Media studies Books

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Book SynopsisThe first book to intervene in debates on computation in the digital humanities Bringing together leading experts from across North America and Europe, Computational Humanities redirects debates around computation and humanities digital scholarship from dualistic arguments to nuanced discourse centered around theories of knowledge and power. This volume is organized around four questions: Why or why not pursue computational humanities? How do we engage in computational humanities? What can we study using these methods? Who are the stakeholders? Recent advances in technologies for image and sound processing have expanded computational approaches to cultural forms beyond text, and new forms of data, from listservs and code repositories to tweets and other social media content, have enlivened debates about what counts as digital humanities scholarship. Providing case studies of collaborations between humanities-centered and computation-centere

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Book SynopsisInterfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today's discussions of culture and media.Trade Review"Of vital importance to digital research; it should be included in any studies of the digital or mediated domain."Media International Australia"The Interface Effect fuses sophisticated contemporary theory with a detailed knowledge of the technics and techniques of digital media. Galloway is an important voice, and the book is sure to have a wide uptake among those interested in new media theory and contemporary aesthetics."Jodi Dean, author of Blog Theory: Feedback and Capture in the Circuits of Drive "Employing a sustained, powerful methodology, The Interface Effect sparkles with original insights. Galloway is interested not only in the effects that interfaces have, but also in them as themselves the results of cultural, technological, economic, and political forces. This double movement provides a way to connect the historical with the political, and the technological with both. This book is essential reading for anyone interested in new media studies, contemporary theory, and digital technologies."N. Katherine Hayles, Professor of Literature, Duke University, and author of How We Think: Digital Media and Contemporary TechnogenesisTable of ContentsAcknowledgementsPrefaceIntroduction: The Computer as a Mode of MediationI. The Unworkable InterfaceII. Software and IdeologyIII. Are Some Things Unrepresentable?IV. Disingenuous InformaticsPostscript: We Are the Gold FarmersNotesIndex

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Book SynopsisDocumentary film can encompass anything from Robert Flaherty''s pioneering ethnography Nanook of the North to Michael Moore''s anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov''s artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet''s heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary''s core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of 100 great documentaries that anyone with a serious interest in the genre should see. Drawing on the author''s four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewAlways clear and concise... a welcome addition to the Very Short Introductions series. * The Observer *

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Book SynopsisAn ideal introduction, explaining the history and key concerns of cultural studiesTrade Review'essential reading for students studying culture' John Storey, The Times Higher Education Supplement'a book of enormous usefulness' John Storey, The Times Higher Education SupplementTable of ContentsPart 1: The Discipline, 1 Going global, 2 Enterprise culture, 3 Genres and genealogies, 4 Problems, Part 2: Time 1 The Past: cultural history/cultural memory, 2 The Present, 3 The Future: policies and prophesies, Part 3: Space 1 Thinking globalisation, 2 The regional, national and local, Part 4: Media and the Public Sphere, 1 Television, 2 Popular music, 3 The internet and technoculture, Part 5: Identity, 1 Debating identity, 2 Multiculturalism, 3 Race, Part 6: Sexuality and Gender, 1 Feminism's aftermath: gender today, 2 Queer culture, Part 7: Value, 1 Culture high and low, 2 The nature of culture

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Book SynopsisFusing digital humanities with media studies and graphic design history, Graphesis offers a critical language for analysis of graphical knowledge and argues for studying visuality from a humanistic perspective, exploring how graphic languages can serve fields where qualitative judgments take priority over quantitative statements of fact.Trade ReviewThe pages of Graphesis teem with color reproductions of 5,000 years’ worth of various modes of visually rendered knowledge—showing how they have emerged and developed over time, growing familiar but also defining or reinforcing ways to apprehend information… I suspect Graphesis may prove to be an important book. -- Scott McLemee * Inside Higher Ed *Graphesis is a significant contribution to the field, every bit as important as Drucker’s The Visible Word. Indeed, the world has changed, and information design has shifted significantly with it. In this text, Drucker should be applauded for taking a broad view of her subject, tackling little-studied imagery as well as visual systems of thinking. -- Elizabeth Guffey, Professor of Art and Design History, Purchase College, State University of New YorkGraphesis is a sophisticated critique of some of the foundational assumptions of HCI (human–computer interaction), interaction design, and information visualization. Drucker makes a compelling case for the value of humanistic inquiry into subjects that have traditionally belonged solely to computer experts and social scientists. -- Maria Engberg, Assistant Professor of Media Technology, Malmö University, and Jay David Bolter, Professor of Digital Media, Georgia Institute of Technology

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Book SynopsisAn eye-opening look at the invisible workers who protect us from seeing the worst of humanity on today’s commercial internetTrade Review“Sarah T Roberts’s vital new study demonstrates how online content moderation is a global industry that operates on the back of human exploitation” —John Naughton, The Guardian“This book will define our thinking about the modern internet. Roberts has deftly dispelled the myth of freely flowing content in social media and brought critical attention to the work of digital laborers. Whatever you thought about how the internet works, prepare to rethink it all. A must read for anyone who uses and trusts the objectivity of the internet.”—Safiya Umoja Noble, author of Algorithms of Oppression: How Search Engines Reinforce Racism“Sarah Roberts, one of the leading pioneers of scholarship in the digital age, opens a window onto the opaque world of content moderation. Behind the Screen is the definitive work on this key sector of the digital economy, its influence certain to shape policy and research in the years to come. Not only that – it’s a great read!”—David Kaye, UN Special Rapporteur on Freedom of Expression“Behind the Screen is engaged social science at its best. Roberts has deeply researched the labor of content moderators. Her empathetic understanding of their place in the global digital labor market unlocks a compelling theoretical framework for the political economy of communication. This book is a must-read for anyone interested in how online discourse is limited, structured, and enabled.”—Frank Pasquale, author of The Black Box Society: The Secret Algorithms That Control Money and Information“Sarah Roberts will take you on an eye opening journey into the hidden world of the largely unsung and unappreciated people whose hard psychological labor plays a huge role in shaping the global public sphere. Behind the Screen is essential reading for anybody seeking to understand the private governance of online speech.”—Rebecca MacKinnon, author of Consent of the Networked: The Worldwide Struggle for Internet Freedom"The duty of a technology scholar is to demystify a system so that readers recognize the human hands and minds at work behind what otherwise seems the work of wizards. In stirring and clear prose, Sarah T. Roberts demystifies the labor and judgement that influence what we see on Facebook and other platforms — and how they can never achieve what the companies promise."—Siva Vaidhyanathan, author of Antisocial Media: How Facebook Disconnects Us and Undermines Democracy

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Book SynopsisTrade Reviewan engaging style and rich insights into films and their music ... Lehman's musical, dramaturgical, and psychological insights will lead to more engaged film listening and viewing. * S. C. Pelkey, CHOICE *It's a rewarding read... If you pick it up, you might want to have a piano at hand to plink out the passages, or at least have Oxford University Press's companion Website of musical examples in front of you. * Boston Globe *Hollywood Harmony brings analysis of film music fully into the present. Sophisticated theoretical modeling of associations and effects in the currently prevalent triadic style of underscore practice combines with close readings that not only offer fresh insights but also an over-the-composer's-shoulder immediacy. * David Neumeyer, Professor Emeritus of Music, The University of Texas at Austin and co-author of Hearing the Movies *Lehman does more than illuminate an intriguing and analytically neglected repertoire; his study demonstrates how well suited the tools and technologies of neo-Riemannian theory are to reveal the affective devices of film music. * Ed Gollin, Professor of Music, Williams College *Table of ContentsAcknowledgments Abbreviations, Orthography, and Examples About the Companion Website Introduction Chapter 1: Tonal Practices Chapter 2: Expression and Transformation Chapter 3: Neo-Riemannian Theory at the Movies Chapter 4: Analyzing Chromaticism in Film Chapter 5: Pantriadic Aesthetics Chapter 6: Harmonious Interactions Afterword Bibliography Index

