Media studies Books

Book SynopsisThis edited collection provides a singular look at contemporary mediated coverage of women athletes and sports from Title IX to the present day.Through personal perspectives, contributors provide a valuable overview of common patterns in womenâs sports media coverage, exploring issues of diversity, ethnicity, and inclusion. Chapters examine Title IX discourse, NIL brand creation, and marketing among female college athletes through platforms such as TikTok, Instagram, and Twitter (X), the recent surge in what appears to be empowering gender discourse and contemporary public debates, legislative attacks on the participation of trans and nonbinary athletes, differential treatment of womenâs athletic injuries as compared to menâs injuries, and the role of women working in sports media both on the field and on the sidelines. The book includes a review of changes in the media coverage of women in sport, offering an overall assessment of the status of women athletes in the half-cent

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Book SynopsisAn introductory critical internet studies text that builds upon media literacy and digital culture theory to offer a thorough examination of the intersection of online technology and culture.We are now collectively at a hinge point in the evolution of the web where online influencers can sway national discourse, geopolitical events are remixed through memes, and online harms are misunderstood. This book argues that people are generally aware that online media has repercussions in off-platform spaces, but sometimes lack the language to properly critique online trends, memes, and internet-born media. How are citizens, activists, and marginalized groups able to use these tools effectively and safely in these times? Jamie Cohen explores aspects of internet culture in an approachable manner, building upon critical media literacy and applying a critical technocultural analysis as a methodology to reimagine how media literacy can operate in an online media environment. The book expl

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Book SynopsisWhat does research tell us about how to grapple with the onslaught of graphic and distressing imagery that floods our newsfeeds daily? This book is designed for professionals and everyday people, legislators and social media policymakers who are making sense of trauma and meaning in our online lives.Trade Review'We live in a world where too few people have stopped to think of the shattering impact of the way cell phones, video and audio technology, and the internet bring horrendous violence, often instantly, to our offices, our homes, our safest spaces. It is splendid to have this thoughtful, compassionate analysis of this situation, replete with practical suggestions, from two of our finest human rights workers.' Adam Hochschild, author of American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis'In the groundbreaking book Graphic, Alexa Koenig and Andrea Lampros explore the ever-evolving information landscape and its effects on our lives in the digital age. Meticulously researched and brimming with practical advice, this timely guide delves into the complex world of online content and reveals best practices for safely navigating it. Drawing from their pioneering work at the world's first university-based digital investigations lab, the authors address crucial questions about our engagement with graphic news, and the responsibilities of newsrooms, social media platforms, and social justice organizations in today's world. Graphic is an essential read for anyone seeking to understand and mitigate the challenges of the digital era while staying connected to the human stories that matter most.' Eliot Higgins, founder of Bellingcat'In Graphic, Alexa Koenig and Andrea Lampros brilliantly navigate the complicated and ethical landscape of our digital lives in which violent content is readily accessible at any time of day, anywhere in the world. Koenig and Lampros contend we should not necessarily look away from this material, but rather look differently. Thoroughly researched and compelling written, Graphic is a groundbreaking book with important insights about ways to be a digital witness to injustice that minimize the harmful and devastating impact this material can have on people who view it.' Sylvanna Falcón, Associate Professor of Latin American and Latino Studies, University of California, Santa CruzTable of ContentsIntroduction: Taking in Trauma from Our Newsfeed; 1. A Short Summary of a Long History of Graphic Witnessing; 2. Images and the Brain; 3. Images and Identity; 4. Agency and Control; 5. Community as a Protective Force; 6. Meaning in our Online Lives; 7. Policy and Practice: What Next? Conclusion: Lessons on Resilience from San Miguel.

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Book SynopsisFreedom of Information: A Practical Guide for UK Journalists is written to inform, instruct and inspire journalists on the investigative possibilities offered by the Freedom of Information Act. Covering exactly what the Act is, how to make FOI requests and how to use the Act to hold officials to account, Matt Burgess utilises expert opinions, relevant examples and best practice from journalists and investigators working with the Freedom of Information Act at all levels.The book is brimming with illuminating and relevant examples of the Freedom of Information Act being used by journalists, alongside a range of helpful features, including: end-of-chapter lists of tips and learning points; sections addressing the different areas of FOI requests; text boxes on key thoughts and cases; interviews with leading contemporary journalists and figures working with FOI requests.Supported by the online FOI Directory (wTrade ReviewExcellent concept... The topics look right, and the order of presentation makes sense... I am curious why the author doesn’t seem to list journalists associated with the Guardian or the Independent, both of which have made considerable use of FOI. – Jane Kirtley, Silha Professor of Media Ethics and Law at the School of Journalism and Mass Communication, University of Minnesota, USAThe outline looks fully inclusive and suitable for the identified target audience. It might be important to sales, and placement of the book, that the title somehow reflect that it is U.K. specific. – Shannon Martin, School of Journalism, Indiana University, USAFOI is a useful tool for journalists and one increasingly accepted and acknowledged. A guide would be useful and attractive to a wide audience... Throughout I would ensure that there are plenty of case studies and quotes-I would recommend using in- text boxes to give small vignettes and cases throughout the book. Each chapter should end with tips...I would use the interviews to inform the vignettes/cases throughout.– Benjamin Worthy, Department of Politics, Birkbeck College, London, UKI would suggest including Heather Brooke as one of the interviewees for the book, even if she’s written a competing book. Brooke is one of the most effective users of FOI in the UK. – Johan Lidberg, Senior Lecturer in Journalism, School of Journalism, Australian and Indigenous Studies, Monash University, Melbourne, AustraliaThere is good detail on the possible competition from other books. I know all of these and I regard this proposal - if it succeeds - in being potentially better for journalists. – Dr Eamonn O’Neill, Director, MSc in Investigative Journalism, Strathclyde University, UKTable of Contents1. The Act 2. FOI in the media’s view 3. Accessing other information 4. The FOI exemptions 5. How to write a successful FOI request 6. How to utilise FOI 7. Case studies 8. Know your rights 9. Appeals 10. Journalistic considerations 11. FOI Around the World 12. The rise of open data Appendix: Request templates

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Book SynopsisSince the so-called Arab Spring, citizens of African countries have continued to use digital tools in creative ways to ensure that marginalised voices are heard, and to demand for the rights they are entitled to in law: to freely associate, to form opinions, and to express them online without fear of violence or arrest. The authors of this compelling open access volume have brought to life this dramatic struggle for the digital realm between citizens and governments; documenting in vivid detail how citizens are using mobile and internet tools in powerful viral global campaigns to hold governments accountable and force policy change.With contributions from scholars across the continent, Digital Citizenship in Africa illustrates how citizens have been using VPNs, encryption, and privacy-protecting browsers to resist limits on their rights to privacy and political speech. This book dramatically expands our understanding of the vast and growing arsenal of tech tools, tactics, and teTrade ReviewThis is an outstanding collection of rigorous investigations on how African citizens are negotiating digital technologies. Eschewing epistemic colonialism, the authors develop concepts grounded in the experiences and languages of African citizens in their everyday struggles for rights and justice. The collection brings an inspired perspective on activist citizenship performed with digital technologies. * Engin Isin, Professor emeritus, Queen Mary University of London, UK *Timely… An interesting and thought provoking read… the first in a series of useful books * Irish Tech News *Table of ContentsList of illustrations List of contributors Foreword - Francis B. Nyamnjoh Acknowledgements 1 Introduction: Spaces of digital citizenship in Africa - Tony Roberts and Tanja Bosch 2 Ethno-religious citizenship in Nigeria: Ethno-religious fault lines and the truncation of collective resilience of digital citizens: The cases of #ENDSARS and #PantamiMustGo in Nigeria - Ayobami Ojebode, Babatunde Ojebuyi, Oyewole Oladapo and Marjoke Oosterom 3 Digital crossroads: Continuity and change in Ethiopia’s digital citizenship - Atnaf Brhane and Yohannes Eneyew 4 Internet shutdowns and digital citizenship - Felicia Anthonio and Tony Roberts 5 Feminist digital citizenship in Nigeria - Sandra Ajaja 6 Digital citizenship and cyber-activism in Zambia - Sam Phiri, Kiss Abraham and Tanja Bosch 7 Digital citizenship and political accountability in Namibia’s 2019 election - Mavis Elias and Tony Roberts 8 Citizenship, African languages and digital rights: The role of language in defining the limits and opportunities for digital citizenship in Kiswahili-language communities - Nanjala Nyabola

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Book SynopsisThis Student Book is designe to be used in conjunction with the AQA Media Studies for A-level Student Book, which focuses on the theoretical concepts you need to learn and apply. Each case study offers:- Links to relevant chapters of the Student Book, to connect the CSPs with the theorical knowledge required- ''Apply it'' questions to encourage you to work with the ideas being discussed for yourself- Quick questions to help you test your applications of the ideas, with answers provided to check your knowledge.

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Book SynopsisA conversation-changing book for parents and anyone anxious about the impact of devices on our children

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Book SynopsisDespite its emergence as one of the most popular and debated areas of cinema research, there is no systematic discussion of cult cinema available. Cult Cinema aims to fill this gap by being the first academic textbook devoted to the subject.Table of ContentsList of Figures. Acknowledgments. Introduction. Part I Receptions and Debates. 1 Cult Reception Contexts. 2 The Cult Cinema Marketplace. 3 Prestige, Awards, and Festivals. 4 Censorship and Criticism. 5 Fandom and Subculture. 6 The Cult Auteur. 7 Cult Stardom. 8 Camp and Paracinema. 9 Transgression and Freakery. 10 Gender and Sexuality. 11 Transnationalism and Orientalism. 12 Religion and Utopia. Part II Themes and Genres. 13 Exploitation and B Movies. 14 Underground and Avant-garde Cinema. 15 Cult Cinema and Drugs. 16 Cult Cinema and Music. 17 Classical Hollywood Cults. 18 Cult Horror Cinema. 19 Cult Science Fiction Cinema. 20 Cult Blockbusters. 21 Intertextuality and Irony. 22 Meta-cult. Filmography. References. Credits and Sources. Index.

