Description
Book SynopsisIrish Independent Music Book of the Year
Guardian Book of the Week
After discovering a derelict record plant on the edge of a northern English city, and hearing that it was once visited by David Bowie, Karl Whitney embarks upon a journey to explore the industrial cities of British pop music.
Manchester, Liverpool, Newcastle, Leeds, Sheffield, Hull, Glasgow, Belfast, Birmingham, Coventry, Bristol: at various points in the past these cities have all had distinctive and highly identifiable sounds. But how did this happen? What circumstances enabled those sounds to emerge? How did each particular city - its history, its physical form, its accent - influence its music? How were these cities and their music different from each other? And what did they have in common?
Hit Factories tells the story of British pop through the cities that shaped it, tracking down the places where music was performed, recorded and sold, and the peo
Trade Review
The book's a joy. I wanted to move to Hull while reading that chapter and - almost - wanted to listen to Black Sabbath for the first time since 1974 . . . I love the way Whitney makes such creative use of a good walk and I admire the way he makes the people who created the music we love seem like such nice, bright men and women
Book of the Week * Guardian *
An extremely important addition to modern music writing * The Irish Times *
A fine document of a golden era for music in the UK's regions * Financial Times *
An interesting, sharp, swift overview of the UK's pop music history * Times Literary Supplement *
Insightful and provocative * What Hi-Fi? Magazine *
There are sounds here for everyone * MOJO *
[Whitney's] curious compass leads this book on numerous worthwhile diversions. A trip * Q *