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Book SynopsisBy foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes after Entanglement?, for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics oTrade Review“What Comes after Entanglement? is an exciting and novel book. It is unique in its combination of innovative theoretical explorations of activism and social change with suggestions for practical political interventions. Crucially, Eva Haifa Giraud explores the messy practicalities of activism. The findings and significance of her book go far beyond the case study focus on a broad variety of animal activism since the 1980s, which weaves together different times and places in really interesting ways.” -- Jenny Pickerill, author of * Cyberprotest: Environmental Activism Online *“Eva Haifa Giraud does not accept relationality theory without question. The force of her work is her seeing theory as in need of a thinking-through that does not simply apply it to situations, but instead sees the situated work of activism as rendering our notion of theory and relationality in a more nuanced fashion. I don't know of any other text that follows through on the activist potentials in the theories Giraud draws from as much as this one does. An impressive work.” -- Claire Colebrook, author of * Death of the PostHuman: Essays on Extinction *“When reading this stimulating text, I wished that I could have joined Giraud in kitchen table discussions as she wrestled with this wealth of material. Overall, this is a really well-structured text which builds its argument iteratively and holds in tension the productive ambivalence that Giraud illuminates.” -- Joan Haran * BioSocieties *“Eva Haifa Giraud’s book, What Comes after Entanglement?, offers what she calls a ‘sympathetic critique’ of ‘more than human, relational ethics.’ This critique is aimed at the new materialisms and the broader turn to relational ontology…. Giraud’s emphasis on the ethics of exclusion is something to which scholars of many kinds might well attend.” -- Samuel Diener * Year’s Work in Critical and Cultural Theory *“Eva Haifa Giraud’s book is an important contribution to recent moves within environmental political theory to expand environmental politics to the more-than-human. In particular, it addresses relevant questions of politics in non-anthropocentric environmental theory…. The book will be valuable to scholars of science and technology studies, ecofeminism, new materialism, media and communication studies, and related fields. Scholars focusing on environmental activism and campaigning will find Giraud’s attention to the conceptual significance of everyday practical problems inspiring, specifically the way she teases out some of the barriers to translating theory into practice and the context-specific tactics for negotiating these barriers.” -- Magdalena S. Rodekirchen * Environmental Politics *“What Comes After Entanglement? offers media scholars an insightful analysis of what materialist theory is doing on the ground and helps to clarify the stakes of posthumanism, for human and nonhuman animals alike.... Giraud is a well-balanced critic who pays attention to representation and infrastructure, theory and practice.” -- Cynthia Rosenfeld * Critical Studies in Media Communication *Table of ContentsAcknowledgments ix Introduction 1 1. Articulations 21 2. Uneven Burdens of Risk 46 3. Performing Responsibility 69 4. Hierarchies of Care 98 5. Charismatic Suffering 118 6. Ambivalent Popularity 142 Conclusion: An Ethics of Exclusion 171 Notes 183 Bibliography 225 Index 241

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Book SynopsisFrom computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions aTrade Review“In this tremendous book, Patrick W. Galbraith brings to life the relatively unknown world of Japanese popular culture. His voice shines throughout thoughtful interviews, detailed ethnography, sensitive portraits of people characterized as ‘otaku,’ and nuanced readings of videogames and interactive fiction. An impressive contribution to the field of manga and anime studies.” -- Ian Condry, author of * The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story *“This book offers nothing less than a thorough rethinking of normative sexuality and alternative sexualities through the figure of the otaku and their practices. It's everything that the fields of Japan studies, queer theory, and media history need at this moment. A virtually flawless and captivating read.” -- Marc Steinberg, author of * Anime’s Media Mix: Franchising Toys and Characters in Japan *"This thoughtful investigation of hegemonic masculinity and its alternatives at the margins of imagination is well-sourced with cultural and academic research as well as personal experience." -- R. Tait-Ripperdan * Choice *“Otaku and the Struggle for Imagination in Japan is a meticulously researched book...[and] a strong contribution to the field of Japanese popular culture.” -- Emma E. Cook * Journal of the Royal Anthropological Institute *“This is an excellent and thought-provoking text which will no doubt take its rightful place in the canon of manga, anime, and otaku studies. . . . The narrative [Galbraith] weaves contains just the right amount of academic theoretical discourse, reflections on his personal involvement in the movement, more as a participant than as a participant observer, and a solid history of Japanese (sub-)culture over the last 50 years.” -- Holger Briel * Japanese Studies *Table of ContentsDedication / Acknowledgments ix Introduction. "Otaku" and the Struggle for Imagination in Japan 1 1. Seeking an Alternative: "Male Sōjo Fans since the 1970s 20 2. "Otaku" Research and Reality Problems 49 3. Moe: An Affective Response to Fictional Characters 76 4. Akihabara: "Otaku" and Contested Imaginaries in Japan 127 5. Maid Cafés: Relations with Fictional and Real Others in Spaces Between 184 Conclusion. Eshi 100: The Politics of Japanese, "Otaku," Popular Culture in Akihabara and Beyond 227 Notes 261 Bibliography 289 Index 311

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Book SynopsisFinalist, 2019 Lambda Literary Award in LGBTQ StudiesA profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center Black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and Black freedom.Keeling reads selected works, such as Sun Ra's 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar speculations Trade ReviewJust when the world seems to be collapsing, Queer Times, Black Futures guides us towards an anti-fragile future that exists here and now. The key? Embracing and holding in tension: Afro-futurist freedom dreams, the queer temporalities that animate Black Swans, and the radical refusal and opacity of Herman Melville's Bartleby and Eduoard Glissant's philosophy. If we haven't realized the possibilities that lie waiting in the present, its because the frame of black experience has not yet registered. Moving seamlessly from James Snead to Sun Ra, from Gilbert Simondon to Beth Coleman, Audre Lorde to Gilles Deleuze, Keeling helps us imagine the (im)possible. Stop reading this blurb and start reading this book. Now. -- Wendy Hui Kyong Chun, author of Updating to Remain the SameFor its contributions to queer constructions of temporality and futurity, in particular in the context of Black media and existence, the text is valuable for queer of color theorists. Professors and students of media, cultural, and/or communication studies would also find the text useful as it provides analyses of various Black and queer media—transnational films, avantgarde music, and digital technologies. * QED *Not satisfied to leave readers in the abyss of endless critique, Keeling is concerned with alternative futures and the ethical imagination of 'the time after the future.' Queer Times, Black Futures is masterful--deeply engaging, wide ranging, carefully researched, and creative in its use of allegory to demonstrate the potential and effect of opacity for black futures and possibilities. -- Herman Gray, Emeritus Professor, UC Santa Cruz...an incredible, (im)possible work that is invested in worlds to come with the necessary caveat that its readers divest from a critical project that is measured in immediate returns. -- Courtney R. Baker * Journal of Cinema and Media Studies *

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Book SynopsisWritten by an academic and researcher with over twenty years'' experience in teaching and convening Media Studies courses, Media Studies: A Complete Introduction is designed to give you everything you need to succeed, all in one place. It covers the key areas that students are expected to be confident in, outlining the basics in clear jargon-free English, and then providing added-value features like case studies, and even lists of questions you might be asked in your seminar or exam.The book uses a structure that mirrors the way Media Studies is taught on many university courses. Chapters include essential coverage of the history, organization and production of the media industries, and regulation of the media. The analysis of media texts is covered in detail, as are the issues of identity and gender, the idea of globalization and the shifting face of social media in its many contexts.

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Book SynopsisFrom his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall''s most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 1: Foundations of Cultural Studies focuses on the first half of Hall''s career, when he wrestled with questions of culture, class, representation, and politics. This volume''s stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies';the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoTrade Review"Anyone whose work is informed, 'in the last instance,' by Cultural Studies will find much that is helpfully familiar in it as well as new connections, new applications, new ways of '[penetrating] the disorderly surface of things to another level of understanding,' as Hall says, invoking Marx, in the epilogue. This seems especially urgent as the ascendancy of the far Right coincides with the wholesale neoliberalization of the humanities, as Hall predicted in his 'Theoretical Legacies' lecture. It is obviously not a question of 'going back' to Hall for a truer or more 'authentic' form of Cultural Studies than that in practice today. But there is much in his legacy that illuminates the dynamics of the present, and much to put into dialogue with contemporary scholarship and practice. Morley's collection reminds us how important it is for genuine intellectual work to articulate competing and contradictory paradigms together, to work, as Hall did, from the points of contestation and conflict rather than seek solace in abstractions. This, finally, is the 'essential' in the essays assembled here." -- Liane Tanguay * American Book Review *“Along with the other volumes that Duke University Press has published, these two books of collected essays are to be welcomed. They allow us to see a fertile mind in action, engaged in and with the real world. It is a model well worth emulating.” -- Michael W. Apple * Educational Policy *“As one of the foremost intellectuals of his generation, [Hall] has made an enormous contribution to cultural and political thought, and his work has had a lasting impact in both social sciences and the humanities…. This collection is a treasure trove of Hall’s intellectual and political offerings; I recommend it highly.” -- Avtar Brah * New West Indian Guide *"I have also narrated the effort it took for me to access his work to illustrate the importance of the Selected Writings now being released by Duke University Press. It is an event of profound historical significance that a new generation will be able to begin its political and theoretical education with systematic access to Hall’s writing. . . . The two-volume Essential Essays shows the broad scope of his work." -- Asad Haider * The Point *"It was one of Hall’s unique gifts to offer analysis of the moment as it unfolded before our eyes. I am sure I am not alone in having found his talks exhilarating in ways I could never quite understand, given that the news he relayed with such energy was almost unremittingly dire. Hall offered his readings as interpretation and self-commentary, tracing his own intellectual path." -- Jacqueline Hall * New York Review of Books *Table of ContentsA Note on the Text vii Acknowledgments ix General Introduction: A Life in Essays 1 Part I. Cultural Studies: Culture, Class, and Theory Introduction 27 1. Richard Hoggart, The Uses of Literacy, and the Cultural Turn [2007] 35 2. Cultural Studies: Two Paradigms [1980] 47 3. Cultural Studies and Its Theoretical Legacies [1992] 71 Part II. Theoretical and Methodological Principles: Class, Race and Articulation 4. The Hinterland of Science: Ideology and the Sociology of Knowledge [1977] 111 5. Rethinking the "Base and Superstructure" Metaphor [1977] 143 6. Race, Articulation, and Societies Structured in Dominance [1980] 172 7. On Postmodernism and Articulation: An Interview with Stuart Hall by Larry Grossberg and Others [1986] 222 Part III. Media, Communications, Ideology, and Representation 8. Encoding and Decoding in the Television Discourse [originally 1973; republished 2007] 257 9. External Influences on Broadcasting: The External/Internal Dialectic in Broadcasting—Television's Double-Blind [1972] 277 10. Culture, the Media, and the "Ideological Effect" [1977] 298 Part IV. Political Formations: Power as Process 11. Notes on Deconstructing "the Popular" [1981] 347 12. Policing the Crisis: Preface to the 35th Anniversary Edition [2013] (with Chas Critcher, Tony Jefferson, John Clarke, and Brian Roberts) 362 13. The Great Moving Right Show [1979] 374 Index 393 Place of First Publication 411

