Description
Book SynopsisIn Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai WiedenhÖfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision-the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders.
Trade Review"A methodical and insightful account of the cultural production of differential systems of oppression that characterize the surveillant present. . . . What’s notable throughout is the incisiveness of Monahan’s critique which refuses to shy away from scrutiny even as he lauds each artwork for its investigation of crisis vision." -- Gary Kafer * Journal of Cultural Economy *
Table of ContentsAcknowledgments ix
Introduction 1
1. Avoidance 21
2. Transparency 43
3. Complicity 69
4. Violence 90
5. Disruption 115
Conclusion 139
Notes 147
Bibliography 179
Index 205