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Book SynopsisDrawing on interviews with journalists and police officers, this is the first ethnographic study of crime news reporting in the UK for over 25 years. It shows the impediments to crime reporting that exist in the aftermath of the Leveson Report and considers the future of investigative journalism non-profits.Trade Review"This book delivers on its promise and will resonate with audiences that have a tradition of policing by consent. Colbran is well situated to respond with research into who makes the opening gambit on an increased reciprocity between police and media producers, and how it plays out." Policing and Society"I can claim without any irony that this book meets the criteria for exemplary investigative journalism so often lacking in legacy media reports. Colbran is completely successful in both identifying a gap in scholarship and filling it – this is a timely and signal contribution to cultural criminology, critical criminology and zemiology." Crime, Media, Culture“This is a valuable publication for journalism scholars and practitioners mainly due to its wide-ranging list of data from empirical research and theoretical resources. Journalists beyond the UK will identify similar structural problems in their relations with police and challenges in accessing data related to criminal investigations.” Communication Today"The book is skilled at reflecting changing relations between the police, press and public relations. It is a valuable resource for scholars, police and media practitioners worldwide on the changing landscapes of crime, policing and reporting." LSE Review of BooksTable of Contents1. Why Study Crime News? 2. The Metropolitan Police 3. Police ‘Control’ and the UK National Press 4. The Phone-Hacking Scandal 5. The Effect of Digital Platforms on the Police and the Media 6. The Rise of the New Investigative Journalism Start-Ups 7. The Changing Face of Crime News 8. How Does the Fourth Estate Work Now in Crime and Investigative Reporting?

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Book SynopsisThe New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images. The New Soundtrack also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound. The journal has an illustrious Editorial Board containing some of the most prominent people working with sound in the arts and media and the discourse which surrounds it. The New Soundtrack includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.

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Book SynopsisHatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.Trade Review“Hatim El-Hibri weaves a narrative that articulates concealment and infrastructure onto a conceptual terrain that transcends the empirical context of Lebanon. This engaging, groundbreaking, and indispensable book makes a truly meaningful and influential intervention in global media studies, Middle East studies, and urban studies.” -- Marwan M. Kraidy, author of * The Naked Blogger of Cairo: Creative Insurgency in the Arab World *“Visions of Beirut is a compelling work of careful analysis and creative connections that proposes a historically informed set of powerful readings about the transformations of Beirut's public(s) and spaces. Hatim El-Hibri masterfully deconstructs outmoded assumptions about Lebanon's political economy and societies, unravelling instead the everyday visual infrastructures that sustain and reproduce forces such as sectarianism and financialization. The outcome is an important contribution that implores us to think critically about how image, its mediation, and infrastructures are remaking cities in today's world.” -- Mona Fawaz, Professor of Urban Studies and Planning at the American University of Beirut“Visions of Beirut comes at a crucial moment for the city and for the country, coinciding with the most stringent economic crisis Lebanon has ever faced and in the aftermath of one of the largest nonnuclear explosions ever recorded.... The recent events confirm, once again, El-Hibri’s treatise and the validity of its theoretical framework." -- Aya Jazaierly * Information & Culture *“Visions of Beirut offers a lot to its readers. It will be of great interest to scholars of global media, Middle Eastern studies, and urban studies and will make an excellent addition to many graduate-level syllabi.” -- Blake Atwood * International Journal of Middle East Studies *Table of ContentsNote on Translation and Transliteration vii Acknowledgments ix Introduction 1 1. The Social Life of Maps of Beirut 21 2. Images of Before/After in the Economy of Postwar Construction 64 3. Concealment, Liveness, and Al Manar TV 105 4. The Open Secret of Concealment at the Mleeta Museum 144 Conclusion 178 Notes 183 References 217 Index 247

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Book SynopsisIn the final decades of the Manchu Qing dynasty in China, technologies such as the phonograph, telephone, telegraph, and photography were both new and foreign. In The Stone and the Wireless Shaoling Ma analyzes diplomatic diaries, early science fiction, feminist poetry, photography, telegrams, and other archival texts, and shows how writers, intellectuals, reformers, and revolutionaries theorized what media does despite lacking a vocabulary to do so. Media defines the dynamics between technologies and their social or cultural forms, between devices or communicative processes and their representations in texts and images. More than simply reexamining late Qing China''s political upheavals and modernizing energies through the lens of media, Ma shows that a new culture of mediation was helping to shape the very distinctions between politics, gender dynamics, economics, and science and technology. Ma contends that mediation lies not only at the heart of Chinese media history but of Trade Review“The beauty of Shaoling Ma's inspiring and provocative argument is that it allows for a reconsideration of late Qing culture through a new prism and for the expansion of mediality beyond the familiar confines of Western culture. Offering fresh readings and giving new life to key texts in modern Chinese history and literature, Ma makes an intervention that will force the field of Chinese studies to reassess its methodology and fundamental assumptions.” -- Yomi Braester, author of * Painting the City Red: Chinese Cinema and the Urban Contract *“From late Qing texts and media studies to Marxist criticism and affect theory, The Stone and the Wireless combines different archives, discourses, and theoretical registers in new and exciting ways. This innovative, rich, and intellectually engaging work will appeal to those in Chinese studies and media studies more broadly.” -- Andrea Bachner, author of * The Mark of Theory: Inscriptive Figures, Poststructuralist Prehistories *"Scholars and graduate students interested in global media cultures and media theory will find The Stone and the Wireless a valuable addition to the North American and Western European canon of media theory. This book not only challenges the predominant emphasis on forms and objects, but also constructs a complex web of mediation through its narrative. Chinese notions, texts, and historical contexts serve as the subjects of discussion, not the backdrop. For scholars of world literature, comparative literature, and science fiction, the book offers close readings of untranslated and understudied sources." -- Xuenan Cao * Modern Chinese Literature and Culture *"Connecting history, theory, and area studies, The Stone and the Wireless makes contributions to many fields, including media studies, literary criticism, and cultural studies. It introduces new sources to the study of media history and science fiction history in China. It also provides valuable insights and fresh materials to the global history of technology by investigating the circulation of technical knowledge between new areas and regions." -- Yue Zhao * H-Sci-Med-Tech, H-Net Reviews *"The Stone and the Wireless . . . sets an important example for readership in and beyond the China field that sources such as Guo’s diplomatic diaries and newspaper photojournalism have immense interdisciplinary potential. Using media theory methods, these objects of historical interest can exist within area-specific history and form part of generative, ongoing debates surrounding media and media technology." -- Alina Scotti * Technology and Culture *"Scholars in gender studies and labor history will also be inspired by its discussion of gendered subjectivity and the working masses in Chinese literature. Since our current era is marked by the widespread popularity and significant influence of Artificial Intelligence, general readers will find the debates surrounding the capacity of machines to replicate human cognition and language during the late Qing era very relevant as well." -- Yu Liu * Asian Ethnicity *"Ma’s book is a valuable addition to the growing literature on media in Chinese history. Her focus on the late Qing period, instead of the republican era, is especially worthy of praise. The Stone and the Wireless opens an intellectual space to think about mediation and ponder its strengths and weaknesses as a method. It will be an essential read for Chinese media studies going forward." -- Ulug Kuzuoglu * Cultural Politics *Table of ContentsAcknowledgments ix Introduction. The Forms of Media 1 Part I. Jl | Recordings 1. Guo Songtao's Phonograph: The Politics and Aesthetics of Real and Imagined Media 37 2. Stone, Copy, Medium: "Tidbits of Writing" and "Official Documents" in New Story of the Stone (1905–1906) 74 Part II. Chuan/Zhuan | Transmissions 3. Lyrical Media: Technology, Sentimentality, and Bad Models of the Feeling Woman 111 Part III. Tong | Interconnectivity 4. 1900: Infrastructural Emergencies of Telegraphic Proportions 149 5. A Medium to End All Media: "New Tales of Mr. Braggadocio" and the Social Brain of Industry and Intellect 181 Conclusion: Stone, Woman, Wireless 207 Notes 219 Bibliography 261 Index 285