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Book SynopsisIn Media Hot and Cold Nicole Starosielski examines the cultural dimensions of temperature to theorize the ways heat and cold can be used as a means of communication, subjugation, and control. Diving into the history of thermal media, from infrared cameras to thermostats to torture sweatboxes, Starosielski explores the many meanings and messages of temperature. During the twentieth century, heat and cold were broadcast through mass thermal media. Today, digital thermal media such as bodily air conditioners offer personalized forms of thermal communication and comfort. Although these new media promise to help mitigate the uneven effects of climate change, Starosielski shows how they can operate as a form of biopower by determining who has the ability to control their own thermal environment. In this way, thermal media can enact thermal violence in ways that reinforce racialized, colonial, gendered, and sexualized hierarchies. By outlining how the control of temperature reveals powTrade Review“Nicole Starosielski awakens our senses from their thermal slumber. Hot and cool, warm and cold are not only metaphors; they shape worlds. I finished this book with the caloric throb of the universe humming in my ears. Starosielski's media analysis is wonderfully both elemental and critical: temperature reveals both ontology and injustice. Media Hot and Cold invites us to a noncoercive rearrangement of affect.” -- John Durham Peters, Yale University“In this dynamic and intellectually dazzling book, Nicole Starosielski grapples with complex technical principles of communication while framing them as historically and culturally conditioned and as politically and economically motivated. Starosielski's reconsideration of foundational communication models—looking beyond sender-receiver toward a more ambient and atmospheric sensibility—is necessary in an age when ubiquitous, continuous computing is fundamentally altering the atmosphere that hosts its signals. Media Hot and Cold is a model of innovative and masterful interdisciplinarity.” -- Shannon Mattern, author of * A City is not a Computer: Other Urban Intelligences *"The intense media focus on climate change makes this meditation on the cultural significance of temperature coolly topical." -- Andrew Robinson * Nature *“Apart from media studies students and scholars, anyone interested in temperature and how it is managed, controlled, manipulated, and distributed will find Media Hot and Cold an incredible story of how temperatures determine lived experience. In this final call to arms, Starosielski polemicizes a future for media studies attendant to its world-building and world-sustaining capacities.” -- Samir Bhowmik * Film Quarterly *"To walk into the world of Nicole Starosielski’s Media Hot and Cold is to see familiar shapes with new intensities." -- Kyle Stine * ISLE *Table of ContentsAcknowledgments ix Preface: Of Temperature xiii Introduction: Media Hot and Cold 1 Part I 1. Thermostat: The Thermal Subjects of Broadcast Temperature 31 2. Coldsploitation: The Thermal Attractions of Cool Air 72 3. Sweatbox: The Thermal Violence of Weaponized Heat 109 Part II 4. Heat Ray: The Thermal Circuits of Radiant Media 135 5. Infrared Camera: The Thermal Vision of Heat Images 166 6. Computer: The Coldward Course of Media 191 Conclusion: Media after the Melt 219 Notes 225 Bibliography 255 Index 273

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Book SynopsisA potent new book examines the overlap between our ecological crisis and video games Video games may be fun and immersive diversions from daily life, but can they go beyond the realm of entertainment to do something serious—like help us save the planet? As one of the signature issues of the twenty-first century, ecological deterioration is seemingly everywhere, but it is rarely considered via the realm of interactive digital play. In Playing Nature, Alenda Y. Chang offers groundbreaking methods for exploring this vital overlap.Arguing that games need to be understood as part of a cultural response to the growing ecological crisis, Playing Nature seeds conversations around key environmental science concepts and terms. Chang suggests several ways to rethink existing game taxonomies and theories of agency while revealing surprising fundamental similarities between game play and scientific work.Gracefully reconciling new media theory with environmental criticism, Playing Nature examines an exciting range of games and related art forms, including historical and contemporary analog and digital games, alternate- and augmented-reality games, museum exhibitions, film, and science fiction. Chang puts her surprising ideas into conversation with leading media studies and environmental humanities scholars like Alexander Galloway, Donna Haraway, and Ursula Heise, ultimately exploring manifold ecological futures—not all of them dystopian.Trade Review"Alenda Y. Chang’s gorgeously penned Playing Nature charts an ecocritical approach to video games and design thinking, exploring much more than simply how the ecological has been imaged in games. Essential for designers, players, and critics, Playing Nature eloquently unveils the stakes of ecologically informed agency within video game worlds to reshape thought about both games themselves and the natural systems in which we are all enmeshed."—Soraya Murray, author of On Video Games: The Visual Politics of Race, Gender and Space"Playing Nature is an ambitious project that makes a compelling case for ecocritical game studies. The book reverberates far beyond its main subject, speaking to the environmental humanities, comparative media studies, and the biophysical sciences. Alenda Y. Chang shows how a wide range of analog and digital games immerse players in ecological knowledge while also integrating gaming with other contemporary cultural forms, from speculative novels and documentary films to scientific experiments."—Allison Carruth, UCLA"Scholarly yet accessible, imaginative yet stuffed with ideas from across the humanities and the sciences, Playing Nature is a fascinating analysis of the transformative potential of gaming, showing how the medium could be used to address serious issues around climate change and environmental justice."—Foreword Reviews"But by daring to ask how video games might make the world lively and sound, Chang sparks a necessary conversation."—Science Magazine"Providing a deep understanding of what the games set out to do, this book reveals that these projects may well point the way to the future."—CHOICE"It is a timely and ground-breaking work that firmly places video games well within the scope of environmental studies."—ISLE"A useful analysis for non-nature video games."—Gamers With Glasses

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Book SynopsisTable of ContentsList of Illustrations | ix Introduction to the Fiftieth Anniversary Edition | xiii Introduction by R. Buckminster Fuller | 15 Inexorable Evolution and Human Ecology by R. Buckminster Fuller | 37 Preface | 41 Part One: The Audience and the Myth of Entertainment | 45 Radical Evolution and Future Shock in the Paleocybernetic Era | 50 The Intermedia Network as Nature | 54 Popular Culture and the Noosphere | 57 Art, Entertainment, Entropy | 59 Retrospective Man and the Human Condition | 66 The Artist as Design Scientist | 70 Part Two: Synaesthetic Cinema: The End of Drama | 75 Global Closed Circuit: The Earth as Software | 78 Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites | 81 Syncretism and Metamorphosis: Montage as Collage | 84 Evocation and Exposition: Toward Oceanic Consciousness | 92 Synaesthetics as Kinaesthetics: The Way of All Experience | 97 Mythipoeiai: The End of Fiction | 106 Synaesthetics and Synergy | 109 Synaesthetic Cinema and Polymorphous Eroticism | 112 Synaesthetic Cinema and Extra-Objective Reality | 122 Image-Exchange and the Post-Mass Audience Age | 128 Part Three: Toward Cosmic Consciousness | 135 2001: The New Nostalgia | 139 The Stargate Corridor | 151 The Cosmic Cinema of Jordan Belson | 157 Part Four: Cybernetic Cinema and Computer Films | 179 The Technosphere: Man/Machine Symbiosis | 180 The Human Bio-Computer and His Electronic Brainchild | 183 Hardware and Software | 185 The Aesthetic Machine | 189 Cybernetic Cinema | 194 Computer Films | 207 Part Five: Television as a Creative Medium | 257 The Videosphere | 260 Cathode-Ray Tube Videotronics | 265 Synaesthetic Videotapes | 281 Videographic Cinema | 317 Closed-Circuit Television and Teledynamic Environments | 337 Part Six: Intermedia | 345 The Artist as Ecologist | 346 World Expositions and Nonordinary Reality | 352 Cerebrum: Intermedia and the Human Sensorium | 359 Intermedia Theatre | 365 Multiple-Projection Environments | 387 Part Seven: Holographic Cinema: A New World | 399 Wave-Front Reconstruction: Lensless Photography | 400 Dr. Alex Jacobson: Holography in Motion | 404 Limitations of Holographic Cinema | 407 Projecting Holographic Movies | 411 The Kinoform: Computer-Generated Holographic Movies | 414 Technoanarchy: The Open Empire | 415 Selected Bibliography | 421 Index | 427

