees, including at the graduate level. But the focus of the trainings and curricula are most often only on the skills needed to perform the work and not on how to access the work through careful career preparation and entrepreneurial thinking. There is a dearth of relevant information about how to access the opportunities, leverage the training and the networks gained in school, and how to succeed through meeting the true demands of the industry. This book aims to fill this need.
£28.45
Taylor & Francis Eastern European Music Industries and Policies after the Fall of Communism From State Control to Free Market Routledge Russian and East European Music and Culture
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£128.25
Taylor & Francis Beyond the Conservatory Model
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£47.49
Taylor & Francis Spotification of Popular Culture in the Field of Popular Communication
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£128.25
Taylor & Francis From Stage to Studio
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£130.00
Taylor & Francis Ltd The Routledge Companion to Applied Musicology
Book SynopsisThe Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology.Once a field that addressed music's socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches.Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five partsDefining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/Table of ContentsList of FiguresList of ContributorsIntroduction Chris DromeyPart I. Defining and Theorising Applied Musicology1. From Spitta to Seeger: Early Theories of Applied Musicology Malik Sharif 2. Musicology’s Applied Foundations (or, How Music was Musealised) Miloš Zapletal and Chris Dromey3. The Late Nineteenth-Century Concert as Applied Musicology Natasha Loges4. “Applied” before Musicology? George Grove, Programme Notes, and the Dictionary Bruno Bower5. Phenomenology, Practice-led Research, and Applied Musicology Nancy November6. The Locations of Musical Meaning and Subjectivity Alastair WilliamsPart II. Public Engagement7. Shaping the Narrative: Musicology for a Public Leah Broad8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines Frances Wilkins, Barbara Alge and the Aanischaaukamikw Cree Cultural Institute9. Club Inégales, Curation, and Processes of Public Musicology Helen Julia Minors10. Cultural and Artistic Citizenship in Classical Music Constanze Wimmer and Chris Dromey11. Musicology and/as Knowledge Exchange Toby Young12. ‘So wide is the field’: Edward Taylor’s Public Music Lectures Rachel JohnsonPart III. New Approaches and Research Methods13. The Sound Commons and Applied Ecomusicologies Aaron S. Allen, Taylor Leapaldt, Mark Pedelty and Jeff Todd Titon14. Perceptions of Melodic Symmetry: A Priming Study Michael Thorpe15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema Joe Attard16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond Colin Andrew Lee and Chris Dromey17. “Parental Advisory”: Making Explicit the Value and Authenticity of a Music Degree Paul FleetPart IV. Representation and Inclusion18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African Music Karen Cyrus19. Whose ‘Better World’? Reflections on Applied Music Interventions in the Andes Xabier Etxeberria Adrien and Henry Stobart20. Rethinking (Self-)Care in Musicology Klisala Harrison21. The Legality and Morality of Rap at Court Lily E. Hirsch22. Strategies for Using Music Theory to Inform Music Education, Psychology, and Therapy Research Adam OckelfordPart V. Musicology in/for Performance23. “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences Ties van de Werff, Veerle Spronck and Imogen Eve24. On Organology: Taxonomy and Transdisciplinarity Rachael Durkin and Darryl Martin25. Dialogues with Recordings: Digital Memory and the Archive Neil Heyde26. Intersections Between Northern Irish Choral Practices and Community Music Principles Sarah-Jane Gibson and Lee Higgins27. Music for Buildings, Building for Music Neil Thomas Smith and Peter PetersReferencesIndex
£204.25
Taylor & Francis Ltd Spotification of Popular Culture in the Field of Popular Communication
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£37.04
Taylor & Francis Ltd Music as Labour
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£128.25
Taylor & Francis Ltd Music as Labour
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£39.99
Taylor & Francis Crowdfunding and Independence in Film and Music
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£47.49
