Description

Book Synopsis

In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to:

  • Translate musical ideas into scores utilizing music theory and composition techniques
  • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing

  • Table of Contents

    Acknowledgments

    Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation

    I. Fundamentals of Music and Audio

    Ia: Fundamentals of Music

    Chapter 1: Introduction to Pitch

    Chapter 2: Introduction to Rhythm

    Chapter 3: Introduction to Harmony

    Chapter 4: Melody and Counterpoint

    Ib: Fundamentals of Audio Engineering and Sequencing

    Chapter 5: Introduction to Audio and MIDI

    Chapter 6: Manipulating Rhythm in the DAW Environment

    Chapter 7: Introduction to Acoustics

    Chapter 8: Melodic Sequencing

    II. Music Production Essentials

    IIa. Composition Essentials

    Chapter 9: Functional Diatonic Harmony

    Chapter 10: Expanding Your Harmonic Vocabulary

    Chapter 11: Form and Development

    Chapter 12: Basic Orchestration

    IIb. Audio Engineering Essentials

    Chapter 13: Introduction to Mixing

    Chapter 14: Recording and Editing Live Instruments

    Chapter 15: Mixing and Processing

    Chapter 16: Final Mix Considerations

    III. Producing Music for Media

    Chapter 17: The Client/Composer Relationship

    Chapter 18: Scoring for Short-Form Media

    Chapter 19: Scoring for Longer-Form Media

    IV. The Business of Music Composition

    Chapter 20: The Business of Music Composition

    Appendix A: List of CC Messages and Their Associated Functions

    Appendix B: Glossary

    Permission Acknowledgments

    Index

The Craft of Contemporary Commercial Music

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Order before 4pm tomorrow for delivery by Mon 22 Dec 2025.

A Paperback / softback by Greg McCandless, Daniel McIntyre

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    View other formats and editions of The Craft of Contemporary Commercial Music by Greg McCandless

    Publisher: Taylor & Francis Ltd
    Publication Date: 02/08/2017
    ISBN13: 9781138930629, 978-1138930629
    ISBN10: 1138930628

    Description

    Book Synopsis

    In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

    The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to:

    • Translate musical ideas into scores utilizing music theory and composition techniques
    • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing

    • Table of Contents

      Acknowledgments

      Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation

      I. Fundamentals of Music and Audio

      Ia: Fundamentals of Music

      Chapter 1: Introduction to Pitch

      Chapter 2: Introduction to Rhythm

      Chapter 3: Introduction to Harmony

      Chapter 4: Melody and Counterpoint

      Ib: Fundamentals of Audio Engineering and Sequencing

      Chapter 5: Introduction to Audio and MIDI

      Chapter 6: Manipulating Rhythm in the DAW Environment

      Chapter 7: Introduction to Acoustics

      Chapter 8: Melodic Sequencing

      II. Music Production Essentials

      IIa. Composition Essentials

      Chapter 9: Functional Diatonic Harmony

      Chapter 10: Expanding Your Harmonic Vocabulary

      Chapter 11: Form and Development

      Chapter 12: Basic Orchestration

      IIb. Audio Engineering Essentials

      Chapter 13: Introduction to Mixing

      Chapter 14: Recording and Editing Live Instruments

      Chapter 15: Mixing and Processing

      Chapter 16: Final Mix Considerations

      III. Producing Music for Media

      Chapter 17: The Client/Composer Relationship

      Chapter 18: Scoring for Short-Form Media

      Chapter 19: Scoring for Longer-Form Media

      IV. The Business of Music Composition

      Chapter 20: The Business of Music Composition

      Appendix A: List of CC Messages and Their Associated Functions

      Appendix B: Glossary

      Permission Acknowledgments

      Index

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