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Book SynopsisThis authoritative and up-to-date A-Z covers all aspects of interpersonal, mass, and networked communication in over 3,500 entries, including digital and mobile media, advertising, journalism, social media, and nonverbal communication.Trade Review“Only connect” is the guiding principle of this remarkable work-not only a dictionary of communication and media but also a liberal education that enables users to see interesting relationships between many of the concepts it discusses. Written in an accessible style, authoritative and up-to-date, this new edition of The Oxford Dictionary of Media and Communication is a path breaking work and an essential reference tool. * Arthur Asa Berger *Table of ContentsA-Z Text Biographical Notes

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Book SynopsisIn Beyond the World''s End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah''s cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplifiTrade Review“T. J. Demos has for some time charted intertwining artistic and activist responses to environmental catastrophe, and here he is at his best. This book is powerful and necessary.” -- Julia Bryan-Wilson, author of * Fray: Art and Textile Politics *“Beyond the World's End rethinks the complex relationship between political ecology and artistic practice. Written in the clear, provocative prose for which T. J. Demos is already widely admired, this important book operates within the framework of environmental and, by extension, climate justice and provides a glimmer of hope in the midst of the current catastrophe.” -- Alexander Alberro, Barnard College"Amply illustrated and well indexed, the book blends nature-culture binaries and lays out the possibilities for lives beyond the world’s end. This pithy, well-researched volume includes an introduction, seven chapters, and notes, and it will interest students of Afrofuturism, art history, ecofeminism, ecology, social justice, visual culture, and myriad related subjects. Highly recommended. Graduate students, researchers, faculty, professionals." -- J. Decker * Choice *“Demos...offer[s] a wealth of information on environmentalist artists and ecocritical thinkers who may not be presented to art audiences elsewhere. [His] venturesome examples of art historical ecocriticism model methodologies of engagement that challenge scholars to apply their own talents and imaginations toward new practices of art history for our time.” -- Suzaan Boettger * Art Bulletin *“Demos’ main contribution to the fields of ecology, art history, and geo-politics is the tangible methods he offers against catastrophism. . . . In Beyondthe World’s End, Demos has produced not only a timely teaching tool, but also a touchstone for the ongoing writings and makings of the not-yet.” -- Kate Keohane * Art History *“Beyond the World’s End is a text of impressive scope and depth, whose thematic urgency needs no introduction. . . . If, as in Fredric Jameson’s famous adage, it is easier to imagine the end of the world than it is the end of capitalism, Demos charts a path here for imagining both, and a different world that can be brought into being in what lies beyond these ends.” -- Matthias Kispert * Moving Image Review & Art Journal *Table of ContentsList of Illustrations vii Introduction. The World's End, and Beyond 1 1. Feeding the Ghost: John Akomfrah's Vertigo Sea 23 2. Blackout: The Necropolitics of Extraction 43 3. The Visual Politics of Climate Refugees 68 4. Gaming the Environment: On the Media Ecology of Public Studio 96 5. Animal Cosmopolitics: The Art of Gustafsson&Haapoga 116 6. To Save a World: Geoengineering, Conflictual Futurisms, and the Unthinkable 137 7. The Great Transition: The Arts and Radical System Change 163 Acknowledgments 195 Notes 199 Index 249

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Book SynopsisA David and Goliath story about Ireland's role as prime real estate for the world's largest tech multinationals, and the considerable impact it has had on us as individuals.At the start of the millennium, the Tech giants landed on Ireland's shores. Dublin, once one of Europe's poorest cities, became a beacon of Silicon Valley's promise of progress and power. As the face of the capital was remade in the image of Big Tech, Irish society embraced technology like no other. Romantic Ireland was dead and gone: social media was here to stay.In this provocative account, Aoife Barry explores the human cost of Ireland's Faustian pact with Big Tech, from the local communities uprooted by Google to the traumatised moderators squirrelled in the capital's pockets, keeping the internet safe at a terrible price. Unsettling, insightful, and wryly funny, she paints a portrait of a country addicted to the internet, refreshing the news, refreshing Twitter, scrolling and scrolling towards a feverish future

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Book SynopsisLONGLISTED FOR THE ORWELL PRIZE 2017How do we discuss serious ideas in the age of 24-hour news? What was rhetoric in the past and what should it be now? And what does Islamic State have in common with Donald Trump?We've never had more information or more opportunity to debate the issues of the day. Yet the relationship between politicians, the media and the public is characterised by suspicion, mistrust and apathy. What has gone wrong?Enough Said reveals how political, social and technological change has transformed our political landscape and how we talk about the issues that affect us all. Political rhetoric has become stale and the mistrust of politicians has made voters flock to populists who promise authenticity, honesty and truth instead of spin, evasiveness and lies.Featuring Ronald Reagan and Sarah Palin, Tony Blair and George Osborne, Silvio Berlusconi and many more star performers, Enough Said shows how public laTrade Review[A] superb book… Thompson’s own experience in the media is brilliantly deployed throughout for insight… Thompson is a sharp and entertaining analyst of political language itself. -- Steven Poole * Guardian *He writes restlessly and compellingly… [An] intricately but also urgently argued book. -- John Lloyd * Financial Times *Thompson’s great virtue in this book is his steady and cool-headed historicism… Thompson is lucid, well read, level-headed and thoughtful. His range of reference is wide…He has a robust familiarity with the history of scholarship on rhetoric, and scatters his text with easeful and on-point references to Max Weber, Martin Heidegger and Marshall McLuhan… The detail is excellent. Enough Said’s particular glories, to this reader, are Thompson’s frequent and sensitive close readings of particular instances of public language. -- Sam Leith * Prospect *[An] important study ... [Thompson] usually advances his case in cool, nuanced and forensic prose, but he is a blistering flame-thrower about the consequences of the digital revolution. -- Andrew Rawnsley * Observer *Ranging masterfully from Aristotle and Pericles to the age of Trump and Twitter, Mark Thompson makes the case for political rhetoric as a democratic art. This vividly-written, trenchant book is a much-needed antidote to the miasma of spin, incivility, and "truthiness" that afflicts politics today. -- Michael Sandel, author of What Money Can't Buy: The Moral Limits of Markets

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Book SynopsisTubes: Behind the Scenes at the Internet by Andrew Blum is...''Utterly engrossing. The year''s most original and stimulating ''travel'' book. Even the most geek-wary of readers will enjoy'' Independent''Entertaining and illuminating. Excels at rooting the Internet in real-world locations. Full of memorable images that make its complex architecture easier to comprehend'' ObserverThe Internet. Home to the most important and intimate aspects of our lives. Our careers, our relationships, our selves, all of them are out there - online. So ... where is that exactly? And who''s in charge again? And what if it breaks?In Tubes Andrew Blum takes us on a gripping backstage tour of the real but hidden world of the Internet, introducing us to the remarkable clan of insiders and eccentrics who own, design and run it everyday. He uncovers the secret data warehouses where our online selves are stored, peels back the wires that tranTrade ReviewUtterly engrossing. The year's most original and stimulating 'travel' book. Even the most geek-wary of readers will enjoy * Independent, Book of the Week *Entertaining and illuminating. Excels at rooting the Internet in real-world locations. Full of memorable images that make its complex architecture easier to comprehend * Observer *An engaging reminder that, cyber-Utopianism aside, the Internet is as much a thing of flesh and steel as any industrial-age lumber mill or factory ... An excellent introduction to the nuts and bolts of how exactly it all works and a timely antidote to oft-repeated abstractions about "cyberspace" or "cloud computing" * Economist *Makes hard-to-grasp concepts easy to understand, even obvious. The history, in particular, is one of the best and most memorable I have ever read * New Scientist *A Quixotic and winning book with a knack for bundling packets of data into memorable observations. This valuable book leaves you with its share of unsettling visions, but there are comic ones too * The New York Times *For a full understanding of the Internet on every level, this book is a must-read * Techzone *A great, playful, wondrous read * ArsTechnica *Blum is perhaps the millennial generation's John McPhee, chronicling an arcane journey of deep relevance to everyday life. For non-techies, the book is a very accessible revelation * Forbes *All too awesome to behold. Andrew Blum's fascinating book demystifies the earthly geography of this most ethereal terra incognita -- Joshua Foer, author of Moonwalking with EinsteinA brilliantly smart idea executed with investigative skill and flair. Readers will never send an email so carelessly again. * Independent Books of the Year *Compelling and profound. You will never open an e-mail in quite the same way again -- Tom Vanderbilt, author of the New York Times bestseller TrafficOne of our best writers. A compelling story of an altogether new realm where the virtual world meets the physical -- Paul Goldberger, Pulitzer Prize-winning New Yorker criticThe Internet really IS a series of tubes! Who knew? * David Pogue, Technology Editor of The New York Times *At once funny, prosaic, sinister and wise, Blum's tale is a beautifully written account of the true human cost of all our remote connectivity -- Bella Bathurst, author of The Lighthouse StevensonsWith infectious wonder, Andrew Blum introduces us to the Internet's geeky wizards and takes us on an amiably guided tour of the world they've created ... the Internet that Blum's beautifully lucid prose makes real turns out to be if anything a more marvelous place than the cloudy dreamland we'd imagined -- Donovan Hohn, author of Moby DuckAn illuminating journey of discovery * Sunday Express *Total immersive reading * The Wharf *