Taylor & Francis Ltd Crowdfunding and Independence in Film and Music
Book SynopsisThis book explores how independent film and music artists and labels use crowdfunding and where this use places crowdfunding in the contemporary system of cultural production. It complements an analysis of independence in film and music with the topic of crowdfunding as a firmly established form of financing cultural activity.In the second half of the 20th century, the concept of artistic independence was vital to classifying and distinguishing artists, their works, and labels or publishers who released them. However, during the last three decades, this term has become increasingly blurred, and some commentators argue that independence is in crisis. Can crowdfunding be the answer to this crisis? Some believe that it is, whereas others argue otherwise, seeing crowdfunding instead as just the next manifestation of this crisis. This dilemma is a starting point for the analyses of the relationships between crowdfunding and artistic independence conducted in this book, and will beTable of Contents1. Introduction; 2. Crowdfunding as a New Form of Financing Creative Activity; 3. Crowdfunding Independent Cinema; 4. Crowdfunding and Independence in Music; 5. Conclusions; References
£18.99
Taylor & Francis Marketing Recorded Music
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£135.00
Taylor & Francis Ltd Eastern European Music Industries and Policies after the Fall of Communism
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£37.99
Taylor & Francis Beyond the Conservatory Model
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£25.38
Taylor & Francis Networks of Power in Digital Copyright Law and Policy
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£90.24
Taylor & Francis Popular Music in a Digital Music Economy Problems and Practices for an Emerging Service Industry Routledge Research in Music
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£137.75
Taylor & Francis Ltd Making It Happen
Book SynopsisMaking It Happen is a comprehensive guide to navigating the modern music industry, that redefines what making it' means for musicians, and inspires and educates musicians on the different options for generating revenue from their art. This book offers theoretical and practical advice on making music, creating promotional content and embracing traditional and emerging social media platforms into your marketing strategies. Through interviews with music industry experts, readers can expect professional tips and advice, as well as clear instructions on how to build a dream team, make content, share that work and grow an audience to enable long-term business sustainability. In the modern music industry, having multiple revenue streams leads to a stable income.Making It Happen offers unique insights into the innovations and technologies available to contemporary music makers, making it essential reading for independent musicians, music business students, muTrade Review"Making It Happen brilliantly addresses not just the logistics but the inner mindset needed for success in music. A must-read for every serious musician."Derek Sivers, founder of CD BabyTable of ContentsPart 1: Clarify 1. Making It 2. What Do You Want? 3. What’s Stopping You? 4. Why You Should Just Do It Part 2: Calibrate 5. How To Start 6. Carving Your Own Path 7. It Starts With The Music 8. Building Your Dream Team 9. Distributing Music Digitally 10. Sharing Your Work Part 3: Create 11. Creating Content 12. Protecting Your Work 13. Making Money 14. Evolving 15. Conclusion
£33.99
Taylor & Francis Ltd Music Artist Managers
Book SynopsisTo what extent is it possible to do good work in music artist management? Drawing upon original research, this shortform book explores and evaluates motivation, remuneration and equity stakes within the music industries.The author ponders the apparent managerial exodus from the music industries and whether this brain drain could be addressed by providing better remuneration via equity. Based on evidence from Australia, the book illuminates how pay in this sector has remained flat despite increasing responsibility.Emphasising the quality of the subjective experience of music artist managers, this concise book provides readers with new insights into the important role managers play in the music business. The result is a book that will be useful reading for academics and reflective practitioners.
£47.49
Taylor & Francis Innovation in Music Innovation Pathways
Book SynopsisInnovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.