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Book SynopsisWhat identity means in an algorithmic age: how it works, how our lives are controlled by it, and how we can resist itAlgorithms are everywhere, organizing the near limitless data that exists in our world. Derived from our every search, like, click, and purchase, algorithms determine the news we get, the ads we see, the information accessible to us and even who our friends are. These complex configurations not only form knowledge and social relationships in the digital and physical world, but also determine who we are and who we can be, both on and offline. Algorithms create and recreate us, using our data to assign and reassign our gender, race, sexuality, and citizenship status. They can recognize us as celebrities or mark us as terrorists. In this era of ubiquitous surveillance, contemporary data collection entails more than gathering information about us. Entities like Google, Facebook, and the NSA also decide what that information means, constructing our worlds and the identities wTrade ReviewWe Are Datais a gem!... This finely crafted book should help us to take a giant collective leap forward. * International Journal of Communication *We Are Dataspells out the implications of being made of data in the digital age: our new & algorithmic identity. John Cheney-Lippold shows how algorithmic logics that undergird the architecture, regulation, monetization, and uses of the Internet have changed the nature of human experience and identity. Through witty and accessible examples, he eloquently lays out the social and political consequences of transcoding lived identity into measurable types in our new world. Clearly written, carefully researched, timely and intelligent,We Are Datais a compelling and much-needed book. -- Alexandra Juhasz,Chair, Film Department, Brooklyn CollegeJohn Cheney-Lippolds deft examination of & measurable typesthe categories by which we are known and assessed, based on our datasheds light on contemporary societys encounter with information systems to scrutiny, and with those eager to identify us for their own ends.We Are Data goes beyond naming possible harms. It helps us think differently about what it means to be & seen by marketers, algorithms, or the NSA as members of shifting categoriesidentifications that structure us and our encounter with the world, but that we have little power to shape. -- Tarleton Gillespie,author of Wired Shut: Copyright and the Shape of Digital CultureThis book sparkles with brilliant insights. It offers us tools and a vocabulary through which we can think about the layers of identities that our data-conjured ghosts inhabit. I dont think I fully grasped the complexity of what these clouds of commercial data did with us and to us until I read We Are Data. -- Siva Vaidhyanathan,author of The Googlization of Everything—and Why We Should WorryWe Are Data is an inspiring and thought-provoking book to read, especially for those interested in the social, political, and cultural aspects of data. It draws on a wide range of well-known literature in the field of Internet and algorithm studies and further engages deeply with the philosophical aspects of the presented themes. * Mobile Media and Communication *If knowledge is indeed the means by which we can begin to challenge the digital status quo, then Cheney-Lippold has done much to forearm us by so capably elucidating the problem. * LSE Review of Books *The text moves beyond overdone topics of online privacy to look at how the lack of privacy of our data impacts identities It is the most appropriate for social science researchers and students. * Choice *We Are Data shows us just how powerful data can be and how that data affects who we are and who we can be. Cheney-Lippold addresses how data is (and always has been) a part of our lives through the discussionof categorization, control, subjectivity, and privacy. * Technical Communication *A heady and rewarding explanation of our lives in the data age. [Cheney-Lippold's] discussion of privacy...will fascinate many. Essential reading for anyone who cares about the internet's extraordinary impact on each of us and on our society. * Starred Kirkus Reviews *

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Book SynopsisUnderstanding Esports: An Introduction to the Global Phenomenon places professional Esports, a rapidly growing industry, in both the cultural and athletic landscape. This book explores how the rise of professional gaming has shapedand been shaped bymedia trends, interpersonal communication, and what it means to be classified as an athlete. Ryan Rogers has assembled contributors from a variety of backgrounds and experiences in order to provide a broad view of the history, experience, and impact of professional gaming. Scholars of media studies, communication, sports, and cultural studies will find this book especially useful.Trade ReviewRogers (Butler Univ.) offers a practical volume to enable scholars and students of sports entertainment to gain an understanding of "esports" (electronic sports), a relatively new, billion-dollar, worldwide industry. Esports is here defined as "organized competitive gaming," a form of play as mediated by human-computer interfaces. Video games were mainly enjoyed by amateur players until the late 2000s, when a crescendo of interest in observing tournaments between professional players emerged. Professional games can now be watched by spectators through live streaming, and such activities currently represent a major sector of the video game industry. As explained by Rogers, this project took shape in 2018 as he was teaching a course on esports, and encountered difficulty with locating sufficient reading materials. The book was then quickly developed, with 14 chapters contributed by 30 authors, many of whom are experts in media and communications. . . the book provides a highly informative orientation to esports and its history, analyzing the roles of fans, players, and entrepreneurs, and identifying the principal games and genres. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. * CHOICE *Esports is a field that is emerging rapidly in schools, communities, industry, and educational research, and may well become a crucial new source of modern learning for collaboration and technology. This book is an excellent user manual for an exciting ride into uncharted territory. -- James Paul Gee, Arizona State UniversityTable of ContentsChapter 1: What is Esports?Chapter 2: Can Video Games be a Sport? Debating and Complicating Esports as Physical CompetitionsChapter 3: The Origins of Esports: A Half-Century History of an "Overnight" SuccessChapter 4: Competition Formats in EsportsChapter 5: No Time for Lag: Newspaper Coverage of Esports, 2000-2018Chapter 6: Esport Spectator MotivationChapter 7: The Esports Consumer ExperienceChapter 8: The Motivations of Esports PlayersChapter 9: Fighting Games and Social PlayChapter 10: Sports Video Games (SVGs) in the Esports LandscapeChapter 11: Not Your Average Sunday Driver: The Formula 1 Esports Series World ChampionshipChapter 12: Counter-Strike or Counterpublic? Audience Creation, Transnational Discourses, and the Rhetorical Legitimation of Esports in TBS's ELEAGUEChapter 13: The Law of EsportsChapter 14: Leveraging Esports in Higher Education

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Book SynopsisInformation overload, the shallows, weapons of mass distraction, the googlization of minds: countless commentators condemn the flood of images and information that dooms us to a pathological attention deficit. In this new book, cultural theorist Yves Citton goes against the tide of these standard laments to offer a new perspective on the problem of attention in the digital age. Phrases like �paying attention� and �investing one�s attention� attest to our mistaken belief that attention can be conceptualized in narrow economic terms. We are constantly drawn towards attempts to quantify and commodify attention, even down to counting the number of 'likes' a picture receives on Facebook or a video on YouTube. By contrast, Citton argues that we should conceptualize attention as a kind of ecology and examine how the many different environments to which we are exposed – from advertising to literature, search engines to performance art – condition our attention in different ways. In a world where the demands on our attention are ever-increasing, this timely and original book will be of great interest to students and scholars in media and communications and in literary and cultural studies, and to anyone concerned about the long-term consequences of the profusion of images as well as digital content in the age of the internet. Trade Review"Within the growing field of attention studies, Yves Citton�s new book is a superb and indispensable intervention. He provides a devastating analysis of the neoliberal attention economy and opens up crucial pathways for resisting its imperatives." Jonathan Crary, Columbia University "Citton offers a valuable critique and alternative to talk about an �economy of attention�. He shows how attention produces the individual who is usually presupposed as �paying� it, and he shows how the creation of attentiveness may not really be an economy at all. He starts by debunking the unthought assumptions of a whole field, and moves on to a media and social theory of breadth and subtlety." McKenzie Wark, author of TelesthesiaTable of ContentsAcknowledgements vi Foreword ix Introduction: From Attention Economy to Attention Ecology 1 Part I Collective Attention 25 1 Media Enthralments and Attention Regimes 27 2 Attentional Capitalism 44 3 The Digitalization of Attention 63 Part II Joint Attention 81 4 Presential Attention 83 5 The Micro-Politics of Attention 106 Part III Individuating Attention 123 6 Attention in Laboratories 125 7 Reflexive Attention 139 Conclusion: Towards an Attention Echology 171 Notes 200 Name Index 219 Subject Index 222

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Book SynopsisSECOND UPDATED EDITION, WITH THREE ALL-NEW CHAPTERS The first edition of Making is Connecting struck a chord with crafters, YouTubers, makers, music producers, artists and coders alike. David Gauntlett argues that through making things, people engage with the world and create connections with each other. Online and offline, we see that people want to make their mark, and to make connections. This shift from a ‘sit-back-and-be-told culture’ to a ‘making-and-doing culture’ means that a vast array of people are exchanging their own ideas, videos, and other creative material online, as well as engaging in real-world crafts, music projects, and hands-on experiences. Drawing on evidence from psychology, politics, philosophy, and economics, Gauntlett shows that this everyday creative engagement is necessary and essential for the happiness and survival of modern societies. This fully revised second edition includes many new sections as well as three brand new chapters on creative processes, do-it-yourself strategies, and platforms for creativity.Trade Review‘This updated volume guides us through the twists and turns of a digitally connected society. Whether you're an artist, teacher, parent, scholar, or just interested in digital media today, this book is essential reading.’Kylie Peppler, Indiana University ‘Sharp, witty, and passionate – Gauntlett has crafted the most vital manifesto for how we can foster powerful and creative communities.’ Simon Lindgren, Umeå UniversityTable of ContentsAcknowledgements Preamble to the second edition 1. Introduction 2. The meaning of making I: Philosophies of craft 3. The meaning of making II: Craft today 4. The meaning of making III: Digital 5. The value of connecting: Personal happiness and social capital 6. Tools for change 7. Online creativity needs better platforms 8. Making connections and the creative process: From music to everything 9. Doing it yourself: More lessons from music making and connecting 10. Platforms for creativity 11. Conclusion Notes Index