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Book SynopsisAcknowledgements PART I: INTRODUCTION: WHY 'MEMORY'? Why 'Memory'? Why Now? What Is Meant by 'Memory'? Memory, Remembering, or Forgetting? Goals and Structure of this Book PART II: THE INVENTION OF CULTURAL MEMORY: A SHORT HISTORY OF MEMORY STUDIES Maurice Halbwachs: Mémoire collective Aby Warburg: Mnemosyne Pathos Formulas and a European Memory of Images Pierre Nora's Lieux de mémoire - and Beyond Aleida and Jan Assmann: The Cultural Memory PART III: THE DISCIPLINES OF MEMORY STUDIES Historical and Social Memory Material Memory: Art and Literature Mind and Memory: Psychological Approaches PART IV: MEMORY AND CULTURE: A SEMIOTIC MODEL Metaphors - Productive, Misleading, and Superfluous, or: How to Conceive of Memory on a Collective Level Material, Social, and Mental Dimensions of Memory Culture Autobiographical, Semantic, and Procedural Systems of Cultural Memory Related Concepts: Collective Identity and Cultural Experience PART V: MEDIA AND MEMORY Media and the Construction of Memory Trade Review"This is groundbreaking work that provides one of the most thorough, sophisticated and challenging overviews of the area to date. Memory studies has been waiting for some time for the book that will provide a comprehensive account of its origins, development and current state: this is that book. This will be a pivotal reference point for researchers for some time to come." - Steven Brown, University of Leicester, UKTable of ContentsAcknowledgements PART I: INTRODUCTION: WHY 'MEMORY'? Why 'Memory'? Why Now? What Is Meant by 'Memory'? Memory, Remembering, or Forgetting? Goals and Structure of this Book PART II: THE INVENTION OF CULTURAL MEMORY: A SHORT HISTORY OF MEMORY STUDIES Maurice Halbwachs: Mémoire collective Aby Warburg: Mnemosyne Pathos Formulas and a European Memory of Images Pierre Nora's Lieux de mémoire - and Beyond Aleida and Jan Assmann: The Cultural Memory PART III: THE DISCIPLINES OF MEMORY STUDIES Historical and Social Memory Material Memory: Art and Literature Mind and Memory: Psychological Approaches PART IV: MEMORY AND CULTURE: A SEMIOTIC MODEL Metaphors - Productive, Misleading, and Superfluous, or: How to Conceive of Memory on a Collective Level Material, Social, and Mental Dimensions of Memory Culture Autobiographical, Semantic, and Procedural Systems of Cultural Memory Related Concepts: Collective Identity and Cultural Experience PART V: MEDIA AND MEMORY Media and the Construction of Memory The History of Memory as the History of Media Medium of Memory: A Compact Concept Functions of Media of Memory Concepts of Media Memory Studies PART VI: LITERATURE AS A MEDIUM OF CULTURAL MEMORY Literature as a Symbolic Form of Cultural Memory Literary Text and Mnemonic Context: Mimesis Literature as a Medium of Collective and Individual Memory PART VII: AFTERWORD: WHITHER MEMORY STUDIES? Index

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Book SynopsisThis is a manageable introduction to all the theories and approaches that make up media studies. The book is accompanied by extensive textual and online resources to give readers guidance at every step. Offering a truly global approach, this is a cutting edge text for today's students seeking to understand worldwide media, past and present.Trade Review'Media Theories and Approaches offers an exceptionally clear, well-balanced and up to date synthesis of theory and evidence in media studies. Satisfyingly global and historical in approach, its stimulating, comparative perspective will be greatly welcomed by teachers and students alike.' - Sonia Livingstone, Professor of Media and Communication, London School of Economics and Political Science 'I have been seeking a high-quality media studies textbook that I can recommend to my students for a long time. Finally, it's available! This volume will set the standard for everyone else thanks to its comprehensive coverage, clear exposition, and sincere internationalism.' - Toby Miller, Chair of Media& Cultural Studies, University of California, Riverside 'Genuinely international in outlook and presentation, the strength of Media Theories and Approaches lies in its wonderful combination of broad methodological coverage and telling example. Students and teachers are presented with a thorough introduction to the various media forms and a compelling education in the historically changing evolution of media in the Americas, Europe, East and South Asia and Australasia.' - Tom O'Regan, Professor of Media and Cultural Studies, University of QueenslandTable of ContentsPART I: CONVERGENCES Introduction.- Technologizing the World.- A Global View.- PART II: THEORIES Classics in Media and Effects.- Classics in Media and Ideology.- Classics in Reasoning About Information and its Ownership.- PART III: CONTENT, AUDIENCES AND EFFECTS Information Warfare and Modern Propaganda.- Transforming Cultures.- Brand China and Bollywood India.- PART IV: STRUCTURES AND ORGANISATION Governance and Digital Identities.- Interactive Media and News.- Media Economics.- Games.- Media Research.- Conclusion.

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Book Synopsis''You''ll never look at your favourite movies and TV shows the same way again. And you shouldn''t'' Steven Soderbergh ''Insanely readable'' Slavoj Zizek''Your book was ... like a bag of pot, with me saying, ''I''m not gonna smoke.'' But I was insatiable'' Quentin Tarantino on Easy Riders, Raging BullsIn The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love - from Game of Thrones and 24 to Homeland and Iron Man - have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day''s work. Welcome to the new normal.Trade ReviewA Sunday Times Book of the Year * - *Compulsively readable ... a thoughtful, entertaining and occasionally profound critical study of the texts that entertain, move and, sometimes, shape us * Spectator *Excellent critical writing ... Biskind's pastiche of right-wing paranoia is spot on * Irish Times *Biskind's wide-ranging arguments offer considerable food for thought * London Review of Books *The Sky is Falling! is not only insanely readable, it demonstrates how the way for Trump and all kinds of fundamentalists was paved years ago by apparently apolitical popular culture. This is a book about the seismic change at the very heart of today's society, and a book for all those who want to know exactly what a mess we're in. -- Slavoj ŽižekPeter Biskind's kaleidoscopic deep dive into the symbiotic relationship between the narratives of popular entertainment and our political culture had me talking out loud to myself. You'll never look at your favorite movies and TV shows the same way again. And you shouldn't. -- Steven SoderberghFunny, intelligent and frightening ... What happens when pop turns to pulp? When "nothing entertains but disaster?" When "democracy has all but dissolved in the acid rain of money?" Read this marvellous book and find the answers -- Michael WoodA breathless compendium of storylines and audacious analysis ... touching on worthwhile questions about how film and TV shape our sense of history and how the world works. Pop culture has become pulp culture... which superhero will come to our rescue? * Times *The only thing better than seeing a good movie is reading what Peter Biskind has to say about it. Who else can explicate the hidden politics of movies and make you laugh out loud at the same time? -- Barbara EhrenreichThe great chronicler of Hollywood in the late twentieth century turns his critical eye to the cinema and television of the twenty first. Essential reading -- Colin MacCabeA bold, witty, and brilliantly argued analysis of the role pop culture has played in the rise of American extremism -- Ruth ReichlYour book was . . . like a bag of pot, with me saying, 'I'm not gonna smoke.' But I was insatiable -- Quentin Tarantino on EASY RIDERS, RAGING BULLS

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Book SynopsisTHE SUNDAY TIMES TOP TEN BESTSELLERFrom one of our greatest voices in modern philosophy, author of The Course of Love, The Consolations of Philosophy, Religion for Atheists and The School of Life - an accessible and eye-opening exploration of our relationship with ''the news''''His gift is to prompt us to think about how we live and how we might change things'' The Times''De Botton analyses modern society with great charm, learning and humour. His remedies come as a welcome relief'' Daily Mail''Like all classic de Botton, there are plenty of insightful observations here, peppered with some psychology, a dash of philosophy, a big dollop of commonsense'' Scotsman ''The news'' occupies a range of manic and peculiar positions in our lives. We invest it with an authority and importance which used to be the preserve of religion - but what does it do for us?Mixing current affairs with philosophical reflections, de Botton offers a brilliant illustrated guide to the precautions we should take before venturing anywhere near the news and the ''noise'' it generates. Witty and global in reach, The News will ensure you''ll never look at reports of a celebrity story or political scandal in quite the same way again.Trade ReviewOne of our most consistently illuminating writers on contemporary culture -- John Gray * New Statesman *De Botton's gift is to prompt us to think about how we live and how we might change things * The Times *