£49.39
Taylor & Francis Ltd Performing Popular Music
Book SynopsisThis book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today's popular music.Trade Review"Cashman and Garrido’s accessible book provides an absolutely first rate overview of all things related to the global live music industry. Based on their own extensive experience and interviews with live music stakeholders, the authors take the reader on a progressive journey through a multitude of factors related to this overlooked industry, ranging from experiencing live performance, to ‘types’ of performance, to advice on rehearsal and practice, to contracts and logistics, to earning a living from and monetising the industry. Written in jargon free language and crammed full of useful advice, the book is an ideal starting point for both the undergraduate student or any practitioner interested in musical performance Although not a research text in the traditional sense, the book does provide many areas for consideration, such as methods of stage communication, attracting audiences, rehearsal methodologies, stage showmanship and the mechanics of ‘experience’, all of which are fascinating points of discussion and analysis. I would imagine this book would be a really useful course text for all institutions teaching popular music performance and I certainly recommend it."—Paul Carr, Professor of Popular Music, University of South Wales"Never has the value of an engaged performance become more evident than during the social isolation enforced on much of the world during the 2020 COVID-19 pandemic. Musicians quickly adapted where they could to the online environment, where the virtual barrier of the computer screen meant that knowledge and skill in creating an evocative and affective performance were never more crucial. And while the live music industry itself struggled, understanding the workings of the industry and knowing how to monetise performances became all the more essential. The release of Cashman and Garrido’s overview of the live music industry and how to successfully navigate it predates the pandemic by only months, and it is testament to the book's thoroughness and breadth that it is as relevant to the live music industry now as it was then, if not more. Covering topics from performance and stagecraft, from preparation to delivery, technology and the business of music, it is packed with useful and accessible information for not only the aspiring contemporary music student, but any music practitioner seeking to hone their skillset. I highly recommend it as a set text for any higher education institution in which popular music performance is studied."—Donna Weston, Associate Professor and Head of Popular Music, Queensland Conservatorium, Griffith University, Australia"Written in a relaxed, informal manner and drawing upon the experiences of the authors and a number of industry professionals, the book not only explores the mindsets of popular musicians when it comes to creating successful performances, but also those of jazz and classical musicians too. Touching upon areas such as individual and group rehearsal techniques, constructing dynamically effective setlists, engaging a band manager and navigating the various roles of musicians within ensembles, the various challenges and necessary skillsets are all outlined very well. ... The last chapter of the book could be considered compulsory reading for those looking to undertake a career in music. Those who are finding their feet in the industry will find this book informative and insightful, whilst those with more experience will enjoy the philosophical and psychological nuggets of wisdom with regard to live performance."—Jenna Doyle, IASPM JournalTable of ContentsIntroduction Section 1 - Creating Memorable Performances 1. What Makes a Performance Memorable? 2. Creating Memorable Live Performances 3. The Role of Personal Practice in Preparing for Your Performance 4. Rehearsing in a Group 5. Your Audience 6. Working as a Musician Section 2 - Making the Money: The Business of the Live Music Industry 7. The Players in the Live Music Industry 8. Earning an Income in the Live Music Industry 9. Planning Your Product 10. Technology and Live Performance 11. Getting the Gigs: Promotion, Travel, Contracts, and Talking Business 12. The Unwritten Rules of Music Performance Conclusion GlossaryBibliographyIndex
£36.99
Penguin Putnam Inc How Music Got Free
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£17.10
Hal Leonard Corporation Business of Bass DVD
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£21.74
Hal Leonard Corporation The Independent Piano Teachers Studio Handbook
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£29.99
Watson-Guptill Publications What TheyLl Never Tell You About the Music Biz
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£19.76
Berklee Press Publications Music Smarts The Inside Truth and Roadtested
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£12.34
Berklee Press Publications Project Management for Musicians Recordings
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£38.25
Berklee Press Publications How to Get a Job in the Music Industry
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£26.46
Berklee Press Publications The Songwriters Workshop Hit Song Forms
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£21.59
Berklee Press Publications Music Law in the Digital Age 4th Edition
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£27.62
Hal Leonard Corporation Rhythm Rhyme Move in Time Games and Songs to
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£37.49
Hal Leonard Corporation Snoozy Snowflake Singin Swingin at the K2
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£37.49
Music Copyright Law
Book SynopsisGain an in-depth understanding of a topic that is vital to the success of anyone in or entering the music industry, with MUSIC COPYRIGHT LAW. From songwriters and performers to managers, producers, and agents ? everyone is affected by the issues covered in this book. Avoiding the technical jargon and "lawyerspeak" that bogs down other books on the subject, the book explores the world of copyright law and hones in on how it applies to music. It begins by building a foundational knowledge of the fundamentals of copyright law, what it protects, the benefits of registering a copyright, and what to do when copyright has been infringed. Once the fundamentals are established, coverage expands to include controversies involving copyright and music in the digital age and the debates over online music. Packed with practical examples that bring complex concepts to life, this book is a must-have for any professional in or entering music business.