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Book SynopsisIn recent decades, the global wealth of the rich has soared to leave huge chasms of wealth inequality. This book argues that we cannot talk about inequalities in Britain today without talking about the monarchy.Running the Family Firm explores the postwar British monarchy in order to understand its economic, political, social and cultural functions. Although the monarchy is usually positioned as a backward-looking, archaic institution and an irrelevant anachronism to corporate forms of wealth and power, the relationship between monarchy and capitalism is as old as capitalism itself. This book frames the monarchy as the gold standard corporation: The Firm. Using a set of case studies – the Queen, Prince Charles, Prince Harry, Kate Middleton and Meghan Markle – it contends that The Firm’s power is disguised through careful stage management of media representations of the royal family. In so doing, it extends conventional understandings of what monarchy is and why it matters.Trade Review'This is a major reassessment of the British monarchy and its place in cultural, social and economic life. Laura Clancy offers a lucid examination of the ideological roles of the royals and, through detailed research, pulls back the curtain to reveal their economic organisation and vested interests. Arguing that monarchy is a key means through which the social mechanisms of inequality are disguised and naturalised, she offers a thorough, persuasive and far-reaching account of what the monarchy really "gives back."'Jo Littler, Professor of Sociology, City, University of London'Running the Family Firm is an incisive account of what propels the public image of the British monarchy and how it is shaped by issues concerning gender, class, colonialism, corporate power, social media, and national identity.'Francesca Sobande, author of The Digital Lives of Black Women in Britain'There are few institutions that have been as effective in hiding their operations from public view as the British monarchy. In her brilliantly researched book, Running the Family Firm, Laura Clancy deftly traces the strategic ways in which the corporation known as “The Firm” has maximised profits and engaged in capital accumulation for its own benefit, whilst projecting to the world a false image of a benign family institution, committed to simple, selfless service to the nation. Rather than the mythical tale we’ve been sold, of the British Monarchy as an apolitical entity, a different, more disturbing picture emerges from the pages of this book, namely a portrait of an economic and political enterprise ruthlessly managed as an exploitative financial machine. By exposing the co-constitutive and co-dependent relationships between invisibility, visibility and power, Clancy provides a penetrating sociological take on what Prince Harry once called the “invisible contract” between the Monarchy and the British media. Clancy takes us “backstage” to reveal how the Monarchy’s tax havens abroad are directly connected to class inequality at home. More than a book “just about the Monarchy”, Running the Family Firm is a brilliant sociological account about power, media manipulation, and the reproduction of social and economic inequality today. This is contemporary sociology at its best.'Ben Carrington, Associate Professor of Sociology and Journalism, University of Southern California -- .Table of ContentsIntroduction: Why does monarchy matter?1 The (Family) Firm: Labour, capital and corporate power2 ‘The greatest show on earth’: Monarchy and media power3 ‘Queen of Scots’: National identities, sovereignty and the body politic4 Let them have Poundbury! Land, property and pastoralism5 ‘I am Invictus’: Masculinities, ‘philanthrocapitalism’ and the military-industrial complex6 The heteromonarchy: Kate Middleton, ‘middle-classness’ and family values7 Megxitting the Firm: Race, postcolonialism and diversity capitalPostscript: The post-royalsNotesIndex

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Book SynopsisThe Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema.The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including: easily readable and jargon-free film reviews. essays on specific subjects such as perspectives on the horror film genre and adolescent development. transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films. The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts.Trade Review'In these days, when psychoanalysis is looking for ways to integrate itself back into the world - into cultural, political, intellectual, and emotional life - a book like this is to be cherished ... It is a gold mine for anyone interested in movies, in psychoanalysis, or in the reciprocity between them' - Anita Weinreb Katz, Journal of the American Psychoanalytic Association, 53(2): 673-679; 2005."This is a book which will fascinate all cinema lovers and take its place among the many valuable writings on applied psychoanalysis in Europe" - Serge Firsch, The International Journal of Psychoanalysis'In these days, when psychoanalysis is looking for ways to integrate itself back into the world - into cultural, political, intellectual, and emotional life - a book like this is to be cherished ... It is a gold mine for anyone interested in movies, in psychoanalysis, or in the reciprocity between them' - Anita Weinreb Katz, Journal of the American Psychoanalytic Association, 53(2): 673-679; 2005."This is a book which will fascinate all cinema lovers and take its place among the many valuable writings on applied psychoanalysis in Europe" - Serge Firsch, The International Journal of PsychoanalysisTable of ContentsMulvey, Foreword. Sabbadini, Introduction. Part I: Set and Stage.Bertolucci, Shaw, Mawson, The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie, Stevenson, Taylor Robinson, One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre, Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti, Golinelli, Bolognini, Sabbadini, Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff, Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers, A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run, Lola, Run (1999). Pedrón de Martín, Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond, Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider, Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell, Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry, Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant, Cinema, Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted, Taylor Robinson, Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie, The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic, Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman, Rosenheimer, Aviad, Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody, Brearley, Filming Psychoanalysis: Feature or Documentary? Two Contributions.

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Book SynopsisIn Towards a Productive Aesthetics: Contemporary and Historical Interventions in Blake and Brecht, Keith O'Regan mobilises a constellative approach to compare the political-aesthetic strategies of William Blake (1757-1827) and Bertolt Brecht (1898-1956). O'Regan traces two similar trajectories in each author's work: an exploration of how capitalist domination defines conjunctures, and an investigation of how historical figures, themes, and terrains illustrate past failures or losses that can be cleaved open for radical possibilities in the present. Brecht and Blake posit an "oppositional aesthetics of the now" that articulates a theory of experience under capitalism, while counter-posing an oppositional form of existence.Table of ContentsA Acknowledgments1 Introduction2 Brecht and the Now 1  Mann ist Mann: The Right Question and the Precision of Time 2  The Knowing Johanna 3  Kuhle Wampe and the Good Answer 4  Concluding Brecht to 19333 Blake, Opposition, and the Now 1  Blake and Romanticism 2  Expect Poison, Demand Movement 3  Innocence’s Opposition to Experience 4  Conclusion: The Future in the Present4 Brecht, History and the Productive Past 1  And the Cart Rolls On … Mutter Courage and Learning from Those Who Don’t 2  The Religion of the Now: Galileo and the Knowing Science 3  The Chalk Lines of History: Der Kaukasische Kreidekreis, Productivity and the Past 4  Concluding the Historical Brecht5 Blake, Milton, and Historical Redemption 1  Blake Contra Newton 2  The Importance of What Is Missing 3  Filling in That Which Is Missing 4  Milton’s Entrance 5  Blake Labouring in History 6  Brecht, Blake and the Uses of History6 ConclusionBibliographyIndex

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Book SynopsisThe third edition of International Communication examines the profound changes that have taken place, and are continuing to take place at an astonishing speed, in international media and communication. Building on the success of previous editions, this book maps out the expansion of media and telecommunications corporations within the macro-economic context of liberalisation, deregulation and privitisation. It then goes on to explore the impact of such growth on audiences in different cultural contexts and from regional, national and international perspectives. Each chapter contains engaging case studies which exemplify the main concepts and arguments.Trade ReviewDaya Thussu's International Communication is an excellent introduction to global media or international communication. It has excellent historical analysis, somewhat focused on the British Empire and its colonies, but quite comprehensive. It covers all the major issues well and is quite comprehensive. while also being very readable. It uses key case studies well and should intrigue both students new to the subject, as well as more advanced readers. * Joseph Straubhaar, Amon G. Carter, Sr. Centennial Professor of Communication, University of Texas at Austin, USA *In this time of major transformations, contentions and challenges, understanding and conducting international communication is more critical than ever. Thussu's third edition presents the reader with an extraordinarily prescient and penetrating perspective on international communication and its complex contexts. With its vibrant case studies, it is must reading for policymakers and practitioners as well as students. * Nanette S. Levinson, Faculty Director, Internet Governance Lab, School of International Service, American University, USA *This book is an outstanding combination of historical analysis, factual data and coverage of current trends in global media. The research contributes to deeper understanding of media in many regions and countries across the world, which makes Daya Thussu's book a valuable input into global research of media and communications. * Elena Vartanova, Professor, Dean, Faculty of Journalism, Lomonosov Moscow State University, Russia *Table of ContentsIntroduction to the Third Edition Chapter 1: The Historical Context of International Communication Communication and Empire The Growth of the Telegraph The Era of News Agencies Case Study: The Rise of Reuters The Advent of Popular Media Radio and International Communication The Cold War – From Communist Propaganda to Capitalist Persuasion Case Study: Covert Communication – RFE and RL International Communication and Development Case Study: Satellite Instructional Television Experiment The Demand for a New World Information and Communication Order Chapter 2: Approaches to Theorizing International Communication ‘Free Flow of Information’ Modernization Theory Dependency Theory Structural Imperialism Hegemony Critical Theory The Public Sphere Cultural Studies Perspectives on International Communication Theories of the information society Discourses of Globalization A Critical International Communication Theory? International Communication in International Politics Internationalizing International Communication Theory Chapter 3: Creating a Global Communication Infrastructure The Privatization of Telecommunications Free Trade in Communication Products and Services Liberalization of the Telecom Sector Privatizing Space – the Final Frontier Case Study: Intelsat The Global Satellite Industry Regional Satellite Services The Globalization of Telecoms Infrastructure for Internet Who Controls the Internet Infrastructure? Regulating an unregulated global Communication market The ‘T-treaty Trinity’ and Further Digital Deregulation? Implications of a Liberalized Global Communication Regime Chapter 4: The Global Media Market Convergence Global Media Conglomerates Case Study: Murdoch: A Global Media Mogul Televising Sport Globally Global News and Information Networks Case Study: CNN – The ‘World’s News Leader’ Setting the Global News Agenda Chapter 5: The Global and the Local in Media Cultures The Globalization of American Consumer Culture Global Trade in Media Products Public service to Private Profit – European Broadcasting Case Study: Children’s Television – Catching Them Young Hollywood Hegemony Concerns for cultural Diversity Global English Regionalizing and Localizing Media Cultures Global Music Case Study: MTV Adaptation, Hybridity or Hegemony? Cultural Relativism and Revivalism Culture as ‘Soft Power’ Chapter 6: Contraflow in Global Media The Globalization of China’s Media Contraflow in Global Entertainment The Other Hollywood – The Indian Film Industry Case Study: Zee TV – The Globalization of Indian Entertainment Globalization of Geo-linguistic Television The Transnationalization of Telenovelas Case Study: The Dramatic Rise of Turkish TV Dramas Case Study: Hallyu – the Korean Wave Case Study: Nigerian cinema Goes Global – Nollywood Contraflow in Global TV News Case Study: Al Jazeera – The ‘Island’ that Became a Global News Phenomenon The ‘RT Effect’ Contra or Complementary Flows? Cultures of Diaspora and ‘Migratory’ Media Chapter 7: International Communication in the Digital Age Digital Capitalism and a ‘Free Flow of Commerce’ Case Study: The ‘Googlization’ of Global Communication The Facebook Effect Communicating ‘Cyber-Capitalism with Chinese Characteristics’ Internet and Political Communication Case Study: The Globalization of ‘Fake News’ How the Web Has Affected Journalism International Communication as Infotainment and Edutainment Case Study: Infotainment 2.0 Global Edutainment Governance and Regulation in the Digital Age Global Communication: covert Spying and Overt Surveillance Communication for Development The ‘Chindia’ Effect Internationalizing International Communication Studies International Communication: Continuity and Change Glossary Appendix I: A Chronology of International Communication Appendix II: Useful Websites Appendix III: Discussion Questions References Index