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Book SynopsisA compelling argument that the Internet of things threatens human rights and securitySobering and important.Financial Times, Best Books of 2020: Technology The Internet has leapt from human-facing display screens into the material objects all around us. In this so-called Internet of thingsconnecting everything from cars to cardiac monitors to home appliancesthere is no longer a meaningful distinction between physical and virtual worlds. Everything is connected. The social and economic benefits are tremendous, but there is a downside: an outage in cyberspace can result not only in loss of communication but also potentially in loss of life. Control of this infrastructure has become a proxy for political power, since countries can easily reach across borders to disrupt real-world systems. Laura DeNardis argues that the diffusion of the Internet into the physical world radically escalates governance concerns around privacy, discrimination, human safety, democracy, and national securityTrade Review"Sobering and important"—John Thornhill, Financial Times Best Technology Books of 2020“[A] very well researched and impeccably written text. While dense in terms of the information and discussion provided, particularly in the sections concerning the technical areas, The Internet in Everything remains easy to read and the lines of argument and discussion are clear and succinct. I do not hesitate to recommend this volume to political scientists, security practitioners and scholars as well as the interested public.”—Courteney J. O’Connor, LSE Review of Books"This brilliant and essential book does nothing less than alter our paradigm for thinking about the internet—from communications and indirect control to communications and direct control. The internet is even more powerful—or more dangerous—than we think."—Anupam Chander, author of The Electronic Silk Road: How the Web Binds the World Together in Commerce “This is a must-read. If you have limited time, read Chapters 1 and 8 at least. ‘All of the policy issues in two-dimensional digital space have leapt into three-dimensional real-world space and have added new concerns around physical safety and everyday human activity.’”—Vint Cerf, Internet Pioneer"The Internet isn't just about communication anymore, Laura DeNardis explains in this important new book. Digital networks can now directly affect and manipulate our physical world--even our own bodies. And when the Internet is embedded in everything, everything becomes a potential object of surveillance and control. DeNardis shows us why we need a new politics of privacy and security as the Internet gets physical."—Jack M. Balkin, Yale Law School“A crucial read for understanding the unseen but powerful mechanisms and standards which shape security and policy issues impacting everyone.”—Marietje Schaake, Member of European Parliament 2009-2019“With more things than people connected to the Internet, we enter a cyber-physical world of opportunities and threats. Laura DeNardis is the perfect guide to this strange new world.”—Joseph S. Nye, Jr., Harvard University and author of The Future of Power

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Book SynopsisTrade Review“Duffy’s exploration of sexism, as well as her probe of the gig economy, makes this an interesting and informative read for anyone—even those who aren’t following Instagram’s foodies and fashionistas.”—Wired.com“[A] timely and important book” —Zoe Glatt, Convergence“A fascinating, meticulously researched study that shows how these creative women exemplify modern workers. Her lessons are essential for all those interested in fashion studies, gender studies, and the creative economy.”—Angela McRobbie, author of Be Creative: Making a Living in the New Culture Industries“Duffy is an excellent guide to the contemporary anxieties of aspirational labor, showing both the very calculated nature of investments these women are trying to make in their futures, while pointing to the larger social forces that shape and constrict their possibilities.”—Gina Neff, author of Venture Labor“This immensely valuable book reveals the trapdoor for female workers who pursue their talents on social media. Duffy expertly dissects a system which attracts many, rewards a few, and exploits the rest.”— Andrew Ross, author of Nice Work If You Can Get It: Life and Labor in Precarious Times“Contrary to optimists who hoped that the internet would bail women out of the family-career bind, Duffy finds that female ‘digital-media hopefuls’ rarely get paid for their work. The phenomenon Duffy describes is fascinating.”—Frances McCall Rosenbluth, coauthor of both Forged Through Fire and Women, Work, and Politics“Duffy's critically astute study reveals the intersection of pleasure and power in contemporary capitalism and clearly articulates an essential new perspective on digital labor.”— Kylie Jarrett, author of The Digital Housewife

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Book SynopsisSince independence in 1947 India has remained a stable and functioning democracy in the face of enormous challenges. Amid a variety of interlinking contraries and a burgeoning media one of the largest in the world there has been a serious dearth of scholarship on the role of journalists and dramatically changing journalism practices. This book brings together some of the best known scholars on Indian journalism to ask questions such as: Can the plethora of privately run cable news channels provide the discursive space needed to strengthen the practices of democracy, not just inform results from the ballot boxes? Can neoliberal media ownership patterns provide space for a critical and free journalistic culture to evolve? What are the ethical challenges editors and journalists face on a day-to-day basis in a media industry which has exploded? In answering some of these questions, the contributors to this volume are equally sensitive to the historical, social, and cultural context inTable of ContentsIntroduction: Democracy, civil society, and journalism in India 1. Indian Journalism in the Colonial Crucible: a nineteenth-century story of political protest 2. Popular Cinephilia in North India: Madhuri shows the way (1964-78) 3. A Media Not for All: A comparative analysis of journalism, democracy and exclusion in Indian and South African media 4. Phantom Journalism: Governing India’s proxy media owners 5. Shaming the Nation on Public Affairs Television: Barkha Dutt tackles colorism on We the People 6. Playing Reporter: Small-town women journalists in north India 7. The Potential and Limitations of Citizen Journalism Initiatives: Chhattisgarh’s CGNet Swara 8. Connecting Activists and Journalists: Twitter communication in the aftermath of the 2012 Delhi rape 9. How Well do India’s Multiple Language Dailies Provide Political Knowledge to Citizens of this Electoral Democracy? 10. Our Media, Our Principles: Building codes of practice for community radio in India

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Book SynopsisNow in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing.Individual chapters cover:â Key debates in photographic theory and historyâ Documentary photography and photojournalismâ Personal and popular photographyâ Photography and the human bodyâ Photography and commodity cultureâ Photography as art.This revised and updated edition includes new case studies on topics such as: Black Lives Matter and the racialised body; the #MeToo movement; materialism and embodiment; nation branding; and an extended critical discussion of landscape as genre. Illustrated with over 100 colour and black and white photographs, it features work from Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah HÃch, Mari Katayama, Sant Khalsa, Karen Knorr, Dorothea Lange, Susan Meiselas, Lee Miller, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall. A fully updated resource information, including guides to public archives and useful websites, full glossary of terms and a comprehensive bibliography, plus additional resources at routledgetextbooks.com/textbooks/9780367222758/ make this an ideal introduction to the field.Trade Review"More than 20 years after its original publication, Photography: A Critical Introduction remains a key go-to text for photography students. This new edition sees canonical case studies such as Dorothea Lange’s Migrant Mother joined by new material on #MeToo and Black Lives Matter securing the book’s place as an important resource for students interested in exploring photography in its social and political contexts."Sally Miller, Senior Lecturer Photography, University of Brighton, UK"In its sixth edition, the Critical Introduction remains at the top of any booklist for students of photography. True to its aim, it introduces the principal concepts and debates for photography history, theory and practice, with plenty of examples and accessible analyses. Updated for a photography that has thoroughly assimilated digital technology, it provides insightful and critical overviews of the developing approaches to understanding and using photography in response to its ubiquitous availability and to changes in theoretical thinking."Jane Tormey, Author of Routledge Companion to Photography Theory; Cities and Photography; Photographic Realism: late twentieth-century aestheticsPraise for previous editions:"Liz Wells’ book provides an excellent point of entry into the complex theoretical terrain of photography studies, guiding students through critical debates towards an informed understanding of key domains of photographic practice. First published in the 1990s, Photography: A Critical Introduction has established itself as an essential introduction; written in an accessible style, it consolidates the critical literature on photography that has emerged over recent decades, and helps the reader to navigate this extensive and growing field of study." Darren Newbury, Professor of Photographic History, University of Brighton, UK"The boundaries of contemporary photography are becoming difficult to define while its past is becoming more complicated than we ever imagined. Wells' book is an extraordinary attempt to hold it all together and guide us through." David Campany, Reader in Photography, University of Westminster, UK"Bravo to Liz Wells who has done it again with her new edition. It is a must for both educators and students." Ann Chwatsky, photographer and educator, New York University, USA"A brilliantly designed book. It provides a much-needed conceptual perspective, so lacking in other histories of photography, and with the new material on photojournalism [the book] is even stronger." Ulrich Keller, University of California at Santa Barbara, USA"Bravo to Liz Wells for putting together such a comprehensive critical introduction. Lucid, smart and well illustrated, this will be a "must read" for every serious student of the medium." Deborah Bright, Professor of Photography and Art History, Rhode Island School of Design, USA"An essential purchase. It raises awareness of the main contemporary issues related to photographic practice."Howard Riley, Swansea Institute of Higher Education, UK"A timely revision of a great book. It is invaluable in setting the stage for critical research in photography...A substantial contribution to the critical study of photography." Professor Lynne Bentley-Kemp, Rochester Institute of Technology, USA"Precisely the kind of book I have been yearning to see appear for a long time. Carefully structured, it fulfils the need for a critical theory text for FE, HE and introductory college courses." Nicky West, University of Northumbria at Newcastle, UK"Ideal for stimulating discussions on the critical use of photographic images and their evaluation. It is ideal for teaching this part of my BTEC Media and BTEC Art and Design courses." Ken Absalom, Gwent Tertiary College, UK"Well structured – each chapter is thorough and relevant. The quality of the finish is superb – lovely photos and good use of margin notes." Richard Swales, Roade School, Northampton, UKTable of ContentsIntroduction ; 1. Thinking about photography: debates, historically and now ; 2. Surveryors and surveyed: photography out and about ; 3. 'Sweet it is to scan...': personal photographs and popular photography ; 4. The subject as object: photography and the human body ; 5. Spectacles and illusions: photography and commodity culture ; 6. On and beyond the white walls: photography as art ; Afterword ; Glossary ; From analogue to digital ; Photography archives ; Bibliography