£39.59
Southern Music Company The Band Directors Companion
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£39.99
Hal Leonard Corporation Songs for You the Whole Year Through Seasonal
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£37.49
Hal Leonard Publishing Corporation The Music Show Video Series with Animated
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£25.64
Hal Leonard Publishing Corporation Kalanis World Rhythms Play Sing Music from the
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£41.24
Bloomsbury Publishing Plc Understanding Records Second Edition
Book SynopsisThe revised edition of Understanding Records explains the musical language of recording practice in a way any interested reader and student can easily understand. Drawing on readily available hit records produced since 1945, each section of this book explains a handful of core production and engineering techniques in chronological record-making sequence, elucidates how those techniques work, what they sound like, how they function musically, where listeners can hear them at work in the broader Top 40 soundscape, and where they fit within the broader record-making process at large. As the only book to introduce music production and its practical elements with no assumed prior knowledge, the revised edition includes: Exclusive print and video interviews with emerging and established recordists, including: Alex Chuck Krotz (Drake, Three Days Grace, Mother Mother); Kevin O' Leary (Shawn Mendes, The Glorious Sons, Monster Truck); Alastair Sims (Rush, The Tragically Hip, Barenaked LaTrade ReviewUnique and recommended ... First, it is a comprehensive resource to the practical elements of music production. Second, information is presented and illustrated in a style easily comprehensible to those with no previous knowledge. Third, Hodgson presents the recording process in chronological steps, each sub-divided into easily understood facets. Finally, everything is explained using accessible language that clarify the associated terminology and/or technology ... A worthy read and listen, both engaging and informative. * Leonardo Reviews *This diminutive 200-page text (first edition, 2010) offers more audio recording tips and techniques than publications four times its size. Hodgson (Western Univ., Canada), an experienced audio recordist and talented musician, provides in-depth, easy-to-understand explanations of the complexities of audio recording and mixing … Everyone interested in studio or audio production, whether at high school or college level, needs this excellent book. Summing Up: Highly recommended. All readers. * CHOICE *Understanding Records, Second Edition takes a very unique look at recording practice, and how to communicate what we hear when we listen to music. It breaks down and explores this extremely important part of music making like no other resource has done before, making this an invaluable field guide that everyone should read to take their skills in understanding music, and recording, to the next level! * Alex Krotz, Audio Engineer, Mixer, Editor, Producer, and Songwriter based in Toronto/Vancouver, Canada *Understanding Records provides a comprehensive toolbox for the listener who wishes to gain a deeper understanding of the processes that inform the construction of musical recordings and the factors that lie behind the effect they make. Now in a revised second edition, Hodgson’s accessible and highly readable exposition of recording practice remains a valuable resource for professional recordists and educators alike, as well as a great primer in music production for the generally interested reader. * Mark Marrington, Senior Lecturer in Music Production, York St John University, UK *There are certain texts in the field of music production analysis and pedagogy that lift the lid, so to speak, on the expected wisdom of a standardised train of thought. Hodgson’s updated book is exactly this. Whilst it does provide the reader some technical background in the field we work in, it draws upon, analyses, and portrays a vast array of different contemporary academic and professional thoughts and considerations. The author’s views express the musical artefact, the record, in a unique way and engaging way as a backdrop for the work. In this edition, the production process is totally updated with some excellent discussions around issues of our day such as loudness normalisation delivery and distribution. To those wishing to learn about the philosophy, not just the technology of record production, and to engage in meaningful discussion around the topic of the recorded medium, then this book isn’t just a field guide, it’s a mandatory thought provoker! * Russ Hepworth-Sawyer, Mastering Engineer, MOTTOsound, UK *Table of ContentsIntroduction Chapter One: Tracking Chapter Two: Signal Processing Chapter Three: Mixing Chapter Four: Mastering Chapter Five: Coda
£43.26
Hal Leonard Publishing Corporation Jazz for Young People Vol 2 a Teachers Resouce
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£33.74
Shawnee Press (TN) Sacred Songs for Young Voices
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£29.99
Hal Leonard Corporation Oceans of Fun Sing and Learn
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£19.99