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Book Synopsis'Thorough and engaging ... you can't understand England without understanding the BBC' New York Times 'Fascinating and informative' Daily Telegraph 'A dramatic tale of innovation and determination' Guardian In 1922, a tiny group of men and women came together to found the BBC, using what had been a weapon of war - Marconi's wireless - to remake culture for the good of humanity. Twenty years later, when George Orwell famously quit the Corporation, he decided he was done 'doing work that produces no result'. Yet the BBC is now one of Britain's most beloved institutions. Stars once fainted at the microphone; now a select few spend their Saturdays waltzing for the nation's entertainment in front of studio cameras. From Daleks to Desert Island Discs, the BBC has blazed a trail for British entertainment. Yet it has also always been at the forefront of global change, both breaking and covering the most important stories of the century on Panorama and BBC News. This is a stirring and monumental history of the British cultural stalwart which created modern broadcasting one hundred years ago.Trade ReviewAn impassioned defence [of] a national institution -- Dominic Sandbrook * Sunday Times *A tale of creative endeavour and technological innovation, beset by a constant tension between leading and following the audience * FT *A superb account ... David Hendy stages a cast of brilliant and sometimes flawed characters in a page-turning narrative. Quite simply wonderful -- Robert Gildea, Professor of Modern History at the University of OxfordA dramatic tale of innovation and determination ... at the dawning of what would turn out to be this country's biggest and most significant cultural institution -- Andrew Anthony * Observer *Extraordinary ... Hendy's stated aim is a kind of history from below: a counterpoint to Asa Briggs's magisterial five-volume account of British broadcasting history to 1974, which occasionally gave the impression that the story of radio and TV consisted largely in calm, besuited bigwigs gliding through boardrooms and Whitehall, setting policies and initiating parliamentary committees. Hendy, rather, wants to give a place to the people who actually did the work ... At times, Hendy succeeds magnificently -- Charlotte Higgins * Guardian *A fascinating and informative account of the BBC's first 100 years -- Robin Aitken * Daily Telegraph *Hendy ... combines a historian's sense of sweep with the eye for colour of the TV producer he once was * The Economist *David Hendy's history of the BBC is both engaging and fair ... it is very much the case for the corporation, but it is a case that needs to be made -- Allan Massie * Scotsman *A solid ... case for the BBC's survival -- Clive Davis * Times *Lucid and well-researched -- Rod Liddle * Spectator *Hendy tracks the Beeb from its chaotic formation and its pivotal, sometimes covert, roles during the Second World War through peaks and troughs ... packed [with] vivid tales -- Graeme Thomson * Radio Times *Sympathetic but never uncritical, a masterpiece of lucid presentation ... this is the authoritative, much-needed history of the BBC's first century - a century at the heart of British everyday life. I hope it does its bit to counter the vandals -- David Kynaston, historian and Visiting Professor at Kingston UniversityDavid Hendy's magisterial The BBC: A People's History is a truly wonderful book. Captivating, compelling, moving, and richly detailed it is both a ground-breaking and important history of our national broadcaster and one of the best things I have read on the transformation of British society, culture, and politics since the 1920s -- Matt Houlbrook, Professor of Cultural History at University of BirminghamAn appropriately large-scale account of the media giant at the very heart of British life ... Much of this history has been told before but never in such well-researched depth and sparkling detail * Kirkus *

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Science communication is a rapidly expanding area, and a key component of many final year undergraduate and postgraduate courses. Authored by a highly regarded chemist and science communicator, this textbook pulls together all aspects of science communication. Complete Science Communication focusses on four major aspects of science communication: writing for non-technical audiences and science journalism; writing for technical audiences and peer-reviewed journal writing; public speaking of science; and public relations. It first showcases how writing in a journalistic style is done and provides a guide for colloquially communicating science. Then, the art of writing scientific papers is conjoined to this idea to make technical manuscripts more digestible, readable, and, hence, citable. These ideas are next taken into the spoken word so that the scientist can engage in telling their science like that natural human art of campfire stories. Finally, all of these communication concepts are wrapped together in a discussion of public relations, providing the scientist with an appreciation for the marketing directors and news disseminators with whom they will work. Written in an accessible way, this textbook will provide science students with an appreciative understanding of communication, marketing, journalism, and public relations. They can incorporate these aspects into their own practices as scientists, allowing them to liaise with practitioners in the communication field.

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Book Synopsis''Thoughtful, witty, occasionally comic, often effortlessly profound - not a conventional journalistic memoir.'' Sunday Times''If you value the perspective and judgment of one who has covered, often from the frontline, the major events of the past four decades, then snap up a copy.'' Mail on Sunday''A book brimming with surprises and insight.'' - Nicholas Coleridge -------------------------------------------------------------------Edward Stourton was born into a life of privilege.The son of expat parents in colonial Nigeria, Ed was sent back to Britain to be educated by Benedictine monks at Ampleforth, at the time when, it was latter revealed, the school and monastery were the setting for serial abuse cases. He then went up to Cambridge, where his life as an undergraduate gave him access to a network of future ministers, judges and newspaper editors. As a young journalist, he reported first from party conferences and picket lines and then from war zones, witnessing the events making international headlines, from Haiti to Hong Kong, before returning home to join the infighting on BBC Radio 4''s Today.During this time, the Empire has given way to the rise of the Black Lives Matter movement, men-only clubs have been replaced by Me Too, and instead of a choice selection of voices on a handful of radio and television channels, we have millions of voices on YouTube, Instagram, TikTok.The world has changed, and so has Ed. Brought face to face with the author of his obituary and his own inevitable mortality, Ed is prompted to reflect on the life he has led and the events that have shaped him.In Confessions, he describes this remarkable journey with candour, humour and the insight that only forty years'' experience of writing and reporting can provide.''A searingly honest insight into the life of one of our great journalists. Hugely entertaining too.'' John Humphrys

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Book SynopsisA transnational exploration of street performance, this original interdisciplinary study examines the intricate limits of legality, data visibility and resistance from the perspective of those working at the social and regulatory margins of society. Based on fieldwork, it is a lively account of why the practice matters today. 18b&w illus.

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In this new edition of The Television Genre Book, leading international scholars have come together to offer an accessible and comprehensive update to the debates, issues and concerns of the field. As television continues to evolve rapidly, this new edition reflects the ways in which TV has transformed in recent years, particularly with the emergence of online streaming services such as Netflix, Disney+, HBO Max and Amazon Prime. It also includes a new chapter on sports TV, and expanded coverage of horror, political thrillers, Nordic noir, historical documentary and docu-drama. With analyses of popular shows like Stranger Things, Killing Eve, The Crown, Chernobyl, Black Mirror, Fleabag, Breaking Bad and RuPaul’s Drag Race, this book offers a comprehensive understanding of television genre for scholars and students alike.

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Book SynopsisThis book is an essential guide to using all non-book media in education. The authoritive feature articles and listings will be invaluable to librarians, teacher, producers of film and video programmes in higher, further, continuing and secondary & tertiary education. Contents include listings for audio-visual centres in the UK and Ireland; film and video organisations; education officers, BBC and Independent Television; computers in teaching initiative (CTI) centres and distributors.Table of ContentsIntroduction. Articles. Directory including lists of audiovisual centres in UK. Film and video distributors. Equipment suppliers. Services, courses and events. Publications. Abbreviations.

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Book Synopsis“Cancel culture” has become one of the most charged concepts in contemporary culture and politics, but mainstream critiques from both the left and the right provide only snapshots of responses to the phenomenon. Takinga media and cultural studies perspective, this book traces the origins of cancel practices and discourses, and discusses their subsequent evolution within celebrity and fan cultures, consumer culture, and national politics in the U.S. and China. Moving beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, this analysis identifies multiple lineages for both cancelling and criticisms about cancelling, underscoring the various configurations of power associated with “cancel culture” in particular cultural and political contexts. Trade Review“This material provides an interesting yet complex genealogy of the different but overlapping areas of popular culture, digital activism and national politics. … what should we think about both progressive and conservative commentators in the US and elsewhere who have condemned the cancel culture? … . Are these essentially examples of the same thing? If not, what are the critical differences, and yet are there any underlying similarities between contextually different cancellations? … These questions, and other related problems … are answered in this book in an interesting and clear way.” (Jan Servaes, indepthnews.net, June 2, 2022)“Eve Ng’s new book … examines the phenomenon of ‘cancel culture’ from a critical media studies perspective, as both cancel practices (what people and institutional actors do) and cancel discourses (commentary about cancelling). … Her analysis moves beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, and underscores the different configurations of power associated with ‘cancel culture’ in specific cultural and political contexts.” (Louisa Hann, New Books network, newbooksnetwork.com, May 11, 2022) Table of Contents1. Introduction.2. Cancel Culture, Popular Media, and Fandom.3. Cancel Culture, Black Cultural Practice, and Digital Activism.4. Cancel Culture, U.S. Conservatism, and Nation.5. Cancel Culture and Digital Nationalism in Mainland China.6. Conclusion

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Book Synopsis1. Introduction.- 2. Bernie Madoff: “It’s all just one big lie”.- 3. Anna Sorokin: “The true story of a complete fake”.- 4. Elizabeth Holmes: “The worst possible thing is to have someone who doesn’t believe in you”.- 5. Sam Bankman-Fried “There are a lot of ways to do good in the world”.- 6. Conclusion.