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Book SynopsisIn the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestineâs Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called Visualizations, ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this ediTrade Review"Sensitive to current debates about the politics of articulation that ground our understanding of visual culture, visual activism, and visual relations, Mirzoeff’s third edition develops new frameworks for the analysis of image culture. Leveraging the book’s original concerns—the legacy of slavery, refugees and surveillance, global capital and colonial histories—Mirzoeff reinvigorates his arguments, drawing on contemporary events and social movements with insight and urgency. Provocative, relevant and iconoclastic, An Introduction to Visual Culture remains a critical text for students across the disciplines."Jennifer A. González, UC Santa Cruz, United States"The newly revised 3rd edition of Nicholas Mirzoeff’s anti-foundational classic issues the rallying call for refusing the resignations of merely describing visual culture as it is. Showing us how to activate and motivate the real and urgent question of what visual culture does and how to practice it, this primer is also the manifesto on method that takes us from the groundwork of acknowledgment through tactics for visual activism and ways of confronting catastrophe, while never losing sight of the power of the strike as lens and the ways we may yet forge relation in becoming visible to one another by consent. This new edition may be a renewed classic but not for the shelf. As open theory forged in practice, it calls to be used, to be put to the test of sharing out as widely as possible, seeing with and past it, activating the visible for ourselves and each other."Jill Casid, University of Wisconsin-Madison, United StatesTable of ContentsIntroduction Visualization 1: Perspective, Visuality and the Way of Seeing Part 1. Foundational 1.Acknowledgement and Groundwork 2. Indigenous Ways of Seeing 3. In Slavery’s Wake 4.Surveillance and Counter-Surveillance 5.Unfixing the Gaze Visualization 2: The Ambassadors by Hans Holbein Visualization 3: The Decisive Moment and The Limits of Looking Part 2. Tactics of Visual Activism 6. Removal 7.Restitution 8. Repair and Reparations Visualization 4: Power Figures: Minkisi Nkondi Part 3. Catastrophe 9. Nakba 10. The Climate {R}evolution 11. Plague and War Visualization 5: Taking a Knee

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Book SynopsisThe third edition of this classic text helps readers consider the myriad ways gendered attitudes and practices influence communication in our personal and professional interactions. Written in an engaging style, with a wide array of exercises designed to challenge and interest readers in applying what they learn, the book integrates research with examples from contemporary life related to gender and culture, race, class, and media. Among new topics covered in this edition are multiple genders, gender activism and the #MeToo movement, and challenges of twenty-first-century masculinities and femininities, including expanded coverage of contemporary male issues. Fresh coverage is also afforded to each communication context, particularly gender at work, the legal and political spheres, global cultures, and the digital world, including social media. The book is ideally suited for undergraduate courses in gender and communication within communication studies, sTable of ContentsPart I: Foundations of Gender Communication 1. Why We Study Gender Communication 2. Developing Gender Identity: Theoretical Approaches 3. Verbal Styles of Gendered Expression 4. Nonverbal Styles of Gendered Expression 5. Gendered Perception and Listening Styles Part II: Gender's Role in Creating and Maintaining Personal Relationships 6. Gender Communication and Friendships 7. Gender Communication and Romance 8. Gender Communication in Families Part III: Gender Communication in Context 9. Gender Communication in Education 10. Gender Communication in the Workplace 11. Gender Communication and Health 12. Gender Communication and the Law Part IV: Issues and Challenges in Gender Communication 13. Gender in Media and Communications Technology 14. Conflict, Power, and Gender Violence 15. Gender and Social Movements: Reconsidering the Past and Preparing for the Future

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This book offers clear and detailed strategies for tackling every stage of the documentary editing process, from organizing raw footage and building select reels to fine cutting and final export. Written by a Sundance award-winning documentary editor with a dozen features to his credit and containing examples from over 100 films, this book presents a step-by-step guide for how to turn seemingly shapeless footage into focused scenes, and how to craft a structure for a documentary of any length. The book contains insights and examples from seven of Americaâs top documentary editors, including Geoffrey Richman, ACE (The Cove, Tiger King), Kate Amend, ACE ( Viva Maestro!, The Keepers), and Mary Lampson (Harlan County U.S.A.).Written for both practitioners and enthusiasts, this book offers unique and invaluable insights into the documentary editing process.The second edition is completely revised and updated with contemporary examples and contains a new

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Book SynopsisThis pioneering work equips you with the skills needed to create and design powerful stories and concepts for interactive, digital, multi-platform storytelling and experience design that will take audience engagement to the next level. Klaus Sommer Paulsen presents a bold new vision of what storytelling can become if it is reinvented as an audience-centric design method. His practices unlock new ways of combining story with experience for a variety of existing, new and upcoming platforms. Merging theory and practice, storytelling and design principles, this innovative toolkit instructs the next generation of creators on how to successfully balance narratives, design and digital innovation to develop strategies and concepts that both apply and transcend current technology. Packed with theory and exercises intended to unlock new narrative dimensions, Integrated Storytelling by Design is a must-read for creative professionals looking to shape the futuTable of ContentsIntroduction 1. Enter the new world of storytelling by design 2. Structure 3. Seven key components of Integrated Storytelling by Design 4. Design principles and elements of Integrated Storytelling Part I: Story 5. The rise, fall and rise of the living story 6. The concept of Integrated Storytelling 7. The War of the Worlds 8. CASE: The War of The Worlds Immersive Experience 9. From theory to practice: Concepts transcending technologies 10. The Integrated Storytelling check list Part II: Design 11. The audience is the hero! 12. Constructing immersive narrative designs with Story Spheres 13. From theory to practice: Constructing a basic Story Sphere 14. Creating new narrative structures and dynamics with Micro Stories 15. From theory to practice: Structuring Micro Stories Part III: Audience 16. Audience layer compositions 17. From theory to practice: Creating an audience code set 18. Designing connections across audience gaps 19. Designing a Creator - Audience Connection Script 20. The audience and the Integrated Story Sphere 21. The new roles of the audience 22. Variations of The Alien Encounter 23. From theory to practice: Audience role timeline mapping 24. Contextual Audience Design 25. From theory to practice: Audience context 26. Adjusting to a new audience mindset Part IV: Experience 27. The design of memories 28. Theory to practice: Working with Micro Experiences in sequence Part V: Convergence 29. The Integrated Storytelling design dimensions 30. Theory to practice: Integrated Experiential Narrative 31. Theory to practice: Vertical and horisontal integration Part VI: Creation 32. Creating Integrated Storytelling 33. Testing Integrated Storytelling concepts 34. Acknowledging The Dark Side of Storytelling 35. From theory to practice: Uncovering hidden agendas Part VII: Application 36. Themed attractions 37. CASE: Star Wars Galaxy’s Edge 38. Game Design and Beyond 39. CASE: The Last of Us 40. CASE: EVE Online: True Stories 41. The New Retail Experience 42. CASE: Søstrene Grene 43. Integrated Storytelling for Modern Marketing 44. CASE: Bleed For The Throne Futurecasting 45. The future of the Story Experience Afterword 46. Storytelling is not what storytelling was Literature and Media

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Book Synopsis"A broad and deep look at how electronic media are changing storytelling…Completely fascinating." —Booklist, starred reviewTrade Review"A highly readable, deeply engaging account of shifts in the entertainment industry that have paved the way for more expansive, immersive, interactive forms of fun." -- Henry Jenkins"An intriguing snapshot of where media will continue to move in the near future—great for rabbit–hole spelunkers." -- Kirkus Reviews"Like Marchall McLuhan's groundbreaking 1964 book, Understanding Media, this engrossing study…is an essential read." -- Library Journal"A grand trip, taking in everything from Charles Dickens to Super Mario and Avatar…Refreshing [and] thoughtful." -- New Scientist

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Book SynopsisA best-selling author and renowned security expert reveals the rise and risks of a new goliath: our massively networked, world-sized web.Trade Review"Schneier skilfully guides readers through serious attacks that have happened already — and moves on to those he believes are just over the horizon... This book is convincing, but not comforting." -- Financial Times"Schneier’s book is sober, lucid and often wise in diagnosing how the security challenges posed by the expanding Internet came about, and in proposing what should (but probably won’t) be done about them." -- Nature"... excellent work..." -- The Catholic Herald

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Book SynopsisPropaganda is inescapable. It's everywhere. Students need to analyse, resist, critiqueand create.

