Description

Book Synopsis

In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to:

  • Translate musical ideas into scores utilizing music theory and composition techniques
  • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing

  • Table of Contents

    Acknowledgments

    Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation

    I. Fundamentals of Music and Audio

    Ia: Fundamentals of Music

    Chapter 1: Introduction to Pitch

    Chapter 2: Introduction to Rhythm

    Chapter 3: Introduction to Harmony

    Chapter 4: Melody and Counterpoint

    Ib: Fundamentals of Audio Engineering and Sequencing

    Chapter 5: Introduction to Audio and MIDI

    Chapter 6: Manipulating Rhythm in the DAW Environment

    Chapter 7: Introduction to Acoustics

    Chapter 8: Melodic Sequencing

    II. Music Production Essentials

    IIa. Composition Essentials

    Chapter 9: Functional Diatonic Harmony

    Chapter 10: Expanding Your Harmonic Vocabulary

    Chapter 11: Form and Development

    Chapter 12: Basic Orchestration

    IIb. Audio Engineering Essentials

    Chapter 13: Introduction to Mixing

    Chapter 14: Recording and Editing Live Instruments

    Chapter 15: Mixing and Processing

    Chapter 16: Final Mix Considerations

    III. Producing Music for Media

    Chapter 17: The Client/Composer Relationship

    Chapter 18: Scoring for Short-Form Media

    Chapter 19: Scoring for Longer-Form Media

    IV. The Business of Music Composition

    Chapter 20: The Business of Music Composition

    Appendix A: List of CC Messages and Their Associated Functions

    Appendix B: Glossary

    Permission Acknowledgments

    Index

The Craft of Contemporary Commercial Music

    Product form

    £61.74

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    RRP £64.99 – you save £3.25 (5%)

    Order before 4pm tomorrow for delivery by Wed 17 Jun 2026.

    A Paperback / softback by Greg McCandless, Daniel McIntyre

    1 in stock

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      View other formats and editions of The Craft of Contemporary Commercial Music by Greg McCandless

      Publisher: Taylor & Francis Ltd
      Publication Date: 02/08/2017
      ISBN13: 9781138930629, 978-1138930629
      ISBN10: 1138930628

      Description

      Book Synopsis

      In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

      The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to:

      • Translate musical ideas into scores utilizing music theory and composition techniques
      • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing

      • Table of Contents

        Acknowledgments

        Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation

        I. Fundamentals of Music and Audio

        Ia: Fundamentals of Music

        Chapter 1: Introduction to Pitch

        Chapter 2: Introduction to Rhythm

        Chapter 3: Introduction to Harmony

        Chapter 4: Melody and Counterpoint

        Ib: Fundamentals of Audio Engineering and Sequencing

        Chapter 5: Introduction to Audio and MIDI

        Chapter 6: Manipulating Rhythm in the DAW Environment

        Chapter 7: Introduction to Acoustics

        Chapter 8: Melodic Sequencing

        II. Music Production Essentials

        IIa. Composition Essentials

        Chapter 9: Functional Diatonic Harmony

        Chapter 10: Expanding Your Harmonic Vocabulary

        Chapter 11: Form and Development

        Chapter 12: Basic Orchestration

        IIb. Audio Engineering Essentials

        Chapter 13: Introduction to Mixing

        Chapter 14: Recording and Editing Live Instruments

        Chapter 15: Mixing and Processing

        Chapter 16: Final Mix Considerations

        III. Producing Music for Media

        Chapter 17: The Client/Composer Relationship

        Chapter 18: Scoring for Short-Form Media

        Chapter 19: Scoring for Longer-Form Media

        IV. The Business of Music Composition

        Chapter 20: The Business of Music Composition

        Appendix A: List of CC Messages and Their Associated Functions

        Appendix B: Glossary

        Permission Acknowledgments

        Index

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