Hal Leonard Corporation A Cappella 101: A Beginner's Guide to
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£22.94
Barbershop Harmony Society Arranging Barbershop Vol. 1 Getting Started
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£32.72
Quiller Publishing Ltd Have a Cigar!: The Memoir of the Man Behind Pink
Book SynopsisWhen the music impresario Bryan Morrison died aged 66 in 2008, after two years in a coma following a polo accident, he left behind his unpublished memoir. As a music publisher, manager and agent, Morrison had represented the Pretty Things, Pink Floyd, T. Rex, The Jam, Wham! and many others. He was also the founder and owner of the Royal County of Berkshire Polo Club.In this candid and outspoken book, Morrison reveals the true stories behind why Syd Barrett of Pink Floyd once bit his finger to the bone, the Pretty Things were banned for life from New Zealand, and he became involved with the Kray Twins. He also tells how The Jam kissed goodbye to success in the USA, he received death threats when Robin Gibb left the Bee Gees, and signing a publishing deal with George Michael and Andrew Ridgeley as Wham! Spanning the golden age of British rock ’n’ roll from the 60s to the 80s, this is the extraordinary story of a cigar-chomping, East End entrepreneur, with a passion for art and design, fashion, music and polo. Trade ReviewFor me, reading ‘Have a Cigar’ was like finding a box in the loft that you had completely forgotten about which, upon opening, reveals treasures that have been locked away in your memory and transport you back in time... Even if you would not describe yourself as being a huge music fan, I defy you to not be gripped and sucked in by this cigar-chomping music impresario. -- Amanda Best * Haynet *The book is written in an easy to read, down to earth style and tells of a lifestyle that could have stepped straight off the pages of a Jilly Cooper novel... Given the sheer force of personality that shines through on the pages of the book, it seems unsurprising that Morrison was attracted to the world of polo. As he says, ‘A game of such intensity, skill, bravery and presence of mind that everything else pales into significance.’ I read the book in one sitting; it is an incredible insight into Morrison’s life and truly a privilege to have even a glimpse of the sheer force of nature he was as a businessman. -- Louise Broderick * Haynet *The book reveals the often cut-throat nature of the music business and the chaotic and often destructive lifestyles of those involved... Have a Cigar is a riveting read, bouncing through his music business deals, a brush with The Krays, Bill Gibbs’ fashion business disaster and Morrison’s dogged determination to stick with recording artists he believed in. -- Nigel Carr * Louder Than War *Have a Cigar! is a thrilling affair that takes the reader from the handy fists and feet of London's East End gangsters to the inner turmoil and confusion of Syd Barrett's by then Pink Floyd-less world. Morrison's account affords tremendous insight into the twilight world of the groups, the song publishing highs and lows, the gigs and parties; also putting a degree of flesh onto one or two particular stories, the skeletal bones of which are already known, especially to those who have geeked-out and freaked out to the myriad sounds that made up British psychedelia... It's an easy-going, hugely enjoyable read, the pages seemingly just turning by themselves as you wonder, eagerly awaiting to learn of what's going to happen next. -- Lenny Helsing * Shindig Magazine *Have a Cigar! [offers] something for those interested in the backroom machinations of the rock business. And it highlights a long gone time when charismatic solo wheelers and dealers – maybe with a bit of shady partnerships – could make struggling performers into stars. -- Bob Ruggiero * Houston Press *Bryan Morrison passed away following two years in a coma, but the publisher, manager and agent left the world with one final, unexpected gift: a candid, forthright memoir of a remarkable life. In Have a Cigar! The Memoir of the Man Behind Pink Floyd, T.Rex, The Jam and George Michael (Quiller Publishing, March 2020), Morrison shares tales of a unique life in the worlds of rock ‘n’ roll, fashion, design and polo. * Vinyl District *Table of ContentsIntroduction Prologue 1. How it all Began 2. Where is Michaelangelo Buried? 3. Oh, you Pretty Things 4. Don't Bring Me Down 5. Double Trouble 6. Crazy Diamond 7. King of the Rumbling Spice 8. A Safe Haven 9. Saved by the Bell 10. Helping Police with Enquiries 11. The Madcap Laughs 12. Art for Art's Sake 13. Fashion Victim 14. Going Underground 15. Careless Whisper 16. Wham! Bam! 17. Another Rock and Roll Christmas 18. The Game of Kings 19. A Field of Dreams 20. Reach for the Sky Epilogue Acknowledgements Select Bibliography Index
£26.84
Contra Cómo Dejamos de Pagar Por La Música: El Fin de
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£30.07
Hal Leonard Publishing Corporation Randall D. Wixen The Plain Simple Guide to Music
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£27.20
Hal Leonard Publishing Corporation Guitar Lesson Book SideBySide Ruled and Guitar Tab Paper with Tab Notation Guide
£6.06