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Book Synopsis1. Preface: "This is Fine:" Why the 2020s is the "Decade of Fire".- 2. The Era of the Post-Postmodern Celebrity.- Part 1. Personality Types.- 3. The Rise of Internet Influencers.- 4. The Discourse of Opinion Leaders.- 5. The Novelty of Platform Superstars.- 6. The Expertise of Nanocelebrities.- Section 2. Purposeful Content.- 7. Amplifying Knowledge Through Informative Content Creation.- 8. How Internet Celebrities Convinve Their Audiences to Act.- 9. The Serenity, Creativity, and Spirituality of Inspirational Content.- 10. Crafting Digital Delight Through Entertaining Content.- Section 3. Powerful Reach.- 11. The Intimate Dynamics of Direct Messaging.- 12. Building a Community through Group Chats.- 13. Postings as Signs in the Collective Hallway.- 14. Streaming as a Convergent Model for Modern Broadcasting.- Section 4. Practical Communication.- 15. The Democratization of Fame.- 16. Postscript: The New Branded Self: Why the 2030s will be the "Decade of the Digital Cool".

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Book SynopsisA revealing and gripping investigation into how social media platforms police what we post online—and the large societal impact of these decisionsTrade Review“[An] attentive analysis” – Corinna Canali, Tecnoscienza“Gillespie’s book is an important work in the documentation and analysis of content moderation and it will contribute significantly to shaping the landscape of future research in this domain” — Joseph Seering, ConvergenceFinalist for the 2019 PROSE awards, Media and Cultural Studies category"In this lively and entertaining book, Tarleton Gillespie shows us how social media regulate our speech in many different ways, some overt and some hidden. He explains why content moderation is not a peripheral function of social media, but central to their very existence."—Jack Balkin, Yale Law School“Online platforms are defining our technological landscape, shaping our lives online and off. Custodians of the Internet is the exquisitely-drawn map that shows us how they do it.”—Jonathan Zittrain, author of The Future of the Internet and How to Stop It“In this timely and important book, Gillespie deftly reveals the factors that shape social media platforms, and thus our world. Clear-eyed and incisive, a must-read for anyone interested in the influence of platforms, the forces that structure this influence, and crucially how to move forward.”—Zeynep Tufekci, contributing opinion writer for The New York Times and author of Twitter and Tear Gas"Truly stellar. Gillespie’s analysis deftly contextualizes moderation policies on social media platforms, and illuminates how the platforms' underlying values are baked into these policies. The result is essential reading."—Whitney M. Phillips, author of This Is Why We Can't Have Nice Things: Mapping the Relationship Between Online Trolling and Mainstream Culture“No one knows how digital platforms are shaping our lives better than Tarleton Gillespie. This book is an essential guide to the social and technical processes that animate our new media – and to the principles by which we might put them to more democratic ends.”—Fred Turner, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties

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Book SynopsisTrade Review"Forrest Stuart, Winner of a MacArthur fellowship, John D. and Catherine T. MacArthur Foundation""Winner of the CITAMS Book Award, Communication, Information Technologies, and Media Sociology Section of the American Sociological Association""Honorable Mention for the Outstanding Book Award, Inequality, Poverty and Mobility Section of the American Sociological Association""Finalist for the PROSE Award in Cultural Anthropology & Sociology, Association of American Publishers""The global cross-pollination of drill music is not a coincidence. Young people suffering from inequality and violence are harnessing social media to be heard and valued. Ballad of the Bullet is a detailed, sensitive toolkit for understanding cultural production in the modern city; essential reading for educators, community workers and music fans alike."---Ciaran Thapar, youth worker and writer, speaking on BBC Radio"Mr Stuart’s recent book, Ballad of the Bullet, is an often gripping account of what he learned from his association with teenage members of an up-and-coming drill group—he dubs them the Corner Boys—desperate to win fame, status and money from rapping. He shows how their musical and lyrical talent is only a minor part of what determines success."---Adam Roberts, The Economist"The book completely reshaped the way I thought about micro-celebrity and youth culture, and it opened my eyes to how discussions of the internet have been largely oblivious to the worlds of those who are not class-privileged, white and female. As people have been sucked ever deeper into their digital worlds in 2020, Stuart shines a light on how social media offer both hope and danger for some of our cities' most disadvantaged young."---Ashley Mears, Times Higher Education"Poignant, written with great clarity in a lively style, Stuart’s book belongs to a tradition of ethnographic studies conducted in Chicago on urban poverty since the 1930s."---Clément Petitjean, Books and Ideas

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Book SynopsisDrawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creaTrade Review“In this timely and consequential book, Bliss Cua Lim summons a history of Philippine cinema that disrupts settled idioms of archival recuperation, restoration, and reparation. Through a dazzling and detailed analysis of the material, historical, and political precarity of Philippine cinema, Lim centers the afterlives of filmic archives sustained through institutional and community efforts. The Archival Afterlives of Philippine Cinema demands a much-needed cinematic history that conjoins the experiences, histories, and violence of a collective past and present.” -- Anjali Arondekar, author of * Abundance: Sexuality’s History *“Bliss Cua Lim unveils a searing and unforgettable saga of official neglect, false starts, waste, indifference, arcane politics, and amnesia that have tragically deprived the Philippines of so much of its film heritage. She also reveals the extensive grassroots activism, optimism, and spirit of persistence that will ultimately bring a lasting solution. This story will resonate with audiovisual archivists, memory professionals, and cultural advocates around the world.” -- Ray Edmondson, author of * Audiovisual Archiving: Philosophy and Principles *Table of ContentsAcronyms ix Acknowledgments xi Introduction. Keywords for Philippine Cinema’s Archival Afterlives 1 1. A Tale of Three Buildings: Marcos Cultural Policy and Anarchival Temporality 51 2. Silence, Perseverance, and Survival in State-Run Philippine Film Archives 76 3. Privatization and the ABS-CBN Film Archives 107 4. Queer Anachronisms and Temporalities of Restoration: T-Bird at Ako 133 5. Informal Archiving in a Riverine System: Video 48 and the Kalampag Tracking Agency 173 6. Binisaya: Archival Power and Vernacular Audiences in Iskalawags 214 Epilogue. Of Audiences and Archival Publics: Pepot Artista 256 Notes 277 Bibliography 339 Index 375

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Book SynopsisInformaticathe updated edition of Alex Wright''s previously published Glutcontinues the journey through the history of the information age to show how information systems emerge. Today''s information explosion may seem like a modern phenomenon, but we are not the first generationor even the first speciesto wrestle with the problem of information overload. Long before the advent of computers, human beings were collecting, storing, and organizing information: from Ice Age taxonomies to Sumerian archives, Greek libraries to Christian monasteries.Wright weaves a narrative that connects such seemingly far-flung topics as insect colonies, Stone Age jewelry, medieval monasteries, Renaissance encyclopedias, early computer networks, and the World Wide Web. He suggests that the future of the information age may lie deep in our cultural past.We stand at a precipice struggling to cope with a tsunami of data. Wright provides some much-needed historical perspect

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Book SynopsisCommunicology is Vilém Flusser's first thesis on his concepts of technical images and technical imagination. In this foundational text he lays the groundwork for later work, offering a philosophical approach to communication as a phenomenon that permeates every aspect of human existence. Clearly organized around questions such as "What is Communication?," "What are Codes?," and "What is Technical Imagination?," the work touches on theater, photography, film, television, and more. Originally written in 1978, but only posthumously published in German, the book is one of the clearest statements of Flusser's theory of communication as involving a variably mediated relation between humans and the world. Although Flusser was writing in the 1970s, his work demonstrates a prescience that makes it of significant contemporary interest to scholars in visual culture, art history, media studies, and philosophy.Trade Review"Flusser is a painter of oblique strokes, dismantling familiar perspectives. Never less than entertaining, Communicology refreshes, challenges and blasts open unexpected vistas."—Seán Cubitt, University of Melbourne"If you are in search of Flusser the media theorist, indeed, if you are seeking to understand how information works, Communicology is it. Flusser teases out the kinds of fundamental questions that are at the core of the human experience."—Anke Finger, University of Connecticut"Communicology is a central work for any appraisal of Flusser's thinking, and an innovative and singular introduction to media theory."—Erick Felinto, State University of Rio de Janeiro"Communicology is an important work for the study of media theory in general and, more specifically, Flusser's own communication theory."—Rodrigo Petronio, Armando Alvares Penteado Foundation"New theories in communication are rare. However,Communicology—written in 1978, posthumously published (in German), and now newly translated into English—leads the reader to consider contemporary answers to age-old questions.... Though Flusser builds on philosophers suchas Heidegger, this work is original and seminal. Flusser's work is now more important than ever, given the present rapid and radical changes to communication such as ChatGPT. Highly recommended."—K. L. Majocha, CHOICETable of Contents0. Synopsis 1. What Is Communication? 2. What Are Codes? 3. What is Technical Imagination?

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Book SynopsisA radical rethinking of the theory and the experience of mental images Here, in English translation for the first time, is Gilbert Simondon’s fundamental reconception of the mental image and the theory of imagination and invention. Drawing on a vast range of mid-twentieth-century theoretical resources—from experimental psychology, cybernetics, and ethology to the phenomenological reflections of Sartre and Merleau-Ponty—Imagination and Invention provides a comprehensive account of the mental image and adds a vital new dimension to the theory of psychical individuation in Simondon’s earlier, highly influential work.Simondon traces the development of the mental image through four phases: first a bundle of motor anticipations, the image becomes a cognitive system that mediates the organism’s relation to its milieu, then a symbolic and abstract integration of motor and affective experience to, finally, invention, a solution to a problem of life that requires the externalization of the mental image and the creation of a technical object. An image cannot be understood from the perspective of one phase alone, he argues, but only within the trajectory of its progressive metamorphosis.