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Book Synopsis

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Book SynopsisTelevision: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams'' analysis of television''s history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan''s dictum that ''the medium is the message''. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for neTrade Review'Television: Technology and Cultural Form is a powerful and original book which marked the beginning of a new breed of British accounts of television. Instead of focusing solely on the content of television programs, it examined the shaping effect of television's technological structures upon its characteristic forms.' - Graeme Turner, Centre for Critical and Cultural Studies, University of Queensland, Australia'Television: Technology and Cultural Form changed the way people understand TV. For the first time, a sophisticated critic and historian looked at the all medium's aspects--as a domestic technology, an object of public policy, a fetish of capital, a series of texts, and a creator of audiences... It was the first classic of TV studies.' - Toby Miller, New York University'This book is a classic because it inaugurated ways of thinking about a new technology - television - as part of everyday material culture which are even more pertinent to us now as we enter the digital age.' - Charlotte Brunsdon, University of Warwick, UK'A critical, insightful, iconoclastic and humane reading of television's first half century.' - Roger Silverstone, London School of EconomicsTable of ContentsChapter 1 The Technology and the Society, Raymond Williams, Ederyn Williams, Roger Silverstone; Chapter 2 Institutions of the Technology, Raymond Williams, Ederyn Williams, Roger Silverstone; Chapter 3 The Forms of Television, Raymond Williams, Ederyn Williams, Roger Silverstone; Chapter 4 Programming: Distribution and Flow, Raymond Williams, Ederyn Williams, Roger Silverstone; Chapter 5 Effects of the Technology and its Uses, Raymond Williams, Ederyn Williams, Roger Silverstone; Chapter 6 Alternative Technology, Alternative Uses?, Raymond Williams, Ederyn Williams, Roger Silverstone;

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Book SynopsisPresents a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, this guidebook provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer.Trade Review'If you are thinking about teaching horror, I would heartily recommend this guide' - MEA‘...a cogent and accessible introduction to the genre’ - Matt Yockney, Journal of the Fantastic in the Arts Table of Contents1. The Horror Genre: Form and Function 2. Horror Aesthetics and Affect 3. Horror Cinema and its Pleasures 4. Horror and the Cultural Moment Notes Filmography Bibliography Index

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Book SynopsisGrotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film.The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.Table of Contents1. Grotesquerie 2. Groteskology; or, Grotesque in Theory 3. Monstrous and Grotesque 4. Grotesque Bodies 5. Disharmony and Transgression 6. Attraction/Repulsion 7. Laughter and Grotesque 8. Queerly Grotesque 9. Postcolonial Grotesque Conclusion: Global Grotesque

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Book SynopsisTrauma has become a catchword of our time and a central category in contemporary theory and criticism. In this illuminating and accessible volume, Lucy Bond and Stef Craps: provide an account of the history of the concept of trauma from the late nineteenth century to the present day examine debates around the term in their historical and cultural contexts trace the origins and growth of literary trauma theory introduce the reader to key thinkers in the field explore important issues and tensions in the study of trauma as a cultural phenomenon outline and assess recent critiques and revisions of cultural trauma research Trauma is an essential guide to a rich and vibrant area of literary and cultural inquiry. Trade Review"As an introduction to trauma theory and its applications to contemporary literary, artistic, and clinical work, the volume sets a high standard. It reminds us of the limitations of trauma studies as a dominant paradigm and exposes its controversies, while endeavoring to enlarge our understanding of this huge field. Trauma will be useful as an introduction for students who struggle with omnipresent and often confusing conceptions of trauma, but professionals and scholars could equally benefit from reading through its dense but clear summaries of a vast array of sources. I recommend the book whole-heartedly to anyone with an interest or need to gain greater familiarity with the meaning and pervasiveness of trauma at this moment of history."Lewis Kirshner, Harvard Medical School, American Imago"Overall, the work succeeds in its attempt to outline the historical trajectory of trauma studies and its application in literary analysis and other means of artistic and cultural production. Historical facts, researchers, works, studies, and terms most important to the development of the field are presented to the reader in clear and succinct language. This is certainly a work of reference and quick reference, useful for the more experienced researcher, while at the same time serving as introductory material of easy access and understanding for students new to the field. In this sense, the book fulfills its intended and announced function as a manual or guidebook, as it explores all the most relevant moments and themes for trauma studies, while also provoking reflections on the subject."Joyce Silva Fernandes, Remate de MalesTable of ContentsIntroduction: Not Even Past 1. The History of Trauma 2. Words for Wounds 3. Trauma Theories 4. The Future of Trauma Conclusion: The Limits of Trauma

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Book SynopsisTable of Contents1. Sonic Style in Cinema James Wierzbicki 2. Music, Sound, and Silence in the Films of Ingmar Bergman Per F. Broman 3. Andrey Tarkovsky; The Refrain of the Sonic Fingerprint Elizabeth Fairweather 4. "It’s All Really Happening": Sonic Shaping in the Films of Wes Anderson Ben Winters 5. Kieślowski’s Musique concrete Joseph G. Kickasola 6. Gus Van Sant’s Soundwalks and Audio-visual Musique concrete Danijela Kulezic-Wilson 7. Blowin’ in the Wind: Music and Meaning in the Coen Brothers’ Films Matthew McDonald 8. Sound and Uncertainty in the Horror Films of the Lewton Unit Michael Lee 9. Conducting the Composer: David O. Selznick and the Hollywood Film Score Nathan Platte 10. The Stanley Kubrick Experience: Music, Firecrackers, Disorientation, and You Kate McQuiston 11. The Filmmaker’s Contract: Controlling Sonic Space in the Films of Peter Greenaway Ian Sapiro 12. The Attractions of Repetition: Tarantino’s Sonic Style Lisa Coulthard 13. Dream Timbre: Notes on Lynchian Sound Design Isabella van Elferen

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Book SynopsisFilm Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as The Silence of the Lambs, Dances With Wolves, Terminator II, Pretty Woman, Truth or Dare, Mystery Train, and Jungle Fever.They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women''s studies.

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Book SynopsisThe mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of technologies like DVDs, MP3s and the Internet has freed the public from what we used to understand as mass media. In the face of such seismic shifts and ruptures, the theoretical and pedagogical foundations of film and TV studies are being shaken to their core. New Media demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the scholars here outline new theses and conceptual frameworks capable of engaging the numerous facets of emergent digital technology.Table of ContentsIllustrations Acknowledgments Introduction Issues in the Theory and Practice of Media Convergence: Anna Everett and John T. Caldwell Part 1: Digitextual Deconstructions 1. Digitextuality and Click Theory: Theses on Convergence Media in the Digital Age: Anna Everett 2. The Radio as an Apparatus of Communication: Bertolt Brecht 3. Invisible Media: Laura U. Marks 4. Exit Meat: Digital Bodies in a Virtual World: Mischa Peters Part 2: Digitextual Aesthetics 5. Space Invaders: Thoughts on Technology and the Production of Culture: Peter Lunenfeld 6. The Poetics of Augmented Space: Lev Manovich 7.Too Many Notes: Computers, Complexity, and Culture in Voyager : George E. Lewis 8. The Stories Digital Tools Tell: Tarleton Gillespie Part 3: Pre-Figuring Digitextuality 9. Second Shift Media Aesthetics: Programming, Interactivity, and User Flows: John T. Caldwell 10. Narrative Mapping: Stephen Mamber 11. Real-Time Fairy Tales: Cinema Pre-Figuring Digital Anxiety: Mark Williams 12. Digital Vapor/ Tulip Theory: Jeffrey Sconce Part 4: Digitextual Practices 13. Net Ratings: Defining a New Medium by the Old, Measuring Internet Audiences: Karen S.F. Buzzard 14. Flashing Digital Animations: Pixar's Digital Aesthetic: Katherine Sarafian 15. Log On: Corporate Feminism and the Oxygen Media Research Project: Constance Penley, Lisa Parks and Anna Everett 16. From Barbie to Mortal Kombat: Further Reflections: Henry Jenkins 17. Endnotes for a Theory of Convergence: Joe Amato

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