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Book SynopsisA leading foreign correspondent looks at how social media has transformed the modern battlefield, and how wars are foughtModern warfare is a war of narratives, where bullets are fired both physically and virtually. Whether you are a president or a terrorist, if you don''t understand how to deploy the power of social media effectively you may win the odd battle but you will lose a twenty-first century war. Here, journalist David Patrikarakos draws on unprecedented access to key players to provide a new narrative for modern warfare. He travels thousands of miles across continents to meet a de-radicalized female member of ISIS recruited via Skype, a liberal Russian in Siberia who takes a job manufacturing Ukrainian news, and many others to explore the way social media has transformed the way we fight, win, and consume wars-and what this means for the world going forward.Trade ReviewImportant and accessible....A relatable, even enjoyable, introduction to the way the battlefield has moved onto our phones and laptops, and from there directly into our brains. War in 140 Characters is a necessary read for everyone affected by this baffling state of affairs. * Washington Post *War in 140 Characters details a new kind of conflict that puts military dominance at risk by weaponizing social media in ways that Silicon Valley's digital optimists never imagined...Offers vivid profiles of individuals on both sides of the battlefield. * Wall Street Journal *War in 140 Characters is filled with fantastic on-the-ground reporting on how social media is changing war. It is worth reading for anyone trying to comprehend Russian disinformation campaigns-and to help us anticipate the social media challenges of future wars. * Financial Times *Thrilling...War In 140 Characters offers us the first substantial steps of clarity in the digital maelstrom. * Forbes *Highly readable...Patrikarakos asks searching questions and never overstates his case. * Foreign Affairs *This is not the future of war, but what war is like right now as exposed in this bold, original account of the front lines...War in 140 Characters is no dense tech book, but a gripping war book...It is only a matter of time before the British Army will be fighting on this terrain; War in 140 Characters should be mandatory reading at Sandhurst. * The Times (UK) *Thoughtful and immensely enjoyable...A timely reminder that journalism...is a small-and vital-part of the solution. * Newsweek *What fascinates Patrikarakos, a widely traveled foreign correspondent, is how social media are changing the nature of armed conflict...This is our new reality, and War in 140 Characters is an excellent guide to it. * Weekly Standard *In his highly readable new book War in 140 Characters, David Patrikarakos examines how social media has impacted armed conflict in the 21st century...War in 140 Characters is an important effort to understand why the 21st century does not look like we had fervently hoped it would. * American Interest *The book is a fast-paced read exploring the power of the individual in shaping the narrative of war online...As Patrikarakos's timely work shows, determining who won and who lost depends on where you stand. * The Times of Israel *

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Book SynopsisThis groundbreaking book explains why and how so many people consume little or no news despite unprecedented abundance and ease of access.Trade ReviewThis is urgent, necessary reading for anyone in the business of news, for anyone who cares about the news, and for anyone who wants to ensure a future of fair access to knowledge and information for all. We ignore this meticulously researched and empathetically reported book at our own peril. -- Melissa Bell, publisher of Vox MediaNews avoiders are one of the most neglected topics in communications research, yet listening to and understanding them may be absolutely crucial for the health of democratic culture. This precisely grounded, sociologically rigorous, and searching three-country study sets completely new standards for pursuing this elusive topic. -- Nick Couldry, London School of Economics and Political ScienceThis is a beautifully written book that teaches us so much about the nature of our relationships to news by looking in closely at the lives and understandings of people who choose to avoid it. -- Katherine Cramer, University of Wisconsin-MadisonThis book is a wide-ranging investigation of not only the quantitative data about news avoidance but also, most importantly, the sentiments of those who have opted out of quality journalism. If journalists want to regain these readers, then it is crucial that we understand them first. This book serves as an important first step. -- Clara Jiménez Cruz, CEO of Maldita.es and chair of the European Fact-Checking Standards NetworkA deep dive into the complicated reasons that people distrust the news. A must-read for any journalist who wants to serve the people, meaning all the people—not just their friends and colleagues. -- Amanda Ripley, Washington Post columnistHighly recommended. * Choice Reviews *Table of ContentsAcknowledgments1. Is Ignorance Bliss?2. Who Are Consistent News Avoiders?3. Why News Avoiders Say They Don’t Use News4. Identities: How Our Relationships to Communities Shape News Avoidance5. Ideologies: How Beliefs About Politics Shape News Avoidance6. Infrastructures: How Media Platforms and Pathways Shape News Avoidance7. News for All the People?Appendix A: Studying News Avoidance Using Interpretive MethodsAppendix B: Summary Tables Describing Study ParticipantsAppendix C: Interview Protocols for In-Depth InterviewingNotesIndex

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Book SynopsisBonnie Honig invigorates debate over the politics of refusal by insisting that withdrawal from unjust political systems be matched with collective action to change them. Historical and fictional characters from Muhammad Ali to the Bacchants of ancient Greek tragedy teach us how to turn rejection into transformative efforts toward self-governance.Trade ReviewA new and deeply compelling interpretation of Euripides’s Bacchae…Honig’s argument is brilliantly counterintuitive…She rereads the Bacchae to celebrate the women’s freedom and joy. -- Karen Bassi * Political Theory *Maneuvering through a complex theoretical web, Refusal displays Honig’s characteristic refusal of aridity…Most vital, though, is Honig’s encounter with the Bacchae itself. The tragedy’s devastation ‘illustrates, metaphorically speaking, the breadth and depth of patriarchy’s grasp, its imbrication in everything we love as well as in the structures and powers we resist’…Now that the United States has officially entered its post-Roe reality, Honig’s clarity about feminism’s normative and civic demands rings all the louder. Only in a world without patriarchs could feminist citizenship be claimed without so much bloody sacrifice. -- Katherine Bermingham * Review of Politics *Exudes a hopefulness for an anticipated future in which democracy is not always already over but readied, perhaps for the first time, to witness the joy and act on the knowledge of its marginalized subjects…Honig’s writing is elegant, economical, yet alive with a restrained but confident rhetorical flair. -- Victoria Hesford * Cultural Critique *Honig compellingly demonstrates the continued relevancy of ancient Greek tragedy for feminism, at a time when the role of the classics in higher education is increasingly under scrutiny. -- Rose A. Owen * Contemporary Political Theory *Give her glory! In her reading of and with the Bacchae, Bonnie Honig takes us through the text into critical theory, theater, and the agonistic political. Her sisterly feminism makes women fiercer, more violent, more political, more closely and willfully bound to one another, full of food and pleasure and joy in rebellion. In the arc of refusal that Honig makes visible, sexualities become iridescent acts of will, maternalism falls before an egalitarian sisterhood, and an ancient text opens to new forms of political struggle. -- Anne Norton, author of 95 Theses on Politics, Culture, and MethodWith a questing mind and an eye for the revealing detail, Honig finds unexpected meanings in Euripides’s Bacchae, showing how the play expands and renews feminist concepts of resistance. In their repeated refusals, sororal mutuality, and storytelling, the wild women who desert Thebes for the forest give us valuable hints about how power is sustained and how it may be opposed. For Honig, reading itself becomes a bold collaboration, an opportunity to place thinkers in surprising company and learn from the experiment. -- Joy Connolly, President, American Council of Learned SocietiesA profoundly relevant study of the three graces of refusal—inclination, inoperativity, and fabulation—and how, interwoven, they work to deepen its far-reaching agency. Honig encourages us all to stake a claim in the retelling of our histories, to push our narratives beyond the maddening limitations of patriarchal normativity. This is our civic and political duty, whether we succeed or fail. As Honig says, ‘we are in it together.’ -- Lisa Dwan, actor, writer, director, and star of Pale SisterIn Bonnie Honig’s stunning reinterpretation of the Bacchae, the concept of refusal—not an end in itself, but a necessary first step toward liberation and transformation—grounds an audacious and utterly persuasive feminist politics. Along the way, readers are treated to surprising and reciprocally illuminating pairings: Saidiya Hartman and Hannah Arendt, Greek tragedy and Black fabulation, Bartleby the Scrivener and Charlie Chaplin. This book blazes like a comet with intellectual sparks in its wake. -- Vaughn Rasberry, author of Race and the Totalitarian Century: Geopolitics in the Black Literary ImaginationExhilarating. With her vital reading of the Bacchae, Honig develops a fierce feminist politics that sees refusal not as passivity but as a violent transformative love. -- Catherine Conybeare, author of The Laughter of Sarah: Biblical Exegesis, Feminist Theory, and the Concept of Delight

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Book SynopsisIn this characteristically turbocharged book, now in a new post-election edition, celebrated Rolling Stone journalist Matt Taibbi provides an insider’s guide to the variety of ways today’s mainstream media tells us lies. Part tirade, part confessional, Hate Inc reveals that what most people think of as “the news” is, in fact, a twisted wing of the entertainment business. In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism’s dirty tricks. After a 2020 election season that proved to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. is an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.Trade ReviewThe best explanation of media behavior since Manufacturing Consent.” —Glenn Greenwald “Fantastic... Everyone should read [it].” —Krystal Ball “The best American journalism has to offer. ” —David Sirota “Where other mainstream news sources fail, Matt Taibbi madly embraces his role as an honest political observer/writer/citizen in a democracy. ” —Janeane Garofalo “Excellent.” —Joe Rogan “An invigorating polemic against tactics the news media use to manipulate and divide their audiences.” —Kirkus Reviews “Taibbi, a writer of striking intelligence and bold ideas, is as hilarious as he is scathing.” —Publishers Weekly “In a smart and scathing freewheeling analysis, the Rolling Stone journalist analyzes political campaign coverage and other media powder kegs.” —The New York Times “Taibbi aims a cannon, blasting [the] American media industry.” —The Washington Post “Scathing and irreverent.” —The Los Angeles Review of Books “A raucous updating of Noam Chomsky and Ed Herman’s classic dissection of capitalist news. Its message is hilarious yet grim: behind the buffoonery of the 24-hour partisan news machine is a propaganda system devoted to upholding the power of entrenched elites.” —Jacobin “Brilliantly captures the current circus atmosphere and explores its roots in the political, economic and technological transformations of the last half century. ” —CounterPunch “A bracing piece of media analysis… Should be required reading in all three remaining journalism schools. ” —Paste

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Book Synopsis"...a timely and entertaining account of how class rivalries as well as political conflicts have shaped and sometimes warped the news industry."—Michael Lind, author of The New Class War: Saving Democracy from the Managerial EliteSomething is wrong with American journalism. Long before “fake news” became the calling card of the Right, Americans had lost faith in their news media. But lately, the feeling that something is off has become impossible to ignore. That’s because the majority of our mainstream news is no longer just liberal; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including “antiracism,” intersectionality, open borders, and critical race theory. How did this come to be?It all has to do with who our news media is written by—and who it is written for. In Bad News: How Woke Media Is Undermining Democracy, Batya Ungar-Sargon reveals how American journalism underwent a status revolution over the twentieth century—from a blue-collar trade to an elite profession. As a result, journalists shifted their focus away from the working class and toward the concerns of their affluent, highly educated peers. With the rise of the Internet and the implosion of local news, America’s elite news media became nationalized and its journalists affluent and ideological. And where once business concerns provided a countervailing force to push back against journalists’ worst tendencies, the pressures of the digital media landscape now align corporate incentives with newsroom crusades.The truth is, the moral panic around race, encouraged by today’s elite newsrooms, does little more than consolidate the power of liberal elites and protect their economic interests. And in abandoning the working class by creating a culture war around identity, our national media is undermining American democracy. Bad News explains how this happened, why it happened, and the dangers posed by this development if it continues unchecked.Trade Review"Batya Ungar-Sargon has demonstrated that the press has fundamentally misdiagnosed the sources of tension in American political life, which are based more on class than race. As the industry has become more aristocratic, it has shed its egalitarian mission statement, devoting itself instead to reinforcing the assumptions of its educated, affluent readership. As a result, the news media is increasingly disconnected from the nation it pretends to serve and is ceding working-class politics to the American right. Ungar-Sargon’s insightful book is an impassioned plea not for objectivity in reporting but for a partiality that benefits the greatest number, even at the expense of a few egos in American newsrooms." —Noah Rothman, associate editor at Commentary magazine, MSNBC/NBC News contributor, and author of Unjust: Social Justice and the Unmaking of America“Bad News is a book that every single journalist and aspiring journalist in the country needs to read. The fact that modern journalism has transformed itself to an upper class profession is blindingly obvious to outsiders, but not well understood within the profession itself. The belief that it's up to journalists to lead public opinion in particular directions and lead them away from 
inconvenient facts is nothing less than a disaster for democracy. It undermines trust and credibility and destroys the likelihood of our citizens having 'shared facts.' Modern news media needs to earn the trust of the public back, and the first step is taking the hard 
medicine in this important book.”—Greg Lukianoff, CEO of The Foundation for Individual Rights in Education and co-author, Unlearning Liberty, co-author, Coddling of the American Mind “Journalism, at its best, provides a necessary check against powerful interests. But what happens when journalists themselves become part of a powerful, elite class, disconnected from the interests of the working class of the country? Batya Ungar-Sargon’s timely book paints a disillusioning picture of the state of 21st century journalism, where dispassionate reporting too often takes a back seat to narrative-driven progressive activism. It offers a clarion call for the most important kind of diversity within newsrooms – an ideological diversity that’s increasingly absent from our country’s leading institutions. If you care about the future of journalism, Bad News is both a wake-up call to the growing threat and a guidebook for how to build back better.”—Josh Kraushaar, politics editor, National Journal“If you really want to understand the contradictions and complexities of the present moral panic, Batya Ungar-Sargon is an extraordinarily incisive guide to the country we share and the journalism that attempts not just to capture but also to shape it. This is a must-read for anyone concerned about the fragmented state of American media and the perpetual culture (read: class) wars that so powerfully undermine it.” —Thomas Chatterton Williams, contributing writer, New York Times magazine, and columnist, Harper’s“In the growing chorus of voices speaking up against ideological conformity in the media and the zombie activism that goes along with it, Batya Ungar-Sargon’s call for sanity and intellectual integrity is full-throated and essential. In Bad News, she peels back the layers of a media apparatus that has incentivized the distortion of reality and pitted our brains against our emotions. In so doing, she offers concrete explanations for a cultural crisis that, for most people, is constantly felt on a visceral level but nearly impossible to understand. Readers will come away with a better understanding. From there, they might feel better, too.” —Meghan Daum, author of The Problem with Everything: My Journey Through the New Culture Wars “This book is like a flash of lightning, giving sudden illumination to one of the main causes of our current cultural dysfunction. This book is essential reading for anyone who wants to understand how we got here, or how we get out.” —Jonathan Haidt, NYU-Stern School of Business, co-author, Coddling of the American Mind ”This lively, provocative, and eye-opening book shows that the cultural symbols of class constitute a forceful engine in American life, even as the prevailing pundit machine tries to remove it from view." —Nancy Isenberg, author of bestselling White Trash: The 400-Year Untold History of Class in America“In Bad News, Batya Ungar-Sargon provides a timely and entertaining account of how class rivalries as well as political conflicts have shaped and sometimes warped the news industry, from the age of yellow journalism to today’s woke media.” —Michael Lind, author of The New Class War: Saving Democracy from the Managerial Elite

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Book SynopsisA bold new manifesto for digital technology after capitalismTrade Review'A ground-breaking, ambitious and rigorous account of how and why we must take control over contemporary digital technologies’ -- Nick Srnicek, Lecturer in Digital Economy at King's College London and author of 'Platform Capitalism''A clarion call for hope amid twenty-first century doom. With analytical flair, he shows that platforms are not invincible and that their infrastructure may be the key to a better world' -- Phil Jones, author of 'Work Without the Worker: Labour in the Age of Platform Capitalism''A compelling account of the political struggles that will be needed to challenge capital's control over digital platforms, and an essential read for anyone who believes in technology's emancipatory potential.’ -- Wendy Liu, author of 'Abolish Silicon Valley: How to Liberate Technology from Capitalism''A punchy analysis of the platform economy that offers more than a critique of big tech's vision of our collective future. Muldoon sketches the contours of a democratic socialist alternative' -- Aaron Benanav, Researcher at Humboldt University of Berlin and author of 'Automation and the Future of Work''Encourages us to open our minds fully to the possibility of an alternative future, in which technology is put to work for the many, not the few' -- Lizzie O'Shea, lawyer and author of 'Future Histories'Table of ContentsAcknowledgements Introduction 1. All the World’s a Platform 2. Monetising Community 3. Community-Washing Big Tech 4. Private Power and Public Infrastructure 5. Guild Socialism for the Digital Economy 6. Building Civic Platforms 7. Global Digital Services 8. Recoding Our Digital Future 9. Postscript: 2042 Notes Index

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The veil can be an instrument of feminist empowerment, and veiled anonymity can confer power to women. Starting from her own marriage ceremony at which she first wore a full veil, Rafia Zakaria examines how veils do more than they get credit for. Part memoir and part philosophical investigation, Veil questions that what is seen is always good and free, and that what is veiled can only signal servility and subterfuge. From personal encounters with the veil in France (where it is banned) to Iran (where it is compulsory), Zakaria shows how the garment's reputation as a pre-modern relic is fraught and up for grabs. The veil is an object in constant transformation, whose myriad meanings challenge the absolute truths of patriarchy. Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewRafia Zakaria, journalist and author, unravels the complex nexus of attitudes, policies, and histories revolving around this object in her fascinating new book, Veil. She demonstrates how the object can serve as a moral delineator, a disciplinary measure, a signifier of goodness, or as a means to subvert or rebel social norms. Through personal narratives and detailed analysis of various social and political conditions Zakaria offers an engaging and nuanced assessment of the veil in the contemporary context. * New Books Network *An intellectually bracing, beautifully written exploration of an item of clothing all too freighted with meaning. * Molly Crabapple, artist, journalist, and author of Drawing Blood (2015) *Rafia Zakaria’s Veil shifts the balance away from white secular Europe toward the experience of Muslim women, mapping the stereotypical representations of the veil in Western culture and then reflecting, in an intensely personal way, on the many meanings that the veil can have for the people who wear it … Zakaria’s more personal, philosophical approach is intended to contest the singular meaning that the veil has acquired in much of the West. By exploring the subjective experiences of the veil, we begin to see how both wearing it and not wearing it have profound psychic resonances for those who make these choices, as well as for those who regard it with hostility or even just curiosity … [Veil is] useful and important, providing needed insight and detail to deepen our understanding of how we got here—a necessary step for thinking about whether and how we might be able to move to a better place. * Joan W. Scott, The Nation *I admired Rafia Zakaria’s Veil months even before I read it … Her engaging prose is just what I hoped to find inside this little book, which is composed of short vignettes on the veil rather than a sustained philosophical treaty. * Reading Religion *Slim but formidable. * London Review of Books *Table of ContentsIntroduction 1. Submission 2. Purity, Necessity Unity 3. Rebellion 4. Feminism 5. Submissive or Submersive Epilogue Index

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